#you also might not be presently interested in anything regarding me and my work it's been a long time

[boxwinebaddie]

odd thing to bring up after i talked about how i'm finally trying to write for myself and not other people, but because i start and don't finish so many projects...i'm honestly not even sure where to go? i'm feeling a bit stumped atm, so if anyone has something in particular that they're interested in seeing from me, please lmk.

obviously i'm trying to only travel down paths that i want to, but as i look at my pinterest boards and all the projects i've started, all the styles and respective universes i'm cobbling together, i'm finding i am very interested in exploring all of them, so my stomach hurts, my head feels funny and my heart is a little confused. i'm feeling lost and as you are all my sunshines my only sunshines, the very same way i appreciate the warmth you provide me, i'd also love a guiding light.

thank you for all your support.

it is extremely precious to me.

-uncle nina

[sxorpiomooon]

D10 ASCENDANT AND WHAT IT MEANS

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Aries-

You will never have a home office or working at home sort of thing. You WILL always have to present in order to earn money. This also means that you will also initiate the things, the one who will have to put all the effort to climb up in your life one man army is what I heard. Someone who will take all the risks. You will do all that taking the paths one cannot even imagine taking. Extremely ambitious and having an i am going to make it happen sort of approach. Facing so many challenges yet being able to accomplish things. You'll face the most challenges but will come out strong every single time. There is also a big karma regarding authority, you might have to be treated like a servant at times. You will be forced to follow the same routine everyday to climb up for a long time. You will also have to go through a major transformation with a death in your family. You will want to be in the actual setting to do something or feel the passion energy to do things. You will want to always have a mentor or guru in your life in your career, your problems will be solved with the help of the guru. Your communication will be very rough especially with small talk. You wil excel in works where you just have to do the actual work instead of communicating. You will have to physically get shit done. You will want to be a part of an organisation. This will be the kind of job that will make you run for everything. You will always be surrounded with people and competition having to prove yourself and will have to do some sort of corporate work at least once in your life. You will also always somehow have to impress someone by being at the right place at the right time. You will always want to be put in different kinds of teams just to rule them or just to come out as the one who shines the brightest. Also something that's seen is that these people usually never have the authority being nice to them and they have to work very hard to be picked by them.

Taurus-

You will go after the value of things, you will chase values. Before doing anything you will ask "what is in it for me" "how does it includes my value" etc. You will be inclined towards getting financial support in doing what you are doing, you will not be scared of asking for help. Very charming with your communication, charming and people will always be attracted towards you. Naturally will want to work with alot of people. You will love attending conferences they will help you in rising your status. You will be good at gathering people in one ideal place haha. Your business partnerships will always be 1-1. There will always be transformations in your career, the partnerships will come and go, your relationship with subordinate will always have struggle regarding passion you will always find partners that will not have as much as passion as you, they will be too analytical with you, you guys will not share the same vision on doing things or they won't see the value of things like you do. There will hardly be any collective interest on any topic. You will love speculative work and will have alot of several good support systems in your profession. Women in your career will bring you success. You will always want to have a strict boss because toullexcel under them, they wish for their authority to be firm. Travelling for your career will be very beneficial for you if not for money then for fame, your coworkers will have a strong emotional connection with you and will be very nourishing towards them. Commercial property will be seen and you will always gain from the politics of your office but will have issues with partnerships. There is also karma with marriage as in you might have a hard time balancing marriage and career as in either you'll be focusing too much on career and too little on your marriage or vice versa. When your mentor will pass away, you will stumble upon wealth out of nowhere. Their mentors will be very secretive. You will never share where/who you get your values from.

Gemini-

you will fulfill your karma through media, sports, marketing, writing etc in one way or another. You are naturally multi skilled to achieve your goals, you will do bunch of things to gain success and money. Major karma in dealing with daily routine, they will not want to be repetitive ever. You will like to be left alone and free in doing your work and making your money. You don't like people looking at you while you are working. They hate judgements regarding their work. You will have to take debt in career or marriage. You will love making money for food. You will want to try out expensive food for which you'll want to earn money. It will be your motivation to earn money and be successful. You will find respect only when you communicate as an authority. To be treated as a surperior, communicate and say your opinion. You might also feel restriction about sharing your opinions as in there will be a delimma regarding that. "I want to say something but I fear I'll be judged if I do so after" things like this might make you feel extremely restricted. Your marriage or first child birth will help your career in rising it could be a turning point especially in business the prestige and recognition will increase. You will be good at networking, you'll have a good circle. You will be good especially with men they might help you in your career. Extremely creative even with the smallest work you will finish the work with your own sparkle. You will personify everything also excellent at marketting anything that they're passionate about

Cancer-

You will play the most politics in work, you will know how to keep everyone in control and in your environment you will feel a need to control things sort of like also nourish anyone. You will be extremely selfish in your career, you will look out for yourself before anything or anyone else. You have major karma with your subordinates you will not be able to ignore any issue regarding them and will have to deal with it. You will be forced in situations where you'll be stuck. At one point in your career you will be embarassed at in a large group of people. You will be humiliated at work place. The entire situation will actually not be too big but you will make big for yourself. There will be a big blunder with finances in career or fame in career. You'll be very calculated in your career can be completely different in their workspace and personal life. Even calculative with communication you will want to get advantage of things. There will be alot of support networking circle for you because you'll be extremely hypnotic and charismatic. After you sign your home documents you'll have more leverage in career. You will lack mentors in your life and counselors at work will be very young for you. You will love to start your own projects etc.

Leo-

Only after birth of children career takes off, you will only want the kind of work where you'll be able to have subordinates. You will have alot of pride and will want to distribute tasks and show people working under you that you will also want to take care of them. You will always deal with opposition of large group of people but the authority will always have your back. You will see that they won't like most of your decisions. You have major karma with your offices or place of work. As long as you work you'll never have peace of mind as it'll always be disturbed by work in one way or another. Having a female or feminine boss will help you in excelling in your career, your mentors will always back you when you need them to and you will feel secure due to that. You will at some point be taking professional debt in behalf of your company etc. In business be very careful with this as it might be deritmental to your fame repaying for the loan will be hard. Your subordinates will always be more smarter than you and you will have to get their help. Unless people see that you working, you won't get the same amount of fame or respect. You will always sort of travel very emotionally there will be profit in business travel(if it's your own) once you sign or get your own first house.

Virgo-

You will always have unnecessarily enemies trying to bring you down out of no where in daily life no matter what profession, they will purposely try to stop you from finding some sucess or promotion atleast one or twice in life directly. There will be alot of rumors said about you. Serving will be the most important thing for you, it will be a need want and an obligation to the society. Any career won't work out if you take something from people your health will suffer. You will have to take debts to progress in life. After a girl will be born in household your health, career will improve. You enemies will disappear. You will have to take care of administrative duties frequently as in accounts finances etc. your communication with your boss will be the best especially when they're younger to you. You will also see your older bosses always seeing you as a competition or challenge. You will always have ups and downs with your coworkers and will go through a major transformation when a co worker will pass away but will have the best subordinate. Might have one student or subordinate that will have some sort of injury to limbs. Any female mentor that you have especially one that is in some way connected to foreign will give you million dollar advices.

Libra-

You will feel an imbalance and unfairness in your partnerships whether it's in marriage or a proper business partnership. You will always somehow be dominated by your partner, even in their marriage uou will be dominated by the other person or atleast it'll be seen like that. Even if your partner is a very kind person people will always sort of see it like them having this power over you or being assertive and dominant over you. You will try out business atleast once or twice in your life but it will remain extremely unfair as stated above. Your life will become about other people. Sharing everything, naturally always wanting to mother their working environment. You will also have really moody bosses lmao and will face very awkward situations with them. You will also become selfish, forgeful and dramatic in your communication. You will like to publish and write and will indirectly or directly have to publish something once in your life I heard "land in an opportunity". Your coworkers will become your real mentor and you will find the most wisdom from there. Your real actual bosses will always be like a friend for you lmao. You will always be chatting with them and there will be constant communication. You will have really powerful connections and will always need or require a partner in order to feel balanced. There will also be unbalanced transformation with money and you'll learn to to save alot of money due to that. You will always have subordinate that will be eccentric and hard to understand. You will also attend many confrences with your subordinate and will gain alot of money from them including insights. You will love to work in a home like setting and will have the least amount of enemies in career

Scorpio-

major karma and will go through many ups and downs and transformation before you make it. Will have to go through the lowest of the lowest and highest of the highest, involvement with hidden wealth secret dealings gain and will attain secret information through which you will rise. You will also have to deal with secret contracts in order to grow. You will see that birth of children will be important for fame and to gain authority you must support group of children in some way donate if you can if not money then time. You will always be the most excellent vocalist or speakers since you'll have tremendous wisdom even when you are young due to going through so many transformations. It is not what you are communicating but how you are communicating. Guru is important help to accumulate wealth and success. Sexual relationship will connect you to success and you will be excellent at last minute negotiation and dealings. Take care of the plumbing issues in your career as it'll affect your fame and health. Spouse will have best ideas for you in terms of making money. You will be extremely interested in politics after the age 34 or 40. You will also want to fight for a cause. There can also be addiction issues so take care of that. You will have a great bond with a person who will be from the foreign lands. There will be a sistery or brotherly sort of bond. A job where projects keep changing will be extremely beneficial for you.

Saggitarius -

You have the ability to teach and counsel in your work. You will be extremely strategic in your work and will have to display the ability to perform and teach others during work at the same time. You will sort of be like dictionary of wisdom, sort of like a "coach" to others improve other people work while doing yours. You will value information and knowledge more than anything. It will be your most perseved asset being more valuable than money and will have a very professional way of communication. You will get the message across. Your coworkers will be eccentric and moody extremely scientific too. You will be extremely negotiable with your career to the public. Very liberal indivualised thought process will have very harmonious subordinates. Your business competition will have very childlike communication and enemies will always be amateur than you. Your partners won't have the same level of knowledge as you but your partnership will work out well. You will have a sort of father child dynamic with them. You hide emotions insecurities in your workspace. Your authority will be powerful and will be nitpicking but they'll help you in improving your career. Your mentor will be connected with government in one point of your life and your professional network circle will be good.

Capricorn-

You will give extreme importance to having a title for example phd ceo etc. The title will make you feel as if now you can do something or are something. Extremely workoholic and extremely feminine in your workplace won't be aggresive or rude but very moody. You will love having partnerships this also includes having a pa etc. it will be something you will need, want and cherish. Your emotional stability will depends on that particular partnership you will completely rely on them and will feel like you can't function without them. You will pay them the most to satisfy them. You will also extremely eccentric to confused with your savings as in one moment you'll want to save it and another moment you'll want to spend it on buying some big ass random shit. You will have the most polite communication with people yet people working with you will be the most oblivion to your dreams and communication. They will not understand what you mean and want. You will have a strange bond with your female boss and it'll take alot from you to balance your relationship with them. You will be satisfied hrough your subordinates and when you hire or have people working under you. You will have foreign mentor gives you wisdom and who helps you this person will be nitpicky and detail orientated. They will be enemies with much younger and childish people and will always have words of words with them.

Aquarius-

You will be a part of a large organisation, large group setting and will want to be part of collective to execute work. You will want to attend conference work and will be easily influenced by activitism. You will be very political and will get sucessful through powerful partner yet will never be able to accept that. You will want to be free and make your own decisions and will have a love/hate relationship will that. As in you'll gain with them yet you'll hate to accept that. After the birth of first child especially with women within three weeks you will get a higher status in life. You will be extremely emotional and attached to your work. Your work can drive you mad too and emotional stability will depend on your career. You will hate to get involved with enemies and won't like to deal with it at all your relationship with mentor will always be turbent and will always have ups and downs. You will see that after passing away of some authority there will be a major transformation in career. you will have to service to goverment or boss with the little pay or respect as in it won't be balanced or fair in some way. You will get along with subordinates and will have alot of exchange of ideas with them. Your communication will be straightforward and people will have to actually spend some time with you to get your communication or understand it atleast third. You can be very radical and will think that you are right and everything else is an attack on you. You will have boundaries in doing your work, will find the most unorthodox way of doing work that others will not get. Network circle will always have mature, religious, philosophical people in it. Might have to go to a foreign place to establish themselves or foreign company. You will get wealth and money by listening to a mentor guru but will hate to accept that the guru knows more than them

Pisces-

You will always be on the move, always looking for a change and actively looking for opportunities. You become the protector in your career. Great importance of safety through your careerand will be the one who guides. You will have strong connection with farway bodies as in across oceans. Trouble with communication as you can be the most harshest communicators. Very direct and blunt in your communication as in "what is wrong" "fix this" etc short and direct. You value people being proactive and only respect people who are like this. You will love starting new career or projects. You will have beautiful relationship with your coworkers and will tind great joy through your work. You will also always have subordinate who will take care of you and will be very nourishing towards you might even take care of you when you are sick. You will always have powerful business competition or rivals. There might be issues with govt some sort of debt major transformation in expenses and mentors. You will love having secret work relationships, you will find it exciting. You will always have educated bosses at authority. You will have connection with highly political people. One of them might even become your rival so be careful with that. You will love to attend conferences in foreign land and will have to spend a lot of money on that but usually you guys are blessed by a devi(goddess) to do well financially

Thankyou sm!!!

alot of this is taken from krs channel and other pdfs found on google and a very few of them are my observations since most people around me are not yet working or doing anything regarding their career if you can and want to help me by sharing your or your loved ones d10 chart for me to make my own observations please feel free to do so I'll be very grateful<3

[thecoolerliauditore]

I need your thoughts on Martyn.

Jesus Christ in heaven where to start.

I was planning to write massive essay posts about each of the winners sooner or later, I guess Martyn can skip the queue. As a treat.

BAD traffic series martyn analysis post don't read. LONG POST

note: rules I'm operating by are to keep the analysis primarily traffic-based (although this one's kind of an exception because. mr watcher lore) and I'm not rewatching entire POVs so stuff might be wrong so on so forth

Why is he... Like that?

So before I even start talking about 3L I feel the need to address Martyn's background first because, not unlike alot of the other members of the cast, Martyn's previously established relationships from series like Evo have a significant impact on how he behaves.

This is kind of difficult for me to talk about because it breaks my "no material outside of the traffic series" rule for these essays specifically, but I think it's honestly just more fun incorporating Martyn's off-series lore drops and such into his character instead of leaving them out.

So here's the basis I work from -- Martyn is the most unreliable narrator in a full cast of them. His lore is his character's version of events, not an unbiased retelling.

Whether the Watchers exist and whether they're the same entities present in Evo doesn't matter all that much, since all we know is that they are very real to Martyn, at least. Taking the lore as Martyn's POV also helps iron out some of the more awkward creases it creates when viewing the series as a whole (e.g. Grian's involvement with the Watchers surely means he would reference them himself, yet he doesn't) and lays the groundwork for some really interesting things about Martyn himself when you try to put the dots together on how he arrived at these conclusions. I'll be referencing these as they come up chronologically.

So, without over complicating things, here are the rules I'm playing by when it comes to pre-3L Martyn:

Evo did really happen with the same people, however the exact details are muddy.

Martyn knew Jimmy prior to the games and the two already had some sort of personal connection going in.

We're not trusting a word out of his mouth. Especially if he says them on stream. But we are going to acknowledge what those words are.

With those parameters set, let's move on:

Third Life, and the guy who gets a little too into it

Like Grian, Martyn immediately acclimates to the game's survival-based mechanics. Martyn spends a good chunk of the first session of 3L seemingly aimless, but he makes observations and choices throughout that show he has survival at the back of his mind (e.g. him quickly establishing an alliance with Grian and Bigb while sneakily putting them in his debt through the diamonds he finds early -- even if this doesn't end up paying off to anything).

Unlike Grian however, Martyn less desperately clings onto a need for an edge to survive and seems almost comfortable in playing the game. A running theme for him throughout all the seasons will be that he seems to feel most comfortable when he has some amount of unspoken power over others, whether that be something as silly as testing the waters with his creeper soundboard or later when he starts playing 4D chess with himself in regard to his loyalties.

"Power" might be not exactly the right word for what Martyn yearns for, but it's the best word I can find to really describe it. He's always the one with a card up his sleeve or a plan B or, arguably most importantly, the one with control over the situation and responsibility over his own and others' wellbeing.

In my mind, at least, I think it might be a consequence of Martyn actually being quite sensitive in terms of relationships and having this very deep-seeded need to protect his loved ones from harm but lacking the emotional intelligence necessary to allow himself to be vulnerable about those feelings and communicate properly. So instead he finds some way to protect himself emotionally (usually overdramatic and makes him way worse) and treats everyone including himself with a level of un-seriousness that alleviates the tension for him.

If I were to dig deeper into this specific point I must say Martyn seems to have chosen to perform a very specific breed of masculinity, with his constant agonizing need to protect and lead while not having to confront his own perceived weaknesses, and alot of his insecurities and frustrations come from being denied that husband-y role to play.

His interactions with Jimmy early on in 3L portray this side of him quite plainly. After seeing Scott hit him around at Renchanting, Martyn gets Jimmy alone and asks him if he's okay but after Jimmy dodges the question, Martyn quickly becomes frustrated and starts acting very overdramatic (e.g. threatening to cut Jimmy off, "I can't look at you", so on) even as Jimmy keeps insisting they keep talking.

In my humble opinion, it's clear to me from how he speaks to Jimmy in this scene and further on, and from his referencing of their Evo relationship, that this is these two's established dynamic - the way Martyn dramatizes everything feels almost as if he were making a joke of it, teasing Jimmy, almost akin to how an older sibling or very old friend would act. It's possible that Martyn didn't expect Jimmy to take any of his threats seriously (although he definitely was laying on the pressure to try and get him to agree in the moment) and that's why he's so taken aback when Jimmy does act almost afraid of him from this point forward.

Not once does Martyn ever verbalize his own feelings regarding the matter. He never says that he's scared or worried for Jimmy, or even makes any sort of subjective judgment on Scott's character for hitting Jimmy in the first place. He makes it all about Jimmy, never communicating *why* he is doing what he's doing which ends up giving off the impression he thinks he knows what's best for him, which of course never communicates to Jimmy that Martyn cares for or loves him and ends up pushing him away as a result.

Speaking of Scott, despite Martyn clearly not approving of the way he treats Jimmy (judging from the aforementioned conversation and his later lore streams where he essentially calls Scott and Jimmy's marriage a sham), he does not ever act antagonistically towards Scott. Which I think is indicative of another key trait of Martyn's - an almost uncanny ability to push aside his own feelings at least momentarily for the sake of the game.

Martyn does not speak badly to or about Scott. He even explores the nether with him very early on and the two literally joke about trapping the Flower Valley and killing Jimmy together.

I think there's an understanding and perhaps a level of respect, on Martyn's end, towards Scott. One of the first observations he makes about Scott's base, after all, is its defensive location and Scott, like Martyn, values his own competency and likes to pretend he's more emotionally unattached to his partner than he really is (the parallels between Martyn/Ren and Scott/Jimmy are even somewhat lampshaded by Martyn himself when he refers to them as "my red" (Ren) and "your red" (Jimmy) later).

It seems that Martyn doesn't dislike anything innate to Scott's nature, and even has love for his manipulative traits. If it were anyone other than Jimmy Scott was hitting, I'd argue, Martyn wouldn't have raised a fuss about it. Not to mention, there's also a sense of "keeping your enemies closer" when it comes to these two, as both seem acutely aware the other is useful on their side and a threat anywhere else.

I'd argue despite the fact he's able to push his dislike towards Scott aside, he definitely still feels spiteful towards him, as he ends up hunting him down pretty mercilessly come the end of the series (after Jimmy dies too - so perhaps there was also a level there of feeling the need to put up with Scott beforehand as he was Jimmy's only ally, but now that Jimmy's gone there isn't any need to be friendly with Scott anymore.)

Now onto the heavy-hitter Martyn 3L relationship - his dynamic with Ren.

I'll be honest I think most treebark shippers have summed up their relationship way better than I could. You could probably go into the tag and see thirty eight analysis posts more indepth and accurate than mine. However I will say that one thing I see rarely mentioned is this very obviously being Martyn's first time meeting Ren (I'm talking about characters here but here is your acknowledgement this is definitely a result of this literally being the case for the CCs).

He's not used to Ren's mannerisms -- during their first meeting, Ren says his usual "ex-squeeze me" (instead of "excuse me") and Martyn responds "no thankyou, I'm married". Not to get too into it as this is The Martyn Post but Ren's POV would imply the same since he sees Martyn's name in chat and he immediately starts theorizing about what kind of player he is.

I think Ren essentially being a stranger to Martyn at the start of the series makes it easier for him to act manipulatively and keep him at arm's length, as well as be in denial about the whole emotional attachment thing. For so much of their alliance during 3L Martyn is acting, performing to match Ren's vibes, except he's not.

^this quote and the concept of freudian slips informs like 88% of my worldview, if anyone's wondering why I'm. like that.

"The Hand" is very much not how Martyn naturally acts or behaves, down to the change in speaking patterns. It's a persona that I think both Ren and Martyn never take too seriously or mistake for Martyn's authentic self, but it's also something Martyn uses to express his innermost feelings he disallows himself from usually. Yes it's all silly even in-universe but I think there's something special about how he constantly expresses his devotion as The Hand, even if he's doing it with a layer of irony. Plus, I think it says something that, jumping later in the timeline, his flashbacks in LimLife are much more true to the character of The Hand than Martyn himself.

This section is already long enough but I do have to mention Bigb, Grian and Scar or I'll explode.

Earlier on, I touched on Martyn giving Grian and Bigb diamond swords early and it being an attempt to leverage an alliance between them. This I admit might be a slight reach however the reason I say that is Martyn continues to pursue Bigb and Grian as allies throughout the season.

Bigb is cut and dry enough, he ends up floating around the outside of Dogwarts as a not-quite-member after the siege in which pretty much half the sever were antagonized by Grian and Scar. I'm probably not the person to thoroughly dissect Martyn/Bigb but there's something interesting there about how alot of people tend to have this general fondness towards Bigb and Martyn is no exception.

As for Grian, Martyn acknowledges that Grian is responsible for the siege, possible moreso than Scar, but keeps questioning how "gone" he is, worded as if he believes Scar is manipulating him. I've seen people compare this to how he acts towards Jimmy and Scott which I can definitely see the throughline. However, I think while both are an example of Martyn's protector/saviour complex, they are innately different due to Martyn's relationships with both the perceived victim and captor in each case.

Despite Grian also being an ex-Evo member, Martyn does not act towards him with the same familiarity he does with Jimmy. He also brings up Grian's welfare with Bigb and not Grian himself, with Bigb being the other person involved in their earlier established sword alliance. To me, it feels as if Martyn is more testing the waters for if he can still get Grian on his side than out of any genuine concern for Grian, although it is possible he's projecting some of those leftover feelings regarding Jimmy's situations onto Grian and Scar.

The other reason is, I think, Martyn might genuinely be afraid of Scar himself and villainizing him as a result. Everytime Scar shows up in Martyn's POV he's paired with tense music and sporadic editing that makes him appear more unhinged. Martyn has also said on tumblr he found Scar intimidating at the time, which is of course a dubiously canon source but I find it applicable enough.

It makes sense, too. When you compare Martyn's treatment of Scar vs his treatment of Scott. These are both people he has recognized as real threats and he assumes both are manipulating their respective partners, but while he remains friendly (at least outwardly) towards Scott he's constantly wary of Scar, drawing weapons on him pretty much on sight even before the siege.

I think Martyn fears Scar because he doesn't understand Scar. Scott is someone like him who he knows the inner workings of, or at least that's what he believes, so while he doesn't care for him he doesn't feel a need to keep him away. Martyn always assumes a level of coordinated malice from Scar that is more than often either completely unfounded or a result of something originating from Grian (my favourite example of this is, right before the siege, Scar wanders over with his bee on a lead and Martyn starts yelling "he's got a bee! what does that mean?!" as if expecting the bee has some pvp reason behind it. when scar just wanted to have a bee).

That isn't to say that Scar isn't malicious - Martyn is right like 90% of the time that Scar's not-so-subtle friendly hellos have some sinister plan behind them, but he doesn't ever truly get that Scar isn't the evil mastermind he thinks he is.

I'd argue this fear is what also makes Martyn not pick up on the fact that Grian is the more manipulative one out of the two - something that even Scott seems aware of - because he never spends enough time with them on friendly terms to be aware of that dynamic.

Last Life AKA big brother syndrome in full blast

Okay that was a long ass section sorry lmao have to establish everything there. Everything from here on is gonna be a lot cleaner I swear.

The Southlanders could honestly have their own ultra-long post about how they're the perfect disaster team-up lord of the flies esque situation the series has to offer.

Impulse, Grian and Martyn are all similar in that they understand they have to play the game a certain way through keeping their loyalties dubious while Mumbo, as a newcomer, is extremely naive and goes along with whatever the more assertive members of the group say. And Jimmy is Jimmy.

Martyn takes on a leadership role within the group, being the one to constantly spearhead their humour and come up with new often disruptive plans (usually targetting Scott because he totally isn't spiteful still, albeit in a very playful way). After Joel traps their base with tnt minecarts, Martyn is the one to keep everyone else back and disarm them, a huge contrast to 3L's siege.

Their group embraces the rules of the game - if you turn red, as Grian does early on, you are kicked out from the group as a threat. There's this sinking feeling throughout all their spyglass shenanigans and life-trade trust exercises that this is still an alliance in a death game and if you prove yourself to be a detriment, you will be kicked out.

It's no wonder than why Jimmy, who gets his usual bottom of the barrel treatment, tries to run away with Martyn's life during one of their trust exercises. He's been shown at this point he can't fully trust the Southlanders to protect him forever -- how could he, when Martyn, again, never slips in any sign of affection between the teasing?

To Martyn, however, this is a betrayal of his trust. His plea to Jimmy to return sounds a lot like their conversation back in 3L on the snowy mountain regarding Jimmy and Scott, except this time Jimmy accepts Martyn's offer and Martyn tells him he was lying, calling him an idiot for believing him in the first place. This is probably the harshest Martyn acts towards Jimmy in the series, but it's worth mentioning that to Martyn the timeline of events goes he offers Jimmy his protection and alliance--> Jimmy refuses--> Jimmy dies (which Martyn probably sees at least partially due to said refusal) --> he gets Jimmy back and does everything in his power to keep him safe --> Jimmy does the equivalent of *killing him* and tries to get away with it.

Martyn still obviously cares about Jimmy despite being upset at him, as after his usual dramatics and declaring a trial for Jimmy in which each of the Southlanders vote on his fate, Martyn still votes to keep Jimmy in the group (again, something Jimmy is never made aware of).

Possibly partially because of the Jimmy incident and the overall dog-eat-dog culture of the Southlanders, Martyn does to them what he never managed with Dogwarts - betrayal. At least, on some level.

Ironically, it's Ren he betrays them for, forming the Shadow Alliance and even giving the life Jimmy had attempted to steal from him to Ren instead. My read of this has always been that it supported Martyn truly being happy enough for Jimmy or someone else to have his extra life, but Jimmy's act of betraying him itself being what hurt him.

I think now's a good time to start mentioning the Watcher Lore, as here is where it starts kicking into gear. Martyn's claims of emotional bonds not carrying over from previous seasons is not only a very natural progression from his emotional distancing in a coping mechanism sense, but also enables him to betray Ren too later on and not have to confront the guilt that comes with that when he tries to lead him into a tnt trap in the final 1v1v1v1. However, he still cheers for Ren as a ghost and even says that he would be happy to see Ren win, indicating he really does not hold any malice towards him.

I've seen people make jokes about the watcher lore being Martyn schizoposting and I'm sure I've made similar jokes in the past but. Speaking very genuinely here Martyn's questionable sanity is a big part of his character to me.

His Episode 8 of LL literally begins with him acting out the usual running joke of him stealing Mumbo's intro, except Mumbo and Jimmy are dead at this point and he is doing their voices and talking to himself. When the illusion is broken, he panics and the video immediately cuts to him running around obviously distressed with a disembodied voice demanding things from him.

I'm obviously not authorized to diagnose every single one of Martyn's many mental illnesses, but I think mentally breaking down in a timeloop death game is a fairly average thing to happen to someone, and Martyn might be especially susceptible due to his aforementioned need for power and responsibility in every relationship (i.e. I'd like to think he feels some helplessness/guilt over Jimmy and Mumbo's deaths, leading to this sequence).

Not to mention, someone who is emotionally vulnerable coming up with a nebulous Group of Evil People who are the source of all the bad things in a helpless situation of violence is. Something that happens historically quite alot. To try and find reason in the madness is just a human instinct, I think.

One thing I feel like I should mention is his "marriage" with Mumbo which. I honestly don't see as anything more than a gag. Not that Martyn isn't a massive hypocrite but "marrying" Mumbo would be very much contradict what he has to say about Scott/Jimmy's situation. I do think he cares for Mumbo and potentially Mumbo's naivete served as incentive for Martyn to put on the usual assertive/provider role but I don't think there's much more than that (no hate to the shippers, tho, if they knew eachother for like a week longer they would've kissed)

Double Life. Oh no

Double Life Martyn is one of my favourite POVs in the series because it is. Hilarious. Unfortunately.

To start off, he is one of the players who almost immediately accepts the soulbound system as romantic and his views on Cleo/Scott's relationship are heavily based on that (I love that one clip where he mocks them in front of Jimmy).

Him acting flabbergasted at Cleo rejecting him despite pretty much having no relationship with her prior to this season is a really funny contrast to Scott and Pearl, especially when he continues pursuing her like they're recently divorced and Cleo's just like. rolling her eyes. It's all very performative on Martyn's end and why I mentioned his sense of masculinity at the start, because in theme with DL being The Feminism Season TM this is when it comes full throttle in display with the way he treats Cleo.

Martyn keeps referring to himself as a "provider" and refers to Cleo's relationship with Scott as "childish" -- Martyn trying to win over Scott's partner to his side, assuming he knows best for the partner and calling their relationship a sham? Does any of this sound familiar?

Cleo is not like Jimmy, however, and is very clear to Martyn in terms of what she wants from him - which is an apology, no diamond swords or heart-shaped houses, but Martyn in all his emotional denseness can't understand this and keeps assuming there must be some hidden strings attached.

I couldn't find the original meme I had in mind but these are within the same genre. The one I remember had captioned something like "dads don't say "i love you" but they will buy ten boxes worth of the fruit they overheard you say you liked once", which pretty much sums up Martyn's emotional intelligence to me. He would much rather give you way too much of something he thinks you need (e.g. with Jimmy the playful teasing, with Cleo the acts of service) than just say "I love you".

Cleo's blunt honesty serves as a stark contrast to Jimmy and brings something out of Martyn that we rarely ever see -- a genuine, vulnerable interaction in which he has to admit he's hurt. Cleo immediately denies him the role of rescuer he wants to play by telling him directly that she, not Scott, was the one who came up with the idea of teaming up and even gets Martyn to verbalize he's hurt by their actions and cares for her.

Once that illusion is shattered for Martyn and Cleo even admits she's acting manipulatively towards Scott, Martyn realises he and Cleo are more alike than he initially assumed and that he doesn't need to take care of her like he always tries to with his relationships. Ironically, the one relationship he has that is born almost entirely out of government mandated performative romance, is the one that gets him to examine how he views people especially his romantic interests the most.

This is, of course, all said with the fact that following this very heartfelt moment, the next time he speaks to Cleo he pushes her off a fucking cliff and kills her in mind. And the fact that he was very much beating the shit out of her and even called their relationship "toxic" himself early on in the season.

It's kind of hard to gauge Cleo and Martyn's relationship from this point forward but Martyn definitely chills on the namecalling and cooperates with Scott and Cleo for the main part going forward.

I think it's also worth mentioning that, despite Scott once again being the object of his spite, Martyn is once again friendly with Scott all season. When he catches Cleo and Scott mid-axe crit, it's Cleo he starts hitting and not Scott, despite them both being responsible. Behind his back, Martyn will claim Scott is "ruining" Cleo but to his face Martyn is always respectful. He actually even calls Scott "pretty"/"hot" in the last episode, which has some implications I'll talk about more in the Limlife section.

Martyn, like everyone else, is weird about Pearl. Uniquely in his case, Pearl isn't a witch nor demoness, but rather a non-factor he seems to have had written off and her triumph in the end comes as a shock to his system.

He dismisses her concerns over and over in the first episode as they are exploring together and, instead of seeing her as a natural source of allyship, doesn't value her enough to keep her around as an alliance even after Scott and Cleo dump them. In his heart to heart with Cleo, he even very randomly speaks badly of her, although he immediately seems to feel a bit of guilt over it.

He never seems to view Pearl through a sympathetic lens despite the two being in the same circumstance and, again in the same conversation with Cleo, they both agree that she could act as essentially a pawn (an "extra healthbar") for them like Cleo uses Scott.

I feel the need to clarify that while, yes I do believe Martyn is Weird About Women, I also do think he's honestly above average and sees them more as people than some other men in the series (note: my standards are not very high)

He sees most people as nothings that can be manipulated or competition that also can be manipulated, it just so happens that all the women in the series so far land squarely in the former and it took Cleo saying to his face "I'm taking advantage of Scott" for him to realise she wasn't a victim. However, even afterwards, he never treats her with the same competitiveness he has for people like Scott and Scar (albeit it makes enough sense in this season since she's attached to his healthbar, but this remains the same for future seasons). And as a reminder, he holds respect for those he deems as threats, which might have something to do with why he feels comfortable hitting Cleo but not Scott.

As for Ren and the Broken Hearts Club, they didn't get a lot of time together this season since both were preoccupied with their own soulmate dramas and being awful to Pearl but what we do see of them ranges from heartwarmingly nostalgic to a little bit hollow. Martyn saying to Pearl that they're the same at this point doesn't really read to me as him being truly sympathetic since this is post the "you should go use pearl as your second hp bar" conversation and Ren is way too busy to deal with the emotional turmoil of what's going on between himself and Bigb to really pay attention to Martyn.

Ren is still very kind to Martyn, especially considering the last time he saw him in LL Martyn was trying to kill him, but there's an emotional gap between the two that's very noticeable at least to me when compared to 3L and LL.

I think Martyn, at this point, convinced of his own "emotional bonds don't carry over seasons" logic, might be a bit too comfortable on relying on Ren. In both DL and LL he runs to Ren when his current alliance gets shaky and Ren is a source of definite comfort for him (as he said so himself on stream). Ren, as a source of comfort, is not a threat to Martyn aka not someone he needs to keep tabs so when said source of comfort falls through the gaps, you get:

Limited Life. The one where he compares himself to Joffrey from GOT

I don't think I have much to say about LimLife Martyn that hasn't already been said.

I will say I don't necessarily think Majorwood is purely his rebound relationship from Ren, the Mean Gills forming is very much not OOC for either Scott or Martyn (this is pretty much how they acted with eachother at the start of 3L) and their resulting give and take coworker-esque dynamic is a very natural place for them to end up from their previous interactions. Scott, like Martyn, tries to shed his emotional attachments with each new season so they are, in a very literal sense, making eachother worse by reinforcing that habit by normalizing it to eachother.

However, the parallels to their respective 3L partnerships I can't blame people for pointing out, right down to Martyn killing both Ren and Scott in the seaons he was teamed with them and the latter being happy about it.

I think it's time to say what I've been implying with Scott and Martyn throughout this whole thing and that is that they are eachother's ideal ally. They are both aware of the game, play the game, emotionally distant, manipulative and make themselves suffer more for that mindset. I don't think there was ever a moment in their allyship where either assumed the other wasn't going to stab them in the back later, despite the mutual respect they have being very real.

Martyn spends a lot of time this season just wandering around talking to various people, alot like how he acted in 3L before he and Ren became an official thing. It's almost as if, without Ren there, he loses his default go-to guy and is once again sizing up the competition around him.

The one exception I would say would be his interactions with Cleo, who he seems genuinely friendly with, even offering himself up as a "godfather" for the Clockers before the whole server became some form of extended family. You'd think this alliance would also have some basis in the ever present Scott/Cleo alliance but Scott's constant sacrifices for the Clockers are never discussed between him and Martyn, in fact the two of them rarely talk about anything ever past base-building and dolphin-wrangling, and the Clockers seem to treat them as two seperate entities rather than an alliance (e.g. Bdubs seems almost entitled to Scott's life after a certain point, but none of them ever even consider asking Martyn for time).

That, and of course the fact that Martyn kills Scott very unsympathetically towards the end, really point me in the "Martyn is still spiteful towards Scott" direction -- after all, alliance or no alliance, I don't think Martyn would want to be in the conversation with Scott where he tells him about his "love you back" exchange with Jimmy. Martyn certainly respects Scott, loves Scott I'd even say, but I don't know if he actually likes Scott.

I think it's also interesting that it's this season where Martyn's Watcher Lore interludes make a return, just in time for his source of comfort (Ren) to be missing.

Re: the watcher lore the comment Martyn makes about swapping out souls of players who are too "damaged" is very in line with his DL seeing women (and "weaker" men like Jimmy, Mumbo and, of course, Ren) as default victims as, knowingly or not, he implies through this that all the women in the series have souls too weak to withstand the horrors. This also in turn implies that he himself is not broken, which I think he'd like to believe.

Secret Life. It's happy again :D oh wait no

Secret Life starts with Martyn kissing Jimmy. I feel like we moved on from this way too fast in general I mean on the cheek or not he did kiss him he did literally kiss him.

I'll be honest I think the Big Dogs POV is the one I'm least familiar with out of all of these but from what I do remember it's very nice to see Martyn and Jimmy settling back into what seems like their Evo dynamic or even their pre-horrors LL dynamic.

Unfortunately Jimmy is not Cleo and thus cannot get Martyn to be the slightest bit vulnerable, so their dynamic remains stagnant and neither acknowledge the awkwardness that still resides between them.

Jimmy is at least very clearly holding onto some discomforts, judging by his behaviour late in the series when he acts aggressively towards Pearl and celebrates Lizzie dying. He even chases Scott down with a sword on horseback earlier on and, very early in one of Pearl's episodes, he quickly switches between sounding sad and angry.

It's clear to me at least SL Jimmy has reached some sort of breaking point, and this never gets acknowledged by Martyn (I like to think he just lacks the EQ to deal with it). This all cascades into Jimmy attempting to kill Martyn and running away before dying.

SL Martyn feels almost like, to me, the 3L Martyn who successfully convinced Jimmy to team with him and the disaster that comes with that. Martyn certainly has continued to be his survivalist self, not trusting outsiders to the point where when the Wither/Warden combo is unleashed, he immediately assumes they're picking off reds and goes to hide.

Weirdly enough, his protective tendencies towards Jimmy are pretty much gone. It's almost as if when he doesn't see an active threat (e.g. Scott) he assumes things must be good enough and leaves it at that, which also implies he can't comprehend that He might be detrimental to Jimmy himself.

Obligatory. Yes he still misses Ren. Him literally basing his alliance concept off of dogs is. hilarious. I'm so sorry babygirl.

Real Life is, again, non-canon to me but turns up the "dad who buys you 45 mandarins" energy to 11 with him being Ren and Skizz's pseudo-dad. I love Ren having a crisis about his own RP btw it's the funniest thing and he does it like. Everytime.

Uh yeah I hope that's long enough

[thebluester2020]

[GI] Kinktober Day 19: "Stalking"

Summary: After traveling to Natlan to inspect the situation for himself, Pierro finds himself sidetracked and watching a cute local farmer.

Warning(s): Light stalking, Masturbation, Pierro being a shy old man (until he's not), Wholesome smut ngl, Dry-humping,

Side Note(s): I wanted to avoid this accidentally being a yandere-esque fic and more of a "too shy to talk to crush" type of fic.

Also with how much I write Genshin atp, I might as well get back to drawing my favs ngl.

Pierro's visit to Natlan was simple.

He wished to assess the situation himself after hearing the news of what happened, especially seeing as Capitano wasn't back yet nor had he reported anything regarding the Pyro Gnosis and whether it was taken or not!

However...he accidentally got sidetracked.

By you of all people, a simple farmer a part of a village that lived next to a lake teeming with Koholasauri. Beauty aside, the way you smiled so brightly as you did your work was...mesmerizing to him, a light that appeared way brighter than the very sun itself. And he wanted more of it, but, as a harbinger. The last thing he'd wish to present is the fact that he may have had a weakness.

So, he decided that he was better off watching from afar.

And you noticed almost immediately. After all, how frequently did Fatui soldiers have to patrol the area? There was nothing interesting about your village!

And every single time, there was a tall and imposing figure leading the charge. Most of the time, the patrol would simply pass by and other times? They'd go into the village, here and there, soldiers would look around and other times? They'd request to buy certain things that people were selling but...always, their leader stuck to the back as he watched his soldiers mingle with the small population. And each time you turned your head away, you'd immediately feel eyes on you.

It was driving you crazy, there was no good about being in the line of sight of a harbinger! And what's worse? You didn't have a vision to at least comfort you in the idea that you could simply waltz up to him and demand why he was constantly patrolling the village, why it seemed like his eyes were on you at every turn!

But one day, you finally worked up the nerve.

. . .

"Why are you watching me?" It sounded ridiculous when it came out of your mouth, despite the many days prior you prepped yourself for asking the question.

The harbinger's head tilted at the question. "Watching you?" His gruff voice made you cower a little, the mere act of him crossing his arms over his chest making you step back a little as you were quickly regretting your decision to confront him. "Yes," You finally answered. "You and your soldiers...if you're looking for someone, for something. We don't have it, we're a fishing village. There's nothing special about us!"

"I disagree." He said before he slowly looked off to the side.

Were his- were his ears beginning to turn pink?

"You're interesting, I...was trying to get to know you better." He said.

Your jaw dropped a little at the light confession. Out of all the people in the village, a...harbinger was interested in you? Although you weren't ugly in the slightest, you didn't think that you were capable of attracting the eyes of a harbinger, especially one that looked as important as the older man who stood before you. "If I have disgusted or offended you, please tell me—"

"N-No!" You stuttered. "It's not that, it's unexpected. But...not unwelcomed." As Pierro's head swiftly turned back to you, both of your faces grew redder and redder in unison as the tension in the air steadily grew. After weeks of pining for you, afraid that he'd never work up enough courage to actually talk to you. You talked to him, and it went so much better than he expected.

He felt like celebrating.

"Will you...show me around your village?" Pierro then asked after a few minutes of silence.

You shyly nodded your head before smiling up at the older man. "There's a beautiful cave nearby, I think...I think you'll like it."

. . .

"So pretty..." Pierro seemed to whisper almost as if he were in reverence of you as you were currently pressed up against a wall within the cave you both had decided to travel into. In truth though, you simply wanted a more private place to...play with the harbinger after his recent confession, you didn't even want to think about the rumors that would spread around the village if you were to invite him into your home!

"I—I didn't know that a harbinger could be so nice." You giggled as you rubbed your ass against the prominent bulge within Pierro's pants. His hands tightened around your waist at the feeling of your soft ass teasingly moving up and down, and side to side. The harbinger's mouth watered at the delectable display you were giving him, the combined addition of you looking over your shoulder as soft moans left your lips making his already obvious blush deepen even more.

"Such a little minx..." He hissed, a shaky moan of his own slipping from his lips as he relished in the feeling you provided him, beginning to grind and rub his hard-on against your ass. But, it was seldom enough, the friction of his cock moving against the front of his pants in a desperate attempt to reach you was maddening. So much so that he just had to pull down your skirt while his other hand began to fumble with his pants, tugging them down almost too eagerly before his cock slapped against his stomach.

You would've gulped nervously at the sight if you were so eager to him inside you weeping cunt. "W-Well?" You stuttered. You wiggled your hips, hoping to entice the older man to plunge himself in you finally rather than stare at you as if you were a goddess. "Do something—"

He ignored you as he slipped his throbbing cock between your thighs, the slick that ran between your thighs making it easier for him. "When we're on a bed." Pierro groaned as he leaned some of his weight onto your back, slithering a hand down to your neglected clit to gently begin circles into it as his hips began to move. Pierro could feel your cunt dripping more of your slick onto his cock as he rocked into your thighs, the plush doughy feeling of your skin making sinful noises leave his lips as he praised your softness. "S-So cute," He whispered. "Had I known that you were this soft..." His words got choked up in his throat when you suddenly squeezed your thighs a little tighter, teasing giggles escaping alongside your quieted whines and moans. "...I-I would've talked to you sooner." He finally managed to continue.

Your stomach clenched at the way his cock slid against your pussy, the stimulation plus the quick movements of his finger against your clit making you ball your hands into fists, your moans turning into needy pants where every breath felt like pleasurable electricity was being shocked into your system.

Pierro made sure to keep an eye on you, although the location was less than ideal of where he wanted to have you for the first time. He'd make do, besides, it was more than enjoyable for him with the way your eyes were beginning to glaze over. Your jaw slacked and forming into a gorgeous 'o' shape as you quietly whispered his name like a prayer. "P-Pierro..." You moaned.

"You're drenching me, pretty." The older man chuckled against your ear. "It's adorable." He said.

You swallowed hard, your face getting hotter at his lewd words. Your mouth opened to retort before your mouth formed into a straight line at how his cock began to tease your entrance, prodding at your sex as if he were playfully pressing a button before going back to his task of fucking your thighs. Each prod left your knees buckling, your mind getting foggier and foggier as you wanted to beg him to fuck you properly rather than tease you!

"Please..." You begged.

Pierro smirked at your desperate pleas. "Please?" He said as if he hadn't a single clue of what you were talking about. "Please what?"

"Please—" Your words were stolen from you when he prodded at your sex once again, this time, it seemed like he was almost going to slip into you before he chuckled sadistically as he resumed fucking your thighs. "Y-You sadist!"

"Don't complain, let me enjoy your body a little. I'm making up for loss time." He said before his thrusts steadily began to speed up along with his ministrations on your clit. Your nails threatened to cut into your palms as you squeezed your fists even tighter, the ever-tightening knot in your stomach making your knees buckle and your vision spin as you braced yourself for your orgasm. "Fuck...!" You whined. "C-Close..."

"Me too..." The harbinger groaned as his pace began to stutter, his fingers leaving your clit to begin fucking into your needy pussy, curling his knuckles in order to hit your g-spot and effortlessly push you over the edge. Your eyes screwed shut before your mouth fell open into a silent scream, your legs shaking from the force of your climax before you heard Pierro hiss out a curse from behind you before you felt a warmth trickle down your thigh and to your leg.

Pierro took your chin into his hand before he gently turned your face so that he could kiss you deeply on the lips, the softness of your lips enhancing that feeling of bliss that he was already on. He found you absolutely adorable in this moment, and when he slowly parted his lips from your own, that feeling only increased.

"Oh yes," He murmured. "We'll have to continue this in your home." He said with a firm certainty.

After all, a mere romp against the wall of a cave wasn't even close to being enough when it came to him wanting to express how he felt about you.

[darqx]

Some BP/HH/General asks

That mood when you want to share all the things but also want to keep it under wraps for the actual thing haha! Thanks very much anon!

As for your questions, I can't actually be specific cos there's no definitive number I have in mind for either. Basically there are a number of sectors (you can consider them their equivalent of countries - they have less than what we do though), and a number of species of demon of which I've designed about seven of. The ones I've shown before are these guys (and do you think I could find this pic again? No, I had to recreate it cos for the life of me I couldn't remember what ask I'd previously stuck it in lol):

One day when i have enough species and stuff out there I want to make a proper field guide \o/

Thank you very much for the interest! ∠( ᐛ 」∠)＿ I would actually love to for BP, but before I jump the gun there I have to get the comic out first lol. That being said I have made mini-games before featuring the HH versions and some other characs alas they are all lost at the moment to the sands of Flash becoming obsolete 😩

Me and Gato do still collab sometimes (and send each other Xmas presents)! °˖✧◝(⁰▿⁰)◜✧˖°

I have been working on one off and on for a while actually! Hopefully I'll have some pages to post next year or so*, I've been doing a bit of thumbnailing recently :D

*that is the plan but i also don't know where people find the time to do anything with a full time job lol.

Hullo! Glad you are enjoying the snippets of BP I've got here and there :D Here is an older ref on Izm back when i first got the idea (at that time i didn't really plan to do anything with it, it was just an AU. Now it's my main project haha. Anyway the ref is a little bit out of date in that regard.)

I used to have a "field guide" which was also made quite a while ago, unfortunately the death of Flash kinda killed it. Here's a screenshot of some relevant info from it though.

That's an interesting one as it's questionable how sentient souls are after removal 🤔 In my mind its only form is the smoke light, it can "see" to some degree and MIGHT be able to talk (but in a very no one can hear them sort of way, a la i have no mouth and i must scream. So i guess it can think "aloud"). The more time passes the less sentience it has.

It could try, though it wouldn't really get anywhere if it's in Rire's collection. He might just eat it lol.

.D: Good with kids, will be fine in all aspects.

Izm: The fun dad however needs a partner that knows what they're doing to ensure the child safety during shenanigans.

Marcus and Zeke: Also would be good parents though might be more helicopter out of protectiveness/worry when first starting out.

Ren: Geek parent very good for homework help. Some Asian parent tendencies eg "ah see, i told you not to do that right? Now you see what happened."

They are similar to our known society for this! So basically, there are some good families out there (eg Zeke - who is a demon - is from a pretty average loving family), and there are some bad families out there who only care about power or having an heir or whatever.

HH Rire is a human. I differentiate between him and Demon Rire because they are two different characters...even though they are also technically the same character lol. You can consider them as alternate universe iterations of a base "Rire" concept.

I actually half jested this in an old comic lol

I am sorry to inform you that a HH webcomic doesn't actually exist 😅 I did a lot of art, animations and one shots (such as the HHJ comics) with them, but nothing actually planned or serialised or anything. Whatever's currently on my DA or here is basically what exists.

Bringing this image back cos it's relevant lol.

You spelled it correct there though! XD

[australianklaviergavin]

OTHER POSTS: Baby bunny Trucy, Uendo lizard, Prosecutors, Aura Blackquill, Clay Terran, Bobby Fulbright, modpoppy's Uendo, okartichoke's Caracalvier,

Compiled here is almost every single design sketch I've done for this... AU? It's my nonsense, take it or leave it! The tag for it is "#The Great Detective's Animal Attorney", but the prefix is mostly for filtering, I just call it "Animal Attorney".

I must disclaim that this is not meant to "compete" with any other AUs or designs! They're all real and I hope my dognix can be friends with yours.

The below post has my designs for the Gavin brothers, Maya, Fransizka, Phoenix, Athena, Sholmes, Lord van Zieks, aaand a teeny Harebrayne. Sadly, no Apollo this time, all his art is doodles and I hit image limit anyways! Him and Trucy may get their own post soon, however!

These were all done with my non-dominant hand, and Athena was done on a Magma board, if that explains the anything.

The Gavins are the first ones I really did, and they're both caracals! I've kinda wanted to go back and change Klavier a bit in regards to an insane headcanon, but caracalvier is too iconic like this, I just can't do it

Putting Maya and Fran together, cause they're both kitties! If Maya was a specific breed, then I forgot, but Fransizka (and her dad, by extension) are both oriental longhairs. If I weren't presently injured, I'd draw a scrungly Manfred, but alas your mind's eye will have to do the work.

Phoenix is a puppy dog! Very very nearly made him a hyena... But I couldn't. I couldn't reconcile it with Ryunosuke. I have a Yeenix in the back, for any interested parties

LASTLY for my main-series designs is Athena! She's a seal. I don't think I had a specific reason besides not being able to get ears to fit with that ponytail... Might change her to a sea lion, though!

AAAAND TGAA BONUSES... Aka the Barokorn Cinematic Universe

Sholmes is a lion (with his sad little low testosterone mane)! He was easily the hardest, as I went back and forth... Alot. He was a pigeon at first! I contemplated rabbit..? But I tried to steer away from the mascot designs, generally. I'm happy with the decision of lion, however, mostly cause it gives him fun symbolism with the whole Professor thing.

The van Zieks-es are unicorns, and Bunnybrain is a pony! I could go more in-depth, buuut that's kinda spoilery

Ryunosuke and Kazuma (not pictured) are both puppy dogs, and I think I settled on bunny for Susato?? To make her pops a bunny also? I also have some sketches of her as a sugar glider, but I don't really like most of their art 👎 so there's a couple gaps here

If anyone wants to (??!?!?!!) you can use these designs for pretty much anything you want (and feel free to extrapolate upon the rest of their designs, most of these are very limited), just make sure to tag me, partially for credit, but also because I'd just REAAAALLY want to see... They are my babies, my world, I think I might break down into tears (/pos) BUT ANYWAYS I LOVE YOU ALL. THANK YOU FOR STICKING WITH ME AND I HOPE THIS MAYBE MOTIVATES YOU TO DRAW SOME SILLY ANIMAL ATTORNEYS OF YOUR OWN!!

[camellia-thea]

I'm curious about your thoughts for present day Armand/Daniel. How do you think starting their romance when their both vampires now changes their character arcs and dynamic? It feels crucial that Daniel was human and Armand was a vampire. Granted this is assuming the show is not doing a past version as well.

i'm so sorry, this has been sitting in my drafts for ages; this is such an interesting question, thank you! this was sent in reference to this post about book canon devil's minion. if there's anything here i can clarify on, let me know; this might be a little disjointed as i've jumped in and out of working on it for a week and a half!

i think that it's a little complicated overall, but not in a way that makes a good (for the viewer, not healthy) relationship impossible in the show! i think assad and eric both really love their characters and it's pretty clear to me that they're absolutely fighting for us dm fans. and given the recent interviews with rolin saying that everything between them has been devil's minion so far, i'm certain we'll end up well fed!

i'd love for there to be a past relationship that armand has taken from daniel, and i do genuinely think that it is a potential way they might take it. however, if we're going by the assumption that they aren't, i actually think it will work pretty well! there are obvious dynamic shifts between them, but that was never not going to happen, given the changes the show made to book canon (generally for the better! i think they've handled almost everything very well).

i think that a relationship starting between them with them both being vampires wouldn't work if it had been in the 70s, but i actually think it being old daniel works really well.

obviously the chase is a really really important part of the development of their relationship, but i can see it playing out in both directions; daniel chasing armand because 'what the fuck, man? you turn me and leave?' and on the other end, armand following daniel to keep him safe from other vampires, given he's pulling a lot of negative vampire attention towards him. i'd love for armand to appear for a night, engage in an argument or simply just appear wherever daniel is, then vanish again. i think that there is still a lot that can be played with in regards to the way that armand interacts with daniel as a fascinating creature and a step between the world and him.

i do think that this armand is a lot more in tune with the modern world in comparison to book armand, but i don't necessarily think that's a bad thing. book armand was living in a very different context; he and louis had been separated for a while before daniel was approached, and armand had essentially been drifting since then. a young man who connected with the world, as directly as daniel was trying to, was something that book armand needed. i think that now, with the wound of a very explosive separation from louis, he needs something different. someone (relatively) steady and also someone able to call armand on his own bullshit and lies. daniel has not lost his connection to the world around him, nor his nature of wanting the truth and to see the world. i'll come back to that in a minute.

i think the changes made to daniel match very well with the changes made to armand. older daniel is a lot more direct than younger daniel, and i think that young daniel, while being willing to stand for what he wants, did not have the power to set hard boundaries and expectations. older daniel, both because of life experience and because he is a vampire, comes at it with a little more equal footing. i think that he also knows how to look for armand's red flags, and i think that will help. i don't think that there will ever not be an inherent power dynamic between them, but that's part of the fun. i also think that daniel being more able to sidestep that dynamic.

but the key thing, i think, is that daniel, as he is in the show, understands how to live. maybe not well, but he has lived a full life in a way that armand has not had the opportunity to. i think that vampirism is a way for daniel to reconnect to living, and given the small snippet we've already seen of him, he's thrown himself into it. a book tour, hunting, having fun with mind-reading during interviews, i think he's reveling in what's been given to him. this is something louis was attempting to do with his photography, though the show very specifically makes commentary that he is not managing to connect with his subject matter in a way that daniel is. (i'll come back to this in a different post because it's interesting and i have commentary). armand needs that connection, this armand, book armand, both of them need a new connection to life, and i think that older daniel is a brilliant match.

i don't think armand could ever not love his fledgling. i don't think he could ever not end up obsessed with any fledgling he makes. armand loves completely, fully, and obsessively. his love consumes him enough that he reshapes himself to fit the other person. and given how significant a fledgling is to him, i don't think there could ever not be some sort of relationship there. this is doubled by the fact that armand is so unused to -- and terrified of -- dealing with loneliness, and the breakup with louis means that i think he will be actively seeking the presence of others, specifically daniel, even if that's following him at a distance.

and i'm a little sad at the lack of mind reading that will happen between them, because armand planting thoughts into daniel's head is a personal favourite from the books, but i think they have the potential to play with the sire-fledgling bond instead, which i'm curious about!

i also think it's super important to remember that the next season is the vampire lestat, not the queen of the damned, and that the devil's minion chapter takes place during the space of over ten years. while it's been confirmed that elements of qotd will feature, and i don't think they'll set daniel and armand aside, but it's still very distinctly lestat's turn in with the talking stick, as it were. and i think that it'll be a very good thing for daniel to learn more about armand; the children of darkness (or satan, in the books) is super important and i think that it'll be really interesting to get daniel responding to it.

either way, i think it's going to be good. i know assad and eric are so passionate about it, and rolin has also been very clear about its presence. i trust them to make choices that are justified with the characters, are interesting for the plot, and have good thematic influences.

[humbledragon669]

S2E1 - The Arrival Write Up P3 - the Present Day from the introduction of Maggie and Nina up to The Box

Alright, I’ve already written two whole blogs on this episode and I haven’t even gotten through the first 15 minutes of it so let’s jump straight in with Nina’s opening line:

NINA: See anything you fancy?

I mean, if that’s not a blatant display of foreshadowing, I don’t know what else you need. And given Maggie’s rather shy disposition, I have to say I think she handles it pretty well. Goodness knows what must be going through her head. Actually, I think I know exactly what’s going through her head:

I think she pulls it off. Just. What I find interesting about Nina’s response is that she simultaneously manages to flatter Maggie by remembering her order and highlight that she’s completely distanced from her by referring to her as the drink she orders.

NINA: You’re a skinny latte.

I mean, I don’t know about you, but I’d much rather the love of my life call me by my name, rather than by the coffee I order. Maggie doesn’t seem to care though, she’s just delighted that Nina remembers anything about her:

That delight lasts all of a few seconds before Nina manages to give her another label that she’s probably not looking for – that of “a regular”. It’s a little painful to see the joy on Maggie’s face dissolve into disappointment as she realises that the reason her coffee order has been recalled is more to do with the frequency of her attendance in the coffee shop than the object of her desires actually paying her any attention.

Now I don’t know about you, but I had already formed an opinion about Nina by this point in the show, and that opinion is that she’s not very nice. Here’s the line that did it for me:

NINA: You work in the record shop don’t you? Don’t know who actually buys records in this day and age.

I mean, really? The owner of a boutique record shop, one of your customers, someone you barely know, has come to support your own local business, and you repay their loyalty by undermining their career choice? At the very least, I’d call that rude. There are a couple of extenuating circumstances around this that I would like to look at, and they are pretty starkly contrasting – let’s start with the bad vibes first.

I have seen it said before that female characters in the creator’s work are grossly subject to sexist bias. I can fully understand that stance – if we look at the female characters in the original Good Omens novel, we can see that women are characterised as inherently “bad” (the nuns), stupid (Madame Tracy was explicitly described as such), or overly sexualised (the physical appearances of both Anathema and War are regularly described with regards to their attractiveness). If that���s true, we can see those characterisations continuing here – Nina is the “bad” character, Maggie the “stupid” one (not my personal opinion!). This all makes me very uncomfortable.

The good vibes scenario is to do with positive representation of neurodivergence. We know that both characters are based on the real-life personalities of the actors playing them; it’s largely why they both kept their own names. We also know that Maggie Service herself is neurodivergent, which her social awkwardness could potentially be attributed to. What if Nina (the character, I make no claims about Nina Sosanya) is also neurodivergent? That might explain her bluntness in this particular situation – she’s just saying what she’s thinking after all. Given that that the author himself has confirmed that both Crowley and Aziraphale show neurodivergent behaviours, and that it’s fairly common fandom opinion that Nina and Maggie are a mirror for Crowley and Aziraphale, that would strengthen that theory. Not to mention that the show as a whole works to showcase equality for all, whether it be in terms of sexuality, ability, or race/creed.

I think we would all say that we’d rather the latter of these two possibilities is actually what the show is aiming for. There’s just something about the first possibility that nags at me though. I want to believe it’s the second thing (even if that makes me quick to judge), I really do. Perhaps recent events have just made me very cynical. *sigh* Shall we move on to naked John Hamm?

Can we just take a moment to appreciate how tongue-in-cheek accurate the exclamation that both Maggie and Nina choose to use is? Gabriel being both “holy” and, from what we’ve seen so far, an absolute “shit”. Love it. On another quick side note, somebody forgot to make sure that this extra knew how to use a phone convincingly:

What exactly is she doing, smashing away at her phone screen like that? Multiple pictures perhaps, but it seems unlikely.

Continuing on Gabriel’s skyclad promenade, we’re introduced to some no longer inanimate tomatoes. I feel like there has been quite a lot of discussion about that shot, which is not surprising given that the editors have gone out of their way to include it. Maybe the stall was knocked by somebody on their way to try and get a glimpse of the naked man (not unlikely), but we don’t get any suggestion of that. A few of them even roll across the road, causing Gabriel to step over them. Honestly, I don’t have any theories about this single shot, but I do wonder if there might have been a bit more in the original script for the episode. Having completed the script-to-screen comparisons, it was evident that the author wrote (often unnecessarily) extensive stage directions; perhaps there was something in those that would have explained this singular shot. If anybody has any thoughts, let me know – I do like the idea of Gabriel “upsetting the apple cart” but I don’t know why they wouldn’t just have used apples in that was the case, particularly as there are already some right there on the stall:

Alright, next point of note. Gabriel goes directly to the bookshop door. Do not pass Go, do not collect £200. He walks straight past the door in the pub that we later come to see is the door to the elevator to Heaven. Something to bear in mind here is that we don’t actually know where Gabriel has come from to get here and he already has quite the following as he walks down Whickber Street. How long has he been walking through the streets of London in his state of undress?! Considering how little information he has retained from his tenure as supreme archangel, he must have some sort of strange homing beacon to know to go to Aziraphale’s bookshop.

Next question – why does Aziraphale treat his record so roughly when he’s interrupted by Gabriel knocking on the door? Considering the fact that he explicitly says that this type of record can be difficult to obtain, and the pleasure he clearly gets from listening to them, why risk scratching the one playing with his actions? As a matter of fact, have we ever had any indication that Shostakovich is one of Aziraphale’s favoured composers? He wasn’t on the list that Crowley reeled off in St. James’s Park all those years ago when the Antichrist was born, not even on the slightly extended version in the book. Urgh, there’s that ridiculous thought again – that’s not Aziraphale. I seriously can’t see how that thought could play out long term, but this is certainly uncharacteristic behaviour from our angel.

Alright, that’s quite enough of the questions for now. Let’s have a look at this delicious sequence of micro-expressions from Aziraphale when he opens the door:

Aside from the fact that the first thing he pays any attention to (despite the fact that Gabriel is standing not more than a foot away from him) is the crowd of people amassed outside the book shop (something I think is probably influenced by what I take to be a reflexive look to the Bentley’s usual parking space), what I find very interesting about this is that he doesn’t register any shock until he sees Gabriel’s face. Let me repeat that for a second and let it sink in – he’s not shocked that there’s a naked man on his doorstep, he’s shocked that it’s Gabriel. And if that wasn’t enough food for thought, tell me these are the hands of a being who isn’t hardwired to return an embrace:

Those fingers are curled people. Reflexively grabbing. He’s also raised them to return the embrace (when you look at the previous shot, they’re relaxed by his sides). Probably good for him that his common-sense kicks in and stops him from completing the action he has started instinctively – maybe that’s something to do with whatever it is that catches his attention here:

I want to talk a little bit about Gabriel’s demeanour in this sequence. It’s clear that he has no idea that nakedness is a thing that isn’t really done in public. In fact, he appears not to even understand the concept of being naked at all:

GABRIEL: Who told you I was naked?

A little while ago, I’m pretty sure I read a post about this particular quote being a biblical reference to Adam not knowing what nudity is, or its connotations, until after he eats the apple. If anybody knows where this is, I’d be grateful for the link, as I couldn’t find it. Google has informed me that the Christian lore is that Adam felt no shame about his nudity until after eating the forbidden fruit. What I find really interesting about the parallel with this scene is that whilst Gabriel feels no shame for being naked, Aziraphale is fully aware of the connotations with nakedness in human society. More importantly, he’s clearly experiencing an emotional response to the situation. I take this to be a clear indicator that he has truly “left the garden” and embraced humanity; my thinking is that the knowledge of nakedness might prompt the angel to inform Gabriel of the nakedness but wouldn’t invoke an emotional reaction. Which, to be fair, he might not be feeling so strongly if he would just stop LOOKING AT IT.

So I lied, I do have one more question about this scene, and it’s to do with Aziraphale’s response to Gabriel asking if he can come in.

That’s a pretty strong, even physical, response. What I’d quite like to know is how much of it is because Gabriel is naked, and how much is that Gabriel is… well, Gabriel. Personally, the latter of those two options doesn’t sit right; Aziraphale doesn’t really know what’s going on with Gabriel at this point, but he does know that he doesn’t appear to have any memories that would make him a threat. And let’s not forget to mention the change in his eye colour – they were purple in the first season, now they’re just John Hamm-coloured (which makes me wonder what exactly it is that causes the eye colouration in the first place). It’s clear that the man standing on the bookshop doorstep is not the supreme archangel that Aziraphale had come to fear in season 1, and Gabriel has actually been more than pleasant (nudity aside) up to this point. So that would suggest the violence of that reaction is largely to do with the nakedness, which brings us back to the whole “Aziraphale has left the Garden” point I made earlier. Not to mention that having a naked man in his shop, regardless of the identity of said man, is not going to go down well with his husband Crowley. But I’m getting ahead of myself.

Quick point to reiterate what I was saying about Nina earlier on.

I mean, this just feels downright rude to me. It’s not the deliberate attempt to keep Maggie at a distance by insisting on referring to her as her coffee order, it’s the dismissive “I know who you are” (which is delivered immediately after the two of them seem to share a joke between them). Honestly, I feel like Maggie could do better for herself at this point. Anywho.

Moving swiftly through the tiny scene with Michael’s celestial telephone conversation, the next thing we see is Aziraphale being a lovely host to his new naked manfriend.

Ah lovely. Wait, what? Doesn’t Gabriel abhor the idea of consuming human food and drink?

 Yes, yes he does. So what initially appears to be a charming gesture of welcome from the principality is actually a beautifully subtle (and actually quite malicious, given Gabriel’s acute vulnerability here, what with the memory lost) “fuck you”. And all delivered with some helpful information about what it’s called and what to do with it. Just another little reminder that Aziraphale is very capable of indulging in some deliciously demonic characteristics when it suits him.

I’m really interested in how this whole memory loss thing actually functions – it’s clear that Gabriel has no idea who he is (he explicitly says so) and has no memory that drinking human drinks is something he doesn’t partake of. That said, he does seem to understand that “drinking” is something he’s never done before, and that hot chocolate is something he hasn’t experienced (see the cautious sniff he gives the mug). To make things all the more confusing, he also seems to understand certain social cues – he knows that Aziraphale recognised him when he arrived at the bookshop. That latter point is somewhat ironic, given his previous lack of knowledge around human social conventions.

And let’s not forget that change in eye colour (which reverts in later scenes where he actually manages to access some of his old memories, despite him not “opening” the fly). What exactly is it that has been extracted from his being and stored in the fly? Because it sure doesn’t feel like “his memories” really covers all the bases. I don’t think it’s that important, it’s just something I wonder about.

Alright it’s time to talk about a moment that has already been discussed A LOT:

GABRIEL: You know what it’s like when you don’t know anything at all and that you’re totally certain that everything would be better if you were just near one particular person?

Other than adding to my wondering about what exactly Gabriel has had extracted into the fly (seeing as this is how he is describing his instincts to go to Aziraphale), his side of the conversation here is fairly obvious. What we’re all more interested in is Aziraphale’s reactions to the question, more specifically his facial expressions because the King of Micro-Expressions is about to put his superpower to work. But first a warm-up. Have a look at this look of disbelief (not to mention the start of a tiny headshake “no”) at the first half of the question:

My take on the subtext going on here is something along the lines of “well, no, I really don’t know what that’s like. I’m far too intelligent and clever for that to be the case. What a ludicrous suggestion”. And I have come to that conclusion because that is exactly what I would be thinking in that situation :D Let’s move on to the second part of Gabriel’s question and move into micro-expression time!

What’s that Aziraphale? You know exactly what he’s talking about now? Your tiny head nod “yes” has somewhat given the game away on that one. I’ve slowed that GIF down massively so you can see it, and if you’re still in any doubt, just watch the lock of hair in the middle of his forehead when that scene plays at full speed – it’s undeniable. And if you thought that micro-expression was tiny, let’s have a look at the next one.

That GIF is slowed down to a tenth of the original speed. Which means the original expression flies across his face for less than a third of a second. I don’t have the words to express how impressed I am at this. That third of a second tells us that not only does Aziraphale know exactly how this feels, but that it’s a happy place for him to be. That tiny smile, combined with the accompanying script, tells us more about what he feels for Crowley than an entire season could.

This extreme reaction has me interested. I think the reason behind it could be one of two things; the first possibility is that Aziraphale thinks he’s being tricked into leaking some pretty revealing information. Feasible, but given that Gabriel’s memory is well and truly absent, this seems unlikely. My second thought is that he’s concerned that Gabriel feeling that way towards him indicates some sort of arrangement that he does not want to commit to. This feels truer to me, not least because he goes out of his way to distance himself from the subject matter, in both verbal and physical ways. There’s a feeling that he wants to vehemently discourage any exploration of what Gabriel’s feelings towards him could be, and what the consequences are. And, to be fair to him, he only has his own feelings to base that assumption off of; after all, if Gabriel feels about him the way that he feels about Crowley this mystery person that makes everything alright, there are certain human conventions about where Gabriel might be expecting things to be headed. And this is some classic Aziraphale flustering, isn’t it? Get into an uncomfortable situation, it’s time to make exaggerated physical gestures (not to mention unnecessary mouth movements) to try and dispel the tension. Those little sub-conscious giveaways will become very important later. But I’m getting ahead of myself again.

In this particular situation, he undoes his flustering hard work with a dreadful little nervous smile.

Honestly, this angel is totally incapable of not wearing his heart on his sleeve. It’s a good job that Gabriel is both clueless and harmless at this point. Let’s have a look at one last micro-expression before I get out of the weeds.

What… what is this? Because the thing I feel like it looks like the most is disappointment – the shallow intake of breath, downcast eyes, THE GULP… All topped off with the expression at the end, which we’ve seen before:

One major difference – the last time we saw it, he had reason to be disappointed, having mistakenly believed that angelCrowley was calling him gorgeous. I can’t understand what Aziraphale would have to be disappointed about here, unless it’s an ego thing. Perhaps I’m misinterpreting the whole reaction to being told the only reason Gabriel said what he did was actually more to do with the bookshop than the person in it is because he feels like he’s just dodged a bullet (pun totally intended), but that just doesn’t sit well with me.

I think I’ve droned on about this tiny section of this episode for far too long already (I knew this season was going to be something of a mission!), but I do want to touch briefly on the way that Gabriel reacts to drinking his cocoa. Aside from this being a really charming representation of the experience of drinking a hot, sweet cup of hot chocolate, what Gabriel’s reaction re-enforces the idea that these are sensations he’s never experienced before, which circles me back around to that whole logistics of memory wiping thing again. Don’t get me wrong, I love this version of Gabriel – there’s a childlike innocence about him that’s probably closer to humanity’s version of innocence than Heaven’s version, and the resulting comedy is gold – I just struggle with the specifics of this particular story-telling device. That said, we do get to see (and mostly hear) Aziraphale go into complete panic mode just because Gabriel has never experienced hot liquid arriving in his tummy before.

A Clue for the eventual end of season 3 or terrible ironic foreshadowing for the end of season 2? Probably 50/50 to be honest. Or at least I really hope so.

Oh, one last thing, and this one I didn’t catch until this write up. When we see the box on the doorstep of the bookshop (how adorable is it that Gabriel says his arms were getting tired from carrying an empty box by the way?), the fly is not in the box. You read that right, the FLY IS NOT IN THE BOX. This one was difficult to catch – I tried to GIF it, but it wasn’t clear enough, so a couple of images will have to do, and you can go back and watch it with the tip of your nose an inch from the screen like I did.

It is SUPER hard to see. It might look like the change in position is to do with the change in camera angle, but not so – the fly actually walks across the top of the box, and right at the end, disappears into the tiny gap were the flaps of the box meet. So to recap, not in the box whilst it sits on the doorstep (was it ever in there?) but definitely in the box when Aziraphale picks it up and takes it in inside. Again, this is one of those things that I don’t necessarily think is important, but it is a really lovely little Easter egg for the eagle eyed.

I definitely have rambled on too long for this section (how can this be part 3, and I’m not even half way through the episode yet?!), so I’m wrapping it up there. As always, questions, comments, discussions, always welcome. See you for the next one – I really will try not to be so ridiculously microscopic.

[katyspersonal]

(my internet went out the moment i hit send so in case it didn't go through, here it is again, please ignore if you did receive it --)

i have another suggestion for the holes on rom's sides : spiracles ! they're openings that let many arthropods breathe, i am not sure about the few spiders that have them but for insects they're on the sides of their bodies just like that

Hey! This is an interesting idea! I will admit, although I love taking pictures of bugs, looking at bugs, holding bugs and cherishing bugs.. I haven't studied the bugs, so this information was new for me!!

Okay for the context of the ask in case if one of all 5 of you didn't see the earlier post, it was from this ( x ) discussion regarding Rom's legs and how she conveniently has holes by her sides in the Lake form:

There is a better look ( x ) provided by @beesmygod :

I suggested that the reason why Altar of Grief form, despite being implied as Rom, has legs is because past that point Rom 'grew up' and dropped her former legs with only holes remaining! And I also asked @herpsandbirds (all my cool creatures reblogs come from this blog, check them out) regarding insects and arachnids, here is what they said:

Here is on book lungs (also the wikipedia link ( x )):

I can't really tell whether Rom has anything like this from her view from below, since book lung would be located below this piece of body where legs protrude from.. which for her is her whole body?

However, something like book lung DOES seem to be present on Nightmare Apostles and Children of Rom!

I have a feeling that 'intention' might be here, but because Rom's type of spiders are so unusual and asymmetrical it is placed without the same relevance to legs! So, Rom might have it too, just less plainly so?

As for tracheae, I couldn't find any image showing Harvestmen having spiracles though, like I really don't know what I do wrong here fhsdh So I can't confirm or deny. Like I need to SEE for myself but Google is trolling me apparently :/ I found this, though:

Scorpions, for example, have several breathing holes placed below like this! With Rom the big ones go more on the side as you can see, but some still show below, and with Romlings too!

With caterpillars they do go on the sides! And yes, I brought caterpillars in because Rom IS sorta similar to one! There is an interesting bit about the 'spider' monsters and Kin in general - they are connected with Amygdalae!

Gardens of Eyes resemble Amygdalae and Nightmare Apostles serve them as we learn from Patches! Rom is like, a perfect Kin, combining all three 'branches' of eldrich; Sea because she was blessed by Kos and has tentacle tails, Star because she shoots meteorites and connection with Ebrietas and this arachnid one because of her legs and title! I feel maybe the fact spider one is 'dominant' is because you only deal with those if you sell your soul, and it was something she did, sacrificing herself for either research or humanity or both! But in any case, I am just saying maybe resemblance with a caterpillar is not accidental and she could, in theory, ascend further and become a butterfly? x) So that's why there is a hint of wings in these Kin! 'Ebrietas' is also a kind of a butterfly!

ALSO!!!

Funny enough, but Amygdalae DO also breathe in and out through a hole in the ribcage! Anatomically it is not where a book lung would be, but I thought it was relevant to the topic! Again, maybe we have to shift the anatomy of actual arachnids around a bit because these creatures were once humans (or in case of Amygdalae, resemble humans)!

^ Good video showing it well, you don't have to watch all of it, the right angles are shown soon enough. Also in general just look at Her

____________

So yeeeah.. In the conclusion, I now think it does work better if Rom shifted onto a different kind of arthropod upon ascension, whereas her "real" petrified body remained spider-exclusive. Due to maybe the specifics of WHY she left the "real" world! Also guys if anyone knows anything else please bring in up, this is deadass the first time I am learning all this information!!

[profounddefendorcrusade-blog]

A Second Long Rant About The Koffin Trio

Note: I decided to write about these three again (mostly about the genocide route) because I didn't cover everything I wanted to in my previous take, and you guys seemed to like it (I'm glad you enjoyed it as well, @beethovenus!), so here we go. If you haven't already, please read my previous ts!us post, since this is an addition to that.

Let's just say that the writers really outdid themselves when it comes to the genocide route, especially in regards to Harry and Larry. Never before did a video game leave me feeling so emotionally broken. The battle between the Boogiemen and Chara proves that comedic relief characters CAN and SHOULD be put in serious situations. It gives them much-needed depth.

At the beginning, Harry and Larry didn't take Chara seriously and only managed to make it out of the encounter alive because Crossbones/Sans intervened (which just goes to show how reckless both of them are) they're like annoying but loveable little kids i swear

It's this trait of theirs that led them to their downfall later on. I guess you could say that their appearance was meant to 'lighten the mood' of the otherwise dark genocide route, but it only made things worse for them in the long run. I remember reading a comment on YouTube once, and it mentioned how the Boogiemen resemble horror movie characters who die first due to their carelessness. And aside from the fact that they were not the first monsters to get killed by Chara, I agree 100%

Neither one of them believed that a human was even in the Underground, let alone a serious threat... that is, until they tried picking on Chara ↓

...which obviously didn't end well ↓

When they realized that they really WERE in danger, both visibly began to panic; neither one of them even tried to pretend to be fearless ↓

I've got to say that I love the contradictory traits the Boogiemen share: fearless but fearful, fun-loving but seeking safety, reckless but cautious.

Imo, as much as they like to goof off, they want someplace to come back to even more. Koffin-K is the one who makes the keep a place where they feel like they belong; a place that gives them comfort. KK's presence is what reassures them that they're taken care of. He's the one who makes Koffin Keep home.

In the present moment, Harry and Larry can afford to act goofy and careless because they're convinced that, no matter what happens, Koffin will always be there to save them, provide for them, and keep them safe in general.

There's a difference between who Harry & Larry were before and after they got hired (they seemed to have become more mischevious, more open to goofing off, and even more ambitious and confident).

I find it interesting that both of them were anxious/sceptical about working for Koffin when he first met them:

The two weren't attached to Koffin-K at all at the time. They didn't become loyal right off the bat; It took them (a short) time to warm up to him. And now that they are attached, I'm pretty confident that they're never leaving his side

The thing about Harry is that he used to rely on this one low-wage job and probably thought: "If I take the risk and come to regret becoming this weird guy's lackey, or if he fires me, I might never be able to come back to my safe job again and I'll be left with nothing. I'm not even qualified for anything other than menial chores!" yeah I headcanon that both him and Larry dropped out of high school at like 16 and never went to college in the first place I'm also really curious if Harry used to be attached to his previous boss (who he never mentioned) like he is to Koffin-K now, but I doubt it since he DID accept Koffin's job offer the very next day.

And Larry didn't want to risk anything either, even though he pretty much had nothing to lose. Even if he used to have a job as a janitor (if this is the case, I imagine his thought process was the exact same as Harry's), he still lacked a home. It's depressing to think about how Larry apparently wanted to continue his poor-quality life because he didn't believe anything different or better was out there. Or, he had no idea what having a better life even felt like. Maybe he thought he'd be WORSE OFF as Koffin-K's employee and/or that he'd fire him at some point. I just made myself sad, I love these guys a lot and empathize so much I feel like both of them believe they're not good enough and it hurts

Anyway, back to the genocide route.

After they're rescued, Flowey says:

Already setting up the fact that they'll either be an easy and/or optional battle. Nice.

Then we see Harry and Larry straight up putting themselves in danger to please Koffin-K:

Like, guys, I'm sure he would have understood if you hadn't obeyed his order this time. but they CAN'T let him down; they refuse After all, a mass murderer was on the loose

And once again, we're given a choice whether or not to fight them:

And finally, if we follow them... we get to this scene.

Oh god. THIS scene. Where do I even start?

Alright, time for some retrospect.

So, the two dummies have no way to escape and are forced to fight (with their very last conversation being AN UNRESOLVED ARGUMENT), Larry is ruthlessly pushed off the cliff (is this why it's called the ruthless route? Because if so, it fits perfectly), Harry screams his name and falls to his knees, completely dejected, and doesn't even attempt to run or fight, waiting to join Larry in death.

This moment hurts. This text especially. "Quick on his feet" but not quick enough; Larry's name is no longer next to his

No matter how much they annoy each other, the care is clear as day. That's another reason why I think of them as brothers. Harry is pretty fearful, right? And yet he'd rather turn to dust than live a life without Larry.

Sometimes I wonder how the scene would have played out if Harry had been given given the choice to either flee, stay and fight, or let us finish him off.

Ok, the third option would remain unchangeable, and the second would definitely result in his death whether or not he put up a fight, but the first one...

**ANGST WARNING**

Koffin-K would find Harry in his and Larry's house, curled up on their (now only his) bunk bed, sobbing uncontrollably and blaming himself over and over again. Then he'd hold him and they'd cry together. Koffin would regret not being more transparent with his care for his henchmen, and now that he was only left with one, he'd swear to be the best boss and father he could be.

It would take a while, but eventually Harry would stop crying himself to sleep every night, he'd go back to his mischievous self, he'd pull pranks and laugh and have fun because that's what Larry would have wanted.

Koffin and Harry's relationship would strengthen over time (sooner rather than later) and they'd become a true family. But every day, for the rest of his life, Koffin-K would wish that he had told Larry how much he loved him before he died. Harry would wish that, too.

But there was no way to turn back the clock, and the only thing they could do was hope that, wherever Larry was, he'd somehow know.

...he did.

I don't even want to image what would have happend if the roles had been reversed. Let's just say that Larry would have been absolutely shattered if Harry had gotten pushed off a cliff/died first. Based on his reaction if you beat Harry up during their fight in the neutral route, I don't even think he'd ever be able to move on from the pain of losing his brother best friend (or it would be SUPER hard).

Speaking of these scenes, Harry's first reaction was to get furious, Larry's was to burst into tears. What they have in common though was that they showed care for each other sigh... image limit strikes again

Larry also picked up on the purity of Chara's soul (or lack thereof) and it triggered Chara

It reminds me of how Ceroba picked up on the number of monsters Clover had killed

Long story short, I love how both Harry and Larry have their own quirks and personality. They're not just interesting as a duo, but separately, too. It's sometimes hard to remind yourself how, just because two people are a team, that doesn't mean they don't/can't exist as individuals.

I'm really curious to see Koffin-K's reaction to these two's deaths. REALLY REALLY curious.

I think that he'd completely break down (before that he'd be in denial) upon realizing that his idiots are actually gone forever and were killed by someone Koffin thought would make a good servant. Still, for some reason, I doubt he would become so enraged that he could avenge them by killing Chara.

Regardless of his reaction, he'd definitely miss them a lot.

When everyone was gone, Harry and Larry were the first on his mind i feel like they're his biggest headache but also the two monsters he loves most, in his own unique way

Random thoughts as a bonus bc why not:

I swear, it seemed like they wanted to say "You're talking to THE COUNT'S lackeys!" and "You ain't the dad of us to tell us what to do!" Also, Harry looks scared/nervous/unsure/ af. These guys really are both cowardly and impulsive

Istg, they act like (man)children with Koffin being their strict but goofy dad mom who makes them do chores when they'd rather laze around (I know it's part of their job and everything but the way they talk about their duties gives me this vibe)

...yeah, just KK acting like an annoyed dad, nothing new to see here

Remember how, in the last post I wrote, I said that Harry and Larry are materialistic (for a good reason)? Yeah, they're so materialistic that they'd even "betray" their boss for some cash (unrelated, but I love this game's humor)

These two have a dog's loyalty, but even their house looks like a doghouse (or maybe it's just tiny compared to the keep). Speaking of the keep...

Interesting that, whoever wrote on this wiki, didn't include the other workers almost like it's just the three of them that are a family while the others are just there for the easy money

[sophieinwonderland]

Hello! We really enjoy your account. We like to see the many different types of plurality existing, especially endogenic ones. While we are not endo, seeing healthy and non disordered plurality is very motivating for us, as that is our goal to attain.

We saw your recent posts regarding tulpamancy and dissociation and had some questions! As a Traumagenic system, of course we are well versed in the feeling of dissociation, but for many who have experienced trauma and dissociate bc of this, it’s very uncomfortable to be dissociated. For my system, this is one of our biggest issues right now, and we are working to try to lower dissociation episodes and dissociative barriers (especially while triggered). How does the dissociation feel for those who train it or will it? Is it just as uncomfortable (for example does it feel as if you are depersonalized or derealized?) or something else?

We are interested as endo/tulpa practices involving dissociation (if not uncomfortable like trauma related dissociation) could be beneficial for Traumagenic systems like ourselves to possibly shift our dissociation to being more comfortable and less debilitating.

Not sure you will have an answer and of course it might not be super clear cut.

Thanks for taking the time to read this, and for all the work that you do standing up for systems and all the education you share.

We wish you all the best!

Hi! 👋

I think the dissociation that we train is going to be a bit different than a DPDR episode. Mostly because the moments when everyone is detached from the body are going to be while meditating or in a similar state, and they shouldn't last long.

There have been occasions here and there where we will experience blendiness or confusion about who we are and those can be pretty distressing. I am not sure how similar these particular states are to derealization or depersonalization though.

Generally, we try to only do the detachment thing while switching.

There have been some DID systems who reported that tulpamancy methods have helped with their dissociates of symptoms.

Which makes sense to me. Because it's not just about teaching people to dissociate. It's about teaching control over the dissociation. And it's also about teaching the association part as well. At least in regards to switching. You aren't just learning how to detach from the body but how to attach to it. How to reconnect with the senses whenever you have lost that connection.

For this reason, I could imagine it being beneficial for DID systems to study and practice at least some tulpamancy methods.

In theory, knowing how to switch in at will should also be able to help whenever you are experiencing other sorts of dissociation by grounding you to the body. I won't promise it's a perfect solution that will work for everybody, but I do think it could at least be worth a try. 🤷‍♀️

As to what it feels like, since the dissociation is in relation to somebody else fronting, it depends on whether you are present or not. If you stay present, it's a bit like being in the passenger seat of the body. Somebody else is in control and you can't really feel anything physically unless you try to focus on it. Otherwise, only the fronter is going to be feeling. And only they are moving the body. You are just there as a voice in the head of the fronter.

If you aren't present though at all, then you just aren't there. You aren't even the voice. And the next time you gain awareness, you suddenly realize all the things that happened while you weren't conscious. Because even though we don't have memory barriers per se, we also don't automatically have all the information.

A notable example of this came from one time when almond hadn't fronted for a while and then she saw a new chicken coop in our yard. She was initially surprised to see it, and then the memories of my host helping to build it came flooding in after that. She technically had free access to all of the memories, but she didn't automatically know until the sight of the coop triggered them.

Thanks for the kind words and I hope I was able to answer your questions! Wishing you the best as well! Have a wonderful day! 😁💖

[atths--twice]

Passing the Time

While waiting for labs at the hospital, Scully helps Mulder pass the time.

Fictober day 6. Prompt: That's All? Easy.

For my dear friend Ingrid. 💓

February 7, 2018 George Washington Memorial Hospital 

“How much longer did they say?” Mulder asked Scully as she closed the door and rejoined him in the hospital’s waiting area. 

“Twenty minutes at least,” she replied and he sighed heavily.

“We’ve already been waiting for two hours.” 

“Lab work takes time. You know that.” 

“I do,” he said with a nod. “I also know that we’ve been out of the game for a while. Maybe there were advancements while we were away.” 

“Excuse me?” she asked, picking up a random magazine as she sat down. “We haven’t been away from anything. You have. I worked in a hospital until very recently, remember? I am aware how long labs can take.” 

“You know what I meant,” he said, rolling his eyes and she hummed. Glancing at the pages before her, but not finding much interest in them. “I guess I just forgot about the waiting part.” 

“No, you’ve never been good at waiting,” she said, turning the pages with a sigh. 

“In regard to some things,” he said and she turned her head to look at him. He shrugged and gave her a small smile. 

“Hmm,” she hummed again, her attention back on the magazine. His leg bumped hers as he began to bounce it and she pressed into him, silently telling him to stop. “Don’t you have something you can do on your phone? A game to play or something you can read?” 

“Not really.” 

“You had that one game you were playing. Just do that and the time will go by faster,” she said, feeling as though she was speaking to a large child. 

“But it’s boringgggg,” he said, dragging the word out dramatically while he bumped his leg into hers. 

“Mulder,” she said, huffing out a laugh. “Twenty minutes is hardly any time at all. You’ll be fine.” 

“At least twenty minutes. That’s what you said they said, right? So it could be more.” 

“You wanna find a supply closet and make out?” she asked, turning her head and looking at him as he immediately stilled. 

“You… you’re… seriously?” 

“Of course not,” she said, looking back at the magazine and shaking her head. “We’re working.” 

“If that’s the only hold up, I’ll take a rain check.” 

“Sure,” she said, turning another page and not giving it much thought. 

“I’m gonna hold you to it,” he said, his voice lower and she fought back a smile, enjoying teasing him. 

“With or without clothing?” she asked, her voice also low. 

“Definitely without,” he answered quickly and this time she was unable to hold back her smile. “Or whatever you prefer.” 

She turned her head and held his eyes, seeing the desire within them. Leaning closer, she grazed his cheek with her own as she brought her lips close to his ear. 

“I prefer without as well,” she whispered, brushing a kiss to his cheek as she pulled away. 

He groaned softly and she smiled as her attention turned back to the magazine. 

“Christ, Scully,” he breathed, putting his arm along the back of her chair and looking around the room. 

“You gonna make it?” she teased and he laughed as he shifted in his seat. 

“Honestly? Sometimes I don’t know, Scully.” 

“I do enjoy keeping you on your toes. Or your back.” 

“Fuck,” he breathed, shaking his head. She bit her lip to keep from laughing. 

“Can I offer any help to alleviate any discomfort you’re presently experiencing?”

“Yeah, you can stop talking,” he nearly growled. 

“Or I could offer a distraction.” 

“No, that’s how we ended up here.” 

“A different kind of distraction,” she said with a laugh. 

“I’ll be the judge. Let me hear  it.” 

“You consider yourself an intelligent man,” she stated, looking at the magazine. Pausing on a page, she considered the pair of pants the model was wearing.

“I do indeed, but I’m not sure I’m liking where this is heading.” 

“You have an incredible memory. Some might say it's too incredible.” 

“It’s definitely served me well,” he said, stretching out his legs and crossing the left foot over the right. “In more ways than one.” 

“Hmm,” she said, trying not to let her mind wander too far, knowing how well his memory had served in their sex life. Even from the very beginning, it was as though he had memorized every spot that made her cry out and beg him for more.  

“So what did you have in mind?” he asked and she shook her head, pushing away those thoughts. 

Later, she told herself. Definitely later. 

“Make a list of all fifty states,” she said and he looked at her. 

“A list of all the states? That’s your grand plan to help me pass the time?” he asked, moving his arm and sitting up, his brow furrowed even as he smiled. “List the states? That’s all? Easy.” 

“And the capitals,” she said as he stood up, patting his suit jacket, most likely looking for a pen. 

“What?” he asked, stopping and staring at her. “The capitals too?” 

“You said listing the states was easy. We’ve got time to kill so… capitals too,” she said, turning a page and raising an eyebrow at him. 

“Oh… you’re going to regret this. I’ll be done way before the labs are.” 

“So you say,” she said, looking at the magazine. “Yet there you stand, writing nothing down.” 

“Oh, you… you…” He shook his head, waving his finger at her. “I’m gonna find some paper and then… be prepared to be amazed.” 

“I’m all a tingle,” she said with an exaggerated shiver. 

“You… ha ha ha,” he said, walking out of the room to hunt down some paper. 

She smiled as she put the magazine down and reached for another. 

He was back quickly, heading to the small table in the corner of the waiting area, when she stood up and stopped him. 

“Give me your phone.” 

“You don’t trust me?” 

“No,” she laughed. “Not for things like this. Gimme it.” 

“I can’t believe you don’t trust me,” he said, taking his phone from his pocket and handing it to her. “I would never-”

“Dyspareunia,” she said, putting his phone in her pocket. “Thought of that word on your own to build off of your previous word spare?” She raised her eyebrows and he shrugged with his palms up, a guilty smile on his face. “Yeah, that’s what I thought. I’ll be holding onto your phone. Go on.” 

“Bossy,” he said, as he continued past her. 

“You love it,” she stated and he nodded, grinning at her. 

“I absolutely do. Especially when-”

“Nope,” she said, pointing at the paper. “Get to writing.” He saluted as he sat down as she shook her head as she also sat down. 

Quiet fell over the room and she was surprised when she realized ten minutes had passed without any interruptions. Looking over at him, she smiled as she saw how focused he was as he wrote. Suddenly feeling sleepy, she set the magazine beside her, crossed her arms, and closed her eyes. 

“Hey,” Mulder said softly and she opened her eyes. “It always amazes me how you can fall asleep anywhere.” 

“Are you done?” she asked, sitting up and looking at the paper in his hand. 

“Why yes, Miss Scully. I got all my homework done,” he said in a southern drawl, handing the paper to her. She took it with a smile, her eyes running over his words. 

“You know,” he said as he sat down. “That was actually harder than I thought it would be.” 

“Hmm,” she hummed. “That’s not surprising.” 

“What are you trying to say?” he asked and she laughed quietly.

“Nothing about you in particular. It’s just not something we think about in our normal day to day life, so it’s not surprising that it proved to be somewhat difficult.” 

“As long as it wasn’t a dig at my intelligence,” he said, sticking out his lower lip. 

“I would never. Did I not call you an intelligent man earlier?” 

“No. You stated that I considered myself an intelligent man.” 

“Did I?” she asked, tapping her finger against the paper as she read. 

Juneau, Alaska. Austin, Texas. Olympia, Washington.    “You did. Find any mistakes?” 

“Not yet,” she said, glancing at him out of the corner of her eye. 

“You won’t. Because, I have a fantastic memory, as I believe you said.” 

“Ohhh. You were so close,” she said, closing her eyes briefly and shaking her head. “I said you had an incredible memory, but it looks like I was wrong.” 

“Fantastic… incredible. One would say they’re interchangeable,” he said, moving his hands as though weighing the words on a scale. 

“Hmm,” she hummed, nodding in agreement. 

Columbus, Ohio. Montpelier, Vermont. Bismarck, North Dakota. 

“So what’s the word, Teach?” he asked as she folded the paper in half. 

“All correct. One hundred percent,” she said, smiling as she turned her head to look at him. 

“A hundred percent. That should get a gold star,” he stated and she sighed. 

“Unfortunately, I’m all out of gold stars at the moment.” 

“Huh…” he said, rubbing his fingers across his chin. “No gold stars? You got anything else of value? I mean… a perfect paper achieved by my incredibly fantastic memory… it deserves something.” 

Smiling again as she leaned closer to him, she placed a hand on his cheek and kissed him softly. Then again. Then once more, her lips lingering on his. 

“Better than a gold star?” she whispered and he hummed as he kissed her before pulling back slightly. 

“Much better,” he whispered back, bumping his nose gently against hers. 

She pulled back further, smiling at him, her fingers scratching lightly at the stubble upon his cheek. He smiled and she dropped her hand with a sigh just as the door to the waiting area opened and the lab technician stepped inside. 

“Agents, I have the results you’ve been waiting for,” he said and they both stood to their feet and followed the technician down the hall. 

Though her focus was on the case and the new evidence they now had, her mind kept drifting to the softness of Mulder’s lips and how she wanted to feel them on hers again. 

Without clothing this time, she thought. Most assuredly without clothing. 

[raayllum]

Cube Hostage Exchange Theory: Ezran Edition

Cause I've been feeling this one and figured I may as well toss in the newest two cents.

This is something I've talked about before (X, X) but much more briefly, and with the theory still on the table for S6, I figured I'd cover more of my bases.

The usual caveats / disclaimers to get out of the way:

Cube Hostage Exchange Theory (CHET) is a TDP theory dating back from September 2020 (shortly after Through the Moon released) speculating that Rayla would be taken hostage in exchange for Callum freeing Aaravos by handing over the Key of Aaravos. It was based on ideas of 1) the key being important to Aaravos' plans, 2) the irony of Callum literally freeing Rayla while chaining himself further to Aaravos' will, and 3) that Callum would be a pawn in Aaravos' plans (deduced well before S4) due to this thematic ties to freedom.

The biggest assumption the theory made/makes is that the Key of Aaravos is something that Aaravos is actively seeking/wanting, or something he needs; this aspect of the theory is still (technically) pure speculation.

CHET may not happen in S6 due to the fact it beat for beat already basically happened in 5x08, just with Finnegrin swapping in for Aaravos as an instigator. This is partially due to the fact that the irony regarding chains and freedom (Rayla being freed by Callum chaining himself) also came to pass alongside the captive/loved one's life being threatened and Callum subsequently being willing to help said antagonist.

That being said, I still fully think a Variant will happen, if you will, whether that's due to Callum getting in over his head with the coins, or something more directly threatening Rayla.

This theory resides on the (canon) interpretation of Callum being willing to do anything to protect his two most important loved ones (Ezran, Rayla) even if that means helping Aaravos and/or putting the world in danger. This post itself is not going to debate or explain this interpretation, but if you are interested in learning more about it, I'd recommend this meta and this tag.

I still think Callum making a choice that risks subsequent possession / world ending behaviour is more likely to be for Rayla. This is for a few reasons: 1) they still have an ongoing relationship rift/conflict to heal, and this could be a way to do it; 2) we know thanks to 6x01 that Callum and Rayla are heading to the Starscraper alone with Ezran being back in Katolis, so there is just more opportunity; 3) more of the narrative legwork has been done with Rayla specifically, particularly in regards to the possession plotline in particular; 4) Ezran has never represented destruction to or for Callum, but Rayla has more overtly negative associations which would fit; 5) Rayla has had more scenes and lines with said Cube / Key of Aaravos throughout the 4 seasons its been displayed (1x04 multiple times, 1x05, 2x07, 3x08, 4x02, 4x03, 4x07) than Ezran has (noticeably only one in 4x07).

All that being said, let's talk about the way the narrative might work / the evidence we have at present for CHET happening, but Callum dooming the world for his brother instead. Otherwise known as CHET: EE (Ezran edition).

The Necessary Narrative Legwork

As stated, CHET: Ezran Edition would only, to me, have a strong enough narrative purpose to happen IF it served as the basis or conclusion for a reconciliation arc between Callum and Rayla (currently ongoing) or between Callum and Ezran. While the brothers are not currently fighting, that doesn't mean they won't in the future.

Season six might have to squeeze it — it would have to be in the latter half of the season, which might be too delayed for Aaravos' proper release, but who knows? — but it definitely seems like the brothers are hurtling towards some sort of conflict.

However, I think the way the conflict is framed / what it ends up being centred on. For example, if the brothers just fight over whether or not to free Runaan (as there are indications that they might), I don't think that by itself leads to a resolution like CHET: EE. But if the brothers fight over Runaan, and it makes Ezran feel like his brother isn't choosing him, and they part on bad terms... Now we're talking.

Now, S6 could have room for a broyals conflict. They could fit over Runaan, as noted, or even other issues in their relationship. This would lay the groundwork for something like a CHET: EE based reconciliation happening, provided there was conflict to resolve first.

I'd also like more scenes / lines concerning Ezran with the cube. Thus far, Ezran has been there in 3/4 seasons where we've seen the cube (S5 is the only season with zero appearances outside the 5x08 intro), but he's only commented on it in 4x07 with "Callum, put away your cube!" when it's glowing because the moon opal on the Bridge of Darkness.

Episodes such as 1x05 particularly feels like a missed opportunity, perhaps, if this was the direction they were going to take, given that Ezran easily could've stepped in during Callum and Rayla's miniature disagreement over it (the "it's a glow toy" + "this doesn't end well for you" foreshadowing is there in addition to Callum looking at the Star rune) to make a comment about it still being worthwhile / perhaps a fun toy. But if Ezran's hide and seek game motif (more evident when they were searching for the hidden prison) comes into play and is tethered further to the cube's game motif, that's alright by me.

So yeah, two key points I would need to happen could happen, largely:

The brothers having some kind of serious conflict wherein Callum prioritizing Ezran in this way could help reconcile it

Ezran having more screen time with / regarding the Cube and Aaravos in some manner

That's not to say there's no legwork already put in, though, for an EE, which is part of the reason why I'm making this post. So let's talk about the two biggest points in this edition's favour:

The Orphan Queen Connection

Despite not receiving the Key himself (which could be a parallel to the Sunfire siblings regarding Kim'Dael's collar), the EE has a significant point in its favour due to Ezran's associations with the Orphan Queen. He's been directly compared to her both in appearance and in personality, as he shares her ability to Truth Tell in the face of lies, narratively speaking:

I should have seen it before. Ha! Long ago, it was a human who saw through the Fallen Star’s schemes and helped Xadia put an end to them. You look so much like her.

I've written before about the parallels there seems to be when it comes to the Jailer and Callum, two clever human mages, and the Orphan Queen Ezran, two royals of a blood line tethered in some way to truth telling and Aaravos. This parallel connection of the Jailer and the Orphan Queen being involved in imprisoning Aaravos, and Callum and Ezran witnessing / failing to stop if not also being involved in his release would be an ironic layer.

There would be another additional layer if the Orphan Queen's use of the cube was what led to him being sealed away, and now the Key is being used to spare her descendant, his brother's, life three hundred years later.

Thus far we don't know much else about the Orphan Queen besides this, so I could see Ezran's role with the Key being to partially discover what it is or what it might do, and for Callum to figure out further how it works and how to use it, but we'll have to see. I think this piece of evidence would be stronger if both brothers had been very involved and interested with the Key thus far - a true piece of dual heritage for both of them - but given that it's been so much more in Callum's corner and much less in Ezran's, I think this aspect is probably what would need to be developed the most in S6 to work out.

That said, the strongest piece of evidence we have for an EE of CHET is namely the place where we first learn the cube is called the Key of Aaravos at all, which is in...

Harrow's Letter

Harrow's letter exists in story for a few reasons:

To resolve Harrow and Callum's arc with each other, particularly to affirm to Callum that he belonged within his family / as Harrow's son. This is folded into Harrow discussing his sons' bond and what he wants for both of them in addition to point 3 and 4

To largely tie up Callum's grief regarding Harrow, as while we still see bits and pieces of it (you can argue 2x08 and 4x03 touch on it), 2x06 is the last time Callum's specific grief about Harrow is discussed (at least for now)

To complement Viren's narrative of what happened with Harrow's own take on the same events, particularly to push forward and the name the Narrative of Love vs Narrative of Strength dichotomy (which S4 and S5 have spent a lot of time deconstructing further)

To explicitly introduce the concept of the Chains of History and Harrow's own desire for freedom, which is alluded to in early S1 but not fully developed, and therefore pave the way for him to show up in Callum's 2x08 dreams

To give us the info about the Key of Aaravos early enough we could sit with it, and also let the foreboding build

I do think the placement of the information about the Key is interesting, because the way it's presented perhaps fulfil more of our traditional expectations in the fantasy genre. Of course the protagonist happens to stumble across a neat, funky family heirloom with a tease for a cool power-up to come. It is, after all, the first time we hear the name Aaravos.

However, they very quickly (aka like 1.2 episodes later) give us the name of Aaravos, and we immediately know it's nothing good. The more negative associations with the cube are also added to in 2x08 with the dream imagery, which makes a lot more sense now that we know just how deep the ties between Aaravos and dark magic really go.

With this in mind, the most telling lines from the letter for an EE CHET is, I believe, this from Harrow:

But as a father, I have a selfish wish. For you and Ezran to be... free.

Now the letter itself talks about Freedom almost as much as it talks about Love, and indeed, love — specifically a Narrative of Love — is posited as something that can and will free you, in contrast to the Narrative of Strength bound by the chains of history. We also know Startouch stuff is associated with wishes, so that's another point. And Harrow's last words to Callum were "Take care of my brother." From a familial standpoint, there's more than enough permission / merit here to go ahead.

The letter introduces the Key and talks about the brothers. It talks about chains and love and freedom. And these are all things that would be very much literally present in in a Cube Hostage Exchange in which Ezran is the hostage or person the key is being handed over to save.

And while I think it could be a possibility on the table, because Callum absolutely would do this for his brother... I still think if we're gonna get a scenario like this, it's going to be Rayla, or it's going to be no one. And here's why.

The Other Side

You may have noticed throughout this that this edition of the theory depends on even more could haves than traditional CHET already does, and hasn't really talked about Ezran's personality or interplay with sacrifice as a theme. This is because that, without an external conflict pushing things forward, this display of devotion doesn't really affect Ezran much. He knows his brother loves him and has never doubted this; Ezran is very measured about sacrificing himself for what he believes in, but is also always willing to accept help and other people's aid. Ezran is sacrificial, largely adjacent to his crown and his childhood, but his arc itself is centred around concepts of power, duty, and justice over a core theme of sacrifice or even freedom.

Subsequently, Ezran likewise has not been associated heavily with chains, nor is Callum someone who has broken Ezran's cycles or chains, literally or metaphorically. Although Ezran is undeniably tethered to freedom because "a child is freer than a king" and him being briefly (meaningfully) in prison, freeing Ezran has never been a main plot concern Callum or Rayla has had to contend with. The closest they come are the boys working together to free Rayla in 1x04 with Bait, Callum and Rayla working together to get Ez out from the icy water in 1x06, and Soren freeing Ezran from prison (and getting him to his council) in 3x05... and that's about it. Nor is Ezran a big part of Callum's mage arc; they normally discuss things other than magic, Callum rarely uses magic to protect his brother (although S5 definitely had an uptick), and Ezran is pretty separated from notions of magic within Xadia outside of his ability to talk to animals. (It's kind of like how while Callum and Zym have a strong bond, Ezran has a more emphasized one and largely carries the human side of human-dragon reconciliation alongside Soren, whereas their siblings are more elf and magic focused.)

This might shift if/when freeing Harrow from a bird is a possibility, and that's not to say it couldn't be Ezran just on this basis — but that TDP usually prefers to include things at a lower stakes level or even as a joke, and then ramp it up continually until it reaches a breaking point. We can see this even in 6x01 with a scene of Soren leading a blind folded Opeli for comedic effect, only for blindfolds to clearly be important later on in S6 with Callum and the Celestial elves. Similarly, Callum freeing Rayla both literally and metaphorically was set up consistently and periodically throughout the first 4 seasons, to the degree I could predict some of the specifics in 5x08 even years ahead. Then, the show reaffirms this pattern as well as early on in S5 (5x01 in particular), so when it came to a head in 5x08, it felt natural and earned from a thematic standpoint.

Even if S6 went in hard with the Broyals having a fight in the back half, they would still have to drench Ezran in freedom associations to me to effectively get to where I feel like a CHET: EE would totally work. That's not to say there couldn't be over avenues there I'm not seeing now, or a thread I've missed that's been steadily building all along that S6 then makes evident, but this is largely where I've arrived with everything we currently know.

Conclusion

TLDR; Cube Hostage Exchange: Ezran Edition has merit largely due to the Orphan Queen parallel and Harrow's letter, but does not seem to have enough plot buildup at this time to make me lean in that direction. Instead, I still learn towards if there is going to be this scenario or a variant, it will either be for Rayla ( / her parents adjacently) or not at all.

[cwritesforfun]

Eddie Roundtree x Fem!Reader: LOVE

You work closely with Rod and focus on booking bands for festivals. You know Teddy because you've attended rehearsals of different bands and he's always friendly with you.

Your First Name = Y/N Your Last Name = L/N Narrator = Julia Dunne (but Narrator for sake of the story)

**** the timeline is going to seem weird lol but I'm just writing what I want to write lol

Narrator: Could you just introduce yourself and what you do? Y/N: Of course, so my name is Y/N. Back in the '70s, I was attending college while also interning/assisting a festival booking agent. My boss, Mr. Murray, trusted me and was too high to do his job most of the time, so I got to find bands for festivals. It was amazing. I've always loved music and I love discovering new music even now. Narrator: And when did you meet The Six? Y/N: I met them as they were recording Aurora. Teddy invited me as well as their tour manager, Rod, who was someone I knew in the music industry to hear what they would be playing for upcoming concerts. I had heard Honeycomb and like the rest of the world, I was hooked by the new sound that the Six brought to the world. I was very excited, but I had to act professionally at the rehearsal. It was my job.

You arrive at the rehearsal, see Rod parking next to you, and you smile. Perfect timing. You shake hands with him before you both head inside to the rehearsal space. All heads turn our way.

Y/N: My first thought was how hot the whole band was. Eddie: Y/N was so beautiful. She was dressed so professionally and held herself so confidently when she first walked in.

Rod exclaims, "This is Y/N, she's a festival booking agent intern." Billy asks, "So, where's the other festival booking agent? The Mr. Murray." You answer, "Mr. Murray is unavailable today but will be present at the festival. To clarify, I am your primary point of contact regarding festivals and have the necessary authority to make decisions about festival lineups. If you have any doubts about my ability to do so, I can inform Mr. Murray that your band is not interested in playing festivals." Billy replies, "No no. You're great actually. I guess I just thought he would be here." You snap, "Learn to accept that people might let you down." Daisy replies, "Story of my life. My name is Daisy Jones."

Y/N: I was used to everyone thinking that I was too young and that I wouldn't be able to do my job. That's how so many bands were put on the blacklist for festivals. I would just label them as Uninterested. Do I regret snapping at Billy? No. I know the lead singer stereotype and also I wanted to book The Six. Eddie: I was in love with her. As soon as she stood up to Billy, I wanted to bow down at her feet and just praise her. Daisy: I liked Y/N. I liked her confidence in her position. It was refreshing to see young women who were taking over male roles. Billy: Y/N was right to snap. I shouldn't have assumed anything. Rod: I forget Y/N was only 21 when this happened. She seemed so mature in her responses.

The band sets up to play a few songs for you and Rod. You take a seat on the couch with Rod and he offers you a glass of champagne, which you gladly take. The band plays and you love it so much.

Y/N: I loved Daisy Jones and The Six. They were amazing, especially their new album. Each song brought something new and was collectively beautiful. Eddie kept meeting my eyes as he played. It was hot. Billy: After we played for Y/N and Rod, it was nerve-wracking. I didn't know what would happen or when. Rod said he knew we would sell places out. I was surprised how quick Y/N flipped through her binder and found a slot for us at 3 festivals. I shouldn't have doubted her abilities. She showed us how she picked them, why they aligned with our music, and how they would promote our music more. She clearly had a passion for festivals and music. Eddie: Y/N gave us all business cards with her number. Did I want to use it for personal reasons? Yes. Did I? Not yet. Daisy: I was the first one from the band to call Y/N on her personal phone. She seemed surprised to hear from me. See, Camila invited me to a house party with the rest of the band and I didn't want to show up alone. I knew the band liked Y/N and she was intimidating, so I invited her to go with me. She said yes. Y/N: Hahaha, yeah it was so weird. Usually, my first call from the band is someone claiming there is something wrong with their hotel room and that mine would be better. That one never works. They just want sex. I also get asked to become a groupie because bands love my energy at shows. So Daisy's call inviting me to a party was actually kind of nice. I shouldn't mix work with fun, but who cares? I was 21 and needed some fun in my life. I also didn't own a car, so sharing a taxi was fun. Daisy and I drank a whole bottle of wine.

Daisy drops the extra bottle of wine and we both just laugh then she seems annoyed. You exclaim, "Look, you still have the pineapple and I still have cookies. They don't need wine." She replies, "Yeah, but I feel like Billy will hold this against me." You reply, "Direct him to me then." She smiles.

We walk in and Camila is happy. She excitedly talks to us and gets us drinks. She seems sweet. Billy walks over and you can feel the tense energy in the room. He apologizes to you for what he said when you first met. You thank him and ask where the rest of the band is only to find out they are all outside.

You make your way outside, see more drinks, grab one, and then the rest of the band sees you. Warren pulls you into a hug, which you weren't expecting. Then Graham and Karen give you hugs. Then Eddie gives you one and you feel your heartbeat skip a beat. Great.

Graham asks, "So, how was the ride with Daisy?" You answer, "We drank a whole bottle of wine. It was good." Warren laughs and asks, "Have you heard any bands better than us for festivals?" You answer, "No, you all are my favorite. But, you can't tell anyone. It will ruin my job. I'm serious. If I find out one of you ruined this job for me, you're done." Karen says, "I think you need more alcohol." You nod and answer, "I do." Eddie: Y/N was intimidating. She was a smart and beautiful woman who didn't put up with anyone's shit. I was scared to talk to her. But, Warren convinced me to approach her and talk to her at that party. I was nervous as hell, but that conversation was good. We talked for a while and we got to know each other. Y/N: Eddie was so nervous and it was so cute. I was nervous too. I didn't want to slip up and ruin my job. I also was nervous about having a crush on a member of a band. I worked with several and I was worried he just wanted to use me for sex. Graham: I've never seen Eddie like that. He was with one girl for the whole party. He even called her a taxi to go home because she didn't want to spend the night. He was head over heels for her. Y/N: Eddie and I hung out just us two a few times before they went on tour. It was hard to get together because I was usually out of town or visiting bands and he was always rehearsing. I also went to another party at the band's house and I spent the night that time. I stayed in Eddie's bed next to him and that night was the start of our relationship. We both couldn't sleep and we both confessed that we liked each other. It was cute. Eddie: I still can't believe she liked me at the time. We went on a few dates, but then the tour was about to start. She was worried about my lifestyle during the tour and she told me that festival season kept her busy and that she was worried we wouldn't make time for each other. She also told me that it was okay if I slept with other girls because we weren't really in a relationship yet. I was falling in love with her at the time, but I hadn't fully come to terms with that yet. I told her she was the only one for me, but she didn't seem to trust me and I wouldn't have trusted me then either. I was still high or drunk all the time with no thoughts about the future. I wasn't the most trustworthy guy, but I wanted to be for Y/N. Trust is built and I know that. So, I agreed to a temporary break-up at least until the end of the tour if we still wanted to date at that point.

FESTIVAL STOP #1 ... 2 weeks into TOUR

Eddie: I was so excited to see Y/N again. I missed her and I realized I loved her when we were apart. I fell in love fast and that was scary to me because I knew that what I felt was real and what if she did not feel the same way. It was scary. When we pulled up to the festival in the middle of this desert, it was Mr. Murray waiting for us and I was so worried for Y/N. I didn't understand where she was and why she didn't greet us. I was worried she was fired or mad at me. Karen: I've never seen Eddie so worried or Billy so confused. You could tell that Mr. Murray didn't know the festival that well and Billy was annoyed about it. Eddie asked about Y/N at least 3 times. Mr. Murray just told us that she was our guide and we would see her later. I think Eddie had a lot on his mind and needed to see Y/N to be able to relax before the show. Y/N: Mr. Murray was hopeless. He was meeting the bands at the gate, but he wasn't giving them proper instructions. He would give them instructions on how to find the trailers and tell them when they were set to perform and that was it. I would have to find the bands long before their set and give them a proper rundown to make sure everything ran smoothly. I was running back and forth across the festival to make sure things went smoothly logistically. It was a nightmare of a day for the most part... Eddie was the light in my rather dark day.

You find Daisy Jones and The Six sitting outside the band trailers smoking. They all look so happy to see you and Rod says, "We had a great chat with your boss. I think Billy really enjoyed him." You glance at Billy who rolls his eyes. You laugh and exclaim, "That's why I'm here. I know you need a rundown and I'm here to make sure you know what to do for tonight. Is everyone ready?" They all nod and you talk them through the whole rest of the day/night. They ask questions and you're quick to clarify it all. By the end, they seem to understand everything and seem better off. You exclaim, "Great chat, okay, I'm going to find the 3 pm band. Their set is in 45 minutes and they have no crew nearby ready for setup. I will be back for you 40 minutes before your set unless Rod takes you to the stage." Rod says, "I don't mind. You seem busy. I know where to go and how to avoid crazy fans." You nod and you start to leave when you feel a hand on your wrist. You turn to see Eddie looking down at you with worried eyes asking you, "Can we talk?" You answer, "Sure," before you can stop yourself.

You lead Eddie to a quieter spot in the band area and he asks, "So... um... how have you been?" You sigh and ask, "Is this just to catch up? Listen, Eddie, today has been really stressful and my boss is making everything worse. If this isn't pressing, I need to go and fix this festival. If we need to talk, I will be off tonight and with you for a week. I can't wait to be off work and traveling with you for a week." He looks down at his hands and asks, "Was there anyone else while I was gone?" You take his hands in yours and answer, "No, there wasn't." He smiles and says, "Good. You're kind of it for me and I wanted to make sure we were on the same page." You press a light kiss on his cheek and say, "You're the only one for me too. I need to go, Eddie. You're going to play great tonight and I can't wait to see you perform live. I also cannot wait to travel with you. I do need to go." He kisses me on the cheek and says, "Thank you, and good luck. You got this, Y/N. I'll see you later."

Daisy Jones & The Six hit the stage. They're stunning. You swear, they just keep getting better and better. The audience goes crazy for them and you see so many silly fan signs about Billy. You even notice Mr. Murray enjoying the performance. You gave the band the sunset slot and

After their set, you're still double-checking everything for the headliner, but you notice the band lingering backstage. You run over to them, and ask, "Hey, if you guys want to watch our headliner, you can go upstairs to the second-floor view or you can watch over here. Whichever you prefer really." Daisy asks, "When are you free??" You answer, "Oh, I still need to make sure the headliner gets here and set-up for that is good. I can relax during their set, but then I have to make sure they get out of here just fine. I can't leave until it's all done. I have the name of the hotel you're staying at from Eddie and I can meet you all there after. I don't to keep you waiting." Rod says, "Dear Y/N, you will make one hell of a festival booking agent one day. I'm going to speak to your boss' boss about you." You say, "Thank you, sir. That's really kind of you." Mr. Murray storms over and says, "Y/N, we have an issue. Follow me." You wave bye to the band and follow your boss.

Y/N: They all stayed for the headliner. I left with them because Rod told my boss that they needed me that night. Mr. Murray didn't even fight him on it. I was happy about that. Narrator: What happened to Mr. Murray? Y/N: He was fired a few days after the festival. Most of the bands complained about him to their tour managers and their tour managers spoke to HR and HR spoke to his boss. I was called about the news while I was with Daisy Jones and The Six. I was also offered a pay increase until graduation and a full-time position after graduation. I would be able to view and sign the contract upon my return to work. Narrator: How was your week off? Y/N: It was one of the best weeks of my life.

You arrive at the hotel, happy to have a week off from work. You sit with the band in Daisy's bus eating burgers. You're still not sure how Rod knew your order. You were sitting on Eddie's lap on the couch next to Warren. Eddie has his arm wrapped tightly around your waist as if you were going to leave at any time.

Warren exclaims, "Y/N, Eddie asked your boss several times where you were earlier. Your boss didn't seem to want to answer that. I think he hated us. Because then Billy was sassing him and was annoyed too. Does your boss hate you or something?" You answer, "He didn't answer because he really had no idea where I was. I was running from stage to stage and to the trailers the whole day fixing his mess. It's his fault for not doing his job in the first place." Warren says, "You really helped Eddie relax before the show, Y/N. Did you guys have really hot sex or something?" You cough up some of the drink you were sipping on and Eddie says, "Dude, not cool." Warren shrugs and laughs then starts talking animatedly to a groupie. Eddie leans to your ear and whispers, "Let me know when you want to go. We have a hotel room for just us." I turn to face him and say, "That was very forward of you." His face blushes bright red and he says, "I wasn't saying that, but I mean I wouldn't mind that." You laugh and you lean in to kiss him on the lips, which he does.

You spend another hour or two with the band drinking and finally, you tell Eddie that you're tired. You take a shower together then get into bed. You lay your head on his chest and exclaim, "Just so you know, I'm really happy to be here right now." He asks, "Do you mean on tour, on break from work, or with me?" You answer, "All three, but mainly with you. I missed you a lot. I'm sorry I told you that we should part ways until the time was right. I was overthinking and overreacting to something that hadn't even happened." He kisses your forehead and says, "I missed you a lot too. I wrote a song about you. I also ... I think you should know that I'm falling in love with you and I can't stop myself." You look at him and kiss him on the lips. You say, "I'm falling in love with you too, Eddie. I want to hear that song one day when you're happy with it." He smiles and says, "You will, baby."

Eddie: We spent that night together and we were so blissfully happy. That was an amazing night. She loved me back. All was right in the world. Y/N: We were rudely awoken by Warren who came running into the room to tell us about the night he had. Eddie kept pulling me closer and closer the whole time as Warren spoke. Warren told us that our PDA was too much before he left. Eddie: I was happy. There was never enough PDA with the one you love. Warren: Haha yeah those two were attached at the hip the whole week starting that very first night and they were always kissing or touching in some way. I wanted that so badly. I wanted a girlfriend. My time would come just not yet. Y/N: The rest of that week was amazing. We had a great week together. When I had to return to work, Eddie and I both cried. The band drove me to the airport and I saw tears in all of their eyes. I loved to see that they loved me as much as I loved them. I truly loved that band, mainly Eddie. I got back to work and was promoted. It was great. I saw Eddie and the band at two more festivals. I didn't know that the last festival was going to be the last time I saw them all together as a band. I wish I had treasured that performance and that experience more. When Eddie left the band, he just showed up at my door. Eddie: I left and I knew where I had to go. I had to go to the one place where I felt at home and at peace. I went to see Y/N. She made me feel loved and appreciated. I love her. Narrator: I notice a wedding ring. Y/N: Eddie and I got engaged a year after the band broke up. Then, we got married a year after that. Warren was Eddie's best man and he was so happy for us. We were happy to have him there. Daisy and Karen showed up too. They were both so happy for us. Billy sent a present and a sweet note. Graham was also busy that weekend. Graham visited us with his wife once. Eddie was so happy at our wedding, and so was I. It was the best night of my life. Eddie: That wedding was the happiest night of my life. I married the love of my life. It was pure bliss. Warren: Eddie and Y/N's wedding was great. There was lots of booze, lots of dancing, and delicious food. Lisa and I had a great time there. Karen kept running on stage to play songs on the keyboard with the band, they loved it. Daisy was happy for Y/N and it was good to see her happy again. Daisy: I love Y/N. I wouldn't have missed her wedding for the world. Eddie is cool. I'm glad he and Y/N are together. Karen: I don't remember most of their wedding after 10 pm. I drank a lot and had a massive hangover the next day. I had fun. I was happy that Eddie found his soulmate. Y/N: Karen said I was Eddie's soulmate and it certainly feels like we were meant to be together. Narrator: And did you get the festival booking agent job? Y/N: Haha yeah I did. I run the place now. I still book festivals, but there is more flexibility with this job. I get to do what I love, which is something I am so proud to say. Eddie is a producer and he sends some of his clients to me for festivals. We love it when we see each other at work. We call each other work wife and work husband. Eddie: I love my job and I love seeing Y/N at work. My work and home wife forever and ever.

[aroace-poly-show]

I couldn't stop thinking since your post about wxs parents, or more specifically the tenma parents, bc they actually interest me a lot

Because like, the tenma mom DOES actually come up sometimes in saki and tsukasa's side stories and an area conversation. And not just the fact she taught them to play piano, i mean more familial situations. She even appears by herself and it's usually when they're at the house and she seems really sweet and caring actually

And also whenever Tsukasa brings her up (which he seems to do more often than Saki? Or at least from the stories I've read, i might be wrong) he speaks of her in a way that seems quite fond and might imply that she is around at the house at least usually

In contrast, though, the tenma dad almost NEVER comes up. Like the only time I remember him being mentioned (that is NOT about tsukasa bringing up That Show they watched as kids or the family visiting saki at the hospital bc that's obvious they're there) was once in the hinamatsuri event about how he bought the doll stand and some helmet when they were little? smth about how he impulse buys things

And that was it. He didnt even appear

He's never actually appeared by himself at the house or any side story to my knowledge (do correct me if I'm wrong) and he doesn't SEEM to be around the house on a daily basis at all

Even in the past when tsukasa stayed at home alone it was tenmama he got calls from, at least the one they showed us

Tenpapa's job is also never mentioned unlike tenmama's. And like tenmas are implied to be at least somehow recognisable or respected of a family, or at the very least by people like the Aoyagis since they are always stated to hold them in such regard, but is it just about tenmama playing the piano? Or maybe there's smth more about the dad that we don't know?

He's just. Such an enigma. We barely have any crumbs. Even in that image of baby tenmas seeing a show for the first time from the beginning of wxs main story shows a little bit of tenmama, like we can see her hair and all, but we can only see tenpapa's hand

It's just... where is he?? At work? What does he do?? Why don't they talk about him that much??? Why won't they show him in side stories??? Am I reading too much into it???

He makes me so mad pls Sega tell me more about the tenma family im insane about them

ANYWAY sorry for writing almost an entire post in your asks it was supposed to be shorter but I accidentally spiralled deeper

Anyway tsukasa and saki definitely love their parents and at the very least the mom seems like a rly caring and overall present person in their lives. They never say anything bad about the dad either if they ever do. They seem like good parents overall. The whole tsks neglect thing, yes, of course it wasn't a good decision to leave him alone at home, but it doesn't make them bad. Tsukasa never even mentioned anything that could imply he holds it against them and ik he is stupidly forgiving sometimes and sometimes forgets about himself but still. You get me. Besides we don't really know the extent of it all so shsuhd

We just need more tenma lore dammit

do not apologize for long asks they make me very happy to read :3

i didn’t know all that abt tenmamom though!!! i practically never read side stories so. yeah no wonder i missed her fjbsjdbajdn

sega please give us more tenmadad content. or any at all really…..

and yeah!!! i can understand wanting angst but the tenmas are genuinely a happy family and they make me happy :3 i don’t think of his parents as bad even with tsukasa’s childhood bc like, it wasn’t something they wanted to do yk. doesn’t mean what happened with tsukasa wasn’t Bad ofc. either way i love the tenmas. sega can we get more tenma lore. please

[tomwaterbabies]

How do you feel about VATSK as a concept? I’ve noticed a lot of people in the fandom like it but have things they would change, so I want to know your opinion

the concept itself is something i genuinely really am Deeply intrigued by (i'd have to be if im at this level of fixated on it) and generally i absolutely love it

i DO have a habit of fixating on things that have a base concept that simultaneously lets me add my own takes to it. i like being given interesting concepts and then building off of them. i'll admit that with vat7k- it's probably the most intense it's ever been LOL.... kind of sick in the head about it

that all being said, i do certainly have things i would change both in terms of the initial concept the storyboard artists created and what some of the fandom likes to do. here are some off the top of my head:

retcon the 7 kingdoms as they appear in tangled the series. like it wasnt a big deal within tangled's story but i think these kingdoms need to be better fleshed out and have a stronger form of identity. there is no way i can accept nuru's kingdom just being Generic European Kingdom, for example. i probably would change hugo's kingdom too and focus on heavy industrialism instead of just "scary warrior women" (to be fair to vat7k, the concepts dont seem to use the 7 kingdoms in tangled as the base anyway lol but just in case... im saying i would change them)

bloodline does not equal inherent similarities. with both varian's mother being an alchemist like him and his mom's side of the family being inventors too... it implies there might have been a trope im not super fond of. instead, i prefer the idea that varian has to learn that there is no inherent, birth-given truth that makes him who he is. his family became inventors because of the environment they live in, not because of something in their blood. i like the idea that the more he learns about his mom (and the unsavory parts about her), the more he fears he's becoming exactly like her (which culminates at the end). credit again to the concept- it seems like that was the idea with ulla, i would just want to make sure that notion is consistent throughout the story

hugo's character (in regards to some aspects). ive talked about it many times before but while i love most of his character there are a couple things i'd change about him. namely the idea he's flirtatious and the idea he is greedy in the typical thief way. i think he is far too emotionally repressed and distrustful that he'd ever (even casually with intimacy) want to do anything like that (this includes all forms of affection, including platonic friendship). i also think that while his longing for Finer Things and Wealth is present- it doesn't take the form of coveting precious jewels and treasure. he would more quickly be drawn to a device with top-of-the-line material than a golden crown. this kind of ties in with my whole take that he is ever so pretentious and particular about things- but that's also a sign that deep down he just genuinely has a strong spirit and sense of self, i just dont think he realizes this and considers himself a bad person, but doesnt really care if hes stuck being bad (lie). he is also, yknow, incredibly intelligent with a brilliant mind that makes him stand out to other thieves. this is important, and something varian can see quite clearly

varian's past is a big plot point. credit to the fandom this time, it does seem like this is generally accepted as something that should happen even if the concept doesn't seem to really talk about it at all. i would definitely want to delve more into the trauma varian has and the guilt he carries with him and how that works with hugo- someone also holding guilt and trauma. not to say the others would have nothing to do with it- they would! it's an important part of the story, for me, to depict how these characters handle trauma and a past they're not proud of (and even scared of)