#yes you are evil

[gay-strawberry]

do you think hes evil ? 🥺

[theoldkyokodied]

The Allegiance of the Ascended Vampire and the New God of Magic

[oifaaa]

There's actually something really important about the fact that Bruce hates guns for good reasons but still understands that's its important for himself and the robins to know how to handle them safely which is why I absolutely hate it when some writers today try to retcon it so that Bruce doesn't teach the robins to handle guns

[wakinguponsaturday]

love the implication that the eagle is just as fed up with this arrangement as prometheus and now they've unionized

[lilybug-02]

Final Blow.

Bug Fact: The New Zealand Glowworm is a species of fungus gnat endemic to New Zealand's cave systems. The larval stage produces a blue-green bioluminescence.

First || Prev // Next

Masterpost

Some pictures of this amazingly unique creature and it's habitat.

[envy-of-the-apple]

older reader?? SAY NO MORE

you're a confident, popular, charismatic lady in your 30s. you catch a pretty, barely-not-teenage gojo at a bar about to get roofied and rescue him.

you're neither a paragon of moral virtues but apparently you do still have some maternal instincts because you take him aside, help him sober up, and give him a stern but well-meaning lecture about watching drinks, staying safe, etc. maybe he gets a headpat and a caring look while you do this.

that's where you thought this would end but to gojo had absent parents and is starved of all forms of affection, including maternal, so he absolutely cannot let this end here and he will exploit his prettiness, his pitifulness, AND your maternal instincts to the max.

if wires get crossed and he manages to get you to bang him (and hopefully feel so guilty about taking advantage that he can get you to stay with him) then even better!!

omgggggyou know me so well-

(Warnings: manipulation, guilt-tripping, large age gap but both characters are 21+, implied non/dubcon, implied drugging)

Dark!Gojo Satoru x reader

Bad Night

When you open your eyes, your head is pounding.

Last night is a blur, but you get the big picture. You drank too much, and you brought someone home.

He's a cuddler, pressing you against his bare chest, a long arm wrapped around your naked body. It'd be a cute way to wake up if you weren't so sweaty and already in a bad mood.

You're debating on how to kick him out when he shifts behind you. He yawns, one hand reaching up to draw circles on your waist.

"You wake up pretty early."

It's not a stranger's voice. You know him.

You turn your head, almost afraid to look. He gives a sleepy smile.

"...Satoru?"

"Mornin'." Taking advantage of your shock, he gives a quick peck on your lips.

It's a jumpstart for the memories of last night to kick in. Satoru had invited you out, you had a bad day at work and you took the offer, you took shot after shot, one thing lead after another and then-

Shit.

"What's wrong?" He asks, and you doubt you're managing to hide the horror off your face all that well. His usually carefree attitude melted into concern.

"Feeling' alright? I wasn't too rough last night, was I?"

When you open your mouth, the only thing that comes out is a strangled 'I'm fine'.

"That's good." He nuzzles his face into the crook of your neck. "I was worried I hurt you or somethin'. Last night was perfect, by the way. Everythin' I dreamed of, baby."

Baby. You want to throw up.

"Oh, you must be hungry." Satoru frowns, clicking his tongue. "Uh, wait here, I'll go whip somethin' up."

Another kiss, this time on your cheek, before he's sliding off your bed. He's naked. You squeeze your eyes closed when he starts to put on his pants. You keep them closed until the door shuts behind him.

What the fuck did you just do?

You know what you did. You just had sex with someone more than a decade younger than you. You can't even remember it, but the evidence was all around you. Your panties laying crumbled on the floor. The ache between your legs. The bitemarks on your chest, your legs.

You fucked up.

Satoru was by chance You weren't supposed to talk to him, let alone meet him. You were at the right place, at the right time. You happened to catch smug asshole putting something in the oblivious kid's drink. You happened to grab it right before Satoru could, before dumping it on the asshole's face.

Looking back, it wasn't your finest moment. You nearly got the police called on you, but ever since that day, Satoru clung onto you like Velcro. He didn't leave you alone for the rest of the night. You thought your lecture would have embarrassed him enough to leave, which kid wants to be scolded by a thirty-year old? If anything, that might have sparked his admiration for you.

He was determined. Before you knew it, Satoru was everywhere. He spammed you with texts everyday, when he couldn't call. He'd constantly invite you to places adults way past their college years should not be going. Despite your absolute refusal to visit his dorm, you found yourself reluctantly letting him into your house, picking him up from parties when he was too drunk to drive. He'd told you things he'd never told anyone before.

You knew what was happening, you weren't stupid. And unhealthy infatuation. Young, starved for attention, eager to please. You saw the signs, you tried to set boundaries, but you thought you could help him somehow. Your savior's complex grew too big...you thought you could help him.

And then, you ended up sleeping with him.

It wasn't illegal. You knew he was over 18, at the very least. You still feel nothing but nauseating disgust. When you looked down at your hands, they felt dirty.

You needed to fix this, somehow. You needed to tell Satoru that this was a mistake. Rip the band-aide off, nice and clean.

You ignore the crumbled clothes on the floor: your flimsy dress, Satoru's shirt. Instead, you go to the closet and pull out baggy pajama pants and an oversized sweatshirt. You needed to hide as much skin as possible. To preserve the remnants of dignity you had left.

You stayed in the bathroom for ten minutes, practicing what you were gonna say over and over again. I'm sorry, it was a mistake, I was drunk, I took advantage of you, it's not your fault. I'm sorry I'm sorry I'm sorry.

When you step outside your sanctuary, you smell something that makes your stomach growl.

Satoru's standing over a sizzling pan with a smile on his face. He knows his way around your kitchen because he's been here before, doing homework on your countertops. You feel sick all over again.

"Hey." He pouts when you inch closer. "I told you to stay in bed, didn't I? Silly." He reaches over, pinching your cheek in affection.

You swallow and you finally manage to steel yourself.

"Satoru, we need to talk-"

"And done!" Satoru cheers, setting down a plate. "Hungry? You gotta' be, right? We did a whole workout last night." You cringe at his choice of words, wishing he'd stop mentioning your biggest blunder.

When you don't move, he picks up some food with his fork, hovering it close to your lips.

"C'mon. At least try it." He urges. "I promise it's good. Please?"

You look into his baby blue doe eyes. Wide and earnest and eager. When you accept the offering, he glows.

He feeds you like this, one forkful at a time. When you ask why he isn't eating, he just shakes his head.

"I don't think it'll stay down." He admits. "I'm so happy, it almost feels like I'm dreaming."

You clear your throat. Hopefully, you can steer this conversation into something more productive. "Satoru, about last night-"

"Did you like it?" He suddenly asks.

"What?"

"Last night." He says with a sheepish smile. "Did-did you like it? Was I any good?"

You stare at him, utterly bewildered. "I-"

"It was my first time!" He blurts out with clear impulsiveness, and your heart stops. "I-I was pretty nervous. 'Had no fuckin' idea what I was doing, but it looked like you liked it. Right?"

He looks at you with those wide eyes, filled with genuine sincerity and you want to throw yourself off a ledge because not only did you not remember having sex with him, you don't remember taking his virginity.

You were a horrible person.

"It...was a nice night." You mutter quietly.

He beams again, it does nothing to assuage your guilt.

Fuck this all. You needed to put a stop to this. You needed to stop stringing this poor kid along. You needed to be the bad guy.

But, like always, Satoru makes the first move.

He rounds the countertop, coming to a stop by your chair. Satoru kneels to the floor, taking your hands within his owns. If it were anyone else, you would have melted.

Not him. Anyone but him.

"I meant what I said yesterday." He quietly says. "I know you still think I'm young, but I'm 22. I'm more than old enough to treat you the way you deserve to be treated." Oh God. When you turn away, he's reaching out, placing a hand on your cheek. You're forced to stare at him.

"Thank you for giving me a chance." He smiles. "I-I always thought you'd never see me that way, but then you said you liked me too and-"

"Wait wait, hold on." You interrupt. "What?"

He suddenly looks unsure, his gaze darting around. "At the bar last night. I confessed, and you said it back."

That doesn't sound like you. If anything, when you're drunk, you're annoyingly honest. You've never seen Satoru as more than a kid how could you have said that to him?

But he can't be lying. Not with those eyes. Eyes that were suddenly starting to fall like dying stars.

"Oh..." He trails off. "Did you not mean it?"

He handed you your chance on a silver platter. It was a mistake. I was drunk. I've never seen you like that. I took advantage of you.

You can break his heart, here and now. You take in a breath.

"No." You smile. "Of course I meant it. I...really really like you, Satoru."

His smiles returns and he's leaping up. You can't stop him from kissing you, but he's quick, flitting away just as quickly to give you a hug.

"I'm so glad." He whispers. "I'll make you happy, I promise. I'll do anything for you."

You pat his back, still in a daze.

Satoru is smart. He's a physics major, he's got to be smart. You just need to pretend to date him for a while before he realizes that you're too old for him. Then, he'll leave you for someone his age.

He'll snap out of it eventually, right?

[frodo-a-gogo]

Let us be brutally honest with ourselves and with eachother for a moment. If he weren't obese you motherfuckers would be capable of percieving evrart claires sexy sexy moral ambiguity and complex charms

[khickuwa]

Dear God, won't you look at me? Even for a moment, won't you let me pretend you're mine?

[hamletthedane]

Love that Oppenheimer is a deeply disturbing horror movie about a man forced to accept that he is, in a person, the representative manifestation of mankind’s evil in committing one of the greatest horrors of human history - LITERALLY acting as the modern Prometheus, tormented by his sins for the remainder of time. Knowing that he will never be pitied and his actions will forever be utterly unforgivable because the blood of genocide and the potential of total human annihilation will eternally drip from his hands.

But also the simultaneous indictment by the film that to blame a single person for the Manhattan Project is to refuse to accept your own capacity for great evil if the ends ever seem to justify the means, and the culpability of every member of a species that lets itself create something so unspeakably terrible.

Hate that twitter’s take on such a nuanced and brilliantly handled examination of those issues is “movie bad because protagonist not evil enough.”

[braisedhoney]

fighting back? against who? they're so happy—they've been waiting for you.

you are wonderful. don't you know that?

bonus: they play sims together :)

[tippifunandprose]

every time I read about this Disney vs DeSantis thing and the bit about how the agreement doesn't end “until 21 years after the death of the last survivor of the descendants of King Charles III, king of England" all I can think about is some bumbling caper where the Florida government repeatedly tries to assassinate the entire royal family just to spite Disney

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[egophiliac]

(breathing into a paper bag) FRALIO....

can't believe they gave us another guy. oh my god. so I guess Kelka is more, uhhh, more OOO then, and Fralio is Ankh? not that it matters too much, although they do seem to be doing something with the connected Riders so. who knows. anything goes! or if I may, anything gOOOes! god. of course they're the Ambition parallel. of course they are. oh my god.

fortunately there's nothing else they can throw at me right now that could possibly --

AHHHHHHHHHHHHHHHHHHHHHHHHHHH

[fakakta-art]

digitizing some sketches i made for my etsy and a completely unrelated song, because i like to add songs :)

[ryllen]

" so don't yell at me if i suck " x

[ash-and-starlight]

rules: in a new post, show the last line you wrote (or drew) and tag as many people as there are words (or as many as you feel like).

thank youuuu @dickpuncher420 for the tag!! have a peek into two of the wips i’m flipping through rn

first one is for kinktober while the second is for mercy of magpies 🫣

tagging uhh @escyn @erisenyo @marriedzukka @petricorah @mispatchedgreens @blu3berrydraws and whoever feels like it 👀