#yes i think it makes for excellent action music

[rakumel]

First of all, I would love some asks, any asks, even the freaky ones. How dare you. Just send them over here and I'll roast, befriend, or ignore as necessary.

Second of all, uh-oh. You asked for it. I don't just have one favorite game, y'see. Having said that, I actually haven't played a wide range of them, for cost reasons, time reasons, and brain reasons - I tend to latch onto a game and play the shit out of it before moving on.

I guess you could say any game that I like enough to actually buy or download is my favorite game. I don't really waste time with games I don't click with. Occasionally it's pretty obvious why I like a game (I bought Xenoverse 1 and 2 because watching DBZ Abridged relit a nostalgia pilot light in me that hadn't been touched in literal decades and boy howdy, did it ever fuckin' BURN after that). But most of the time, why I like a game is just as much a mystery to me as it is to you. Although I have noticed that a lot of my favorites have female leads, or give you the option to make one.

I already did a series of posts on the Pocky and Rocky SNES games, but in short I like them because they were unique (at the time and place where I lived, anyway) - charming graphics, lovely music, and yes - a protagonist who was a girl. A shrine maiden, to be exact. No love interest, just fun adventures with a bunch of monsters. And that meant a lot to a young girl who didn't have a whole lot of video game lady heroines to choose from.

Never in a million years dreamed they'd remake the first one, but they did, and it made me so happy!

Threads of Fate/Dewprism on the PS1 is another favorite. Outstanding soundtrack; I can still listen to Rasdan on a loop without getting sick of it. The game itself has the same low-polygon look as most PS1 games do, but please look up the artwork because it's awesome - or at least, I love the style.

I love the main characters: Rue (dude on the left) is a bit of a sap but not too much, and while I do like his story arc, it does get kind of overshadowed by Mint's. Mint is just badass. She's an absolute brat who - with a straight face - says she's going to take over the world, and at no point does she apologize or feel silly about it, and it's GREAT. Plus she can shoot magic and kick the shit out of people, so she can actually kind of back up her tough talk.

The supporting characters are fun, too. There just isn't enough love in the world for Belle and Duke ("Milady's only 30...if you round down!"), or Rod and his Pinto.

Shadow of the Colossus. I was so, so, so, SO thrilled when I first heard it was getting a remake because it abso-fucking-lutely deserved one. There was nothing like it then, I think there's still nothing like it even now. In a time when almost every game wants to add on, add on, here's more characters to unlock, here's more DLC to pay for, and so on - Shadow of the Colossus is an excellent example of just how much a bare-bones game can still do. There's not much told in the way of story, but in this case they don't really need to. There's a lot of showing and atmosphere over explaining; I like that the game assumes we're smart enough and/or creative enough to fill in the details ourselves.

Much of the game is silent and calm aside from ambient sounds and occasionally calling your horse. But when you enter a battle, then the music and the action ramp up, and suddenly you're trying to find the glowing weak spot on a massive behemoth before it smashes you to death. (And don't think Wander will get up super fast if he narrowly avoids getting smashed to death, either. He'll clumsily stand up, which is a nice realistic touch but kind of rage-inducing if you're trying to keep him from getting hit again.)

The contrast works: the calm makes you appreciate the battles, and the battles can often be so nerve-wracking you appreciate a break.

The world isn't super huge, but it's enough for me. All ruined and abandoned and desolate and slightly melancholy, yet calm and beautiful (especially with the remake).

Skyrim. Ah yes, let's be vanilla as hell, shall we Raku? Let's like that one game that everyone else and their brother and their cousin and their dog likes. This one probably does deserve its own post, though, because there's a lot to unpack. Are there problems surrounding it and Bethesda? Oh hell yes. Was it also a game that provided comfort and humor during a time when I desperately needed it? As well as fertile ground for characters I made and still love? Also yes. Sorrrr-y.

I'll be honest; I have no idea why Dark Cloud 2 is one of my favorites. I don't even remember how I heard of it or why I bought it. There's legit criticism to be had - a few of the voiced lines were clearly mismatched, the weapon upgrading system is fun at first but turns into an utter slog by the endgame, and in general the game tried to do way too much and got in over its head.

But Max and Monica here have good chemistry, the music's pretty good, you get to build your own towns and move people in them, the art style has its charm, and for a time travel plot it's not terrible. Overall the game mostly works, is pretty fun, and the story has its moments.

Okami!! The style, the music, the everything. Just...everything.

Heard there's a sequel in the works, but nothing else about it. But something I want to keep an eye on.

Ys 8. Dana, my beloved. Actually everything here is solid - some time in the future I should scrap the review I did and do another now that tumblr allows better quality pictures. (Plus my tone was...kind of weird in it, honestly. All over the place.)

I love her and the supporting characters - Sahad is best fisherman Dad ever, Ricotta's adorable without being annoying. I thought at first I'd hate Laxia, but she redeems herself pretty quickly, and Hummel's...well, okay, he's basically fine. Even the minor characters are interesting and endearing to me. Lady blacksmith! Gladiator grandma! And of course, as always, best buddy Dogi.

The twists and turns in the story, the graphics are gorgeous, the controls are smooth and feel great, Ys games almost always have excellent music and this one's no exception. Honestly I can't think of anything I dislike about it off the top of my-

Oh right, the fucking wasps in that one dungeon. Those sucked. But everything else? Amazing. 9.99/10.

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Picking a favorite Pokemon game is like asking me to pick a favorite child. Nope, I refuse.

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I'm going to force myself to stop here. Otherwise I'm pretty sure I'd hit the word limit halfway through talking about Death Road to Canada. (I'm assuming there IS a word limit.)

(Death Road to Canada is also very fun, by the way. As long as you're okay with dying a lot in the process.)

no more freaky asks..........tell me about your favorite video game in detail.............

[shallowseeker]

🫶🫶🫶🫶🫶

Truth & despair on AO3 & the Tumblr link to the fic

(Unreliable Sam-POV Destiel, post 15x19 Inherit the Earth, cosmic complications with a happy ending)

With Cas dead, Jack vanished, and Dean in turmoil, Sam turns to therapy. His search for answers leads him to the bunker’s surveillance footage, where he uncovers startling evidence that casts doubt on Dean’s account of Cas’s death...and Dean's sanity. Determined to restore a semblance of normalcy, Sam gets them back on the road. But their case takes a terrifying turn when Chuck appears with a chilling revelation: the universe is targeting them in a deadly Final Destination-style game of fate. As Sam grapples with his own fears and a world seemingly set against them, he clings to the hope that reuniting his fractured family will be the key to overcoming their darkest challenges. Maybe once they’re all back together, they won’t need therapy at all.

🫶🫶🫶🫶🫶

[dangermousie]

2023 End of Year Post - kdrama edition

Yes, we have a some of December left, and I want to check out Death's Game but whatever. I got time for this now and not sure if I will have later so here goes.

This is only going to cover kdramas that aired in 2023; if I watched it but it was made in a different year, it’s not on the list. This was an excellent kdrama year, the likes of which we hadn't had in a long time.

DRAMAS WATCHED

In order of liking from least to most as opposed to pure quality so pls don't come for me, fans of some popular dramas that are on my nope list. Also, I am including if I’ve seen enough to make up my mind; yes I realize that’s inaccurate, but that’s my list.

33. The Escape of the Seven - this is so aggressively stupid and mean that it feels like the makers are playing a practical joke seeing how much their audience will take. This has a season 2 coming, so the answer is a lot.

32. Behind Your Touch - the FL gets superpowers by touching people's and animals' butts. Yes, you read this right. Do I really need to add anything?

31. King the Land - yes, it was a hit. Yes, it stars popular actors. I HATED IT LIKE IT TOUCHED MY BUTT TO GET SUPERPOWERS!!! Plastic people in paint by the numbers story, with about as much genuineness or retability as a barbie aisle in walmart. I never expect much from Yoona so whatever, but to have LJH go from The Red Sleeve to this boggles the mind.

30. Mrs Durian - this is so dumb that I think I lost a few IQ points watching this, but its insanity becomes entertaining - I mean what kdrama can you name where a daughter in law declares her love and lust for her mother in law at a family dinner?

29. The Matchmakers - there is nothing offensive about this drama at all. But there is nothing in the least interesting either. If elevator music took drama shape, it would be this show.

28. Destined with You - sorry, Rowoon, I am still fond of you, but you are two for two in drama duds department this year. This is a drama where I loved ep 1, liked ep 2, was indifferent to 3 and...you get the point. Each ep was worse than the one before, and I bailed before I was dragged into a cosmic singularity.

27. Oasis - great first two episodes. Unfortunately it was not a two ep show. The performances are solid but the story is just not there - the effect is like a fancy chef making an amazing sauce to put on pig slop.

26. Boyhood - it's not you, it's me in action. I can see why people would like it but a 34-year old playing a high schooler in a Weak Hero Class 1 Slapstick Edition is no go for me.

25. Castaway Diva - it's so precious and kooky in the most annoying ways, with the most well-adjusted abused castaway in history. I like magic realism when done by Jorge Amado, but this ain't Amado.

24. Island - it had a good concept, good cast and fun visuals but the execution deserved one of ML's swords through the neck.

23. The Worst of Evil - if I wanted an American show, I'd watch one. Very solid performances though.

22. Song of the Bandits - period edition of what I said about The Worst of Evil.

21. Welcome to Samdalri - and goodbye to any hope of emotional involvement.

20. Joseon Attorney - I have yet to like a single sageuk centered around a profession and this was not an exception. I guess it could be worse but it also could have been so much better.

19. Twinkling Watermelon - everyone loved this drama. Everyone except for me. It's the kind of precious that sets my teeth on edge and I couldn't stand half the main characters we were supposed to root for. I guess I like my fruits to shine steadily.

18. Our Blooming Youth - probably the biggest disappointment on this list. This is not a bad drama by any means, but with that cast and that story (I loved the novel), I was hoping for a memorable sageuk not merely all right.

17. Vigilante - it has the emotional complexity and nuance of a punch to the throat but it gives us quasi-gay openly-murderous dudes going after psychos and Yoo Ji Tae holding feral Nam Joo Hyuk by his hoodie at his feet.

16. The Forbidden Marriage - expected nothing but it was a surprisingly enjoyable trifle of a costume drama that was also quite pretty.

15. Arthdal Chronicles: Sword of Aramun - a hot mess but such an entertaining epic one. And it gave us TWO Lee Jun Kis in period gear and who am I to cavil at the bounty of God?

14. The Story of Park's Marriage - it's a trifle, a souffle, so light it might blow away, but it keeps my attention and is so fun and sweet.

13. My Lovely Liar - a huge surprise, that manages to mix a murder mystery and a romcom, and shocked me by showing Hwang Minhyun can act.

12. Tale of the Nine Tailed 1938 - the original ToNT was my fave drama of its year and I did not think it needed a sequel. But this is not a sequel but more of a side-quel and is such a total delight with brotherly love, adventures, romance and hijinks. It's a joy.

11. Perfect Marriage Revenge - it's actually very hard to do a soap right but this slim 12 ep drama managed. So fun, so crazy, such a good ship!

10. My Lovely Boxer - not really about sports, but about two broken people finding salvation because of and in each other. Also, if you like age gap romances, this is delicious. Sort of loses steam by the end but c’est la vie.

9. The Secret Romantic Guesthouse - this was a sageuk that was not on my radar with a bunch of actors I was not familiar with but it took my heart away. A good plot that was perfectly paced, characters and ships I adored, a logical ending. This is one of the biggest positive surprises of the year for me.

8. Tell Me That You Love Me - a slice of life remake (sort of, it's more "inspired by") of my favorite jdrama of all time. It's not as good as the jdrama because nothing could be, but it's an aching lovely story with some incredible performances.

7. See You In My 19th Life - funny and romantic and haunting and hopeful and odd. This was one of my favorites of the year.

6. Alchemy of Souls: Light and Shadow - it's rare for me to like a (1) sequel (2) with FL actress change (3) that is a Hong Sisters drama. But this was such a gorgeous, surprisingly achy story of love and loss and love regained with some cool monster fighting in the middle. Between the two seasons, this is the first Hong Sisters' drama I enjoyed from beginning to end in well over a decade.

5. My Demon - so tropey (chaebols, supernaturals) but it proves that these tropes are popular for a reason. The chemistry is fire, the story is unpredictable and the whole thing is an addictive delight. A rare drama where I like each new ep more than the last one.

4. Goryeo Khitan War - an old school sageuk in every meaning of the term (no romance, no eye candy, lots of bearded men, battles and politics), this feels like watching an epic movie more than a drama. The vast cast all earns their place and the performances (mainly from character actors given a chance to shine) are incredible.

3. Call It Love - two very very damaged people finding love and healing with each other. This is a narrative very hard to do to my satisfaction but when it's done well, as here, there are few things that can hold a candle to it.

2. My Dearest - a masterpiece of cinematography, narrative, performances. This is an old-school epic romance in the best sense of the term. If it doesn't make you swoon or break your heart, there is something wrong with you. A story of two untraditional, strong-willed, flawed people who fall in love in the middle of the horrifying Qing invasion of Korea and have to deal with all that the world throws at them, this is a bona fide masterpiece.

1 - Moon in the Day - who knew my favorite kdrama of the year will star a store brand Domyoji from Extraordinary You and an actress I was never familiar with. But this part period/part modern fantasy tale of doomed cursed lovers is everything I knew I wanted and everything I didn't know I wanted but did. Two lovers where their love did not save them and in modern day it might not again, has got me obsessed the way I haven't been in years.

FAVORITE DRAMA

Moon in the Day - if there is such a thing as a drama made perfectly for me, this gorgeous, emotionally haunting, utterly romantic, twisty tale is it.

WORST DRAMA

The Escape of the Seven. This drama is proof that demons exist and not sexy ones like Song Kang but horrible nasty ones who delight in the torment this hot mess inflicted on its viewers.

FAVORITE MALE CHARACTER

Do Ha, Moon in the Day - a Silla general and a consummate killer who committed atrocities on the orders of his monster father and yearned to die for them, who found the meaning in life in loving his enemy but it did not make him better, a man so obsessed he literally was around for 1500 years of horrifying ghostly existence and still went "worth it" for a woman who killed him as long as he knew she loved him while she did it. He's intense and competent and beyond fucked up and has never had a normal day and I love him so so so very much from a safe distance.

FAVORITE FEMALE CHARACTER

Gil Chae, My Dearest - she starts out as vain and spoiled but the horrors that break so many others bring out all her fierce survivor potential and she becomes such a force of nature - capable of incredible love but also sacrifice and strength and compassion.

Runner Up: Shin Hye Sun's reincarnator in See You In My 19th Life - quirky, damaged, strong, so odd and so vulnerable at once.

NEEDS TO BE MURDERED

There are a lot of characters who fit that category (King Injo in My Dearest? My God) but the crown belongs to So Ri Bu from Moon in the Day. You think you've seen abusive parents but until you've seen a man abuse his son his whole life and then continue for 1500 years after his death, you ain't seen nothing!

FAVORITE SHIP

The doomed by the narrative OTP of Moon in The Day. Only thing that's better than enemies to lovers is enemies while lovers and their impossible relationship where her killing him is a supreme act of love and his refusing to let go is so strong that he stays around for 1500 years watching her, helpless as she dies over and over again, is everything you ever want.

Runner up: Jang Hyun/Gil Chae, My Dearest. They are so strong and so damaged and it takes them so long to figure out what they feel and what the other person feels but their love and sacrifice and complexities are perfect.

FAVORITE SECONDARY OTP

Kim Shi Yeol/Hong Joo, The Secret Romantic Guesthouse - an assassin bodyguard pretending to be a carefree scholar and a widow of the man he killed to protect his king (and whose life was destroyed as a result.) I enjoyed the main OTP of this drama but I was utterly and completely unhinged for the secondary couple.

I'd have probably picked Rang and his mermaid from TotNT 1938 even over them, but they really were the main OTP of that drama.

NOTP

King the Land couple seems like an easy target but honestly, they are both so terribly bland and antiseptic and marketing by committee, they kinda deserve each other. So I am gonna go with Destined with You, one half of which thinks supernaturally roofying someone into loving them is cute and the other half thinks dating one woman while wooing another is totally a-ok. Ugh.

FAVORITE SCENE

There is no competition for the scene in the slave market in My Dearest, where Jang Hyun finds Gil Chae - the way he screams and tries to clutch the hem of her skirt will live in my head forever.

And the scene where he 'wins' that horrifying bet, or the scene where she finds him in a pile of bodies - they are as good also. Or when he fights off a squad to protect her even though he's sick. That whole drama is perfect.

Runner up: the scene of Do Ha executing Ri Ta's family, covered in blood, as she looks at him from the crowd in Moon in the Day.

Or the scene where he talks about how he cannot live as a person but at least maybe she will kill him and he will die as one. Or when her confession in the past intercuts with his walking in the present, or when he comes home in his bloodied armor and she finds he has a fever and it's the first tender touch he's probably ever known. Her murdering So Ri Bu saying she knows she's going against filial piety in loving her parents' murderer, the way they hug, both bloody, as he says "let's live." The way she says she can't go on as she's hit rock bottom and he replies she cannot quit because she must accompany him to his rock bottom now. Honestly, the drama is a font of amazingness.

Also, the opening scene of Goryeo Khitan War or the scene of Yang Gyu ordering to shoot the captives and having to do so himself.

The OTP meeting again at the intersection at the end of ep 1 of Tell Me That You Love Me. SHS comforting ABH as he's having a traumatic breakdown in 19th Life. The love-making scene in Call It Love. There were a lot of great scenes this year.

BIGGEST CRUSH

Lee Jang Hyun, My Dearest - is that even a competition? He's flawed - vain, often emotionally closed off, not great at processing emotions, lashing out when hurt. He is also incredibly heroic in a real, knows the cost but bears it, kind of way. Whatever he does, he commits utterly but it's never without understanding the cost. He felt both larger than life and utterly real. He went through hell and maintained his soul and the way he loved Gil Chae was breath-taking to behold.

Runner Up: Yang Gyu, Goryeo Khitan War - an experienced military commander who wins an impossible victory even as it ravages his soul. Competence is sexy as fuck.

BEST SCENE STEALER CHARACTER

Rang, Tale of the Nine Tailed 1938 - 1938 really was Rang's chance to shine and he took it. For a character I started out disliking in the original, he really stole my entire heart in this drama. I am so glad he got his happy ending with his brother and his girl.

Runner Up: Crown Prince, My Dearest. He started out as a sheltered, spoiled aristocrat, convinced the world owed him for existing. He grew up slowly and painfully into an amazing man. And then was murdered for it and I cried.

NEEDS A SEQUEL

Arthdal - it leaves the story at a good stopping point but it's very much a "world in flux, adventures and conflicts continue" ending and I would love to see more of these characters. I know we won't but it would have been nice.

NEEDS SCISSORS TAKEN TO IT

Behind Your Touch - should have been snipped at birth.

TOO MANY SCISSORS TAKEN TO IT

Vigilante - I don't mean it had scissors taken to it because it's not cdrama and there is no NRTA, but this drama would have benefitted from being longer. I mean, I love fights and gay polycules as much as the next tumblr person but a bit more character development would not have come amiss. (ahaha - I said come. Leave me alone.)

TROPE THAT NEEDS TO DIE

I don't care about cops/doctors/trash collectors/whoever - workplace drama centering on their "cases" needs to die. I hate procedurals from any country and Korea is no exception.

FAVORITE TROPE WE’VE SEEN A LOT OF

Supernatural critter devoted to their OTP with all the power of their long life.

BIGGEST DISAPPOINTMENT

Our Blooming Youth - it was far from terrible but it was a giant meh. I was so excited to see Park Hyung Sik in a sageuk (that wasn't the hot mess that was Hwarang) and I adored the source novel. It actually started well and then...it's like Revenge of the Beige!

BIGGEST GOOD SURPRISE

I want to say Moon in the Day but to be honest, I was excited by posters and trailers so it wasn't wholly a surprise despite not having much of an opinion on the actors before I saw them. So I am going to say My Demon. I was bored by the trailers, I can't remember the last time I enjoyed a Kim Yoo Jung drama and before this year I would have said Song Kang was an incredibly limited actor in everything I've seen him in and not appealing to me at all. And here I am rabidly rabiding for this drama!

If I am not limiting myself to dramas but can use this for actors - Hwang Minhyun in My Lovely Liar. I genuinely did not think the man could act and then he gave such a pitch-perfect, nuanced performance out of nowhere!

2023 DRAMAS I HAVEN’T SEEN THAT I MOST WANT TO WATCH

I have actually watched all the kdramas that aired this year that I wanted to check out except for Evilive. I am saving this for when I have time.

BEST NON-2023 DRAMA I’VE WATCHED IN 2023

I don't know if I'd say it's the best but Say You Love Me (2004) with Kim Rae Won as a quasi monk seduced away from his true love by an evil older woman was a hell of a ride.

MOST ANTICIPATED

Love Song for Illusion (Lady assassin falls for her royal target who has two personalities), Captivating the King (lady spy falls for her royal target who is tormented) - notice a theme? Also Flower that Blooms at Night because Honey Lee in a sageuk, The Life of Mrs Ock (Lim Ji Yeon in a sageuk), The Love Story of Chun Hwa (an "erotic" sageuk, hmmmm, what?!), Hong Rang (Lee Jae Wook in a super angst sageuk), Queen Woo (that cast and set in Goguryeo!), Wong Kyung (about Lee Bang Won's wife and I love the cast.) Basically, if it's period, I am there with bells on.

[romsabombs]

it's that time of the month again guys!

Malevolent part 47 The Hand live notes!!!

AMAZON AD👹 ANOTHER AD ANOTHER AD ANOTHER AD CAN WE JUST START THE EPISODE

FINALLY!!! um whats happening

are their asses still wandering aimlessly

six hours bruh 💀

a cage :/???

a what

a crime! no doubt!🤓

HAHA HE HAS THE PLAGUE i said yesterday That man probably has every disease by now

hes gonna die so bad guys hes a sick victorian child

ohhh john please carry me to the garden so i may see- um Hear the flowers one last time🤒

his sickness😟 i cant believe our actions have consequences

theyre ganging up on yorick😭

HAHA hes fine Physically me asf

"indescribable horrors" that doesnt stop john from describing every horror in immense detail

"we both have" im sorry john did you get stabbed like eight times🙄 this aint about you

💀he folded💀

HAHA so he wasnt lying damn😭 I KNEW IT blud was so ready to kill more children

john defending his comfort character

😟Sold Your Soul😟

"i offered myself to it" gayass

this speech goes so hard actually

NEW MUSIC NEW MUSIC

omg it sounds more hopeful now :((

aw he thanked arthur :)

god damn it yorick🙄

WHAT does the corpse have the hand

i mean they did pinky promise

HIS EYE 😦😦

loose enough to pry with ur fingers😨

yorick is building frankensteins monster i fear

MALEVOLENCE MENTIONED NO WAY NO WAYYYYYY NORWAY IS THIS WHY THE SHOW IS NAMED THIS

can yorick lie is that a thing😟😟😟

come on arthur you were a boyscout u can climb this easily

"the pole is wood" just like mine haha🙏🙏🙏🙏

theyre gonna start a forest fire😶

just throw something at it guys idk

omg a pin‼️ throw something at it!!

"excellent hypothesis my king🤓" "JOHN👹" "right!!🤓"

THEYRE GONNA THROW A ROCK YEAAAAA💥💥💥💥

hows he gonna throw when hes blind

why is he so good at throwing wtf

i guess we cant stay here throwing rocks for the entire episode

ALEXANDER :333

EUHGHH😟😟😟😟😟

DONT THROW ROCKS AT BIRDS THATS HOW THE HORRORS HAPPEN

maybe alexander isnt evil n hes just trying to protect us idk🤕

"i was never much for athletics" we can tell

theres gotta be a theme this season and its gotta be Children or Childhood or something

"if they could see me now" mmmm

WHAT IS THAAATT HUHHH

😨😨😨😨

WHAT IS THATTTTTTT WHAGAAT

maybe its just a freaky bird

hes so good at falling down holes

WHAT HAHA WE CANT RN😭😭

😦ERM? YORICK???????

KELLIN MENTIONED big day for gay people 🙏🙏

so was yorick always evil orrrr coz he said My King instead of john and yorick has called him john before

guys i think alexander might be the Not Evil one here

hand of malevolence would go so hard as like a window decoration

ur telling me john knew what a Hand of Malevolence was and didnt link it to the dark world

NOOO DUMBASS

ummm 😟 whats all this then

YORICK :3333 HIIII :3

what 😀

"john" :3

HAHA what is going on bruh

OMG WHAGT 😃😃😃 thats banger

"thank you i think"

:(( aw alexander IS evil :((((((

she? 🤕

OHHH IS IT LILITH IS IT LILITH PLS LILITH PLEASE PLEASE PLEASE

lilith and kayne are having a custody battle over them funny as hell

OHHH she was in the portal

TEEHEE WE'RE HER FAVORITE :33

dont confront her i feel

but theyre BOTH terrible at lying🤕

they're cooked i fear

hes DYING😟😟😟😟😟😟

An Owl Being Strange

flies are insects darling

they finally appreciate yorick :)

john we dont have time for this omg

HAHA silly asf

they have a safeword now

harlan's really making us work for it like im gonna forget this if they dont point it out

the candle has been running out for hours fr

nooo :( r we approaching the ending

how do we still have like 15 minutes left

HAHA this is so funny theyre roleplaying

theyre yes-and'ing like theatre kids

i mean i bet she noticed yall were gone for a solid 15 minutes

so is the king in yellow just not a threat anymore like did we defeat him i forgot

are we in an alternate universe then

i know far too much!🤓☝️

arthur caught the decima virus i fear

STOP COUGHING im so worried

arthur needs his vaccines fr

is he gonna faint

"and if i am sick-" "you are😐"

OH the ring

hes really gonna go over there and spread his plague around 🙄

i feel like arthur wont even make it to the castle🤒

he coughs like a dad

"lean on me" maybe if you had a physical form😐

oh fuck oh fuck oh fuck

we just have to wing it i guess

its WHAT😨

what is going on man 😟

UM😦🤕

WHAAT THATS IT? wtf

[joe-spookyy]

asks you about american werewolf in london

hoooly shit it’s finally happened. someone asked me The question. thanks anon.

i am now going to try and sell you all on this movie cause i can’t recommend it enough and i think everyone should watch it. so: let me tell you a thing or two about hit 1981 horror comedy an american werewolf in london!!! and this is off the top of my head so if any of it is slightly off numbers wise im sorry. if you like 80s horror, men, queercoding, re-animator, the thing, jaws, saw, the lost boys, or just werewolves in general. hear me out on this one. link included to watch.

The Premise:

fresh off the heels of his cocaine fueled jazz musical masterpiece The Blues Brothers (1980), director john landis decided he was going to cook up the greatest film ever made. and he did. he was actually gonna have john belushi (jake blues) and dan akyroyd (elwood blues and yes the ghostbuster) play the two main characters, david kessler and jack goodman. now, who are these fellas? well i’m so glad you asked. david (played by david naughton) and jack (played by griffin dunne) are two dear pals from new york on a cute little backpacking trip across europe. david's the tall one. he's silly and gleeful to be out and about. jack is the short one. he's very much not gleeful about the fact that they're on the rainy moors and wishes they were in rome. together they find their way to a cute little pub and go inside, looking for hot drinks. the locals do not love this. they also do not love when jack asks them why there's a five pointed star on the wall (since lon chaney and universal studios assert that that's the mark of the wolfman!) it gets awkward. so they leave, with nothing but the warning to stay off the moors, stick to the roads, and beware of the moon. obviously, they do not follow this. wouldn't make for a very interesting movie if they did. and, as i'm sure you've assumed, they encounter a werewolf, leaving jack like this (dead):

and david, who survived the attack, with the curse of the werewolf. but fear not! david is transported to a hospital where he makes a lovely recovery, and jack um. well he stays dead. but he comes back to haunt david! he shows up a few more times in further states of decay to tell david that he really ought to just kill himself so that the curse is broken, jack and all the other werewolf victims can rest in peace, and david won't accidentally maul any additional civilians as a werewolf. hey while we're talking about jack heres me when i dressed up as him at a horror con. and the man himself.

anyways. hijinks ensue, and you're taken on a delightful romp across 97 minutes of fun as david tries to navigate life as... you guessed it. AN AMERICAN WEREWOLF IN LONDON!

why it rules:

in my opinion, that's enough to make this movie flames as fuck. but if you're not convinced yet? let me tell you some more. first off. the practical effects on this bad boy are straight up excellent. they're done by my personal favorite vfx artist rick baker (who also worked on star wars, men in black, videodrome, king kong and more!), and he does not hold back. the picture of jack shows how nasty and detailed the wound is pretty well, but in action it's even better with all the nasty fleshy bits dangling and wiggling and eugh. it's gross. but it's so well done. and he does a terrific job showing how jack decays throughout the rest of the movie. but of course, what really matters is the werewolf. it's not called an american dead guy in london. which is good. cause that would be a dumb name for a movie. anyways. if we’re going to talk about the werewolf, we have to start with the iconic transformation scene. sped up.

wow! pretty impressive stuff right? it’s all practical, no cgi, and i think the way it’s almost drawn out and the relative silence of the scene adds to the impact it has, since it sort of forces the audience to sit with and feel just a little bit of the discomfort that david seems to be feeling. we just have to watch him scream in pain and beg for mercy. yeesh. now, the transformation scene is hard to top. but i think the final werewolf design is actually pretty solid. it’s distinctly not man, but it’s also distinctly not wolf. i would include a picture, but i feel like part of the allure of the film is how it (jaws style) doesn’t really let you get a good look at the monster itself until the end of the movie. it’s a great way to build the tension and leave a little bit up to the audience’s interpretation. and the audience will always imagine something way more horrible than you could have ever created. which is kind of beautiful. the first time i watched, i found myself kind of disappointed in the werewolf’s appearance - its face seemed to be stuck in a sort of permanent scowl. i was kind of lost, because i couldn’t imagine why a static face had won out over whatever the vfx team was clearly capable of making. but Oh. dear reader. when nurse alex price, david’s dear love, who cared for him in the hospital, allowed him to live with her, and even banged him, approaches the wolf. when she tells david she loves him. the wolf’s eyes soften. it begins to drop the snarl. see. i lied here’s part of the wolf. all snarly like and scary. before it melts at three simple words from alex. god.

it hits me like a huge truck every single time. rick baker never misses and this movie was certainly not an exception. he got an academy award for it and it was well deserved.

not so into the technical stuff? that’s okay. i have more to praise about this movie. it is one of the best blends of horror and comedy that i’ve ever encountered. although some of it looks a little dated, i do think it maintains its fear factor. it’s plenty gory, and in my humble opinion, the subway scene (you’ll know it when you see it) is one of the most effective bits of horror i’ve ever encountered. even when isolated from the film, it still packs a punch. but i’m not gonna put it here because i want you to just watch it with the rest of the movie. sorry. and on top of the horror, it’s honestly hilarious. if you don’t think seven dead people ganging up on one dude and listing ways he should kill himself in the middle of a porn theater while a porno plays very loudly in the background. well. i don’t know what to tell you. you probably won’t like this movie that much. also, the final needle drop over the credits at the end is so abrupt and so funny. love it.

and of course, being an 80s horror movie with two male leads. i’m sure you can guess what i’m going to say. it is not hard to read jack and david as friends, but it’s also not very difficult to read them as having a little something going on. like love. fellas is it gay to go on a little trip across england with just yoh and your best bro? hard to say. textually, i do think it’s kind of telling that every time jack shows up, it’s either right after or while david is having a heterosexual experience (flirting with alex, banging alex, watching straight porn in the porn theater.) it’s almost like… something other than jack… is haunting david. i dunno. i’m not a cop. but it’s interesting. seems like something the average tumblr user might like to keep an eye on, so i’m letting you know. also they have a conversation while david is completely naked which is like. hello. plus the inherent queerness of the werewolf narrative is something i could talk about for HOURS and was especially prevalent, alongside vampire movies. in the 80s during the aids crisis. my short essay on this ⬇️

also, there’s a classic john landis third act car crash scene, where, in the same vein as the blues brothers, an obscene amount of cars are absolutely demolished.

also also, the muppets make a brief appearance in this movie. this made me jump for joy, because i love the muppets. and you should too.

fun and true facts

still not sold? well, check out this last ditch effort in the form of fun facts. or, if you just want to know more, read on.

micheal jackson was so impressed by the effects in this movie, particularly the transformation scene, that after seeing it, he promptly hired rock baker (vfx guy) and john landis (director guy) to work on the music video for his hit song thriller. you’ve probably seen it, but if not, go watch it. tbh, even if you have seen it before, go watch it again.

david naughton was a doctor pepper spokesman before the filming of this movie. he was in at least a few bits of promotional material, including at least one commercial. unfortunately he lost the job because of the amount of time he spent dick out in this movie. doctor pepper did not want that to be the representation of their brand. cowards, the lot of them.

speaking of his dick, you actually never fully see it at any point in the movie despite the fact that it seems they never felt like telling david to wear pants on set. there is a reason for this! david (character) is jewish and canonically circumcised (dunno how else to put it) and david (actor) is neither of these things. so, to avoid ruining the realism in his. werewolf movie. john landis took great care to never show the whole thing.

the american ambassador who visits david in the hospital is played by frank oz, who also voices miss piggy. because of her brief cameo, he technically plays two different roles in this movie, although miss piggy is simply credited as “Herself” in the end credits of the movie. he also voices yoda which isn’t relevant but it is really funny to me.

see you next wednesday, which is the name of the porno in the movie, is actually a fun john landis easter egg! many of his movies include the phrase “see you next wednesday.” it’s also seen on posters in the subway scene.

in the scene where jack first visits david in the hospital, he was supposed to take a bite of david’s toast, after which it would immediately fall out of his ruined and torn to shreds throat. however, it was cut for being too gross. which is sad i feel like it could have been funny.

when david calls home to talk to his parents, he mentions two siblings: rachel and max. these are the names of the directors children in real life.

griffin dunne, who plays jack, also appears as the family therapist in a season 2 episode of succession. this was a jumpscare.

while they were filming the naked in the zoo scenes, they were unable to actually close the zoo, so when filming carried on past the opening time of the park, they just kept going and allowed butt naked david naughton to run loose around the zoo. they did, however, succeed in closing piccadilly circus for the car crash scene.

in the beginning when jack is being attacked by the werewolf, it was in fact half a wolf prop on the front of a wheelbarrow. this is a very funny vision for me.

jack is right - the five pointed star is considered the mark of the wolfman, according to 1941’s The Wolf Man, played by lon chaney junior and produced by universal pictures. the guy knows his stuff. interestingly, rick baker did the makeup for the 2010 remake of the wolf man as well. he did pretty good, i think.

this isn’t even about this movie but blues brothers is an awesome film too and a fun fact about that one is there was a whole part of the budget devoted to buying cocaine. and you can tell. great movie.

director john landis did in fact kill three people the year after this movie came out. so. i do feel a little bad promoting it because jesus christ. but. no harm no foul in pirating it. it’s one easy internet archive search away. and sometimes it’s on tubi. but just in case, here’s the internet archive link. https://archive.org/details/an-american-werewolf-in-london

so. anyways. please check out this baller ass movie and talk to me about it. thank you so much to whoever asked this. i love you. thanks for reading. bye.

[thinkingisadangerouspastime]

good things about ep. 7:

this episode was by far the best at working with film as a medium. there were still issues, to be mentioned soon, but this ep did a lot of things that impressed me on a level of cinematic structure and format:

some actual tension!! simply showing the trio running from cerberus created investment and stakes for me in a way no monster fight or other obstacle had before (a matter definitely enhanced by the music)

the use of flashbacks!! now, i have some issues with the content of those flashbacks, but since im basically getting two degrees in assessing media i know how to give credit where credit is due lmao. these flashbacks were doing interesting things cinematically, creating parallels with percy's experiences in the present, especially that last flashback where they continued poseidon's voiceover into the present moment. fuck yes!! use the medium of cinema to your ADVANTAGE!!

related to the use of flashbacks, the match cuts!! they were so good, as they helped make visual those narrative and characterological parallels being constructed through the flashbacks. film is an inherently visual and auditory medium, and it was so refreshing to see the show experimenting and making effective choices with those tools

some issues with ep. 7 and the series as a whole:

i'll admit it. im tired of the trio already knowing everything about every obstacle they face (having to improvise in the fight with cerberus was so refreshing and retained more of the spirit of the book as opposed to uh. every other obstacle). and i think this connects with show's overall struggle with writing, adaptation, and the medium of film. these writers have committed the cardinal sin of assuming their audience always needs explanation. in any writing class (fiction and screenwriting are my personal expertise), you are told to assume your audience is smarter than you think, bc a writer's instinct is to assume they need to be clear about action and themes out of a fear of confusing their audience and the end result of that situation is a boring, overly explanatory piece of work. (an re the young viewers, kids are freaking smart!! i literally teach kids of the age range these books are directed for and they are so quick-witted. kids don't need stuff handed to them on a platter, they know how to put puzzle pieces together.)

example of the aforementioned "too much knowledge" issue: the pearls. (people have already explained the issues with medusa, the casino, procrustes, etc., so im going for a new one that's been bugging me a bit.) after percy received four pearls, the general conclusion people came to was that one pearl would break, forcing them to have to choose three people to go/one to stay and thus making the choice more "meaningful" (i.e. bc the opportunity to save everyone had been stripped). it's a fair choice, a fair reason, a fair analysis, and this is a change that bothers me but much more minimally than other changes to the show. here's the deal: the reason they had to give four pearls in the show was bc the trio already knew exactly what the pearls would do. there was no reason to give only three pearls bc that would force a character (probably percy) to raise the question of like "hey, that's not enough to save four people!" so where am i going with this?

in the books and the musical, we get the alluring line of what belongs to the sea can always return to the sea. percy gets three pearls in the book and a seashell in the musical, where he doesn't know right away the specifics of what this gift does (the seashell is an excellent example of adapting a story to a new medium, as a low-budget theatrical production can't afford the effects of smashing three pearls and causing people to vanish from the stage, so blowing the seashell to open a portal was a great move that worked for the new medium and retained the spirit of the source material - percy having an epiphany well after receiving the gift about what, exactly, the gift did and how it would help him). in the show, they issue is that they already know, thus creating the dilemma of there being no reason not to give four pearls. again, not the worst choice the show has made, but it's another example of how the show's most pervasive issue is over-explaining and giving too much information to its characters.

in short: the pjo show doesn't understand "show don't tell." they love telling even though "showing" is Most Important in film as a medium, like it's even more important to show what's going on in film than it is in prose because cinema is an inherently collaborative medium that generates a visually-dominated product. the show clearly lacks a fundamental understanding of the medium it is working with!! and that is bad!!

another issue: the lighting. this show suffers from the current trend in film to make dark scenes impossible to see in.

more characterological problems: the gods are not imposing. just to speak of ep. 7 alone, why was hades so... banter-y? in the book he literally makes percy's hand "move... against [his] will" to show him the pearls. there was none of that power and domineering energy in the show!! the pjo show keeps hammering us over the head with what should be a series-long revelation about the gods' flaws and pettiness and spite and misuse of their incredible power, and yet all of the gods seem almost like... caricatures. where is their ability to be charismatic and threatening. to be lax and powerful. to remind us that they can, have, and will kill demigods.

core thematic issue: the show lacks the humor and fun and adolescent spirit of the books. i've seen a lot of people insist the show is directed for young readers of the book, which i don't disagree with, but the lack of humor and energy and vitality is undoubtedly turning off a lot of younger viewers. in a lot of instances, everything feels so gritty and angsty, lowkey like the winx adaptation (but on a less severe scale). we have moments of sass/sarcasm, moments of levity, but it doesn't feel like a core trait of the show (much less of percy) like it does in the book. and honestly, i think that's a loss! if rick wanted a grim pjo adaptation, fine, but i wish the show hadn't been advertised as something perfectly attuned to the spirit of the book bc it's just not. if it was, i'd be laughing a lot more.

now, let's talk about sally...

i don't love how they've characterized sally in this show. i respect that they wanted to "modernize" her character and more accurately demonstrate the struggles of a single parent raising a child with learning (and in percy's case, also magical) difficulties. i genuinely do respect that choice, and i can follow the thorough-lines created in the show that illustrate this revamping of her character. similarly, i can respect that they didn't want sally to seem like a stereotypical "passive" victim of abuse re gabe, hence her explicitly pushing back at him. that said...

i still don't think these are effective or necessary changes, because i don't think sally was portrayed as overly passive or as a perfectly equipped parent in the book. i understand the argument that gabe is still presented as abusive, i.e. that he checks her phone without permission and controls access to the car, but those moments feel so technical. when i rewatch those scenes and examine the acting (both line delivery and bodily cues), sally is outwardly derisive toward gabe ("who's yancy?" / sally sighs and shakes her head, exasperated, has the long blink to give an extra beat before responding: "the school."), yet at the same time there's a banter between them, where sally insists that she's going to go to montauk no matter what, and if gabe disagrees then she won't bring back both their sandwiches for the knicks game that they apparently watch together often (implied by "you know i hate watching the knicks alone!" "so do i!"). sally holds herself confidently in this scene (hands on her hips). gabe is forced to actually ask politely for his sandwich order (and notably holds his shoulders slightly inward, visually closing himself off in a physical representation of surrender). two of my friends, diehard pjo fans who are not literature or film scholars, were both confused as to why sally and gabe seemed to be bantering within a seemingly standard relationship dynamic - not necessarily the happiest of couples, but a standard married couple (as opposed to clear imbalance of power between them in the book).

to be clear, it's not that sally needs to be a "passive victim of abuse," and it's certainly not that the show needs to explicitly depict gabe hitting sally or percy for us to understand that he is abusive. my issue is that the show seems to have not understood what made sally a strong character initially: her willingness to endure anything for her son, including marrying an abusive man who smelled so rankly human in order to prevent monsters from finding them. like, sally resisted gabe's abuse in the book! the reason blue food is a major motif in the first place is because sally and gabe had a fight where gabe insisted blue food wasn't a thing, and thus percy observes that "ever since, my mom went out of her way to eat blue."

in other words, verbally standing up to one's abuser is not the only way to demonstrate that a character is not a stereotypically weak, helpless, passive victim. it's definitely an easy choice with regard to cinematic staging (and the show has a pattern of taking the easy way out of conflicts and nuance), but i think the real issue is that sally's vocal protests come in tandem with the defanging of gabe. why does his body language and tone falter in arguments with sally? does he not have the upper hand? where is the evidence of an imbalanced power dynamic? there is no one way to write abuse bc the tragic reality is that abuse happens in an infinite number of ways, but nonetheless i am frustrated with the route the show went down in the first ep bc it feels reductive to the core of sally's character and her strengths: her endurance, her implicit but present rebelliousness, and her love for her son.

im also not a fan of some of the flashbacks we're getting with sally. it's not that sally shouldn't be "allowed" to get frustrated ever, but a major element of her characterization in the books is that she didn't take that frustration out on percy. i just don't see sally jackson getting upset that percy doesn't want to swim (beside that, i can't imagine percy not wanting to swim lmao). i just don't see sally jackson almost aggressively telling percy that he is the one making their goodbye ugly (because he's being a kid?? who doesn't want to leave his mom?? you're telling me sally wouldn't recognize the root of his anxiety immediately??). i just don't see sally speaking vaguely to percy about there being things she has to do that he doesn't understand instead of doing her best to meet percy where he's at with her explanation. if someone is coming to this show without having read the books, i genuinely think they might be starting to question sally's parenting, i.e. if she was really as wonderful a mom as percy insists or if he simply sees her through rose-tinted glasses. bc here's the thing: percy does see sally and his mom's struggles through rose-tinted glasses, and it's because sally bottles up and hides her struggles and frustrations from him. she doesn't let percy witness those frustrations. as such, there's an incongruity between book!sally and show!sally that doesn't mesh for me.

in short, show!sally feels like a new character to me. that's fine if that's the route they wanted to take, but again: why advertise it as a faithful adaptation if you're not going to be faithful to the core elements of central characters?

im also disappointed by how much the show has stripped annabeth of her character besides her intelligence. i have some thoughts about the adultification of young Black girls and the fact that annabeth is Black in the pjo show, mostly that i can't tell yet whether the show has the self-awareness to offer commentary on this reality for many Black girls through annabeth's character being seemingly defined by her intelligence and maturity or if they're simply unwittingly replicating this circumstance. i need more material before i can make a concrete assessment here, but all the same, i wish they were allowing these kids and especially annabeth to be kids - to make mistakes, to fall into traps, to have little crushes and get flustered, and to not know everything about every monster/obstacle before they come to face it.

people have talked to death the issue of the pacing so i won't belabor it but in general this show has terrible pacing. the first two eps are rushed (we got so little luke that im concerned his betrayal won't have much heart/meaning/oomph in the final ep), the constant unnecessary exposition creates periods of narrative drudgery, most of the fights lack tension bc the choreography is effectively nonexistent, them missing the solstice deadline has so far sucked the wind of the energy of their quest (of which there wasn't much in the first place bc the show did a poor job establishing the looming threat of a globally destructive war being on the horizon), and in general there's no sense of stakes. sigh.

i probably have more thoughts, but i'll stop for now bc i've got a shit ton of assignments to work on. in sum: the show lacks an understanding of how film operates as a medium, and while the merit of the show as an adaptation can be debated, it's simply a poorly constructed and lackluster piece of tv.

(but on the bright side? the trio is killing it even with the weak material they've been given, and their acting talent is the only reason i and many of my friends have kept watching)

[lurkingshan]

Some Highly Recommended Kdrama

My pal @troubled-mind asked me if I had any recommendations for good kdramas to watch, and my answer to that is: literally always. I put together this short list for them and decided to share in case anyone else is interested.

Parameters for this list: modern setting, strong focus on friendship dynamics, mix of genres, avoid university settings, no one-sided romantic pursuits, and no terribly sad endings

Be Melodramatic/Melo Is My Nature (Viki)

Fantastic friendship focused drama about a group of close friends who all move in together in the wake of personal crises. A healing drama that includes a couple love lines. And an out gay side character (still extremely rare for mainstream kdrama, unfortunately). This one will make you laugh and cry.

Happiness (Viki)

Pandemic zombies attack! Now I am not really a zombie person, but I absolutely love this show. It’s about a pair of working class besties who decide to get married in order to win a housing lottery (one of them may or not be hoping this fake marriage turns real), then immediately get caught in a lockdown with all their new neighbors when there’s a zombie virus outbreak. Shenanigans ensue! This is more action thriller than horror, and the two main characters are some of my all time favs. The writing, plotting, and pacing are tight as hell and it’s a rare perfect 10 for me on that front.

Coffee Prince (Viki)

MY BELOVED. This is an absolute classic genderbend kdrama that I’ve watched several times. The show that made Gong Yoo famous. An honest to goodness queer narrative about a chaebol who meets a girl pretending to be a boy for poverty reasons, falls in love, and has a bisexual awakening. This show was way ahead of its time even if it doesn’t use our modern language (you will not hear the words trans, non-binary or bi/pansexual but trust me, they’re there). Also features a fun friend group who all work together at the coffee shop. I try to make everyone watch this one, and recently got @bengiyo and @kyr-kun-chan to watch and validate my read of the story, and they enjoyed it a lot despite the messy hets. Be warned though that this drama is old old, so you’ll need to adjust to the visuals.

Fight for My Way (Viki)

My all time favorite friends to lovers drama, this is a coming of age tale of two best friends and their long journey to getting on the same page about romance. Their dynamic is fantastic and the story is mostly set in their early adulthood as they try to establish themselves in careers and make sense of their bond as adults. Also features their close friends who form a fun little group with them. And Park Seo Joon, a god among drama actors.

Hospital Playlist (Netflix)

If you want excellent friendship dynamics, look no further. This show is all about a group of five friends who met in college and have stuck together for over two decades and all of life’s ups and downs. The story begins when they find themselves all working in the same hospital for the first time since med school and decide to restart their old band. Yes, there will be singing, and no, you don’t have to cover your ears - the cast is stacked with South Korea’s best musical theater talent. This drama is slice of life and takes us through a couple years with them as they reforge their bonds and each deal with their own family baggage and love lives.

Misaeng (Netflix)

My all time favorite workplace drama that has the unique distinction of being the only show to ever make me literally burst into happy tears. No romance in this one. Story centers on a former baduk prodigy (think if Reply 1988 Taek stalled out instead of becoming a master) who attempts to enter the workforce with no discernible skills. He bumbles and fumbles and alternately competes with and bonds with his fellow interns, and forms a deep and lasting relationship with his mentor. When I tell you this show is a master class in writing to create emotional stakes, phew! How else can you explain me getting deep in my feelings over the success or failure of an import/export company?

My Mister (Netflix or Viki)

This one is a bit darker, as it deals with themes of intergenerational trauma, abuse, poverty, depression, and general ennui. Not a romance, this drama focuses on the strange and unexpected bond that forms between a middle aged man and a younger woman working on his team. They meet at an important inflection point in both their lives and forge a friendship that changes them both. Really moving and utterly beautiful, with an ending that will make you feel happy to be alive.

Extraordinary You (Viki)

Time for a change up! This is a fantasy show in which the main character becomes self aware and realizes she is a side character in a manwha. Technically set in a school (inside the manwha) but not actually about that. She bonds with another side character who is self aware, and the two of them start working to change the story so that they can break free (and fall in love while doing it, naturally). The concept of this one is just so cool and they do a lot of interesting things with it, plus the visuals are stunning.

The Uncanny Counter (Netflix)

Because I know you liked Oh No! Here Comes Trouble, I’m adding this one about a kid who discovers he has superpowers and teams up with a little found family of grim reapers to fight evil. The family unit is great and there’s lots of good stuff in their various relationships with each other. This one is a lot of fun but also touches on the characters’ sad backstories and family lives.

Weightlifting Fairy Kim Bok Joo (Viki)

You said to avoid university settings but I’m adding this one in case you want to give a classic college romance a try. My fav in that category, it’s a sports romance between a weightlifter and a swimmer who used to be childhood friends and reconnect in college while they’re struggling with performance issues, body image, and romance. It’s a friends to lovers slow burn and they are utterly adorable.

If you like any of these, let me know and I can give you more recs!! Y’all can hit me up anytime, getting other people to watch my fav shows is one of my number one joys in life.

[wavesoutbeingtossed]

I was wondering, what's your interpretation of tTPD as a whole?. I know a lot of people think it's a 31 album dedicated to one main muse minus 2 songs for his ex long term relationship but i was curious about your thoughts.

Also, some theorists are talking about a potential 10 years situationship between taylor and one muse and it makes me feel... weird. Because she was committed to someone else and i don't know how to feel knowing the other muse could be in some of my fave albums... sorry for the long rant

So there’s a lot going on here and it’s nuanced.

I don’t think it’s as simple as “it’s all about one person minus two songs.” There are several muses woven in both the text and subtext of the songs. And what happened with one muse in many cases was only possible because what happened with another. There are some songs that are explicitly about specific people’s actions, but overall things get muddy because situations are muddy.

This is a cop out answer, but ultimately to me the album is about Taylor. It’s about her pain and grief and trauma and also healing and recovery and joy. To reduce it to a man in particular discounts that she is the main character of her own life and story.

I do not think the story she put down in TTPD is one of a decade long situationship. As I said yesterday, I will gladly change my mind if new information comes to light. The story I picked up in TTPD is one where someone entered her life at a very vulnerable time, exploited their shared history to sow the seeds of this fantasy life to her that she was desperately grieving in her very real current life, which caused her to play revisionist history with her memories because she needed to make it “real” to herself as an escape hatch.

But even if that isn’t the case, and if it turns out that yes, she was pining for this person for ten years… it doesn’t take away from the fact that her past music is excellent, regardless of the inspiration. IMO fans would be better served to not always recall the muses when listening to music for their enjoyment. I know Taylor’s music is different because her life is so well documented and she used to be so open about who she was writing about, but very few artists do that and their music still hits. I don’t think at all about the artists’ lives when listening to any other band; hell, even in well-known messy situations like Fleetwood Mac, I’m not thinking about Stevie and Mick, I’m thinking that Landslide is beautiful and Rhiannon is a banger or whatever. If you think too much about the artists’ personal lives, you’re gonna get twisted in knots and may find there are few people you can listen to, because humans are fallible and messy and make mistakes. Like Taylor says, once the songs are out in the world, they’re not hers anymore, and you need to ascribe your own meaning to them.

Which is not to say I wasn’t surprised when I first figured out who she was writing about when I listened to TTPD, and yes the first few listens of the album made my head spin a bit for the lore of it all, but i truly listen to it like any other album now. It’s good music plain and simple.

What I’m trying to say is that you have to set your own boundaries I guess. If it really bothers you then you don’t have to listen to or engage with it. But personally I’m also not going to moralize Taylor’s or anyone else’s music because she’s human just like any of us and we all make choices in our lives. She was just brave enough to share the mess. It’s not a condoning of her actions because she doesn’t need my or anyone else’s approval for her choices. She’s recording a moment of time in her life and turned it into art, and now it takes on new meaning for listeners.

(Also if people are moralizing her choices because of the “commitment” thing well… I think they weren’t picking up on other parts of the album but. Well.)

Also my pet peeve is that I hate the word “theory” when applied to real people. They’re humans with lives, not characters in a TV show. This isn’t directed at you anon, just a general sentiment.

[romancomicsblog]

5 Characters who should get an Invincible Special Episode

Invincible Season 2 has just wrapped up, and while some fans are a little disappointed with its ending, overall the general consensus has been positive. From excellent music, to phenomenal voice work and animation, along with X-Men '97 its been a great time to be a superhero fan AND an animation fan.

This season also brought in a handful of new characters, as well brought some fan favorites to the forefront, including Allen the Alien, Rex Splode and Immortal.

I think I speak for everyone when I say I love being in this universe, and would love to see more. And while I know Season 3 will be here sooner than Season 2 was, I've been thinking about all those incredible characters and the Atom Eve Special.

It went a long way in showing how good the animation got, expanding on Atom Eve, and evening building up threats like The Lizard League.

I think theres alot of potential in expanding some of these characters, seeing their origins and helping build up their character development.

So I'm going to go through some, along with ideas as to how the episodes can play out. Spoiler Warning for Invincible Season 1 & 2 and mild spoilers from the comics.

5. Bulletproof

Starting off with one of the newest members of the Guardians of the Globe, Zandale Randolph AKA Bulletproof is definitely a character you forgot was in this season.

While he is known for a few big things in the future, he didn't really get to do much this season. He wasn't very useful in the sequid invasion, didn't really help in any major fights, nor do we know anything about him. So why him?

His history in the comics is rather tragic, and I think is something we are going to explore. His twin brother, a mad genius, attempts experimenting on Zandale in order to give himself superpowers. Instead it gives Zandale superpowers, and kills his brother.

Due to this, and unable to tell his parents, he pretends to be both brothers to preserve his brothers legacy.

That tragedy is alot, and could make for an amazing episode, with his brother being the villain and explain why he is so guarded.

Plus, I love Jay Pharoah. More Jay Pharoah please.

4. Dupli-Kate

We got some hints at Dupli-Kates origin in her eulogy from Immortal. Her powers come from a curse upon her family, that led to both her and her brother gaining the ability to multiply.

What you don't know is they started off as a brother sister team before going their separate ways.

We actually see Kate's brother Multi-Paul in the cell when the Maulers escape again. Seeing a young version of Multi-Paul before their inevitable confrontation in a later season could give us more stakes.

Yes, this is another sibling rivalry just like Bulletproof, but this could start way more fun than Bulletproofs.

And two multipliers who are children fighting it out in a dramatic finish? Also good television.

3. Monster Girl

Talk about a tragedy.

Monster Girl's curse was given to her after falling in love with a man whose grandmother disapproved of her. That grandmother was a witch, who turned her into an ogre with extraordinary power.

We don't get much else from her origin, which could give us some wiggle room.

This could start as a love story turned horror story, unable to get out of her monster form, feeling trapped in her own body. We can have the witch be an Agatha Harkness type, and a physical threat in the episode too.

Once she is defeated, Amanda is able to turn back and be with the man she loves, until she realizes months later, that she is getting younger, and he breaks her heart.

The beats are all there, and I'd love to see a magic based episode in the Invincible Universe mixed in with some Hulk style action. Plus, building up Amanda will be important as she is vital in the comics.

2. Thaedus The Great Betrayer

You didn't think I was only picking Guardians did you?

Thaedus' episode could be by far the most interesting, showing us Viltrum from a first hand perspective, before he betrayed and before he formed the Coalition.

I don't want to get too heavy into spoilers, but he causes a brutal blow on the Viltrum Empire I'd love to see first hand. We can keep Peter Cullen, or get a younger voice actor, but either way, seeing a younger Viltrum Empire would be very intriguing and a bloodbath.

1. Rex Splode

Despite being one of the most annoying characters in Season 1, Rex is by far the standout of Season 2 in my eyes.

Another origin that was slightly teased, I can imagine Rex's episode can be his sad origin, meeting Atom Eve in act 2, and taking out his oppressors by the end in a good old fashioned team up.

This could be a direct sequel to the Atom Eve Special, giving us more Eve, and help us understand their relationship even better. Plus Rex being blind sided with a girl who can make anything? Sounds like a fun battle to me.

Thank you so much for reading! Please consider following, and check out my socials and other sites here! And let me know: Who do you want to see get an Invincible Special Origin Episode?

[airyairyaucontraire]

I was thinking after my conversation about “I Want” songs with my nephew about moments when there should be a song like that, and one example I’d given him was Dorothy singing “Somewhere Over the Rainbow,” so naturally I thought of Luke Skywalker on his little berm, and then I thought of the excellent idea I read somewhere that instead of Disney doing boring live action remakes of their great animated movies there should be animated remakes of live action movies, and those bumped together in my head to form Star Wars the Disney animated musical. Key points:

You are free to imagine the voice casting however you wish with one exception: obviously Ewan McGregor is playing Obi-Wan. Play him again and it’s a musical? Whoosh sound effect and a McGregor-shaped dust cloud as he makes for the studio.

Complete freedom to add scenes, and I don’t mean like the restored ANH scene where Han steps on Jabba’s tail - scenes exploring characters’ feelings through song! Including when they’re alone, which is the only way Leia would ever talk about her feelings.

Must look like classic cel animation. Character designs are inspired by but not required to be closely based on the actors (nor The Clone Wars). The animators will be instructed to draw the idea of Luke Skywalker, not Mark Hamill, if you see what I mean.

Mark Hamill can totally do the voice if he wants to though, obviously.

Definitely still have the stormtrooper who bonks his head on the door.

Examples (may not be in chronological order):

Luke’s “I Want” song obviously. Make it as “Somewhere Over the Rainbow” as you like.

Han gets an intro song making his way through Mos Eisley dodging bounty hunters. Make it as “One Jump Ahead” from Aladdin as you like.

“My Only Hope,” a song sung by Leia alone in her cell as she mourns for her planet and her parents. She falls apart in tears, then pulls herself together with a mighty effort and fixes her make-up with a little magic sci-fi device she had hidden up her sleeve and rises determined to stay in command of the situation and of herself - that’s her only hope.

“Your First Steps,” Obi-Wan’s big number while training Luke on the Falcon. A somewhat more comprehensive introduction to the Force than just trying not to get zapped by a training remote.

Other Stuff I Want:

Boba Fett cameo, because I love him.

Just as Leia cries when she’s alone, I need Luke to actually cry when he finds Owen and Beru’s bodies. Then, again like Leia, he pulls himself together and goes to do what he can. But he’s still sniffing and having to wipe his eyes with his sleeve as he drives back to Obi-Wan.

It would be corny but I’m not opposed to brief cameos, just background glimpses, of other characters who might be on Tatooine at the time during Han’s number. I mentioned Boba but we could also have Fennec Shand, Peli Motto and Cobb Vanth.

Before the medal ceremony ending (for which you’d better believe EVERYONE is singing, solos for the main characters and the entire Rebellion as a choir, the triumphal “A New Hope”) there’s a quiet scene with Alderaanian rebels raising a memorial stone to the people of Alderaan, and then anyone who lost someone on Alderaan can use a little laser pen to write their names on a small stone to place in front of it. Leia offers a stone and a pen to Luke, who demurs that he doesn’t want to intrude on something for Alderaan. Leia says, “I’m still the princess of Alderaan and I’m inviting you. You’re not intruding.” So we have a shot of their stones lying together on the base of the pile, inscribed “Breha and Bail Organa” and “Beru and Owen Lars.”

Yes in legible English (or substitute the local script for international release), I’m not doing Aurebesh.

When you use the Force your hair puffs out like a Studio Ghibli character.

Just go full 80s scifi anime with unlimited budget on the Death Star run scenes, obviously

[whattraintracks]

Okay, so we’re doing this 

Intro: 

I’m sorry with the rain and trench coats all I can think about is “The Maltese Hamster”

oop that’s Karai’s voice 

Present Timeline: 

chatting about the latest adventure with the bestie 

and looking at matrices. Donny is STEM goals 

Time Scepter: so whatchu thinking about?

Donatello’s Brain: indecipherable matrix assault

Time Scepter: oh my gosh, please send him anywhere but here quick quick quickquickquick 

hence he was sent to the future of a near timeline as opposed to an entirely alternate reality 

kidding 

hmm so he’s looking into time travel and alternate dimension related calculations

interesting that this got him sent to the future instead of the past like he and April were talking about 

I’ve seen this scene three times now and it is never not funny how Raph arrives just in time to deliver a sick burn 

Lair Ruins: 

the obvious Chekov's gun of the Tunneler is sending me 

largely because I would not have noticed it if I didn’t already know so much about this episode 

also this has video game vibes 

your character just woke up and starts spouting ominous observations about the environment 

Mike sighting! 

ooh spiky nunchaku 

oh my gosh I am so ready for extremely competent adult mutant ninja turtle fight scenes you have no idea 

ahhhhhhh angry Mike hurts so much 

Montage Across the City: 

the music does not have to go this hard but I am in love with it (p.s. still feeling this way post episode, that soundtrack was phenomenal) 

with Mike’s “We were a team! Without you it just didn’t work.” I can see the back and forth of ‘SAINW happened because it was Donny specifically that disappeared’ and ‘actually this would have happened if any of them had disappeared’ 

Rebel HQ: 

Angel name drop! she has commandos!?! get it girl 

Splinter and Casey both believed Don would come back /sobs/ 

I’m sorry is that Baxter Stockman? in the resistance?? 

I mean, of course he’s alive, cockroach man that he is, but in the resistance??? 

and Hun!?!? 

oh my gosh Hun you’re so melodramatic please 

wild to me that Donny shows up, checks the place out, and just says imma fix this and everyone goes along with it 

I have to wonder 

how long have they been waiting for him to do this exact thing that despite three decades of fear and pain and grief and betrayal and anger and everything else they don’t even question him, they just act? 

how long have they been waiting for Donatello to come back with hope and plan that they couldn’t say no? 

Shredder’s Palace: 

thinking about the cut taxidermy plot and Karai’s report is hilarious 

‘hi. yes, master, it’s me. you know that stuffed turtle you have? someone just saw him running around town. yeah he was attacking our men. killer makeover, doesn’t even look dead’ 

wait isn’t there a Leo centric episode in season four called prodigal son? 

and Shredder just called Don the prodigal son.

oh that comparison is going to ruin me 

Shredder's like nope. I've only made it this far with him gone. make him gone again. 

Some Building IDK: 

wow it is on sight between Leo and Raph 

have they been fighting about the same thing for 30 years? good golly. 

how many times has Donny had to separate these two by whacking them with his bo that was clearly well practiced 

ah I see they were saving the questions, concerns, and rising action for Leo and Raph 

newtrauma what nows? some kind of Utrom soldier? welp guess I'll find out (p.s. transcript says Utrominators so did Leo but the cc said neutromenators so I got lost) 

Shredder’s Palace Again: 

oh well done Donatello! very dramatic entrance! excellent presentation! nailed that cheesy heroic one-liner! 

April came! . . . and so did Hun+Baxter 

ouch that did not end well for them 

OH MY HECK WAIT REWIND THE BRAIN IS BRAINING 

Donny and April (normal timeline) were specifically thinking about UNCLE AUGGIE 

who DISAPPEARED 

so Donny got sent to a universe where HE disappeared 

I’ve connected the dots 

okay back to the show 

Mike seems to be taking the lead here and I like that very much 

wait I wanted the fight scenes but I didn’t want this part /sobs/ 

I’m sorry is Karai still trying to pull the old ‘I actually like you guys don’t make me do something I don’t wanna do’ like girl frickin commit already 

noooooooo—wait how did she slash through his shell? you know what, nevermind—oooooooooooooooo!!! 

gahhhhh Raph's death was so much worse. doesn't matter how prepared I was. I was not 

hooray April with the bazooka! but also girl where were you T^T 

“you are the last of your kind, Donatello” oh that’s particularly cruel 

it’s giving ‘alas, poor yorick’ 

holy crap April 

alone in the ruins of Shredder’s throne room surrounded by the bodies of all that’s left of her family and an entire ruined world to rebuild 

geez Don leave her the easy job 

[chikorra]

FWIW I absolutely ADORE the ML movie and could gush positively about it for hours without let up :)

Oh my gosh, it's good to know you enjoy the movie that much because it's incredible to me to see people talking about things they love! <3 🥺🥺🥺 ... B-but it's also, uh kinda unfortunate because I... nnnnngg how to say this... <I am so sorry in advance I put it away in case it is too long and it ruins your mood, but yes TLDR; The movie is cute, enjoyed the artistic elements, but hate the plot dev...>

. . .

I'm actually on the opposite side of this matter, and have a quite strong opinion while being over there, and oh boy oh boy, I think "that" opinion will hurt some poor soul and I swear I won't mean to and pleaseee hear me out... 🥹🥹🥹

I enjoy the music, the aesthetics, the camera angle, the actions, Ladynoir obv, some scenes that are executed stronger than the series (eg: Marinette saves Master Fu; Sabrina's kindness toward the new girl; how they express Marinette's anxiety and the opening and initial character behaviors make sense with the overall settings) and GOOD MUSIC! (I think I said it twice)) But yeah, I tried my hardest to watch it with a blank mind, no judgment, no comparison, and in the end the plot and character devs are not for me...

However, I do think they will be an excellent stand-alone movie for any kind of audience and simply enjoy some action and cute romantic moments. Some scenes are not good for kids like did you see the way Adrien treated Marinette?? He did try to change but yeah I need 30 more minutes for that also did I mention Zag got the Chinese legend wrong with his version of intro-

For what it's worth I think the movie is wasted potential, I truly was so sad, but I do understand why many like it tho I still think the series is superior as of now, I love seeing good things inspired by it hehe but again, I won't jump on the hate train toward the series. If you decided to read this, you are a wonderful and tolerant person; I am so blessed to get such respect from you, I would never hate you for this. Sorry and thank you!!

[jilly-willy325]

⚠️‼️MAJOR SPOILER WARNINGS FOR JOKER FOLIE À DEUX‼️⚠️

I am SICK and TIRED of the Joker Folie à deux hate. It was marketed as a musical even when it was js rumored to be in production. Lady Gaga is not an actor and yet she did Harley so well. It was NOT a sequel to the first one more like the continuation of the story (ik that’s confusing I’m sorry idk how to explain it). It takes place 2 whole years after the first one. It perfectly shows Arthur’s reality and how he sees the world and how Lee uses that reality to dig him deeper to fulfill her sick criminal fantasy. And it gives a perfect example of Arthur coming to his own, realizing his actions, and paying for them. Yes the twist was a bit predictable but only if you paid close attention to the cinematography which I think is an excellent way of foreshadowing because you only really get it if you are fully invested. It perfectly exemplifies Arthur’s madness and false diagnosis of DID (the line “there is no joker” near the end showing this) and the mirror of the ending of Joker with the young inmate basically imitating Arthur by killing someone who he looked up to but was hurt by due to his words on national television. He is the first victim of the “real” Joker and his own final victim. All of Jokers supporters (including the inmate who ends up being his demise) show that they never cared abt Arthur but truthfully just cared abt The Joker being an outlet for their blood thirst and radical beliefs and I fully believe that this movie and its predecessor are commentaries on our society and political system. Arthur got exactly what he wanted in the end, he got fame, he personified his anger, and took out his resentment on the person who seemingly betrayed him. But he also had to die, because these actions weren’t justified. Joker in this movie is not meant to be sympathized with or defended. It is simply a look into the twisted reality of one of the most famous supervillains of our time. The change of Harley to a patient rather than a psychiatrist is also an excellent thematic choice. It flips the power dynamic in their relationship completely. In the original story Harley feels almost indebted to Joker feeling as if he “created” her (yes ik this is then combated especially in newer depictions but just for the sake of this argument let’s ignore that). Now that she’s just Lee, a fellow inmate, he sees her as an equal, giving her that much more power over him. She lies about her past and how she got to Arkham to make him believe that she really was just like him when in reality she’s just some sick rich kid who wants to be a criminal and be associated with the definition of evil (Arthur). Harley never loved Arthur, she was in love with the persona of Joker, So in the end she abandons him because she wants a kindred spirit, a fellow psycho (which while I do think Arthur is at least a sociopath, he’s not what she wants). Sorry for that rant but that movie touched my soul bro 😭

[seasonofscreams]

Until Dawn Fan Cast

Wanted to throw my hat into the ring of fan casting the new Until Dawn movie.

SPOILERS FOR UNTIL DAWN BELOW

(also just assume there might be bl**d & g*re depicted below)

I wouldn't be surprised if Kathryn Newton becomes the new scream queen so it makes sense for her to follow in Hayden Panettiere's steps. She was brilliantly versatile as her two characters in Freaky & has a natural charisma that would be great for Sam whose all-rounder character could fall flat in another actor's hands. Pretty much everyone agrees on Sam being one of the few left alive if not the Final Girl & I think Newton would excel in the role.

Mike is pretty conventional as a Final Guy - objectively attractive, resourceful alongside headstrong with a funny side. Tom Blyth displays these traits himself in his portrayal of the younger Coriolanus Snow in The Ballad of Songbirds & Snakes as well as a charisma that had many a watcher rooting for him despite portraying one of the most evil characters in The Hunger Games franchise. It would be interesting to see him tackle the complexities of Mike and even more fun to see him engage in the action scenes sure to be in the movie.

I never got into Stranger Things but from the limited amount I've seen Caleb McLaughlin is one of the best actors in the show. Matt is a contradiction to his own trope. He's a jock who is insecure in his relationship with Emily compared to how she feels about her ex, Mike, but also potentially wants to be seen as the hero. There's very much parallels that can be drawn between Lucas and Matt as well as enough differences and it would be really interesting to see how he would tackle the role.

Olivia Rodrigo is most famous for her music but her acting turns (admittedly in Disney & mv's, yes) have always been received pretty well. Emily is a hard character to cast especially when comparing to original actor Nichole Sakura since Emily is smart and resourceful whilst being blunt and - for a lack of a better word - wonderfully bitchy. There's a certain aura within the SNL performance for all-american bitch and music video of bad idea right? that gave me this feeling i can't shake that i want to see Rodrigo as the likely other Final Girl (I hope Emily survives to the end alongside Sam).

When Sweeney (as Cassie) was hiding in the bathroom in Euphoria, many people were desperate to see how she would fare in a traditional horror film - she plays terror great! maybe it's cheating to fancast her as Jess since she's played a promiscuously perceived blonde 'home-coming queen' type before but... if it ain't broke. I can't see a more perfect Jess to be honest.

according to luckyleftie on tiktok, Ashley's original horror trope was that of the stoner, rather than the academic - which clarifies the origins of the anxiety her character exhibits throughout. Personally, I'd love if they explored this in the film more (it's gonna be rated R after all). Sophia Lillis proved herself in the horror genre as Young Beverly in IT (2017) and would be really fun in the inquisitive/conclusion jumping Ashley. (Also I think she does resemble Ashley/Galadriel Stineman but that may just be me).

(Chris is deffo dying when Ashley doesn't let him into the house it's too potentially big of a scene to not do so) Tony Revolori is a funny actor and as self-proclaimed comedian of the group, I'd love to see his interpretation of Chris who pines after Ashley as well as how he could potentially approach the investigative chapter during Josh's 'prank.' Plus I loved him in Scream and wish we'd seen more screen time of him playing in the horror film.

Have you seen Hereditary? Point made.

in all seriousness, Alex Wolff is talented and plays awkward, yet charming alongside disturbed characters amazingly. Josh is quite an awkward guy ('party like p*rnstars' anyone?) and dealing with rapidly declining mental health as well as grief from his sisters' disappearance. Josh is a very complicated character whose actions cannot be justified but mental health cannot be ignored. Wolff could be a fantastic choice - especially if the mental health representation through Josh was updated with more advice and guidance from professionals.

If you made it this far, thank you for reading!! I'd love to hear if you agree (but pls don't be rude about it i put a lot of time into these edits/fancasting choices/individually crediting where i got the photos so if you hate it pls just move on) :)

[kamuroposting]

hallooo (⁠/⁠･⁠ω⁠･/ 🎉

i liked Kamuro's headcanons and ideals smm, indeed he's very underrated to me, and i trully enjoy seeing ppl that actually appreciates him ♡⁠(⁠˃͈⁠ ⁠દ⁠ ⁠˂͈⁠ ⁠༶⁠ ⁠)!!

Could you make a Ritsu version? I would like to know what you think about him too, If you don't mind, of course!

- nosy anon (again)

Hello again anon!!! And yes sure, I don't mind at all. I have less headcanons for him so it might be a bit briefer than the last one. 😅 (Also I'm so sorry for publishing this late, I've been feeling down lately).

(Excuse the gif I don't have that many lmfao)

GENERAL HCS (and ideas).

︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶

-> Although he doesn't really find the appeal in music, he does listen to soft sounding compositions during his studying. All instrumental.

-> Even being a very smart boy and having had competed in the math nationals, he struggles a bit with algebra sometimes.

-> The year Tokugawa and Kamuro left was especially hard regarding duties, since they were the ones who helped the most regarding council matters. Them now going to highschool does leave him with a lot more things to do, though he's quick to grow used to it and eventually finds a way to balance out his time once more.

-> The diaries/journals he keeps help a lot with stress relief, and also a manner of building up writing skill. Furthermore, he has a nice caligraphy.

-> Sometimes helps Sho in taking care of his hamster, he finds the fluffy animal to be cute and has grown somewhat attached to it too.

-> Sometimes the guilt of his past actions still catch up to him and it causes him to behave somewhat distant for a while, feeling undeserving even though he has long made things right.

-> Although they don't go to school together anymore, still keeps up with Kamuro sometimes. Even when they don't speak all that often anymore, he still finds it nice to have a chat with someone he could somewhat relate to.

-> It's also stated that he's very jumpy, and doesn't really like bugs. As silly as it might be, he's afraid of insects and prefers to keep himself as far away from them as possible.

-> It's mentioned he excels in pretty much every school field including sports, and I like to think he's good at volleyball, and an unsurprisingly good team player overall.

-> Likes birds, but doesn't own any due to lack of time to take care of it.

-> His sleep schedule isn't that bad, but it's stull troublesome either way, and it keeps him very drained sometimes.

-> Actually has a cool taste in clothing (unlike someone), his wardrobe has pretty nice clothes. Aside from the ones Mob has passed down, anyway.

︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶

Hahajdb I feel like this should be longer, but truth is I don't think that much about Ritsu, hence why I don't have all that much headcanons about him. Xp

[iguessitsjustme]

Jack o' Frost Ep 5 & 6 Thoughts

I think you guys were playing a prank on me telling me to watch this show. Was that what happened? Is this payback for all of my cruel polls? Did I deserve this? It’s fine. It’s fine. I am going to try my best to enjoy the final two episodes. Because I need to. THERE IS GOOD IF I JUST LOOK FOR IT and ignore the very bad things. It’s fine. Time to watch:

I don’t blame Ritsu for being hurt by Mr. Lyingface but also why is his response complete and utter avoidance? My guy. Go confront him. Make him own up to his actions. Then you two can talk it out. Or not. It’s not your fault he withheld this from you. But your response to learning about it is not great either.

I don’t care about what’s happening right now but I am VIBING with this music. Guitar and strings? Excellent.

Oh no music went away booooo.

If even the ex boyfriend is like “y’all…need to talk” then perhaps forcing the relationship isn’t a good idea and you should both give yourselves a break. A chance to move on with your lives and be happy.

Wow. Okay. This is a conversation that should have been had before you got to this point of anger my guy. My dude. If Ritsu has been constantly flaking on you and forgetting your dates, this needed to be brought up not in a fit of anger on his birthday. Is Ritsu wrong for it? Absolutely. Should he be making adjustments to make sure he doesn’t flake on you? Yes. Was this the proper response to it happening? No. In this situation they both suck. But I think yelling at Ritsu, on his birthday, while he’s drunk, was not it. Has he even brought it up before? Based on his earlier conversation with Tomoko, I’m gonna say no. That he waited until it reached his boiling point and he exploded. Which is not a productive way to solve issues.

And now Ritsu is acting like a petulant child. Am I supposed to want these two together? Nope. Not unless they get counseling.

Dude. Listen. As someone who is also bad at talking about how I feel…you cannot be this way in a relationship. You just can’t. You have to be willing to compromise and talk about it even a little bit. Otherwise you will not have a relationship. It will either blow up like your relationship with Ritsu did. Or it will fizzle out. If you want something that lasts you have to be willing to open up when you’re hurting. It hurts the other person more if you don’t.

Gotta pause. My coworker is sending memes in the group chat.

Ritsu is right. He can’t fix his behavior if he isn’t told he’s hurting Mr. Lyingface. He can’t reflect on it if he doesn’t know. This goes for before and after the amnesia as well. Do I think he should have to be told to stop flaking on his boyfriend? No. He should try to make sure he’s making time for him BUT sometimes when people get busy, they don’t realize what they’re doing or who they’re ignoring. I have been in both positions of being ignored and doing the ignoring and I gotta say. It’s very easy to not realize you’re ignoring someone. It hurts so, so incredibly bad to be ignored by someone who you love so dearly, but sometimes they just…don’t realize. I say this as someone who shuts down when hurt. I also say this as someone who had someone blow up at me the way Mr. Lyingface blew up at Ritsu. Guess who I don’t talk to anymore. And this is someone I loved a lot. I miss her so much. She remains a part of me. I can’t erase her from me any more than I can erase one of my limbs attached to my body. But in the end, we could not communicate. The same way these two can’t communicate. These two should not be together. They just should not be. It is not fair to either of them if neither can compromise. Sometimes it is best to acknowledge the love. To know it happened. And then to let it go. Keep the memories in your heart and in your soul. But give yourself the grace to find happiness without them.

Anyway time for episode 6 and then I can move on to my next binge of the day.

He’s running again. Ugh the cardio. Maybe I should go on a jog. It’s been awhile.

Fluffy pancakes…mmmmmmmm. Gimme.

SAILBOAT

I forgive everything. This show gave me a sailboat.

I’m indifferent to these two but this MUSIC. Has me in a chokehold.

They’re gonna fuck on that couch again.

Last time they did that, they broke up immediately after.

Well. That’s a show I watched. I hope you guys liked my liveblog. I had fun. Well I had fun liveblogging. This was not my favorite show but it also wasn’t the worst? I hope those two get couples therapy or they will not last. They never really resolved their issues. But I do enjoy writing out my thoughts as I watch things. I will liveblog something else later. Maybe another show from my poll? We’ll see.