#yes im working on the others i just have work and then im gonna be in canada for a few days AAA

[v-arbellanaris]

u know what actually im gonna make one last srs post abt this whole thing and then im doneeeee i swear lmfao, so all of the anons in my inbox can finally shut up and fuck off and i'll put it under a cut so i dont ~ruin your da4 hype~ the way youve fucking ruined mine i guess.

watsonian justification for this: "decisions you made 10+ years ago in another part of the country simply will not affect the current story". hey isnt the entire story behind veilguard that a guy has been working for the last 10 years to rip down the veil. like. is the whole thing not a story that started 10 years ago. do you not have access to the eluvian network now because solas stole it 10 years ago from briala. is the blight not around because of the evanuris in some way. isnt the entire magisterium something that's been in place for thousands and thousands of years. like even within the context of da, the entire story revolves around things that happened thousands of years ago that have shaped the world that our characters exist in today. we, ourselves, as real people, don't live in a world where things happening on one side of the planet do not affect anything else. and that's not even touching on the fact that we have companions from the first game showing up. at the very least decisions that affect them directly should have been factored in????

doylist justification(s) for this: #1 "we only wanted to include worldstate decisions we could develop reactivity to" so the only decisions were.... whether or not solas is romanced? for me, it's the way that when you're playing dai, the entire justification for NOT being able to romance him as anyone other than lavellan is that you can have a deep and important and complex relationship with him even if you dont romance him, the fandom is always going on & on about how important friendship!solas is and how it shouldnt be underrated but the moment his ENTIRE CHARACTER (and ours?!) gets boiled down to whether or not you had a romantic relationship with him, we're going to celebrate it??? really??? REALLY??? what in the fucking amatonormativity is this, and how is this a step BACKWARDS from dai for solas???

#2 "the world was too complicated so they wanted to simplify it for new players" that's literally the problem we're discussing. the problem we're discussing is the complexity of the world, and the solution bioware came up with for it is to simply scrap it all, and surprise surprise! not everyone is happy about it??? you are just describing the problem that the solution fails to address???

i think the most annoying part of this whole thing is the fan response to it. literallyyyy am seeing things like "no one ever complained about the worldstates not mattering in the next games before da4" which is NOT TRUE. ever since i JOINED this fandom, i've heard so many things about people complaining about leliana defaulting back to a hardened state in dai, about alistair's characterisation in dai, about cullen's repeat appearances, about your boons/decisions in dao not carrying forward in the next games. people HAVE been complaining about it, for ages, especially in dai. it is explicitly a problem in dragon age, and has been for a long, long time, and the problem has only grown the more complex the worldstate becomes. that's why they tried to address the problem here by simply scrapping it all. i've also seen things like "well if youre only interested in callback references, this dragon age game not for YOU" which not only minimises and dismisses the issues and feelings at hand here, but also reeks of self-righteous, smug superiority of I Am The Sole Correct Enjoyer. who is this game for, if not for people who love dragon age?

i'm not here for rook's story - i'm here to save the world that i've built with my own two hands over three games. i am doing that through rook as a character, yes, but i have no cause or reason to care about rook at all going into this game except for the basic fact of this is my character that i am playing - rook is a character that i expect playing the game will make me invested in and care about them. but you know what i already cared about before going into veilguard? you know what i've saved three times over already, potentially even at the cost of my own life? thedas. MY thedas. OF COURSE I WANT TO KNOW THAT IT MATTERS. in world, solas himself wants to know what changes his actions wrought. THOUSANDS OF YEARS AFTER THE FACT. why is everyone acting like fans are insane for this????

i, for one, have not complained about the game "ruining" origins or da2 or even dai. i was excited about the changes, because changes were evidently necessary. i have been fully prepared for the differences, even if i've been apprehensive or cautious about it. do you think i'm disappointed now because i hate dragon age??? where do you fucking get off saying this game is not meant for me? because i dont agree with how bioware has chosen to resolve this issue, suddenly these games are Not For Me anymore?

and you know what, i already know they're not for me. the way this series, and this fandom, treats people of colour, and characters of colour, i am made aware every single day that dragon age is not for me. these games are for the liberal white girlies and white queers living in the west. i know damn well these games have never been for me, and any insistence that it should consider me will be met with vitriol and viciousness. and guess what? i am still here.

i was sooo ready to let this go until the fandom just kept acting like ppl are idiots for being unhappy about things AT ALL in da4. its so fucking annoying to me. i'm NOT going to complain about every single little thing in da4 possible, but i'm also not going to act like bioware is going to do and is doing everything right. what is WITH this fandom and extremes of thought and behaviour. is it because you're all american??? like. i'm actually so sorry that you live in a black-and-white world with no complexities or nuances because it must be so boring and sad.

in my opinion, i would not have minded slimming down the narrative choices to a select few that they could really hone in and focus on. i feel like the dragon age keep decisions can be a bit arbitrary, and i would've loved to see like 5-6 key decisions per game, ORRRR even for your worldstate to boil down to something like whether or not you generally supported positive change or upheld the status quo per game, and then specific character decisions regarding the inquisitor to be brought in, since they're the pc that actually shows up. i do think there's likely a lot of chaff that can be cut off or simplified as a sort of "lost to the times" kind of narrative telling. but boiling down these games to three fucking choices that are ultimately just 'did u romance and like solas or nah' is fucking INSANE. why is the answer to the issue of the quantum - which has been an issue for a long time!!!!!! - to just... scrap it entirely???

edit: adding this here since i said i wouldnt make any more posts abt this topic but i rly find it laughableeeee when fans eagerly parrot bioware insisting that just because those choices dont matter in THIS game doesnt mean they'll never matter in a FUTURE game (i guess we can expect the next one in 2034?). if they already scrapped those choices for this game, and you're all still buying it (some of you??? PREORDERED it???? i thought we agreed not to do that???), why would they bother. do you think the next dragon age game wont have the same line of logic for 'we need to make it accessible for new players!!!!!' that they had for this one and for dai? how willfully stupid are you that you think I'M the stupid one here?

im happy for you guys tho! i hope the new dragon age game where theyve removed all of those complexities instead of making ANY effort to address ANY of the existing dissatisfaction around feeling like any of your game decisions mattered supports your existing brainrot so you can continue believing in a black-and-white reality. really glad theyve simplified it for you guys just like you wanted into 3 choices all about sola/vellan.

i'm going back to my own sandbox, as epler has instructed me to, so i can ~imagine~ my own thedas lmfao

[psychotic-nonsense]

"I'm sorry."

It's the first thing Steve says after everything.

After getting Vecna Cursed. After nearly dying. After a hallucination of Eddie saved him. After running through a looped forest. After finding sanctuary in Steve's memory of that Starcourt bathroom. After Eddie reveals himself as Eddie.

It's the only thing he can think of. It's not big enough to fit everything, but it's the only thing that fits in his mouth.

"Don't be."

Maybe that's the only thing Eddie can think of too. The only thing Eddie can bear to say.

Because don't be can't stop Steve's eyes from watering when he sees the vest in his closet. Don't be can't stop Steve's feet from dragging him to the cemetery every evening to clean Eddie's graffiti-covered tombstone. Don't be can't stop Steve from sitting beside Wayne and listening to him talk about the Eddie he remembers. Don't be can't stop Eddie's body from showing up in Steve's dreams, nor Eddie's corpse from his nightmares. Don't be couldn't keep the pain away enough, didn't stop Vecna from latching onto it while Steve was walking alone in the woods.

Don't be isn't enough for what Steve wants to hear. But even stuck here waiting, hoping, for someone to get Steve out, there just isn't enough time.

"I miss you."

"...Why?"

Eddie says it back so quickly, so quietly, like it's just unfathomable to him. Maybe it is, considering their last memories. But their eyes meet and he looks just as sad, just as longing, as Steve.

"You were my friend."

Steve can't help but say it like that. Like they were friends for years instead of days. Like Eddie was that important to him in their final moments. Like his heart really aches for Eddie every second of the apocalypse.

Can't help but say it like he means it.

"I wish we could've had more time..."

Steve's voice cracks a little there as he turns away, hiding. It's all he wants. It's all Vecna used to entice him with. It's all that's keeping him going, to finally fulfill the last request Eddie made. It's all he has left to feel close to Eddie.

The Eddie that's sitting right next to him, silent, his sight weighing on Steve's skin. Conscious and aware and the real Eddie. Trapped in Vecna's head as a backup power source, yet who still risked everything to come save Steve. Who Steve will never see again because killing Vecna means killing Eddie for good, and his heart doesn't want it, is begging for another solution...

But for once, his broken head overpowers his shattered heart.

"Maybe we did."

Eddie takes Steve's hand. Meets Steve's surprised look with his own small smile of hope. They're both suddenly tearing up, eyes glistening with life in this gray stall.

"Maybe in another world, we got a second first chance. A first second chance. Maybe even a third, or fourth. Maybe in a different life, we had everything we wanted. Because you, Steve Harrington, are too good for me to be doomed to meet just once."

And for a moment, Steve sees it. Feels it. Versions of them connected through the universe.

Little kids playing in the lake. One with bruised skin and shaved hair, loud but unfathomably lonely. One with a bruised heart and soft eyes, timid but stubbornly hopeful.

A rockstar with glittering chains, center stage in the spotlight. A set of eyes in the crowd or behind the curtain, watching only him.

A werewolf and a vampire, two cryptids of horror, meeting in the dead of a full moon night to feel safe with the only other one who understands.

A future where they won, where the only death was the one that mattered. A process of healing and learning, coming home to a family every single day.

A world without pain, without their hell, where two high schoolers found freedom from their shackles and company in each other. Hiding away together in the dark corners of the town.

Steve even sees other versions of them. Versions that he knows were originally never supposed to meet, yet forces so much greater than them pulled them together.

A metalhead drug dealer, constantly getting into trouble with one nail-bat-weilding cop.

A criminal's fugitive nature leading him to a rugged trailer park, and the dangerous owner within one such home.

An eccentric king in an old coliseum, always choosing one particular warrior as his champion.

A young programmer being pulled away from his work by sobs above his apartment, running upstairs to check on the law student that recently moved in.

Two actors, finding an easy friendship in the months of filming one season of a show that would change their lives.

In that moment, Steve's overwhelmed by the closeness he suddenly feels with the soul beside him. Falling into tears, he pulls Eddie into a tight hug, holding him so so close to convey everything he can't say. Feeling Eddie hold him back, hearing everything Eddie can't say in return.

Familiar music comes on outside the stall. Robin's voice calls out to him, telling him to come home.

And when he does leave, Steve hopes that someone out there will understand that he never can. Because here in Eddie's arms is the only place that will ever truly feel like home.

"Thank you... for everything, Eddie."

Thank you, Steve. For everything and more..."

--------------------

- List of AUs, in order, after, "Versions of them connected through the universe": Childhood Friends / Rockstar!Eddie / Werewolf!Steve & Vampire!Eddie / Eddie Survives / No Upside Down & High School

- List of Multiverse Steddie AUs, in order, after, "...yet forces so much greater than them pulled them together": Eddie x Gator / Baron x Michael / Geta x Sean / Keys x Eric / Quinn and Keery

[aquickstart]

ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.

another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!

farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.

but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.

but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.

but the important thing is this.

farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.

farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.

the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.

as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.

but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.

and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.

to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).

to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.

and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?

but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.

the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.

so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[tumblweeds-omegaverse]

random omegaverse thought:

There must be people who experience specific instinct things with indifference or boredom.

Procreative cycle coming up? "Crap, I've got plans this weekend...stupid skip weeks."

Caught an intriguing scent while walking? "But I need to get to work! Shut up brain."

Had a snap response to a distressed sound? "Who was it?! ...right, it's my day off, I can go back to sleep."

Somebody growled at them? "Kid, I'm not a rival, that's my sibling."

Super cozy cuddle session happening nearby? "I'm gonna pass tonight guys, no social battery left, maybe next time."

Group of friends heading out to flirt and check out other singles? "I'm coming with you but only to make sure you all get home safe."

Setting where fated mates or soul bonds or permanent marks are a thing? "Meh. I don't really want one or care if I ever get one."

People in the actual omegaverse would get as bored of their stuff, as we do of ours, you know? It could be interesting to see that kind of vibe in fics. Biological demands faced with all the excitement of paying bills or doing laundry or tying your shoes.

Even if that kind of energy might not drive a plot, it could be interesting to have as a contrast to the people who do have big feelings about them - good or bad.

There's the friends who can't wait til they have a pack of their own, and the one friend who isn't against it but couldn't care less. There's the group in the office who are all about scent compatibility tests and figuring out one's best match and what sprays most highlight it, and the coworker who has no intentions on putting that much effort in. There are parents who hover and protect their offspring by scenting them multiple times a day, and others who don't see what the fuss is as long as it's done in the morning.

...also: packs with introverts who show care by giving each other space. So often, closeness is depicted through physical touch and tactile affection, but comfortable silence is meaningful too. Knowing people are near, but not having to interact until you're ready. Sitting in the same room doing different things, knowing that all it takes is a "hey, look at this" to share what you're up to. People understanding and accepting each other's differing or fluctuating needs for how and when to recharge. Seeing somebody reaching out or sharing space, beyond what's their norm, as a signal of the fact that they care.

[floralovebot]

MADE EDITS i couldn't stop thinking about their outfits and like,, the aspects i liked and thought felt very winx and in line with the individual characters and the aspects i Hated and thought sucked dookie SO i made some edits :)

biggest changes are to musa, aisha, and stella! actually changed the clothes there. flora and tecna i just adjusted the colors (in flora's case to further unwhitewash her and saturate her clothing more and in tecna's case to bring back her pink hair and green and cyan).

explanations on changes below!

I'll start with the simpler edits!

For Tecna, I just wanted to play around with her og colors lol I actually LOVE her new look and I would love to see this be the final design!! It's SO tecna and fits in with the rest of the winx i love it soo much :') I do think they should bring back her pinker hair though! And again, would love to see the green and cyan make an appearance. I feel like neon green is just very classy techy character. And while it is cliche, I do love it akjgd plus I think it looks good on her and makes the other colors stand out more imo! (but maybe this new, pinker look will make people like her more idk :') justice for tecna my beloved :'))

For Flora, I darkened her skin more for obvious reasons. And then I added more saturation to the colors and added back the warmer tones they took out. Imo, the darker, desaturated, and cooler toned look for Flora only works in very specific circumstances. Color theory rainbow!! Bring back the brightness! The color!! The warmth!!

Which brings me to Stella ohmygod,,, please,,,, please stop desaturating her she looks so pale and sick and lifeless STOP please :') Anyway lol, obviously brought back the brighter orange! I also took away the random sleeve. It's cute but it just didn't feel very Stella at the time? The tube top look is Very Classic Stella (very much giving s3 casual but in orange). Tbh, I don't love the dress itself, but I do think it looks better once you add more of Stella's colors. I also tanned her skin more and made her hair more yellow + brighter! Just like with Flora, color theory is important for media!! This Stella design just does Not give sunny, optimistic character. It's giving the gap (aka BORING aljdhg)

Aisha's design stumped me for a bit, I won't lie. I couldn't figure out exactly what I didn't like. But I got it!! One, way too symmetrical imo. Yes, Aisha does have some very symmetrical looks, but like 80% of her looks are very asymmetrical. I also didn't love that it didn't incorporate more of Aisha's powers. It really just went for *vaguely sporty* and didn't try to bring anything else to the table. And some people might say that Aisha's og looks were like that too, but I disagree! They told a story! She's a brave adventurer, a dancer, a princess, etcetc!! This tells me "oh yeah this girl might like to do yoga. cool."

Anyway! So I made Aisha's pants baggier because let's be fucking real for a sec. Changed the design on the pants slightly to make it asymmetrical and incorporated a wave design. Took away that bottom shiny fabric of her shirt. I tried to keep it but it just wasn't looking great with the pants changes tbh. Added small waves to the bottom and made it one shoulder! Also added her classic little circle wave design 1. because it's cute and 2. so Musa wouldn't feel so out of place with a design. Tbh, I still don't love the pants... I think maybe that hem could be higher?

For Musa! I've spoken about this before but I do not like the bodysuit. I liked the concept and the vibe it brings, but it looks So uncomfortable and s1 Musa was alllll about being comfortable. It's why so many people think she hates wearing dresses (even though she doesn't). So I kept the vibe, but changed it to the same mesh that's on her right arm! Which like!! I didn't even see that until I started the edit!! It's so,,, unnoticeable which like,, isn't a bad thing? But also? I think the mesh being on her stomach too makes the design as a whole a little more balanced (and it's a nice callback to her og magic winx!). As for the color changes, really just wanted to go back to her reds and dark blues. I don't Hate the color scheme, but I also don't love it. And I think this feels a lot more like Musa yknow? Also darkened her hair cause fuck that dude

Anyway lol it's not the best edit so don't look too hard :') I just wanted to explore what I liked about the designs and what I didn't. We did get to see a little bit of Bloom's casual, but I want to wait until we get a closer look to speak on it/make edits. Also tbh, I don't really love Flora's outfit but I didn't want to completely redesign her and I concede that this is something she would wear (although it feels more like s4 cowgirl time/s5 casual and not s1 new student time but Fine). For now, I'm gonna pretend the trailer showed us my edit of Stella and not what it really showed. I can't get pale pinterest stella out of my head,,, aggghhhh

[caramelmochacrow]

"Beating so fast, seems like it'll burst..."

[note-boom]

Just some thoughts again for this episode sorry but....

Kyouka protecting Atsushi

Tanizaki getting triggered when they hurt Kenji (maybe not as unhinged as he is with Naomi but HE WAS PROTECTIVE OF KENJI)

The way the water the ADA stood next to rippled as soon as they stood up and decided to choose the path that led to less loss of lives...a ripple effect??

YOSANO'S BUTTERFLIES ANIMATED I AM OBSESSED

ALL the character moments like Kenji encouraging the ADA, Tanizaki being frustrated and protective, Kunikida never letting any of them die, Yosano saving them all with her ability, Kyouka going back for Atsushi, poor Atsushi being so out of the loop -

I wonder where the hideout Yosano was going to take them to was going to be....

[koifoxes]

currently 15 chapters into lotm rn. ik everyone says that i should atleast finish the first vol to know whether i should drop it but it really feels like such a chore to read through the first novel

[isogenderskitty]

tw suicide mention

this is extremely dark, but like... hear me out. what would steph even do with herself if she had ended up killing pete? she has no family to go home to, no clear aspirations... and i'm sure she doesn't even want to think about the possibility of someday getting over pete and finding someone else. i can't get the idea out of my head that she would've just... hung around long enough to see the lords in black make good on their end of the deal, and then... created a parallel to romeo & juliet, if you catch my drift.

[carnivalcarriondiscarded]

i only just found your au and i need everyone to have a happy ending so badly im gonna cry ;-; sally is gonna be so freakin upset when she wakes up for real and sees she decimated barnaby.

oh, Barnaby already has his arm stitched back on when she wakes up! and really, even if he didn't, that'd be the Least of her worries. she wakes up into a Real nightmare - partially of her (unintentional) making

[awesome-cookies-and-cream]

shirosaki and momose's relationship is so funny to me. shirosaki is an airhead but has a very good sense of responsibility. so he sees this guy who he inspired and decided to take him in (and went absolutely extra especially after realizing how shit his previous boss was). Then there's momose who hasn't had a good relationship since his employment, he'd take any morsel of kindness and be a hundred times grateful for it to the point he doesn't just tolerate shirosaki's goofiness, he adores it (anything is better after his previous boss after all)

so now they're in a weird ??? is this what normal people do??? relationship

[dragons-and-yellow-roses]

Me, while manically cleaning my room at 3:27am: I should make several large, life-changing, irreversible decisions.

[wellthatschaotic]

neurotypicals are so frustrating,, i keep forgetting that "can you do x" means "go do x"

[sluttyten]

yall I want TDS3 tickets so badly 😭 but I don't know who to even go with and I'm not going by myself.... but I'm also seriously thinking I'm just gonna go ahead and try to get tickets on friday anyway

[captainsolocide]

be me

have to come up with an idea for a final paper in my comp lit class

guidelines say it has to be regular research, but she brings up a very specific creative option in class

I don't like the option she suggested

I do like a creative option I made up myself

we have meetings to discuss our ideas for the final paper

I figure I'd bring up my creative paper idea during the meeting

the worst thing she can say is no

I bring it up

she gets really excited about it

it's still just a rough idea atp so she tells me to email her over the weekend with a more fleshed out proposal

I do that

she replies saying the only creative option is the specific one she brought up in class and if I don't want to do that I have to do a regular research paper

I am sent into a rage