#yes this applies to everyone

[stormywinter42]

To the person reading this

You’re my favorite notification

[themothmancassettes]

Sending to my tgirl friend in highschool for this addition because this is so important.

Nobody owes anyone anything, not even other trans people! We are who we say we are, and to act like hrt/surgery is the end all be all is stupid!

We all deserve respect.

I think people gotta realize and remember most trans guys can't access hrt/surgery or don't desire it and they are very much real boys as others who do have access to those resources. the reason why I draw most of my boys as "non passing" cuz they look like me and others.

I saw someone bring that up as a sort of "criticism" a few days ago which is valid but also like, it's how I express and rep boys like me.

[margindoodles2407]

Just a quick and gentle reminder that it is never, ever okay to wish harm, destruction, and death upon people.

Ever.

[shannonsketches]

I just wanted to play with color on Toyotarou's art and I these panels spark the most joy

[liauditore]

Equally Invalid

[katherynefromphilly]

I don’t know who might need to hear this announcement in this Virtual Chili’s tonight, but:

The goal of your first draft isn’t to make the story GOOD.

It’s to get the story TOLD.

[chiquilines]

more.. more shokoyuki.. pleekk..

Ask and ye shall be given

[genericpuff]

"it's only been 3 months, of course we haven't turned a profit yet" - implied Webtoons in their recent Q2 meeting following their Wall Street debut

"it's only been 3 months, what do you mean the lawyers are already here" - I choked out as I was informed of the vultures circling WT's dying corpse from above

(literally just google "webtoons investigation" and you'll come across multiple articles covering different firms with the exact same claims and ongoing investigations)

Now let's not get ahead of ourselves, vultures are vultures, as soon as one smells blood the rest of them tend to circle in to get their own place in line. At this stage, it's simply legal firms that specialize in the investment sector sliding their cards across the table towards WT's investors like, "heeeey, give us a call if you, y'know... don't make your money back in the next three months :) or the three months after that :) we can make the money happen, for a price :)"

That said, whichever vulture honed in first, I don't think they would have followed the scent if they weren't at least somewhat confident there was something to feast on. Then again, I'm not a lawyer, nor am I involved in the complex world of investing and /r/wallstreetbets, but what I can confidently say is... of course Webtoons isn't hitting their projections, this is a company that historically operates at a loss, it says so right in their own IPO documentation. This isn't even some hush hush secret anymore whispered among creators who are privileged to that information or readers who can only take their best guesses, it's now literally official that Webtoons is historically bad at making money. And now in their attempts to save themselves, they've now put themselves in debt not only to Daddy Naver, but to all the eager investors who expected this to be their next big payout. And it's hilarious.

But what isn't hilarious is how this is undoubtedly affecting the creators on the platform, both Originals and greenlit Canvas creators who are currently working their asses off to launch their series. And so I want to make it very clear that as much as I'm currently taunting Webtoons much like the Road Runner taunted Wile E. Coyote's increasingly absurd stunts that always backfired tenfold, I also have the immense privilege of not being in the shoes of those who are witnessing this and fearing they'll be losing their jobs and opportunities.

To the people who are in those positions, I have the utmost respect for what you're currently facing. You're all investors in your own right, looking down the same barrel as the Wall Street betters who are realizing Webtoons' lied to them. You're investing your time, your efforts, your work, your creative rights, your physical bodies and mental health into Webtoons with the expectation that it will payoff. And as we've seen from many creators who have come out on the other side burnt out and often poorer than they were when they went in, that payoff doesn't exist 99% of the time.

So, with the privilege that I have as someone who's not contracted with Webtoons and isn't bound by an NDA and knows fully well how much Webtoons hates their public image being laughed at... my inbox is always open and the anon button is always turned on. Do with that what you will. And know that if you're someone who's currently trying to find a way out of Webtoons, remember the power you have. Their platform is nothing without you.

[daniclaytcn]

full offense but it's soo weird how certain parts of this fandom are desperate to 'prove' that eddie didn't love shannon and cherry-pick aspects of their relationship to go "ha! he never loved her at all!" like idk how to break it to you but just because their relationship wasn't perfect or it was complicated doesn't mean it wasn't possible for them to love each other through all that. maybe she wasn't the love of his life like he claims; or maybe the love wasn't even romantic. but he did very much love her!

[commsroom]

the narrative significance of names in wolf 359 has this funny side effect where, like, it feels wrong to call the characters by their first names even when it's what 99% of people would call them in-universe. doug eiffel is in no way comparable to someone like, for example, fox "i even made my parents call me mulder" mulder; he's only eiffel to us because he's eiffel to the rest of the crew and that was just, like, the few most recent years of his life. he's always been doug. he's doug to his friends and to his ex and to his former coworkers at pizza hut and to like, i don't know, cashiers at 7-11 who recognize him, probably. he calls himself doug (and variations thereupon) regularly. but, because narratively first name moments between characters are reserved for when they really mean something emotionally, if i call him doug, i'm like, oh my god. that's so intimate. think of the implications.

[infiniteorangethethird]

tumblrinas when the disability disables you: oh wow that's so cringe. Stop doing that. Actually, I have disability too, and I can do it, which means you're just using your disability as an excuse. I'm morally correct therefore to mock you for being disabled and using tools and aids to help you. I'm not ableist, I'm just saying the hard truth 😊

[keithle]

that meme about red dead redemption 2 where it's like "how women dress arthur vs how men dress arthur" is a good example of the female and male gaze i think

[venture-through-the-mist]

The amount of people I’ve seen who are shocked/upset/annoyed about the Lotus Eaters being a short quest is, quite frankly, a little astonishing. We were told from the moment it was announced that it would be short, it has been compared to Apostasy Prologue and the Prelude to War (the Chimera Prologue specifically, I believe) multiple times. If you went into the quest thinking it was going to be longer than 5-ish minutes, that’s kinda on you at this point.

[pinkeoni]

Let’s examine the effect NINA actually had on El

This is branch off of this post I made about El’s superhero/monster dichotomy. tl;dr El’s internal conflict boils down to her belief that she is either a monster or a superhero, she can’t accept herself as being neither.

I feel like it’s a misconception that NINA has resolved El of this internal conflict, that she has now independence and realized that she is neither a hero nor a monster, just herself.

But I beg the question— did she really?

It was actually Brenner, the man of the hour, who gave El the speech about there being no such thing as superheroes and monsters.

(I feel like this joke has been made before, but it’s just so easy 😂)

Papa is telling El to confront the demons of her past, that she is more complex than she gives herself credit for.

But El does not take this lesson to heart, instead we have this confrontation between here in Papa in 4x08—

I do think that El realizing that she isn’t a monster and that she is a victim of her environment is a good thing. El has used violence in the past because it is what she was taught and what she was pushed to do. So, this is at least a step in the right direction.

But the problem is, El has not resolved her core issue, which is her dualistic way of thinking.

El doesn’t take the lesson that there are no heroes and monsters, but rather takes the monster label from herself and sticks it onto Papa. And don’t get me wrong, Papa has done terrible and unforgivable things. But the fact that El continues to have this hero and monster mindset means that there is still a conflict that needs to be resolved going forward.

When El went into NINA, she went in with the mindset that it was going to make her a superhero.

So El’s personal goal isn’t really to remedy her way of thinking, but actually to become a superhero and and erase this monster label that she has on herself, influenced partially by these visions of the massacre that she keeps recieving. She believed that she killed all those kids herself. After her talk with Papa it seems like she’s going to confront these demons head on, but what NINA actually ends up telling her is that she didn’t kill all of those kids and that she was the one who actually punished the killer by unlocking a new power and sending him to a different dimension.

Papa tries to tell her that she was the one who released him from his prison, but El combats by saying that Papa’s actions are what pushed One to do so in the first place. Now El is correct in her assessment of Papa’s abuse and the effect it had on both her and One, but again this isn’t El facing her inner conflict and rather deflecting it.

And the one who calls her out on this is another antagonist—

So El went into her fight with Vecna thinking she can win, because she is the superhero and she’s done it before and thinks she can do it again (See: “If you touch her again, I will kill you again”) and when she loses she blames herself, which Byler calls out—

El isn’t able to see her successes, the small sliver of hope she was able to offer in the darkness because she is too caught up in her way of thinking. But another thing is, El doesn’t really have something to fall back on— this is all she knows. She was raised to use violence and be a weapon, and she can either use that to be a monster, or use it to be a hero. If she can’t be the hero or the monster, then who is she?

[giddlygoat]

Hey about the ghost Luigi au. But. Would he fade with time? Or would he be forced to watch everyone’s lives continue without him? Would he be forced to watch his friends and brother die? Cause that’s angsty as hell my dude

oh, he’s in it for the long haul. i think after time has done its damage, he would go from being inconsolable to a long period of complete and utter shutdown. who knows, maybe he takes to scaring folks in the end. at some point, that becomes the only thing a ghost can really offer, right? when connection is that temporary it loses its meaning. the only way he can touch the real world anymore is through fear.

or you know, he could fulfill his dying wish and ascend to the afterlife. i want him to have a happy ending in one universe or another