#yes those are their kids

[einelitas]

Happy royal family <3

[luxevamp]

All the way in battery city…

[kittyoperas]

quiet mornings after the end of the world.

lil paintover of “the bed” by toulouse-lautrec

[uncharted-constellations]

~What i couldve been~

I was just gonna do the adult timeline zelda but im so enchanted by the idea of these two versions of the same character. People always talk about how link would be changed but never zelda.

[poorly-drawn-mdzs]

The dog days are over.

[First] Prev <–-> Next

[doydoune]

something something about mentors and cycles and mentors and cycles

[whirlpool-blogs]

Jack to Quinn (in the background): Can you show them around, and I’ll grab Luke.

aka Quinn and Jack seamlessly coordinating older brother duties

[blaithnne]

*slams my hands down on the table* I actually think that if Zaun is granted independence by Piltover then Sevika would be the perfect leader both in and out of universe. She’s previously followed both Vander and Silco, and seen their strengths and shortcomings first hand. Not only has she seen where they faltered, but thanks to her newfound relationship with Jinx and Isha, she understands where they were coming from. She’s always been the right hand woman, always had a great vision for what Zaun could be and held a great respect for its people and their customs, but never had the backing to lead it herself. I think it would be satisfying to see her step into a leadership position, provided the final three episodes put in the work to turn what currently has the potential to be a redemption arch into what actually is a redemption arch. Moreover, Piltover and Zaun will undoubtedly still have a relationship after they gain their independence which provides ample opportunity’s for Sevika to interact with Mel, and hey wait where are you going I wasn’t finished—

[ne-cocoa]

Poor redson XD plus lil sketchy of the happy family :3

[puppetmaster13u]

Prompt 291

You know what? I’m feelin’ a Prompt with the whole halfa family, all the clones and everything. 

See, Danny? He’s grown up, he’s moved out, started looking at colleges himself after spending a few years travelling and learning about himself without the threat of a ghost attack. 

He’s kept in touch with his friends, both living and dead, and ignores Vlad for the most part now that they’ve reached a truce of sorts, and honestly? He’s just living his life. 

But see, it’s kind of hard to figure out what college to pick, with his admittedly not-great choices. Look, he might have a new-ish ID but he’s still visibly not exactly human (though thankfully doesn’t have to worry about the GIW after a… summer activity that ended with several missing buildings) 

And most people he goes to? Finds him ‘too unsettling’ which excuse him?? How is he unsettling? He’s a twenty-five year old with six kids ranging from one to six! How is that “scary” huh? Ancients, and all this is making him use the cash he’s saved up over time. 

And then- as though all of this isn’t stressful enough and he’s not genuinely worried that he won’t have enough money to feed the kids if he goes to school- a hero nearly trips over Jordan and starts freaking out. He is so fucking done. 

[torchflies]

Hi TG Fandom!

I love thinking about an AU where: Pete Mitchell is eight years old and used to being bounced around from foster home to orphanage to group home to foster home. An eight-year-old Pete who is scrappy and world-savvy and angry, just imagine a Maverick before he's Maverick — all that Maverick-ness balled up in this pint-sized Pillsbury biscuit can of whoop-ass. He runs the show wherever he goes with his loud mouth and sense of righteous fury. 

But then there's this new boy at the group home, this chubby nine-year-old blond boy with broken glasses held together with duct-tape and a big sweater with patches that covers his hands and half his face. He doesn't talk and spends most of the day hiding in his bed or reading an old Chemistry textbook that he brought from wherever he came from. Pete doesn't get him, thinks he's weird and the fact that the boy always looks so scared makes his tummy feel squirmy. 

So, he starts to sit next to Blondie, shares his food — basically the only thing of value he has, and starts talking, and talking, and talking and talking if only to fill up all the space that Blondie doesn't with his own words. Eventually, Blondie starts scooting closer to Pete, leans against him and starts to talk in a small whisper that only Pete can hear. 

Blondie’s name is Tommy. 

They grow up together in that group home, they bond to each other in a way they've never bonded to anyone else. They make plans to get out and join the Navy together one day, to fly; and they promise to never be apart or alone again.

Then Tommy gets adopted. 

Pete cries; Tommy screams. They might be teenagers now but it takes three men to get them to pry their hands off of each other. Tommy gets carried down the hallway howling, hands outstretched, yelling louder than Pete’s ever heard him speak before. Suddenly, the world is meaner and colder than it has ever been before and all he has left of his Blondie is that same scuffed up Chemistry textbook and a pair of broken glasses.

Pete runs away that night, glasses in his pocket and that heavy book stuffed into his backpack, but he never finds Tommy again… he finds Nicky Bradshaw instead. 

He starts to move on from the hope of ever seeing Tommy again… until Top Gun and Animal Night at the O Club, when Pete catches sight of the first boy he’s ever loved, hiding with shades on and a vodka glass in his hand, instead of a patchy sweater and a Chemistry textbook. 

Pete’s still a pint-sized Pillsbury biscuit can of whoop-ass and the world has changed them both into new people…

But when Iceman comes at him with bravado and snapping teeth, stinking of the alcohol that used to scare him when he was Tommy, regaling Maverick with tales of a father who loved a bottle more than him…

Pete reaches up to slip a little boy’s pair of broken glasses onto the blond’s face with a gentle, “Hi, Blondie.”

And Iceman crumbles away, leaving a crying Tommy in his place.

“Pete.”

He still says it the same way, like he's saying home.

[spliqi]

dazai’s grip on akutagawa’s psyche being so strong that it rewired rashomon to only manifest from the coat he gave him is insane work and needs to be talked about

[shurup-overt]

to the me who always lacked warmth

[singaporehelmet]

i miss them your honor

[permo2003]

Boredom made my mind create a scenario where the warrior realizes that his hero is never coming back, The little monkeys realize this and try to make the warrior feel better.

[marypsue]

So if you follow me (and aren't just stopping by because you saw one of my funney viralposts), you probably know that I've been writing a bunch of fanfiction for Stranger Things, which is set in rural Indiana in the early- to mid-eighties. I've been working on an AU where (among other things) Robin, a character confirmed queer in canon, gets integrated into a friend group made up of a number of main characters. And I got a comment that has been following me around in the back of my mind for a while. Amidst fairly usual talk about the show and the AU and what happens next, the commenter asked, apparently in genuine confusion, "why wouldn't Robin just come out to the rest of the group yet? They would be okay with it."

I did kind of assume, for a second or two, that this was a classic case of somebody confusing what the character knows with what the author/audience knows. But the more I think about it, the more I feel like it embodies a real generational shift in thinking that I hadn't even managed to fully comprehend until this comment threw it into sharp perspective.

Because, my knee-jerk reaction was to reply to the comment, "She hasn't come out to these people she's only sort-of known for less than a year because it's rural Indiana. In the nineteen-eighties." and let that speak for itself. Because for me and my peers, that would speak for itself. That would be an easy and obvious leap of logic. Because I grew up in a world where you assumed, until proven otherwise, that the general society and everyone around you was homophobic. That it was unsafe to be known to be queer, and to deliberately out yourself required intention and forethought and courage, because you would get negative reactions and you had to be prepared for the fallout. Not from everybody! There were always exceptions! But they were exceptions. And this wasn't something you consciously decided, it wasn't an individual choice, it wasn't an individual response to trauma, it wasn't individual. It was everybody. It was baked in, and you didn't question it because it was so inherently, demonstrably obvious. It was Just The Way The World Is. Everybody can safely be assumed to be homophobic until proven otherwise.

And what this comment really clarified for me, but I've seen in a million tiny clashing assumptions and disconnects and confusions I've run into with The Kids These Days, is that a lot of them have grown up into a world that is...the opposite. There are a lot of queer kids out there who are assuming, by default, that everybody is not homophobic, until proven otherwise. And by and large, the world is not punishing them harshly for making that assumption, the way it once would have.

The whole entire world I knew changed, somehow, very slowly and then all at once. And yes, it does make me feel like a complete space alien just arrived to Earth some days. But also, it makes me feel very hopeful. This is what we wanted for ourselves when we were young and raw and angrily shoving ourselves in everyone's faces to dare them to prove themselves the exception, and this is what I want for The Kids These Days.

(But also please, please, Kids These Days, do try to remember that it has only been this way since extremely recently, and no it is not crazy or pathetic or irrational or whatever to still want to protect yourself and be choosy about who you share important parts of yourself with.)