#yes this is fantasy yes this is fantasy no this is not real let me write about my cool crush in peace

[unintentionalseductress]

How To Court A Dragon

Warnings: MDNI, sex, monster fucking, DVP, explicit genitalia descriptions, double pp, size kink, mentions of breeding Summary: You unintentionally became his mate. Of course, you have some questions. A/n: Hey ya'll! I used to be called nanamiscocksleeve! Here it is! Now...I hope this isn't something people will shy away from because it took me a lot of effort to write this, not to mention all the weird questions I asked Google about reptilian mating parts (there's a sentence I never thought I'd write!). Also, the things about the pp...I was imagining this scene from The Shape of Water 🤭🤭🤭. Enjoy my fellow monster lovers!

“Sylus?” You glance over at the large, intimidating dragon occupying about half the space on the large fur rug you’re both lying on. The dragon, idly fiddling with a gilded coin, glances at you with a bored look in his ruby eyes.

“Yes, kitten?” he asks in his usual growl as he flicks the coin away onto a pile of gold. 

“We’ve known each other for quite some time.”

Sylus raises an eyebrow. “Yes, I suppose we have.”

“I was wondering…if I could ask some questions.”

“Questions?” Sylus looks at you with mild curiosity. “Hmm, let me consult my schedule... ah yes, I have a free moment between ‘hoarding treasure’ and ‘menacing villagers.’ Make it quick." He flashes you a sarcastic grin and you roll your eyes.

“Can you ever just speak normally? Wait that’s not my question!” You add hastily as Sylus’s eyes flash in amusement, clearly about to reply and further annoy you by not answering what you really had in mind. 

A deep, rumbling chuckle emanates from Sylus’s throat. “Go ahead, sweetie.”

You fiddle with the rug, wondering how to phrase your question. You had been living with, if it could be called that, a dragon for a reasonable amount of time now. Between the cave and Tarus City, there wasn’t a glimpse of another human for miles, and now, he was the closest thing to companionship that you had. 

Initially, you were worried he wasn’t interested in you beyond consuming you as a meal but as time progressed, the two of you had struck a balanced relationship. Now whenever you and Sylus ventured out into Tarus City, the inhabitants had begun to refer to you as the dragon’s mate. The thought had initially made you blush because ‘mate’ referred to something more carnal and intimate than whatever you two were. However, Sylus had made no effort to correct them, and now you had unwittingly accepted the title, and it had become part of your identity. 

There was a cavern within the long and winding cave filled with books from faraway lands and one day when you had nothing else to do, you’d come across a book entitled “The Courtship of Dragons”. It was obviously written from a human point of view but you’d read things that had left you with many questions; most of it seemed to be a work of fantasy like the author had made up some parts just to keep the reader’s attention. You’d turned these thoughts over and over in your head until you decided enough was enough and that you needed to get the answers straight from the dragon’s mouth. 

“I read something about…dragon mating. And I’m a little confused by it.” You venture out the topic hesitantly, looking at him for a reaction. Sylus’s face remains impassive as he regards you.  

“Dragon mating?” he chuckles as you avert your eyes back onto the rug, plucking at the fur as you do so. “Whatever did you read? Tell me. I’m quite curious to know.”

You clear your throat before continuing. “Well, the author said dragons have an innate sense about recognizing their mates and that they don’t…nest with other dragons. Is that true?”

Sylus rolls over onto his side contemplating. “Yes, that’s true. Dragons do mate for life. Once they find the one, they become their own unit. They make their own lair, and no other dragon is allowed to enter it. We get highly territorial if this is violated.” 

“I see.” You twiddle your thumbs together. “And…what if…your real mate is out there somewhere? Wouldn’t my presence be a downside?”

“My real mate?” Sylus asks in a vexing tone. “I’m not sure I follow.”

You look at him in disbelief before hedging on. “You know, your real mate. The dragon you’re supposed to be with.”

“You keep forgetting I’m only half dragon. Chances of my mate being completely dragon aren’t high.”

You click your tongue impatiently. “Fine, the other half-dragon or whatever. Isn’t she still out there? If she turns up in your life one day, then doesn’t that mean…” Your voice trails as you consider the implications. 

“Yes?” Sylus prompts you. 

“Well we’d have to shake hands and part ways right?” You rest your cheek on your palm, bearing your weight on your elbow as you turn to look at him. “I wouldn’t be allowed here anymore since you have a mate.”

“What makes you think my mate would be a dragon hybrid?”

The question exasperates you. “Aren’t you the one who said your mate wouldn’t be completely dragon?”

“I did. But you seem to be forgetting another possibility.”

“What? Is there a percentage of dragon she has to be for this to work?” 

Sylus lets out a booming laugh, the noise echoing richly off the walls of his cave. You look at him confoundedly, unable to fathom what made him laugh like this. 

“There’s no need to mock me.” You huff irritably as you watch his abdomen quiver from his mirth. “I’m just trying to familiarize myself with dragon etiquette.”

Sylus quiets down at your tone before he reaches out a clawed hand and flicks your forehead. “Can you really not think of another possibility?”

“No.” You curtly bite out the word. “And I don't appreciate being teased.”

The dragon shakes his head, a wide grin forming on his chiseled face. 

“You seem oblivious to the possibility that she could also be human.” The tone with which he says the words render you momentarily speechless. You hadn’t in fact, considered that as a possibility at all. How could a normal human become a mate to a dragon?

Almost as if Sylus had sensed your curiosity, he explains. “I didn’t make the rules, sweetie. Dragon hybrids are known to find human mates more often than not. Perhaps with the hope that their offspring have a chance to become completely human.” 

Fascinated with this bit of information, you turn it over in your head. “Aren’t you interested in finding her?”

“Finding her?” Sylus chuckles. “Why would I put in that effort when she’s been with me this whole time?” He raises an eyebrow at you as you process his words, then falter as the meaning finally washes over you. 

“Me?!” You sputter as Sylus watches amusedly, his tail swishing across the rug. “Just because the villagers of Tarus City think I’m your mate doesn’t make it true!”

“Indeed, it doesn’t,” Sylus agrees almost maddeningly. “What makes it true is the mark I left on your neck.” 

Your breath hitches and the moment seems to stand still, stuck in time like a black-and-white photograph. Instinctively, your fingers reach for the bite mark Sylus had left on the crook of your neck when he’d first met you. “What about it?” you ask defensively. 

Enjoying the flustered look on your face, the dragon calmly explains. “The mark would have faded by now if you weren’t fated for me. Mate marks last forever, no matter when they’re given.” He smirks, revealing his sharp teeth. 

“Why didn’t you say anything?!” You burst out, overwhelmed by this reveal. “ I’ve been sitting here day after day thinking at some point you’ll find your true mate and I’d have to think about how to fend for myself!”

“I’m sorry, but I’m confused about which of these is more distressing to you. The idea of moving out, or realizing you’re my mate?” Sylus asks the question with a lilt and you resist the urge to punch him, knowing you’d injure yourself against those scales.

“Both,” you say swiftly, then turn away from him. You’re taken aback as his tail suddenly wraps around your waist and pulls you against him. His chest is warm against your back and his breath tickles your neck as you squirm in his grasp. 

“Where do you think you’re going my little one?” Sylus purrs in your ears. Determined not to let him get a rise out of you, you sulk, ceasing all movements even as your heart pounds in your chest. His chin brushes against the top of your head like a territorial cat. “What? All bark and no bite?” A soft laugh emanates from him as he continues to hold your body against his and you realize…

“Are you snuggling me?” You resist the urge to look over your shoulder and Sylus presses a kiss to it in response.

“Yes. Snuggling between a dragon and their mate isn’t uncommon. Was that not in your readings?” He teases as he continues nuzzling into your warm skin which was steadily heating up under his attention. 

“But when did we become mates?” You rack your brains, trying to think amidst the fluffy fog now filling your brain as Sylus continues to show his affection. 

“It’s not something you become. It’s something you are. Do you ask the water why it flows, or why the sun is bright?” Sylus’s tail wraps further around you, the smooth scales feeling comfortably warm against your skin. “You just are. I knew it. The inhabitants of Tarus City knew it.”

“And you didn’t think to tell me.” You quip sarcastically as his nose buries itself into your hair, smelling the sweet scent of the soap you’d used earlier in the day. 

“Would you have believed me?” His inhalations were sending tingles across your scalp and you tried not to melt into his embrace which was surprisingly warm and secure. 

“I-I suppose not,” you admit begrudgingly before your eyes flutter closed. Sylus continues his tender handling, and with a sigh, you finally give in, rolling to face him and letting him embrace you against his chest. He doesn’t say anything but cups the back of your head, claws gently scratching through your scalp and you drowsily let him caress the silky locks. 

Noticing your unwillingness starting to fade, Sylus murmurs, “Does the prospect of being my mate seem less daunting now?” 

His tail wraps around the backs of your thighs and you glance up at him, blushing when you see him gazing back at you intently. Those brilliant ruby eyes, akin to those in his treasury, had an intensity you couldn’t place. It was almost like they could pierce into your very soul and see all of you bare. The thought made you feel exposed and you blink, trying to gather your thoughts. The sharp, dagger-like tip of his tail now rested on your hip, and you hesitantly began to finger it, unsure what to say.

“Not less daunting,” you start, observing how his tail flicks gently in response to your touch, the sharp, hooked scales at the very end softening and flattening against your palm. “Not in the least. You are ancient, powerful, eternal. People fear you even as they look at you in awe. A dragon is timeless, and as a human, I’m like a fleeting ember, a mere second in your life. I might have a thirst for revenge on those who wronged me, but I am an ordinary human. I don’t understand why you believe I would be a suitable mate.” 

 You steal another look at him and see that his pupils are starting to dilate, the dark center of them consuming the red. Sylus lets out a noise of frustration, seemingly ready to give up trying to convince you, but to your surprise, he takes a deep breath of fortifying patience, then grasps your chin with his fingers, ensuring you can see his face. 

“I’m going to give you one, final, absolute, piece of proof. And if you still don’t believe it, then I will eat you so that I don’t have to listen to your maddening doubts anymore.” His tone implies he’s being humorous, but you cautiously watch him, fully aware that you have no defenses against those teeth and claws. You nod, his fingers dipping with the movement. 

“You and I share half of each other’s soul. A typical human vessel wouldn’t be capable of such a thing. Not unless you are fated.” He lets go of your face and brings your ear to his chest. His heartbeat was a steady thud-thud-thud, and yet…it felt like a call. Like something was there inviting you to come home, even though you didn’t know where it was, and suddenly, you feel your own heartbeat start to resonate with his, automatically following his rhythm, inexplicable, deep, primal. He waits and you realize what he’s been trying to say all along. There was no reasoning behind mates. You just knew.

You swallow, feeling like you’d been doused with a bucket of cold water, then place your hand over his heart, feeling a little thrill as he covers it with his. A shaky breath forces its way out of you as you lean your forehead against him, a sense of enlightenment washing over you. 

“Understand now?” Sylus asks almost imploringly and your heart clenches at the tone. 

“Yes.” You gather courage and look him in the eyes. “I do.” Then in a much softer tone, you add, “I’m sorry.”

At your apology, Sylus gathers you in his arms, his embrace almost suffocating as he holds you. Your hands wrap around his back, feeling the points in his skin where the wings sprouted from his body. It felt strangely intimate to touch something like this, and you couldn’t help but run your fingers along the ridges, fascinated by the texture. Sylus’s breath catches in his throat and he loosens his grip, easing you back onto the rug. 

With confidence, you raise a hand to cup his face, your chest swelling with joy as he turns into your touch, his lips grazing your palm. You’d never seen him so vulnerable and defenseless, the fact that he was baring a secretive part of himself to you humbling. You don’t stop him as he lays over you, nuzzling your neck and letting out a series of low growls that sound strangely affectionate. 

You giggle, and he pauses, looking at you with keen interest. “Something amusing you, my love?”

“You’re like a cat,” you tease, then pet the hair between his horns. Even as his expression changes to being miffed, his eyelids become half closed. 

“I am most certainly not a cat.” He sounds affronted but makes no move to stop your petting, and more low growls escape his throat. You can’t control your mirth and the giggles now bubble out of you uncontrollably. 

“Then how come you’re purring?” You stop petting his hair and cup his face with both hands, a wide smile forming on your face as Sylus opens his eyes, which are hazy and languid. 

"That... that isn't purring," The dragon hybrid says with a slight huff. "That was a growl, and you know it."

“Or is that just how dragons purr?” You playfully run your fingers behind his ears, massaging the lobes and then back into his scalp at the base of both horns. 

Sylus tries to keep up his facade of stubbornness, but the gentle massages make him shiver with pleasure. "No, that's a growl. Purring sounds like..." He attempts to imitate a cat's purring, but it came out more like a deep rumbling that vibrated throughout his chest.

You snicker, and then an uncontrollable fit of laughter seizes you, the kind that makes your shoulders and chest shake. Here was this mythical creature, feared and worshipped, yet somehow, trying to imitate a cat despite insisting he was not behaving like one. You brush away a tear from your eye, then look at Sylus who’s sulking, his cheeks turning an adorable shade of crimson. Was this the same dragon that you had worried about being a mate to?

"You-you're insufferable, you know that?" He grumbled, even as he nuzzled his face against your neck; he couldn’t seem to help himself. You reassuringly pat his back. 

“If this is how dragons treat their mate, then I’m no longer worried.” 

“Is that so?” Sylus retreats so that he can gaze down at you. You can see how his expression is softening, betraying the depth of his fondness for you. 

“Yeah. I’m starting to come around.”

“Good. I’m glad I was able to change your mind.” Sylus takes your hand and brings it to his mouth, kissing your knuckles and causing your heart to flip-flop inside your chest. Your free hand idly strokes his back, still engrossed with the different textures of his skin where the wings began. 

“You seem to have a lot of thoughts about my wings,” Sylus observes as you fondle the leathery base.

“How big are they?” You ask curiously, then gasp as Sylus suddenly pins you under him, then with a rustling noise, his wings fully extend for your viewing pleasure. You look at them, enthralled by the contrasting marbled red and black membranes, little spikes lining the upper ridges. 

“About ten feet each,” Sylus says gruffly with a hint of pride. “Pure dragons are much bigger though.”

You reach out a finger, watching for signs of resistance and when he doesn’t show any, gently trace the membranes, observing how the sunlight illuminated through them like a backdrop. 

Sylus hums at your exploration, his wings twitching slightly before he lies flush against you, putting them in easier reach of your wandering fingers. He resumes that low growling as you do so, and as you watch him close his eyes, another question forms in your head.

“Sylus…are your wings sensitive when touched?”

He cracks his eyes open, and there’s a quality to them that wasn’t present before. A hint of…nervousness? 

“Yes.” He admits after a gap in a slightly breathless tone. “But only when you touch them.” 

His words only make you more captivated, and you continue to delicately stroke down the leathery expanses, the surfaces almost silky to your touch. As you do so, Sylus suddenly squeezes his eyes closed and lets out a rough moan, like he is doing his best to not lose his restraint. 

Your hands freeze as you feel his claws scrape against your clothes, digging into your soft skin as his wings swiftly drop from their extended positions, cocooning you in a swaddle of red and black.

Unsure what just happened, you gently try stroking his hair again. There had been no mention of dragons behaving like this in the books you’d read, and you were burning to ask him, but not if he wasn’t in the right state of mind.

“Sylus?” You call his name softly and hear him hum in response. “Are you ok?”

He lets out a few uneven breaths before resting his head on your chest just underneath your chin. “Yes…I’m fine. No need to worry.” 

“Is it all right if I ask something else?”

“Does it have to do with those ridiculous readings of yours again?” 

You’re about to protest but decide against it. He was behaving in a completely unprecedented manner and you weren’t about to kill the adorable mood. 

“Why are your wings wrapped around me like this?” Your hands rest on his flanks, feeling his tail swishing as it lightly hits your feet. 

It seems to take him a great deal of willpower to bring himself into a state where he can answer. When he finally speaks, his voice is a low, mesmerizing, rumble, and you feel yourself tremble in response.

"When a dragon has a mate, it's not uncommon to wrap our wings around them. It's like a protective shield, a barrier that symbolizes possession. You might say it’s our way of claiming our beloved as ours." Sylus’s mouth ghosts your ear, and his next words cause gooseflesh to erupt on your skin. 

“Sometimes, the urge to mate becomes too strong and dragons don’t particularly enjoy being watched. The size of our wings is significant because they must be able to completely wrap around their mate as our primal instincts take over. Hides them from unwanted eyes. After all, there can be no treasure more precious to a dragon than our mate.”

A claw gently pushes away a stray lock of hair from your face and Sylus gazes longly at your face. Swallowing, you press on with your questions, despite feeling a steady rise of tingling heat beginning in your belly and slowly flooding into your chest and sex. 

“And when dragons mate…is it similar to other animals going into a rut?” 

Sylus chuckles, and his tail slides up your body, slithering between your breasts, the feel of each scale brushing against you sparking little flames of desire under your skin. His forehead rests against yours and his wings seem to tighten around you even more. 

“Rut would be the wrong word. A rut would imply something quick and with little intention other than impregnation. Dragons do not rut like most basic animals…we have a long and sensual ritual, lasting for a significant period, and the end goal is to ensure our mate’s satisfaction. Also, dragons do not have a set season like most animals. Rituals can occur anytime provided both mates are willing.”

Your mouth goes dry at the explanation, and you can see the edges of his scarlet irises beginning to darken even more, like bits of smoke mixing with magma. “A-A r-ritual?” Your tongue feels like it’s too big for your mouth and you stumble over the words. 

“Yes my little one,” Sylus purrs, and this time when his lips touch your ear, he follows it with a wet lick of his tongue, awakening a heady, primal, storm inside your gut. “The dragon breeding ritual. A crucial part of dragon courtship. During this time, the male will go into a rather intense state of need. Nothing matters beyond being close to and satisfying his mate. And the female must be prepared for a rather… passionate experience."

Your next words fall out of your mouth before you can stop yourself. 

“Are a dragon’s organs compatible with a human’s?” You cover your mouth as soon as you ask, face flushing with embarrassment. You hadn’t meant to ask it so crudely, but too little too late. 

Sylus gives you an appraising look, his lips curling. “Well…simply put, yes. They’re compatible with human mating organs but they’re certainly not visually similar.” His reply astounds you and you blink, unprepared for his answer, rendered speechless. Questions buzz in your head as you mull over what you’ve been told.

“I’m guessing there’s more?” Sylus’s eyes glitter with mischief. 

“Ah…well….” You recall one last thing you had read and it was so outlandish that you weren’t sure how to put it into words. Sylus watches you patiently as you try to get your words together. “The book…the book said…that dragons are…that they have…” 

You swallow and bite the bullet. “That dragons have two.” 

Silence follows your words and Sylus’s eyes widen, before he composes himself.

“Heh. Were you purposely saving the interesting questions for last sweetie?” A cheeky grin quirks his lips and you turn your face to hide in his wings. 

“Now now. Don’t get all embarrassed with it out in the open.” Sylus grasps your chin and turns you to face him. “It looks like at least one thing in that book was right.”

Your eyes become as wide as dinner plates. “Really?”

“Yes. That bit of information is true. Male dragons do in fact have two mating organs.” 

The casual way Sylus says these words, like he’s giving a biology lecture contrasts your shell-shocked expression. Your mind could now only attempt to imagine what it looked like and it was going haywire at the discovery. 

Observing the stunned look on your face, Sylus gently nudges you. “Perhaps you shouldn’t ask questions that you’re not ready to hear the answers to, kitten.” 

Your eyes rove down over his body, taking in the wide view of his chest, leading down to narrower hips and legs that seemed to stretch for days. Then his tail, an appendage adding another 6 feet to his whole length. And somewhere in between all this, tucked away under his leather trousers were not one, but two, dragon penises. 

You try to recall your last encounter with a man, a knight, who had been keen on showing his abilities. It was fine, for lack of a better word, and you remembered how the man’s decently sized single organ shrunk once everything was over. Were Sylus’s similarly shrunken and stacked one above the other at this very moment?

At your lack of response, Sylus chuckles, then in an unexpected gesture of tenderness, strokes your hair. “I can tell this isn’t the end of it. Go on. Get it all out.”

Your mind seems to have lost its ability to think. Wetting your lips, you try to think of something reasonable to say but words have lost all meaning. After a few more minutes of silence, during which Sylus has wrapped you up again in his arms and tail, enjoying your closeness, do you finally venture forward with an inquiry.  

“Why two?”

Sylus makes an odd noise like he was choking down a laugh. He lets out a puff of air, chortling. “Ah, kitten. If only I knew. There are two theories, both of which don’t have much evidence to support them.” Sylus turns onto his side and you yip as you’re sandwiched between his wings, the upper one covering you like a blanket as Sylus moves into a more comfortable position, moving your body closer to his.

“The first theory is that because dragon pairings are rare, two organs help increase the chances of a successful pregnancy. The other…” he trails off and his smile becomes positively wicked before he continues. “The other suggests that having two serves no other purpose than to heighten the woman’s pleasure.”

An uncontrollable shiver runs down your spine and you feel your entire body become hot. Your voice is hushed as you ask, “And they…both…go into the same…?”

Catching on to what you were implying, Sylus chuckles at your reaction, your embarrassment only fueling his enjoyment. It was so tempting to tease you into a flustered mess.

"Ah, you're catching on, aren't you? Yes, both of them go... in the same place. And together, no less." He leans in, his mouth close to your ear again. "Can't you picture it, my dear? The sensation of both of them, inside you at the same time..."

You squeak at the graphic description and bury your face into his chest. “Ok, I’ve heard enough! Stop!” You try to calm your racing heart but Sylus’s low purr as he’d explained dragon anatomy was still ringing in your ears. There was a burning curiosity to ask him how it worked, how it fit but you were positive you would drop dead from the embarrassment. 

You twitch when Sylus puts his calloused hands on your back, soothingly stroking your skin. “It’s all right my jewel. I know it’s a lot of information to process. Take your time. I’m yours after all.” 

At his last few words, you lean away and glance at his face. “You’re mine?”

“Yes,” Sylus murmurs, the tenderness in his eyes becoming more evident. “As you are mine. I’m equally your mate as well.” There’s a tinge of possessiveness in his voice that you hadn’t heard before and it was making you feel weak; the thought of belonging to Sylus, of him belonging to you. There was an ancient concept of souls being bound at play and suddenly you find that you’re highly attuned to his mood; the atmosphere has changed, and part of you can feel the intense want that’s filling Sylus’s bloodstream, can sense the depth of his emotional bond as it echoes in his chest. Your body seems to synergize with his, each rush of blood, each dilation of the pupils, and every sigh that’s being shoved back all come into clarity. You reach out to touch his neck and the mating mark on yours seems to hum with life, drawing you closer to Sylus’s physical state. 

Sylus looks intoxicated as he drinks in the sight of you, soft and pliant in his arms despite having done nothing but talk to you about courtship. You were still shy, but he can sense there’s now a primal instinct that’s beginning to take over. His restraint was at a limit but he waits for you to make the first move, knowing he’d regret it if his first act of intimacy with you was for his own selfishness. His voice dropped even lower,  a rough, possessive growl.

“Be mine, my precious treasure. Be with me. Be Mine to claim, mine to protect, and mine to possess."

His words resonate deep within you and the overwhelming feelings you’d been holding back break like a dam. With trembling fingers, you stroke his cheek, dragging a fingertip across his lips, your breath catching as Sylus nibbles the digit. 

Gathering courage, you ask him softly, “Can I see?”

A thrum seems to vibrate through the air and Sylus nods. “You wish to see all of me? I’m yours.”

Sensing you were too timid at the moment, Sylus undoes his trousers, and they rustle as he slips them down his legs. Still in his embrace, covered with his wings, you wait, then trail your hands down his heated abdomen. His heart pounds in his chest as you do so, feeling the unfamiliar terrain of skin and scales before your hand finally reaches its destination. Sylus’s harsh breathing can be heard as he waits for you to touch him but when you do so, you’re slightly puzzled. 

Your fingers brush against smooth scales where a normal man’s genitals would be. You venture further, wondering. 

“Sylus? They are here right?” 

You hear a choked laugh, then he nuzzles the top of your head. 

“Yes, my love. Like I said, visually, I’m not like a man.” His voice is gruff as he tries to explain. His hands roam across your body, squeezing the soft flesh and purring at the feeling. 

“Then where…?”

“They're hidden beneath my scales, darling.” There’s a breathless quality as he speaks. “Just keep…petting me there.” 

Sylus closes his eyes for a moment, his body trembling as you continue to touch him. The sensation of your fingers tracing the scales on his skin was both soothing and arousing, making it difficult to hold back the possessive roar that threatened to escape his throat. Watching your reaction as you explored the area where his scales ended and something more intimate began was threatening to snap his will in two like a twig. 

“Oh!” Your eyes widen as you suddenly feel a bump starting to make itself evident. 

“There…” Sylus’s voice is gravelly. “Go ahead, my dear... Lift my scales gently. Just a little...”

You feel like little electric currents are running nonstop under your skin as you follow his orders. Your sex pulses between your closed legs, all the courtship explanations still fresh in your mind. You carefully start to lift the scales over the bump, curiosity piqued as they give way to a sort of shallow slit, then before you can go any deeper, you feel something hard and moist rise out of the patch. 

Whatever you had been imagining didn’t even come close to the real thing. You watch, transfixed, as Sylus’s twin cocks spring free, standing proudly in your palm. One was higher up on his body, and the other sat lower, and the lower one was slightly longer than the upper. Both of them were hot to the touch, beads of precum weeping from their slits. Colossal compared to a human, their surfaces were smooth but ridged in parts, in a way that resembled scales, yet softer. They were both coated in a sort of viscous, translucent, liquid, exuding from the cocks. 

Sylus groans as he feels the heat of your palm against his cocks. In a constricted voice he asks, “Well? What do you think?”

Fascinated, you gently grip the lower one, silently noting the size of it compared to your forearm, and wrap your fingers around it, barely managing to make them meet around the engorged column. A low growl leaves Sylus as you start to pump the smooth, velvety, column, observing how the shorter top one also responds, pulsing in time with its pair. A slick, wet noise fills the air as you stroke him and Sylus’s hips begin to rock against your movements. His mouth is open and he’s panting, sweat gathering on his brow as you experimentally continue to touch him. 

The scales that lined his cock were incredibly squishy and malleable, not at all having resemblance to the hard and sharp ridges on the rest of his body. As more of the lubricating fluid began to gather on his lengths, you wonder at the texture of those scales against the palm of your hand, and suddenly, start imagining how they would feel inside your cunt. Rubbing, stroking, providing extra stimulation as they nestled deep inside you. You bite your lip and steal a look at Sylus, heart jolting when you find him gazing right at you, and judging by his expression, he can feel the longing building deep inside your body. 

“I can smell it, kitten.” He inhales deeply, your scent filling his senses like an aphrodisiac. “Your arousal. It’s as potent as the daturas on the mountainside.” His cheek brushes against yours and you freeze as he kisses the corner of your lips. It was so unexpected and sweet and you turn towards him. 

“Bloom for me,” Sylus whispers before his lips lay over yours, capturing them in a deep and passionate kiss. Your breath catches in your throat and it’s like the kiss had opened a gate, all your raw desires coming loose. Like a ball of unwinding yarn, your arms draw around Sylus’s neck, pressing as possibly close as you can to him, your mouth opening sweetly to offer him your tongue.

The unbridled ardor of your reaction has Sylus groaning like a drowning man, his tongue slipping deeper into your wet cavern, sipping, sampling, and savoring the flavors that were unique to you. The rushing thrill of your surrender was a dizzying upward spiral as his hands roamed over your body, cupping your clothed breasts as his wings quivered from the tingling delight of being wrapped so snugly around your form. 

Sylus breaks the kiss and his long, dexterous, tongue licks a line down the side of your neck, sucking over the point where your pulse beat hotly, and into the crook of your shoulder. You gasp as his teeth sink into the flesh, a nip of pain flaring through you before Sylus soothes the sting with his tongue. 

“You taste as delicious as you smell my jewel,” he murmurs sensually, and continues his journey across your body, biting and sucking at your collarbone before resting between your breasts, nuzzling his face into the warmth. 

His tail has managed to slip between your legs and the jagged ridges have all smoothed into a streamlined piece of muscle, teasingly moving between your thighs, just high enough for the upper side to rub against your underwear, playing into the wetness that was already starting to gather. You moan at the stimulation, barely enough to even scratch the surface of your raging flames, and hook your leg over Sylus’s hip to give you more access. The thick tail presses into your slit, rhythmically dragging the fabric against your engorged clit as his hands busy themselves undoing the laces at the back of your dress. 

You shiver despite the rising heat as the dress falls apart at the back and Sylus drags the garment off over your head, his breath catching as he finally gets his first, unobscured look at you. His eyes rove appreciatively over your body, his blood humming in his veins as he watches your skin become ruddy, the light filtering over it through his wing casting a soft, shadowy glow. Your nipples were perked and hard, your skin smooth and creamy, with little curls of hair poking out from underneath the sides of your panties. 

You whimper as the very tip of his tail wedges into the apex of your folds, rubbing the soaked fabric directly onto your clit, sending skitters of electricity through your system. The air seems to become balmy as you breathe, harsh pants leaving you as want grows in your core, the overwhelming need to bite down and mark him back as he’d done for you becoming palpable with each passing second. 

Sylus raises a clawed finger and brings it to your mouth, which you obligingly suck, followed by a sharp bite that makes his eyes dilate and brings a grin to his lips. He slowly pulls the digit back, letting it slide between your lips and stroking the wetness onto a nipple, enjoying the way your breath becomes ragged and how your core clenches against his sinful ministrations. 

“Sylus…” you whimper, feeling tension curling in the pit of your stomach like a bow that’s been drawn too tight. His only response was a hum, his head dipping down leisurely to capture your other nipple, licking circles on it with the tip of his tongue, not unlike the motions his tail was currently drawing onto your puffy clit. His thumb and forefinger tweak your other hardened peak, pulling and pinching methodically as the moans of your pleasure fill the chamber. Now and then you feel the scrape of his monstrous teeth against the delicate skin of your nipple, just intense enough to bring a small lick of fear into you before you feel the reassuring slip of his tongue. 

Your sighs fill your head, body yielding to him, melting against the silken leathery embrace of his wings, eyes closing as the sweetening ache inside you builds. You stir as you feel his tail shift, and your panties are dragged down your legs, exposing your swollen sex. The unexpected feeling of his scales is suddenly made present as his tail lays flat between your folds, wetting itself with your slick and gliding smoothly against your aroused pussy. Your mouth opens to let out a high-pitched whine as the smoothened scales add extra stimuli to your bud, your hips moving with him and seeking out more friction. Sylus finally releases your nipple as he feels your desperate humps, and maneuvers you so that you’re straddling him, body balanced on his tail as it continues to pleasure you.

Your voice keens as your hands splay on his hard chest, the slippery appendage rocking against your clit, feeling the differences in the size of the scales while sliding closer to the base as the dagger-shaped tip tickles your chin. Your mouth instinctively moves to take it, sucking on it pacifyingly to ground yourself as your hips undulate over the rest of the sinew. You boldly glance at Sylus and his eyes are sanguineous, uninhibitedly gazing at the sight of you hot and bothered, seeking carnal satisfaction that he knows only his body can provide. 

The end of his tail withdraws from your mouth and teasingly draws back down to your breast, curling around a nipple and squeezing while he maintains the steady movement he knows you crave between your legs. With nothing to muffle your noises, your voice grows steadily louder, echoing off the high walls of the cave as Sylus guides you toward the abyss of gratification. 

“My body is yours little one,” Sylus says in a harsh whisper that has your senses on edge. You feel the flutter of his wings as they enfold you again, a little space of privacy where only you and he exist. 

“Use me for your pleasure.” His hand cups your cheek and his movements become frenzied, his eyes never leaving yours as he watches you writhe over him, trying to find release. 

A soft haze seems to settle around you as your body orgasms. You feel the repetitive little spasms of your clit mirrored in your core as they become longer and more intense, flooding your body with sinful delight as you sob out your need. Your eyes are shut tight, the world becoming an incoherent mix of color and light where nothing is solid except for your mate as he pushes you through your heady climax. Even as your heartbeat turns erratic, you can sense the changes in him too as he scents the salty tang of your relief as your body relaxes. You gasp, steadying yourself as Sylus gently withdraws his tail, letting you collapse on his chest as you try to come back down to earth.

You feel his claws soothingly scratch your back and gratefully nuzzle into his chest before taking a steadying breath and peering over your shoulder at his neglected cocks. They were still standing, colossal and proud, with thick pearlescent beads forming on the tip. The slippery viscous fluid was now being exuded copiously, lubricating the entire length.

You crawl over to them, and Sylus lets out a gasp of surprise as your tongue darts out to taste one, running it over the weeping head. You taste salt on his skin and bob your head down a little lower, taking as much as you can, and Sylus fists the rug, his teeth biting his lower lip as he tries to control the raging urge to take you right there. 

Barely able to deepthroat him, you come back up, letting the moistened cock slip out of your lips before you gather both between your hands, squeezing the bases together before sucking both tips back into your mouth. Your jaw stretches wide to accommodate them, only taking him about halfway before coming back up for air. The lubricant covering them was tasteless but aided their path into your mouth and towards the back of your throat. Sylus thrusts into the inviting wetness as he tries not to choke you. You suck playfully, wet noises issuing from your mouth as you do so before Sylus suddenly jerks your head back, strings of spit connecting your lips to both heads.

“Not like this…” His voice is ragged. Swiftly, he flips you onto your back, drawing your ankles to rest on his shoulders as your thighs part for him. Your hole is quivering with anticipation as you feel one of the thick erections probe your entrance. 

“Breathe sweetie,” Sylus reminds you, his eyes growing steadily more animalistic as he pushes into you. You gasp at the feeling, then your eyes widen as Sylus gently splits you apart, your folds giving way to his massive proportions. You sniff, tears in your eyes at his size. There was pain along with the pleasure as your walls adjusted to him. 

Sylus’s wings gather you close to him, cradling you against his body as he strokes your face, whispering encouragement to you as he continues to sheathe himself into the hot moisture of your cunt. You squirm, the stretch foreign and uncomfortable, unsure what to do.

“Relax my little one. It’s ok.” Sylus kisses away your tears. “Remember we were made for each other. We’re meant to fit.” He halts, nearly fully inside, and your sniffs fade as you slowly adjust to him. Sylus thrusts softly, and you whimper, feeling so full impaled helplessly on his generous size. As he continues those deep strokes, your body seems to easen, the tension trickling away and giving rise to a whole new sensation. Your breath catches as you feel the thick mushroom head kiss your cervix with each stroke, the lower cock slapping against your buttocks with each move. The scales you had been touching earlier dragged smoothly along your inner walls with minimal resistance, flattening every time he pushed in, and erotically stimulating them as he withdrew. Every inch of your sex felt like it was being touched all at once and your eyes close dreamily as you lose yourself to the growing flutters of ecstasy. 

The next set of delighted moans are music to his ears and Sylus sensually rolls his hips each time, determined to wring out every tiny noise possible from you. Your face scrunches up in pleasure as he takes you, and somewhere in the back of your mind, you keep thinking about how the second one would feel. Your breasts bounce as he fucks you, and soon you’re breathing his name, hands grasping his forearms as your bodies fuse together.  

Sylus sees your eyes glazing over with need, your mind switching to a state where all that mattered was the hedonistic rush of your bodies working together in harmony. He pauses, interrupting his rhythm as he angles his second cock at your entrance.

You moan as you feel it but when Sylus pushes, there’s no resistance, your cunt already sloppy from his previous thrusts. The action puts his upper cock in contact with your Gspot, and your cunt feels wonderfully pliant as you feel both of them working in tandem to bring you to another peak. The added thickness combined with the scales' stimulation on both surfaces brought you to a realm of delight you hadn’t thought was possible as he starts to fuck into you with purpose, certain that you are no longer in pain.

His teeth are gritted as Sylus ruts into you marveling at the tightness of your cunt, how every clench and spasm felt on his dicks, knowing he was responsible for each one. Your combined juices start to pool at the base of his cocks, leaving a sticky ring of arousal. The wet squelch of your cunt fills the air and Sylus sees your folds, still slick from the interaction with his tail and he’s determined to make you lose control another time. 

You whine in protest when you feel him halt again and Sylus hushes you as he withdraws his upper dick and lets it sit with a moist plop back between your folds. The runny juices slide down and coat your pussy and you can feel the soft ridged scales now nestled at your most sensitive spot and you realize what he intended to do a second before it happened. With a smooth brush, Sylus buries himself back in your cunt and you feel the tingling stimulation of the scaled ridges sliding through your folds and hitting your clit one after the other. You nearly shriek at the feeling, almost on the border of overstimulation as Sylus sets up a brutal pace, his hips slamming into yours. 

Your face screws up and your eyes are squeezed closed as all your pleasure spots are stroked at the same time, your gspot and clit pulsing wetly. Sylus growls, his body pistoning in hot need as he chases his orgasm, seeking release. Your entire being feels like it’s slipping away, your cries of delight the only thing that can be heard. 

“Cum for me my love,” Sylus says brokenly, breathless and enraptured at the way you look, his legs shaking from the effort of controlling his climax before you had yours. Your body arches off the rug to feel the slick push of his cock and scales at a different angle and your toes curl as you finally let go and orgasm for the second time. It robs you of your thoughts, little brushes from the spikes continuing to push through every tremor you feel as the hot waves of gratification flood your system. 

Sylus’s hips stutter as he feels your walls fluttering around him, and lets out a feral roar as his climax hits him, his balls tightening up in urgent release and they spill their load. His abdomen clenches, his breathing rough as he buries his face into the crook of your neck. You hold onto him as you feel each spasm of his cocks both inside and out, one filling your walls with thick jets of his seed, the other dripping his hot, sticky cum onto your clit, mixing with your fluids as it drips messily into your slit, marking you as his in the most primal way possible. 

It takes a while for him to recover, nestling against you, and you’re content to feel his weight on your body as you stroke his hair. After a period of silence Sylus hums and rolls you over so that you’re on top of him. The action dislodges his cock from your channel and you quickly clench your hole closed, determined to keep all of him inside you, even though your folds are dripping from his essence and leaking onto him. 

“Mine…” he purrs as he noses your neck and you smile at him, brushing his cheeks with your thumb. A deep sense of belonging and satisfaction courses through both of you as you lay together in the afterglow of your courtship. 

“Rest for now kitten.” Sylus’s eyes are heavy with sleep as he cradles you on his chest. Your body felt wonderfully achy from your lovemaking. 

“I hope the hatchlings look like you,” he murmurs tiredly, and you blink as your ability to process starts coming back to you. 

“Hatchlings?” 

“That’s what we call our young.” Sylus tenderly cups your cheek and kisses you. “I’ll be certain to fill you a few more times to ensure it happens.” 

© unintentionalseductress original work | no copying, plagiarizing or translating

@tokyorevengersrin @brekkersgf @ladyparamount @otomegamesforlife @shddyboo @supernaturalbaesduh @sweets-kozume @theimmortalbuns @venussakura @prisjean @laddelulu30 @lethargiccryptid @ravenclaw-jojo @redactedbimbo @crypt-0rchid @fattybattysblog @xinnn6 @xiaoderrrr @evansdmitri @ravenclaw-jojo @cordidy @hesperisms @redactedbimbo @erebus-et-eigengrau @prisjean @cheesemachine44

[arc-misadventures]

The Beach: Ra

Jaune: Okay... wow she was seriously repressed... She really needed that...

Jaune: That was intense...

Jaune: I hope the scratch makes have healed...

Jaune: Hmmm...?

Jaune: Well, my aura's at full, so it should have been healed by now.

Jaune: Okay...

Jaune: I wonder if that video came out alright...

Jaune: Okay... Let's get going.

Jaune: Hmm... This side of the beach is pretty empty. I wonder why?

: It's because of all of the rocks, the tend to keep people away.

Jaune: The rocks? Well there's a lot of rocks, but why is the people staying away because of the rocks?

: People want to lie down on their beach towel, and suntan. Do you think people want to lie down on a hard jagged rock, instead of soft smooth sand?

Jaune: Hmm... That's a fair point... Wait. That voice sounds feminine? That's not the sound of my inner monologue! Who is speaking to me?!

: I'm over here~!

Jaune: Ah-ha! There you... are...?!

: Hello, Jaune~!

Jaune: H-Hi, Mrs. Branwen...

Raven: Didn't I tell you, Jaune: Call me, Raven~!

Jaune: Okay... R-Raven...

Raven: That's better~!

Jaune: S-So... Y-You're looking good... very, very good...

Raven: Oh, thank you~!

Jaune: S-So... What brings you over here...?

Raven: Oh, it's quiet. You don't see any screaming kids, whiney brats, dude bros...

Jaune: Those are good reasons...

Raven: And, since no one is coming here, I have this section of the beach all to myself~!

Jaune: Oh... Oh that sounds great, you don't have to deal with anyone's bullshit, because you're all alone.

Raven: Indeed it is. Now then, care to explain those scratch marks on your back?

Jaune: S-Scratch marks... what are you talking about...?

Raven: I can see the marks on your back, Jaune. So, care to explain yourself~?

Jaune: ...

Jaune: Yeah, it's pointless to deny it...

Raven: Well~?

Jaune: Haa... Okay, I slept with, Willow Schnee in the showers back there...

Raven: You fucked, Willow Schnee?!

Jaune: We all so filmed it, because she wanted to send it to, Jacques to show how a real man does it...

Raven: You filmed it, and sent it to, Jacques?! Fuck that's hot~!

Jaune: Yeah, will asked me to live out her kinks, and honestly... she made one hell of a deal. And, well... scratch marks...

Raven: So what were, Willow's kinks?

Jaune: Young man reshaping her guts, cucking, Jacques. Stuff like that.

Raven: Damn, Willow is a nasty girl~! And, I thought I was kinky; I'm into my lover being rough with me; Pulling my hair, calling me his bitch, taking it up the ass, breeding, things like that.

Jaune: Well... Yeah... I've heard that a lot today... seems pretty common...

Raven: I do like to do it in public.

Jaune: P-Public?

Raven: Yeah, in public, some place where I could get caught being railed by some hot young sexy stud~! In a place like this for example...

Jaune: T-This place...?

Raven: Yeah, behind those rocks. I mean, how many people wouldn't like to live out the fantasy of taking a sexy piece of ass behind a boulder at the beach~!

Jaune: At the beach...

Raven: So... what do you say, Jaune? You interested in living out this old gals fantasy~?

Jaune: ...

Jaune: Where's the best place to do this?

Raven: I found a nice place over there~!

Jaune: Okay, let's go!

Raven: Oh, and to warn you, Jaune: I'm a screamer.

Jaune: Oh, well it looks like you may get that audience like you asked for~!

Raven: If they're a sexy girl, can we invite her to join us? I love having threesomes with my wife. Having one at the beach... Oh gods, doesn't that sound so fucking hot~!

Jaune: Why do you call her over here, she can join us while we're at it~! She'll know where we are based on your screams~!

Raven: FUCK YES~!

///

Here's one for you @lar-mx Enjoy!

Link to Original Post.

[sapphiresaphics]

^^^———

This kinda stuff pisses me off because (again) you shouldn’t NEED to exaggerate things to be mad about it.

1. No one is saying it’s not lethal. ALL things can be lethal in excessive quantities and exposures. What we ARE saying is that the show does not SAY that it is lethal to breathe in, and in fact the show goes out of its way to show multiple people being able to handle the grey and deal with it in small doses. That’s important information you’re glossing over… the duration of the exposure.

2. Nowhere does Arcane say that people were dying en mass. The show DOES show that the grey presented an ongoing problem with continued exposure to the workers in the mines. This is reinforced multiple times, as both Vander and Silco worked in the mines and breathed the toxic air. The show presents what CAN happen to prolonged exposure… but the timeframe for exposure is left off the table. You DO NOT KNOW if that exposure is within minutes or years. Again: both Vander and Silco worked in the mines with the toxic gases and they ended up okay without fantasy cancer. So clearly the length of prolonged exposure MATTERS.

3. Yes, the gas made you choke and you struggled to breathe. That’s very clear. But the grey giving to cancer as a result? It is dependent on the person and their exposure. Not everyone who breathes it in will develop fantasy cancer as a result. If that were true, then Silco basically gave all the chem-barons fantasy cancer when he pulled his power play stunt back in Season 1. So once again, you guys are SPECULATING and you are INVENTING the severity based on information that isn’t entirely clear to us.

4. Case in point: Viktor. Skye and Viktor are shown playing in the toxic waters outside of a toxic cave. Skye didn’t develop fantasy cancer, but Viktor did. And part of that is likely due to the fact that his immune system was likely more compromised than Skye’s because of his being born crippled. Additionally, he spends a good chunk of his childhood feeding toxic plants to Rio with Singe in the toxic caves to create Shimmer. I have to suspect that that sort of exposure was NOT good for Viktor’s longterm health, wouldn’t you agree?

5. Once again you are using real life chemical warfare to hypothesize about a fantasy chemical and gas. The grey is not shown to spread much at all. Ekko repeatedly says that the air is denser down in the fissures and that results in the grey NOT behaving like normal gas. We see the gas almost snake its way into the buildings like a living thing. And we are shown that just outside of areas where a building is filled with the grey, it does NOT leak out.

This is important information because we are repeatedly shown that Caitlyn’s use of the grey is TACTICAL and STRATEGIC. She pumps it into specific targeted areas to clear the streets and incapacitate the chem barons and their goons. You cannot say that she “gassed the whole city” when the show GOES OUT OF ITS WAY to show that she is targeting SPECIFIC AREAS and that the grey DOES NOT dissipate and flow like normal gas.

So let’s recap what the SHOW presents to us:

The Grey is factory gas (man made) trapped underground. Exposure to the gas makes it very hard to breathe but not impossible. Many people in the show have been exposed to the gas for long periods of time and did not develop fantasy cancer. Everyone who is exposed to it in short bursts is seen recovering within minutes. The gas does not flow like normal gas and does not seem to seep out into the streets. When the grey is detected people DO NOT STAY AROUND it and leave (clear the streets) to avoid dealing with the adverse side effects. And the only person truly affected by the gasses in the fissures to the point that he’s slowly dying is a person who was born crippled and impaired and who willingly exposed himself to more of the danger than normal people did.

So when we look at it from this perspective, Caitlyn using the gas is still bad. She could potentially be hurting people long term, yes. But she’s also using it as a way to prevent more people from being hurt by a massive invasion and is actively using the grey in highly targeted areas. Zaun is MILES large, a single building on one side of the city getting pumped full of grey is not going to harm people miles away on the other side of the city. So this assertion that she “gassed the city” is just hyperbolic and misleading. We are even shown that they don’t even use it in the streets much if at all because they travel through the pipes pumping the grey in themselves.

You should be mad about Caitlyn using the grey. It’s a DIRTY TRICK to use it this way. Absolutely.

But you DON’T need to exaggerate the effects of it and make it seem like she’s fantasy Hitler gassing the city of Zaun like Auschwitz, you weirdos.

[lover-of-mine]

Lady Whistledown... it's been a minute for sure. You can chose not to post this because clearly BT is dead and deep down they know. But... if you feel like a visit to Narnia here we go......

So basically after the break up yes they were extremely pissed that none of the 911 family cared about Tommy or encouraged Buck to call him. Also the fact Bucks emotional turmoil ended on Eddie leaving not on a Tommy cliff hanger. This also was paired with weeks of how dare the 911 family abondem him because the hospital scene was again a reminder that the 118 is a family. And since in their view I think they picture Tommy as a creature of the night Buck took his family away.

A little bit lately it's going back into Eddie and Tommy territory. You remember how really, they honestly wanted Eddie and Tommy together. Super pissed no Tommy Christopher scenes. Is there any way Tommy can still step in and maybe secretly messaging Chris to get him home?

Also some days pretty gross about wishing Christopher is gone forever so they can open up Tommy coming back to replace Eddie. My Gavin protection and representation instincts can't stand that.

Proving they still are just I don't know not nice people. They hope Tim makes a whole episode that mimics the city burning down all for Tommy to be in a helicopter and Buck freak out. Also it feeds into their spin off show fantasies. But since the air support in LA became a real viral thing this is even better because then Tommy gets to be the real star and Buck the side character.

Orders given frequently on what to comment and not comment on SM. For instance the rain photo a super no no. Ignore the fact it was because of the spoiler and stay in line.

But one weird one. No one actually believes that's Tommy's truck. It's pretty excepted that obviously Buck got a new vehicle after the jeep broke down. We just will never get a back story.

Insane anger over the baking being transferred to Eddie leaving. It's not a Tommy thing it's a stress thing.

Now that we leave Narnia. I would just encourage monitoring in boxes. They know they only have a few weeks to be on their Bsish. They hate Maddies Bucks focus in the promo and depending on how the timline goes also Eddie. Also it's Canon Tommy knew about the "himbo" and the boils call. So when what goes down with Maddie happens, then if Tommy doesn't reach out its purposely erasing the TommyBuddles Buck. There's no space for Tommy. And also bit of spiraling on how exactly is Buck going to act out. Greatest fear? Buck 1.0

Of I remember anything new happy to come back. It's been a wild few months!!

Hello my love 🫶

I see they are still wild out there. I can't believe they still haven't let go of Tommy fixing the Chris situation. Talking about Gavin is next-level evil imo, he's a kid, let him be. The illusions that a scene that very clearly put Tommy as an outsider because he wasn't on the gc and he had to ask for Buck to volunteer the information is so funny to me, like, how clear do they have to be?

This was a wild ride to read tho, I love how they keep surprising me on how unhinged they can get.

[bi-writes]

Told my spouse about the complaint on military accuracy last night and he laughed.

Like if you want military accuracy, go find you a real military man to fuck around with. Let the rest of us live in our fantasy land with these fictional characters and the smut 🤣

okay but hear this--EVEN IF that's the reality, right, EVEN IF yes, sure, whatever, a captain's wife obviously isn't a fucking captain herself, like yes i know that.

but DO WE REALLY think john price would let anyone treat his wife as if she wasn't his rank??? like...be so fucking fr. military fucking handbook aside, if some muppet lieutenant like simon himself started saying something to his wife, john would just light his cigar and sit back cause...yeah. that's how it goes.

i mean isn't it also true that a civilian doesn't need to salute or do anything like that??? cause they're not in the military???? like if i was john price's wife, a CIVILIAN, and some lieutenant tried to tell me what to do, i literally would be like "ex-fucking-cuse me, bitch, i don't answer to you" cause I DON'T?? so i still think what i wrote is pretty spot-on. just saying.

[sammakesart]

I never for a moment interpreted the ending where Solas and Lavellan journey off into the Fade together as anything but hopeful.

The Inquisitor has been the Hero Who Saved the World for the last decade, and now she’s continuing that work. She’s not abandoning her duty. She’s venturing into the realm of pure magic to heal the Blight. Solas being there is just an enjoyable side benefit. Why can’t she save the day, get married to her true love, then head off on her next adventure? Heroes do those things all the time.

The game also is incredibly vague—and sure it’s implied they are going to the Fade Prison, which is the Black City—and Solas says it’ll be terrible… but he’s Mr. Grim and Fatalistic. Don’t listen to him. Lavellan responds that it won’t be terrible. It’s the Fade. You can shape it. It’s like the land of lucid dreaming. It will literally not be terrible if they are together. They’ll heal the Blight and help the Titans and go on many weird Fade adventures.

Again. It’s the Fade! It’s like the best sandbox for creating what comes next for them. They could totally spend all the time they’d like exploring Fade World, then return to the real world and find out only like… an afternoon has passed. Or I’m sure Dorian—after giving them a respectful amount of time for their Honeymoon—uses that magic knife to cut his way in and bring Lavellan an eluvian to use to visit him and her other friends and family whenever she wants. It’s not like they’re trapped forever. It’s left very open-ended. Have a little whimsy! Believe in true love that lasts forever and does not wane no matter the years that pass! Let them have a happily ever after. Why not. It’s fun.

[swordscleric]

I can't stop thinking about the post from a few days ago about how Critical Role has been great at doing personal faith but didn't put the necessary work in to discuss the religious/god angle of c3 in-depth. Like the fact that Cardinal Respa was linked to both the Dawnfather and the Chained Oblivion is, on a personal level, very interesting (fallen/corrupted priest goes hard) but like does that mean that there's a Papacy somewhere in Exandria dedicated to the Dawnfather? If so, are there more cardinals who ordain the bishops of the Dawnfather? Are there Conclave-level intrigues going on in the Dawnfather's Sistine Chapel? Why is the Dawnfather so Christianity-coded in vibes alone if there's no actual outline of his religious organisations? With Downfall the Dawnchild/Dawnfather thing makes the allusions to Christ as Son of God co-existing with the Father textual - was there a Dawnfather Schism around whether the Dawnchild was a separate mortal? Was there a Reformation about how the Dawnfather's Pope kept selling indulgences? Is that why the priest of the Dawnfather Grog & Pike offer a drink to doesn't partake because of a cultural shift between Protestant-Temperance-League-coded and Catholic-coded Dawnfather congregations? Why do I have so many questions about the religious organisation of one of the most important Prime Deities in Exandria and to Critical Role's 3 campaigns? How on earth were the cast (and us as the viewers!) meant to care about the gods if all they had were "really tall kings" instead of interrogating how religious organisations provide both a place of healing and community to a wide range of people and also a place of horrific harm and abuse for a wide range of people?

[venacavaflora]

ﾟ･𓂃‧₊˚⿻ your laid-back older brother who takes you for a beach day. you woke up and everything was already planned. he even took the satisfaction picking out your swimsuit and cover, sending you off pouting to make a picnic bag full of cute bento boxes, drinks, and snacks.

ﾟ･𓂃‧₊˚⿻ calling you in to dress, helping you shimmy into your bottoms. you could feel him gripping your waist a little more than needed, hoping he wouldn’t leave marks. deciding to look at the ceiling so he can’t see the blush start to form as you hold onto his shoulders.

ﾟ･𓂃‧₊˚⿻ he stands up to tie your top into a cute bow, then suddenly reaches down to bite on your ass. you could feel his canines dig into your soft squish muscle, yelping with a lurch forward, still feeling his teeth pull against you. and yet, by the time you turn around he’s walking off as if nothing happened.

“come on, if you want the water to be warm and have time to tan we gotta leave now” “pervert.”

ﾟ･𓂃‧₊˚⿻ sharing headphones on the walk there, feeling him watch you softly rub the pocket of your shorts now and then because the idiot bruised it! you wanted to slap the smirk off his face. you practically fling yourself into the water whilst he sets up the towels and umbrella.

ﾟ･𓂃‧₊˚⿻ diving under to wet your curls, happy that it was almost pool temp. “it's so warm!” “of course it is, i made sure we got here before two” sticking your tongue out as a wave washed over you. you didn’t know it, mainly because you had water in your eye, but he took a mental picture of that moment, and it went straight to his dick.

ﾟ･𓂃‧₊˚⿻ the two of you spent the afternoon snorkeling, you being taught how to paddle board, and snacking on the picnic you made. the music and conversation flowed while the both of you sat in the sun and talked, and eventually, you got tired.

“if you want to nap you can, i’ll make sure you don't sizzle to a crisp.” “oh, whatever! but thank you, i’m way too tired to walk back right now.”

ﾟ･𓂃‧₊˚⿻ rolling over to your tummy, letting the waves mellow everything out until it was pitch black. it was the perfect opportunity really, he couldn’t have planned it better himself- oh wait. he did.

ﾟ･𓂃‧₊˚⿻ pulling your pink polaroid out of the bag, he decided now was the perfect time to have a photoshoot that focused on that cute bitten ass of yours. taking them from all angles, and one of your cute sand-dusted face for his wallet.

ﾟ･𓂃‧₊˚⿻ it was the best sleep of your life. you woke up, the water and fruit were still ice cold, and you dazedly watched the waves crash as the sunset. you took pictures of the cotton candy-looking clouds streaked with deep orange and purple.

“can you pinch me? seriously, i’ve never seen the sky look like this before.” “if i did that you'd grump about me ruining the shot you’re setting up right now, hush and take your pictures.”

ﾟ･𓂃‧₊˚⿻ sharing a headphone on the walk home, arm in arm as you scroll through the shots, you wanted summer to last forever. you knew when you got home you’d shower together, make dinner, and watch a movie. he’d tease simply because there was nothing else to do, and you’d take it, simply because there was nothing else to do. <3

[leviiackrman]

SIMS 4 OC LOOKBOOKS: The Drakes - Jess, Sam, Tobin, Natalie, Winnie & Bailey

A new family inbound! When I say new, I mean to the sims lmao, these guys are some of my longest running ocs - from back in the early days! So glad I can finally capture this family all together cus I love them so much! Like father like son for their boy Toby, while Natalie has the most calm mind of all of them - no one knows how that happened. Wouldn’t be complete without their fur babies: Winnie and the now v elderly Bailey! (Bailey has seen every inch of this couples bullshit… she’s v tired) Let me know who’s your favourite!

Ackermans || Rikihisas || Enatsu || Kyutoku || Olalias || Hatakes || ATLA || Ginnivan || Ishimoto

Tag list (ask to be added or removed): @carrionsflower @statichvm @risingsh0t @simonxriley @tommyarashikage @kanos @confidentandgood @unholymilf @florbelles @thedeadthree @shellibisshe @roofgeese @aezyrraeshh @faerune @tekehu @jackiesarch @minaharkers @sergeiravenov @carlosoliveiraa @rosenfey @greenecreek @queennymeria @heroofpenamstan @alexxmason @tethrras @jamessunderlandgf @a-treides @solasan @bigbywlf @delzinrowe @fenharel @imogenkol

[teathattast]

Normalize asking your partner for reassurance. You both deserve to feel safe in your relationship. It's normal to be afraid. The right person will see those fears and calm them without question

[lovelyllamasblog]

Twisted Wonderland Pretty Derby AU

Inspired by Uma Musume: Pretty Derby and @phnxart/@phoenix-manga's oc Ru Khan. (Picrew)

Background:

Derby Racing was once a popular betting sport among all races in Twisted Wonderland. However, the conditions that the racers were in were deplorable and was an open secret of those who partook in the sport. Only after an expose was written that the general rose up in defense of the racers. The outcry was so loud that many governments around the world forced the racetracks to close down, causing many to go underground, though those were quickly disbanded too. After some time, some retired derby racers brought it back under a new name; the IDRC (International Derby Racing Committee), with new rules and regulations for derby racers and their trainers.

👑Aurelia Crowne (Gold Crown)

is a champion racer and actress. She is a descendent of champion derby racers and is very proud of that fact. She is known for her luscious blonde mane that she maliciously maintains. She has starred in a few movies and TV shows alongside Vil and Neige in the off season. She is from the Shaftlands (Land of Pyroxene). She announces her retirement sometime after the Rookies join the derby, though she plans to continue acting. Horse Breed: Akhal-Teke

💮Mai Khan (Moon Blossom)

is from the Far East and is a favorite among fans. She is known for her endurance and last minute spurts. She, Aurelia, and Amira are all long time friends and rivals. In the off season, she tends to spend it training in her hometown or helping with education for young children. She wants to become an educator after her retirement. She has a younger cousin who is studying at a special school. Horse Breed: Ferghana

🐎Amira Ahmad (Sultana)

is a racer from the Scalding Sands and is sponsored by the Asim family. She has known Kalim and Jamil since they were children. She is known for her beauty and grace on and off the track. Her speed is incredible, as she trains on the desert sands back home. She works as a model on the off season and has worked with Vil. She wants to retire from both derby racing and modeling to settle down with her partner. Horse Breed: Arabian

🌹Roselia McQueen (Rose Queen)

is from the Queendom of Roses and also works as an idol. She often performs before or after a race. She is known for her cuteness and often has a horde of fans at every race. She uses her smaller stature to her advantage and will slip in and out of the herd to get ahead. She is super cheerful and happy-go-lucky most of the time, though she is often exhausted from doing both derby racing and her idol work at once. She looks up to Amira the most. Horse Breed: Thoroughbred

🌟Kassandra Filo (Dusk)

is the representative of the Kingdom of Heroes and is a very serious racer, though she is often a little too boastful. She is sponsored by the Jupiter Conglomerate and gets the best training equipment and facilities (in her words). Like Aurelia, her family comes from a long line of derby racers. She considers herself Aurelia’s rival and successor, which is why Aurelia’s announcement of retirement hits her the hardest. She is known for her strength and durability when racing. She also knows Idia, but only in passing. Horse Breed: Andravida

🐚Maleia Kai (Seabiscuit)

is from the ocean (literally) and is the first Seahorse to enter the derby. Her original form resembles a seahorse and she loves to ‘run’ underneath the waves. When she was first on land for the first time, she started running, which caught the attention of her sponsor, who offered to help her by donating money to the institution that helps merfolk come on land. She is very adventurous and curious about the world above. She surprisingly loves spicy food. Horse Breed: Seahorse

🦅Dakota Bylilly (Spirit)

is one of the newest racers to enter the racetrack. She comes from a small community far inland between the Shaftlands and the Sunset Savannah. She was chosen to race by her sponsor after they saw her running with her younger siblings. They promised to help her get developers off and preserve her people’s sacred land. She is also running to help her younger sister the medical help she needs. (Inspired by Spirit: Stallion of the Cimarron) Horse Breed: Kiger Mustang

🦓Zuri Ajala (Racing Stripes)

is the first Zebra to enter the derby races and is considered an ‘underdog’ by the community. She is spirited and often hotheaded, but also mindful and often gives advice to the other racers. She, Dakota, and Helena become known as ‘The Rookies’ and form a close bond similar to that of Aurelia, Mai, and Amira. She was running in her village and happened upon a lost lion boy. She picked him up and ran him to her uncle, the village chief. She was surprised to learn that the lion she helped was actually Prince Cheka. He liked her so much that the royal family decided to sponsor her racing ambitions. (Inspired by Racing Stripes) Horse Breed: Plains Zebra

🦄Helena Belrose (Midnight Black)

is from the Valley of Thorns and a descendent of unicorns through her mother. Her father's family are former derby racers who retired after the races were outlawed and moved to the Valley when he was young. She inherited her mane from him and healing powers from her mother, who looks like a typical unicorn beastman. Due to living in an isolated place, she is very shy around new people, but puts on a facade of someone who is capable but often comes off as arrogant. She is older than Aurelia, but younger than Malleus. She is sponsored by the royal family and has a large amount of admiration for Malleus. Horse Breed: Unicorn

❄️Colette Freesia (Snowshoe)

is a racer from the City of Flowers and a scholarship student at Noble Bell. She is mainly quiet and keeps to herself, even among her peers and other derby racers. She grew up in the mountains and was introduced to derby racing by a family friend. She sees racing as an escape from the farm she grew up on and her close, tight knit family. She forms a rivalry with Helena and a close friendship/mentorship with Roselia. She is the smallest in her family, even smaller than her younger siblings, and the only one with a white mane. Horse Breed: Friesian

[lesamis]

🍋

sometimes i get a little sad about the way being at the phd home for a long time makes me want to like. take off the academiasona and just breathe for a bit. bc i love my friends here but our lives are v fundamentally different and this becomes glaringly obvious when one of them mentions their summer home or says they're taking their mum to the folkwang museum for her bday or when they randomly have cremant in the house and i instantly feel like im wearing some kind of Bildungsbürger skinsuit they tailored for me and it doesn't fit right. but then. these are the same people you can send a silly little poem to that you wrote about a rotten lemon and they'll reply straightaway saying they love it and it reminds them of this one contemporary sculptor who makes giant bedazzled rotten lemons. and for a second this whole thing makes sense

[mizumonohomo]

ok fiiiiine i'll say it. i was mad that Last Night in Soho wasn't toxic yuri. you got me.

[fellhellion]

granted this is just me applying some broad strokes of the 90s backstory to miguel's movie iteration and this may just end up unapplicable but idk. i honestly think there's something really interesting to be mined from the entire thing with gabriella not just being about desiring a fantasy of a happy family life, but also being an opportunity to genuinely grapple with miguel's relationship w fatherhood, both regarding himself and the fathers in his life. something something never being able to envision yourself as a father or perhaps not even considering that it could be something you wanted until you saw a mirror of yourself do it and be so happy with that in his life.

[dragonagedreaming]

@goatsorcery you get it

what were they trying to communicate by having daveth jory and alistair all be human men and having alistair talk about what a boys’ club the wardens were. what was that about. (genuine question)

[mcmansionhell]

on neuschwanstein castle (part 1)

This is an essay in two parts.

Neuschwanstein Concept Drawing by the stage designer (!!) Christian Jank (1869).

There exist in architecture clear precedents to the McMansion that have nothing to do with suburban real estate. This is because “McMansionry” (let’s say) has many transferable properties. Among them can be included: 1) a diabolical amount of wealth that must be communicated architecturally in the most frivolous way possible, 2) a penchant for historical LARPing primarily informed by media (e.g. the American “Tuscan kitchen”) and 3) the execution of historical styles using contemporary building materials resulting in an aesthetic affect that can be described as uncanny or cheap-looking. By these metrics, we can absolutely call Neuschwanstein Castle, built by the architect Eduard Riedel for King Ludwig II of Bavaria, a McMansion.

Constructed from 1869 through 1886 – the year of Ludwig’s alleged suicide after having been ousted and declared insane – the castle cost the coffers of the Bavarian state and Ludwig himself no fewer than 6.2 million German gold marks. (That's an estimated 47 million euros today.) The castle's story is rife with well-known scandal. I'm sure any passing Swan Enthusiast is already familiar with Ludwig’s financial capriciousness, his called-off marriage and repressed homosexuality, his parasocial obsession with Richard Wagner, his complete and total inability to run his country, and his alleged "madness," as they used to call it. All of these combine to make Neuschwanstein inescapable from the man who commissioned it -- and the artist who inspired it. Say what you like about Ludwig and his building projects, but he is definitely remembered because of them, which is what most monarchs want. Be careful what you wish for.

Neuschwanstein gatehouse.

How should one describe Neuschwanstein architecturally? You’d need an additional blog. Its interiors alone (the subject of the next essay) range from Neo-Baroque to Neo-Byzantine to Neo-Gothic. There are many terms that can loosely define the palace's overall style: eclecticism, medieval revivalism, historicism, chateauesque, sclerotic monarchycore, etc. However, the the most specific would be what was called "castle Romanticism" (Burgenromantik). The Germans are nothing if not literal. Whatever word you want to use, Neuschwanstein is such a Sistine Chapel of pure sentimentality and sugary kitsch that theme park architecture – most famously, Disney's Cinderella’s castle itself – owes many of its medieval iterations to the palace's towering silhouette.

There is some truth to the term Burgenromantik. Neuschwanstein's exterior is a completely fabricated 19th century storybook fantasy of the Middle Ages whose precedents lie more truthfully in art for the stage. As a castle without fortification and a palace with no space for governance, Neuschwanstein's own program is indecisive about what it should be, which makes it a pretty good reflection of Ludwig II himself. To me, however, it is the last gasp of a monarchy whose power will be totally extinguished by that same industrial modernity responsible for the materials and techniques of Neuschwanstein's own, ironic construction.

In order to understand Neuschwanstein, however, we must go into two subjects that are equally a great time for me: 19th century medievalism - the subject of this essay - and the opera Lohengrin by Richard Wagner, the subject of the next. (1)

Part I: Medievalisms Progressive and Reactionary

The Middle Ages were inescapable in 19th century Europe. Design, music, visual art, theater, literature, and yes, architecture were all besotted with the stuff of knights and castles, old sagas, and courtly literature. From arch-conservative nationalism to pro-labor socialism, medievalism's popularity spanned the entire political spectrum. This is because it owes its existence to a number of developments that affected the whole of society.

In Ludwig’s time, the world was changing in profound, almost inconceivable ways. The first and second industrial revolutions with their socioeconomic upheavals and new technologies of transport, manufacturing, and mass communication, all completely unmade and remade how people lived and worked. This was as true of the average person as it was of the princes and nobles who were beginning to be undermined by something called “the petit bourgeoisie.”

Sustenance farming dwindled and wage labor eclipsed all other forms of working. Millions of people no longer able to make a living on piecemeal and agricultural work flocked to the cities and into the great Molochs of factories, mills, stockyards, and mines. Families and other kinship bonds were eroded or severed by the acceleration of capitalist production, large wars, and new means of transportation, especially the railroad. People became not only alienated from each other and from their labor in the classical Marxist sense but also from the results of that labor, too. No longer were chairs made by craftsmen or clothes by the single tailor -- unless you could afford the bespoke. Everything from shirtwaists to wrought iron lamps was increasingly mass produced - under wretched conditions, too. Things – including buildings – that were once built to last a lifetime became cheap, disposable, and subject to the whimsy of fashion, sold via this new thing called “the catalog.”

William Morris' painting Le Belle Iseult (1868).

Unsurprisingly, this new way of living and working caused not a little discontent. This was the climate in which Karl Marx wrote Capital and Charles Dickens wrote A Christmas Carol. More specific to our interests, however, is a different dissenter and one of the most interesting practitioners of medievalism, the English polymath William Morris.

A lover of Arthurian legend and an admirer of the architect and design reformer John Ruskin, Morris was first trained in the office of architect G. E. Street, himself a die-hard Gothic Revivalist. From the very beginning, the Middle Ages can be found everywhere in Morris' work, from the rough-hewn qualities of the furniture he helped design to the floral elements and compositions of the art nouveau textiles and graphics he's most famous for -- which, it should be said, are reminiscent of 15th century English tapestries. In addition to his design endeavors, Morris was also a gifted writer and poet. His was a profound love for medieval literature, especially Norse sagas from Iceland. Some of these he even translated including the Volsunga Saga -- also a preoccupation of Wagner's. Few among us earn the title of polymath, but Morris' claim to it is undeniable. Aside from music, there really wasn't any area of creative life he didn't touch.

However, Morris' predilection for the medieval was not just a personal and aesthetic fascination. It was also an expression of his political rejection of the capitalist mode of production. As one of the founders of the English Arts & Crafts Movement, Morris called for a rejection of piecemeal machine labor, a return to handicraft, and overall to things made well and made with dignity. While this was and remains a largely middle class argument, one that usually leads down the road of ethical consumption, Morris was right that capitalism's failing of design and architecture did not just lie with the depreciated quality of goods, but the depreciated quality of life. His was the utopian call to respect both the object and the laborer who produced it. To quote from his 1888 essay called "The Revival of Architecture," Morris dreamed of a society that "will produce to live and not live to produce, as we do." Indeed, in our current era of AI Slop, there remains much to like about the Factory Slop-era call to take back time from the foreman's clock and once more make labor an act of enjoyable and unalienated creativity. Only now it's about things like writing an essay.

I bother to describe Morris at length here for a number of reasons. The first is to reiterate that medievalism's popularity was largely a response to socioeconomic changes. Additionally, since traditionalism - in Ludwig's time and in ours - still gets weaponized by right-wing losers, it's worth pointing out that not all practitioners of medievalism were politically reactionary in nature. However – and I will return to this later – medievalism, reactionary or not, remains inescapably nostalgic. Morris is no exception. While a total rejection of mass produced goods may seem quixotic to us now, when Morris was working, the era before mass industrialization remained at the fringes of living memory. Hence the nostalgia is perhaps to be expected. Unfortunately for him and for us, the only way out of capitalism is through it.

To return again to the big picture: whether one liked it or not, the old feudal world was done. Only its necrotic leftovers, namely a hereditary nobility whose power would run out of road in WWI, remained. For Ludwig purposes, it was a fraught political time in Bavaria as well. Bavaria, weird duck that it was, remained relatively autonomous within the new German Reich. Despite the title of king, Ludwig, much to his chagrin - hence the pathetic Middle Ages fantasizing - did not rule absolutely. His was a constitutional monarchy, and an embattled one at that. During the building of Neuschwanstein, the king found himself wedged between the Franco-Prussian War and the political coup masterminded by Otto von Bismarck that would put Europe on the fast track to a global conflict many saw as the atavistic culmination of all that already violent modernity. No wonder he wanted to hide with his Schwans up in the hills of Schwangau.

The very notion of a unified German Reich (or an independent Kingdom of Bavaria) was itself indicative of another development. Regardless if one was liberal or conservative, a king, an artist or a shoe peddler, the 19th century was plagued by the rise of modern nationalism. Bolstered by new ideas in "medical" “science,” this was also a racialized nationalism. A lot of emotional, political, and artistic investment was put into the idea that there existed a fundamentally German volk, a German soil, a German soul. This, however, was a universalizing statement in need of a citation, with lots of political power on the line. Hence, in order to add historical credence to these new conceptions of one’s heritage, people turned to the old sources.

Within the hallowed halls of Europe's universities, newly minted historians and philologists scoured medieval texts for traces of a people united by a common geography and ethnicity as well as the foundations for a historically continuous state. We now know that this is a problematic and incorrect way of looking at the medieval world, a world that was so very different from our own. A great deal of subsequent medieval scholarship still devotes itself to correcting for these errors. But back then, such scholarly ethics were not to be found and people did what they liked with the sources. A lot of assumptions were made in order to make whatever point one wanted, often about one's superiority over another. Hell, anyone who's been on Trad Guy Deus Vult Twitter knows that a lot of assumptions are still made, and for the same purposes.(2)

Meanwhile, outside of the academy, mass print media meant more people were exposed to medieval content than ever before. Translations of chivalric romances such as Wolfgang von Eschenbach’s Parzival and sagas like the Poetic Edda inspired a century’s worth of artists to incorporate these characters and themes into their work. This work was often but of course not always nationalistic in character. Such adaptations for political purposes could get very granular in nature. We all like to point to the greats like William Morris or Richard Wagner (who was really a master of a larger syncretism.) But there were many lesser attempts made by weaker artists that today have an unfortunate bootlicking je nais se quoi to them.

I love a minor tangent related to my interests, so here's one: a good example of this nationalist granularity comes from Franz Grillparzer’s 1823 pro-Hapsburg play König Ottokars Glück und Ende, which took for its source a deep cut 14th century manuscript called the Styrian Rhyming Chronicle, written by Ottokar Aus Der Gaul. The play concerns the political intrigue around King Ottokar II of Bohemia and his subsequent 1278 defeat at the hands of Grillparzer’s very swagged out Rudolf of Habsburg. Present are some truly fascinating but extremely obscure characters from 13th Holy Roman Empire lore including a long-time personal obsession of mine, the Styrian ministerial and three-time traitor of the Great Interregnum, Frederick V of Pettau. But I’m getting off-topic here. Let's get back to the castle.

The Throne Room at Neuschwanstein

For architecture, perhaps the most important development in spreading medievalism was this new institution called the "big public museum." Through a professionalizing field of archaeology and the sickness that was colonialist expansion, bits and bobs of buildings were stolen from places like North Africa, Egypt, the Middle East, and Byzantium, all of which had an enormous impact on latter 19th century architecture. (They were also picked up by early 20th century American architects from H. H. Richardson to Louis Sullivan.) These orientalized fragments were further disseminated through new books, monographs, and later photography.

Meanwhile, developments in fabrication (standardized building materials), construction (namely iron, then steel) and mass production sped things up and reduced costs considerably. Soon, castles and churches in the image of those that once took decades if not a century to build were erected on countless hillsides or in little town squares across the continent. These changes in the material production of architecture are key for understanding "why Neuschwanstein castle looks so weird."

Part of what gives medieval architecture its character is the sheer embodiment of labor embedded in all those heavy stones, stones that were chiseled, hauled, and set by hand. The Gothic cathedral was a precarious endeavor whose appearance of lightness was not earned easily, which is why, when writing about their sublimity, Edmund Burke invoked not only the play of light and shadow, but the sheer slowness and human toil involved.

This is, of course, not true of our present estate. Neuschwanstein not only eschews the role of a castle as a “fortress to be used in war” (an inherently stereotomic program) but was erected using contemporary materials and techniques that are simply not imbued with the same age or gravitas. Built via a typical brick construction but clad in more impressive sandstone, it's all far too clean. Neuschwanstein's proportions seem not only chaotic - towers and windows are strewn about seemingly on a whim - they are also totally irreconcilable with the castle's alleged typology, in part because we know what a genuine medieval castle looks like.

Ludwig's palace was a technological marvel of the industrial revolution. Not only did Neuschwanstein have indoor plumbing and central heat, it also used the largest glass windows then in manufacture. It's not even an Iron Age building. The throne room, seen earlier in this post, required the use of structural steel. None of this is to say that 19th century construction labor was easy. It wasn't and many people still died, including 30 at Neuschwanstein. It was, however, simply different in character than medieval labor. For all the waxing poetic about handiwork, I’m sure medieval stonemasons would have loved the use of a steam crane.

It's true that architectural eclecticism (the use of many styles at once) has a knack for undermining the presumed authenticity or fidelity of each style employed. But this somewhat misunderstands the crime. The thing about Neuschwanstein is that its goal was not to be historically authentic at all. Its target realm was that of fantasy. Not only that, a fantasy informed primarily by a contemporary media source. In this, it could be said to be more architecturally successful.

The fantasy of medievalism is very different than the truth of the Middle Ages. As I hinted at before, more than anything else, medievalism was an inherently nostalgic movement, and not only because it was a bedrock of so much children's literature. People loved it because it promised a bygone past that never existed. The visual and written languages of feudalism, despite it being a terrible socioeconomic system, came into vogue in part because it wasn't capitalism. We must remember that the 19th century saw industrial capitalism at its newest and rawest. Unregulated, it destroyed every natural resource in sight and subjected people, including children, to horrific labor conditions. It still does, and will probably get worse, but the difference is, we're somewhat used to it by now. The shock's worn off.

All that upheaval I talked about earlier made people long for a simplicity they felt was missing. This took many different forms. The rapid advances of secular society and the incursion of science into belief made many crave a greater religiosity. At a time when the effects of wage labor on the family had made womanhood a contested territory, many appeals were made to a divine and innocent feminine a la Lady Guinevere. Urbanization made many wish for a quieter world with less hustle and bustle and better air. These sentiments are not without their reasons. Technological and socioeconomic changes still make us feel alienated and destabilized, hence why there are so many medieval revivals even in our own time. (Chappell Roan of Arc anyone?) Hell, our own rich people aren't so different from Ludwig either. Mark Zuckerburg owns a Hawaiian island and basically controls the fates of the people who live there lord-in-the-castle-style.

Given all this, it's not surprising that of the products of the Middle Ages, perhaps chivalric romance was and remains the most popular. While never a real depiction of medieval life (no, all those knights were not dying on the behalf of pretty ladies), such stories of good men and women and their grand adventures still capture the imaginations of children and adults alike. (You will find no greater fan of Parzival than yours truly.) It's also no wonder the nature of the romance, with its paternalistic patriarchy, its Christianity, its sentimentality around courtly love, and most of all its depiction of the ruling class as noble and benevolent – appealed to someone like Ludwig, both as a quirked-up individual and a member of his class.

It follows, then, that any artist capable of synthesizing all these elements, fears, and desires into an aesthetically transcendent package would've had a great effect on such a man. One did, of course. His name was Richard Wagner.

In our next essay, we will witness one of the most astonishing cases of kitsch imitating art. But before there could be Neuschwanstein Castle, there had to be this pretty little opera called Lohengrin.

---

(1) If you want to get a head start on the Wagner stuff, I've been writing about the Ring cycle lately on my Substack: https://www.late-review.com/p/essays-on-wagners-ring-part-1-believing

(2) My favorite insane nationalist claim comes from the 1960s, when the Slovene-American historian Joseph Felicijan claimed that the US's democracy was based off the 13th century ritual of enthronement practiced by the Dukes of Carinthia because Thomas Jefferson owned a copy of Jean Bodin's Les six livres de la Republique (1576) in which the rite was mentioned. For more information, see Peter Štih's book The Middle Ages Between the Alps and the Northern Adriatic (p. 56 for the curious.)

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