#you are also welcome to take these questions as a basis and adapt them for your own needs/subjects etc no credit needed

[messydiabolical]

Art Asks (geared towards digital artists) Saw a writing 'truth and dare' ask list doing the rounds and thought i'd make an artist one. Share to get asks, or go ahead and answer the whole list if you are in a sharing mood! 😎 When did you start drawing? 🍟 What is your personal favourite piece of yours? 💗 Which piece is your most popular with others? ✨Show us a drawing from your early days vs the most recent (comment on what you like about both, be kind to yourself!) 🎀 What style do you not currently do that you love and want to try? 🎨 What is an art style you love but will likely never do yourself? 🦊 what area of your current art style do you want to improve/work on the most? 👽 What area of your current art style do you think you have improved upon the most since starting? 🍜Are there any art guides/tutorials/books/vids that you found really helpful (share the links if possible!) 🥓Who are your favourite historical artists? 🍩 Who are your favourite contemporary artists? 👚Does your day job involve art at all? If you are not a career artist would you change to that career if you could? 🎇What physical equipment set up do you typically use to draw (e.g. pad/pc/laptop/graphics monitor/digital gloves/pencil 2/paper like overlays etc, give all those deets) 🎁Where and when do you usually draw? How long at a time? Is this ideal or would you change if you could? 🥩What software setup do you typically use to draw (graphics programs, editors etc) 🥘What equipment (hardware and software) do you currently not have that you wish you did/hope to get in the future? 👓Did one specific fandom/teacher/subject/art style draw you into creating your own art? (was there a 'spark' moment?) 😖You can only ever draw with traditional mediums or digital from now on: which do you pick? 🐔Which part of the creating process do you dislike the most? 🐷 Which part do you enjoy the most? 😵 How do you usually feel once you finish a project? And a few weeks later? 🚲 How do you usually feel when you publically share a project? What is your process there? 🎠What is a typical 'workflow' for a piece from idea to finished? 🛸 How many pieces are you typically working on simultanesouly at any time? 💥Lots of WIPs or small number of projects? 🎭What is the longest time you've spent on a single project? 👗When sharing online, which spaces do you enjoy sharing you art on the most and why? 🏋️‍♂️Which online spaces do you have the worst time sharing art? 🍌lots and lots of layers and overlay effects, or minimal layering? 🍤Shout out a handful of your favourite artists who have blogs you can @ and tell us why we should check them out

[padfootagain]

Something Good (VI)

Chapter 6 : The Theatre Club

Hi!! Here is a new chapter for my Ben Barnes series! Things are slowly getting better between these two idiots, I hope you enjoy this story so far. Tell me what you think!

****

Pairing: Ben Barnes x Reader

Warnings: none! Slow burn, professor AU.

Summary: Coming out of a divorce and trying to get used to being a single mom, while teaching your classes at University, you thought your life could not get more complicated than it already is. But when you are asked to take care of the theatre club with the colleague that you really can’t get along with, you realize that everything can still get ten times more complicated in your life. And when you start actually liking Professor Barnes, the troubles only grow exponentially…

Word Count: 2781

With his paperwork done and his archive issue solved, Ben felt much more rested on this Friday morning.

Besides, he was meeting up with the students of the theatre club again, and he was happy to see them once more.

And he was also terribly happy because his plot for revenge against your insults was finally upon you…

It was stupid, and he knew it. It wasn’t even a revenge; it was simply his satisfaction at showing how wrong you could be. But he called it retribution all the same. He had a kind soul, after all. Being content with your disappointment was already being extremely evil for his standards. But you didn’t know that yet.

For now, you entered the large classroom to find Ben laughing with about ten students. It was strange to see him so joyful. You didn’t dislike the sight though. Not entirely. No… no, actually you disliked it. Very much so.

He threw his head back and let out a loud laugh, his glasses catching the light of the neon hung at the ceiling, and you were suddenly a little annoyed.

He finally noticed you as you walked closer, and he greeted you with a polite smile.

“Alright, let’s introduce our newest member, then,” he said, his smile growing in warmth as you approached. “We’re all on first name basis here, is that alright for you?”

“Sure,” you answered with a matching smile and a nod.

You were thus introduced to the students, and started to talk with the group. It took about fifteen minutes for the meeting to truly begin, as the members of the club were catching up on their holidays and first classes. You were surprised to find Ben relaxed, answering personal questions… even if he remained professional and in a clear position of authority in the group, he was far from the teacher you had imagined: strict, kind of an asshole. Actually, his voice was warmer than you had ever heard before, and he felt calm and welcoming. You tried to ignore the sudden fondness you felt towards him, and listened to the conversation instead, as it settled on the coming year.

“So, Y/N has made some suggestions for this year, and I guess we should decide whether they’re good ideas or not,” Ben said cautiously.

“We thought that we could adapt a musical this year, for a change,” you offered.

Ben had to admit he was surprised at how enthusiastic his students were. You glanced at each other, catching each other’s eyes by accident, and you grinned at the annoyed expression on his face.

“Which one should we choose then?” Roberta, a sophomore student asked.

“We have a list of three plays, you can choose from that,” you explained.

“They seem manageable to our scale, and they might be fun to perform,” Ben added. “We should wait for the new recruits to be here to decide, though.”

“Which musicals did you choose?” asked David, a very tall guy you guessed must have been playing rugby, judging by the size of his shoulders…

“The Sound of Music, Hamilton, or Moulin Rouge!”

The students started to excitedly speak together, all at once… but it seemed a rather close fight, and impossible to determine, for now, which play would be chosen.

You sat down on a table next to Ben. The students were busy talking together, and were paying no attention to you and your colleague.

“So… I bet you will be very happy if my musical is not chosen,” you told him, seeing clear through his game.

“That would be mean of me.”

“Yeah, that’s what I said.”

“I could hardly deny that I will be highly satisfied when Hamilton is chosen.”

“Yeah… I guess it should be it. Most popular one.”

Ben nodded.

“Can I confess something?” you added in a whisper.

“Sure.”

“I would have loved working on Moulin Rouge!...”

He couldn’t refrain a smile.

“Well, as we are being honest… I would have liked it too. Great occasion to listen to Ewan McGregor’s sweet voice for hours.”

“Exactly! I agree! Wholeheartedly!”

“We’ll see what they choose, I guess.”

Silence settled for a minute or two between the two of you, until Ben glanced over at you. Henry’s words were back in his mind… he needed to try to be nicer to you. The way he would be with anybody else. Besides… the last time he spoke to you, asking you to go to London with him… he had found that it wasn’t that hard to be nice with you.

He seemed to hesitate, but finally spoke.

“Is your daughter feeling better?”

You were surprised by the question, and even more by the warmth of his voice as he spoke it aloud. It didn’t sound merely polite.

“She’s much better, yes. Thank you for asking. It was a small cold, no fever, just lots of hugs needed.”

“Good. And so… seven for tonight is still good for you?”

“Sure. It’s fine. My husband is picking up our daughter… I mean… ex-husband.”

Ben nodded, not pushing it. He didn’t make any comment on your mistake, and you felt grateful for it.

“How many children do you have?” he asked, crossing his arms before his chest, and leaning a little more against the table you were sitting on, settling into a more comfortable position.

“Only one. Sally. A five-year old who is even more pig-headed than I am, and that’s saying a lot…”

Ben chuckled.

“I can imagine.”

“What about you? Do you have children?”

“No, I don’t. Not married either, if you meant to ask next.”

“Single?”

“Single.”

“Me too.”

“Welcome to the losers’ club, I guess,” he chuckled, and you were surprised to hear him joking with you.

He seemed more relaxed than usual, you wondered why. Perhaps it was because of the students he seemed to have genuinely missed over the summer. Perhaps he was just happy to work on the theatre club again…

“Is it too personal if I ask you for how long you’ve been single?” you ask him cautiously.

“A little bit, yes,” he nodded, and didn’t answer your question.

You saw him standing straighter once more, and cursed yourself for clearly hitting a nerve.

You and your usual clumsiness…

“Right…”

“Just… don’t push it.”

“I’m sorry.”

“It’s alright.”

“Hey, Ben!”

Your conversation was interrupted by a very enthusiastic young man, with long blond hair and a leather jacket, the black ink of tattoos peeking above the collar of his Metallica t-shirt.

“We’re gonna grab a bite before heading to getting ready for the afternoon. Care to join us? We’ll get some fish an’ chips from the place down the street.”

“Sure, why not?” Ben accepted without much of a hesitation, and he turned to you before following his student.

“Are you coming?”

You nodded, jumping off the table.

Again, you couldn’t help yourself… you were kind of surprised by Ben’s warm behaviour…

Surprised… in a good way….

The members of the theatre club made an eclectic, hilarious, happy bunch of crazy people.

You were currently laughing at Nathaniel’s (the blond Metallica fan) stories about his job in a record store in a small town in Cornwall during the summer. And you were surprised by Ben’s behaviour.

Because he was relaxed. He wasn’t strict, or even serious. He was merry. Friendly. You could feel that he was remaining professional, not cursing, always remaining polite but… there was something warmer there too. You started understanding why he loved this club so much. It was nice to bond with students over a project you found interesting. But there was something more than that. You could feel it already.

“What about you, Y/N? Did you have crazy jobs when you were a student?” Giselle, a shy-looking girl with a buzz cut asked you.

She was majoring in philosophy, you remembered that…

“Oh… yes. But I am not certain that I want to disclose this kind of information in front of my colleague,” you laughed, looking at Ben.

“Why not?”

“He could use it against me one day…”

“I would not hit so low,” Ben reassured you, taking a sip of water before eating the last of his chips.

“Then, I think Ben should speak first, and then Y/N can answer,” David proposed.

Ben heaved a sigh, looking for an anecdote that would not be too ridiculous, but still fun to tell.

“Well, I… did work in a bar… when I was still underage.”

You all laughed.

“That must have been something!” you chuckled.

“I served alcohol while still too young to be allowed drinking… it was awesome. I was also particularly… let’s say… hefty, at the time. So, when a fight would break out, I was always of great help.”

You all burst out in laughter again, and you had to brush away a tear.

“Alright, Y/N, your turn. I’ve been made fun of enough by my students, it’s your turn now,” Ben smiled, and you recognized a glimmer of mischief in his dark eyes.

You looked for a funny story for a moment, drinking some water.

“I worked in a shop over the summer once, where we sold wedding dresses and suits. And… one day a woman and a man entered, and I thought that they were mother and son. And as we were talking about the guy’s suit, I congratulated the woman on her son’s wedding. Turns out they were going to get married…together. They were engaged not… not mother and son.”

Everyone was laughing again, and Ben almost choked on his fish.

“They did not buy the suit… it was kind of my fault…”

Ben doubled with laughter, just like everyone else. You didn’t mind his loud laughter this time. It was rather infectious, actually.

Rather… almost charming…

People kept on signing up for the try-outs.

You could see how Ben was excited at the thought, and you were happy for him. You had decided after that lunch to bury the hatchet for the afternoon. And he seemed to have taken the same decision. He didn’t sigh when you dropped the kettle and there was water all over the place. He didn’t say anything when you ‘organized’ the table, making the paperwork even more of a mess. He didn’t complain when you answered enthusiastically to the students’ craziest ideas. Instead, he remained silent, and he helped you clean the water you had spilled all over the floor as you apologized profusely, and he reorganized the piles of documents after you were gone looking for God knows what, and he nodded when you looked at him with an expectant glance.

It had been a nice day. He didn’t want to kill the mood.

Besides… he kind of liked it when you laughed that much…

It did not mean that he wasn’t annoyed. He was simply not complaining about it, or letting it show. Huge difference, an important one...

He looked at you as you grinned at a first-year student who was asking you something about the auditions. He wasn’t sure what this girl was asking though. He wasn’t paying attention. He was just… lost in thought… looking at you…

The afternoon passed, turned into the beginning of an evening. It was sunny and bright for a long time, and then artificial lights replaced our sun. Your throat was sore after speaking so much, and you felt very comfortable now, always answering the same questions. The words came out of your mouth naturally now, because you had spoken them so many times.

You proudly stared at the long list of names you had gathered along the afternoon. Many wanted to join…

“About… 60% of the people who have signed up today will come to the actual auditions,” Ben warned you. “But… that still makes a lot of people.”

“We did good, don’t you think?”

“Yes, we did good.”

“So… the musicals were not such a bad idea, right?” you asked with a teasing tone and a mischievous glint in your eyes.

“No… not too bad,” Ben admitted.

“So… I was right.”

“Don’t push your luck.”

But you grinned all the same, and a smile tugged at his lips…

You were so annoying…

Ben and you wanted to share one last meeting with the students, making sure everyone had written down the date for the auditions, making sure that all were going to think about which musical you should perform this year…

But your phone rang as you were cleaning the table you had borrowed in a classroom nearby, like all the other clubs filling the hall. It was a large space, with old stone pillars and white walls that had been painted not too long ago. There were many clubs gathered in the hall, and even though the students were gone already, many people were still filling up the large space, as club members were packing their things and cleaning up. You checked your screen, and frowned hard when you saw the name of your babysitter appear in white, luminous letters.

You felt a sudden worry crush your heart. Was there a problem with Sally?

“You’re alright, Y/N?” David asked with a frown.

“Yes, I just have to take this. I’ll be right back.”

Ben frowned hard as he saw you walking away, hurrying towards the exit. You seemed worried as you pressed your phone against your ear.

“What’s going on?” he asked David.

“Don’t know. She got a phone call. Didn’t seem to be good news.”

Ben slowly nodded, checking his watch. It was about seven thirty. Nothing good ever came from impromptu phone calls received so late in the evening…

He looked at you as you started pacing in front of the open door. You were too far for anyone in the hall to hear you, but you could still be seen. You quickly went from worried to angry, it was pretty obvious, even from afar.

Ben refrained his urge to join you outside and ask you what was wrong. It was none of his business, after all. He didn’t like you at all. You were insufferable. Why would he want to know anything at all about you? Why would he check on you to see if you were okay?

He kept an eye on you while cleaning up the table, and let two students carry the furniture back to its rightful place in a classroom down the hall. Meanwhile, he kept on looking at you from time to time…

When you finally put your phone away, you didn’t walk back to the building just yet. You remained outside for a moment. You were too angry. Too frustrated. You remained there for a while, your back to the hall, looking at nothing in the distance as the sun was setting. The sky was just beginning to turn from blue to gold. You would have liked this sight, of grass stretching towards tall buildings made of stone, and trees reaching out for the sun in the distance, while the world took a golden shade… but you were too angry to admire the view.

You jumped when a deep voice behind you called for your name.

You turned in a hurry, and were surprised to find Ben standing there, on the threshold. He was staring at you, a few meters away. As if he wanted to keep his distance. As if he didn’t dare coming closer; but he was leaning forward as if he wanted to.

“Are you alright?” he asked, a frown full of worry badly hidden across his brow.

You nodded. There was no need to tell your colleague – the one you didn’t even like – about your asshole of an ex-husband.

“Yes, I just… I’m terribly sorry but I have to leave. I have a problem with my daughter.”

“Oh… is she alright?”

“Yes, she’s fine but… I just need to go.”

“Okay.”

You frowned hard. You thought he would get pissed. You thought he would, at the very least, be annoyed. But he wasn’t.

“You… you’re not mad?” you asked, taken aback.

“Why would I be?”

“I’m leaving when you still need my help…”

“Your daughter needs you. I don’t have children, but it doesn’t mean I’m a complete jerk.”

He gave you a small smile, and you offered him the same gesture.

He truly was full of surprises today. You wondered what had gotten into him. He had been nice. Annoying, but nice. As he looked at you walking away, he wondered why you were so nice today. Annoying, but nice. The thought that perhaps you were always like this crossed his mind. He didn’t like it. He didn’t like it at all…

***************************************

Taglist : @reg-arcturus-black

[akshayroy123]

Leaders' Guide to Navigating Transformation

Leaders encounter a multitude of obstacles in the modern, dynamic corporate environment. Getting a disinterested team invested again is a major problem. Disengagement in a team lowers morale, which in turn lowers productivity and threatens the organization's performance as a whole. Therefore, there are a number of things that leaders may do apart from pursuing Best Leadership Training Programsto get their teams charged up and ready to go again.

Transformational Leadership Training produces leaders who inspire their teams towards productivity and self-confidence.

Strategies for Reviving a Disengaged Team

Finding Out Why A Team Is Disengaged 

It is the first step in getting them interested again. Team members should feel safe enough to voice their opinions and ideas to their leaders, who should then encourage them to do just that. In order to understand the reasons behind disengagement, leaders must listen carefully and empathize with their followers. 

Leaders must act swiftly in response to the findings of this review. Team members need to see real results before they can trust and interest again. Therefore, it needs careful planning. Flexible hours, more resources, and training opportunities are all ways in which leaders can enhance working circumstances. If team members' needs are taken into account and fulfilled, they are more inclined to get back into the swing of things at work. 

Making The Workplace Welcoming To Everyone

Reviving a demoralized team also requires creating a welcoming workplace for all employees. Strong ties between leaders and their team members foster trust and encourage collaboration. Leaders can foster a sense of worth and respect among team members by acknowledging and valuing their unique contributions. The key to re-engaging a disinterested team is establishing a sense of companionship and belonging, both of which may be fostered through regular team-building events. 

Promote Progress And Independence 

Leaders should create chances for advancement and foster independence. Everyone on the team is more likely to get into their job and give their all when they have some say in how they do it and how choices are made. Staff morale and productivity can be boosted by establishing clear career pathways and providing opportunities for professional growth through internal promotions and training programs. 

Taking Care of The Emotional Quotient

The emotional requirements of one's team members should be a leader's priority. In order to manage resistance and provide the required assistance, it is helpful to understand how change impacts individuals personally. A leader's ability to inspire trust and empathy during times of change is directly correlated to their emotional intelligence.

Be Positive About Change 

Every Leadership Skills Development Training points out that change can come with all sorts of surprises, including difficulties and setbacks. Still, a leader's ability to adapt and persevere to those is crucial. They need to be flexible enough to change directions when needed. It would help if the team views change not as a danger but as a chance for growth. Leaders who are able to adapt inspire their staff to think similarly.

Efficiently Express Ideas

The foundation of every change is communication. Regular and honest communication between leaders and their teams is essential. Sharing the vision is just the beginning; you must also address issues, answer questions, and keep people updated on your progress on a regular basis. Team cohesion and trust are outcomes of well-planned and executed communication strategies.

Seeing Things Clearly

Leaders have a crucial role in crafting the path to transformation. They need to know what they want out of the situation in order to plot a course that will lead to success. Everyone in the company should be able to understand and buy into this goal. It is crucial to communicate with clarity and openness. Staff members are more inclined to participate actively and devote themselves to the change when they know where it's going.

Setting Good Examples

Their excitement, dedication, and passion for the organization's purpose and ideals should be evident. Followers are more likely to act in the same way when they observe their leaders modelling these traits. Leaders need to be open and honest when communicating with their teams, giving them frequent updates and feedback while also quickly resolving any problems that may arise. A leader's ability to re-engage a disengaged team depends on their ability to create an environment of trust and cooperation via open communication. 

Final Words

Re-engaging a disengaged team calls for leaders to take the initiative of taking up Leadership Training For Employeesand work together to solve the problems that led to their disengagement in the first place. In order to regain their team members' attention, leaders must determine what is causing their disengagement, move swiftly to resolve problems, create a happy work atmosphere, offer chances for advancement, and set a good example for themselves. Leaders can make their organization more efficient and effective by putting effort into their workforce.

[prof-peach]

Hi professor!

(ooc)Wanted to say that I’ve been wanting to do a blog similar to this for a long time but I’ve never really gotten around to do this and have kinda been a bit nervous to make one. Now though, I’m in the works of planning things out and setting one up thanks to you and this blog (not a professor blog but still). You’ve been a big inspiration to me and I wanna thank you!

In the meantime though, I did want to ask, what’s your thoughts on Pokémon evolutions that happen while trading? It doesn’t seem natural to me and it does kind of confuse me a bit on how it could work like that.

I'm going to step out of Professor shoes and be a little ooc here to think about this is a broader sense, and explain how i look at them. From there you're welcome to elaborate, ignore, or use that as a basis for your own thoughts on it. Evolution via trade is just an evolution triggered by a large life change. This trigger is adaptable and poses as different thing, be it like the Anime, where we see a pokemon evolve to protect its trainer, or change forms to win an important battle, or impress a mate. Unlike games, we see this happen mid-scenario, not after gaining exp from a win or use of skill. This leads me to believe it’s the emotional state of the Pokemon that’s the true catalyst here.

In the wild, at least on this blog, I like to think of it like this:

Machamp who rule their pod, and look after their fellow machops and machokes will grow old, they eventually come to a point where a new leader must be selected. Their fellow pokemon will show their skills, and the chosen winner to take over the group will receive the dying machamp’s belt. That belt being handed over is enough to evolve the Pokemon, and for them to take their place as the new leader, with their new improved stats.

Onix tunnelling along underground may accidentally stray into a vein of the same rare metal that we produce metal coats with, enough of that metal will trigger their evolution. They may actively search for it, or it could be an accident.

Alakazam outsmart each other for fun, if they get smart enough, they too could just evolve out of accumulative experience.

A Pokemon risking itself to protect its family, trainer, or friends, can use its energy stores up (if they have enough of course) and force the evolution. If we see Pokemon rejecting and deciding not to evolve even without stones and items, then the theory stands that they can suddenly decide to tap into that power.

I believe in general there are a multitude of ways for Pokemon to evolve, not just the set in stone (pun sort of intended) ways we see in the games. For example, eevee. It’s evolutions are triggered by location. Flareon live in hotter climates, and flock to volcanoes, hot grassy plains, sweltering jungles, and even hot springs in some areas. They bring their young. Their young then evolve too eventually, through time spent in the area. No stones involved. You could argue there’s Firestone’s in the area perhaps, a vein underground? Sure. Maybe? But there also might not be.

Do we also ask the same questions of friendship evolutions? How do you measure that? What’s the unit for friendship? Feels to me like another evolution through life experiences, not all that different from a trade (leaving one trainer to join another, a pretty big event for anyone) if you ask me. It’s just like...I don’t know, it feels like a lot of evolutions are aided by items, are more successful with items, or would be a sure fire way to achieve it, but quietly, subtly, all Pokemon must gain exp and skills through simply living. For doing regular normal stuff day in day out. After a while, that energy equates to the stones, or the trade, or the item, and the Pokemon evolves without any fancy method.

Humans and trainers figured out how to speed run growing battle-ready Pokemon partners, to win money, stay safe, become famous, even commit crimes. We say Pokemon in the wild handling items or doing tasks and they just happened to come into contact with the right thing, and evolved. We now mass produce held items to aid this. Could argue there’s a strong financial reason for the lack of talk about ambient evolution as discussed above.

Gotta remember too, these were marketed video games, meant to be sold and to make money. The games would implement mechanics like evo-trades, to bring excitement to kids who had only one of the games as a kid, to get them to trade with other people who might be able to help them get those elusive evolutions for the games completion. Back then they developed this evo-via trade methods to encourage social gaming in children, amongst other things. It was widely thought of as a bit of a gimmick from what i've gathered. For this reason I’m a little flexible with the mechanic as a whole, it feels like a neat thing for kids to discover when trading Pokemon back when it was first brought in, Googling answers wasn’t so much of an option, you use to have to get a guide book, or ask someone who knew how. On average kids had to find out either by chance, or by word of mouth. It made people want to interact. Don’t we all have memories of our fav evo trade finally being ours when playing? It’s a great bit, people enjoyed it.

Take what you will from this, I got a little too into it, I think a lot about these things, but never have a reason to write it down....or try to haha! I'm glad you got going with your own blog, it's really nice to see so many people give it a go. We can all do with more content, and why not make what we want in the pokemon world right? its a lot of fun, creative, and can bring joy to others too. I see no down side.

[troublesometrollhunters]

Maybe Douxie offering to let the reader stay at his place a while and look after them when they need a place to stay?

Douxie is an awesome roommate!!!

~ First things first. You don't have one room mate, you have three. Nari and Archie live there just like him so be prepared to have a sassy talking cat (dragon/wizards familar) and a curious demigod who asks a lot of questions. Don't worry though he's in charge so he'll keep Nari and Archie in line.

~ Honestly the Wizard is so stoked to be having you as a roomie. I mean he loves hanging out with you so this is basically a never-ending sleepover for him. He knows its temporary and until you get back on your feet but he doesn't mind at all. Honestly likes coming home to have a person there. He loves Archie and Nari but your a breath of fresh air to all the magic insanity he deals with on an everyday basis.

~ All together very chill and will mostly adapt to your schedule. He's pretty fluid and doesn't mind changing some things around to make you more comfortable. You might have to keep him from going overbored cause hes just that good of a friend and wants you comfortable. You remind him it's his house and Douxie calms down a bit.

~ He had an extra room in his apartment behind the bookstore that was just storage. So that's now yours. He cleans the room with you putting the storage somewhere else and helps you spruce it up a bit and makes it seem really homey. This may be temporary but he wants you to know you can stay as long as you need no judgment. Nari even gives you a little plant for your desk as a welcome to the house gift. She's very excited to make another friend.

~ He doesn't really have any hardset rules but he does warn you he sometimes wakes up in the middle of the night and his schedule can be weird. He'll try to adjust to you but that can't always happen so be prepared for some sleepy sheingians and the magical choas that'll come. Also Nari might accidentally wake you up because she doesn't really sleep and Archie can be kind of nocturnal so he'll be shuffling around or watching television on nights. Douxie will put a sound barrier on your room if that helps.

~ Honestly he just asks you clean up after yourself. He's not very keen on rules and he's got rent covered. So just do your half of the dishes and laundry maybe pickup, vacuum, or mop every now and than and your both golden. Also don't go opening any weird bottles or touch anything magical without him around. He doesn't want you to get hurt while staying with him.

~ You always have fresh fruit and vegetables and a full fridge. Doux is always stocking up so don't worry about food. And Nari is more than happy to grow things for you to eat. But if you cook anything she enjoys watching so be prepared for a lot of questions and her poking any spices or tools your using to cook. If you let her help she insists on eating it the moment its done or waiting til Douxie gets home so you can eat eat together.

~ Archie and Nari have a habit of climbing or jumping on you so you better get used to it. Archie likes perching because of his dragon instincts and Nari just likes being tall and being included. If you happen to fall asleep on the couch or on a chair they will cuddle with you and you'll wake up to a purring Archie or Nari taking a nap. No you can't move them (cat rules apply). Yes you might get stuck for awhile. But it's very worth it.

~ Nari likes making you flower crowns. When you come out with your outfit for the day she has a matching flower crown waiting for you. She thinks it makes you look Royal and she enjoys when you wear them. If you have to go somewhere and can't wear a flowercrown she'll braid flowers in your hair or give you a flower chain. She misses you during the day so if you give her something of yours to hold onto for the day she's very happy.

~ You spend long nights in the bookstore. While Zoe, Douxie, and Archie go off saving the world every night you wander his book store with Nari learning about magic and reading up on spells. Some nights when they don't have anything to do you'll all sit in front of the fireplace and share stories as you stay up until the next day. They'll show you magic tricks or talk about adventures from hundreds of years ago.

~ Douxie brings food home from his restaurant all the time. You all sit together on the couch watching movies and eating as you joke and laugh. Nari loves cartoons and animated movies but she also enjoys family movies. Archies one for drama. And Douxie doesn't really care but he likes inspiring movies or movies with a good role model dad and damaged son (yes its self projection no don't point it out). Also he likes found family. Movie nights are intresting as a bit of everything will be played. Also if Archie gets bored he won't hesitate to snatch the remote.

~ Ever have a very stressful day or feel like shit? Have no fear Douxie is here and he has something that'll cheer any downtrodden soul. What is it? A classic British Tea of course. Tea, scones, pastries. He's got everything and by the end of your drink you will be feeling better. He's had his fair share of bad days so he'll be making sure you don't go through your feelings alone.

~ If your a friend of Douxies your a friend of Zoes. Zoe is one of Douxies best friends so she'll be stopping by constantly. To make sure he's sleeping, to make sure he's eating, to make sure he hasn't died cause he forgot to text or call. On the plus side she's always wiling to help out with your tech or give free upgrades. She's also more than willing to teach you magic with Douxie if you ever want to try it.

~ Douxies always playing music. So be prepared for a lot of tunes and waking up at 2 a.m because he had an idea and oh god he's sorry he woke you up. Well might as well drink some tea and tell him what you think. If he's writing a new song he'll often ask for your input and brainstorm with you. Some of your best memories are from staying up with Douxie all night perfecting a song the day before a concert.

~ Speaking of concerts he and Zoe have tickets to everything which mean they have tickets for you to everything. By the end of the month you've probabaly been to a concert at least once a week. Their rocker wizards darling and they want you to join in on the fun.

~ It's a choatic household but your room mates love you. Whether you decide to move in permanatley or just stay awhile their happy to have you while your around.

[appersonmedia]

As an Entrepreneur The “New Normal” Virtual Assistant is vital.

By B. A. Apperson, founder of AppersonMedia, an SMM, and a Website Designer.

It is no secret that nowadays the big guns of the entrepreneurial world seem to skyrocket their success without blowing up cash flow.

Creating and running a business requires taking on many tasks and responsibilities and you need that individual who will provide different services to your business from a remote location.

As your business grows, it requires greater effort to help support this growth. That means you need to acquire new resources to avoid overloading yourself and to help your business on track.

The idea in this equation involves leveraging offshore outsourcing and hiring virtual assistants. (unless you got cash running down from heaven)!

What is a Virtual Assistant?

A Virtual Assistant is a person who provides different services to businesses or entrepreneurs from a remote location. They are known as online secretaries or online assistant that handles task like a traditional secretary but without the need for a physical space in your office.

Why Hire a Virtual Assistant?

Saves time and Cost-Effective Business Scalability

Hiring A full-time employee to do a job, you can hire a Virtual assistant to do it for you. As they charge on an hourly or task basis, you have to pay them for work that is actually done.

Business requires capital and by hiring such you can substantially reduce your capital needs. Not only is the cost of hiring a virtual assistant substantially less than hiring domestically, but the ongoing cost of the management and development is also less.

Hiring a virtual assistant as an as-needed contract worker instead of a full-time salaried employee. The most valuable asset is time. Your time is gold, yes email is important but these tasks are somewhat time-consuming as entrepreneurs our main goal is to grow a successful company and these Virtual assistants can help you lend a hand.

Experience

Some Virtual Assistants specialize in a particular area or have the ability to perform many different tasks. These are digital people that means that they are more tech-savvy than most people out there. They can adapt well to different environments.

📷Photo by Pixabay on Pexels.com

Frees up Time For Strategic Thinking

As a Virtual assistant can perform your non-core activities, you as will have more time to focus on growing your business. You can prepare a detailed list of tasks to outsource to a virtual assistant – things you need to get done and help you grow your business.

They are very good at organizing and can help you prioritize the most important task first as some of them have had training and years of experience in assisting business owners.

Increase your productivity and customer response time.

Virtual assistants can help improve the product and services you offer in the market by being your eyes and ears in the market and throughout your customer base.

Some Things that you can have your VA do are.

Creating email responses or Frequently Asked Questions

Checking on clients

Responding to customer questions

Create welcome pack for new customers

Check up your calendar to avoid skipping important matters to the business

Scheduling meetings

Data entry

Due to Globalization, your business can have customers spread across the globe. But when you have staff in your local area you do not have that edge to cope with global needs and international time-zone would be difficult.

Since you have virtual assistants that are based remotely, you can hire them across the globe to cater to different time zones. This way, you and your staff can maintain a good work-life balance while still being able to attend to customers and clients.

Getting a Virtual Assistant Can Increase the Asset Value of your Business.

Working with teams the likes of these forces you to develop and create very strong, efficient processes with solid communication that utilizes technology more creatively.

Having a system and ensuring task and with proper delegation to anyone who steps in, it means that your business is systematized. This creates a far more valuable asset if ever you decide to sell the business.

Conclusion

Why hire a Virtual Assistant?

The answer is simple.

Virtual Assistant can help you streamline your work activities in no time!

They are awesome and a fantastic asset to you and your business, especially when integrated correctly. Doing business and working hand in hand with a virtual assistant can be a step forward in the optimization of many of your business’s processes. A win-win for everyone involved.

[thewhizzyhead]

a non-filipino's guide to trese: ep 1

So some of my mutuals decided to check out Trese aka the Netflix adaptation of the Filipino horror comic book series that I keep rambling about here and then since well um most of my mutuals aren’t from the Philippines fshfs I decided to make a long-ass post that basically consists of me rambling about the cultural context present in Trese with fun little tidbits about Filipino folklore. I’m not an expert on Filipino mythology so um I just typed out the stuff that I know and the stuff that I looked up on Wikipedia so um take this with a grain of salt aaaaa I’ll save the extensive google scholar research ramble on folklore present in Trese for another day.

I’ll try to find the sites where I got some of the information from cause um yea I kinda had a bit of a hard time finding the other shit so um once again, take the stuff here with a grain of salt. Also, feel free to add more info if you guys got any!

SO ANYWAYS ENJOY ME RAMBLING ABOUT EPISODE 1 OF TRESE WOO

+ MRT and LRT (Manila Metro Rail Transit and Light Rail Transit) are train systems in NCR (the capital region) and yea them suddenly stopping and malfunctioning in the middle of the goddamn rail is a daily occurrence and we have been trying to deal with this bullshit for years but alas, corruption and negligence are sweet sweet drugs.

+ When the MRT broke down, you'd see a red bee in the flashing billboard right? Well that's Jollibee and that's probably the most well-known fast food restaurant chain here heck there are even branches of it abroad!

+ According to many youtube comments along with other social media posts that I am way too tired to link here, the opening theme is an Ifugao ethnic song called Balluha'd Bayyauhen but with modern accompaniments and I think the song is about a fruit called a balluha that the character in the song tries to it but cannot swallow. (someone please correct me if I’m wrong here fjkfs)

+ The first um monster that we see Alexandra interact with is the White Lady of Balete Drive. White Ladies or “Kaperosa” are a type of female ghosts typically dressed in ghostly white dresses or similar garments. According to legend, she died in a car accident while driving along Balete Drive (a two lane street formerly lined with Balete Trees which are said to be a home for spirits and mysterious creatures) in Quezon City while other accounts say she died waiting for the arrival of her lover; others also say that she was a teenage girl who was run over and killed by a taxi driver at night and then buried around a Balete tree while another variation of the tale claims that a student from the University of the Philippines was sexually assaulted and killed by a taxi driver nearby and so said ghost haunts the street in search of her murderer. There are many other variations but according to local rumor, the legend was fabricated by a reporter in 1953 in order to make an interesting story. What remains consistent in many variations is that apparently taxi drivers would be stopped by a beautiful lady asking for a ride and if one would look at the rear window, they would see that the white lady in question is bruised and drenched in blood.

+ There are a lot of mentions about "lakans" and stuff in reference to Alex and her father right? In precolonial times, the term is used to refer to the paramount ruler or the highest-ranking political authorities in Tagalog communities (so um NCR and some parts of Region 4). In Muslim communities, they are called sultans while communities with strong trade connecitons with Indonesia or Malaysia called them Rajah. Datu is umm the more generalized term though when it comes to discussing the leaders of the precolonial Filipinos.

+ So, Alex’s mom is a babaylan and back in the pre-colonial period, each barangay (which a native filipino term for a village or a district; said term is still used today to describe um divisions in municipalities like) had them and these are basically Philippine shamans and they specialized in communicating with the spirits of the dead. To my knowledge, the role of babaylan went to women and yea people assigned male at birth but then identified as female were also allowed to become babaylans and they would be treated with the same respect given to any woman back then (honestly I dunno much about lgbtq+ stuff back in the precolonial times but all I know is that precolonial Filipinos were much a lot more welcoming towards trans identities bUT THEN THE SPANIARDS CAME AND UM ERR RUINED THAT); also the writing Alexandra's mom did in that one scene with the dagger is in Baybayin - preHispanic Filipino script. I dunno what she wrote down though. .

+ Also I kinda find it funny that the people here esp those who were at the White Lady scene are um,,, not at all surprised? Like yea quite a number of filipinos have their own superstitions and beliefs and all that but um yea the people in Trese seem very used to the bullshit,,,which in retrospect, isn't at all inaccurate fsdfd I MEAN WE DEAL WITH UNSURMOUNTABLE AMOUNTS OF BS ON A DAILY BASIS SO I DON’T THINK DEAD GHOSTS WOULD EVEN FAZE MANY FSKJDS

+ The one that appears right before Alexandra talks with the duwende (the one in the manhole) is called Laman Lupa (which i guess translates to um "What is in the earth"? just um YEA THEY ARE DIRT CREATURES). normally this is an umbrella term for duwendes and nunos but in Trese they are servants of these aforementioned creatures.

+ Duwende (which came from the Spanish phrase "dueno de case" which means "owner of the house") or dwarves in Filipino folklore are known to be mischievous and magical environmental guardians. They are believed to reside in trees or under earth mounds (those that live in the latter are called nuno sa pundo or old man of the mount) which is why quite a lot of Filipinos say "tabi tabi po" or “excuse me” when wandering around a forest or earth mounds as a sign of respect and in the hopes the duwende won't torment them. If the person is friendly, the duwende can also be friendly in return and will bring that person good lucl; otherwise, those who destroy their homes by stepping on them will face their wrath in form of heartless curse and predictions of ominous and disastrous fates. A duwende's color also depends on their budhi or conscience: to my knowledge, white duwendes are kind, red ones give protection amulets, green ones are firnedly with children and the black ones give nothing but trouble.

+ Chocnut aka the snack Alex bribes the nuno with is a very yummy chocolate snack made of coconut milk, crushed peanuts and cocoa powder. They are umm about an inch in length and maybe half an inch in width so it's fairly small; that being said I WANT THE CHOCNUT THAT ALEXANDRA HAS CAUSE HOT DAMN THAT'S A BIG CHOCNUT

+ In Trese, the creatures in the MRT scene and in the warehouse Alexandra visits after she talks with the duwende are called "aswang". In Philippine folklore, it is an umbrella term for any kind of monster so um an aswang in Luzon would be very different from the aswang in Mindanao. According to what I saw on wikipedia, they can be classified in 5 categories: the vampire (self-explanatory um they drink blood), the viscera sucker (the manananggal, i'll get to that next time), the weredog (cats and pigs are also possible but um yea they target pregnant women), the witch (self-explanatory boom curses and stuff) and the ghoul (they gather near trees in cemeteries to feast on human corpses). Aswangs are often described to have a long, hollow tongue, sharp claws and sharp teeth, although they do also have human forms.

+ To my knowledge, Ibwa, the leader of the aswangs in the warehouse, is a creature from Tinguian or Itneg mythology (they, like the Ifugao, are an indigenous ethnic group in northwestern Luzon) though I could be wrong about this dksfsf Ibwa seems like an ethnic filipino term tho wah I can't remember where I once read that. But anyways, Ibwa often stalk sthe house of a dying person to steal its body. In order for the ibwa to NOT succeed in that, some people burn holes in the garments of the dead and put a sharp iron object on top of the grave since those are most powerful weapons against aswangs which is what Alexandra uses to subdue the Ibwa and kill all the other aswangs (the knife alex uses is named Sinag which means "ray of light".)

+ ALSO I AM SO SO GLAD THEY KEPT THE FILIPINO SWEARS IN THE ENGLISH DUB YES YES THIS IS A VERY GOOD JOB so lemme discuss the versatility of tangina-

+ Also umm Bossing is a nickname of Vic Sotto - one of the three pioneer hosts of Eat Bulaga! which is the longest running Philippine noontime variety show. Over time, most probably due to the show's popularity, the term "bossing" then became um slang for "boss" or "chief"

+ Translation of what Alex says when she's stirring the eye inside the cup: “In the eyes of others, secrets will reveal themselves.”

+ Sidenote: The English dub's pronunciation of many of the tagalog lines are um yea they r pretty good but they could use a bit of work but then again I'm really not that good in speaking in Tagalog so who am I to judge gkdkf sorry po guys conyo po ako-

+ Maria Makiling is arguably the most famous of all the diwatas (ancestral spirits, nature spirits, or deities) in Philippine Mythology; she is associated with Mount Makiling in Laguna as the guardian spirit of the mountain. Mount Makiling is said to resemble a profile of a woman and people associate the profile with Maria herself. She is also known as a goddess by the name of Dayang Masalanta and people would pray to her for safety and to stop storms and earthquakes. That's the goddess Alexandra's mother mentions right when she tells Alex to hide. (Translation to what she said there: Maria Makiling, goddess of the mountain, bless us.)

+ ALSO YEA THAT MAYOR IN THE MRT STATION IS UMMM RATHER REMINISCENT OF MAAAANY POLITICIANS AND PUBLIC SERVANTS HERE LIKE BELIEVE ME I CAN THINK OF SO MANY NAMES RN. THEY WOULD FLAUNT THEIR MACHISMO AND PROMISE THAT THEY THEMSELVES SHALL PUNISH THE PERPETRATORS HARSHLY BUT IN THE END THEY DONT MEAN SHIT AND ARE IN OFFICE TO SERVE ONLY THEMSELVES AND TO SHIT ON THE REST ESP THOSE OF THE POORER SECTORS AND *NOTHING IS DONE ABOUT IT*. WE LIVE IN HELL OKAY. also hmm how the police are represented here is umm,,,interesting,,, like i know there are sOME good police officers like the ones alexandra assists but like,,,our current sociopolitical climate + the many cases showcasing the corruption in the police force + tHE SHEER AMOUNT OF POLICE BRUTALITY HERE would ummm beg to differ. but um anyways-

+ Also Mang Inasal posters can be seen in the MRT station backdrops and um it’s a very famous restaurant chain here and they serve lots of barbecue and other filipino stuffs and i miss them a lot God their halo halo is very yummy

+ Santelmo - oki so this is the fire face thingy that Alexandra summons inside the ruined train. This is the shortened version of the term "Apoy ni Santa Elmo" or "St. Elmo's Fire" - this is a weather phenomenon wherein plasma is created from an electrical discharge from a rod like object in an atmospheric electric field. This phenomenon was used to warn of imminent lightning strikes or storms (there is a chapter in Noli Me Tangere where Pilosopo Tasyo talks about that bUT I'LL SAVE THE NOLI ME TANGERE RAMBLES FOR ANOTHER DAY). But according to Philippine folklore, santelmos - which are said to be souls of people lost as sea - are balls of fire that appear where accidents or big arguments happen. In Trese, santelmos (alex's santelmo being "The Great Spirit of the Binondo Fire") can be called to assist in supernatural investigations

+ Translation of what Alex says when she draws the circles to meet with the purple ghosts: "Souls, where are you off to? I'll be entering too, so please open the door."

+ Remember the scene at the train with all the purple ghosts and the woman in a veil? Yea the woman is an emissary of a goddess named Ibu and she is the Manobo (again, another indigenous ethnic group but this time they're from Mindanao; fun fact we have around 134 ethnic groups) goddess of deceased mortals and the queen of the underworld; she also serves as a psychopomp and guides the newly deceased souls to the other side (having an MRT be the ride to the underworld isn’t in the legends tho so fkkjsf)

+ The aswang in the top hat is called Xa Mul and according to the Isneg/Apayao people (yay another ethnic group but this time in northern Luzon - the Cordillera regions to be specific), they are an evil spirit known to swallow people whole.

+ Alex has two henchmen right? Yea they are named Crispin and Basillio and No I still don’t know who’s who and I'm really sorry about that fsfjs so anyways the names Crispin and Basillio are actually those of two brothers featured in the Noli Me Tangere and El Filibusterismo novels (Crispin is younger and Basilio is older) which are basically the national novels here cause um yea written by national hero Jose Rizal as sociopolitical commentary about the Spanish regime here. I don't know if I want to spoil this cause I kinda want other people to read the novel too fskfs BUT ALL IN ALL, ONE OF THEM DIES IN LIKE THE 10TH OR 11TH CHAPTER OF NOLI ME TANGERE (and the novel has 64 chapters btw) AND UM YEA-

+ OKI SO TO ADD MORE CONTEXT TO THE SQUATTER STUFFS MENTIONED IN TRESE (we r gonna use the tiny font here because holy shit this rant is long): So,in the Philippines, especially in the capital region, there are lots of slum areas called squatters. These are dense urban settlements made of compact makeshift housing units that aren't really officially recognized by the government. This is um very reflective of the poverty situation here and there are maaany factors that come into play here and if i were to go into depth about this topic, that rant would probably turn into an academic paper so for the sake of brevity, let's just say that Things Are Fucked Up Here. Oftentimes the poorer sectors are being ignored and left to their own devices despite tons of campaign promises to make things better and easier for them. The communities that live here are incredibly vulnerable to floods, fires, and the like and afaik no concrete solutions have been in effect to protect these people and their settlements. There have also been many times where squatter areas are dismantled or demolished despite protests of people living in those areas and yea I understand the need to make space and the need for renovation but the people should still be offered some sort of temporary settlement or financial compensation thingy that doESN'T fuck them over but alas, we have an anti-poor government. That being said, I really like Trese Ep 1's portrayal of governmental negligence, but I also have some thoughts, especially in regards to the mayor being arrested THAT FAST which um believe me, NEVER FUCKING HAPPENS BECAUSE MANY MAYORS AND A LOT OF POLITICIANS HAVE THE POLICE IN THEIR POCKETS SO UM ERR YEA JUSTICE IS RARELY A THING HERE BUT UM ANYWAYS YEA THE GOVERNMENT LIKES TO SHIT ON THE POOR WOO LET'S SAVE THE USE OF SOCIOLOGICAL LENS ON THIS MATTER FOR ANOTHER DAY

+ The news channel reporting the arrest of the mayor is ABC-ZNN WHICH IS AN OBVIOUS REFERENCE TO ABSCBN aka the top media conglomerate here (that has been fucked over by the government so many times to the point that they had to shut down operations last year which is all sorts of unfair so seeing them being referenced here kinda made me happy gksfks)

[gringolet]

INTRO TO ARTHURIANA MASTERPOST

under the cut for absurd length

HOW TO GET STARTED WITH ARTHURIANA

The Arthuriana fandom is very broad and there's no one piece of media, which can be confusing for people just getting into it! There’s no right way to engage with arthuriana, and no minimum level of knowledge or reading you need to attain to qualify. 

The basis of the Arthurian Legend is a body of hundreds of texts written across the medieval and early Renaissance period in dozens of languages and cultural traditions. Which can seem pretty overwhelming, but there are a lot of modern vernacular translations-- you absolutely don’t have to learn old French or anything. I’ll go more in depth on where to get started with texts further down.

You also don’t have to read texts at all. As I said, there is no minimum basis-- if you prefer to engage with modern adaptations, or want to engage with medieval arthuriana outside of reading texts, that's also cool! 

In terms of modern adaptations there is a wealth of choices, which I am very much not an expert in lol, so I’m afraid I can’t give much in the way of reccs. Books I have heard good things about are, Exiled from Camelot, Idylls of the Queen, The Buried Giant, the Squire's Tale series, and Gawain by Gwen Rowley (warning that this one is apparently erotica? Good for him). I trust @princesslibs  for modern book reccomendations. and if you speak French Kaamelott is purportedly a very good tv show. Frankly no modern adaptation will ever be better than Spamalot to me, but that's just my personal take. 

If you are curious about engaging with texts but (understandably) don’t want to read a ton of dense medieval literature, one really cool resource is Norris J Lacy's New Arthurian Encyclopedia, which you can pick up at most used bookstores for under ten bucks. It’s a very thorough easy to look through reference of characters stories and texts. I know a lot of people like the Nightbringer wiki, though I personally am wary of it because it basically never cites sources. It’s a good quick reference though and a lot of people like it, I’d just take it with a grain of salt. Sparknotes also has a lot of summaries of the major texts like Le Morte D’Arthur and the romances of Chrétien De Troyes. You are not a fake fan for doing this I promise. And of course you’re always welcome to send me an ask <3 

Finally, getting started with texts. Quick glossary of terms:

--Verse Romance

    A verse (poem) story which can vary a great deal in length. These deal with the adventures of individual knights, usually Gawain, and tend to have a great deal of magical elements and the stereotypical monster slaying, questing, damosel rescuing knight adventures.

--Prose Novel or Romance

    A non poetic narrative, more like a modern novel, more likely to deal with the fall of Arthur, sword in the stone, Mordred, fall of Camelot sort of affair. They are usually quite long. Most famous of these are Le Morte D’Arthur and the French Vulgate, but there are a slew of late medieval Prose novels floating around. Eluding Rey.

--Pseudohistory

    I’m gonna b real these are boring I think. These are, as the name suggests, written as accurate depictions of history.  They very much are not, but they claim to be. Most famous of these is Jeffrey of Monmouth, Mr Jeff Mouth himself, and his History of the Kings of Britain, which I haven’t read because it bores me. You can if you want. It’s in Latin. Whatever. These tend to be some of the earliest texts, and include the “lives of saints” stories. Life of Gildas is the only funny one.

--Ballads

    These are only arguably texts, as most of them were written after the time of the “canon” being composed. But I like them. These are songs telling stories, recorded by people like Francis Child and Thomas Percy. They are very short and fun and include stories like The Boy and the Mantle, Kempion, and King Arthur and the King of Cornwall.

--Lai

    A specific type of French verse poem, usually quite short. The most famous collection of lais are those of Marie le France, including things like Bisclavret and Lanval. 

--Traditions

    Since Arthuriana was written all over, there are different literary traditions across time and space. The French tradition is one of the most famous, including works like the vulgate, Chretien and a lot of verse romances. The English tradition is one of the most influential on modern adaptations, including the Morte D’Arthur and Sir Gawain and the Green Knight. There are also Welsh, German, Dutch, Hebrew, Italian, Spanish, Portuguese, Tagalog, Greek, Belarussian, Scottish, Irish, Breton, and probably even more. There’s a lot. It’s very cool and sexy.

A note that there is also a big tradition of Victorian revival Arthuriana. I wrote a starter guide to that here, it’s all very fun and like, aesthetic. 

Alright, now, which texts do you start with?

If you’re a little intimidated by long texts or medieval lit, starting with short verse romances in modern translation is a great place to start. These include Sir Gawain and the Green Knight, which is very good and gay and well known, Lancelot and the Hart With The White Foot, which is very good and gay and underappreciated, or Lanval, which is homophobic but funny. 

If you want to start with what is considered the oldest King Arthur Story, Culwch and Olwen is short and fun!

If you want to read about the grail quest, you can start where it started with Story of the Grail or Percival, then the four continuations, Essenbachs Parzival, the vulgate version of the Grail quest which you can buy paperback for like 5 bucks (I can also scan my copy for you just shoot me an ask <3)

If you want to read about the fall of camelot, I have the Vulgate death of Arthur section scanned here. There’s also the Alliterative and Stanzaic mortes, which are in middle English. I have scanned Simon Armitage's Alliterative Morte translation here. I’m working on my own translation of the Stanzaic but it’s not done lol. If you want the first third or so DM me lol. King Artus is very short and readable and it’s a Jewish text which is really cool.

If you want to read about Lancelot, Chrétien de Troyes Lancelot is his first text. He also has a whole long vulgate section, the first part is scanned here by val <3, and there's Lanzelet,  Sebile is in it so it’s probably very good. He’s also basically the main character of Le Morte D’Arthur which I might as well talk about here uhm. It’s long and fun in places and boring in others but it does have like the version most modern adaptations take from and tells the whole story of Arthur and Camelot from beginning to end. The Keith Baines version scanned by val is the most readable but it is an abridgement I believe. people who like le morte usually read this version so its probably the best choice lol

If you want to read about Gawain, good news! He’s in basically everything. Even texts that aren’t supposed to be about Gawain are doomed to become The Gawain Show Featuring The Protagonist Of This Text As A Sidekick. Which is so funny of him. The Roman Van Walewein is very funny and long and Gawain™. I also recommend, L’atre Perilous, Diu Krone, Sir Gawain and the Turk, and I could go on but for brevity's sake let's start there. 

If you want to read about Tristan, go shoot an ask to Valentine @lanzelet on tumblr because Tristan scares me. 

Thank you to rey @gawain-in-green for helping me find links and put this together! They are also a super great resource for stuff and very cool and nice <3 They have a tag on their blog for full text resources so deffo look at that if you want more scans and links, and an info tag and tons of cool shit that is way better organized than my blog lol

Okay finishing this off, if you want content warnings for any texts, feel free to shoot an ask! I know medieval lit can be A Lot and there aren’t a lot of good warning systems, so if I’ve read it or know someone who has I can give you warnings if you want to read something but are understandably wary . <3

In terms of tagging, Arthuriana and Arthurian Legend are the main ones on tumblr. Arthurian Mythology is also used but tbh shouldn’t be. On Ao3, we’re trying to get our own Arthurian Literature tag but <3 its a whole thing. Anyway the tag is Arthurian Mythology, but I’ll b real, it’s kind of flooded with stuff that doesn’t really belong there, because even though it’s a fandom tag other people unknowingly tag stuff as Arthurian Mythology when it’s like, a knight au. Which is not their fault bc it’s confusing but, ah, alas. ANyhow, feel free to drop in my inbox anytime with questions, suggestions, reccs, etc!

Okay godspeed!! Have fun reading, watching, browsing, etc! 

[alittlefrenchtree]

so,

Dune.

I’m going to start quoting my own words. A few weeks back, I’d said that, in my opinion, for the movie to be great and a success, Hollywood has to respect the precious source material they had in their hands and Dune fans and readers have to remember that a movie can’t be a book and if the movie is made for them, it’s not only made for them and has to adapt to a larger audience, to people who don’t know anything about the universe and most of them never will. The key — for me — was for Denis and the whole team to find that balance. And I think they did a pretty great job with that. Do I think the movie will met boxoffice expectations? I don’t know. It’s been clear for decades that Dune isn’t, by its very own nature, a story for everybody.

It’s a beautiful adaptation. Of course, it’s visually mind-blowing and everything look incredible. The music and the sound are very powerful sometimes a bit agressive with some interesting takes and choices. It might be not my favorite Zimmer work but it does work pretty damn well. There is a boldness and an unexpectied aspect in the whole OST that makes it quite unique. It feels perfectly adapted to year… 10191 or whatever. Or rather, most of the tracks probably aren’t something I’ll listen to on a regular basis on a playlist (unlike some of other Zimmer work and except maybe for the House Atreides and the Paul’s dream tracks 💚) but the soundtrack does serve the movie quite perfectly.

The movie did grew on me on some aspects. For certains choices of their, I was pretty confused in the beginning, thinking why the hell did they do this like that but, later in the movie, these same choices somehow start to make sense and even to be likeable.

The whole casting is really strong with solid performances. I had some expectations for Rebecca and Tim regarding of certain scenes or aspects of their characters and they did not disappoint. An eventual part II would be almost more importantly for the depth of their characters than for the story. They only had time to make baby foetus of the characters they’re meant to be and they really deserve a movie to unfold their whole potential.

Most of the things we’ve already seen/suspect (the Atreides being given some humanity/compassionate/relatable traits ; Lady Jessica being bit cut off) were indeed there. Knowing what to expect made things easier for me. They didn’t do that bad for Jessica so it was fine, even if one of my favorite chapter about her didn’t make it to the movie (but it made sense since the said chapter mostly depends on a story line that has be rightfully erased). I still regret that Hollywood (because I’m almost positively certain that it’s something coming from the producers) felt, as always, the need to reinforce the relatable ‘good ones’ vibes in the Atreides side when it’s something that has very little reason to be in Dune. According to my sister (who was my control-viewer since she hasn’t read and didn’t know much about Dune), they didn’t make them too relatable at all. She was actually surprised hearing me say it’s worse in the book.

On the other hand, they made some clever adjustments, fixed things that didn’t make much sense in the book. Most of the choices they made, including simplify the whole story, were good ones for the sake of the movie, in my opinion. What we’re loosing a bit in terms of poetry of the writing and depth in some philosophical aspects is counterbalanced by other qualities. The movie isn’t trying to be a book, it uses its own strenghts and assets as an audio-visual medium. Even the most Hollywood-y aspect of the movie are used pretty in a pretty smart way. Even for when I was ready to roll my eyes, they showed me were and why they were going this way and it made sense, so I’m ok with it.

I don’t know if I had more thoughts… Of course, as someone who read the book very recently and in great details, I was doomed to be frustrated about a couple things. These are a few lines of Paul that I was waiting to hear and that has been cut or putted in other people’s mouth. I’m pretty sure they can still be put back in his own mouth in part II so I keep my fingers crossed. Overall, I did enjoy the movie very much and I think they all did a good job with something very difficult to translate. I got chills a couple of times and also a couple of starts/jolt which I wasn’t expecting and were very welcome in the experience of the movie.

I very often need a few times to fully embrace an definitive opinion about something so I’m planning to see it again (at least) a couple of times next week. I’ll probably have a few things to add by then.

Again, if you have question about something specific I didn’t mention, feel free to ask 💜

PS: sorry if it’s a bit all over the place or not completly clear. I’m still a bit tired and English is hard anyway 😅

[coda-90]

The Evolution of Social Standards

by Durga Kulkarni.

Psychological Evolution

Why do Social Opinions matter?

Social Expectations

Social Organisations

Psychological Evolution

What is it?

Psychological Evolution, or Evolutionary psychology has roots in Cognitive Psychology and Evolutionary Biology.[1] It focuses on how evolution has shaped the mind and its behavior. It also concentrates on how the main purpose of our lives has shifted, from survival, to contentment. Additionally, it helps us in understanding why we humans behave the way we do, and what are the underlying instincts that we are unaware of which is making us do these things. It also states the importance of human interaction and connection in our lives.

When it comes to human interactions, there are a few default archetypes noticed in each interaction, them being: exchanging information, opinions and expectations. In today's world, during a healthy conversation, we tend to follow these archetypes, for the sake of adding simplicity, purpose and direction to the conversation. This is where social opinions and expectations start affecting us.

Initially, due to the hierarchy that used to exist in the tribes, conversations were very minimal and reserved, but as the tribes kept splitting, and more exchange of information was needed, the people realized that they needed a proper language for their convenience.

The “Pooh-Pooh theory” holds that speech originated from spontaneous human cries and exclamations; the 'Yo-He-Ho theory' suggests that language developed from grunts evoked by physical exertion; while the 'Sing-Song theory/La- La Theory' claims that speech arose from primitive ritual chants and playful songs.[2]

By the time of the Roman civilization, the hierarchy amongst men was very much visible, and was put to use. Along that period, the importance of exemplary words and literature was noticed, and was worked upon by involving a new change bringing item in all the civilians and senators lives; Newspapers (Acta Diurna (Daily Events)). In these newspapers, multiple things were mentioned, including the next political event, the victories. They even had an obituary section in their newspapers. Along with all this information, slowly opinions started seeping into the texts. These opinions helped people in creating a judgment for voting.[3]

By 1600, the social hierarchy was divided into six parts; Monarchy, Nobility, Gentry, Merchants, Yeomen and the Labourers. Due to this, if any judgement was to be made, it would have largely been based on rank.[4]

Then by, about the 1800’s, the social hierarchy was divided into three parts; Upper class, Middle class and the Working class. The Upper class used to consist of the Aristocrats, Nobles, Dukes and other wealthy families working in the Victorian courts.The Middle class consisted of industrial revolutionaries, who have changed our lives. The Working class, lowest among the Victorian social hierarchy were the working class. This class remained aloof to the political progress of the country and was hostile to the other two classes. This working class was further categorised as the skilled workers and the unskilled workers.[5]

In the 2000’s, the hierarchy merged and divided into five social classes; Upper, Upper-Middle, Middle, Working and Lower class. This did not cause as much difference and conflicts as the other classes did in the past. But something else did.

Why do Social Opinions matter?

“Social influence is the process by which individuals adapt their opinion, revise their beliefs, or change their behavior as a result of social interactions with other people.”[6]

When we are in the presence of other people, we like to blend in. To blend in, we abide by a few social norms. These norms help us maintain a calm, mannered and composed personality throughout the day. These norms turn into expectations, expectations turn into opinions and opinions turn into reality. These opinions and expectations, when pondered upon, seem quite irrational, but due to these opinions and expectations being around for a long time, we have grown to accept them, and to some extent, even like them. But then why question it?

The reason being that these opinions and expectations ARE in fact quite irrational and toxic.

Interdependence

We follow these opinions and expectations because we are living in a society that entirely works on being Interdependent. Interdependence is the state of being dependent upon one another (Mutual dependence/Interdependence). For eg. We depend on our neighbours and they depend on us to be welcoming and decent.

To abide by the social expectation of being decent, we usually follow the societal idea of “Decency”, which is being calm, reserved, polite, helpful, straightforward and clean.

Also, other people's evaluations of us is both crucial and necessary to impact behavioral changes, which is what ultimately allows us to gain professionally and personally.

Social Expectations

Each social situation entails its own particular set of expectations about the “proper” way to behave. Social roles are the ‘part people play as members of a social group’. With each social role you adopt, your behavior changes to fit the expectations both you and others have of that role. There are 7 main types of societal roles; Leader, Knowledge Generator, Connector, Follower, Moralist, Enforcer, and Observer.[7]

To explain these roles, we will take a problematic social situation into consideration, to show what exactly each role does.

Leader: Proposes strategies and techniques to conquer a problematic situation. (Leader of a country)

Knowledge Generator: Shares information about the status of the situation. (Advisory)

Connector: Transmits the decisions made by the leader or opinions of other roles. (Media)

Follower: Follows a leader. (Politics)

Moralist: Looks for fair shares for all the other roles. (Law)

Enforcer: Punishes the behavior of other roles. (Army)

Observer: Shares information about the compliance of the behavior of other roles, as well as the role who answers to another observer's request about information about other roles. (General crowd)

We as human beings keep on switching between these roles according to the situation. With these roles, there can be unsaid expectations. Most of the time these expectations are rather helpful than problematic, though there are exceptions. But these exceptions occur only when there’s excess of Destructive criticism, Stratification, Peer Pressure and Mass Hysteria.

Destructive Criticism

Destructive criticism is defined as criticism performed with the intention to harm, derogate and destroy someone's creation, prestige, reputation and self-esteem. It's meant to ridicule, damage and bring the person down.

It is very common on social media. Sometimes it even occurs with your closest peers.

Stratification

Social stratification refers to a society's categorization of its people into rankings of socioeconomic hierarchy based on factors like wealth, income, race, education, sex, and power. The people who have more resources represent the top layer of the social structure of stratification.

This is also widely noticed in public spaces such as schools.

Peer Pressure

Peer pressure is the influence displayed by people within the same social group. It is also the term used to describe the effect this influence has on a person to agree to in order to be accepted by the group. Sometimes peer pressure is used to positively influence people, but most of the time it’s not. Many adolescents fall into the trap of Peer Pressure.

Mass Hysteria

Mass hysteria is a phenomenon that conveys collective illusions of threats, whether real or imaginary, through a population and society as a result of rumors and fear. Mass hysteria occurs anywhere at any time. This is very common during global pandemic.

Social Organisations

In sociology, a social organization is a pattern of relationships between and among individuals and social groups. Characteristics of social organization can include qualities such as sexual composition, spatiotemporal cohesion, leadership, division of labor, communication systems, and so on.

These are the most noticed basis for the Social Organisations; Religion, Gender, Race and Monetary status.

Religion

Religion affects human beings very much. It is the root and base for our mental growth and morals. Religion is a very controversial topic to talk about. Many of them involve multitudes of intricate rituals.

Religions are based on philosophies by spiritual people. These philosophies are more of lifestyles, and when people follow a religion they completely imbibe it, no matter what. This changes their outlook towards social interactions and social opinions. This causes a difference in everyone’s knee-jerk reactions associated with different situations.

Gender

There has always been inequality between the female and male gender. This is called Sexism. Sexism is prejudice or discrimination based on one's sex or gender. Sexism can affect anyone, but it primarily affects women and girls. It has been linked to stereotypes and gender roles. This means in many countries there aren’t equal human rights for both the genders. Even though in few countries there may be basic equal rights for both the genders there always is one favored gender and things like salary and weight of opinion is not the same for the favored gender.

Race

Racism is the belief that groups of humans possess different behavioral traits according to physical appearance and can be stratified based on the superiority of one race over another. It may also mean prejudice, discrimination, or hate directed against other people because they are of a different race or ethnicity. Modern Racism is often based in social perceptions of biological differences between people. These views can take the form of social behaviour, practices or beliefs, or political systems in which different races are supposed as ingrained superior or inferior to each other, based on assumed similar inheritable traits, or qualities.

Monetary status

The Monetary status of people has an influence on decisions made by law. It also gives them unrequited privilege to commit minor or major crimes, and evade the consequences. This brings a sentiment of power and pride in them, which then gives them a sense of togetherness.

In summary, this write up covers up the basic Evolution of Communication, the importance of abiding to Social Norms, the Seven basic types of Social Roles, Compelling Social Ideologies that change the perspective of the human mind, and the differences that bring humans together.

[agentnico]

Free Guy (2021) Review

“Don’t have a good day, have a great day!”

Plot: When a bank teller discovers he's actually a background player in a brutal open-world video game, he decides to become the hero of his own story - one that he can rewrite himself. In a world where there's no limits, he's determined to save the day his way before it's too late, and maybe find a little romance with the coder who conceived him.

Last time I watched such a hyper-actively positive film I was seeing little LEGO figures jumping about on screen with Morgan Freeman hanging off a string in ghost form. Yes, The LEGO Movie shares a lot in common with Free Guy, not just in its opening sequence where Ryan Reynolds’s loveable Guy is starting off a perfectly good day every day with a nice cup of coffee and wishing everyone not a good, but a great day, goes to the job at his bank and goes back home, and rinse and repeat. But the character of Guy himself is basically Chris Pratt’s Emmett from The LEGO Movie - full of sunshine and innocence and taking everything that comes with child-like excitement and energy. You can also treat Mariah Carey’s “Fantasy” song usage here like “Everything is Awesome” with how many times its played, but damn if it isn’t catchy! And the film comparisons don’t end there. You wouldn’t be faulted for seeing references to Ready Player One with all the cameos and Easter Eggs and pop culture references thrown in the mix, to The Truman Show based on the general concept and obviously certain video games such as Grand Theft Auto, Saints Row and even Sims due to the video game open world that the movie creates. 

Speaking of the video game open world that is created, you could tell director Shawn Levy and the producers went through a lot of effort to research modern video games and all the tiny little details and quirks that exist. For example it was a lot of fun seeing characters tea-bag someone they just killed to then a character glitching out and jumping into the wall repetitively or the obvious inclusion of Fortnite inspired dance jiggles. You also get cameos from various real-life game streamers such as Jacksepticeye and DanTDM, and I found an interview on IGN where those guys spoke about in regards to how Hollywood can never seem to get video-game-to-film adaptations right, and how they appreciated that the producers of Free Guy went to them and asked questions and actually showed interest in wanting to create a realistic feeling video game in the movie and getting the terminology right. Evidently unlike other video game adaptations Free Guy manages to succeed from the fact that it doesn’t need to replicate a specific game from real life. There are nods to certain games as I aforementioned, but otherwise they’ve created their own entire game and as such there is no expectation to impress a certain individual fan base. So in conclusion what I’m saying is that I guess Hollywood should stop trying to adapt film versions of popular video game franchises and instead do their own original stuff maybe? Then again I do want to see that Ghost of Tsushima adaptation come to life, so yes, I’ll just go and kindly shut myself up.

Taking the video game matter aside for the time being, I found Free Guy to be an absolute delight from start to finish. Well, to be exact from 20 minutes from the start to finish. Honestly when the film began I was concerned if the movie was going to turn out to be the typical “I live in a simulation” story, and though as a basis it is exactly that, there’s so much goodness thrown into the mix with funny jokes to the cameos (the cameos are to die for!) to the visuals to the music choices to the performances - the movie is such a joy to watch. Speaking of the cameos and pop culture references, Free Guy is also an interesting film outside of its narrative. This movie was in production during the time the studio that was behind it - 20th Century Fox - was being sold to a certain little known company called Disney. As such, you can tell after the studio’s transfer to Disney was complete, this film underwent some additional reshoots and last minute changes, mainly in the finale because there are certain surprises at the end of the movie that will be a geek/nerd’s wet dream and were only made possible after Disney’s acquisition of 20th Century Fox, now known as 20th Century Studios. Personally I still have my qualms about Disney being the massive conglomerate business giant that is buying out all the other studios, but not going to lie even I got excited and jumped up like a kid in my cinema seat when a certain something happened at the end of this movie. Luckily only my lovely fiancée saw me like this as she was sitting next to me, and yes, I’m certain that me revealing my true nerd colours definitely lost me some attraction points from her, but nevertheless I don’t care, the Easter Eggs at the end of this movie are real fun!

The entire cast is top notch here. Ryan Reynolds does his usual shtick that he’s been doing ever since he found success with Deadpool, however naturally here he’s kept PG-13 and not swearing every other breath. That being said, his charm and sarcastic charisma really worked for the role of Guy, and he presented himself as really loveable and naïve and it was impossible not to like him in this film. Jodie Comer in her role has also been getting humongous praise from critics and reviewers alike, and yes, the rumours are true, she shares great on screen chemistry with Ryan Reynolds and also is proper cool and badass as to be expected. That being said I was told by a certain someone that they know someone who knows someone who knew someone who spoke to someone who said that they worked with Jodie Comer on the set of Killing Eve, and this was just some behind-the-scenes worker, and apparently in their experience they found Comer to be a real diva and challenge to work with. So that’s now me here spreading some gossip for no apparent reason besides causing a little stir and now I can move on. Joe Keery has a much bigger role in this film that the trailers made it seem, and I must say the lad has really been doing well for himself ever since his appearance in Stranger Things. Whenever I’ve see him in anything since such as Spree or Death to 2020 he’s always been wonderful to watch. Here in Free Guy he’s no different, getting to play a character who at first comes off as a villain but then is revealed to simply be a guy working for the wrong person. Speaking of that wrong person, the villain of the movie is played by none other than actor-director Taika Waititi himself, and his role is really interesting seeing as he plays the owner of this big video game business company who only cares about money and sequels over art, which I found quite ironic seeing as this movie is distributed by Disney that’s all about sequels, remakes and reboots. Just saying. Also found it funny how even though this movie marks a little reunion of sorts for Ryan Reynolds and Taika Waititi, they don’t share any scenes together which was probably for the best, as last time they worked together Green Lantern occurred. Anyway, Taika is as goofy and over-the-top as you expect him to be, and I can see him being very divisive. You’ll either find him hilarious or super annoying. However both opinions would work seeing as he’s the villain.

Free Guy is an absolute cuddly crowd-pleaser full of casual mayhem and crazy ideas, and is sure to be a welcome boost of fun in a summer that naturally lacked bigger blockbusters due to what’s happening in the world right now. However nonetheless, this and The Suicide Squad have really made a point that cinema is back, hopefully to stay.

Overall score: 9/10

[katytheinspiredworkaholic]

Correspondence, Chapter 02

Pairing: HotchReid

Summary:  An AU where Reid never joined the FBI, but got roped into consulting for the LA field office while working and teaching at Caltech. Hotch gets his email referred from a fellow agent, and they start to work on cases together -- until they start talking on a regular basis. Regular becomes frequent, frequent becomes constant. They know nothing about each other, but they don't really mind.

Rating: Mature/Explicit (eventually)

Chapter CW/notes: Vague mentions of PTSD, spoilers for the Foyet storyline/mentioned character death. Little angsty, maybe a little OOC since Reid and Hotch don’t actually have a boss/subordinate work relationship in this story and I’m adapting that whole-heartedly. But other than that, it’s just grown men acting like dorks and Reid attempting to give parenting advice. Set in season 6, self beta’d.

Word Count: 4535

Masterpost Link

Ao3 Link 

--

Chapter 02

--

May 2010

-

Hotch does, indeed, take Dr. Reid up on his offer.

They work on a few more cases together, over the course of six to eight weeks, and each time Dr. Reid proves to be an invaluable asset. His knowledge is unsurpassed, extensive, and astounds Hotch every time he opens a correspondence email from the esteemed professor. 

Have you ever thought about being an FBI agent? He teases one night, when they’d been sending theories back and forth in emails that had become less and less formal. Dr. Reid still sent dissertation-length assessments of the cases when they landed in his niche (which was often), but their replies had turned to a messaging template instead of the business-like format Hotch is used to writing all day every day. Quick, rapid-fire messages replacing the professional grade layout that felt so impersonal, with titles and headers and enough filler to give him chronic headaches.

This was much better. Informal as it was.

I’m fairly certain I wouldn’t pass the physical exams, but thanks for the compliment. Another life, maybe. Dr. Reid answers, and Hotch finds himself smiling and huffing a laugh behind closed lips, the kind that stays caught up in his chest. He’s not sure how much older the professor is, for all he knew he could be bordering on retirement, but it was an amusing thought nonetheless.

 I would get them waved, or curve the scores. I have that kind of pull around here. Never would he speak with his agents or anyone at the Quantico office like this, and it had taken weeks and dozens of emails to get to this point. But the freedom of it was nice, enchanting, like a little taste of his life outside of the office. Just confined to the response box of his email. Despite what everyone (ie: Morgan, Prentiss, Garcia) said about him, he did have a sense of humor. He just also had a sense of propriety, and he was their boss. He wasn’t going to make light with them in the place where they catch murderers.

Don’t tempt me. I have tenure. But Virginia gets so cold, I’d freeze to death half the year. 

Didn’t you attend MIT? What did you do during winter?

Froze to death. Pay attention.

Hotch outright laughs, and then snaps his mouth shut and looks out the open blinds of his office. Everyone has gone home, for the most part, but he doesn’t need JJ or someone else hearing him and coming to check on him. He hasn’t been getting much work done since Dr. Reid started replying to his emails that evening, and the little half smirk on his face is something he doesn’t think he can school as he rereads their conversation over and over. 

Apologies. Next I’m sure you’ll tell me how you had to walk to class uphill both ways in the snow.

No, I took the bus. And Froze. To. Death. I live in sweaters, and I’m from Las Vegas, I’m not meant for the cold. 

Las Vegas? Really?

Born and raised. My mother still lives there. 

Hotch’s eyebrows raise at that, apparently he’s not so old that his mother is still around. His own parents are gone, have been for years, but that’s under different circumstances and really not a situation he likes to reflect on.

Must be nice, only being a few hours from home. Do you go back often?

As little as possible. I should really visit my mother more, but that’s hard for reasons I won’t get into. I do write her, though. A letter every day, although not much happens around here for her to get invested in.

As in a real letter? Not an email, or a phone call?

She doesn’t do well with phone calls, or computers. Letters are more personal, anyway, and she likes being able to have the paper in her hands in my own handwriting. It’s the least I can do, not going home unless I absolutely have to. 

This is the most the man has ever spoken about himself, in a personal manner instead of an academic one, and Hotch isn’t quite sure how to take the evolution. It feels like a shift in their dynamic, an opening that could lead to a deeper level of friendship and -- it’s been a while since he’s had that. Allowed himself to have that. After Foyet, and even before when Haley started pushing for divorce and Hotch responded by isolating himself as much as he could to keep his work unaffected, he’d had trust issues. Hotch is man enough to admit that. 

But speaking with an old professor on the other side of the country might just be the stepping stone he needs. Who knows, maybe they’d even get the chance to meet one day.

I just grimaced at my own triteness. I’m sorry, I didn’t mean to give you such a maudlin review of my life story.

No, that’s okay. I don’t talk much about myself, so I wasn’t sure how to respond. Work and home are kept very separate for me. It’s an unhealthy coping mechanism, I know, but it works as best as it can.

In your line of work, I can only imagine. You do what you have to. 

Hotch pauses in their conversation, looks at the clock and the stack of paperwork he still hasn’t finished -- too busy lost in his talk with Dr. Reid -- and feels an itching in the back of his mind he wants so desperately to scratch at. To give into. Lists of things he knows he should talk about, but doesn’t trust anyone enough to do so. Hotch really isn’t sure he can even trust Dr. Reid with them.

At least, not yet.

Thank you. And thank you for entertaining me, as well. 

Anytime.

--

It’s not a month later that Hotch is sitting at his desk, after hours, once again. Head in his hands and his phone still warm, overworked from the hour-long phone call he’d just endured with his ex-sister-in-law, Jessica. 

Jack was being bullied in school. She’d had to attend the parent-teacher conference about it instead of him, because he’d been on a case in Florida for over two weeks. Which really just highlighted to Jack’s teacher what his home life is like and she expressed her worry. Adamantly. Jessica was in agreement, and she once again wanted to have the conversation on if Hotch returning to work at the BAU had been the right choice after Haley was killed. He’d taken his sabbatical for 30 days, passed his psych evals -- which didn’t mean much, he helped write the qualification questions -- and Jack was doing well with his therapist and in school.

Or so he’d thought. Until today. 

That ‘conversation’ turned into an argument, because Hotch gets defensive when someone questions his choices in regards to his family, and as much as he knows that she is right -- he feels awful about how it devolved. Jessica has gone above and beyond in taking care of Jack, to allow Hotch to return to work, and she is the last person that deserves the brunt of his frustration. He only has himself to blame, and he doesn’t know what to do. Who to turn to. Who might have answers for him, if there even was a correct answer for his situation. 

The Foyet case is classified. His assigned therapist is so easily played he hasn’t returned to her in months. 

Hotch just wants someone who won’t see through him, even when he pushes back.

He wants to talk to someone who he doesn’t want to push back against.

Who he trusts.

Dr. Reid, I need help with something no one seems to have an answer for, but it’s of a personal matter and not a professional one. Would you mind lending me your services?

Hotch sends the email before he can take it back. It’s late in Virginia, but Dr. Reid is four hours behind him in California and there’s a high chance he might still be in his office. He seems to keep longer hours, for an old professor. 

He won’t admit it to himself, but he feels a tightness in his chest as he awaits an answer. All the paperwork from the Florida case is completed, there’s nothing keeping him there at the office any longer. But it’s too late to go pick up Jack from Jessica’s, and he doesn’t think he would be welcome to come sleep on her couch like he often does on nights like this. When he wants to be there when Jack wakes up, and tonight he longs to do just that. But he isn’t sure he can even look Jessica in the eye right now.

So he sits there, and watches his computer screen, and feels himself distance from the ache in his bones. Knowing if Dr. Reid doesn’t answer him, he would have to spend however long it would take to compartmentalize his apprehension, once again, and go home to his empty house and not think about how he is failing in raising his son. In being a good father. 

The soft ping of his inbox is his single solace in the storm of his thoughts.

Agent Hotchner, You know I’m always happy to help, in any way -- personal or professional -- if I can. What is it you need an answer to?

That tightness releases, but it also gives way to the worry building up in his chest. An overwhelming, crushing amount of it that he didn’t realize was climbing higher and higher the longer he’d been left alone with his thoughts. Drowning in trepidation. Everything he doesn’t want to have pressing on his mind when they are hunting down serial killers, working with criminals that would see it as a weakness and exploit it without batting an eye. 

But this time, Hotch knows this is becoming something he shouldn’t try to hide away. 

Child psychology. Trauma, in particular, and the effects on children after the fact. 

It’s enough to describe what he needs answered, without telling too much of what happened. It’s still hard for Hotch to think about what happened, to fully realize what they had gone through. What had happened to Haley, what had happened to him. What Jack will have to grow up knowing nearly happened to him. What he almost witnessed.

(626)-595-0387 I have unlimited texting, and tend to stay up very late at night. Also, I have a feeling that you might want to keep this off government regulated emails. I’m not a practicing psychiatrist, mind you, but anything I can do to help you I will be more than happy to offer. 

Hotch is stunned. Whatever he expected, that wasn’t it. He’s near speechless, staring at the phone number with a Pasadena area code, and hesitates in moving their correspondence off of the email platform. A drastic change in dynamic and expectations, but… it would be nice, to be able to message the professor whenever he wanted. The ease of access an alluring thought. 

Another soft ping in his inbox has him looking up from where he’d been glancing at his cell phone in contemplation.

Also, it goes without saying, but everything we talk about in our conversations would still be confidential. I have no one to tell them to, anyway. 

Hotch huffs out a sound that could have been a laugh, and he’s surprised he even can manage that. But he’s barely thinking about it before he’s picking up his cell phone and typing in the number Dr. Reid had given him. []6/3, 22:46[] This is Agent Hotchner.

He sends it, pauses in thought, then keeps typing.

[]6/3, 22:47[] You can call me Hotch, since this is outside work. Agent Hotchner just reminds me I’m abusing bureau resources for personal gain.

The whole interaction is causing this clawing, hot feeling in his chest that might be nervousness in risking the change in their work relationship, or residual guilt from the fight with Jessica about Jack, or just… the fear that Dr. Reid will tell him he is fucking this up and he should never have returned to the FBI at all. Because there are days, like today, where Hotch really starts to think that might be the case.

[]6/3, 22:49[] I figured as much. No one else actually messages me after 6pm except you and some of my more zealous students. 

[]6/3, 22:51[] And although I don’t think you’re abusing anything; in that same vein, you can call me Spencer. This is just two friends having a chat, nothing more. 

Hotch appreciates the gesture, finds himself almost smiling about it -- but then he remembers what he has to relay to ask what he wants to ask the other man. And he isn’t sure where to begin. 

So he just -- begins at the start. The case where Foyet fooled his whole team, posing as a victim, and managing to get away. Slipped through their fingers. Gotten away with murder and insider FBI information and more than he should have ever been able to access. Dr. Reid -- Spencer, please -- doesn’t say anything as he relates all of this, and Hotch commends his patience. Because from the start, this isn’t about child psychology at all. But it is certainly about trauma, and that becomes apparent when Hotch throws caution to the wind and describes what happened to him in his own apartment. Paraphrasing and dropping out intimate details, but explaining what happened is still brutal even stripped to its bare minimum. When Foyet had broken in, and blitzed him, and tortured him as he stabbed him nine times in the chest. Precise, practiced, indicative of letting him live with the knowledge of what that monster masquerading as a man could do. 

The details begin to bleed through the more he types. The more he remembers.

How he’d had to put his ex-wife and son into protective custody. How it hadn’t been enough. His late night obsessions all for naught. And finally, a brief -- or as brief as it can possibly be, for as brutal an event as it was -- summary of what happened when Foyet had found his family. How he had killed Haley, how they had stopped Foyet and Jack had been spared witnessing anything. Even the fight inside Hotch’s own house. He doesn’t… well, Hotch doesn’t plan on describing that and keeps it at bay. He barely remembers it. Blurs of fists and broken furniture and rooms he has memorized from years of memories flying by as they tore through his home like a hurricane. 

But he gives enough of a picture. Enough that, though he doesn’t say as much, Spencer probably knows Foyet didn’t make it out alive. Can guess it was by Hotch’s own hands. 

Which leads them to now -- to the part Hotch needed help with more than anything. His past and his trauma Hotch has a lot of practice dealing with, knows how to handle it alone. As he always has. But the part he doesn’t know how to handle?

He is raising his son on his own. His ex-sister-in-law, Jessica, has been a godsend and is helping with Jack so Hotch can be at work. His lifeblood. His identity. Everything he’s ever worked for. He almost left; Strauss had offered him an early retirement package that was too good to pass up, but he had in the end. Because being an FBI agent, catching the monsters that plague their world, that is what he does. And that’s what Jack knows him to do. 

It helps Jack, Hotch found, to know that his dad is out there catching men like the one that took away his mom. He probably would have taken the loss a lot worse, if Aaron had left the bureau. 

But he’s messing up. Hotch feels that in his bones. He’s gone so much, Jessica is taking on the role of parent instead of Aunt more and more, and Hotch does not want to turn into that father that shows up once in a blue moon and pretends he never left. He’s worried that what Jack’s teacher, and Jessica, had said is true and Jack’s home life isn’t going to be healthy for him. It’s going to make him suffer.

That what Jack has gone through, Hotch doesn’t know how to address correctly. 

It’s near a half hour later that he’s gotten the entire story out, and Hotch realizes that even though text is probably going to be easier to have a conversation like this… he probably could have written it in an email and saved them both some time. He apologizes at the error, because it’s late and his head isn’t quite screwed on straight whenever it comes to matters with his son, and he just… he’s at a loss. Doesn’t know what the right course of action is, or if there even is one outside of a professional’s opinion. 

Then Hotch waits for a reply.

It feels like hours, but in reality is only a couple of minutes. 

[]6/3, 23:22[] Hotch, the fact you are so worried about your son and how your actions have affected him through all of this, is all I really need to know about you being a good father. The consideration you are showing him is not something every parent can do, in the face of what happened to you and your family. You do not need to worry about that. You love your son, and that is the most important factor right now.

[]6/3, 23:25[] Secondly, I’m so sorry that this happened to you at all. You and your son sound like you have such a strong bond, and I know that’s what must have helped you through such a difficult time. It’s apparent that you love him very, very much. 

[]6/3, 23:29[] I don’t have a lot of friends that ask me the hard questions like this. Not that I don’t want them to, I just understand why, because I can recite statistics all day and give you textbook answers easily. Which I know you were hoping would give you a black and white response to your question. But in this there isn’t one, sadly. I know you are worried and I feel like you don’t need to be. And I don’t know how to express that in a way that won’t make you detest me. 

[]6/3, 23:32[] Your son just lost his mom, and you just lost your ex-wife, and there’s not going to be a straightforward path to healing. Everything you say you have done for him? It’s perfect, it’s exactly what you should be doing, and don’t stop. That’s all you can do and all you should focus on, in truth. Listen to what he tells you and watch for what he doesn’t, and hug him, because you are a great dad -- and this is coming from someone who did not have such an example. 

[]6/3, 23:33[] And I am very sorry about Haley, Hotch. I truly am. 

Hotch doesn’t even answer him for a good few minutes. It is a lot to process, to read through, and he does read through it more than once. But every single time he reads that final text, his eyes sting hotly and he has to blink back emotions he thought he had waded through plenty on his 30 days of leave. Apparently, not enough.

It’s so much, and yet he wants more. It’s not enough in the sense that he wishes Dr. Reid -- Spencer -- would keep talking to him. Keep telling him he’s doing a good job. That he hasn’t failed his son. 

That for once, he’s handling something right.

With a breath that feels like it shudders through his chest a little more roughly than it should, Hotch slowly types out a response that doesn’t even begin to feel anything close to adequate.

[]6/3, 23:41[] Thank you, Spencer. I could never detest you, in the slightest. Everyone keeps telling me I’m not screwing this up, but 

He pauses, not sure if he even believes what he’s about to type. 

At the last second, he switches tactics entirely. Feels a flood gate open. Just one, solitary floodgate in the vast Hoover Dam size wall he keeps up from the moment he shrugs into his suit jacket at home until he sheds it all away at the end of the night. In the confines of his home, with six physical locks on the door and two different digital security systems. With a weapon carefully concealed and childproofed in every room. With steel reinforced windows and no exit save for the front and back doors. A fire hazard, but a good precaution against anyone who would try to break in -- like Foyet had. 

[]6/3, 23:41[] ...I find it so hard to believe them. In some ways it’s hard to believe you, too, but that’s not personal. Your words have resonated more than anyone else’s, if that’s any consolation. Even more than the therapist they assigned after everything. 

[]6/3, 23:45[] My sister-in-law flat out told me I was failing my son, being away like I am, and his teacher believes his home environment isn’t healthy. He’s being bullied in school. I don’t know what to do.

Hotch types it all out and sends it. 

The reply is instantaneous.

[]6/3, 23:46[] Yes, you do. You know exactly what to do. 

And then there isn’t any further elaboration.

At first, Hotch is confused. He feels himself being pulled from that precipice of self-loathing and despair. Tugged by a string. The confusion forces him to look at Spencer’s response, nine words long, and decipher what they mean. 

Trusting his first instinct, once more.

[]6/3, 23:49[] I have to talk to Jack. 

[]6/3, 23:54[] You have heard all of this from everyone other than your son. He may be young, but he is going to know the answer better than his teacher or his aunt. Talk to him, before you start nailing yourself to a cross. You may find the answer to the situation a much easier fix than you are anticipating.

Hotch considers this, thinking about his son. Six-years-old now, first grade, smart as a tack, curious and kind. But so strong, a foundation that even he found himself clinging to sometimes, in the face of the storm of everything that had happened to them. Which is not healthy, and Hotch learned to not do that to him. To instead find solidarity in their relationship, withstanding the storm together. As they always have. 

[]6/3, 23:57[] He’s not one to let a bully have his way. He knows that’s not right. Maybe he has another strategy.

[]6/4, 00:01[] He’s young enough that trying to befriend his abuser would be a good tactic to counter the situation, does that seem like something he would do?

[]6/4, 00:02[] That sounds exactly like Jack. Hotch replies, with a smile finally easing on to his face -- and it feels lighter now. Easier to hold.

[]6/4, 00:04[] He sounds like a sweet kid.

[]6/4, 00:05[] He is. I’m very proud of him.

[]6/4, 00:07[] You really are a great dad, Hotch. I’m not just saying it to say it. 

That crushing, overwhelming feeling has ebbed to nearly nothing -- and with a sudden rush of vertigo it is replaced with gratitude for the old professor lending him his evening hours. It flashes warm and sudden and Hotch isn’t used to that, either. 

[]6/4, 00:08[] I would never expect you to, but thank you.

Even he feels lame for thanking the man for saying such a thing.

[]6/4, 00:10[] You don’t need to thank me, I barely did anything.

[]6/4, 00:11[] But if you ever need to talk, about anything really, I’d be more than happy to do so. 

[]6/4, 00:13[] I promise I can be good at that. The listening part. Day or night, it really doesn’t matter. I’ll always be around.

Hotch pauses at the offer, and then types slow and hesitant.

[]6/4, 00:16[] What if I just want to check in on a friend?

[]6/4, 00:16[] I am also around for that. 

The answer is sudden, without hesitation, and Hotch feels a smile start to ease the muscles in his face. Soften the edges once more.

[]6/4, 00:18[] I wouldn’t mind someone to talk to after a long day. It’s been a while since I’ve had a…

He pauses again, not quite sure if he remembers how to do this without pressing in too fast. Committing to too much, not sure what he is able to give of himself. But he’s already shared more with Dr. Reid in two months than he has with David in the past two years. 

Hotch makes a decision, for himself, for the first time in a long time.

[]6/4, 00:18[] ...It’s been a while since I’ve had a friend outside of the bureau. 

[]6/4, 00:19[] Do I still count if I’m a consultant?

[]6/4, 00:19[] You absolutely count. 

His own message makes him smile, and there’s a beat between messages where he hopes he made the older man smile as well. 

[]6/4, 00:22[] I’m never short on topics of conversation, I warn you. So unless you want a lecture on quantum physics -- how do you feel about chess?

[]6/4, 00:24[] I’m getting the feeling you’ll wipe the floor with me.

[]6/4, 00:25[] Oh, without a doubt. But the desktop app also has a chat feature.

[]6/4, 00:26[] Look at you, all modern and with the times.

[]6/4, 00:28[] My home phone may be a rotary, but even I can’t scoff at the vast reach of online chess. 

[]6/4, 00:28[] So what say you?

Hotch pauses, one final time, and considers the night; the conversation, Spencer’s advice, the way talking about what had happened helped ease the weight of it more than he’d ever anticipated. Then he thinks of the source, of what started it all, and how -- once again -- Dr. Reid was right about a number of things. But one thing in particular. 

[]6/4, 00:32[] I’m going to take your advice and go to my son. But tomorrow night, after he’s in bed, I have many hours to myself.

[]6/4, 00:35[] By no coincidence whatsoever, my evenings are always free. Care to show off those FBI honed deduction skills? My best chess opponents have ironically been FBI agents.

[]6/4, 00:36[] Oh, I’m terrible. Trust me.

[]6/4, 00:37[] I promise I don’t care. Your company is worth however many short games we can endure. 

Hotch smiles, despite himself, and this time doesn’t try to hold it back.

[]6/4, 00:39[] Then, it’s a date.

-

(tbc...)

-

Tagged list: @spencehotchner @ssa-sarahsunshine @gothamapologist @reidology @marsjareau @dragon-snaps-fandom​ @emmyraebird @just-an-emo-rat​​​ @aaron-hotchner187 @dk18077 @more-heid-pls @fakin-it-til-i-make-it @merpancake

[a-little-slice-of-fandom]

I’d love to hear your thoughts on the Irish-ness of Dracula, if you wanna ramble about it!

(Okay I just want to apologise for how long this took to answer because I know it’s been sitting in my inbox for over a month but..depression and work happened and I just didn’t have the time or energy to complete it. I seriously do apologise for this but I hope you enjoy the post anyway!)

So the first thing I need to clear up is this: the concept of a monster or a demon that feeds upon the life force of humans is not limited to one singular culture or folklore. In fact, this core concept is a wider cultural phenomenon and variations of it exist across both countries and continents. And no one country can take sole credit for the this core concept of vampires. Anyone who tries to claim otherwise either doesn’t know much about vampires or is intentionally being disingenuous. There can be cultural variations that are specific to certain folklores (and to just blatantly steal these would be cultural appropriation), but the main idea of vampires exists across a wide range of folklores and no singular person, group of people or culture can take credit for the creation of vampires.

However, arguably it was the work of Bram Stoker that aided in the solidification of the concept of Vampires that we know today. While there were other authors from a wide range of nationalities who wrote about Vampires before Stoker (including John William Polidori who wrote the Vampyre in 1819)...Dracula is the best known. (Now I personally believe that’s because Dracula is an absolutely banging novel, although I do concede that the prevalence of adaptations of Dracula from the 1920’s to today helps keep Dracula in the forefront of audiences minds.) In addition, it’s important to remember that Stoker was inspired by another Irish author Joseph Sheridan Le Fanu, who wrote the novel Carmilla. As far as I know, Le Fanu and Stoker actually worked together on a magazine!

Another thing I think that needs clarification is the common belief that Stoker heavily/religiously based Dracula on the historical figure Vlad the Impailer. This is heavily debated by scholars. While there’s an obvious, undeniable similarity between the names of these two...the similarities start to wain after this, with only small similarities between the two and there’s even literal contradictions between the history of Vlad the Impailer and Dracula’s history in the novel. In fact, there’s not much indication that Stoker based the character Dracula off Vlad the Impailer, or even that he had a working knowledge of Vlad the Impailer beyond the name. In all 124 pages of his notes, there’s nothing to indicate that Stoker’s inspiration for Dracula came from Vlad the Impailer.

(Plus Dracula in the novel wasn’t even originally called Dracula...he was called Count Wampyr in the original drafts of the novel and this was only changed, from what I can gather, in the last couple of drafts.)

In fact, I’d personally argue that that connection between Vlad the Impailer and Dracula is actually something that’s been retroactively added by other artists, for example the 1992 film “Bram Stoker’s Dracula” heavily leaned into this idea that Dracula and Vald the Impailer were one in the same, and as time has progressed people assume that these elements were in the original novel when that’s simply untrue! Stoker didn’t write that! It’s a retroactive addition by other artists that’s just assumed by the masses to be canon. This phenomenon is actually super interesting and it’s absolutely not limited to Stoker’s novel Dracula/the modern day perception of Dracula (another example would be Mary Shelley’s version of Frankenstein versus the modern day perception Frankenstein). I’m not sure if there’s a word for what this is, but I like the term “cultural canon”, where something that’s been added in by other artists has become as good as canon within the minds of the masses and as such is ingrained within the cultural perception of something, despite it having no basis within the original piece or even directly contradicting what is in canon.

(Now I’ll absolutely concede that Stoker taking the name of a historical figure and possibly their likeness from another country and making them into a literal monster is something that should be discussed. I don’t know how Vlad the Impailer is viewed within Romania - whether he’s viewed positively or negatively or a mixture - but regardless he was a historical figure and Stoker did eventually use that name for his own creative purposes. Again, Stoker didn’t say that Dracula and Vlad the Impailer were the same person, that’s other artists doing, but there’s still issues with Stoker that needs to be discussed)

Now, I’ve seen people talk about how Stoker took a lot of inspiration from the Baltic folklore surrounding vampires for his novel, but I don’t really know this folklore very well and therefore I don’t feel like I’m qualified to discuss it. If anyone is more well versed in this topic wants to add to this post then they’re more than welcome to! I don’t deny that Stoker too inspiration from places other than Ireland (like the novel is set in Whitby) but I just feel like people over hype the relation between stokers Dracula and Vlad the Impailer.

Now, onto the Irish mythology side!

So the most obvious inspiration for Dracula comes from the story of Abhartach. here is a link to an actual, respectable retelling of the story of Abhartach which I’d highly recommend people read (it’s really not that long) but the key points go as follows:

There was this Irish chieftain called Abhartach, who was really cruel and the townsfolk didn’t really like him. So, the townsfolk and another cheiftain (known as Cathain) banded together to kill Abhartach. They did succeed in killing him (yay), however, Abhartach just sort of...rose from the dead and began another reign of terror (not yay). However, Abhartach needed to be sustained by blood and required a bowlful every day to sustain his energy. Cathain comes back and kills Abhartach once again, but Abhartach rises from the dead once more and now needs more blood. Abhartach is only banished when Cathain uses a word made from yew wood and wounds Abhartach with it. Abhartach is buried upside down with a grant stone over the grave to stop Abhartach rising once again.

Sound familiar? The similarities between Abhartach and Dracula are undeniable! Yes, there’s some differences between the two but the core story here is almost identical. I could totally reword that paragraph, omitting the names, and it would be indistinguishable from a short summary of Dracula! Even the way that the main characters find out about the wooden weapon that can kill the monster is similar, as both Jonathan and Cathain go to wiser and older members of their community to learn more.

(Also please mythology blogs don’t come for me I know my retelling was an incredible oversimplification but I’m writing on my iPad and my thumbs are starting to hurt. People have wrote full papers on the similarities between Dracula and Abhartach and there’s so many more people more qualified than me, I’m just an 18 year old trying to make a fun and interesting tumblr post. Again, if anyone wants add anything like extra sources or more information or even to point out my mistakes then I more than welcome the additions)

Another piece of folklore that’s also said to have inspired Dracula is the Dearg Due. Now there’s multiple different versions of the tale, but the version I have heard goes like this:

There’s a noble woman who wants to marry a penniless peasant boy, but her dad disapproves and wants her to marry another man who is much richer. The rich man and the noble woman were eventually married but the woman didn’t love the rich man. In retaliation, the rich man locked the woman in a windowless castle where she starved to death. The woman was buried by the locals who took pity on her, but because she was buried hungry she came back to life and drank the blood of her father and her husband as revenge. The version I heard says that the dearg due now basically wanders ireland drinking the blood of men who have hurt or wronged women (as one should) but there’s other endings to the story.

(Again is anyone has a reliable source they want to share then please feel free to add!)

So this is another Irish piece of folklore that clearly includes some elements that we now associate with vampires. Now people (including Wikipedia) claim that this story was specifically what Stoker based Dracula on, and while I definitely think that Stoker was aware of this story and took inspiration from it, I personally think that the Dearg Due inspired the concept of Dracula’s wives more than Dracula himself.

However the key point still stands: Stoker was likely aware of these legends and even the most staunchly anti-Irish person would have to concede that there’s similarities between all three stories. And very rarely are these similarities discussed in classes about Dracula...which I feel is a real disservice. I don’t think students should have to have an intense knowledge of Irish mythology (my knowledge is spotty at best) nor do I think it should be an exam question...but even a brief acknowledgment of “hey, Stoker was inspired by these stories and you can clearly see similarities between them” would be nice. Moreover, it further solidifies my original argument that Stoker was, at least to some extent, Irish and that his Irishness inherently influenced his work.

Also...the social context of what was going on in Ireland in this period can’t be ignored! Again, while Stoker did spend time in both England and Romania, he spent a lot of his life in Ireland and therefore would have known what was going on in his own country.

Dracula was published in 1897, which is exactly 50 years after the worst year of the Irish Famine/ The Great Hunger/An Gorta Mór. Now I don’t have time to do a whole history of the Great Hunger but the effects of the famine were greatly exacerbated by the horrific mismanagement of Ireland by the British government and the British system of ruling in Ireland. How many people died during the famine isn’t clear, but we do know that the population of Ireland at the time was 8 million and the population today is 6 million...200 years later and we still haven’t recovered. So while we all like to joke about the fact that Stoker wrote about an unfeeling member of the aristocracy literally feeding off others with no remorse and basically ruining their lives...are we really going to pretend that there isn’t social commentary there? Scholars specifically think that Stoker was commenting on the absentee landlords (basically British aristocrats who owned land in Ireland but didn’t live there and as such didn’t care about the well being of their tenants) who would often have tenants forced off the land when they couldn’t pay rent...despite the fact that their tenenants were already starving and had no money because their only source of food and income failed.

(I’m not being shady by the way, I also love to joke about the social implications of Dracula, but I feel like people forget that the jokes have actual points behind them)

There was also a cholera epidemic in Ireland in 1832 which is generally accepted to be one of Stoker’s biggest inspirations. You can read more about the epidemic here if you wish, but I’ll summarise what I feel are the key points. Not only was Stoker’s mother from county Sligo and lived through this cholera epidemic, but Stoker also asked her to write down her memories of the epidemic and used her accounts to aid in his research of the cholera epidemic. Now the fact that he was actively researching this should indicate that it would influence his work, especially considering the situation in county Sligo was incredibly morbid. There’s accounts of the 20 carpenters in Sligo town being unable to make enough coffins to keep up with the amount of people dying, resulting in hundreds of dead bodies just lying on the street. However, the most horrific account from this epidemic was the stories of terrified nurses placing cholera patients into mass graves while they were still alive. Stoker himself literally stated that Dracula was “inspired by the idea of someone being buried before they were fully dead”. So while at first there seems to be very little relation between the novel and a medical epidemic, it quickly becomes clear that Stoker’s fascination with this historical event influenced his writing.

My overall point is that Stoker’s irishness inherently influenced his writing. Writers don’t write in their own little bubble, divorced from the world around them, their views and work are shaped by their position in society and their upbringing (it’s why I dislike death of the author as a literary theory). So when people try to claim that Dracula is a piece of British literature...it indicates either a lack of understanding of the context in which Stoker was writing in or a wilful ignorance founded on colonialist ideas. His influences are so obvious to me as an Irish woman but they rarely get discussed, and even if they are it’s seen as overreaching! To call Dracula British literature and to ignore the inherent Irishness of the novel does a great disservice to Stoker!

Anyways I really hope you enjoyed this discussion my love! Once again I apologise for how long this took to write. Also I’m sorry if this comes off as argumentative or anything, that absolutely wasn’t my intention, I just have a particular style of writing long posts haha.

[moonchildsaurora]

Running in Circles

✤ guard captain!Mingi x thief!reader  ✤ genre: Guard AU // smidge of fluff, (semi)enemies-to-friends. (feat. Yunho) ✤ t/w: sfw, none - except very brief mentions of some fighting, rated PG ✤ count: 3k ✤ [ part 3 ] of Lacuna miniseries

a/n - huge apologies for keeping Captain Song in for a so long but alas, he’s finally freeeeee. I really need to pick up the pace with continuing on with this mini series 😅 this idea sorta played out better in my head than out in words - I’m not 100% happy with this, it’s defs not my best but I shall practise writing more Mingi fics in the future! This is also probably the tamest of the lot in terms of cry-level. Just preparing you guys with an easy read before the shitstorm that awaits in the next member on the list one shot hahahahahahaha. @hereisleo​ & @barsformars​ hope you both enjoy this for ya man 😉 I couldn’t bring myself to hurt this giant teddybear too much in writing. Also everyone, let’s welcome back a familiar face within this one shot :P

In all of his years of being a royal palace guard of Aethevintis, nothing would cause his body to seize up with tension instantly and hasten the greys that threaten to come through his still youthful auburn tresses than when he was requested at the interrogation chamber.

Heavy steps echoed off the dark granite stone floors, the sharp clinking from an array of medals that hung proudly to signify his prestige were in sync with his tense pace. Song Mingi had no problem exercising command and authority when it was needed, in fact, he prided himself in doing so.

He was good at his job, and he knew that.

Otherwise the title of Captain wouldn’t had been bestowed upon him that four winters ago. The real struggle was when his confidence in being assertive was mistaken for the ability to intimidate, broad body physique to further fuel that common misconception. And so Mingi often found himself sat in that bleak chamber with some poor unfortunate soul, who had been frightened into admitting nothing more than petty crimes.

He’d argue such tactics were unnecessary. Running his hand frustratingly through his hair for the umpteenth time, Mingi mentally braced himself for whatever...or rather whoever awaited for his arrival.

Rounding the corner, his brows arched up with surprise upon seeing the King standing in front of the chamber doors. The troubled look that replaced the King’s usual ebullient features prompted Mingi to straighten his posture immediately; this was sure to be a serious matter.  “Good afternoon Sire…”

Yunho turned towards the rich baritone voice of the Guard Captain and rigid shoulders relaxed ever so slightly at the sight of one of his most trusted.    

“Captain Song,” Yunho nodded in acknowledgement, “Although I’m not sure if it’s entirely good at all.”

Mingi’s forehead creased but remained silent to allow the King to further elaborate about his plight.

“The Queen’s aquamarine diamond parure has been stolen, and I suspect a selection of other jewels too. Those I care not for as much as the diamond parure…it’s got high sentimental value as it was passed down within the family from my great-great-grandmother.”

“That certainly isn’t good at all. Has the perpetrator been caught yet, Sire?”

“As luck would have it, yes actually. And I’ve been told that you would be the perfect person to know how to handle this….situation,” at saying this Yunho fully turned to face Mingi. The falchion in his belt’s scabbard felt heavy and a million and one thoughts were running through his mind at once.

“Mingi…”  

Mingi could see the sincerity in Yunho’s eyes and the hesitation in spilling out the words that needed to be said.

“I hope you know that in any other circumstances, I would not be requesting you to deal with such matters that you have immense dislike for. I apologise for putting you in such a position. This…certain individual has crossed paths with you before and I’m hoping with that familiarity you may be able to coax them to reveal where the diamond parrure is. How you do so, I’ll leave that up to your discretion.”

Oh.

Well that wasn’t what Mingi was expecting to hear. A certain individual he’s familiar with?

He straightened his back and gave a determined nod of his head, “I shall do my best Sire. That room may be the bane of my existence but this matter is clearly of importance to you, let us hope the thief can be convinced to comply.”

“You have my utmost gratitude Mingi,” Yunho said, reaching his hand up to give Mingi’s shoulder a comforting squeeze before making his way out of the grim dungeon hallway.

Mingi waited till the King was out of sight before turning to face the chamber. Taking a deep breath, he steeled his heart and pushed open the doors with slight force.  

“Well, well if it isn’t my favourite Captain of the guards. Come to keep me company for the evening?”

If he wasn’t already sweating before, he sure was now. That oh-so coquettish voice he’s grown to recognise almost immediately, fell on his ears.

You sent a cheshire grin to the tall figure, legs propped up on the worn-out wooden table and hands idly fiddling with the heavy brass shackles around your wrists. This certainly wasn’t the first time your paths had crossed but it was the first for you both to meet in a more dire setting.

Mingi feared for the implications of your capture.

Not just a mere thief of the streets but being the leader of Dusk Talons, the Royal Crown surely won’t pass up a chance to make an example of a core individual from the renowned thief guild.    

“You ought to close your mouth, otherwise the flies will get in.”

One of the guards closer to you brought his fist down on the table, a mere tactic meant to frighten you. However, all it got out of you was the bored glance you sent to the guard who started berating you for talking back to Captain Song.

Mingi let out a sigh, “That’s enough. I can take it from here, you all are dismissed.” The command was given to the other guards in the room as he settled into the chair across from you. They left without a fuss and silence encompassed the room, though not for long.

“Would you please be a dear and help with this?” you asked, chains jangling as you held out your cuffed wrists towards Mingi.

“It would seem that’s not needed at all,” a ghost of a smile gracing his lips, “your handy work got the job done for you.”

“You’re no fun.”

Not admitting out loud, you were slightly impressed that the guard captain didn’t let your lock-picking slip by him. The shackles dropped on to the table and you made a show of stretching your arms out, body arching lithely off the chair. Your loose tunic rode up just shy of showing skin, causing Mingi to avert his eyes out of respect.

That widened your grin.

Mingi let out an awkward cough, any pre-planned script he had for questioning was abandoned. You weren’t entirely a stranger to him nor were you an acquaintance – if the laws even allowed for that. But Mingi didn’t feel right about making you go through the same interrogation protocol as previous criminals had to. You weren’t like them.  

“I can’t tell if you thrive off the riskiest raids or that you don’t fear anything nor anyone. Going after Her Majesty’s diamond parure? Of all things!”

An airy chuckle left you, “If I didn’t know better…you sound awfully worried for me, Captain.”

“Shouldn’t you be at least more careful? What would become of your family if something were to really happen to you?”

The grin on your face disappeared immediately.

Mingi continued when he didn’t hear a response, “I’ve seen you…giving food and gold back to those in the Lower Wrean. I know some of the funds for the city’s orphanages are provided by your guild. And that one time…the only reason why you led the attack on our eastern outpost was to rescue a few of your own and relocate some of the nomad camps away from potential crossfire. You don’t abandon family, right?”

These were the things that convinced Mingi, you weren’t really all bad. Questionable choices? Sure. Morals? A little grey. Although underneath the layers, your intentions have always stemmed from a compassionate heart.  

“What’s to the rich if they lose a few here and there? They have far more than enough, so to us, they’re top of the list of contributors.”

Mingi remembered you telling him that when he had first caught you escaping from one of the noble’s house. Your guild only ever stole from the rich and it was a bonus if the corrupted was targeted too. Mingi, who then was still under the command of the previous captain, hesitated to pursue. For his moral compass went spiralling. Being bound to carry out his royal duty or close a blind eye because he empathised with what you stood for.  

Empathy.

Nothing more than a weak link, according to his captain. There was little room for that, just as grey had no place among Aethevintis’ black-or-white justice system.

Hence, a thief was still a thief at the end of the day. Even for a good cause, by definition you were on the opposing side.

You continued to observe Mingi in silence, with a neutral expression, as you let his words sink in. Captain Song was much different than his predecessors. An unspoken level of mutual respect had developed between you both somewhere along the way of your encounters. The way he led with his heart rather than blind authority was admirable.

“We do what we must to get by. My family…as you so kindly put it…are capable of adapting to whatever circumstances are thrown their way. Risk is an inevitable norm for us.”

At least, you could appreciate Mingi looking at you without that faux sympathy.

“And I’ve lived doing what I do best…that is to survive. Being careful only gets you so far but being smart, well, you could go just about anywhere with that.”  

With a rather loud yawn you broke the tension in the dim room. The grin reappeared back on your face and you slinked backwards on the chair. Mingi was contemplating on whether switching back to the original subject of this…talk…would be a good idea or not. He needed a starting basis, a hint of sorts from you in order to give direction where he’d be searching for the missing parure.  

Betting on the fact that you don’t wholly despise him, Mingi tried his luck. “Now I do have a job to complete, and I’m sure we both would rather spend our time elsewhere other than down here…”  

“Aww, I thought we were having a good time getting to know each other better. Don’t get to do that as much on the streets now, do we?”

“What have you done with Her Majesty’s parure?” asked Mingi, keeping his tone levelled.

“You sure are set on that huh? What’s in it for you if you successfully retrieve the jewels?”

Tilting your head, eyes sparking a challenge. Only to be met with determination glinting off Mingi’s own pair of dark chocolate brown orbs.

“Nothing more than the satisfaction of returning a precious family heirloom back to my King. It’s of great importance and sentiment to him.”

You wished you could find fault in his resolution. Yet again, Mingi was nothing but honest in answering you.  

Surely, you could play a little nicer this time, right?

“Hmm, I’ll think about it. I’m feeling rather parched as well…any chance I could get some fresh water?”

Sensing you weren’t going to give in anytime soon, Mingi drew in a deep breath and exhaled. Standing up he offered, “And I’m guessing you haven’t had anything to eat?”

“You’re offering?”

“This is an interrogation chamber, not a torture one.”

Mingi left to gather the necessities. Head filled with too many conflicting thoughts, that he missed the growing grin on your lips and the space where the dungeon keys previously sat on his belt.  

“THE PRISONER HAS ESCAPED!”

“FIRE IN THE COURTYARD!”

It was havoc.  

The thunderous sound of fireworks broke through the tranquil evening. Catching everyone by surprise and confusion arose as to why bursts of colourful sparks were going off within the palace grounds. When some of the flag banners and trees caught fire from the stray sparks, it caused a flurry of panic.

And to make matters worse – the guards had lost you.

Mingi finished over-seeing the last batch of palace staff into the safe area. “All palace guards are to stay by the doors to the throne room and west wing! No one is to leave or enter until my unit and I have done a final sweep of the grounds, “ he ordered.

Part of the team was put in charge of getting the fires under control. He deduced the fireworks were set off as an intended distraction and, a successful one at that too. Mingi’s priority was now to prevent you from escaping.

He heard the commotion and shouting before, “CAPTAIN! THE SOUTHWEST WALLS!”

You held your own and by the time Mingi had reached your location, the guards who were stationed there were knocked out cold on the ground. A minor cut bled slightly from your left cheek and you looked a little more roughed up than when Mingi had last seen you.

“Here I was thinking this would be a clean goodbye…” you said, securing the rope around your waist that Mingi noticed was tied to the stone merlons. He also saw a couple of dark-coloured pouches with you that weren’t present on your attire during the interrogation.

Three guesses as to what filled those pouches.

You followed his eyes to where they were fixated on, “Ah yes, amongst thieves it’s the number one rule to not hide our spoils on ourselves…lest we get caught.”

A series of sharp whistles was heard. The signal that your guild had completed their tasks and was awaiting to reunite with their leader down below at the meeting point. You blew three consecutive similar whistles back in response.

“Wait!”

You paused with one foot up on the stone edge. Turning back to look, you saw Mingi’s hand hover slightly over his falchion.

“Are you going to try and stop me?”

‘No. But I will ask once more, where is the diamond parure? I know the cold season approaches and you’ll need all the resources you can get. Those gold and other jewels you’ve got there should be sufficient enough. So please….”

Having already made your decision the moment you slammed the doors to the chamber out, simultaneously breaking the noses of the unsuspecting guards, you knew what you had to do. But that didn’t prevent you from adding a little dramatic flair.

After all, you want to stay memorable in Captain Song’s books.

“You just don’t know when to give up, do you?”

Your voice dripping with light sweetness, eyes locked on his as you made your way right up to him. Your hand darted out to grab his falchion and on reflex, Mingi intercepted – large calloused warm hand latching around your wrist.

“But maybe that’s what makes so different from the others…” You flipped his hand so it faced palm up, and placed a familiar cobalt blue pouch on it. “You’re a good man, Captain Song. Thinking with your heart doesn’t make you weak…this world needs more of that, more of people like you.”

You watched his shoulders fall with relief and the look he had in his eyes change into something you couldn’t quite discern. Mingi nestled the pouch carefully towards his body, the delicate clinking confirmed its fragile contents within. And he didn’t feel the need to look inside for confirmation; he trusted you.

“If we were to meet in another lifetime, I hope we’d be on better terms then. Preferably one leaning closer to friends.”

A genuine smile crept up from the corners of your lips upon hearing Mingi’s words.

“That sounds rather nice, actually.”

You could definitely use a friend like Mingi in your second lifetime, should fate ever be so kind to give you another shot.

“CAPTAIN!”  

The clamouring of guards and blades being drawn drew closer and you could hear the running of feet up the stairs.

“Well, that’s my cue to leave. And I am so sorry for doing this but…”

And you physically winced when you sent a knee to his gut, causing Mingi to collapse and gasp for air.

“…Captain Song wouldn’t go down without a fight and this makes it look less like you just let a scummy thief off the hook.”

Mingi waved his other gloved hand, “I…understand – you ought to hurry…” he managed to cough out the words.

“Don’t be a stranger.”

With that, Mingi watched you leap over the wall’s edge just as back-up from his unit arrived. Not only did you leave him with the Queen’s jewels and potentially a bruise or two, you also left him with a new sense of comfort.

Two worlds apart. Two unlikely individuals who were both willing to cross the bridge that’s been built to fill the gap, to meet in the middle.

Yeah, this was a change he could get used to.

“Thank you Captain Song!” cheered the orphans, watching with admiration at how effortlessly Mingi climbed the tree to recover their kite that got stuck in the tall branches.

He soon found his legs to be attacked with hugs from several pairs of petite arms.  

Mingi returned the affections with gentle head pats and a, “Be careful not to run too fast and watch where you’re going!”  

The townspeople greeted him as he patrolled his rounds. Even scoring a ruby red freshly-picked apple from one of the vendors. Today would be a breeze. Golden rays of the sun shone down warmly and the morning air was still crisp. Mingi was already planning to finish his shift early and go see if he could convince Yunho to sneak away from royal duties for a round of archery out by the fields.

“STOP! THIEF!”

Just like that, his trail of thoughts were cut short. Mingi snapped his attention towards the direction where the yelling came from. Jogging over to where the crowd had gathered, he was nearly bowled over by a fleeting figure.  

Upon making eye contact for that split second, he could recognise your mirthful eyes from anywhere.

Your eyes crinkled with delight and being bold as to send a wink his way. But your feet never stopped sprinting and within seconds, Mingi had lost you among the sea of townspeople who still went about their business on the street.    

“THEY WENT THAT WAY!”

Mingi looked back to see some of his unit tailing after a few hooded figures who disappeared into the maze of alleyways. Your guild sure knew the layout of the town inside out.

A sigh escaped him. So much for finishing up early for the day.

But if it was a chase you wanted, then it would be a chase you’ll get. Being the respectful gentleman that he was, he’d let you have a head start of course.

Maybe one day, when he’s old and cranky, worn out to his bones – he’d stop running in circles after you.

Luckily for you both, today wasn’t that day.

[theanimeview]

Hazbin Hotel's Double Plot: Charlie and Angel Dust - Or - Why Charlie and Angel Dust are Both Main Characters (And I love one more than the other)

By: Peggy Sue Wood | @peggyseditorial​

Welcome to Storytelling Class, everyone. Now, who remembered to brush up on their Shakespeare? No one? Not to worry, Prof. Peggy (not official... yet) is going to explain it all anyway with a bunch of unnecessary questions she plans to answer for you. Ready? 

Here's a question: What is a double plot? 

It's a more common occurrence in storytelling than you may think and is sometimes mistaken for subplot though the two are not the same. Shakespeare used double plots in several of his works, though King Lear is the most common example. We generally call a double plot structure that which takes two stories with combined plotlines. The two stories could stand alone but are purposefully combined to depict complex situations mirroring each other, often to comment upon or reinterpret events that transpire in other dramatic situations. "Often this takes the form of relatively minor characters and plotlines doubling events and situations from the 'main' dramatic narrative" (Reinke 1, LINK). The main characters of the "second" plot are often supporting characters in the "main" story and vice-versa, meaning that the main characters in the "main" story may act as supporting characters in the "second" plot. 

Subplots have entirely different focuses that ultimately guide the main plot, such as on a hero's quest, the hero's party must split into groups to find different items for a magical spell. Following the group that went away from the party in different chapters is an example of a subplot, as this is a subordinate "plots" that serve the progression of the main one. A good indicator of a double plot instead of a subplot is figuring out whether or not the two plots could stand alone.

John Lithgow, far left, with Clarke Peters in the Shakespeare in the Park production of "King Lear" at the Delacorte Theater. Credit: Sara Krulwich/The New York Times

Using King Lear as an example, our "main" plot features King Lear as the main character of his tragedy, and the "second" plot features  Lord Gloucester in a tragedy mirroring King Lear's story. In both plots, the main characters suffer from their past choices. A more modern example would be that of Netflix's Russian Doll, in which we follow two distinctive main characters suffering from, and traversing, a similar path. We can define them as double plots because splitting the two stories in each work to create separate works with connected characters would still work. (Essentially, the two stories of each work can stand alone--we don't need to know what is happening to Lord Gloucester to get what is going on in King Lear's story. It helps to know that Lord Gloucester's story, but it is not required to understand Lear's story since what will be important to Lear’s plot will be revealed to Lear’s character later on.) 

Another example of a double plot structure in a modern work would be that of Hazbin Hotel--let's discuss. 

We often define a plot by three things. First, the main character; second, the question that said character needs to answer; and, third, the problem(s) that led them to seek an answer to the asked question. In a double plot, you have to answer the first and third questions twice, which we can easily do with Hazbin Hotel. 

Let's start with Question 1. Who is/are the main character(s)? I've stated that it is Charlie and Angel Dust, but why? Two reasons. The first is how each character is introduced, and the second is that they are both asking the same question, though with different reasons behind it.

In the Prologue/Chapter 1 of the Hazbin Hotel comic, the first character we are introduced to is Angel Dust. He is our introduction into this fictional world, and his story follows the hero's journey narrative making him one of the main characters and defining his story as at least one, if not the main, plot in our double plot structure. Charlie is one of the two main characters for the same reasons. She also appears in that first chapter near the end (just like King Lear, who comes in after Lord Gloucester's introduction), and is beginning a hero's journey of her own. Both their stories ask the same question but have different reasons for seeking the answer.

Beginning with Angel Dust, we see that his story starts in a comfort zone--that zone being a criminal lifestyle shown with him trying to make a deal with some demonic mafioso-looking dudes. We soon find out that he's actually acting out despite appearing comfortable in this kind of situation because he what? Wants something, that's right (I knew you were a smart cookie). 

When the deal with the mafia-demons doesn't go so well, we see him thrown into a familiar though much worse situation with his abuser and pimp, Valentino. This is our introduction to the main problems in Angel's current life, the issues that are making him want something outside of his comfort zone. To get what he wants, Angel must enter an unfamiliar, perhaps dangerous, territory and adapt to it until he achieves the goal or fails trying, and the person that provides the opportunity for entering the unfamiliar world, the Hazbin Hotel, is Charlie.

With Charlie's introduction at the end of chapter one, we begin seeing her hero's journey unfold. At present (her meeting Angel Dust), she is seen in her comfort zone. She's in a chauffeured limo with her bodyguard girlfriend, comfortably giving money to Angel Dust and acting as a somewhat naive and rather hopeful princess you might find in any fairytale story. She wants something but has yet to enter the unfamiliar situation (at least until episode 1, where Alistar steps in but that's not important right now). This closes the comic, but perfectly sets up the double plot narrative moving forward, thus helping to identify our two main characters.

What fully defines them as the main characters, my second reason for claiming both Angel Dust and Charlie to be one, is that second question we have for defining plot (the question that the main character needs to answer).

Charlie says that the goal, or question she seeks to answer, is whether or not a sinner can be redeemed once they find themselves in Hell; however, I would argue that the real question is whether or not salvation (preservation or deliverance from harm, ruin, or loss) is possible for Hell's population. Charlie's "redemption" is instead a method to seek the answer to the question rather than the question itself. 

I argue this because that seems to be the end-goal Charlie is seeking for the citizens of Hell--salvation from being slaughtered on an annual basis. It is also the goal of Angel Dust, who seeks to be saved from his current life through his own hands or by someone else (though he doesn't seem to believe that someone else would help him without costing him something in return). For those of you wondering, Angel seems to be seeking an escape from many things, such as needing to trade sexual favors to his landlord because Valentino doesn't pay him well, an escape from hunger, and potentially other physical dangers. 

The two are both seeking answers to this question but going about it in somewhat different ways. 

In a recent video by Diregentleman, Why Angel Dust Should Be The Protagonist In Hazbin Hotel (it's brilliant, btw--a highly recommended watch if you have the time because most all his points are great), he argues that because Angel's story is more compelling and interesting, he should be the main character and while I agree that Angel's story is more compelling to myself as a viewer (just as I felt Lord Gloucester's story was far better than King Lear's parts), I still think Charlie's story worth the focus it is given in tandem with Angel Dust's. 

WITH THAT CONCLUDED, I want to talk about my favorite character, Angel Dust! The lesson is over--let's nerd out. 

I have been thinking about this A LOT since Episode 1 came out, and when "Addict" dropped, I was pumped. In October of last year, I uploaded the first draft for the review into the Google file our team shares but had been writing said draft for a long while already, and watching Diregentleman's video pushed me over the edge to scrap the planned post that should have gone up at 7 AM this morning and instead re-write and post this. Because as much as I loath spiders--I LOVE Angel Dust. 

Gosh, where do I begin….

Angel has been beaten down to the point that his character is a tad bit all over the place. Is he the villain? Sort of? At least, he comes off as one since he's not working very hard to fulfill his end of the bargain with Charlie and since he is a demon--but he also has qualities that are very much fitting the "redemption" Charlie is aiming for without any prompting. In fact, it's what made him so likable to me before the music video release of "Addict"--which just made me love him more. What do I mean?

Well, in the first episode, we see him just coming back from prostituting himself--a job he appears to be forced to do by Valentino (one of the big-bads of Viziepop's Hell):

Valentino: Did you get my money, Angie Baby?

Angle: I'm wittha John now [sic]. I don't get why this needed to happen so soon after the extermination tho, Boss

Valentino: Just do it. No sass k sugar.

Angle: yes Val

He then buys drugs, which get stolen only to see a large piece of a building fall onto the would-be thief. Is he worried about the thief? No. Angel is only concerned with the drugs. Immediately after that, he joins a turf war with a friend of his, Cherri Bomb, and participates in wrecking what remains of the city from the previous night's purging (when Angels descend upon Hell and kill off a bunch of Hell's populous).

Cherri is his friend, and it is at this moment, we see his first redeeming quality in the animated pilot--a self-sacrificing protective nature for a friend. How? You may ask, well, Angel is shown saving Cherri. It happens when Angel sees a weapon pointed at them, something that Cherri doesn't notice. He pushes her out of the way, unsure of what may happen, thereby allowing himself to be captured (or potentially injured) instead of her. 

That's self-sacrificing and is generally considered a "righteous" quality. 

It's not like she could be killed--they're already dead and, from what we've learned, the already dead demons of Hell can only be killed by weapons the angels use or that which is made of the material angels use during the culling period that just ended the night before. The egg creature is not using one of these weapons at this moment, meaning that Cherri is not in danger of death, only injury. 

Despite knowing that Cherri would ultimately be fine, Angel pushes her out of the way and takes the injury risk. (If he suspected that the weapon might kill her, then even more kudos to him here as that means he threw his life before his friend's.) This moment shows that Angel does value life outside of himself, which doesn't immediately come across when we meet him given the crushed thief moment we had prior. 

This act of self-sacrificing, which is generally considered a virtue, shows that he has potential to change. 

Expanding from this, we see him empathizing with Charlie and expressing a moment of guilt. The scene happens after Angel, Charlie, and Vaggy return to the hotel. Angel is presented with the opportunity to "change" (offer an apology to Charlie that he actually means), an opportunity he doesn't take, but the fact that he's considering it when he previously felt no guilt for his actions shows that he is capable of it.

Once Alistar comes into play, we see more of Angel's potential to change. For example, Angel is shown holding Vaggy back from attacking Alistar, which could be read in two ways. Either he holds her back because he doesn't want Alistar to leave (unlikely that Alistar would leave over Vaggy's attack), or Angel is preventing Vaggy from running at Alistar and potentially getting hurt, a very strong possibility that we learn through Vaggy's comment about how powerful the Radio Demon is and how he's grappled bigger demons on a larger scale to take over parts of the underworld.

If we're to believe the story elements pictured in the music video of "Addict," then Angel is in a horrible spot. He's being abused and treated like a working slave to Valentino with little hope of escape on his own and few options to reach out to for help (if one can even ask for help openly in Hell given the place and the people).

While Charlie is nice, shown by her giving Angel money and helping him avoid having to sell himself on the street that night for Valentino in the Prologue/Chapter 1 of the comic, she too has expectations for him or does it with an ulterior motive in mind. He's a big name in Hell, and she wants him for her program. While it may not be intentional, Charlie asking him to try the program in exchange for money sends the same message Angel points out during the offer: Nothing is free--even kindness, particularly from the Princess of Hell. No matter how cute and lovable she appears...

Charlie's story is less compelling, and it's not simply because she comes from a place of privilege, as I've heard some say. I mean, I love lots of stories with the rich and powerful, and if the many seasons of Dynasty can stand as an example--so do a lot of over people. Charlie's story is less compelling because we can't relate to her choices given the situation we see her in or the problems she's facing. For example, she has great political power that goes completely unused. She's a princess of hell, obviously not struggling too much since she's chauffeured around and seen atop a tall--safe--tower overlooking the purged city below in Episode 1. She isn't in a bad situation, from what we can tell, not the same way Angel Dust is, at least. Her problems are more like a passion project from what we've seen so far, and we don't know why she is motivated to make this redemption program work outside of wanting to help her people. But if she wants to help people, why the hotel? 

She has power as a princess that she could use to help correct injustices in her kingdom, such as attempting to put an end to the turf-wards since it seems that the demons fighting for territory still follow and respect the royals and nobility to some degree. But, instead, she's created a program to change people into what she thinks is Heaven's ideal--a thing that may stop the culling by allowing demons to transition out into what? Angels? Spirits? Who knows. Regardless, it's a small-scale venture that doesn't attempt to use the influence she's been given to make sincere changes in the kingdom. Instead, she uses it to get publicity on a news station, and even that is a weak attempt. I mean, if she was doing this right, that new-caster shouldn't have been able to make a single nasty comment towards her during the whole process. I mean, I doubt the newscast would have said a thing had her parents been up there, which shows that she's walked all over and that she's let it happen.

My point is that Charlie's story doesn't yet make sense. It's harder for us, the audience, to put ourselves in her shoes than it is with Angel Dust, and that's why I love him more than other characters, and certainly more than his double plot counterpart, Charlie. 

I look forward to seeing more of this series going forward and hope that Episode 2 comes out soon!

[solennitawrites]

WIP & Writeblr Intro!

About Me

You can call me solennita or A.H. or whatever your heart desires. I am in my late twenties, South American, bi, living with ADHD, and you can refer to me using they/them pronouns. I have been writing since I was a child but more or less had to set it aside from high school until last year when the pandemic hit and quarantine gave me an opportunity to finally revisit this novel trilogy idea I began about 15 years ago in a dilapidated, blue composition book and commit to actually completing it.

WIP Intro

Working Title: The Sapphire Room

Inspiration: South American mythology and legends (mostly Venezuela, but also Colombia, Chile, and Peru)

Genre: YA Fantasy, Latinx Fantasy, Adventure, Coming of Age

Status: Writing (Chapters 1-3 are up on Wattpad).

Premise: On the continent of Amasi, where a unique mineral, aranate, and advancements in metalworking have resulted in a highly secular and technologically developed society, two fifteen-year-old, orphaned girls have grown up together in Namina Boarding School, a remote institution situated in the middle of the swamplands at the edge of the Arúni Rainforest. One night, Nina and Adelaida discover a hidden object in Namina’s attic—a golden hourglass filled with diamonds and mysterious engravings. Nina and Adelaida begin to learn that this object is not all that it seems, and that familiar faces in Namina know more than they let on. Roped into a dangerous but enticing adventure taking them across all of Amasi, the two friends must face challenges beyond their wildest dreams and learn who to trust as everything they thought they knew begins to slip away. With dark and powerful forces threatening to destroy all life, can these two young girls learn the truth about Amasi’s mystical history, and themselves, to save the world before it’s too late?

Characters: Zafira Fam (Nina, Adelaida, Noémi, Milaraya, & Zo); Brujxs Fam (Maiara, Irália, Aracéli, Mireia, & Tamaya); Namina Fam (Amara Quila, Sol Acedo, Luciana Quíspe, Aria Nuali, Ortensia Rayena, Úrsula Bira, Valeria Vera, Candé Intira)

Tag Navigation: General TSR; Geography; Characters; Plot; Excerpts

Intro to Amasi Posts: Yanura, Orona, Guayra, Islas Maracainas (Maragua)

About My Writeblr

I hope to use this blog to help me work out world building and plot ideas, as well as character development and all that jazz! I’ll likely post excerpts here and there (many of which may just be background writing exercises for story building rather than actual scenes!) and welcome as much feedback and critique as folks are willing to give!

I'll also reblog writing resources, advice, tips, and of course, others' works and I'm open to tag games, asks/ask games, and just general getting to know each other! I may reblog non-writing posts here and there as well, which I’ll tag as “not writing.” 

I am still very much in early stages and my posting may be sporadic as I am graduating law school soon and then will be taking the bar in the summer, so hope y’all will bear with me :) But please feel free to let me know if you’re interested in being tagged in any of my WIP posts (and feel free to specify -- i.e., only character posts, only excerpts, etc.)!

About My WIP

My current WIP is tentatively titled The Sapphire Room. You can use the navigation links to check out TSR posts (general tag; excerpts; geography; characters; and plot). This is a project that has undergone a lot of revision from when I first had the idea at around 12 years old to now, when I’ve been able to dive more into world and story building.

A huge motivation/inspiration for my is the lack of latinx fantasy in YA fiction. I adore YA fantasy stories, YA coming of age stories, and YA adventure stories, but I’m tired of reading the same adaptations or variations on the very Anglo-centric narrative. Latinx history and culture is so rich and diverse, though much of the cultural stories have been lost today as a result of colonization and its aftermath.

I decided to reach out to my family about this and started collecting myths and legends from my South American country, and researching those from others in the region. There’s a lot of overlap among the stories shared, especially between Venezuela, Colombia, and Peru, as well as Chile to an extent, so this is where the basis for my worldbuilding really comes from.

As a first-gen latinx immigrant who grew up in a pretty conservative, Catholic area, stories like Romina Garber’s Lobizona and Tehlor Kay Mejia’s We Set the Dark on Fire would have changed my life. I want to make sure my story can serve a similar purpose for young, latinx readers who struggle to see themselves represented in stories they love.

I am very intentional about including racial representation (afro-latinx characters), gender and sexuality representation (queer, trans, and NB characters), and disability representation (characters with both physical and mental disabilities). Though I share some identities I will be writing about, I obviously will be going outside of my own experience in many ways and welcome all critiques and feedback on how I can improve in any of these aspects.

I am also being very intentional about writing an escapist and entertaining story where racism, colonialism, and trauma are not fundamental parts of the story. There will be conflict and pain and sorrow, but after seeing story after story that focuses on the toxic machismo in latinx cultures, on racism and colorism in fantasy settings, and other forms of discrimination and trauma in QTPOC fantasy narratives (all of which are really, really important stories to tell!!), I really am aiming for my story to be different and serve as an entertaining escape.

As mentioned, please feel free to let me know if you’re interested in being tagged in any TSR posts and please feel free to send any feedback, questions, criticisms my way at any point!