#ymmv.

[cleromancy]

tim drake 🤝 inspector javert

[egophiliac]

just something I wanted to try! (tumblr please don't absolutely destroy this, thank you)

[threebea]

I have started to think of the Jedi being blamed for the Fall of the Republic like blaming firefighters for wildfires.

They have been fighting fires (corruption) for years, but the fire is getting bigger and hotter and spreading farther. They're doing their best but there aren't enough of them to go everywhere there are fires. The Senate points them to where really big fires are, but sometimes it turns out they just want their property saved and there weren't that many people in the building. The Jedi still save lives but they have to look at the bigger picture and hope volunteers will put out the little fires because they simply don't have the people for every little fire even though they wish they did. The Senate starts restricting their use of water. Then an arsonist, Palpatine, is made mayor and takes control of their budget.

Dooku and the CIS start lighting fires on purpose. Palpatine let's Dooku know where the most flammable places are.

And the firefighters (Jedi) keep fighting the fire. They can't not fight the fire. People will die if they don't fight the fire. Then the government is like: there are not enough firefighters to fight the fire, but here is a large population of people we will force to fight the fire with you. You shouldn't have qualms, apparently an individual that used to work for you is the one that paid for their training so really they're your responsibility. You'll be in charge of them on the field and get to watch them die, but we control their lives and have decided they're not people so we don't have to pay them. Good deal. We are good at fighting fires.

And the Jedi can't say no because they need to stop the fire and they can't do it alone at this point. Many of the Jedi are killed in their attempts to stop the gasoline fire Dooku lights and it shows how badly they need these new people.

Luckily, the people drafted to fight with them, the clones are also good at fighting fires! It's dangerous many clones will die, but despite having no choice they stand beside the Jedi bravely. The Jedi do everything in their power to protect them. They fight alongside them and try to minimize loss.

There are a few Jedi that get overwhelmed by anger or trauma. They become arsonists themselves, but the number of those that do can be counted on one hand compared to the thousands of Jedi that continue to fight fires.

Sadly, the clones have explosives inside them that Palpatine, the mayor, has the trigger for. Just when it feels like the fire is under control and the people lighting the fires have been stopped, Palpatine sets them off.

Most of the clones are never the same. They think the Jedi had to have set off the bombs inside them, even though they would have never thought them capable of it before. Most never learn the truth. They hate the Jedi for being traitors.

Most of the firefighters die. And their families too. Their children and uncles and aunts and grandparents, and cousins even if they weren't capable of fighting fires they all get burned to death.

The mayor declares it was the firefighters lighting fires and outlaws being a firefighter.

Some of the Jedi survive. Some of them can't bring themselves to fight fires anymore. Some of them keep doing it because it's what they were trained to do. A lot of them are novices who didn't know all the best techniques, but they find their own methods to put out fires and teach others how to do it as well.

And the rebellion begins because when you see fire the logical thing to do is put it out, but all the firefighters are dead or in hiding and being a firefighter is illegal. There's no one to call so the town's people start doing it themselves, inspired by the Jedi.

This becomes extremely important when the mayor makes a device that can light entire cities on fire at the push of a button.

Anyway that's my metaphor and maybe explains my point of view when it comes to the Jedi.

[radiojamming]

A sacred text. A belovéd vampire. A tragic reminder to us all.

Acrylic, gold leaf, and silver leaf on goatskin vellum. Marginalia to come when I have time.

(Thank you to @wayneradiotv and @socpens for this incredible moment in streaming.)

[guardian-of-soho]

The next time Crowley takes off his glasses in front of Aziraphale will kill me instantly.

[aye-write]

devastated to announce that actually sitting down to write, with no distractions, actually works 

[fandom-geek]

i think the thing that really gets me about pre-canon durge is their absolute sense of duty, and their utter isolation outside of the cult of bhaal.

most of the cultists seem eager to see durge upon their return, and one even says they were the first to feed him flesh. gortash tells them of an exhibition of a bhaalspawn's corpse and another bhaalspawn's creations and durge immediately plans to attack the hall of wonder to recover them. they then apparently entrust said bhaalspawn's corpse to sceleritas fel to "restore" through taxidermy. they deride orin for her artistry with corpses explicitly because "bhaal will never care" and because orin "[does] not understand lord bhaal".

even their infamous prayer for forgiveness is framed around their absolute submission to bhaal's plans, and the crime that requires forgiveness? admiring his rival's chosen. that's one line, and the next three paragraphs are swearing to carry out his plan exactly as they've been told to, all for his forgiveness.

hell, even their room reinforces this. orin has barely touched the place aside from installing her mother's corpse and her manifesto - and that is some of the only decoration. what was it before orin, an empty room with skulls, a bed, a desk, some chests and a wardrobe?

the durge didn't have any semblance of a life outside of bhaal, aside from gortash. and is it any surprise? the only other hint they ever had a life outside of the cult is the flashback of kid durge murdering their adopted family, all thanks to their father's urging.

bhaal even tries to force them back into isolation after they've been tadpoled by forcing them to kill alfira, and then trying to force a durge who resists him to kill their lover. if they continue resisting, bhaal kills them. bhaal will not allow them to have a life outside of him and, if it weren't for jergal, he would've succeeded.

[namtan]

THE NEXT PRINCE (2024)

[thisisadonaldduckblognow]

all the rise boys get done dirty on characterization by fandom in different ways i think. (not ALL the time every fanwork etc etc these are just like, trends i tend to notice?) every fandom suffers from losing character nuance.

- leo i’ve talked about plenty on this blog, how some of his canon traits (genuine belief in his skill and cockiness, capacity for joy, his manipulativeness whether for good or ill) seem to get watered down or wiped off the board and supplemented with generic sad boy. his struggles with purpose and identity and not wanting to fail somehow morph into “he hates and completely holds no value for himself”

- donnie’s canon personality gets blurred out and largely replaced with whatever list of Neurodivergent Traits. and i think there’s such a fine line to walk between exploring a character that’s been word of god confirmed as on the spectrum and overwriting what’s canonically there. it’s a hard needle to thread. it also feels like a lot of his canon emotiveness gets left off the table for some reason. bc he does have his moments of flat/deadpan delivery, but a lot of the time he’s honestly very emotive. he has the passion of a theatre kid and the vindictiveness of... also a theatre kid. and the mind of a scientist.

- raph loses so much of his rowdy teen boy energy it’s kind of wild? like interpretations sand off that he’s also impulsive and can be reckless and dumb and LOVES fighting and roughhousing and isn’t the most eloquent person. suddenly there’s this pitch perfect soft boy big bro who would never hurt a fly and always says the exact right supportive thing and singlehandedly raised his 3 brothers (which simultaneously sands off all the nuance of splinter’s issues emotionally connecting with his sons and how that affected all of them). and like i LOVE raph, he’s so full of love and care and anxiety, he clearly has learned to put a lot of work into being aware of his strength and size. but there’s a difference you know?

- mikey is like. where raph gets overparentified by fanon, mikey gets over “family therapist”-ed IMO. the impulsiveness, the goofiness, the powerful emotions including a VERY powerful temper, the flat-out dumb teen boy choices... they get ignored. suddenly there’s this only very sweet and earnest boy who has read a hundred psychology books and runs group family therapy weekly or something. he is crying in his room bc leo and raph are arguing about something. which is so. he IS very sweet and can be very earnest and is full of love! he HAS come in with his opinions and unsolicited advice a couple of times and life coached for the greater good. but there’s a difference between what he does in canon and the role he gets in fanon.

[tj-crochets]

Donut isopod!!!!

Made using a pattern by Cholyknight (aka sewdesune) and frosting fabric from a spoonflower designer I cannot remember but will find a link to if anyone wants it

[hexblading]

Nanami Kento is absolutely a guy that bites.

Like, randomly bites you. You guys could be lying on the couch, a movie on while your minds are miles away, enjoying comfortable silence together as you unwind from the fatigues of adulthood together.

Then he looks at you, eyes empty at the screen, knowing you're not paying attention— just relaxing. It's dark, the TV lights up you both, he's memorizing the curves of your nose, noting how the little differences in light makes you look somehow more beautiful than the last.

Then your eyes meet. A smile, which is returned. And then he leans down, your eyes locked the entire time.

He then fucking bites you like this

[queenlucythevaliant]

This came to me in a dream

[threebea]

Have we considered for modern aus Obi-Wan is just high charisma and British and isn't actually the Professor TM archetype. Now don't get me wrong, I Iove University Professor AUs. Never stop making professor Obi-Wan aus, but consider alternative professor Obi-Wan career path.

He's got street smarts, and he's witty, and yes he's smart. He picks up things. He speaks several languages, and can fix a hyperdrive jet engine(?). However, he would be so restless in an academic career.

Modern AU he is a man doing parkour well into his thirties and forties despite his knees. He knows how to fly a plane because an old friend taught him, but he doesn't have a pilot's licence. He has been in drag races but also hates driving because he doesn't feel safe on highways. He didn't graduate highschool because he and Qui-Gon were 'backpacking' (Qui-Gon's words) around the world during his teens but he got his GED eventually it's fine. He dropped out of university but says he went to X University when asked so people just assume he graduated. He was definitely in at least two bands during his early twenties.

When he takes in Anakin he becomes a university professor because it seems like a stable gig. He has no credentials and gets his position through charm, half-truths, and extremely good references. No one bothers to ask to see his degree. Anakin is an illegal immigrant. Obi-Wan probably didn't even have any sort of official custody. He has broken so many laws. He volunteers at temple and is well liked in his community.

He does get Anakin's legal status straightened out eventually (somehow without being arrested), but Anakin doesn't go to actual school until grade nine.

Obi-Wan teaches law. It's always good to know the law when you break it so much.

[churrochamp]

Let's talk about Merlin and lying. This isn't meant to be character bashing, but it might not be the most generous take either.

In All About Love, bel hooks writes: "In our culture privacy is often confused with secrecy. Open, honest, truth-telling individuals value privacy. We all need spaces where we can be alone with thoughts and feelings - where we can experience healthy psychological autonomy and can choose to share when we want to. Keeping secrets is usually about power, about hiding and concealing information."

(hooks has a lot more to say about the reasons why people lie in relationships, and our need for love and difficulty with love in general. Book is fantastic, highly recommend.)

The question is: was Merlin's years of lying about his magic, and all that he did in Arthur's defence, justified? Why'd he do it?

I've been trying to think through how the fandom generally interprets Merlin's character and choices in the show, and how this character makes me feel. It's really complicated and interesting (to me at least lol).

I often see the claim that Merlin lied about his magic for years out of fear for his safety, but it's never fully satisfied me as an explanation. Given that as a fandom we pretty much all agree that magic can be a metaphor for queerness, there's a natural alignment with the claim that queer people aren't ever obligated to come out, for any reason, but it's often said, especially if their physical safety might be jeopardized (which I agree with btw).

And it's true, given Camelot's genocidal laws, Merlin's life could be threatened if he revealed himself as a sorcerer. On the other hand, Merlin is basically all-powerful in the universe of the show, and I don't think the rest of Camelot could do much to him if he were prepared.

What's more convincing to me is the claim that Merlin's afraid of the potential emotional harm that could come from revealing himself. What if Arthur hates and rejects him? That's something his magic can't defend against.

I think Merlin's heart is in the right place. He believes all his work is done in service of Arthur and their joint destiny, which is the good of Albion. And he does save Arthur's life a whole dang lot.

The issue is, probably a good half of the show's major conflicts directly relate to Merlin's actions and inactions - usually, lies he's telling (Morgana, Mordred...). Conflicts that maybe could have been resolved with much less harm if Merlin, who often is the only one with crucial knowledge, had made different choices (and Gaius too oh my GOD). Dude is shooting himself in the foot. Merlin's lying isn't just about personal privacy and autonomy. It becomes a fundamental part, baked into his relationship with Arthur and his role in their prophecy (and the governing of a kingdom jeez).

In addition to plot SNAFUs, the way I see it, Merlin's lying has two major consequences for him:

His most important relationship, with Arthur, is deeply flawed and incomplete.

Merlin remains the most important, influential character in the show. His energies go to trying to keep the power for himself.

As bel hooks argues, there can't be true intimacy in a relationship if one or both parties withhold and deceive the other. This could look like lying to manipulate the other party to get what you want, or even lying to make the relationship go easier. Relationships built on untruth aren't fair to all parties - the deceived person can't make informed choices in the relationship, and the deceiving person robs themselves of the opportunity to be fully supported and loved for who they are. When Merlin lies to Arthur about magic, when he tells Arthur that magic is evil, even if it is for "his sake," he's taking choice away from Arthur often at crucial moments, for both their relationship and the well-being of the kingdom. Without knowledge of the truth about magic, and about Merlin, Arthur can't make fully informed choices as a king or a partner. Things go to shit, and it's terribly lonely for both of them, even if only one of them know about it. Merlin's reason for this might be fear of pain. However, when you don't give someone the opportunity to love or reject you for who you are, how can you feel held by that person? You deprive yourself of the chance.

Another reason to lie can be desire for power and control. By keeping the secret of his magic and their destiny, Merlin keeps all the responsibility and power to himself. This is the premise of the show: Merlin is the only person who can turn Arthur into a good king, save magic, secure Albion's future well-being--and he must do it all secretly. The show jokes about it, the characters joke about it. This premise is a kind of power-fantasy - being the secret power working from the shadows, using all your wit and guile to succeed despite the secrecy, risking life and limb for no recognition, but having the satisfaction of knowing that you are instrumental. It's very James Bond. Without the secrecy, what would be the point of Merlin? The secrecy might be part of what makes Merlin feel special, worthwhile.

As the years go by, the lies compound and the relationship becomes inseparable from them. The most significant on a personal level, probably Merlin's poisoning Morgana, Mordred, Ygraine, and Sophia.

Merlin can't control all the factors, he can't do it all by himself, he can't make Arthur into the ideal king and boyfriend of destiny, and from the start it's a doomed endeavour. Luckily Arthur loves him all on his own, and does get to see him at the very end, and they'll get a second chance.

So in summary, why does Merlin lie about his magic and his actions for so long? Fear, love, and power, is what I suggest. And ultimately it leads him and Arthur to ruin. It's not exactly exemplary behaviour, but it is very very human.

[snow-system-wol]

Interconnected chaos map: for if you are really determined to never use an aetheryte

(or if you want to know aetheryte proximity to zone links)

[pancake-breakfast]

Been watching through Link Click with my brother for Sibling Anime Night and, as this is my second watch, there are all these little details that are just driving me crazy. I have to remember not to say a darn thing because he doesn't know yet, but geez. They put some thought into this. They knew what they were doing.

Here are a few:

Qiao Ling telling Cheng Xiaoshi that Lu Guang is way more mature than him despite being the younger of the two.

Near the end of the first episode (in the sub), Lu Guang very insistently tells Cheng Xiaoshi to never ask about the future.

In the Noodle Lesbians episode, Cheng Xiaoshi telling Lu Guang, "Just because you don't see a glimmer of hope doesn't mean it's not hiding somewhere," and Lu Guang's expression fading into this soft smile as he chuckles, as if he's thinking, "It's just like you to say something like that."

In the basketball episode, how jealous Lu Guang sounds when Cheng Xiaoshi high-fives someone else.

When Cheng Xiaoshi runs out to start warning people about the earthquake, Lu Guang gritting his teeth and shouting, "You can't save them. They are already dead!" And then hurriedly lecturing Cheng Xiaoshi on how much of a fixed point death is no matter how much you might want to change it. "No matter how hard this is, you can't alter their fates!"

Lu Guang: "The future that we now know could completely disappear." (dub) "It could even cause the disappearance of the life we have now." (sub)

In the Aunt May arc, the three superheroes that our main three dress up as being the Star of Justice, Bringing Hope (Cheng Xiaoshi), Star of Courage, Conquering Fear (Lu Guang), and Star of Wisdom, Lighting the Way (sub)/Serving Knowledge (dub) (Qiao Ling). Gods, I could write an essay just on that.

I just... I just wanna grab some of these characters and shake them. Maybe slap them a few times. Why they gotta be like this?