#ymmv.

[cleromancy]

tim drake 🤝 inspector javert

[egophiliac]

just something I wanted to try! (tumblr please don't absolutely destroy this, thank you)

[threebea]

I have started to think of the Jedi being blamed for the Fall of the Republic like blaming firefighters for wildfires.

They have been fighting fires (corruption) for years, but the fire is getting bigger and hotter and spreading farther. They're doing their best but there aren't enough of them to go everywhere there are fires. The Senate points them to where really big fires are, but sometimes it turns out they just want their property saved and there weren't that many people in the building. The Jedi still save lives but they have to look at the bigger picture and hope volunteers will put out the little fires because they simply don't have the people for every little fire even though they wish they did. The Senate starts restricting their use of water. Then an arsonist, Palpatine, is made mayor and takes control of their budget.

Dooku and the CIS start lighting fires on purpose. Palpatine let's Dooku know where the most flammable places are.

And the firefighters (Jedi) keep fighting the fire. They can't not fight the fire. People will die if they don't fight the fire. Then the government is like: there are not enough firefighters to fight the fire, but here is a large population of people we will force to fight the fire with you. You shouldn't have qualms, apparently an individual that used to work for you is the one that paid for their training so really they're your responsibility. You'll be in charge of them on the field and get to watch them die, but we control their lives and have decided they're not people so we don't have to pay them. Good deal. We are good at fighting fires.

And the Jedi can't say no because they need to stop the fire and they can't do it alone at this point. Many of the Jedi are killed in their attempts to stop the gasoline fire Dooku lights and it shows how badly they need these new people.

Luckily, the people drafted to fight with them, the clones are also good at fighting fires! It's dangerous many clones will die, but despite having no choice they stand beside the Jedi bravely. The Jedi do everything in their power to protect them. They fight alongside them and try to minimize loss.

There are a few Jedi that get overwhelmed by anger or trauma. They become arsonists themselves, but the number of those that do can be counted on one hand compared to the thousands of Jedi that continue to fight fires.

Sadly, the clones have explosives inside them that Palpatine, the mayor, has the trigger for. Just when it feels like the fire is under control and the people lighting the fires have been stopped, Palpatine sets them off.

Most of the clones are never the same. They think the Jedi had to have set off the bombs inside them, even though they would have never thought them capable of it before. Most never learn the truth. They hate the Jedi for being traitors.

Most of the firefighters die. And their families too. Their children and uncles and aunts and grandparents, and cousins even if they weren't capable of fighting fires they all get burned to death.

The mayor declares it was the firefighters lighting fires and outlaws being a firefighter.

Some of the Jedi survive. Some of them can't bring themselves to fight fires anymore. Some of them keep doing it because it's what they were trained to do. A lot of them are novices who didn't know all the best techniques, but they find their own methods to put out fires and teach others how to do it as well.

And the rebellion begins because when you see fire the logical thing to do is put it out, but all the firefighters are dead or in hiding and being a firefighter is illegal. There's no one to call so the town's people start doing it themselves, inspired by the Jedi.

This becomes extremely important when the mayor makes a device that can light entire cities on fire at the push of a button.

Anyway that's my metaphor and maybe explains my point of view when it comes to the Jedi.

[radiojamming]

A sacred text. A belovéd vampire. A tragic reminder to us all.

Acrylic, gold leaf, and silver leaf on goatskin vellum. Marginalia to come when I have time.

(Thank you to @wayneradiotv and @socpens for this incredible moment in streaming.)

[guardian-of-soho]

The next time Crowley takes off his glasses in front of Aziraphale will kill me instantly.

[fandom-geek]

i think the thing that really gets me about pre-canon durge is their absolute sense of duty, and their utter isolation outside of the cult of bhaal.

most of the cultists seem eager to see durge upon their return, and one even says they were the first to feed him flesh. gortash tells them of an exhibition of a bhaalspawn's corpse and another bhaalspawn's creations and durge immediately plans to attack the hall of wonder to recover them. they then apparently entrust said bhaalspawn's corpse to sceleritas fel to "restore" through taxidermy. they deride orin for her artistry with corpses explicitly because "bhaal will never care" and because orin "[does] not understand lord bhaal".

even their infamous prayer for forgiveness is framed around their absolute submission to bhaal's plans, and the crime that requires forgiveness? admiring his rival's chosen. that's one line, and the next three paragraphs are swearing to carry out his plan exactly as they've been told to, all for his forgiveness.

hell, even their room reinforces this. orin has barely touched the place aside from installing her mother's corpse and her manifesto - and that is some of the only decoration. what was it before orin, an empty room with skulls, a bed, a desk, some chests and a wardrobe?

the durge didn't have any semblance of a life outside of bhaal, aside from gortash. and is it any surprise? the only other hint they ever had a life outside of the cult is the flashback of kid durge murdering their adopted family, all thanks to their father's urging.

bhaal even tries to force them back into isolation after they've been tadpoled by forcing them to kill alfira, and then trying to force a durge who resists him to kill their lover. if they continue resisting, bhaal kills them. bhaal will not allow them to have a life outside of him and, if it weren't for jergal, he would've succeeded.

[namtan]

THE NEXT PRINCE (2024)

[thisisadonaldduckblognow]

all the rise boys get done dirty on characterization by fandom in different ways i think. (not ALL the time every fanwork etc etc these are just like, trends i tend to notice?) every fandom suffers from losing character nuance.

- leo i’ve talked about plenty on this blog, how some of his canon traits (genuine belief in his skill and cockiness, capacity for joy, his manipulativeness whether for good or ill) seem to get watered down or wiped off the board and supplemented with generic sad boy. his struggles with purpose and identity and not wanting to fail somehow morph into “he hates and completely holds no value for himself”

- donnie’s canon personality gets blurred out and largely replaced with whatever list of Neurodivergent Traits. and i think there’s such a fine line to walk between exploring a character that’s been word of god confirmed as on the spectrum and overwriting what’s canonically there. it’s a hard needle to thread. it also feels like a lot of his canon emotiveness gets left off the table for some reason. bc he does have his moments of flat/deadpan delivery, but a lot of the time he’s honestly very emotive. he has the passion of a theatre kid and the vindictiveness of... also a theatre kid. and the mind of a scientist.

- raph loses so much of his rowdy teen boy energy it’s kind of wild? like interpretations sand off that he’s also impulsive and can be reckless and dumb and LOVES fighting and roughhousing and isn’t the most eloquent person. suddenly there’s this pitch perfect soft boy big bro who would never hurt a fly and always says the exact right supportive thing and singlehandedly raised his 3 brothers (which simultaneously sands off all the nuance of splinter’s issues emotionally connecting with his sons and how that affected all of them). and like i LOVE raph, he’s so full of love and care and anxiety, he clearly has learned to put a lot of work into being aware of his strength and size. but there’s a difference you know?

- mikey is like. where raph gets overparentified by fanon, mikey gets over “family therapist”-ed IMO. the impulsiveness, the goofiness, the powerful emotions including a VERY powerful temper, the flat-out dumb teen boy choices... they get ignored. suddenly there’s this only very sweet and earnest boy who has read a hundred psychology books and runs group family therapy weekly or something. he is crying in his room bc leo and raph are arguing about something. which is so. he IS very sweet and can be very earnest and is full of love! he HAS come in with his opinions and unsolicited advice a couple of times and life coached for the greater good. but there’s a difference between what he does in canon and the role he gets in fanon.

[tj-crochets]

Donut isopod!!!!

Made using a pattern by Cholyknight (aka sewdesune) and frosting fabric from a spoonflower designer I cannot remember but will find a link to if anyone wants it

[comfort-questing]

crow's personal ranking of idioms about dead-ness, for whump purposes

"half dead." basic and classic, and can be used both actually and figuratively ("you look half dead" ie. we all know you didn't sleep last night). 6/10, not bad, points deducted for the frequency of figurative use where nothing actually happened to a character and they just need a nap

"more dead than alive." now we are committing to at least 51% dead, which is promising. I have never heard this used figuratively in a narrative so if someone says it about a character, they mean it. they looked, and dead was the predominant impression. good whump should be expected hereabouts. 8/10.

"dead on their feet." usually used for exhaustion, but honestly, a peak descriptor of exhaustion. 7/10 for that reason alone. we've all been there.

"all but dead." ...does anyone ever say this, or did I just come up with it? -/10 since I don't feel ethical rating it if I'm the only one who uses it

"threshold of death/on death's door/brink of death/verge of death" - dated but also, classic. a solid option overall, implying suspense, uncertainty of outcome. 5/10, nothing special but no complaints really

"looking like death" - equally appropriate for emotional or physical whump, but needs more detail to follow up so we know which one is meant. 4/10 in the abstract, due to ambiguity

"inches from death." have hated this one ever since I was a small crow, because it's usually used for narrow escapes - nearly stabbed, nearly crushed by a falling object, nearly bitten by the monster. emphasizes spatial arrangements to the detriment of actual effects. 2/10 since it can be used for whump, just rarely is

"dying" as an adjective describing a character. is it foreshadowing? is it a medical descriptor? it's probably foreshadowing, or else we're going to have a magical healing deus ex machina. either way, not a thing this crow is super into... 1/10, I'm sure it has potential though.

"left for dead" mmmmmmph... this one is underrated... implying either ruthless, targeted brutality, or perhaps callous abandonment by someone. either way, whump is inevitable to follow. 10/10. whumptober knew what they were doing picking that prompt, and every year I try to find a way to live up to its promise.

"deathly cold/deathly still" ... never out of place or out of style, a clear statement that something is very wrong, a sign of escalation of the situation. equally excellent for finding a teammate in a dungeon, or for checking in worriedly on a sick character in the middle of the night. next-level whump, and especially great for terrifying caretakers. 11/10.

[hexblading]

Nanami Kento is absolutely a guy that bites.

Like, randomly bites you. You guys could be lying on the couch, a movie on while your minds are miles away, enjoying comfortable silence together as you unwind from the fatigues of adulthood together.

Then he looks at you, eyes empty at the screen, knowing you're not paying attention— just relaxing. It's dark, the TV lights up you both, he's memorizing the curves of your nose, noting how the little differences in light makes you look somehow more beautiful than the last.

Then your eyes meet. A smile, which is returned. And then he leans down, your eyes locked the entire time.

He then fucking bites you like this

[brain-wyrm]

[threebea]

Have we considered for modern aus Obi-Wan is just high charisma and British and isn't actually the Professor TM archetype. Now don't get me wrong, I Iove University Professor AUs. Never stop making professor Obi-Wan aus, but consider alternative professor Obi-Wan career path.

He's got street smarts, and he's witty, and yes he's smart. He picks up things. He speaks several languages, and can fix a hyperdrive jet engine(?). However, he would be so restless in an academic career.

Modern AU he is a man doing parkour well into his thirties and forties despite his knees. He knows how to fly a plane because an old friend taught him, but he doesn't have a pilot's licence. He has been in drag races but also hates driving because he doesn't feel safe on highways. He didn't graduate highschool because he and Qui-Gon were 'backpacking' (Qui-Gon's words) around the world during his teens but he got his GED eventually it's fine. He dropped out of university but says he went to X University when asked so people just assume he graduated. He was definitely in at least two bands during his early twenties.

When he takes in Anakin he becomes a university professor because it seems like a stable gig. He has no credentials and gets his position through charm, half-truths, and extremely good references. No one bothers to ask to see his degree. Anakin is an illegal immigrant. Obi-Wan probably didn't even have any sort of official custody. He has broken so many laws. He volunteers at temple and is well liked in his community.

He does get Anakin's legal status straightened out eventually (somehow without being arrested), but Anakin doesn't go to actual school until grade nine.

Obi-Wan teaches law. It's always good to know the law when you break it so much.

[hestzhyen]

An Extremely Subjective HakuHiro Romantic Trope Breakdown

Greetings, void. This arc is rough and the brainworms won't let me write my own hurt/comfort fan fiction- they demand half-baked analysis instead of lovemaking. So have the closest thing that passes for fluff from yours truly.

In essence, this is just a list of the explicitly romantic tropes I love applying to HakuHiro with varying degrees of gushing ship babble as justification. Some are definitely skewed hard towards headcanon but there's always at least a tenuous connection to something that's demonstrated in the work itself. Proceed if this kind of brain rot sounds like your jam! Otherwise just please let me die from cringe in peace.

Battle Couple

Offense and support working in perfect harmony.

So this is just one of my personal favourites, but Chihiro and Hakuri definitely have strong vibes for this trope. They fought together in an absolutely stunning display of mutual trust and understanding in the Rakuzaichi Arc. Seriously, these guys pulled off some truly spine-tingly good moves to take down Kyora despite Hakuri only just awakening to his powers the very same day.

They demonstrated this again in the train fight protecting Uruha- Hakuri and Chihiro only need the bare minimum of communication between them to fight in style. I look forward to more chances for them to show off their teamwork! If they end up fighting back-to-back in canon I'll probably just straight up ascend to fudanshi heaven on the spot. I LOVE BATTLE COUPLES.

Love at First Sight/Rescue Romance

"This is the kind of man I need in my life."

Love at First Sight is pretty self-explanatory: person A sees person B and immediately falls head over heels. It's easy to slap that on Hakuri in his introduction chapter- he's only missing an invitation to get to know each other over some coffee when they finally meet up, really. Unless asking someone to help you kill your family is the Kagurabachi universe's equivalent...?

As for Rescue Romance, it's another very simple scenario: person A is saved by person B, which causes them to fall in love. Chihiro saves Hakuri with the other random people at the site of Sojo's massacre attempt, and Hakuri... yeah. You get it.

I think there's a better trope to associate to this later on in the list, but Love at First Sight and Rescue Romance are still apt and very funny tropes to apply towards Hakuri's first impression of Chihiro. The way he waxed poetic over the mystery samurai who saved and inspired him had me in stitches. Seriously, my oldest notes on Hakuri from that chapter are mostly just laughing about him being really passionate about Chihiro for someone who's not intended to be a love interest! Go get 'im, Hakuri. He needs you in his life just as much as you need him in yours.

Mindlink Mates

Don't need to hear each other at all if you just "get" them.

This is something I like to apply as a Fanon concept based on what happens in canon. Hakuri and Chihiro aren't literally linked mind-to-mind via telepathy, but both of them have a deep understanding of what the other's thinking and feeling at any given moment. I really like the concept that they understand everything about each other on an instinctual level. It's mostly fueled by the Aun concepts that have been associated to them, which I'll get into during a later section. But yeah. Hakuri and Chihiro being borderline telepathic in how they can sense the other's status. That's crack cocaine to me and it's not too far removed from canon so I'm running with it.

I also really like the idea of their strong emotions and desires bouncing off of and amplifying each other's, but I don't know if there's a specific trope for that, so it gets placed here at the end of this tangentially related section. Also not something far removed from canon given how they both fuel each other's self-destructive savior tendencies because they feel the same way!

Moe Couplet

They're so cuuuuuuuuuuuuuute

A Moe Couplet is essentially a pair of characters that enhance each other's cute traits. Separate, they are perfectly fine individuals with their own appeal. Together, they are adorable and capable of some tooth-rottingly sweet moments. This trope isn't typically associated with romantic duos in stuff aimed at general audiences, but it's common in BL as the basis for "fluff" works and wholesome pairings.

This is probably the biggest stretch to apply towards canon on the list, honestly. We haven't seen that much moe moe action from Hakuri and Chihiro- they're kind of busy fighting for their lives or hurting themselves to save others most of the time. But the few moments we get send me straight into cuteness agression-induced brain rot every time I think of them.

Most of this trope label for HakuHiro comes from little details. Like Chihiro often being shown reassuring Hakuri, and Hakuri getting some of the sweetest smiles out of him in return. Hakuri brings out Chihiro's soft side when Char's not around to do so and Chihiro helps Hakuri be his absolute silliest. These guys are are so good to each other! They melt the ice around my cold, dead heart into a slurry of hnnngh and incoherent shipper screeching.

What's it actually based on though? Well, I thought I was just doing normal delusional fudanshi things by thinking Hakuri is extra cute when he's around Chihiro and vice versa. But then Hokazono-sensei threw me a bone in an interview by saying he intended for Hakuri to "bring out Chihiro's personality and add some cuteness". And I. Just. I exploded into confetti on the spot. MOEEEEEEEEEEEEEEEEEEEE

One True Love

This ship is not merely an OTP to me, if you haven't noticed.

Note: "ai" is not inherently romantic despite it being the end-goal of pretty much every romance novel out there. It's for deep, profound affection felt for someone- friends, family, even pets. It's rare and not commonly said aloud outside of the climax of a love story is all!

This is mostly tied to Hakuri's experience with love growing up and how he can find out what 愛 [ai, purest and deepest love], really means.

Hakuri probably has no fucking clue what love of any kind is really supposed to look or feel like, much less the ultimate form of it. His father threw ai around as something to manipulate his children into serving the family tradition. Soya used it as an excuse to torture him. This was deliberately done to contrast with the love that Chihiro knew growing up- true ai between father and son, which was cruelly ripped away from him.

So let Chihiro teach Hakuri, and Hakuri provide in return. They're already each other's perfect partners anyway so just put a romantic spin on it!

Hakuri finding unconditional love he doesn't fear in Chihiro and Chihiro finding the same in Hakuri once more. Neither of them ever needing to fall in love again because they slot together so perfectly to fill the gaps in each other's hearts. Oh I'm gonna die...

Opposites Attract

If not meant to be canon, why colour coded as opposite compliments? :thonk:

This is the trope that activates a primitive part of my brain that overrides all thoughts with eeeeeeeeeeeeeeeeeeeeeee noises when it comes to HakuHiro. Hakuri and Chihiro are true opposites that are perfectly balanced to contrast and compliment each other, resulting in a duo greater than the sum of it's parts.

Hokazono-sensei made his intentions about Hakuri and Chihiro extremely clear by going so far as to colour code them for us. This is the protagonist and his foil/deuteragonist guy who is Important as Fuck. The level of detail in designing and writing them reads like he took this trope extremely seriously and said "let's save the Hero + Lancer coding for Hiyuki instead". 'Cause as much as I love her, Hiyuki's got nothing on Hakuri when it comes to this trope. Her thing is closer to being the same person as Chihiro with the opposite frame of mind and mode of expression- it's Hakuri and Chihiro who are the true manifestation of Opposites Attract down to the tiniest details. I'm ready to die on this hill so come at me and put me out of my misery.

I mean just look at these guys:

Chihiro: black and red, stoic, reserved, serious and polite, slim and straight profile.

Hakuri: white and blue, emotive, outgoing, silly and casual, loose and boxy profile.

They invert the same ways under pressure; Chihiro stresses and falters while Hakuri focuses and buckles down. Their fucking backstories are in on it too: they both lost their father's love but under distinctly opposite circumstances. Even the love they received was contrasted since Kunishige was a perfectly wholesome dad while Kyoura used love in an abusively manipulative way! And that laid the foundation for the premise of the Rakuzaichi arc- Hakuri wants to destroy his family's legacy while Chihiro still wants to do right by his. It would take a whole 'nother post to list everything between them because every single detail about one is carefully crafted to be present in the other in order to complete their characters. It's absolutely insane and it's what really sold me on the ship.

The level of care put into writing Hakuri and Chihiro as opposites who complete each other is out of this fucking world. I'll feel sorry for whatever girl gets assigned to be a mandatory heterosexual love interest for either of them because there's just no way to compete when two people are written to be so thoroughly intertwined with each other.

(To clarify just in case: I don't think Chiyuki is a bad ship. I'm not trying to trash it and say HakuHiro's better or more legitimate somehow. I just have an issue with shounen romance in general because the girls don't get nearly as much narrative effort to make them compelling companions to the MC compared to the "best friends" and Kagurabachi is doing nothing new in that regard so far. Hokazono-sensei can actually make a bigger impact by refusing to tease Chihiro and Hiyuki at all instead of going down the tired old path of obligated sub-par heterosexual ship tease/romance IMO.)

The Power of Love

Nice Heroic Second Wind you got after thinking about Chihiro there, Hakuri.

So this is definitely skewed towards pure delusion on my part, but that's what we're all here for anyway. Power of Friendship? Never heard of it.

Basically, person A uses their love for person B to power up and overcome the hardship they're facing. In this case, I'm interpreting Hakuri's tendency to think of Chihiro when he's in dire straits as romantic!

Hakuri comes in clutch a lot and his feelings abut Chihiro are the reason he can do it. The memory of his samurai refusing to yield gives Hakuri the strength to keep standing and finally put Soya down in chapter 36. He does it again in a sadder way in Chapter 58 when he thinks of Chihiro and musters the last of his strength to summon him too late to save Uruha. I have no doubt that he'll have more of these moments as the series goes on, too. Chihiro is kind of hope incarnate to Hakuri.

Chihiro's drawn strength from his feelings for Hakuri too, but not in a pinch kind of way like the Power of Love trope typically implies. I'm just waiting for the day when it's his turn to use memories of Hakuri to keep standing (never gonna happen)!

Ship Tease

Putting this here for lack of a better term, but there's a running gag about Hakuri and Chihiro's relationship that's been escalating in intensity since the early parts of the Rakuzaichi arc. It only comes across in bits and pieces in English compared to Japanese, sadly, but I'll do my best to explain it.

Basically, I'm interpreting the jokes about Hakuri acting like a dog as deliberate ship tease for the lols from the author.

"Paw. Shake. Good boy."

It starts in chapter 28 with Hakuri dropping everything he's doing to run over to Chihiro when his name is called. It's really cute and funny and not something that can get lost in translation- Chihiro calls, and Hakuri comes. Just like a loyal dog to it's master.

It's set aside for a while until the Sword Bearer Assassination Arc starts up and Hiyuki drops this banger during the trial in chapter 46:

"But where he [Hakuri] stands is a big pain in the butt. He's not the one calling the shots." - official TL

Of note is the term Hiyuki used to say that Chihiro's the one in charge: 舵取り [kajitori]. The normal meaning for it is "steering a boat" or "helmsman" with the secondary being leader/director, so it's not like the English TL messed up. Same meaning different wording. What's lost is the subtext: 舵取り as Hiyuki's using it can also imply that Chihiro's in charge of Hakuri like the owner of a dangerous guard dog would be lmao. Hakuri kind of earned that jab after threatening to leave her in the storehouse to die if she hurt Chihiro, though.

And then there's this completely unnecessary scene from Ch. 50...

"Who's this? This little squirt smells like Chihiro, but he's not Chihiro."- official TL

The TL again isn't bad here but it really downplays just how fucking weird Samura is (which downgrades the rocket propellant to mere ship fuel). Samura's phrasing about Hakuri smelling like Chihiro was so batshit insane in Japanese that fellow JP shippers felt compelled to reach out to the rest of us in English to let us know, which is almost completely unheard of.

Basically, Samura wasn't saying that Hakuri merely smelled like Chihiro. He actually said that Hakuri was wearing Chihiro's scent, completely enveloped in it to the point of smelling identical to him. A native JP reader (in the link above) said that in their interpretation, the word "まとって [matotte]" isn't really used for friends, but more for lovers, family members, or dogs and their owners in the sense that being so physically close all the time causes their scents to rub off on each other.

It's not a normal term used to describe smelling like someone in the first place. When Samura meets younger Chihiro in the flashback and says he "reeks of Rokuhira", he uses the typical word for "smell/scent" (香り [kaori]) in Japanese. So for some reason we just had to know that Hakuri smelled like Chihiro in the way dog or a lover would, huh... so much so that Samura thought he actually was Chihiro... (I can't get over this, it sends my sides into orbit every fucking time).

So yeah. That's some top-tier ship tease if I do say so myself. What that dog doin'? What did they get up to on the train before meeting with Uruha? That's for us to decide!

Soulmates

It's not exactly hard to see that Hakuri and Chihiro have a bit more going on between them than standard friendship or brotherhood, even for a shounen series. Even some dudebros acknowledged this before the fandom gave over to homophobic trash anyway.

It all stems from Hakuri invoking one of the most potent romantic tropes there is as soon as they meet:

"That day, a samurai lit my helpless existence on fire."

Jesus Christ Hakuri, that's some passion!

I think the "soulmates" trope is the most fitting description of what's going on between Hakuri and Chihiro from the very first time they meet. I'll even go so far to say that it actually has a pretty damn good case for being canon in a platonic sense!

For the uninitiated (like I was), the soulmates trope is invoked when two characters feel a strong and immediate connection upon first meeting each other. It can be one-sided or even completely rejected by both at the start, but they will always find their way to each other since they are fated to be. The whole world falls into kilter when they get together even if they were perfectly functional people on their own before. HakuHiro is this trope to a fucking T in my mind. Absolutely flawless execution, 10/10 no notes.

Hakuri's part is obvious- he sees Chihiro and decides he must have this amazing person in his life no matter what. He feels the pull of destiny and answers the call with an overabundance of enthusiasm.

Chihiro's part is more subtle. He does the one-sided rejection thing at the start by running away, but fate pulls them together via circumstance and he takes Hakuri back with him. And somehow, for some reason, Hakuri is the first person he opens up about his genuine feelings to in a surprisingly raw way:

"If I don't do something, and a sacred blade takes the lives of innocent people... I wouldn't be able to bear that..."

He met the guy minutes ago, tried to run away from him, then decided to bear his heart to him in the elevator. Chihiro's a natural stoic who doesn't show much of what he's feeling and generally keeps thoughts like this to himself. But Hakuri brings out this softer, more vulnerable side to him that no other character has before. Then as the arc progresses, Chihiro comes to rely on Hakuri more and more until it's crazy to think that he ever ran away in the first place. It's like they were always meant to find and save each other.

I'm not looking too hard at this with shipping goggles strapped to my face. We get confirmation that this is what's going on with them via The Word of God Himself:

From the Volume 4 description: 一方、兄からの愛と暴力によって地に伏した伯理。今際の際に脳裏を過ったのは、ある少女との日々だった。極限の中、二人の少年の魂が呼応する。

"Meanwhile, Hakuri is struck down by his brother's love and violence. On the brink of death, he remembers the days he spent with a certain girl. In the midst of this extreme tension, the souls of both boys resonate with each other."

The last sentence is basically more total harmony/Aun imagery for Hakuri and Chihiro. 呼 (ko) means to call and 応 (ou) means to respond. Together, 呼応 means to act in concert. So Hakuri and Chihiro's souls call out and respond to each other in perfect sync when they're in dire straits. It's canon!

If that's not enough, then there's also the Aun imagery. It was left out of the EN Chapter 38 colour page as usual (never gonna forgive the EN version for removing the text), but basically the author used deliberate religious imagery to tell us that Chihiro and Hakuri have an inherently harmonious relationship. A and Un, in perfect sync- whatever one starts, the other will finish. The beginning and end of all things. A perfect pair.

They demonstrate this lethal effectiveness by working in tandem during the storehouse fight, with Chihiro only needing to yell Hakuri's name for Hakuri to perfectly interpret everything he's thinking and execute on it flawlessly. It's absolutely insane stuff even if we disregard Hakuri only woke up to his power less than an hour ago in-universe isn't it?! And they repeated the stunt the next day while protecting Uruha, so it wasn't just a one-off for a cool moment. It's core to their dynamic for their souls to resonate in total harmony!

And just to top it off, we got a funny little gag of Chihiro and Hakuri passing out and waking up at the same time side-by-side after the auction, totally in sync.

All of this within a week of meeting each other.

Some actual romantic soulmate couples don't get this much effort put into coding their relationship, just saying. I also don't think people would be so quick to jump on the sibling interpretation after Shiba's "What are ya, twins?" joke if Hakuri and Chihiro were a heterosexual ship option, just sayin'.

Unknowingly in Love

No sad pictures of dead Kunishige in this post!

This is another one that's far closer to fanon than canon. It banks on the fact that both of them grew up isolated and, quite frankly, probably poorly socialized compared to the rest of the world.

Chihiro lived with just his dad in a remote mountain home and only occasionally visited the town nearby with Shiba. No friends, no school even. Hakuri lived on the secluded Sazanami estate surrounded by his family and saw some of the outside world, but likely only the criminal elements of it. Plus there's the whole growing up only knowing love as something abusive and manipulative thing; even his parent's marriage was strongly implied to be arranged and joyless. Neither of these guys have anything decent in their personal lives to reference from!

So in my mind, while Hakuri and Chihiro have certainly heard of romantic love and thought about it themselves, they wouldn't really have an idea of what it feels or looks like to them. Couple that with being each other's first friends ever and you've got some extremely potent fluff (or angst) about them being unaware that what they're feeling isn't platonic.

You Are Worth Hell

I will follow you into the dark.

And to round things off, one of my favourite romance tropes ever! But it's not canon at all- YET.

You see, Hakuri and Chihiro are constantly pulling each other forward. When one stumbles, the other's there with a helping hand. But what happens when one descends into hell like Chihiro says he's doing this very arc? Will the other try to throw them a lifeline and hope for the best?

Nay! The other will stay by their side out of love.

This trope can veer too close to toxic situationship scenarios for comfort, it's true. Characters staying to "save" someone or letting themself get dragged down at their own expense is not healthy at all. But the core sentiment of this trope is that anything is bearable if you're with the one you love. The emphasis isn't on the mutual suffering but rather the comfort of being together despite it all.

My personal interpretation of the relationship between Hakuri and Chihiro is that one was born in hell (Hakuri) and the other has condemned himself to it (Chihiro). Hakuri's trying to rise up while Chihiro has consigned himself to sink further into the darkness. They met at at a crossroads on their respective journeys and are walking together for a while. And when Chihiro takes a turn to keep going further down, I think Hakuri will stop him from going too far. Hakuri will be the light in the gloom until the mission's over. Then they'll figure out if they can make it back up or not. And if they can't? Well, he was already at rock bottom before Chihiro came into his life. It's worth it to stay in hell at his side and face everything together.

So I think this can apply very well to HakuHiro as the current arc progresses. Hakuri choosing to stay as a partner to provide support rather than trying to save Chihiro at his own expense would be huge character growth for him. And Chihiro accepting Hakuri's gesture would be growth for him too- he doesn't have to do this alone. There's no truly Bad End for their stories if they are walking side-by-side to face the hardships together until the end.

That's it. If you got through all this, thanks. Yap at me about tropes I missed! I love hearing the myriad ways other people interpret this ship. Unless you think fixed left-right boring seme/uke stereotype ChiHaku is the only valid interpretation, in which case we can never be friends. Sorry not sorry.

[queenlucythevaliant]

This came to me in a dream

[churrochamp]

Let's talk about Merlin and lying. This isn't meant to be character bashing, but it might not be the most generous take either.

In All About Love, bel hooks writes: "In our culture privacy is often confused with secrecy. Open, honest, truth-telling individuals value privacy. We all need spaces where we can be alone with thoughts and feelings - where we can experience healthy psychological autonomy and can choose to share when we want to. Keeping secrets is usually about power, about hiding and concealing information."

(hooks has a lot more to say about the reasons why people lie in relationships, and our need for love and difficulty with love in general. Book is fantastic, highly recommend.)

The question is: was Merlin's years of lying about his magic, and all that he did in Arthur's defence, justified? Why'd he do it?

I've been trying to think through how the fandom generally interprets Merlin's character and choices in the show, and how this character makes me feel. It's really complicated and interesting (to me at least lol).

I often see the claim that Merlin lied about his magic for years out of fear for his safety, but it's never fully satisfied me as an explanation. Given that as a fandom we pretty much all agree that magic can be a metaphor for queerness, there's a natural alignment with the claim that queer people aren't ever obligated to come out, for any reason, but it's often said, especially if their physical safety might be jeopardized (which I agree with btw).

And it's true, given Camelot's genocidal laws, Merlin's life could be threatened if he revealed himself as a sorcerer. On the other hand, Merlin is basically all-powerful in the universe of the show, and I don't think the rest of Camelot could do much to him if he were prepared.

What's more convincing to me is the claim that Merlin's afraid of the potential emotional harm that could come from revealing himself. What if Arthur hates and rejects him? That's something his magic can't defend against.

I think Merlin's heart is in the right place. He believes all his work is done in service of Arthur and their joint destiny, which is the good of Albion. And he does save Arthur's life a whole dang lot.

The issue is, probably a good half of the show's major conflicts directly relate to Merlin's actions and inactions - usually, lies he's telling (Morgana, Mordred...). Conflicts that maybe could have been resolved with much less harm if Merlin, who often is the only one with crucial knowledge, had made different choices (and Gaius too oh my GOD). Dude is shooting himself in the foot. Merlin's lying isn't just about personal privacy and autonomy. It becomes a fundamental part, baked into his relationship with Arthur and his role in their prophecy (and the governing of a kingdom jeez).

In addition to plot SNAFUs, the way I see it, Merlin's lying has two major consequences for him:

His most important relationship, with Arthur, is deeply flawed and incomplete.

Merlin remains the most important, influential character in the show. His energies go to trying to keep the power for himself.

As bel hooks argues, there can't be true intimacy in a relationship if one or both parties withhold and deceive the other. This could look like lying to manipulate the other party to get what you want, or even lying to make the relationship go easier. Relationships built on untruth aren't fair to all parties - the deceived person can't make informed choices in the relationship, and the deceiving person robs themselves of the opportunity to be fully supported and loved for who they are. When Merlin lies to Arthur about magic, when he tells Arthur that magic is evil, even if it is for "his sake," he's taking choice away from Arthur often at crucial moments, for both their relationship and the well-being of the kingdom. Without knowledge of the truth about magic, and about Merlin, Arthur can't make fully informed choices as a king or a partner. Things go to shit, and it's terribly lonely for both of them, even if only one of them know about it. Merlin's reason for this might be fear of pain. However, when you don't give someone the opportunity to love or reject you for who you are, how can you feel held by that person? You deprive yourself of the chance.

Another reason to lie can be desire for power and control. By keeping the secret of his magic and their destiny, Merlin keeps all the responsibility and power to himself. This is the premise of the show: Merlin is the only person who can turn Arthur into a good king, save magic, secure Albion's future well-being--and he must do it all secretly. The show jokes about it, the characters joke about it. This premise is a kind of power-fantasy - being the secret power working from the shadows, using all your wit and guile to succeed despite the secrecy, risking life and limb for no recognition, but having the satisfaction of knowing that you are instrumental. It's very James Bond. Without the secrecy, what would be the point of Merlin? The secrecy might be part of what makes Merlin feel special, worthwhile.

As the years go by, the lies compound and the relationship becomes inseparable from them. The most significant on a personal level, probably Merlin's poisoning Morgana, Mordred, Ygraine, and Sophia.

Merlin can't control all the factors, he can't do it all by himself, he can't make Arthur into the ideal king and boyfriend of destiny, and from the start it's a doomed endeavour. Luckily Arthur loves him all on his own, and does get to see him at the very end, and they'll get a second chance.

So in summary, why does Merlin lie about his magic and his actions for so long? Fear, love, and power, is what I suggest. And ultimately it leads him and Arthur to ruin. It's not exactly exemplary behaviour, but it is very very human.