#yes im abusing the tags

[therealv1]

Some ultrakill headcanons

Gabriel has a lichtenberg scar from a fight with a fellow angel or heavenly entity that he was not on good terms with. - - Also generally a lot of scars. A fuckton. Metric ton, even. Eleven donuts worth, if we're going American.

Mad levels of anxiety. He struggles with GAD + panic attacks on a regular basis but has been able to maintain it after a while especially with the help of his husbands / start of living with them and working out the past issues.

I really like the idea of Gabriel being deeply into gardening, knowing the meanings of SO many flowers and sketching various things, don't get me wrong (+ he DEF has impostor syndrome) but. But hear me out.

TEA ENTHUSIAST! (I love tea, so I'm def projecting some.) And I love the idea that he just has a stash of tea + books he has found lying around about herbalism, medicinal properties of herbs, etc. Definitely has a mortar and pestle, makes his own spice mixes, has various tea strainers (maybe he'd find or make some cute ones, IDK) and so on

I go back and forth on his appearance, if it is even visible at all, so on. I like the idea that he is half oriented around the whole "biblically accurate angel'' portrayals but also has the head of an animal, specifically slightly lamb-leaning. I have more reasoning that it just being for religious symbolism, but I also won't deny that plays a part in it.

I also based his appearance somewhat off of the black and white art of the gate guardian from the SCP universe / Dr. Clef's Proposal for SCP-001 <3

Gabriel is intersex in my au

(This totally has nothing to do with my love of lichtenberg scars + lightning and storms or anything... /s)

V1 (humanoid ish/prime soul adjacent, I ought to get into detail about the AU but... bla bla, brevity bla bla, I digress) has a deeply uncanny face / appearance on the reg. It can't fully control it but even in the few moments where it has more power over its body it just typically chooses not to. It does get hurt though when people immediately get startled by its appearance but it "got used to it after a while"

Because I'm evil and a massive faggot V1 is in a harem w/ like. 99% of the ULTRAKILL cast. (Ignoring filth, sentry's, maurice', drones, virtues, et cetera/anything similar) - - Like dude kisses Gabriel, Minos, V2, Sisyphus, Ferryman, MDK, etc. ALL GOODNIGHT! And not even with the lights off, either... what a homo!

Learned pottery / how to mess with clay and ceramic type making things from the Ferryman. Violently enthusiastic over the concept of using its hands, very into craftsmanship. Would likely be a carpenter and/or "tinkerer" in life.

Used to reconstruct and deconstruct its body regularly (both for healthy and unhealthy reasons) but had to stop at Minos behest after getting caught one too many times.

Dissociates heavily. Sue me, I love and know the lore, I reread the wiki a disgusting amount but damn it! I love my own fanon.

Very curious about weather patterns

I'll try to think of more HC's for the others, but this is it for now haha + omg I just saw 1:11 on my clock. (I am tired)

one random and final headcanon: I'm really clinical over the idea of transfem minos. I feel like we deserve some transfem rep in ultrakill ngl Like obviously I love my transmasc homies, (I'm.. somewhere in an entirely different area of transgenderism at this point, transmasc no longer fits me, but again, I digress), and maybe I'm not looking in the right places, but I really feel like I do not see a lot of transfem or slightly unspecific fem variations of ULTRAKILL characters. I am ALLL for various depictions and I crave MORE MORE MORE! Perhaps I just need to scour the internet more

[lucabyte]

sometimes everything just sucks real real real bad

[ofswordsandpens]

Okay compiling my most critical opinions on the pjo show so far (episodes 1 & 2)

The Gods' Conflict, Foreshadowing, & Big Three Kids

The show has seemingly dropped a lot of the foreshadowing and threat regarding the gods impending war over the theft of the lightning bolt. In the book, Percy remarks about how the weather's been inexplicably weird and extreme. When he gets to camp everyone is on pins and needles about something and they don't want to talk about it but its still very present. By the time he's claimed as a son of Poseidon and everyone's like "oh fuck" and then Chiron finally explains to Percy that the gods think he's the lightning thief, everything clicks into place for the reader. It all makes sense why everything seems so wrong... because things are wrong. Meanwhile in the show, that doesn't carry through as much, so the reveal of the conflict between the gods and why that's a big deal falls flat in comparison imo.

They dropped/stalled the foreshadowing of the fates and the cutting of the string. They could very well include this in future episodes, and probably will, but I think the timing of it - Percy seeing this before he even knew he was a demigod - again carries some hefty significance and helped set the foreboding tone of things being wrong even from the beginning.

They did drop Zeus's attack on Percy in the minotaur battle completely, which does disappoint me. In the book, its lightning that blasts the car off the road. In the show, Sally seemingly loses control of the car. That change is pretty significant, because it's again losing the power of RR's foreshadowing in the book. The attack on Percy outside the camp borders was a duel attack from Zeus and Hades.

Finally, I don't like the changes they made to Percy's claiming scene, namely, the reaction from the rest of CHB. Percy being a son of Poseidon is a huge deal. When Percy's claimed, the attitude is very much begrudging reverence paired with genuine fear of what it means and what he represents. In the book, Percy is claimed. People gasp. Everyone kneels. Annabeth says, "This is really not good." In the show, Percy is claimed. People... stand there? Annabeth smiles - she's going to get her quest. The only person who has the most outright negative reaction is Luke. I won't go so far to say this is out of character for Annabeth, but it is focusing on an entirely different aspect of her character in the moment, and what the audience gets from Percy's claiming scene here, the tone, is now different from the book. Basically, the reverence and fear don't really carry across to the show, which I think is important.

The phrase "forbidden child" slaps tho.

2. Gabe's Characterization, Sally's Characterization, & Why the Changes do Make a Difference

I'm going to say this with great care: The show has absolutely depicted an abusive relationship between Sally and Gabe. The show has shown Sally to be a strong woman who would do anything for her child. The show has shown Gabe to be a controlling, toxic man.

What they have depicted in the show does not read like the characters and dynamic in the books.

Book Gabe is a violent, menacing drunk. He is so disgusting and vile that monsters avoid him. This is overwhelmingly apparent from the second Percy gets home in the book, even before he is aware of the physical abuse Sally has been facing. Percy has already been dealing with physical abuse from him, amongst other things (edit to be more specific: this is including verbal, emotional, & financial abuse). I've already spoke to it here, in-depth, so I'll try to keep it short but all of this has not been translated accurately to the screen. (Is this to say that a person must be overtly abusive to be abusive? No. But does this character on-screen feel like Smelly Gabe? No.) These things have shaped Percy (and Sally) in very specific ways. As others have mentioned: Percy cannot stand alcohol. He meets Dionysus and is reminded of his step-father. He gets to Tartarus and the air reminds him of Gabe.... The character on screen, while abusive, does not share this presence at all, and that makes a difference.

Edit: To emphasize once more, I am not saying that the show has not depicted a realistic portrayal of abuse. It has (verbal, emotional, & financial so far). It has also distinctly changed the tone and Gabe's presence from the book, to the extent that it no longer feels like the same character and that does have a rippling effect on the dynamics he shares with both Sally and Percy.

3. The Lack of Annabeth

Annabeth in the show is just like... really not as present as she is in the book so far, and I'm just kinda like, why lol?

Annabeth in the books is already way more involved in Percy's life. She was in the infirmary feeding Percy ambrosia after the attack (ulterior quest motives lol), she's the one who lead Percy around camp and re-explained godly parentage to him - and its a moment where she's very sincere with him, and even trying to help him! Instead these moments are given to Chiron and Luke, which I do get the merit of, but still, these were her moments!

Annabeth in the books had already surmised that the gods were fighting, something was stolen, and the something bad was going to happen, all before Percy had even been claimed. And she shared that with him! Again, the loss of foreshadowing and little bonding moments has me :(

I'm a little worried how they're going to deal with her crush on Luke because its pretty central to her character in the books! It helps Luke to manipulate her and also keeps her from admitting he's done something wrong. Also, it was very sweet and funny reading her get flustered - It drove home the point that she was just a kid with a crush that she didn't know how to handle. But in the show Luke spoke to her and I was expecting there to be some sort of reaction to it and there just... wasn't? (This is not something I'm laying at Leah's feet btw! Only the writers/directors!) We're only two episodes in tho so maybe we'll see it some more moving forward.

4. The Minotaur Battle

Again, I've already spoken about this in depth here but !!

The lack of Zeus's lightning strike, them all coming to a standstill and just chatting instead of running for their lives, Grover being awake and just sort of off to the side watching the fight, Sally being like "Promise Me Grover Swear it"... it all just doesn't ring right to me

I wanted more panic, more terror, more urgency. Higher stakes. I wanted Grover unconscious, I wanted to see Percy drag him into camp, and I wanted to see more of Percy's grief alongside his rage. Like the book did.

The pacing in the show here, and just overall, is weird

5. Other Stuff

Mrs. Dodds fight kind of fell flat too. It was honestly too sudden and Percy killing her in the show seemed even more accidental than in the book lol. Like, accidental impalement vs intentional swing of the sword.

They really had show Grover throw Percy to the wolves and not just gaslight him, but low-key have a part in getting him expelled? Not sure how I feel about it tbh.

More New York. I wish we had gotten the part of Percy taking the bus home with Grover included cause like? Him ditching Grover was funny, but it would have been the perfect opportunity to show Percy traveling through New York and establish it has his home. Shots of him looking at the city, walking the streets, interacting with people near his building.. yeah.

More Montauk too tbh. Like more shots of him and Sally on the beach rather than just the cabin.

Nectar and Ambrosia! Unless I missed it, which I might have, why have we still not gotten an onscreen depiction of it yet lmao.

[gornackeaterofworlds]

One of four pirate bay turtles

[abyssal-ilk]

adding onto this post here where i talked about a cadash inquisitor being uncomfortable with bastien's relationship with vivienne due to the exploitation of castless women by noblemen in orzammar, i also cannot help but think about how fiona must feel about vivienne and bastien. she is older than vivienne, and from an extremely young age she has known the absolute worst of orlesian society through the hands of a nobleman who physically and sexually abused her– something that took her time to fully rationalize as wrong. i wonder if she saw herself in vivienne when she and bastien first started courting, or if she thought vivienne is in the "unknowing" phase of what fiona went through herself.

it is not the exact same situation. obviously. fiona was a young elven girl who was a slave in everything but official name and vivienne was an adult, if only recently so, and is willing in her relationship with bastien. but i wonder what she thinks when she sees vivienne, maybe twenty, maybe not even that yet, catching the eye of bastien during the wintersend ball– a man old enough to be her father from one of if not THE most powerful family in orlais. the man sitting at the head of the council of heralds, the highest position in the orlesian court. is she angry? worried? both? does it matter, if she cannot do anything to interfere in any way without risking massive repercussions? idk. many thoughts.

[hauntingofhouses]

BRB thinking thoughts about Taigen's character, the TaiMizu ship, and a big chunk of fandom's perceptions regarding both those things.

(Inspired by @farintonorth's post related to this topic that just got my brain going brrrrr)

OK so let me just... start off by saying that I think that reducing stories to their tropes is seriously detrimental to the way some people are interacting with fiction, and while that honestly warrants its own post about the subject, I wanna talk specifically about how this affects the way some people in the fandom talk about Taigen and TaiMizu.

Because yeah, tropes are useful shorthand to refer to certain dynamics or archetypes etc, and they are indeed the building blocks to any story. But in a well-written story, characters and their relationships, actions, and motivations, are much more complex than just tropes. Because in a story that has characters who are more than just cardboard cutouts, their behaviours, backgrounds, motivations and all of that, are inseparable from the context of the overall story they exist in.

So like, sure, you can say Mizu and Taigen have an enemies-to-lovers or rivals-to-lovers dynamic. I also use those terms because it's easier. But I also think this is where things start to get a bit twisted, especially from an intertextual sense. Because "enemies-to-lovers" is also commonly used to refer to other ships in other media, whereby it tends to be rooted in an imbalanced power dynamic, such as oppressor-oppressed and bully-victim.

And while that's a whole can of worms that I won't be getting into because it can quickly derail into a whole separate sort of fandom discourse, I'd just like to make it clear that Mizu and Taigen, in particular, do not have an imbalanced power dynamic. They are not bully-victim or oppressor-oppressed. The only understandable reason why someone might actually think their relationship is imbalanced is if

A) they only watched the first episode, or

B) they cannot grasp the slightest bit of nuance in a character, or

C) they're being obtuse on purpose simply because the Mizu/Taigen relationship, or Taigen's character in general, just doesn't suit their tastes.

While yes, Taigen, along with his whole gang, had bullied Mizu when they were children, that dynamic does not exist between them whatsoever in adulthood. Whatever imbalanced bully-victim power dynamic that had once existed between them was decisively ripped apart the moment Mizu beat him in that duel in the dojo, and then completely obliterated by the end of the season.

Mizu is not a defenseless victim at Taigen's mercy. Mizu can beat Taigen's ass any time she wants (and she DOES, repeatedly in fact), and could even kill him if she felt like it. She taunts him openly and without fear ("I like your hair"; "I can beat you with any weapon you choose") and all he does is bark back, because that's pretty much all Taigen ever does. Time and time again, he yaps about how much he wants to kill her, but time and time again, his actions prove that all of it is just an empty threat. Because though his words say "I hate you", his actions demonstrate the complete opposite. He's shown how protective he is of Mizu, how unhesitatingly he sacrifices himself up for her, how loyal he is in enduring days-long torture to not give up information about her, how even when near-death and in pain, he's still willing to keep standing back up so he can fight by her side and help her win against her enemies.

And Mizu is not an idiot! She sees that too. She does not see him as a threat, an enemy, or even a bully. Especially not by the end of Episode 3, and definitely not by the end of the season. When she finds him in the dungeon in Episode 6, she smiles from relief, and doesn't think twice to take him with her. Mizu finds him, at best, an annoyance, or at worst, an infuriating hindrance on her quest for vengeance. Which is why, when Taigen is about to say, "It's a shame our duel's set for tomorrow; I have to kill you before you get your revenge," Mizu whacks him on the head without a second thought before he can even finish his sentence, and leaves him lying unconscious, face-down, in the snow.

And this further emphasises how he does not hold any power over her. There is no abusive power dynamic between them. She is more powerful than him, he knows this, and all he's ever done after they've met up again in adulthood is get his ass whooped by her, get mad about it and pester her and follow her around, get his ass whooped by her some more, and put his life on the line to protect her.

"OOoooOOoooH b-but he called her a demon at the end of Episode 7 and threatened to kill her again!!!" Oh my god. He called her that because he's calling her out on her selfishness to stay silent about her knowledge of Fowler's plans to attack Edo. Because to him, loyalty and honour as a samurai is more important than anything. So in his own brash-and-immature Taigen way, he felt betrayed that Mizu did not hold the same principles. That's why he got angry. He wasn't even that mad about letting Akemi get dragged off by the Tokunobu guards. It was about saving the Shogun and the Shogunate as a whole. That's why the first thing he does in Edo is not find Akemi, but try to warn the Shogun about Fowler's attack.

Look, I'm not defending his stupid ass, of course. Because calling her a demon especially after their cute little wrestling time was obviously rude and inappropriate, especially since words like "demon", "monster" and "Onryo" have had such a deep effect on Mizu throughout her life, and continue to contribute to her self-hatred. But like? That's the fun of realistic and flawed characters, and realistic and flawed relationships. They're not perfect, and it's why we as an audience root for them, wanting to see them work through their shit and find a way to prevail despite it all.

Also, him saying that was in the heat of the moment. He was angry, he felt like his initial belief of who Mizu was—a strong and loyal samurai, just like him—was shattered, and so he lashed out. Was it rude? Definitely. Was it immature of him? Yes, incredibly. But it's also very much in line with his character, because even though he's grown a lot over the course of the season, the show isn't over yet, so obviously his character arc is just beginning, as that is also the case for the other three main characters: Mizu is beginning to accept herself, Akemi is beginning to grow into her position of power, Ringo beginning to train under Master Eiji, while Taigen is beginning to simply be a better person.

On that note, when speaking of Taigen's immaturity, I think that's also one of the main things that people tend to gloss over when it comes to his character. Because when you boil everything down to its bare essentials, Taigen is, essentially, a boy. I've talked about this before, but to reiterate, Taigen very much behaves like an unhealed child. Even as an adult, he is insecure, prone to throwing tantrums, and is desperate to latch onto some material goal in hopes that it will make him feel better—initially he was chasing status/glory/greatness, and then when Mizu tells him that "Nothing comes from being a samurai but death," he immediately decides he wants to run away with Akemi in hopes that he will be happy.

And it's a big step, acknowledging that he doesn't truly want greatness, but had always just assumed it was his only path to a good life. But it's clear he still hasn't really figured it out. Because if he did run off with Akemi to get married and live in the countryside, he still wouldn't be happy. Because he still doesn't know who he really is, or what it is he really wants. Marriage at this moment is the last thing he needs, and as he is now, he would be a pretty awful husband. A simple life would be good for him, but would he be good at a simple life, when he still has so much he needs to work through?

So anyway, what I'm getting at here, is that he's trying and he is learning and growing. So yeah, he is flawed, but honestly? So is Mizu. And the funny thing is that they're flawed in very similar ways.

Because Mizu is also an unhealed child. That's why she's so angry all the time. That's why she pushes people away. That's why she, just like Taigen, is so happy when given the chance to playfully wrestle in the forge, laughing and rolling around like children without shame or pretense.

Again, this shows there is no imbalance between them. They had grown up together as peers from the same town. And while Taigen had had the upper hand back then, because he'd had a gang of other kids with him, that is definitely not the case anymore. Today, they are equally flawed, equally strong, equally skilled swordsmen, and equally bull-headed.

However, yes, Mizu is definitely leagues more mature than Taigen. But she still holds a lot of childhood wounds that mirror Taigen's own. And we see this especially in relation to her mother. Similar to Taigen who had an abusive and alcoholic father, Mizu's Mama was an opium addict and had hit her, berated her, had shaved her head without her consent as a child, and as an adult, had constantly emotionally manipulated and guilt-tripped her. Mizu's love for her Mama was what had driven her to a path of vengeance in the very beginning. And when she'd found out Mama was still alive, she had wanted nothing more than her Mama's love, and it was this alone that pushed her to agree to the marriage with Mikio in the first place. And now, knowing from Fowler that her birth mother is someone else entirely, is what makes her agree to keep him alive and haul his ass to London to seek answers.

Thus, integral to Mizu's self-hatred is also Mizu's intense longing for love and family. Just like Taigen, whose pompousness comes from his insecurity about being the son of a poor fisherman, Mizu's goals are also shaped by who her parents are. Remember, her vengeance is not against just anyone who's corrupt or evil, but specifically against the men who she believes had assaulted her mother, the men she believes had made her a monster, the men she believes had abandoned her to die and continue to try to kill her. Her vengeance is against a father, on behalf of a mother. In The Tale of the Ronin and the Bride, Mizu is not merely the Ronin, the Bride, or the Onryo, but also the Child.

This is also why Ringo is so good, not only for Mizu, but for Taigen as well. Ringo is wise and caring and considerate, but above all, he is in tune with his inner child in ways that Mizu and Taigen are not. He is always earnest and positive, he sees the world with childlike wonder, but is not naive or blind to its ugliness. His whole life has been a battle. Ringo brings out the best in Mizu, consistently acting as her moral compass and conscience, and Mizu's choice to save Akemi in the final episode is only because she promised Ringo that she would. Because it's the right thing to do. Ringo inspires her to be a better person, and to think outside of her narrow-minded goal of revenge. At the same time, Ringo also brings out the best in Taigen. While at first Taigen had looked down on both Mizu and Ringo ("Half-limb to a half-wit"), by the end of the season, he's proud to have Ringo as a friend and ally, he listens to Ringo's advice ("What would Master do?"), and asserts to the fucking Shogun that Ringo is a worthy warrior to have by his side.

Okay, I've gone on a bit of a tangent here, but my main point is that Mizu and Taigen are incredibly similar. They are equals. They are both flawed, unhealed children who are chasing some impossible outlandish goal in hopes that it will fill the void in their hearts. They also both have a long way to go in terms of character development if they were to ever build a healthy romantic relationship (either with each other, or even with anyone else). So while I believe things will be rocky (because duh, it's a story, we all live for the drama, etc), I think with Ringo's help, they'll get there eventually.

[eeryuck]

the bitch really fumbled. good thing im here.

[celestial-clownz]

can you point to exact times Jimmy was a "toxic ex" in last life because I watched last life and that literally did not happen

i found a picture of you

[absintheanflare]

i think there needs to be a rule that people talking about mouthwashing should not be allowed to talk about curly 'enabling' jimmy's abusive behaviour without acknowledging the fact that there were like, no options for curly to do anything about it. "he shouldve killed jimmy" and do what with the body? "he shouldve locked him away" ...with what locks? that's like, a thing. stated in the game. the rooms with locks are not the ones i think you should lock him away in (the cockpit, shown to be a bad idea, and the medical room). assumedly there was no way to get him off the ship either with it being essentially a delivery truck with a slated time to arrive. there wouldn't really be any way to just stop the ship to get rid of him. and be honest, even if curly had been truly confrontational about it, do you really think that anything curly could say to jimmy would actually change anything? jimmy would not care. it'd probably only feed into his 'high-and-mighty' view of curly, and potentially bring more harm on anya. i get wanting to analyze this game as a "men have trouble dropping male friends that turn out to be abusers" and it's a good analysis to have but i can't help but get annoyed when it seems that people do not understand the position curly was in. acting like he did it just because jimmy was his friend. like... the game literally talks about the stress he has being the captain. dude has to keep everyone happy because otherwise they're all gonna go crazy on that ship. unfortunately you're gonna have to keep everyone happy, even if that means keeping an abuser happy too.

to quote my friend, "he's not being malicious, he's being neutral. and that is because of systems beyond his control stripping away any ability to do helpful actions." curly isn't some powerful space captain, he's a guy trying to keep everyone from killing each other in a cramped tin box in space with no way out. and yeah, being neutral is aiding the malicious. we all know this. but when he can't do anything positive other than just be there for anya, it's better than nothing when he literally can't do anything to remove the aggressor from the situation.

[themyscirah]

But look at us Luke, we're the ones left alone, holding some rich monster's pain. All of existence, built on his violence. All of space-time, humming to life with a single inviolate rule. Give the hero something to punch.

[t4transsexual]

idk if ive posted this but i actually think we should start traumatizing our abusers back, or at the very least taking pleasure in their self inflicted suffering. i dont care if its "morally wrong." its funny and based

[bananasfosterparent]

[thedeafprophet]

i really do think about like. The way the princess talks about being 'raised' in the honey in Reunion and acts of it being a good thing really just fucks me up a little bit because

that was neglect! that was bad! that was active endangerment! that was horrible treatment towards a child! and the implication here is that she was raised that same way

and i dont know if thats geniuenly what she believes. or if its what she came to believe, and has to believe.

idk i have the inclination to go 'ha she was probably really creepy as a child too' but then i think about the actual reality of her growing up and its just. eugh. especially conjected with her adult actions of seeming to not want to be alone in what she is..

obviously none of it comes close to excusing what she does or became, but it paints such a tragic story.

[oddtripps]

Sometimes u gotta draw edgy stuff. As a treat.

[bornetoblood]

I SAID GET HIM OUT

[carriewhiteislove]

really cool and fun misunderstanding of every situation you’re presenting, and especially the cassie situation. “you don’t need to justify him” just because you’re, for some reason, a weirdo who wants to call a 10 year old an irredeemable asshole doesn’t mean we don’t wanna explain why a traumatized CHILD would possibly feel like it was possible cassie’s voice was actually mimic. like idk how to explain to you that a 10 year old acting on LITERAL SURVIVAL INSTINCT shouldn’t be called an asshole but this is just…clearly beyond any reason. what the actual fuck 👍

also, what’s wrong with defending your faves anyway???? literally what is wrong with that?? nobody has to fucking agree with you. trying to restrict other people’s posts is doubly fucking weird. ew.

ALSO?????? FUCKING HELLO???? “it’s not okay to justify them” YOURE SPENDING A PARAGRAPH JUSTIFYING WHY YOU THINK CALLING A CHILD AN ASSHOLE IS OKAY INCLUDING REASONING LIKE “he lied to a robot :(“ WHAT THE FUCK ARE YOU TALKING ABOUT

(note i am not replying to OP or attempting to converse with them. i saw their warning, and also believe they are an unreasonable dick.)

i’m not interested in interacting with virulent gregory antis. but feel free to make ur own post calling me a dick too bc i’m fine with being called a dick by people who think it’s cool and correct to harass people over their quasi-positive opinions on a fictional 10 year old boy, and also think you can’t, for some reason, attempt to explain character’s behaviors.