#you can achieve both and both have the same outcome

[pumpkinsouppe]

Sometimes I remember the symbolism behind the two majora fights (kid link vs the fierce diety) and it makes me so emotional

[rockingbytheseaside]

Hey I really love your writings and drawings, could I request a capitano one shot, where he meets the embodiment of death on a battlefield and after some time they fall in love, please. I hope you have a great day/night.

(anon, you are literally speaking my language rn, because I had that same idea. Hope I did it justice ❣ slight enemies to lovers, fluff, reader hinted to have abyss powers) 

✦ A dance between the unyielding & the unconquerable

✧ The current Pyro Archon, Mavuika, harbored a profound distaste for dealing with You and Il Capitano.

Not because of the obvious concerns such as the 1st Harbinger jeopardizing the safety of the gnosis, or you being an entity of abyssal nature. But because currently, the two of you stood in the grand arena exchanging too many… pleasantries. 

“To see you grace this battle arena with your might is truly an honor no man can ever hope to achieve. I'm looking forward to witnessing your grandeur once more.” 

The Captain held your hand in his armored one, his helmeted head leaned for a reverence kiss, knowing well these same hands could end him if you so desired. You mirrored his polite gentleness and smiled with a soft bow - “Nonsense, the honor is all mine to see you in action.” 

Mavuika was already removing her red optics and sighing dejectedly. They will never get this over with. She saw a fair share of competitive banter between opponents in her time: tense bickering, respectful encouragement, or excited chatter. But witnessing the stoic, stern Harbinger exchanging smitten words with his immortal enemy? You two looked more like a couple ready to slow dance. 

Perhaps your and Capitano's everlasting rivalry always resembled a dance. 

✧ Centuries ago, when the enigmatic faceless Fatuus first acquired the title of “The Captain”, he was employed by The Jester for one simple task – Find you and eliminate you. You resembled a simple mortal, yet one gaze at your eyes, and the vision of abyssal hell could be reflected. The personification of oblivion, strolling the surface of Teyvat innocently, leaving no trace behind yet appearing soundlessly. 

Your first exchange with him proved uneventful, as well. “A Fatui… Harbinger? What's that?” - was all you said back then. Nonetheless, Capitano knew he shouldn't underestimate your anomalous powers, he is a powerful man himself, and his blade knows no deception. 

He almost died that day. 

Years passed, and the scars or toils of your battles with him remained. With constant expedition to the abyss, The Harbinger ventured between realms seeking you out for revenge. Each time you crossed paths, the outcome remained the same - a polite exchange, followed by earth-shattering battles where both of your weapons clash and bodies are exerted. However, was the Harbinger seeking you out of his obligation for the Fatui, or because you were the only one who witnessed his full might? Perhaps, because you were the one to draw scars along his skin, a fair result of the duels he ignited. Or because only you knew of the thrill the two of you provided when battling? 

When bodies are taught with swift agility, blood surges hot with each evade. He feels your movement, swift and soundless, yet each murderous blow carries elegance as you fight him. This wasn't a gentle dance where he'll hold your delicate hand, and guide you on the ballroom floor by the waist. No, even if he secretly wished to. Alas, this was a dance where you would crush him to his knees, feel his sword pinning back against your weapon, holding his knuckles to block his direct attack. 

And he loved every second of it. The way you moved effortlessly, mirrored his excitement and triumphantly knocked him to the floor, or used your abilities to loom over him. The Captain makes sure that all his attacks are up close and personal against yours. 

✧ At times, when fate mockingly sends him back following your shadow, he’d encounter you in less hostile places. You sat at some ledge of a cliff, not far away from the People of the Springs tribe, your head raised to look at the fake stars of Teyvat. The Harbinger knew there were civilians nearby, initiating the usual duels would be unwise. Instead, he would sit next to you and raise his helmeted face at the taunting stars that brought you together. It was a rare moment of solitude, to see your figure next to him, so human-like and simple. Even he feels so human in your presence. 

And on such quiet, gentle nights – you two would just talk. Legs inching closer to sit close by. A hand gently placed on top of another. Silhouettes of two faces leaning tenderly into one, unseen by the dark sky as they exchange silent kisses. 

It was a foolish fate, for the immovable to fall in love with the indestructible. Thus, this was your life with the 1st Fatui Harbinger.  

✧ Going back to the present with Mavuika; the Pyro Archon received reports that not only did the Fatui send their strongest Harbinger, but the Abyss also sent their most formidable entity. For Natlan, this would be grave news, but as she delves deeper into understanding the two of you, the pieces of the puzzle start to fit together. How come the Captain is always conveniently there when you are sighted? How come when you two are supposedly meant to clash, no actual devastations happen? 

Instead, Il Capitano stays close to you. His armored hand is often clasped around yours to kiss the skin that can shower the world with annihilation. He'd drape his coat over your figure protectively, shielding you from stranger's fearful stares. You never liked unwanted attention, only he had the right to bask you in his. And most importantly, he'd kneel beside you so you may cup his helmeted face and bestow upon him tender kisses on his pitch-black visage.

Perhaps Mavuika has nothing to worry about. If the immovable cancels out the indestructible, then you two are not here to wreck chaos onto Natlan. Maybe you two are using it as a honeymoon destination. 

-

[ironunderstands]

All of Aventio’s implications that I can remember because someone has to compile them 

Massive disclaimer: the purpose of this slideshow is not to prove that Aventio is canon (even if I personally think it is), but rather to demonstrate the relationship these two have in canon, as well as disprove the misconception that they hate one another, because no, they absolutely do not. This list is also in no particular order so expect a lot of jumping around in the story. I hope you enjoy reading! 

Dr. Ratio added gambling to his update for the Simulated universe, and said a certain gambler would enjoy it, despite Ratio’s known dislike of gambling. 

He put his all into carrying out Aventurine’s betrayal plan, and Aventurine trusted him to execute it correctly, despite the plan/going to Penacony having no obvious gain on Ratio’s end.

Dr. Ratio gave Aventurine this note urging him to keep on living despite the pains of his past and the agony of the present, wishing a man who is already known for his luck the best of it, something which helps Aventurine survive the manifestation of IX. I am insane about this note and could yap on and on about it, but I will spare you the delusions for now haha. 

Dr. Ratio wears his headpiece around those he finds to be unintelligent and not worth his time, but he has never once on screen worn it around Aventurine, signaling that he finds the man to be both intelligent and worthy of his attention. 

Aventurine doubts his own intelligence and worth in his voiceline about Dr. Ratio, believing that the scholar doesn’t care for him. However, in Ratio’s voiceline about Aventurine, he commends Aventurine for his competence and skill, pointing out that his success is not in-fact just due to his luck, and if he keeps doubting himself he will meet the fate of those praying on his downfall.

Aventurine is also the only person to actually have voicelines about Dr. Ratio so far, despite Ratio having interacted with many others, meaning he’s the closest in canon to Aventurine, seeing that he’s the only one who talks about him. (Hopefully Screwllum has a line on Ratio when he comes out bc I am starving for Ratio content lmao). 

Aventurine’s first eidolon name is Prisoner’s Dilemma, which refers to a game theory in which two people can only achieve the best outcome of their situation if they put their faith one another while being unable to communicate/physically separated, and it mirrors the dynamic Ratio and Aventurine had on Penacony while acting out the betrayal plan. Which could mean nothing. 

His 6th eidolon name is Stag Hunt Game, which refers to another game theory based on trust, and is again, reminiscent of Ratio and Aventurine’s plan. Basically, they trust each other a hell of a lot, to the point where his eidolons are named after similar games of trust, which is no accident, as well, there’s countless game theories, and hoyo went with the ones specifically centered around trust between two people. For example his E4 is another one of those theories, but has nothing to do with trust, so they specifically selected his first and last eidolon to be about it, interesting.

The name of the 2.1 quest that just involves Ratio and Aventurine is Double Indemnity, which not only refers to the legal matter but also a famous romance and thriller movie in the 1950s by the same name. Notably, it shares a lot of plot points with that of the 2.1 quest as a whole, and the fmc is always portrayed as blond, just like Aventurine. 

There is also a scene within Double Indemnity that shares a lot of parallels between itself and the Final Victor lightcone. However in the movie scene she is holding the gun, whereas in the lightcone Ratio is, even if Aventurine is holding it to his chest.

Also if you want a more in depth analysis on how this movie relates to them, this person made a great one on tumblr :@anominous-user. (without the period, also it’s long as hell though be warned). 

You receive the track “Spellbound” after completing the Double Indemnity mission.

It is also the name of a 1945 film by Alfred Hitchcock, which is a Thriller, Noir and you guessed it, features romance as a major part of the plot. Its story also seems to have parallels to Aventio’s, but I’m not gonna get into that for now.

Notably, spellbound also means to hold the complete attention of someone, which is more often than not romantic, as only people you love/admire can captivate you like that. 

The bathtub couch Aventurine gets Ratio during his demo (and is the only time the seating ever changes in demos) is reminiscent of the bathtub couch from Breakfast at Tiffany’s, and you guessed it, its another romance.

He constantly flirts with Ratio in the pinball section of the Double Indemnity trailer, even going so far as to a) have the “Doctor you’re huge” line become a massive meme in the community b) he literally says the view is breathtaking when the only view is the giant Ratio he’s staring at. Honestly this entire section is so chock full of romance tropes (seriously what writer let their size difference kink into the story) that I have no idea how it passed censorship.

Aventurine also flirts with Ratio in the 2.0 scene by asking where his alabaster head is, which means he’s seen him wear it before. However, even when Dr. Ratio is acting, supposedly yelling at Aventurine for being a useless fool, he doesn’t wear the mask meaning he doesn’t truly feel that way.

They also have designated nicknames for one another, that are exclusive to them only. Dr. Ratio only ever calls Aventurine “gambler” while in his presence, and although Aventurine calls him Ratio sometimes, he often refers to Ratio as Doc/Doctor (Professor too in the CN) when talking to him. What’s interesting is that nobody else seems to refer to either of them with these names, meaning they made them for one another.

Despite the fact that throughout Penacony, Dr. Ratio’s job is to sell the betrayal plan, he still apologizes to Aventurine in the 2.0 argument scene, and looks away during Aventurine’s sentencing presumably out of guilt/to not break his poker face when the other looks at him. He also not so kindly tells Sunday to visit a shrink (therapist), which should tell you how much his actions concern and upset Ratio.

He also breaks his act again to check in on Aventurine. Hmm. 

Anyways time for the Aventurine keeping up with starrail speedrun because OH LORD, I’m gonna number these by image so I don’t exceed the count LMAOO. The first few are numbered by image, and the next are numbered by the columns of images, and I can clarify in the comments if you’re confused!

1) Owlbert calling them good friends (which Mr. Tsundere denies, although he says Aven isn’t awful to work with) 

2) PRAISE OWLBERT

3) This line is very significant because only 3% of Dr. Ratio’s students ever pass his classes, in which they become experts in their fields. So, if Aventurine earns a passing grade in Dr. Ratio’s book, that means he’s exceptional to him as almost nobody does. 

1) Ratio says his flashy outfits just make his job harder which ??? What do you mean by that sir do you not like seeing other people lay eyes on Aventurine serving cvnt? Why are you so worried about how his jobs go? Hmmm? Throughout the whole video he also keeps saying Aventurine shouldn’t take up fights in the first place, and the more logical thing to do would be to run away. Worried about our dear gambler Ratio?

2) How well do you know this man that you know his personal motto 😭 look genuinely idc if you leave this shipping them or not, how the hell are you gonna deny their friendship after this at the very least. 

Ok homoverse/j Anyways basically what’s going on here is that the little showcase of Aventurine’s kit ended and Ratio gave him a compliment. Owlbert says it seems like there is some mutual respect between them. Interesting, instead of denying it, Ratio asks, “What did he say about me?” implying that Ratio respects Aventurine, but he did not realize the other respected him back. 

1) Which causes Owlbert to spill this, which speaks for itself, Aventurine believes Ratio is the person who knows him best, so he invited him to be on the show. 

2) Which results in perhaps the greatest display of Ratio’s tsundereness to this day, also Owlberts face I can’t 

1) It seems Ratio didn’t think Aventurine knew him so well, but oh boy it gets better (worse for Ratio though LMAOO)

2) Caught your ass in 4k, also please just go and listen to this demo again I don’t think Ratio could sound more flustered if he tried. 

Apologies for the fuckass title card getting in the way no I don’t know how to remove it, but if you look closely in the first one, you can see a little sweat drop by Ratio’s face, which is again, another common trope with Tsundere’s when they get called out on their bs. “I really can’t tell what the deal is between you two,” me too Owlbert, me too.

Aventurine knows Ratio is in the council of Mundanites, information that is only a rumor to the rest of the galaxy, and Ratio trusts him with this information.

Acheron calls them friends, thank you Queen louder for the dumbasses in the back! Apparently there’s also a note somewhere in Penacony that talks about her, Argenti and of course Ratio being the ones to save Aventurine, so if I can find it, I’ll include it in the next part. 

Oh and don’t you think I’m done w this ridiculous lightcone for one second. I’m  well aware it’s a display of Aventurine’s su1c1dal tendencies, hell I was and still am the biggest supporter of that, however I also have eyes and yeah this fucking thing is really h0rny oh my god. “He provocatively looks at the man before him,” ok, could have picked any other wording but you picked that one 😭.

Also, a key detail of this lightcone that people miss is that it’s, well, a lightcone. A lightcone we get in 2.0 as soon as it drops, and since lightcones are canonically condensed memories, this happened way before the events of 2.0, and is likely how Aventurine convinced Ratio to join him jn the betrayal plan. 

Moreover, Aventurine says “remain amicable,” meaning this isn’t their first meeting, and him and Ratio had at least been talking to one another for some time before this, which could mean their friendship/partnership/whatever the hell this is has dated back to perhaps even prior to 1.6 when we meet Ratio for the first time, but ultimately that’s just speculation. 

Lastly, for this mini lightcone rant: the animated version of it. Oh lord. 1) Camden and Jordan put their all into it istg 😭 2) Ratio pulls the gun back but Aventurine stops him, meaning that a) Ratio didn’t want him to get hurt, but he b) accepted Aventurine’s provocation, 3) Aventurine LEANS CLOSER to him while teasing him with his whole “why not doctor~,” sh1t and 4) if you look closely at both the animated and still versions of it, there’s a tiny spark of light in Aventurine’s normally dead eyes, which is just, yeah. 

Ratios party voiceline for Aventurine. This is a complicated one because it is meant to be b1tchy in both languages (this is a tumblr post on it by @devxoid which goes over the nuance surrounding it. The TLDR is: directly translated, it means “take care of yourself, gambler, I need not your worry/concern,” but its actual meaning is far closer to the “fuck off” vibes in the CN. However, two this complicate this, 1) he sounds far calmer/neutral in the CN and 2) Ratio is the biggest goddamn tsundere on this planet, so even if he sounds mean, he does genuinely want Aventurine to take care of himself, as Ratio’s tried and true method of getting people to better themselves is by being rude to them, so it’s actually fairly in character, it’s just I think the way the line was directed in EN was a bit too harsh and threw some people off 

Finally, here’s some more silly ones that don’t really mean anything on their own until you put them into the context of everything else:

Their status as package deal do not seperate in both the data bank and the profile pictures is extremely funny because they have no reason to be next to each other like that, they just are.

Their kits are also designed to synergize perfectly with one another, and in the livestream Ratio was put in the team to demonstrate Aventurine’s kit because well, they are made to work together. Aventurine is by far Dr. Ratio’s best sustain unit due to the debuffs he provides (alongside everything else) which only gets better with eidolons + his signature lightcone, and if you have ever played Ratio you know how much he likes debuffs. As for Aventurine, his arguably  best team is the FUA one with Robin, Topaz and well, Ratio, who is the main dps of the team. Honestly besides trying to zero cycle MOC there is no reason as to why you would run Ratio with any other support unit if you have Aventurine. 

I hope you enjoyed reading! Also, this is absolutely not everything, just all the stuff that’s easy to point out, and I’m not even getting into an actual analysis of the plot and how that demonstrates their relationship. Moreover, I don’t expect you to leave this shipping them if you don’t already like them, but I at least want to demonstrate that they are without a doubt close friends in canon, and there’s no denying it. I definitely missed some so feel free to point out more, as I might make a part two, as these are just all the ones off the top of my head. Continually, for the people who like Aventio, hopefully this serves as some sort of guidebook/reference to their implications/interactions, and if you have any moots who love this ship, I’d recommend tagging them in this bc I think they would love it! Have a good day :D

[fanaticsnail]

Dreaming of You

Masterlist Here

Word Count: 700+, 900+, 860+, 1,400+

Synopsis: They couldn't help it. You looked so heavenly in their dreams. The way they had you wrapped around their body as a marionette in their minds, dancing for them as they awoke to sticky blankets when they jolted upright. Their thoughts got the better of them, and they are wracked with guilt. Doflamingo, Caesar, Rosinante "Corazon".

Warnings: wet dreams, afab!reader, swearing, masturbation, dub con (Using your image to masturbate to), suggestive content, yandere, obsession, feelings, all individual 'x reader' drabbles, same reader!insert different outcome, NSFW, 18+, MDNI.

Notes: Dreaming of You Masterlist Here, Please read the warnings. I am having a lot of fun with this series, not going to lie. You can sense my favoritism with my word count. First time writing for Caesar Clown. Art link.

Tag list: @sordidmusings @nerium-lil @feral-artistry @since-im-already-here @writingmysanity @indydonuts @gingernut1314 @i-am-vita @carrotsunshine @mfreedomstuff @daydreamer-in-training

Legs caging his head beneath you, you drew up your forearm to shield your eyes as the other reached down and braced your trembling hands against his chest. Grinding on his face, his smile grows wider the louder your cries of bliss fall from your lips. 

“I'm gonna-... Mmmgh-... I'm gonna cum again,” you sob, desperately writhing on top of his face in shame. He hooked his large arm over your thigh and braced your lower back over his mouth and held you firmly as he more desperately licked through your body. 

Huffing and panting, he continues driving his tongue between your wet folds and mouthing at your clit. Feeling your whole body tremble above him, he drew his unoccupied hand down to tug at his cock, giving you a show from your position looking down at him. 

His eyes grew black with lust as he watched the involuntary quake of your ass over his face, your voice mewling his name for the fourth time as he chased another desperate spasm of your walls clenching down and contracting in his mouth. 

“Plap, plap, plap.” His tongue greedily bullied your needy cunt, coating his lips, nose and chin in a slicked elixir of your nectar over his face as you desperately sobbed for him. Relentlessly chasing that high of watching you use his body to achieve ecstasy above him, he growled into your body, the vibrations within his mouth causing you to shriek. 

Latching onto your clit, he rolled his flattened tongue over the sensitive bud before mouthing at it in open and desperate kisses. Lapping at your juices, he felt his cock twitch in his hand from pistoning his shaft, squeezing his nob and thumbing over the pearlescent drop of his precum. 

“Can I cum? Can I cum?” you whined for him, gripping his chest and tensing your body above him to halt your eruption from over-encumbering your body in heated bliss, “Please? I'll be good. I'll be so good if you let me cum again?” He growled again into your body, moving both of his hands under your thighs and pinned you to his face by interlacing his fingers. 

As he felt your high approaching, he frantically nodded to give you permission to use his face to usher in the lightning sparks of pleasure over your body. You cried his name, dousing his face in a gush of sickened ecstasy as he hummed up into you. 

“I-I’m cumming,” you mewled, eyes rolling back and grinding down on his face. “I’m c-cumming.” You hummed your praises down at him as you stuttered over his name and sobbed your gratitude. 

Eyes rolling back into his head, he shot rope after rope of cum spattering up onto his torso as you squealed in joy at the display. 

“O-Oh, so much,” you whined down at him, body hands now pressed onto his chest as he slowed down his momentum rolling his tongue over you. “You came so much!” You exclaimed with a soft giggle. He hummed beneath you, softly kissing in open mouthed presses, romancing your pussy with his passionate oscillations. 

He whined against your lips, groaning into you as the aftershocks rush over him in wave after wave of chaotic lightning. Holding you firmly to him, he continued rolling his tongue between your folds like it was the only thing tethering himself to the earth. 

He savored the feeling of your body trapping him with your heat, the way you tasted cumming on his face and drowning him in your ecstasy, as he bucked up with each twitch of his cock spurting his untouched ropes over his stomach and chest.

“Mmm,” he hums into you, flicking his tongue over both his and your lips as he comes down from his high, immediately shocked to see nothing above him in his bed when he opens his eyes. He springs up in his bed, looking around the room for you but finding nothing in his room aside from his personal effects. 

Eyes wide and frantic, he scrambles in his bed and grabs at the bedsheets. Elevating his duvet and glancing down at his bare body, and grimacing at the sticky cum attaching his bedsheets to his quivering cock. 

Doflamingo

“Untouched?” He glared in betrayal at his twitching cock dancing proudly as it deflated, “Untouched?!” He circled his fist over his shaft and choked it within a firm grasp. Beginning to piston his oversensitive cock, he growled at himself. 

“You-...” he pictured the way your pretty little whimpers called his name, beckoning him closer to bliss with each pump of his cock, “...-You little tease.” 

His motions both picked up over his cock, his fist punching his pelvis and balls sucked into his abdomen, as he desperately chased his own release while frantically repicturing consuming yours. He pictured you whimpering above him, your legs shaking like a butterfly loosening the dew from its wings in the morning. 

His eyes rolled black as he continued pumping his shaft, picturing you above him as he did in his dreams before looking to his Den-Den mushi beside him. The sleeping snail snored gently beside his clock, prompting him to grimace at the time depicted beside it. 

“If I'm up and thinking of you,” he growled, reaching his unoccupied hand up to the shell and dialing your personal transponder code, “I'm gonna make you think of me.” As the chatter from the snail awoke, your sleepy tone called over to him from the mouth of the snail. 

“G-... Good morning, sir?” you mumbled to him, the subtle shift of your bed linens rustling caused Doflamingo to roll his hips to the sound, “Why are you calling me at…” you paused to yawn, Doflamingo picturing that cute little squeak you make as you reach the perfect stretch to rid yourself of sleep, “...Three in the morning?”

“Thinking of you,” Doflamingo purred sultrily into the snail's mouthpiece, “Dreaming of you.” You groaned at him, the rustling of the transponder informed him you were moving in your bed. 

“Okay, lord Doflamingo,” you murmured lazily into the mouthpiece, “Got a mission for me? Is that it? Dreaming of me fulfilling some brutal task for you well into the night?” He pictured you sitting up and waiting for him to give you orders, mouth watering as he pictured how eager you'd be to make his vision come alive. 

As the silence hung in the air between you, you offered him one final prompt to offer you a semblance of explanation. 

“Please, sir. Tell me how I can make your dreams come true?” you asked him boredly and sarcastically, “I’ve only just got back from the last mission, carried it out successfully if you were wondering.” He grinned and rolled onto his side and glared into the mouth of the snail.

“You're always so fucking good to me,” Doflamingo praised you, flicking his tongue across his lips, “You'd follow my orders until the day you die, won't you? My dark angel. My deadly assassin. My little muse.”

After a moment of silence, you offer him a disgruntled growl and he pictured you glaring at him through the snail, “What do you need me to do, sir? Can it wait?” He laughed his deep rumble into the mouthpiece before rolling onto his back. 

“You know what you can do, pretty thing?” he purred with a deep rumble into the speaker, “You can listen to me touch myself while I think about you sitting on my face.” His nonchalant attitude had silence falling from your end, prompting him to reconfirm his directions. 

“You hear me, pet?” he snickered at the snail, grasping and tugging at his cock while a sickening smirk split his face in a sinister grin, “Answer me when I give you orders.” A low growl emitted from the other end of the receiver. 

“I am not a concubine, sir,” you snarled your disdain for him into the receiver, prompting him to piston his cock harder in his fist, “Don't treat me like some whore in the night-.”

“-If you were a whore, I'd simply summon you here and ravage your tight little cunt with my cock until I hear you scream my name,” Doflamingo growled into the Den-Den, “Call what I'm asking you to do ‘a kindness’.” He sweetened his tone, purring and cooing at you as if his request was the simplest orders you could ever receive, “All I want you to do is listen to me fuck my fist while I picture you rolling your hips over my mouth.”

After a momentary silence and a sharp exhale of agitation, you growled back at him. 

“If I was rolling my hips over your mouth, you'd be silent and do as you're told,” your blunt response had Doflamingo involuntarily buck into his hand, gasping like a stallion at their first taste of a broodmare. 

“Oh, would I now?” he whispered in a husky tone, thumbing over his nob and groaning at the feeling, “What would I be told to do, mi amorcito? Tell me.” There was another pause of silence between you, Doflamingo waiting patiently to hear how you’d respond to his little taunt. 

“You really want to do this, Doflamingo?” Your harsh chastising broke him away from his harsh momentum of thrusting into his hand and had him stare at the receiver. He hissed out a soft “Yes,” in response, prompting your smirking laugh to rise from the mouthpiece. 

“Then invite me to your suite,” you suggested nonchalantly, “I'd be happy to bully you in person,” you paused, whispering into the receiver with a soft purr, “If you can take it.”

“Oh, I can take it.”

Caesar 

“Wha-...?!” he exclaims in shock, witnessing his cock twitch in betrayal. He sits in silence, staring down at himself in horror. Running his cool digits over the display of lust spurted on his skin and rolled it between his fingers with a grimace. 

“I didn’t-...” his sentence falls short as he looked around his cold room, his lips falling into a soft pout, “...You didn’t even fuck me in my dreams?” His pout deepened, his pointed nose sniffing back a soft sob. 

Rolling out of his bed, he stood tall and winced as he felt glubs of his spend roll down his torso and drop onto the floor. He downturned his smile, sweat pooling at his temple as he walked over to his desk and found a discarded lab coat. Rolling the material over his stomach, he tidied up his mess and sniffed a soft sob back.

“Even in my dreams, you elude me. You run from me,” he looks to a folded manila folder on his desk, opening the crease and looking at your file. The firm words beside your name printed in bold, his blood running cold at the sight. 

With the face of an angel, the softest smile painted on your canceled bounty, he ran his fingers over your printed skin and creased his brows into the center of his head. 

“Doflamingo’s favorite assassin,” he murmured, discarding the lab coat and sitting naked at his desk, “His pretty little pet,” his thumb brushed over your smile on the paper before drawing his palm over the page, “Someone that will never be mine, even if I beg.” 

He whimpered as he stared down at the page, his unoccupied hand circled his cock and squeezed it in his fist. Giving it a testing tug, he sifted through his collection of den-den images of you in the manilla folder. 

Sucking his bottom lip into his teeth, he began to piston his shaft with his firm grip as he focussed on your picture. Your face held such an innocence for someone so deadly: standing beside Doflamingo at a gala, gazing up into the face of Sir Crocodile with a light smile. So pretty, so charming.

So out of his league, you wouldn’t spare him a single glance. 

He began to tug at himself harder, rolling his hips up into his hand as he stumbled upon his favorite three pictures. All so different and holding him hostage to how he could picture your face contorting in pleasure as he chased his high in his hand. 

The first was a simple image he had managed to snap as you sat across him at the table: in your simple Donquixote assigned uniform as you paid attention to every word relayed from Doflamingo. You had an air of confidence, your chin angled high and a soft purse of your lips.

“Hhah-...” he whined through his pants, feeling himself come closer to the edge as he pictured what it could be like to kiss those lips and feel your face against his. Shaking his head, he moved onto the second image in his collection.

The vengeance and wrath written on your face as it was covered in violent bloodlust, your weapon in your hand and standing victorious after landing your final blow. You looked like you would’ve ripped your enemies’ throat out with your teeth to win that fight, and he wanted to be the target of that feral gaze so desperately. 

“Nnnghh-...” he whimpered, his cock beginning to twitch, his balls sucking up into his stomach as he continued to stare down at his collection of pictures of you. His jaw fell slack, him finally finding the last picture of you: one he was sure you thought was destroyed for good. 

The picture was soft, well loved from the firm grip Caesar would hold it in regularly, peeling up at the corners and creased. Your face was flushed, your eyes wide and looking up with an almost adoring innocence, your hair pinned out of your face and dressed in an outfit intended for flamenco. 

Your skin was revealed in a lusting dip, the pink of the material dipping over your chest in a deep 'V' and cinching in the small of your waist and flaring at the hips. The amount of flesh revealed beneath the material held such contrast to the innocence of your eyes. 

“F-F-F-...” he huffed, sucking on his bottom lip and feeling himself spill over into his hand, spurting ropes of hot, sticky cum against the underside of his desk, “...Fuck.” He rocked his hips in time to the spurts, feeling his eyes begin to prick with the similar sting of tears each time he tainted your image in this way. 

Hot rolls of his glassy tears spilled from his eyes and trickled down his cheeks into his quivering lips. Sobs escaped his mouth, sniffing back the heavier cries as he placed your image back into the manila folder and shut the crease closed. He placed his head over the cardboard exterior and his shoulders began to shake with sorrow. 

“No wonder you don’t like me,” he muffled between his whimpered sobs, “I’m fucking pathetic.” 

Rosinante “Corazon”

He sprung up from his bed and immediately stomped over to his bathroom with shock written on his face. He ran the shower, remaining unblinking and appalled at himself as he stepped beneath the pelting water. 

“Silence,” he whispered, clicking his fingers beneath the water and creating a rotund, soundproof barrier within the small cubicle and immediately balling his fist and slamming it against the damp ceramic. 

“What the fuck is wrong with you?” He growled at himself, clenching his eyes shut and haunted by the image of your body using his face to grind and shake on his tongue, “C’mon, Rosinante. You’re a marine, you’re a spy, you’re a double agent, you’re the son of a celestial dragon, you’re-... you’re-...” he looked down at his cock, his shame washing away with the hot water and pooling at his feet before swirling in the drain.

“...-You’re in love?” he tilts his chin to the side as his heart hammers heavy within his chest, “In love with an assassin sworn to kill the likes of you without a second thought.” He huffs, lifting his head in the air and allowing the scorching liquid to hammer at his face. Shaking his hair, the drops cling to his golden locks and coat his forehead and eyes with the damp curls. 

He brings up his hands and cards them through his hair, staring up at the circular shower head and pouting. The drops do nothing to stifle the smoldering embers in his heart, the image behind his eyes are only of you and your smile. 

Drawing his mind back to your encounters of the past, he was touched that you had learnt to sign with your hands to speak and translate for him at meetings to save time and paper. Those signs he loved seeing you flutter at him to entertain him at social galas, the humor of your risque commentary you give him with simple gestures of your hands with a completely straight face. 

Your kindness in such a dark place had been refreshing, especially considering your title of Doflamingo’s favorite assassin led him to assume you were just as horrible as his brother was. He viewed your smile as a gift, your offer of a dance as a blessing, and the protection of your constant rapid dexterity to manage Doflamingo’s temper, and maintain your standing effortlessly, had him immediately targeting you for unintentional aid in his private cause. 

“Fuck,” he whispered, hanging his head and shifting the water to pummel at his neck and shoulderblades, “Shit,” he shook his head and thumped at the shower wall once more. His hand slipped on the condensation, sliding to the side and propelling his forehead to beat against the tiles with a slick ‘thud,’ prompting him to hiss out a curt: “Ouch!”

After showering, drying himself off, dressing and painting his signature smile over his cheeks, he began the soft trudge into town with his hat clasped firmly over his head. A embroidered card with his heart written within the contents, a bouquet of dark red el ceibo, large and soft pink roses, and several sprigs of yellow calafate, and the promise of potentially spending a night together, was propelling him to approach the training room you took.

Knocking twice on the doorframe beside the door, he witnessed you in your training garb pummeling into a hanging boxing bag with your hands bound in wraps, and your ankles strapped. Noticing the knock, you curled your head up at him and offered him a soft smile. 

“Corazon,” you halted the swinging of the bag by pressing your hands against the material, “Something the matter, sir?” He noticed your inquisition, your brows immediately furrowing in confusion the moment you looked at his hands. Gulping back his courage, he held out his gifts and darted his apprehensive, hazel eyes between yours.

“Cora…” you look to his hands and back to his face for further explanation, “What are you doing?” He triangulated his brows up, silently begging you to take the flowers and the card from his outstretched offering. You slowly reached your bound hands toward him and claimed the flowers and card from him without tearing your eyes from his. 

Placing the flowers and card on the bench where your bag was, you looked down to his hands and back up to his eyes before narrowing your pointed gaze up at him. Rosinante physically stuttered with his hands, thankful his Devil-Fruit silenced the soft whimper from fleeing into the air. You waited patiently for further information from the tall, silent Donquixote brother, folding your arms over your chest and pointing with your eyes down at his hands once more. 

Rosinante sighed, his hands moving in fluid gestures to depict his thoughts with his fingertips and palms, “I wanted to give you something nice, tell you how I feel about you, and ask if you’d allow me the opportunity to see where we go. If you’re receptive to my advances-.” Stepping towards him, you press your hands over his wrists to halt his flurry of rapid gestures.

“Why are you doing this, sir?” you hush your voice into a low whisper, darting your eyes between his and seeming to panic, “I-... We-...” you trail off, your hands gripping him painfully hard, “...Please don’t do this, Corazon.” 

His own eyes widened in panic, unsure as to why you’re gripping him so hard and seeming to reject him so harshly. Glancing down at your eyes, looking to your lip, your hard mask began to shift as he mirrored your expression. He kicked the door to the training room closed behind him, motioning the both of you out of sight of the den-den-snail in the corner of the room. He held his middle finger with his thumb: uttering a simple word, “Silence.”

Shock wrote itself on your face the moment he spoke and maneuvered you around the room with poised elegance and ease. He gulped back his nerves, uttering a simple few words: “Code: 0-1-7-4-6, Rosinante. Based at Headquarters under Fleet-Admiral Sengoku. Current rank: Marine Commander. Mission: find the ope-ope-no-mi, and stop my brother’s insanity from plaguing the masses. Four years serving under cover.” 

His lip quivered as he darted his eyes between yours, and hoped his assumption was correct. You gulped your own hesitation, clenching your jaw at his admittance before speaking your own. 

“Code: 3-0-1-3-7,” you whispered your name beneath your breath, hardening your resolve further with your brow creased firmly, “Based at sea under Vice-Admiral Garp. Current rank: Marine Captain. Mission: keep Doflamingo from gaining too much dominion over the other warlords, and maintain the status quo as his most trusted assassin. Seven years serving under cover.” 

Rosinante huffed out a sigh of relief, his shoulders physically dropping as if a weight had been lifted from its perch against him. Your lips twitched up in a soft smile, looking between his eyes and releasing his wrists from your grip. 

“You can talk,” you nod at him, huffing out a small agitated laugh, “This whole time, you’ve been making me talk for you by translating ‘sign’ for the others here, and you could talk the whole damn time.” 

“I didn’t make you do any of those things,” he reached up, tucking your hair behind your ear and leaning down towards you with a soft expression, “And I like hearing you talk for me. My words sound prettier spilling from your lips.” You laugh at him, shaking your head and reaching up your hands to his fingers once more. 

“What made you break?” you asked him, darting your eyes around his painted lips and his pointed blue markings beneath his left eye. He gave you a crooked smile, caressing your cheek gently before parroting back your sentiment with, “What made you?”

“I just-...” you huffed out an exasperated breath and straightened your shoulders, “...I couldn’t lie to you, Corazon. You always felt different, somehow. Special, even,” you laughed in a soft pant, “What gave me up?” He smiled, pressing his golden hair against your forehead and closing the distance. 

“You had that look in your eye,” he crooned down in his deep baritone, shooting tingles up your spine, “The one that I just knew you were like me,” he mirrored your laugh, wrapping his arms around your neck, “And I couldn’t lie to you, either.” 

You nod to him, looking at the flowers and card, and back up at him with a curious look on your face, “What made you do this now?” A warm blush grew over his face, prompting him to suck his lips into his teeth and snicker.

“In the spirit of remaining truthful with you,” he rubbed his nose gently with yours, “I have a confession to make about last night…”

[novy2sirius]

᭓ ྀུ༺ a degree theory by nikola stojanovic

please read before proceeding

important note: this is not my info. this is all from nikola stojanovic’s theory on degrees in astrology. he has books on it that i think you can find online and download for free

trigger warnings: murder, car crashes, sex, and suicide

sign degrees

zero degrees: 0°

the same characteristics as the sign it’s already placed in. example - aries venus at 0° is purely an aries venus, obviously aside from the house energy

aries degrees: 1°, 13°, and 25°

beginnings, leadership, taking action, fighting spirit, not giving oneself up to fate, struggle, war, abuse, labor, diligence, etc

taurus degrees: 2°, 14°, and 26°

food, money, stability, earth, luxuries, sound of voice, singing voice, etc

gemini degrees: 3°, 15°, and 27°

communication, self-expression, technology, books, siblings, neighbors, etc

cancer degrees: 4°, 16°, and 28°

home, traditions, nurture, loyalty, faith, mother, the ocean/water, etc

leo degrees: 5°, 17°, and 29°

life, children, attention, fame, creativity, strength, happiness, light, etc

virgo degrees: 6° and 18°

improvement, health, to diminish, routine, animals, acts of service, etc

libra degrees: 7° and 19°

harmony/fairness, charm, beauty, law, music, art, dancing, pleasures, etc

scorpio degrees: 8° and 20°

death, major transformation, wealth, jealousy, sex, secrecy, taxes, etc

sagittarius degrees: 9° and 21°

wisdom, abundance, college, travel, photography, success, beliefs, etc

capricorn degrees: 10° and 22°

hard work, fear, public attention, karma, father, boss, isolation, history, etc

aquarius degrees: 11° and 23°

unexpected experiences, technology, friendships, networking, divorce, etc

pisces degrees: 12° and 24°

spirituality, escapism, dreams, illusion, the sea, mysteries, the hidden, etc

special degree meanings

supreme power: 2°

this degree is often found in the charts of people with remarkable achievements, who had extreme power, and who were highly respected according to nikola’s research

eroticism/a fun life: 5°

many sex symbols like marilyn monroe have this in their chart. nikola believed this was the best degree in general as well. he thought it indicated lots of fun and pleasure in one’s life

suicide/divorce: 11° and 23°

according to nikola the aquarius degrees (11 and 23) both indicate divorce occurring when placed in prominent positions in the chart. 11 is the only one indicating suicide though

car accidents: 15°

nikola believed that when this degree was connected to 8th house or scorpio placements it could indicate getting into car crashes

pure evil: 18°

nikola believed that this degree indicated a negative destiny for someone. he thought it was the worst degree you could have in your chart, based on his research he thought it was solely about facing hardships and nothing more. he also believed it could indicate being an evil person with no good intentions

to kill or be killed: 22°

just as the title reads, nikola believed this degree indicates being killed or being a killer. another thing he believed it could indicate was abandonment in the area of life it’s placed

clairvoyance: 29°

nikola believed this degree indicates someone that has very good intuition and can make accurate predictions about the outcomes of events

my opinion on astrology degrees

i personally don’t believe in nikola’s theory 100%, although i do think there’s accuracy to the signs being associated with specific degrees. i have always had stronger belief in my numerstrology degree theory than anything when it comes to this subject though. i definitely do not believe 18° is fully negative like he claims since the universe is yin yang so there’s always both positive and negative ways things can manifest. these are just my thoughts though

do you believe nikola’s degree theory? comment below!

[csuitebitches]

The Charisma Myth: things that I liked

Three quick tips to gain an instant charisma boost in conversation:

Lower the intonation of your voice at the end of your sentences. Reduce how quickly and how often you nod.

Pause for two full seconds before you speak.

The very next time you’re in a conversation, try to regularly check whether your mind is fully engaged or whether it is wandering elsewhere (including preparing your next sentence).

Expensive clothing leads us to assume wealth, friendly body language leads us to assume good intentions, a confident posture leads us to assume the person has something to be confident about. In essence, people will tend to accept whatever you project.

when you can project both power and warmth together, you really maximize your personal charisma potential.

charismatic behaviors must originate in your mind. Knowing how to skillfully handle mental discomfort is even more important than knowing how to handle physical discomfort. Anxiety is a serious drawback to charisma. First, it impacts our internal state: quite obviously, it’s hard to be fully present while you’re feeling anxious. Anxiety can also lower our confidence. Anxiety, low presence, and low confidence can show up directly in our body language, as well as reduce our ability to emanate warmth.

 The single most effective technique I’ve found to alleviate the discomfort of uncertainty is the responsibility transfer. Pick an entity—God, Fate, the Universe, whatever may best suit your beliefs—that you could imagine as benevolent. Imagine lifting the weight of everything you’re concerned about—this meeting, this interaction, this day—off your shoulders and placing it on the shoulders of whichever entity you’ve chosen. They’re in charge now. Visually lift everything off your shoulders and feel the difference as you are now no longer responsible for the outcome of any of these things. Everything is taken care of. You can sit back, relax, and enjoy whatever good you can find along the way.

Golfer Jack Nicklaus said that he never hit a shot, even during practice, without visualizing it first. For decades, professional athletes have considered visualization an essential tool, often spending hours visualizing their victory, telling their mind just what they want their body to achieve.

“There is good evidence that imagining oneself performing an activity activates parts of the brain that are used in actually performing the activity,” Professor Stephen Kosslyn, director of Stanford’s Center for Advanced Study in the Behavioral Sciences, wrote me. Visualization can even physically alter the brain structure: repeated experiments have shown that simply imagining yourself playing the piano with sufficient repetition leads to a detectable and measurable change in the motor cortex of the brain.

Silvia recently confided that visualization is one of the secrets to her success. Before key meetings, she’ll imagine “the smiles on their faces because they liked me and they are confident about the value I’m bringing them. I’ll imagine as much detail as I can, even seeing the wrinkles around their eyes as they’re smiling.” She visualizes the whole interaction, all the way through to the firm handshakes that close the meeting, sealing the deal.

A twenty-second hug is enough to send oxytocin coursing through your veins, and that you can achieve the same effect just by imagining the hug. So the next time you’re feeling anxious, you might want to imagine being wrapped up in a great big hug from someone you care about.

Self-confidence is our belief in our ability to do or to learn how to do something.

Self-esteem is how much we approve of or value ourselves. It’s often a comparison-based evaluation (whether measured against other people or against our own internal standards for approval).

Self-compassion is how much warmth we can have for ourselves, especially when we’re going through a difficult experience.

It’s quite possible for people to have high self-confidence but low self-esteem and very low self-compassion.

Types of charisma:

Focus: Focus charisma requires, of course, the ability to focus and be truly present. Good listening skills are nonnegotiable, as is a certain degree of patience. To develop focus charisma, cultivate your ability to be present.

Visionary charisma makes others feel inspired; it makes us believe. It can be remarkably effective even though it won’t necessarily make people like you. We assess visionary charisma primarily through demeanor, which includes body language and behavior. Due to the fact that people tend to accept whatever you project, if you seem inspired, they will assume you have something to be inspired about.

kindness charisma comes entirely from body language—specifically your face, and even more specifically your eyes. Kindness charisma is primarily based on warmth. It connects with people’s hearts, and makes them feel welcomed, cherished, embraced, and, most of all, completely accepted.

Authority charisma is primarily based on a perception of power: the belief that this person has the power to affect our world. We evaluate someone’s authority charisma through four indicators: body language, appearance, title, and the reactions of others. you’ll need to learn how to “take up space” with your posture, reduce nonverbal reassurances (such as excessive nodding), and avoid fidgeting. You may need to speak less, to speak more slowly, to know how and when to pause your sentences, or how to modulate your intonation. Look expensive. 

Avoid holding a drink in your right hand, especially if it’s a cold drink, as the condensation will make your hand feel cold and clammy. Before shaking someone’s hand, whether you are a man or a woman, rise if you’re seated. And keep your hands out of your pockets: visible hands make you look more open and honest. Make sure to use plenty of eye contact, and smile warmly but briefly: too much smiling could make you appear overeager. Keep your head straight, without tilting it in any way, and face the person.

Ask people open ended questions, focus on questions that will likely elicit positive emotions. With your questions, you have the power to lead the conversation in the direction you want. In fact, even when you’re speaking, the one word that should pop up most often in your conversation is not I but you. Instead of saying “I read a great article on that subject in the New York Times,” try “You might enjoy the recent New York Times article on the subject.” Or simply insert “You know...” before any sentence to make them instantly perk up and pay attention.

Another way to exit a conversation with grace is to offer something of value:

Information: an article, book, or Web site you think might be of use to them A connection: someone they ought to meet whom you know and can introduce them to

Visibility: an organization you belong to, where you could invite them to speak

Recognition: an award you think they should be nominated for

When someone has spoken, see if you can let your facial expression react first, showing that you’re absorbing what they’ve just said and giving their brilliant statement the consideration it deserves. Only then, after about two seconds, do you answer. The sequence goes like this:

They finish their sentence

Your face absorbs

Your face reacts

Then, and only then, you answer

The next time you’re given a compliment, the following steps will help you skillfully handle the moment:

1. Stop.

2. Absorb the compliment.

3. Let that second of absorption show on your face. Show the person that they’ve had an impact.

4. Thank them. Saying “Thank you very much” is enough, but you can take it a step further by thanking them for their thoughtfulness or telling them that they’ve made your day.

It’s not just metaphors that can paint the wrong picture. Some common phrases can have the same effect. When you tell someone, “No problem,” “Don’t worry,” or “Don’t hesitate to call,” for example, there’s a chance their brain will remember “problem,” “worry,” or “hesitate” instead of your desire to support them. To counter this negative effect, use phrases like “We’ll take care of it” or “Please feel free to call anytime.”

You can deliver value to others in multiple ways:

Entertainment: Make your e-mail or meeting enjoyable.

Information: Give interesting or informative content that they can use. 

Good feelings: Find ways to make them feel important or good about themselves. 

The longer you speak, the higher the price you’re making them pay, so the higher the value ought to be. 

If your goal is to communicate power, set the pitch, tone, volume, and tempo of your voice in the following ways:

Pitch and tone: The lower, more resonant, and more baritone your voice, the more impact it will have.

Volume: One of the first things an actor learns to do on stage is to project his voice, which means gaining the ability to modulate its volume and aim it in such a targeted way that specific portions of the audience can hear it, even from afar. One classic exercise to hone your projection skills is to imagine that your words are arrows. As you speak, aim them at different groups of listeners.

Tempo: A slow, measured tempo with frequent pauses conveys confidence.

To emanate vocal warmth, you need to do only one thing: smile, or even just imagine smiling.

Charismatic people are known to be more “contagious”; they have a strong ability to transmit their emotions to others.

The most effective and credible compliments are those that are both personal and specific. For instance, instead of “Great job,” you could say, “You did a great job,” or, better yet, “The way you kept your calm when that client became obnoxious was impressive.”

Here’s one specific—and surprisingly effective—recommendation for phone charisma, courtesy of author Leil Lowndes: Do not answer the phone in a warm or friendly manner. Instead, answer crisply and professionally. Then, only after you hear who is calling, let warmth or even enthusiasm pour forth in your voice. This simple technique is an easy and effective way to make people feel special. I recommend it to all my business clients whose companies have a strong customer service component. The gains in customer satisfaction are impressive.

Charisma takes practice. Steve Jobs, who appeared so masterful on stage, was known to rehearse important presentations relentlessly.

Retain at least a certain measure of equanimity. Most charismatic leaders are known for their ability to remain (or appear) calm even in the midst of turbulent circumstances.

[ghoulfuckersincorporated]

If you get pregnant from a ghoul, what would the kid be like? Human? Ghoul? Some weird freakish third thing? Even Gulpers are just mutated humans so anything is possible.

(I'll put a trigger warning here for "mild discussion of pregnancy loss/premature birth", in case that upsets anyone.)

My official answer to this is: "looks human, but closer to a freakish third thing when you get down to the details".

The pregnancy certainly wouldn't be a cakewalk. Frankly, I think you'd have to have a pretty preternatural resistance to radiation to successfully conceive with a ghoul to begin with (which we see is achievable for some people; otherwise I think there would just straight up be no successful fertilization/implantation). If you were able to make it happen, I think the fetus would be quite radioactive itself early on, and you'd struggle a lot. You might be able to get away with the occasional dose of Radaway if you're incredibly sick, like too sick to function, but too much of it and I think you'd be risking unfavorable outcomes. With luck (and maybe a higher-than-average endurance), things might taper off the further along you get. I imagine the birth would be unremarkable, all other regular health factors considered, unless you found yourself so ill from the baseline radiation that you were unable to continue carrying to full term and were forced to deliver prematurely. The odds of that certainly aren't zero. Your breast milk would make a Geiger counter go nuts.

It's hard to imagine the 50% genetic spawn of a ghoul wouldn't be significantly more radiation resistant, right? Like, at minimum? Personally, I think if you had a baby with a ghoul, that kid would be constantly drawn to play in puddles of nuclear fallout, to drink from dirty sources, to want to go outside during rad storms. Radiation is healing and refreshing for ghouls, so I would imagine at least some of that would transfer, no matter how much it makes you worry. You'd probably find the kid sucking on a power core if you turned your back for too long.

I, personally, would think that a kid like that would age normally, but since we know ghouls have that super-regenerative ability, maybe there's a chance that they'd shoot through the puberty phase really quickly? I mean, that "growing" phase in adolescence is basically just a bunch of cells dying off and being regenerated/high rates of cell generation to build muscle and bone mass. Again, I'd like to think they'd grow pretty typically, all things considered, but it's certainly something to think about.

That regenerative ability could certainly prove quite...tricky at times. We've seen how quickly it can heal wounds, which is great for something like a puncture or a stab wound...but what about a broken bone? I can't help but be reminded of an audio diary you can find in Bioshock 2 that talks about the Little Sisters' insane regenerative ability and its disadvantages. At one point, one of the girls escapes from the researchers studying them and throws herself over a balcony (trying to escape or end her life, though which is unclear), shattering both of her legs. But by the time they've made it to the bottom where she's lying, her legs have already healed at a bunch of fucked up and unnatural angles, so they have to break her legs over and over again until they can set them correctly. With as quickly as we see ghouls heal in the show (and in the games), it's hard to imagine you wouldn't run into the same issue, as horrific as it is.

Can you imagine your child having to go through that because they fell playing (or fleeing, god forbid) and broke their arm, or their collarbone or something? Can you imagine having to be the person doing the breaking? What if there's no one else to do it?

I'd also assume that, as they age into their teen years/early adulthood, their aging would slow, though I think exactly how much it would slow would depend on the individual child and their circumstances. I do think half-ghoul children would be able to be turned fully ghoul through some conventional means, just maybe over a longer period of time and with much higher doses of radiation.

[citrineandrosmarin]

Psephoi (Greek Alphabet) Divination

AKA Grammatomancy

What is it?

So there were many forms of divination in classical Greece, and one was the drawing of lots - having a collection of some kind of tokens (sticks, stones, beans, etc.) with a certain symbol on them that one would draw by chance, and each symbol would have a certain meaning. This is a type of kleromancy.

The Greek Alphabet Oracle is such a method, whereby you draw a token that has a letter of the classical Greek alphabet. Each letter corresponds to an oracular phrase (chresmoi) that, in Greek, starts with that letter. It is also known as the Psephoi Oracle because psephoi is the word for a pebble that was used for both divination and voting purposes.

Although it seems that the right phrase was initially obtained by throwing knuckle bones (astalagoi) and adding indicated numbers for a numerical value that was associated with a letter, most people today just use pebbles/stones/etc. with the letter itself on them, much like Norse runes. This sort of divination was under the domain of Hermes and Apollo.

Where does it come from?

The stone inscriptions that are the source of this method of divination were found in public spaces across several places, most notably in Lycia. The inscriptions were rediscovered and written about by German archaeologist Johannes Nollé. Many of the different sets of inscriptions were the same or similar. One in Olympos, Lycia, had different versions of some phrases and I've included them as alternatives here.

Resources:

Omens and Oracles: Divination in Ancient Greece by Matthe Dillon, pages 272-273

The Oracles of Apollo by John Opsopaus

How Do I Make A Set?

You will need:

The psephoi (Those glass pebbles for aquariums or small stones or pebbles or lil wood discs or whatever you want to make it out of)

A marker of some sort

A container to keep them in

They're very easy to make, just write a letter of the classical Greek alphabet on each psephoi you're using. Some may look similar when rotated so make a note of those and make sure you can tell which is which. I put a small dot at the bottom like you might find on polyhedral dice.

How Do I Use The Set?

Easy!

Method 1: Put the psephoi in a container, mix them up as you ask your question and pull one out without looking. Repeat if desired.

Method 2: Put the psephoi in a container, ask your question, shake them around until one or more jump out of the container.

The Alphabet and Interpretations

*In the spirit of keeping the first letter of the phrase the same as the letter you draw, John Opsopaus in his book includes his own version of the phrase. I will include these also as Alt, and when I have altered them myself they or the word will be in italics.

**Some have alternative versions that come from the Olympos site in Lycia. They are included with a [O].

***Some of the interpretations are from Opsopaus' book, some are others' that I found, and others are my own interpretations.

Α - Alpha

"The god [Apollon] says you will do everything successfully"

Alt: All things you will achieve with good fortune

Interpretations: You'll do great! You will succeed. Projects will go well. Everything is fine. Don't doubt yourself. Complete success. Good luck. Favorable Outcome. Best outcome you can ask for.

B - Beta

"Wait a little; it is not opportune for you"

Alt: Briefly wait, the time is not right for you

Interpretations: Try another time. Now is not the right time. Wait a little and you will receive a better outcome. Be patient. With a delay, the time will be right. Timing is everything. There is a time for everything and everything has its season. It would be to your advantage to wait for the opportune moment. Wait for the perfect moment. Don't act with haste. Slow down.

[O] "You will have Tyche [Fortune] and the Pythian [Apollon] as a helper."

Alt: Both Apollon and Fortune will bring you aid

Interpretations: You will receive help, particularly prophetic help. Call on Apollon for help, he will assist you. The theoi will help you if you ask. Ask for help. You are at a critical point, but if you are fortunate, Apollo the Far-shooter will help you if you call on Him. Even with luck, the God will only assist; ultimate responsibility is yours. With proper acts and choices - and a bit of luck - you’ll be successful. You will get help as long as you put in the work. Rely on and call on the help of the gods, however it may come. Help will come from unexpected, distant or indirect sources when you need it most.

Γ - Gamma

“Gaia will give you the ripe fruit from your labors”

Alt: Gaia gives you the results of your efforts

Interpretations: You will get the results that you have worked hard for. You'll get what you have earned. You reap what you sow. Your efforts will be rewarded. You’ll get what you deserve. Anything done previously will now return a result back to you, whether good or bad. Everything that happens is a direct result of everything that was already done. Past events and actions determine future ones. Usually a good omen of success.

Δ - Delta

"Desist from dreadful deeds, so that you avoid harm."

Alt: Dodge the dreadful deeds, avoiding harm.

Interpretations: Avoid matters that are terrible, fearful, or uncanny. Beware of the excessively wonderful, skillful, or clever. Don’t commit terrible deeds. Stay away from strange circumstances and affairs. Don’t make bad choices for the sake of expediency. In these ways you may escape harm.

[O] "In customs, inopportune strength is weak"

Alt: Drive ill-timed is weak before the rules

Interpretations: Ill-timed force will be ineffective; act with precision; timing is everything. Knowing where and when to strike is more important than strength. Blind conformity to customs is spineless; overly strict adherence to rules is self-defeating. Unreasonable or undue force will defeat itself; a tyrant must fall. In all things, follow the process and protocol. Slow down, form a strategy, and work with the system. Don’t force matters. Work smarter, not harder. Be responsible, not reckless, with the power you have. Knowing where and when to strike is more important than strength.

Ε - Epsilon

"You desire to see offspring from proper marriages."

Alt: Eager art thou for right unions' fruits.

*Desire here being "Eraô" which could also be 'love' or 'are in love with'

Interpretations: You think you know what’s right. You think you know and want the results of a union or action. Reflect on what you’re hoping for. What do you think you want? How do you think you will get that? You think you know the right/best way to do things. What you think is right and successful isn’t what is actually right/fitting. We want to see the results from acceptable convergence of actions. We can only act within the boundaries of what is proper. Worry about yourself, stay in your lane and don’t meddle in the affairs of others.

Ζ - Zeta

"Flee the great storm lest you somehow be harmed"

Alt: Zealously avoid the harmful storm!

*Harmed here can also mean hindered

Interpretations: There’s a storm coming, get out of the way. Difficult and dangerous situations are coming, stay out if at all possible! Sometimes the storms just happen, but other times, we cause them. You will only be harmed or hurt by getting involved in what comes. Prepare to be hit by the storm. Avoid raging storms of any kind; save your energy for when it can be effective. Escape from the chaos or controversy. Sometimes flight is wiser than fight. Go with the flow. Don’t get involved in conflicts.

Η - Eta

"Bright Helios [Sun], who watches everything, watches you."

Alt: Helios, all-seer, watches you.

Interpretations: You can’t hide. You’ve got the spotlight on you. Act nobly and openly, and you will have spiritual blessing and protection. This is not a time to be secretive or hidden in your works. Anything in the dark will be thrust into the light. Anything secret will be revealed. Anything made in oath or promise will be enforced. Keep your promises and be genuine, and you will be cared for.

Θ - Theta

"You have the gods as assistants and defenders."

Alt: Thou hast gods as comrades and as aides.

Interpretations: You have divine assistance at hand. The theoi will aid and defend you. Call on the gods for help, and they will be there for you. Have confidence! Your deities have your back and are guiding you. You are on the right path.

[O] "You have the gods as assistants of this path."

Alt: Thou hast gods as helpers on this path.

Interpretations: You’re on the right path, under divine care. You’re on the right path, so stick to it and stay on it. This is what you are meant to be doing. Commit yourself to the inquired matter and approach, and you will have success and protection, insofar as it is possible to do so. You still have to do the work though. The gods will bless those who honor them, and help those who help themselves. Heading out on your path, remember to be grateful, appreciative and respectful.

Ι - Iota

"There is sweat, it excels more than everything."

Alt: It is through sweat that you will succeed.

Interpretations: Although you are working hard, you will accomplish everything. Hard work is the surest means of success. The oracle recommends elbow grease. Toil, work, and labor is required in order to succeed. Keep working, and success will result, no matter the cost. Just focus on the work, don’t worry about the outcome. Giving up is not an option.

Κ - Kappa

"To fight with the waves is difficult; endure, friend."

Alt: Contests with the waves are hard; endure

*'Endure' can also mean 'delay'

Interpretations: The problems of life will come and go, but will never fully go away. Either wait for the currents to be favorable, or find a way to ride them. You might be caught in a tough situation with no clear way forward. Don’t fight it; endure.  Wait when possible, persevere with care. Work with the sea rather than against it. Don’t give up; sink or swim. If you’re going through Hell, keep going.

Λ - Lambda

"Make an end of grief; hereafter expect joy."

Alt: Leave off grief, and then await delight.

Interpretations: You have grieved long enough. Although you have been sad, you will be happy soon. Stop worrying, and prepare to be pleased. Turn your attention from your pain to the things that give you joy. Pain will yield to happiness. You have been through dark times, but the sun will rise again.

[O] "The one passing on the left bodes well for everything."

Alt: Luck comes from unexpected places.

*The left is traditionally the sinister side. The left is also associated with the unconscious, lunar mind.

Interpretations: A promising sign comes from an unpromising quarter. Whatever looks bad at the start will turn out well in the end. A blessing in disguise. Or, at least, whatever ill omens there are are not intended for you. Pay attention to your intuition, dreams and expressions of your subconscious.

Μ - Mu

"You press on in vain; don’t hurry; it’s not useful."

Alt: Make no haste; in vain you press ahead.

Interpretations: Don’t keep busy at what you are doing, it’s pointless. Haste makes waste. You are rushing around and working hard, but randomly and thoughtlessly. You are putting a lot of energy into wasting time. Pressing on now will be futile; wait for a better time.

[O] "It is necessary to be weary with toil, but the change will be admirable."

Alt: Mandatory toil: the change is good.

Interpretations: Through toil and distress a change will be made for the better. Hard work will result in a good return. It is your fate to be weary with labor, but there will be a beautiful or noble transformation. You are obliged to work hard, but the change will be good. Circumstances will cause distress, but there will be a good change or exchange. Pain will force an admirable change. You will need to work hard.

Ν - Nu

"Now the fitting opportunity for everything arises"

Alt: Now springs forth the fitting time for all.

Interpretations:

Now is the suitable time for anything; the right time begins now. You are entering into a harmonious season, a time when everything is well ordered and bears fruit. An appropriate opportunity or profit is at hand; it is developing. Orderly profits are growing. The most suitable situation is now. Seize the moment; you can accomplish anything! You are entering a synchronistic period when anything is possible.

[O] "A victory-bearing gift enwreathes the oracle"

Alt: Nike’s gift enwreathes the oracle

Interpretations: Something will be given (to you, by you, or from one to another) that brings victory with it and will crown this oracle. The import seems to be that this gift will be the answer to the question asked of the oracle. So, for example, if the querent asked when something will happen, the gift is the sign that it’s immanent.

Ξ - Xi

"The seasonable fruit of Deo the golden awaits you"

Alt: Xanthic Dêô’s ripened fruit awaits.

Interpretations: The fruit that is due now is available for you. The ripe grain is yours for the cutting. The gifts of the goddess are yours for the taking. She has brought you the profits, results, or returns that are due. The goddess Dêô (a name for Demeter, the Grain Mother) has brought you some benefit, so perhaps you should accept the gift.

[O] "There is no fruit to take from a dry shoot."

Alt: Expect no fruit from withered shoots.

Interpretations: Don’t wait too long to harvest or to take your profit. You can’t get blood from a turnip; you can’t get water from a stone. Don’t polish a turd. You won't get something from nothing. Being bitter and angry is not the way to go about things. Don’t keep trying to pull water out of a well that is empty, and know when to let go. Do not expect more from something than it can give. You’re on a dead-end path. Things have failed before they’ve even begun. Better to start over from scratch or look elsewhere entirely. Stop asking questions you already know the answer to: You already have an answer. The gods may be unwilling to talk at this point, so stop bothering them.

Ο - Omicron

"There are no crops to be reaped that were not sown."

Alt: Out of sight are crops that are not sown.

Interpretations: You reap what you sow. You will get nothing because you have given nothing. If you do not work now, there will be no reward later. If you want apples, plant apple seeds. What we spread about comes back to us. What goes around comes around. You must plan ahead in order to achieve anything. There will be no return if you do not invest. What has not been created cannot be destroyed. What has not been born cannot die. Warning against laziness, procrastination, and sloth. That which was inquired about will not happen because of what was not done. A warning that you need to work and prepare for the future in order to have success.

Π - Pi

"Completing many contests, you will seize the crown"

Alt: Passing many tests, you’ll win the crown.

Interpretations: If you persist in your struggles, after many trials you will succeed. Perseverance through adversity. Keep striving and victory will come. After much competition, you will emerge the winner. Don't give up, face adversity! Persistence will give you your rewards, and do not be afraid to use your talents. Whatever rewards, station, acclaim, or prize you want, it will eventually be yours, but you have to keep fighting for it. Success may not be immediate, but a gradual process of refinement instead that leads to fulfillment of desires

Ρ - Rho

"You will go on more easily if you wait a short time"

Alt: Rest awhile; you’ll go more easily.

Interpretations: If you will hold your ground for only a short time, you will be able to proceed (more easily or with greater cooperation). You’ll live more easily if you take a break. You will go faster by waiting than by going now; on the other hand, delaying too long may provoke reckless action. By standing fast you live recklessly. By remaining where you are, you live life thoughtlessly.

Σ - Sigma

"Phoibos [Apollo] speaks plainly, 'Stay, friend.'"

Alt: “Stay, friend,” Apollo plainly says.

Interpretations: Neither advance nor retreat; wait or hold your ground, as appropriate; the best action is inaction. Don’t travel. Stay firm; don’t let yourself be swayed. The gods want to inform you to wait for more information before you make any decisions. In this time, relax, and let the signs come to you. Things will resolve on their own or get to a point where it is better to act than now. Respond only when it is appropriate to do so, which is not now.

Τ - Tau

"You will have release from the present circumstances."

Alt: Take release from present circumstance.

Interpretations: Your misfortune will come to an end. You will be given a way out of present circumstances. You are between a rock and a hard place, but you will get out. All your mishaps will come to an end. Leave present events behind. If you have been having good luck, that too may be departing.

[O?] "You will have a parting from the companions now around you."

Alt: There will be a departure from the companions now around you.

Interpretations: You will be separated from some of the people in your life. This may be an unwelcome parting from friends or a welcome release from enemies; in either case they are now around you. This may also mean a growing apart or forced separation of a person from his or her family, peers or fellow travelers on the path. Soon, people in your life might not stay the way they are. You might grow apart or distance or travel might force you away. Be wary of this, and act accordingly. Consider that 'companions' could also be interpreted as personifications (e.g. in the way Love and Strife are personified) so it could mean a change of circumstances. The people, resources, and situations you’re with now are not what you’ll always be with.

Y - Upsilon

"This wedding is not yours; do not labor in vain"

Alt: Useless toil: this wedding isn’t yours!

Interpretations: The person whom you are trying to woo will not be yours. This romance or relationship will not be permanent. Give it up. Be sensible. You have not made a good choice of someone to pursue. Do not pretend that you are interested in marriage. Don’t pursue the partnership (of any kind); you are wasting your time. The Oracle advises you to abandon some alliance or union that you have been pursuing.

[O] "The affair holds a noble undertaking."

Alt: Undertaking fine is held by deed

Interpretations: There is some issue to be resolved, or some action is under consideration; it involves high-mindedness, either in commitment, deed, or professional pursuit. The oracle may tell us that the affair is admirable due to this noble element, or that the situation may guide us to seek the appropriate noble undertaking or profession. The hero’s quest. On the other hand, the oracle may mean that the situation hinders this fine undertaking. Thus you should try to understand the situation: does it demand an excellent undertaking or impede it? Take the high road.

Φ - Phi

"Plant! For Deo will nourish everything beautifully."

Alt: Forthwith plant! For Deo fosters well.

Interpretations: Plant your crops or vegetable garden, and Demeter will make them grow well. Start your project, for the goddess will bring it to fruition. She will care for it, and it will come out very well. Plant your seeds (of any sort), and the goddess will help you to cultivate them productively.

[O] "Having done something carelessly, you will thereafter blame the gods."

Alt: Faultily you act, and blame the gods.

Interpretations: Take responsibility for your actions (or inactions); don’t blame the gods (or the universe, or fate, or society, or nature) for your own failings, for your thoughtless or careless actions. Something is going wrong, and you may be trying to blame other things than the cause of the problem. Don’t resort to pointing fingers. The Gods will help you if you do not take out your anger on them or others needlessly.

Χ - Khi

"Rejoicing, press on!’ Zeus himself says this."

Alt: "Happily press on!" says Zeus himself

Interpretations: Charge ahead! Keep working with joy in your heart. Zeus urges you forward, even commands you! Act with the confidence that you will fare well and be safe. With joy, hasten the matter or yourself forward. Lean hard on it, but stay happy.

[O] "Succeeding, wanderer, you will fulfill this golden oracle."

Alt: Happy end fulfills this golden word.

Interpretations: “Golden” may be a metaphor for rich, noble, excellent, etc. This admirable oracle will be fulfilled by you attaining your ends, or a mere chance meeting could constitute the golden event. Rejoice, you will succeed! Luck is on your side, and by mere chance, things might fall into place. The answer is positive, and you might be pleasantly surprised at all the riches that the world gives you in addition to your solution. A favorable result is indicated - but even more subtle success is at hand.

Ψ - Psi

"You have this righteous judgment from the gods."

Alt: Proper is this judgment from the gods.

Interpretations: This oracle refers to collective judgment rather than individual judgment. This implies that the majority of the gods concur in this judgment, and that this judgment is appropriate, fair, and righteous, though there is no implication that the result is that desired by the querent. Accept it and move on. Truth will be brought forwards, so be careful in your actions. The Gods are watching, and they will be fair, honest, and unforgiving to those who deserve it. This includes those who might be harming you, as well.

Ω - Omega

"If you take unripe fruit, it won’t be useful."

Alt: Otiose the fruit that’s plucked unripe.

Interpretations: If you pick your fruit too soon, you will have a bad harvest. More abstractly, too early grasping of the fruits of your labor (whether the taking is voluntary or necessary) will yield a poor return; the rewards will not be suitable for their purpose. Don’t be impatient, or the results will be inferior. Don't act rashly or hastily. Don't jump the gun. The time is not yet right to take advantage of the matter. Taking action now will lead to uselessness, worthlessness, and difficulty. At best, this letter indicated to just stay on the course and wait for the matter to develop further before inquiring again.

We're at the end now! (Phew!) I might make a google doc with the alphabet - maybe even make it so you can suggest your own interpretations or even alternative phrases for some of the more difficult ones. In the meantime I hope this has been helpful!

[onlyfrags]

How They Kiss You: Chamber

Authors note: I am alive!!! I apologize for taking so long on stuff, my life has very recently become very hectic but I promise content is being created ;-; Until one of the bigger pieces is finished, plz enjoy some chamber!

Chamber Kiss Headcanons | X GN Reader

Chamber is a peculiar case when it comes to how he kisses you. And it all depends on whether you've cracked through his persona yet. If you were dating Chamber, or if you were dating Vincent.

If your relationship is new, His kisses are swift and aren't very satisfying, as if he is always rushing to do something else.

Chamber is a busy man, so a swift kiss on the forehead as he leaves to start his day makes sense. When he greets you, he kisses both sides of your cheeks and gives you his signature smile. And when you are leaving, he may press a quick kiss to your lips before ushering you out the door so you aren't late for whatever plans you may have.

He would rarely kiss your lips but would give you pecks and quick kisses if you asked him to.

His kisses never linger and never seem to have much emotion to them. Even if you were to pull him into a gentler kiss, a more needy one, it would seem like he is quick to pull away and press a second to your forehead, possibly cooing about how precious to are or about how cute you seem.

It almost felt performative at times. Fake, even.

And it's because it was. To him, the kisses were to appease you. To sell that your relationship was real despite it benefitting him in some way, shape, or form. He wanted to keep his distance from you but knew that he had to at least give the bare minimum to keep you around. ...

But that all changes the second you break him. The second he realizes just how much he cares about you. That's when Chamber becomes Vincent.

This can happen in multiple ways, but the outcome is always the same. The man who had been keeping you at a distance, completely changes.

Now, his kisses have emotion to them. A need and fire that had been lacking previously before.

He would find himself cupping your cheek as he admires you, watching you talk or do whatever things that brought you happiness, and would just smile before pulling you into a kiss.

Sometimes, he would teasingly lift your chin if you weren't paying attention or got shy. His little chuckle would give away his fondness for you again before pulling you into a shorter kiss, but one still full of love

Deeper kisses now were met with equal eagerness. His hands which would have never held you close, grip your waist or run gently across your lower back as he tilts his head while returning your kiss.

Kissing Vincent never left you wondering if you were being lied to or led on. He never let you question your worth to him. Unlike before when he would have listed your achievements and sang you praise at the first sign of self-doubt, he would just chuckle softly and pull you into another loving kiss to take your worries away.

[allaboutthemoonlight]

Understanding the Difference Between Hard Work and Workaholism, and Self-Care Strategies for Avoiding Burnout

Hi friends,

In today’s post, I want to talk about the idea of hard-work vs workaholism and the resulting consequence of burnout. It’s a longer post today because I believe this is something that many people are dealing with, especially in this space.

In the self-improvement and personal development bubble, there’s a constant culture of ambition and striving for improvement. While the intention behind this can be rewarding, it can sometimes fall into toxic territory with constant encouragement of and sentiments such as “just work harder” or “you‘re not disciplined enough”, often leading people to exhaust and overwork themselves.

Due to this, I'd like to discuss the significance of distinguishing between hard work and workaholism — both for productivity and well-being. While hard work can indeed lead to success and fulfillment, workaholism can result in burnout and physical and mental health issues. Recognizing the distinction between these two and equipping oneself with self-care strategies is essential for leading a balanced, healthy life.

What is hard work?

Hard work can vary from person to person, and it’s the same for everyone. Generally, hard work can be described as dedicated and focused effort towards achieving a specific goal. This can mean anything from daily runs to train for a marathon to watching numerous youtube tutorials to learn how to code.

The point here is that, although hard work involves a certain level of persistence, discipline, and strong work ethic, there’s often rewarding outcomes as you know you’re making progress towards something you want to achieve.

Understanding if you’re a hard worker or someone suffering from workaholism dictates a high level of self-reflection and introspection. In my experience, hard workers are those who:

Have a clear understanding of what they want to achieve

Are action oriented and know the purpose behind their efforts

Have the ability to achieve a work/life balance

Are either intrinsically motivated and have a high level of identified motivation

Maintain an internal locus of control

Know when to take breaks

Being a hard worker is a significant skill, one that can lead to personal development, growth, and multiple career opportunities, these are facts that can’t be denied. However, in our current environment where an individuals worth is often determined by their accomplishments and successes, the line between working hard and being a workaholic has been blurred.

Understanding workaholism

Now that we’ve talked about what exactly makes a hard-worker, I want to uncover the other reality: workaholism.

Workaholism is an uncontrollable and compulsive need to work constantly. It comes from feelings of from anxiety, perfectionism, or a desire to escape personal issues. This includes:

Obsessively thinking about work

Struggling to relax or unwind outside of work

Ignoring personal relationships and self-care

Feeling physically drained with fatigue and insomnia

Multiple studies have explored the mental and physical impacts of workaholism, revealing impacts such as high levels of chronic stress, anxiety, depression, fatigue, cardiovascular issues, among others. It’s truly an exhaustive list of consequences, all of which can lead to burnout and emotional exhaustion. Beyond mental and physical health risks, the effects of workaholism can include professional issues. It’s ironic that overworking oneself can have a negative impact on your career, yet there’s a higher likelihood of decreased job performance and strained professional relationships as a result.

I think Jordan Peterson said it best: “You don’t want to do so much work that the amount of you do interferes with the amount of work you could still do”.

Here are some of the key differences between hard work and workaholism to keep in mind:

Purpose and Motivation: Hard work is driven by intentional goals and motivation, while workaholism tends to be more compulsive.

Work-Life Balance: Hard workers manage to balance their professional and personal lives, while workaholics often neglect their personal life and self-care.

Sustainability: Hard work is sustainable over time with breaks for rest and recovery, whereas workaholism leads to burnout due to its unsustainable nature.

Control Over Work: Hard workers can regulate their work habits and take breaks when needed, while workaholics often feel out of control and struggle to stop working.

Stress Levels: Hard work can be stressful but usually within healthy limits, while workaholism leads to chronic stress and health problems.

What is burnout and how can we prevent it

With all that being said, I want to move on to clearly defining burnout and how we can avoid it. Burnout is a work-related state of exhaustion where you feel extreme fatigue, have a hard time concentrating, suffer from emotional dysregulation and poor cognitive function, and mentally distance yourself from the people around you.

Burnout doesn't happen all at once; it's a gradual process that builds up over time, often linked to workaholism. When you’re constantly in a mental state of go-go-go or feel the need to work excessively, you’ll start feeling stressed out from trying to meet all these demands. Over time, if you don’t find ways to take breaks and rest to recharge, you’ll lose energy and find yourself in a state of burnout.

This all happens because burnout leads to emotional exhaustion, detachment from work and others in your life, and a decreased sense of personal accomplishment and motivation.

So how can we prevent this?

There are 5 domains in our lives that we can pay more attention to for preventing burnout: physical, mental/emotional, social, work, and personal/leisure.

Physical Well-being:

Find a form of physical activity you enjoy and do it regularly

Take short breaks during work sessions to stretch and move around

Maintain a balanced diet to sustain energy levels

Get enough each night to support brain function during the day

Mental and Emotional Well-being:

Practice mindfulness techniques and meditation to reduce stress

Practice gratitude daily to adopt a positive mindset

Use deep breathing exercises to calm your mind and body.

Social Support and Relationships:

Seek help when needed through therapy, counseling, or support groups

Make time to connect with family and friends outside of work

Set boundaries for maintaining balance by defining working hours and learn to say no

Workplace Strategies:

Try to opt for projects or tasks in your work that align with personal goals and preferences

Try to schedule meetings to obtain feedback from your higher ups so that you have clear measures on your performance can identity areas for improvement

Find ways to make your work fun to sustain motivation and satisfaction in your work

Leisure and Relaxation:

Schedule leisure activities throughout your day to recharge

Dedicate time to hobbies and interests outside of work

Spend time in nature to connect with the environment and reduce mental fatigue

Thank’s for tuning in.

As always,

L <3

[elysiansparadise]

Hello! What are your thoughts on Uranus in the 8th house?

Uranus in 8th house

Here we meet people who throughout their lives experience great changes that profoundly transform their psyche and inner world. Likewise, they are people who bring changes to the lives of other people with whom they live, they are an awakening for others and may have this tendency to clarify the vision or mind of others. These people definitely actively change something when they don't like it, they don't believe in letting things happen magically and they are easy to let go of what doesn't do them good. They may be attracted to topics that lead them to know themselves better, no matter how hard the truths to discover may be. It is very likely that since they were young they have had very strong experiences on a spiritual level, this placement can also indicate gifts or at least an inclination or taste for paranormal, mysterious or taboo themes. They are people who are very perceptive of external energies and have a highly developed intuition, they faithfully follow what their instinct dictates. Although these people get used to changes and can adapt to them, they do not like them, they may have the feeling that they have not experienced many moments of stability.

Throughout their lives they feel very different from others, they may even feel that they are judged for the simple fact of being themselves, which is why they are quite reserved with some aspects of their personality. They have a very strong fear of being judged or rejected by the people they love most. They may have problems controlling their nerves and anxiety, but their strong personality leads them not to be vulnerable in stressful situations. They fear not being independent and always living up to the expectations of other people, they are terrified of the idea of ​​losing themselves so as not to lose other people and these are lessons that they learn especially in their youth. They are easy to identify dangerous situations or situations that could be bad for them in the long term. They are people who are constantly alert and who can try to predict the outcome of a situation or people's responses. You may feel that it is difficult for you to connect with others on a deep level, so you hide some sides of yourself such as your vulnerability or eccentricity. One of the lessons of this placement is that you will feel freer and better about yourself once you are Show yourself as you are without fear of being pointed out.

They are intense, passionate and very interesting lovers, open to experimenting and achieving pleasure with their partner in new ways for both of them. They love to show themselves as they are when they are with their partner, to see that rawness, the nudity, the deep emotions, even those that embarrass them, to listen to and do everything that they do not dare in public and to let themselves be carried away between bursts of desire until they consume themselves. completely. They are couples who fervently accept and love every corner of their partner's body, blowing away insecurities so that they can be carried away with the wind. They know perfectly how to provoke their partner and unleash that wild and hot side of them. It won't be boring, that's for sure, you'll love getting creative in bed and doing things that both of you can enjoy to the same extent.

-> Go back to the masterlist

[byoldervine]

Writing Tips - Overarching Themes

A lot of stories like to have overarching themes, such as themes of redemption, acceptance, ruthlessness, love, etc. But how do you come up with the themes for your story?

1. Don’t lose the plot. What kind of journey does your plot take your characters on? What do they achieve and what do they learn along the way? Off the top of my head Miraculous Ladybug doesn’t do a great job at portraying an overarching theme of ‘love conquers all’ when love repeatedly causes problems for the heroes (to the point of “It was our love that destroyed the world” being one of the most memorable lines) and only seems to benefit the villains. Let the plot help keep you on the right track

2. Ask a question. There are tons of themes that rely on asking a question and pitting two different virtues against each other; traditional vs modern, redemption vs damnation, nature vs nurture, etc. The theme of the story is then watching one conquer the other, or finding out where the balance lies between the two if that’s more applicable. ATLA was, of course, very good at handling the nuances in redemption and damnation; it showed people learning they need to change, people wanting to change, people choosing not to change, people trying and failing to change, and even people with the capacity to change only if they take it. The episode The Southern Raiders is also a masterclass in nuance in revenge vs forgiveness, and ultimately allows the audience to form their own conclusions

3. Add a twist. One thing that really intrigues me about EPIC: The Musical is how the overarching theme is ruthlessness vs mercy - with the lesson being that main character Odysseus needs to be more ruthless. You don’t get a lot of stories that teach ruthlessness as the good and correct answer over mercy, that you should kill a defeated opponent rather than letting them live, and that makes the story so much more interesting and unique. If you can think of a way to intentionally twist the expected outcome of your overarching theme, see if you can make it work within the story

4. It’s overarching for a reason. Make sure your overarching themes are evident in the story and impact the characters and their decisions, as well as the consequences for such. Hazbin Hotel has an obvious overarching theme of redemption, and you can see it in the way each episode plays out that redemption comes into it, whether it’s Vaggie regaining her wings when learning to fight for love rather than vengeance, Charlie giving Alastor the chance to work in the hotel despite knowing he doesn’t believe in her goals, Husk encouraging Angel’s character growth and his true nature, etc. Almost everything the characters do relates back to the theme of redemption and betterment

5. Reward the theme. Maybe in the past characters have been burned before and no longer believe in your overarching theme, but the course of the story changes their perspective. The Owl House has overarching themes of non-conformity and individualism and acceptance of those who are ‘weird’ or different, and they all culminate in Luz finally feeling understood for the first time in her life after never feeling that way. Attempts in the past to be understood have often been met with people labelling her as the weird kid or her being punished, and then throughout the story there’s a lot of people that accept Luz, but in more of an “I don’t get what you’re saying, but I get what you’re trying to say” kind of way; acceptance and understanding aren’t quite the same. And lacking acceptance has negative impacts in the story for good and bad characters alike; Luz is at her most powerful when she accepts both the human and witch side of her rather than comparing herself to Azura, Amity’s potential for redemption comes only when she accepts Luz as a witch, Belos loses his power when he’s no longer accepted by others, etc. Characters are rewarded for following the overarching theme and punished for straying

[rottenshotgungames]

Alright, let’s start with discourse, shall we?

Gatekeeping Combat

Three days ago, the Gorgon Bones blog made this post about fighters in TTRPGs (particularly the OSR): https://gorgonbones.blogspot.com/2024/02/choosing-fighter-means-choosing-violence.html?m=1

I recommend reading the post, it’s fun (and the comments are hilarious). But, for those who don’t have the time or attention span (trust me, I’m lacking in spoons right now too), this is a relatively short joke that suggests protecting the Fighter class’ niche by making it the only class able to participate in combat. This, on its face, seems like an inherently silly idea—because it is—but people have been interacting with it as a serious suggestion. This comedic concept has spawned a legitimately interesting design discussion. So, let’s engage with it as a thought experiment. How would one make this function in a fun and reasonable way? The simple answer is that you have to start with conflict.

Conflict in RPGs, particularly in Dragon Game derivatives (such as the OSR), is often violent in nature. This presents the first hurdle: How do we centralize combat to 1 class when it’s a major source of conflict, conflict that people inherently want to engage in? As I see it, there are two approaches:

Decentralize Combat.

Redefine “Engaging in Combat.”

Decentralizing combat is kinda just what it says on the tin; make combat a less important source of conflict and means of resolving it. The two biggest examples of this—to me—are Investigative Horror Games and Stealth Games, both of which rely on central conceits that CAN involve violence but don’t necessarily rely upon it. A non-OSR example would be John Harper’s Blades in The Dark, in which combat is resolved the exact same way as every other conflict: through a series of dice rolls that result in ticking and unticking a clock (with possible complications).

Redefining what it means to “engage” requires a bit more definition than the prior approach. “Redefining” can be subcategorized into two somewhat disparate techniques: Redefining goals and redefining interactions.

In any TTRPG combat, the party tends to have a list of goals that exist in a hierarchy of priority. For example, in a traditional D&D or Lancer combat the hierarchy of party goals might look like this:

The Contest (express martial superiority, wipe out the opposition, or otherwise win the combat)

The End State (survive the combat and prevent as much harm to yourself or other party members as possible)

The Barrier (achieve the exploration or narrative goal that’s being hindered or prevented by the combat)

“Redefining” these goals is more accurately described as a re-ordering of their hierarchy based upon whether you are or aren’t the Fighter, usually through gameplay incentives. An incredible example exists in the form of Mike Pondsmith’s Cyberpunk 2020, in which the Solo role (through virtue of acting first and being generally able to specialize heavily into combat) can almost singlehandedly decide the outcome of any fight in which they are present. If there is one Solo on the field, their side is probably going to receive a swift victory; your job, as the non-Solo, is simply to not die and accomplish what you actually came here to do. If there are two Solos on opposing sides of the combat, their goals change to winning their private fight; your job, as the non-Solo, is to survive the surrounding combat until the Solo is free again (or to run if they lose). In almost every combat, the Solo will prioritize the Contest while the rest of the party will prioritize either the End State or the Barrier, something aided by Cyberpunk’s lethality and its nature as a heist game.

“Redefining combat interaction” is . . . actually found everywhere. This is your basic class differentiation taken to a greater extreme than you may find in most tactical RPGs. For example, let’s look at the Combat relevant difference between the Thief/Rogue/Mercenary and the Fighter in a majority of games that use such classes:

The Fighter - Deals a lot of damage with consistently accurate attacks (sometimes also makes multiple attacks on their turn). Has high health.

The Thief - Deals a lot of damage with one really powerful attack made from stealth, sneaky (sometimes good at dodging). Has low health.

The differentiation is there, but it’s not really significant (for the purposes of this thought experiment). Both classes focus on damage output, but one makes multiple attacks and one makes a strong attack that requires setup. Let’s try to take this difference and expand it (with a little help from our dear friend Tolkien), particularly by focusing on what makes the Thief unique in comparison to the Fighter:

The Fighter - Deals a lot of damage with consistently accurate attacks (sometimes also makes multiple attacks on their turn). Has high health.

The Thief - Subverts direct combat through the use of trickery and cunning, plays support for the Fighter (sometimes good at dodging). Has low health.

“Subversion,” in this context, simply means fighting dirty. The Thief shouldn’t be engaging in a head-on fight, they’re a Thief. Their interaction with hostile entities should always be tinged by deceit, their goal should always be to throw their enemy off balance, to create openings for others and themselves to use. If your Thief isn’t constantly throwing pocket sand and disarming opponents and knocking chandeliers on top of them and pulling cloaks over their eyes and poisoning them and . . . are they really living out the Thief fantasy? By strengthening the Thief’s core identity, leaning fully into the trickster aspect, we have redefined how both classes interact with Combat in such a way that has made direct, head-on-head violence the apparent specialty of the Fighter.

Conclusion

As much as the original Gorgon Bones blog post is a joke, Jenx does point out a real issue that’s plagued class-based games for a while: a weak niche makes a weak class. Not necessarily mechanically weak (although that can also happen, looking at you CP2020 Cop), but weak in the sense of fundamental design. Strong niches, even if every class has the ability to participate in combat, are born of purposefully and carefully built interactions with the conflicts presented by a game’s rules and environment. If combat is too great of a focus, everyone is going to want to be able to play the guy who’s good at combat; if winning combat is the sole goal of any given encounter, everyone’s going to play the guy that’s good at winning combats; if every class gets good tools for dealing damage . . . well, I don’t really have to spell that one out, do I?

If you’re designing a tactical, class based game: don’t make the Fighter the only class able to engage in combats. It’s lazy, it’s silly, and it won’t be fun for very long. You may notice that, while the two games mentioned here have classes that EXCEL at direct combat, neither of them fully limit it. Instead, the proper lesson of this thought experiment is a far more common one in our field: keep in mind the incentives you’re building into both your game and your classes, and be aware of how all these moving parts interact with and affect each other. After all, the Solo wouldn’t be nearly as good if Cyberpunk wasn’t so lethal, and the Cutter would be far more ubiquitous if Blades in The Dark had a dedicated combat chapter.

Self Promo

Hey! Thanks for reading. Sorry to leave ya with Baby’s First Game Design Lesson, but I hope ya enjoyed the journey there. If you’d like to see my recent attempt at a class based fantasy game, you can click here to check out Hollow Halls. Otherwise, I hope y’all have a great night and a great day!

[cannedwyrms]

Spoilers for Shadow of the Erdtree but...

I'm gonna talk a bit about Miquella.

So, I've seen a lot of (what I believe to be) misconceptions about what we learn about his character in SOTE. I'd like to clear them up as best I can, although I'm no expert at the lore. Still, I think a lot of people are quick to discard him as an irredeemable villain too quickly, or believe that his character in the dlc is different from how he was presented in the base game.

Now, in the base game, I too thought Miquella was pretty cool. He had the rare honor of being one of like 3 characters to not be racist, he seemed to actually care for his sister and have a good relationship with his brother, and he just seemed like the only demigod with some kind of basic empathy.

However, while I believe all of those things are true, there were signs that there was something deeper going on.

Take the bewitching branch, for example.

It's description goes like this:

"The Empyrean Miquella is loved by many people. Indeed, he has learned very well how to compel such affection."

So, basically, we already knew he could charm people.

Here, I think, is the first misconception. Miquella does not brainwash or mind control people, he just has the ability to make people like him. "He wields love to shrive clean the hearts of men," as the honorable sir Ansbach says.

Shrive, by the way, means to confess, or in this case I think absolve.

So, while Mogh is absolutely the victim, it should be noted that he didn't abandon his original goal. He just factored Miquella into it. His plan went from "rule my dynasty" to "rule my dynasty with Miquella." Still bad, I want to stress, but I think people believe that Miquella can just turn people into mindless slaves or something. All he can do is make you love him and see his point of view.

Next, let's talk about him and Malenia. In the base game, he seemed to really care for her, going as far as leaving the Golden Order when he learned it wouldn't help her.

Now, though, people believe he actually never cared about her at all and even that she was brainwashed into following him.

For this, I'll actually quote Miquella's dialogue in the Consort Radahn fight. (We'll get to him, don't worry)

"My loyal blade, and champion of the festival. Both your deeds will ever be praised in song."

So, when he says "my loyal blade," he's talking about Malenia, right? You know, Malenia, the blade of Miquella.

It's obvious to me that Miquella did care about his sister. His actions in the base game reflect this, and he's the same guy in the dlc, so of course he'd still care about her.

I suppose he could also be talking about Leda here, but what I got from her arc is that she was always doomed by her own bloodlust to be a failure to her cause. In the end, she never truly understood Miquella, and he probably never even knew she existed.

But I'll save all that for another post.

Point is, Miquella definitely cared a lot about his sister, so much so in fact that, in the moment he was so close to achieving his goals, he praised her accomplishments.

But, there's more to his dialogue, which I will use to clear up yet another misconception.

Miquella also praised the tarnished here. "Champion of the Festival," and all that.

This is because Miquella doesn't hate anyone. He doesn't want to fight us. Consider his instant lose move, where he charms you. To me, this reads as Miquella looking for a peaceful outcome to your conflict. What does he say to you?

"I promise you a thousand year voyage guided by compassion."

And

"Lord of the Old Order, let us go together."

It's clear to me that he's trying for a peaceful solution.

See, I think a lot of people have begun to believe that Miquella is some kind of compassionless robot, but, as always with elden ring characters, it's more complex than that.

Miquella obviously has a lot of empathy for the world. Maybe even too much. Instead of him wanting to rule over everything as some kind of God, he simply wants to make the world a kinder place.

Like Marika, he sought godhood not for personal power, but for a cause. But, as we all know by now, to become a god in Elden Ring is to abandon your humanity.

Miquella literally does this, while I think for Marika it's a bit more metaphorical.

Elden Ring is about how people lose themselves in pursuit of their goals, and this is especially true in SOTE.

So, with that framework, Miquella is actually the obvious choice for the main antagonist of the dlc.

Think about it.

What better antagonist could there be for a game about purpose and cause being twisted than a highly compassionate person who became a monster? It's almost painfully on the nose. (In a good way)

Miquella might even be aware that he's done awful things, but as long as it's in service of a better future, he probably sees it as a necessary evil. Still evil, mind you, but necessary.

Normally, I'd just say that if he worked on making everyone be less being racist and mean, then no one would need necessary evil, but Elden Ring avoids this because, at the time out tarnished arrives back at the lands between, racism is literally a law of reality.

It seems like the only way to change that would be for a new god to write new rules.

I don't know, that's all mostly speculation on my part, but whatever. My point is, Miquella absolutely makes sense as the main antagonist of the dlc, but he is notably not the main antagonist of the base game, nor the story at large.

Personally, I'd argue those titles fall to Morgott and Marika respectively, but I digress.

Miquella is just one link in a long chain of people fighting for a cause they believe in. Really, his actions are no worse than Ranni's, but strangely no one is really as upset about the fact that she literally had Godwin murdered to attain her goals as they are with Miquella doing the same thing to Mogh.

Something interesting that I noticed is that Miquella is actually very similar to Messmer. Whether that was intentional or not is not for me to say, but I do think it's interesting that the oldest demigod and the youngest have a lot in common.

I'll be the first to admit that I'm no Messmer lore expert , but, for example, Messmer is often described as being very compassionate and nice, only taking on the burden of being the face of the hornsent genocide to spare his mother that shame. It's an interesting contradiction, to be sure, and one that is quite similar to how Miquella sheds his humanity to make a brighter future.

Perhaps Messmer is meant, in part, to mirror Miquella to make his seemingly "villainous" turn make more sense.

Again, maybe that's just speculation on my part, but what's important is that Elden Ring stresses again and again that there is no such thing as pure evil. Everyone's a victim in some way.

All that to say, I don't think Miquella is out of character in the dlc. I think everything we learn about him is perfectly in line with his portrayal in the base game.

Alright, it's finally time to talk about the big guy with a little horse.

So, I've seen a lot of people say that Radahn was charmed and used by Miquella, or that Miquella only saw him as a tool, but I really don't think that's true.

Let's take a look at some more of Miquella's dialogue.

"Aspiring Lord of the Old Order. If you have known sin, if you grieve for this world, then yeild the path forward to us. To I, Miquella, and my Promised Consort, Radahn."

Now, I don't know about you, but of Miquella only saw Radahn as a tool, then what's with all the "Yeild the path forward to us," and "To I, Miquella, and my Promised Consort, Radahn."

If he really viewed Radahn as just a means to an end, then why specify the both of them, unless Radahn was always in on Miq's plot?

Also, if Miquella really only wanted a big guy to ride around on and fight for him, why go through all the trouble of making Radahn a promise? Why not just bewitch him from the start and just force him to follow you?

I don't know why Radahn and Malenia fought. Maybe that was part of the vow, if Miquella could grant Radahn a warrior's death, then he'd follow him, or something like that. So maybe my theory isn't totally sound, but I do still think it's just as plausible as the bewitched theory, if not more.

Another thing I've heard people say as evidence of the bewitched theory is that Radahn wouldn't have gone along with it because Leonard wouldn't be with him.

But, like, you guys, that horse is dead. You killed it in your fight with Radahn in the base game. And Radahn is obsessed with warrior's deaths and all that. He probably saw that Leonard was dead, mourned him silently, and even resolved to take take revenge on the one who killed him, which, again, is you.

And, as a side note, Starscourge Radahn did not treat Leonard with any amount of respect. Did we even see the same attack animations. He was pushing him into the ground, standing on him, and definitely not feeding him. Leonard was described as scrawny, but when we see him, he's downright skeletal. And of course Radahn wasn't taking care of him. He was a literal zombie.

So, I don't think Radahn was bewitched. I think he willingly went with Miquella, once his soul was put into Mogh's body.

Miquella, at his core, is compassion without understanding. He feels for the plight of the world and its inhabitants without having the context necessary to understand why they are suffering. It's a very childish outlook, reflected in his design and curse, his outward childlike form representing his nieve understanding of the world.

That's why he can only see godhood as the solution to the suffering. Because it's all he knows. He was an empearyan, after all.

Of course, if he was a little more emotionally intelligent, he'd realize that abandoning everything that made him who he was is a bad thing, but he's not. He can't see past his own status, not in an arrogant way, it's more like he just doesn't know or understand there's an alternative.

He's that theme I mentioned earlier, the pursuit of goals turning you into a monster, personified. I mean he literally leaves his humanity behind. Can't get much more obvious than that.

Well, that's everything I have on Miquella, at least for now. I've just seen so many "Miquella is actually super evil" type posts and videos, and just a general increase in Miquella hate, which maybe is to be expected, but I still think a lot of people missed the point.

If course, everything I've said is subjective, and if Miquella being evil is what makes you like the character, then more power to you.

But if you, like, actively hate Miquella or misunderstand what we're presented in game, then I don't know. I can't stop you, I guess, but maybe I've managed to change your mind. I think the fun of lore hunting in this game is that everyone kinda has their own version of events, it's almost like we're historians debating ancient history. Idk, I just find that cool, so if your interpretation differs from mine, I think that's fine. Just don't be an ass about it, basically.

Tl;dr: if you took a shot every time I started a thought with "now" or "so," you'd be dead.

Okay, that's all, bye.

A brief adendum to this post:

So I've done a bit more thinking, and somehow completely forgot about the fact that Miquella appeared in Caelid after Malenia bloomed, to help the wounded.

This does, at first blush, come off as quite the dick move on Miquella's part, as he didn't think to help his sister, but I do have some thoughts and speculations.

What if he couldn't? Like, he's a small guy, it's not like he could've carried her all the way back himself. Maybe he trusted Finlay (Malenia's gf, it's canon) enough to let her do it. I mean, I guess it depends on how he got to Caelid in the first place, but like how does anyone in this game get anywhere?

No one uses ships as far as I'm aware, and the only transportation we see is like horse or giant drawn carriages, which are already pretty slow. Maybe Finlay asked to carry her back. Maybe Miquella could have used Torrent, but idk. This is all just speculation on my end.

Anyway, I also think this points to my earlier speculation about Miquella's character thematically. He saw only the wounded he needed to help, but ignored the one closest to him in the process. This interpretation lends itself very well to the idea of his childlike, naive ideas of compassion.

Okay, that's really it this time. I'll probably talk about Leda and the others next.

Bye

[yrrtyrrtwhenihrrthrrt]

One thing I like about Nimona that I haven't seen brought up yet (and maybe I'm alone here) is that Nimona becomes more sympathetic to the audience at the same pace that she becomes more sympathetic to Ballister (kinda long analysis below sorrys)

Like, I know not everyone agrees, but on my first watch of the movie, I found her downright annoying for the first like, quarter of the film. I don't find her annoying upon rewatch at all, I absolutely adore her, but the first time I watched it I reacted with a similar distaste as Ballister-- not because she was a shapeshifter or queer, obviously, but because she appears completely tone-deaf to Ballister's situation when the man is experiencing probably the worst thing anyone could imagine, she jeopardizes his reputation even more by pretending to be him while menacing the public, constantly undermines his efforts to minimize harm and clear his name, and just does as she feels without regard to others.

Then you start to learn why she acted that way, just as Ballister does. You (and Ballister) start to see that his efforts are in vain, that trying to minimize harm or clear his name doesn't work in his favor and is impossible to achieve, and Nimona knew that all along so of course she didn't care! She's seen this film before enough times to stop taking it seriously. If the outcome is always the same, why not have a little fun with it?

Her whimsical mannerisms start to look less annoying and tone-deaf and more powerful and brave (that she could be so determined to be herself despite everything). She starts to look less carefree, and more jaded. You realize that she's only carefree because it hurts too much to care.

And Ballister's line "Let's break stuff" is the turning point where we see that she (or rather, the Institute) has taught him to embrace chaos and be himself, because they're not going to listen either way.

And the subsequent scene, where Ballister offers to take her away from the walls and she says "No, this isn't right, we have to take the Institute down" shows that Ballister taught her to care again because he proved that people can change. They both had an important lesson they needed to learn from the other, basically: "Don't expect the system to work in your favor but don't be a doomer about it either" lol

And it hurts when Bal turns on her because you can kinda see where he's coming from, it would make sense that a lonely, lonely creature would possibly sabotage someone else hated by society so that they could finally have a friend. It would explain why she acted so cavalier about his reputation, constantly threatened people and undermined him, made them both out to be far more villainous than they were. She was acting out of indifference, but it came across to him as malice, and while we the audience know that obviously the eponymous character isn't a twist villain, Ballister wouldn't, and further, how much easier would it be to believe that this one person double-crossed you, rather than to believe everything you ever knew was a lie? So he turned his back on her.

And he, and the audience see what a huge massive fuckup that was.

What I like is you don't even NEED her backstory to sympathize with her, and neither did Ballister. This isn't a case of "character was unbearable for the entire time but they have sad backstory so they're now likeable I guess Snape). She was already sympathetic and likeable. We already understood her. The backstory was just extra context, nothing more, and that is fucking excellent writing.

We slowly learn to love Nimona for herself at the same rate that Ballister does, rather than being irritated wishing she was something else. And I absolutely, absolutely love that. She doesn't "become" more likeable, you learn that she was likeable all along.

[celticcrossanon]

BRF Reading - 15th of February, 2024

This is speculation only

Cards drawn on the 15th of February, 2024

Question: What is the best way for the BRF to deal with Harry and Meghan?

Interpretation: Tell the truth.

Note: I don't know if this is the universe or the collective speaking through the cards, but the message is something that we having been saying for a very long time

Card One: The Nine of Cups.

This is the card of emotional contentment, wishes coming true, satisfaction, success and recognition. No doubt marrying into the BRF brought Meghan all those things. The picture on the card is of the reunion of Eros and Psyche, a celebration of their togetherness before their marriage on Mount Olympus.

The energy of this card is to look into the engagement of Harry and Meghan. Look at Meghan's life before she met Harry, look at how she positioned herself during her relationship with Harry, and look at why the engagement was allowed and announced. There are clues hiding there in plain sight that we don't know about, but the BRF does. The energy of the card is to take another look at everything and examine what happened that led to the couple being engaged.

The clarifier for this card is the Page of Pentacles in reverse. Pages are children, and the Page of Pentacles is an earth sign child, like Archie. It is also my card for the UK. The energy of children is coming through here. Did Meghan say she was pregnant? What happened to that pregnancy? What was the proof? What do the people in her past say about her becoming pregnant? Is there anything in her past the suggests this is impossible? The Page of Pentacles is in reverse, so this is the negation of a child - the child never happened or the child is not hers.

The other energy relates to the UK and the status/money meaning of Pentacles. When Meghan married Harry, both of them gained status and money because of the marriage. The Page of Pentacles in reverse says to strip both Harry and Meghan of that status. Remove the titles. If they are still receiving money from their father, cut off that money. Return both of them to the position and finances that they held before the wedding.

Card Two: The Three of Pentacles in reverse.

The Three of Pentacles is about teamwork, people working together to achieve a goal. In the reverse, there is no teamwork, the person is not a team player, if there is a team it is divided and not cohesive or loyal. The energy of this card is of investigating the 'team' around Meghan - her friends, her mother, her PR agency/s. What can they tell you? What can you uncover from their behaviour and stories? The suit is Pentacles, so money is important - follow the money trail. Where does it go? To whom does it go? Who can be paid to talk about what they know about Meghan's past actions?

The clarifiers here are the Wheel of Fortune and the Ten of Swords. There were people who helped Meghan on her way up that she has now discarded, and they are willing to betray her in return. Find them talk to them, and see what they have to say about her actions and motivations.

Given the underlying energy, this could also be a surrogacy card (three to make a baby - mother, father, and surrogate - pentacles is about the body and material things, such as making a baby). If so, then the energy from the cards is the same - investigate and talk to those who were involved. They are ready to talk now, whereas before they may have held their tongue.

Card Three: The Two of Swords in reverse.

This card has the meaning of not making a decision, having a decision made for you, not being able to decide, the lesser of two evils, and the truth being revealed. The last meaning is not one that I often find with this card, but today it is the one that has the energy. The cards are saying to reveal the truth. There is no right way out of this, You are at a stalemate, and there is no solution that will please everyone. The card acknowledges that both outcomes will be less than ideal, but the push of the energy is to revealing the truth, not covering it up. As the saying goes, speak the truth and shame the devil.

The clarifier for this card is the Seven of Swords, the thief card, the card of wrongdoing. There has been deception and trickery going on. We all know this. It is time to come clean and reveal what lies and deceptions were told. Let the Harkles face the full consequences of their actions.

Underlying Energy: The Empress.

This card is appearing in its meaning of the mother. The energy is of pregnancy and children or pregnancy and a child. This energy is underlying all the cards above - the engagement, the rumoured surrogacy, and the trickery that has resulted in choosing between two bad outcomes. They are all connected by the idea of pregnancy and being a mother.

The clarifier for this card is The Tower. Knowing the truth about the children will create a Tower moment that will successfully stop the Harkles's current behaviour and render them unable to damage the institution of the BRF.

Conclusion.

The cards say that the best way to deal with the Harkles is to make a decision that has no right answer and/or has two equally bad outcomes, and to tell the truth. Gather information of what Harry and Meghan have done, especially in regards to the pregnancies and children, and release it to the world. Look into Meghan's past life, look at why the engagement was allowed, look into the team that supported her and talk to them. They may have held their tongues in the past, but now they are ready to talk.

Once you have gathered all the information you need, bite the bullet and release the truth. Reveal all the deceptions that were practised and the lies that were told. This may make you look stupid or foolish, and you may have been complicit in some of the deceptions by your past silence (the choice between two bad outcomes). Release them anyway. Then strip the pair of the titles and status that they gained upon their marriage (I say strip them of everything, but the cards refer to the engagement and subsequent wedding). This will be a Tower moment for the Harkles were what is left of their reputation and credibility crumbles to dust around them, and they will not be able to rebuild it. They will be rendered toothless when it comes to damaging the BRF.