#yes i know the gun is too big

[rubysparx]

Ok Kira art !! Sorry the quality kinda sucks, anyway I love her so much. One of my top three riptide npcs fs (do not repost!!) Without shading and lighting layers under the cut v

[kingofthewilderwest]

In discourse, if there is a mild word that gives benefit of the doubt, nuance, wiggle room, neutrality, and a respectful amount of broadness, and a similar word that goes balls to the fucking wall like a targeted missile attack, 90% of the time you really should be using the mild word.

[hauntingblue]

making a collection

making another collection with a threatening aura

[hershelwidget]

Yeah ok more bo I MEAN completely normal barnacleses. barnaci? barncle. barnanc NEVERMIND

In all seriousness I think the part BB loves most about being the Captain is that he’s got that big voice and confidence to match and it has FUN with it. Gets Extra when saying his catchphrases and stuff yk

Also some cute quirks it has <3 BB’s actually adorable I can’t even deny it anymore (either that or my old crush on Barnacles is acting up) COUGHS ANYWAYS

[keeps-ache]

i don't wanna take over the world, it sounds like a lot. but you know, laying siege to a golf course sounds really nice sometimes

[skrunksthatwunk]

yakuza: dead souls - american vibes, bigass guns, and why zombies are super weird to have in ryu ga gotoku thematically/ideologically speaking

so i've been playing dead souls recently (hell yeah hell yeah hell yeah) and although i'm having the time of my life with it, there was something about it that kinda felt off to me, and i think i've figured out what it was, but i'm gonna have to walk you through a bit of my thought process to get there.

my first instinct was that it felt... american? and upon further examination i think that boils down to a couple of things:

everyone suddenly has lots of guns and also way way bigger guns

high emphasis on individual heroism (this itself is quite typical for rgg, but it manifests differently here; more on that in a bit)

military/government incompetence, which must be solved by the right individuals having the biggest and bestest guns

[for the sake of transparency i will note that my experience with zombie media is pretty limited and skews american (and i myself am american), so that may create bias. however, the 'this feels american to me' instinct is a rare one for me even in genres where i have seen little/no non-american media, so i think the fact that it did occur to me is notable. what about dead souls triggered that response when little else has? that's why i examined it and, truthfully, i think there's merit in the idea itself.]

the first point is pretty self-explanatory. america's got more guns than it does people, and its gun worship is infamous. japan's ban on guns (aided by its being an island state) means there's far fewer guns in the country, as well as far fewer people with guns (and likely far fewer guns per gun owner, excepting arms dealers/smugglers) than somewhere without such a ban. obviously, there are guns anyway. due to their illegality they are clustered within the criminal population, which explains their presence within organized crime within the series. very few guns will be sitting around in the homes of otherwise law-abiding citizens.

and yet, when the zombie outbreak hits kamurocho, plenty of civilians suddenly have access to quite an arsenal. everyone has the knowledge they need to aim, fire, and reload smoothly and quickly; ammo is infinite for certain guns. characters we've never seen using firearms before suddenly have shotguns under their couches (looking at you, majima). it's not only very different from reality, it's very different from guns' place within the series up until this point, when they were limited weapons used primarily by the enemy.

and they're making a zombie shooter, so of course they would have to do this. it has to be unrealistic to be simultaneously in this setting and in this genre, in the same way that yakuza solving their problems with bareback fistfights instead of guns is itself both unrealistic and necessary to being the kinds of games rgg are.

my point is that this is a kind of focus on and valorization of gun ownership and competency unusual for the series and setting. further, it serves as an argument for why an armed, competent populace is crucial typical in american media.

which brings us to the third point (we'll get to 2 in a minute). guns are often marketed as self-defense weapons. the implication is that the government's defense of the individual (via law enforcement or the military, but particularly the former), are insufficient. this is objectively true. if someone pulls a gun on you at the gas station, will a cop manifest out of thin air to intercede? no. that's impossible. but if you have a gun, or if some bystander has a gun, you or they may be able to do something with that gun to stop the armed person. thus, there is an undeniable gap in the effective immediacy of such responses.

many gun advocates also point to the incompetence or insufficiency of law enforcement, even when they are present to stop an armed aggressor. the fact that law enforcement do not have a 100% success rate in protecting the citizenry is also objectively true.

so, when you are in danger, arming yourself increases your chances of being able to put down (or at least take armed action against) a present or potential threat. whether it is viewed it as a supplement to or a replacement for law enforcement, it is meant to make up for the shortcomings of the government's ability to completely protect all its citizens. it's a safety net for state failure.

back to dead souls. rgg has always centered political corruption in its stories, including politicians, the police, and sometimes even the military, though usually the former two. sometimes this is treated sympathetically (i.e. tanimura, a dirty cop, whose dirty-cop-ness allows him to work outside/against the law to help disadvantaged people, not unlike how kiryu views being a yakuza), and other times it's simply a matter of greed or lust for power (i.e. jingu).

however, something that's almost never touched on so clearly is government incompetence. when the government fails to help people or hurts them or does corrupt things, it's usually due to a competent, malicious bad apple who is removed from power by the end of the game. this implies holes in the system because it keeps happening all the time, but that's on a series-wide scale, a pattern ignored by the series in favor of the individual game solution of "this guy's gone now :) yay".

but in dead souls, the SDF's barracades fall, their men are killed, they are unable to help protect the people outside or inside the quarantine zone. they are weak in a way the government usually isn't in these games. and who is stronger than them? our individual good guys with guns. so we need to be armed because the government is weak and can't protect us. boom. america.

returning to point 2, i'd like to say that dead souls is not particularly more individualistic than any of the other games in the series (other than, perhaps, y7). rgg is an incredibly individualistic series, actually. its protagonists are usually men who defy, oppose, and skirt around the law as a way of helping others and doing what is truly right (with a few exceptions, like shinada and haruka). the romanticized view of the yakuza as a force for helping the community in the face of government incompetence is a real one, and one that tends to manifest itself most in kiryu and how the series treats him. it shows us yakuza who aren't willing to kill, yakuza who cry about honor and justice and humanity and brotherhood, yakuza who never dip their hands into less palatable crimes, or only do with intense regret (and only ever as part of their backstory). the beat-em-up style emphasizes this as well. i mean, what's more individualistic than a one-man army?

put more clearly, this series is about men defying legal and social laws and expectations to live in a way that feels right to them, and about making themselves strong enough to combat those who would get in their way. the individual is placed before the society in importance, (though generally in a way that benefits the community, because they are good guys who want to use that agency and power for good).

all of this is true in dead souls as well, technically. those who live on the outskirts of society are the ones who actually save the day, and the ones who go in there and save people rather than just walling them off and pretending like they don't exist. they have the guns, which are illegal and mark them as criminals, but this broken law is what gives them the power to save themselves when the government will not, and to save their community if they so choose.

where dead souls differs is in the nature of that strength.

rgg places a lot of emphasis on self-improvement, both of one's body and of one's character. do both of these, and you will be strong enough to back up your ambitions. what allows someone to carve their own path in life is the ability to put down ideological and physical resistance by having resolve and the ability to tiger drop whoever won't be swayed by your impassioned speeches. you make yourself a weapon. you make yourself strong. in dead souls, that strength comes from an external, material possession. strength is something you buy (or that you take from someone else). who is able to survive the apocalypse comes not from the heart, nor from rigorous training, but from who has the most, the biggest, and the most bestest guns. it's an intersection of capitalism, militarization, and individualism. simply, deeply american.

[when i was talking myself through this a few days ago, i spent a lot more time on the capitalism + individualism stuff, but i think i'll keep this moving. consider this aside the intermission]

dead souls also differs for a few other interlocking reasons. it can be described with this equation:

zombification of enemies + lethality of guns = loss of emphasis on redemption

if your best friend turned into a zombie, could you shoot them? or your child? or your lover? it's a common trope, but it's a damn good one. watching your family, your neighbors, your town, everyone turn into a husk of themselves, something that looks like them but cannot be reached, is deeply tragic. it's even more tragic when these husks are trying to kill you. unable to be reasoned with and unable to be cured, you must incapacitate them before someone innocent is hurt--or hurt, then themselves made dangerous; each loss adds to the number of threats surrounding you. your life is seen as more valuable than that of your zombified friend, not only because the zombie is attacking you and it's self defense, but because they are no longer a person to you. to be a zombie is to no longer be human; zombification is dehumanization.

and so in a series so focused on connection with one's community, on saving innocent civilians, often on saving kamurocho specifically, one would expect similar tropes to occur. even if one's friends aren't turned, perhaps the cashier at poppo you chat with sometimes is. it's the destruction of that community and of the members one has tertiary relationships with that i expect would occur most within a kamurocho zombie story, since they are likely unwilling to axe anyone more important than that, even if dead souls isn't canon. i'd especially expect to see that in the beginning, before the need to kill zombies rather than contain or redeem them becomes apparent.

this does not happen.

i cannot speak for the entire game, but i can speak of gameplay choices that affect this, and ones i think will not be subverted throughout, even if they are somewhat contradicted by plot events i am presently unaware of.

kamurocho is not a community to protect, nor is it filled with your fellows. it is a playground filled with infinitely respawning, infinitely mow-downable, infinitely disposable zombies. you are meant and encouraged to kill them by the thousands, and never to hesitate or consider whether they may be cured or who may be mourning them. who may be unable to identify their loved one because you were trying to reach a headshot goal from hasegawa. you are not meant to consider them as human, nor beings that were once human, nor beings that could be human again, in the eyes of the zombie shooter. they are merely bodies, targets, and obstacles.

the zombies are contrasted with the true humans, those barricading themselves within the quarantine zone or those living in ignorance outside it. humans are meant to be saved, zombies are meant to be killed. the player character is the only one who can truly help with either of these goals, because the other humans are cowardly, ignorant, or unarmed/helpless. you must be their savior. to be a savior is to eliminate zombies, who are less than human.

the black and white nature of this is also emphasized by another gameplay characteristic: the lack of street encounters. when you traverse the peaceful parts of kamurocho, you are never attacked. you are also never directly attacked by the humans within the quarantine zone. kamurocho feels very different without its muggers and hooligans, but it's because this is a zombie shooter, not a beat-em-up. in a normal rgg title, you'd subdue threats by punching, kicking, and throwing them. you'd use your body in (supposedly) nonlethal ways. dead souls does not have a combat system meant for civilians. you have your guns. you subdue threats by shooting them, preferably lethally. the game doesn't want you to do that to humans, so you never fight humans. this furthers the black and white divide between the salvation-worthy, noble humans and the death-worthy, worthless zombies. combat is only lethal, and only used against the inherent other.

this leads me to the part of dead souls i find most conflicting with the ethos of rgg broadly, and perhaps its greatest ideological/thematic failing.

because the enemy are incurable, dangerous, and inhuman, you must kill them to protect yourself and others, others who are still human. humanity is something that is lost or preserved, but never regained. once someone's gone, they're gone, and you not only must kill them, it is your duty and your right to kill them. you should kill them.

in dead souls, there is no redeeming the enemy.

and that's a big problem.

rgg is about a lot of things, but a key one is the ability of people to change for the better. its most memorable, beloved villains are those who see the light by the end and change their wicked ways (usually through some form of redemptive suicide, though that's another essay in itself). its pantheon of characters is full of those who come from questionable backgrounds struggling to be the best people they can be, to live as themselves authentically and compassionately. it's about the good and the love you can find in the moral and legal gray zones of life/society, and the potential/capacity for good all of us have, no matter how far we may have fallen. it is a hopeful series. it is a merciful series.

this is something bolstered by its gameplay. countless substories are resolved by punching a lesson into someone until they improve their behavior, either out of fear or genuine remorse/development. the games don't just discourage killing your enemies, they don't allow you to (yes, we've all seen the "kiryu hasn't killed anybody? umm. look at this heat action" stuff before, and while they've got a point, i believe it's the narrative's intent that none of this is actually lethal, based on how laxly it treats certain plot injuries (cough cough. y7 bartender) and the actual concept of taking a life, the gravity it is given by the text, particularly when it comes to characters crossing that threshold into someone who has killed. explicit killing is not an option open to you, even when you're being attacked by dozens and dozens of armed men. conflicts are resolved by simply beating up enough guys in this nonlethal manner.

but dead souls is a shooter. to avoid conflict with the series' moral qualms about letting its characters kill, the enemies cannot be human. furthermore, the zombie shooter genre can only fit within the series if its zombies are completely inhuman. this means their pasts as humans cannot be acknowledged, nor the possibility of a cure, nor the characters' own potential conflicts about killing them; or, at least, not in a way that impedes their or the player's ability to gun them down afterwards.

if you can't kill humans in your series, then it cannot be possible to save (in this case, rehumanize) zombies. this is especially true in a game where you are unable to fight humans, and thus human lives are universally more valuable than zombie lives. because if you kill a zombie that can be cured, you are, in a way, killing a human.

and so, in a series where you should always assume your enemies (and everyone, for that matter) are capable of reason, compassion, change, and redemption, and where they are always worth that effort, even if they reject it in the end, dead souls' enemies are irredeemable and only worth swift, stylish slaughter. there are only good guys and bad guys. good guys must be protected, lest they be turned irreversibly into bad guys. good guys are only protected by killing bad guys, and the only way to save good guys is to kill every last one of the bad guys. do not spare them, and do not ask whether or not it's right. only kill.

i love dead souls. it's a silly game. i like seeing daigo in decoy-drag and majima gleefully cartwheeling his way through zombies and ryuji with his giant gun arm prosthetic. it's fun. but when i was trying to figure out what felt off about it to me, one of the words that came to mind (besides american) was indulgent. that, too, felt odd, because i love indulgent media. i am not one to scorn decadent, hedonistic, beautiful high-calorie slop type media. if dead souls was just fan servicey, that wouldn't really bother me. i am a fan and boy do i feel serviced. it rocks. but i think my problem is in what dead souls is indulging.

i think dead souls indulges in the desire to cut loose, and to see these characters cut loose. thing is, they're cutting loose all over kamurocho, and all over the bodies of people they used to (at least in concept) care for. with lethal weapons. it is catharsis via bloodbath, not by pushing your body and mind to the limit in man to man combat, but by pulling a trigger before the other guy can hurt you, or even think about hurting you, for the crime of existing as the wrong kind of thing.

and i just don't think that's in line with rgg's beliefs.

yes, it's probably fair for dead souls' characters to kill zombies. i'm not against that. i'm also not against games letting you do purposeless violence. i spent a good amount of my elementary school years killing oblivion npcs for shits, like. that's not what bothers me about dead souls.

rgg as a series has always taken a hard stance in both its game design and narrative choices against killing and for the potential for redemption in its enemies. and i think the lengths to which it goes to promote that despite the probably-lethal moves you do and the improbability of a harmless do-gooder yakuza is one of the most endearing things about the games. so for this one entry to disregard that key theme for the sake of a genre shift that flopped super hard, well? i dunno. it feels weird i guess. it's out of place not just because it's a dramatic shift in gameplay and style and also zombies are only a thing here (and the supernatural/fantastical are thus only prominent here), but because of what those shifts imply.

so, uh. yeah. my pre-dead-souls thoughts that dead souls wasn't that out of pocket bc rgg's just kinda weird? turns out it was actually super weird to have a zombie shooter in there, but for way way deeper reasons than anyone gives it credit for.

(footnotes in tags)

[mieltelecheycrema]

i keep thinkinh about knives and crying god head in hands

[oetscop]

lying about your age to really little kids is honestly the funniest things ever like

this kid was showing me these spiderman temporary tattoos he had while i was bringing food to their table at work. and i was like "WHOA you got TWO??? my mom said i cant get a tattoo until im at LEAST seven"

the bewilderment of the kid is funny enough but every time ive done that the dad fucking LOSES IT

[chuluoyi]

࿐ ࿔ hot, hot summer !

in which you got the offer of a lifetime—takes place in 2006-2009 era! @mrrpmiao miao, you’re so responsible for the brain worm you’ve instilled in my mind🙂‍↕️

a part of gojo's love entries

summer is as hot as you are pretty.

it’s an undisputed fact to satoru. after all, he chose you. so of course you were the best. he supposed even strangers here would eventually come to realize it too… as it wasn’t the first time their kind had done so.

kamakura beach was packed in summer, and he stepped away a bit to get you shaved ice only to come back to this appalling sight.

“miss! ooh! you’re so gorgeous!”

this suspicious-looking middle-aged man—with goatee, long tied hair, wearing palm shirt and beach shorts—approached you so merrily as you were chilling under the parasol.

“ah thank you…?” you pasted a taut smile, totally clueless and spooked, hoping he would go on his way.

“i mean it! your body is so—wow!” the man gasped dramatically, appraising you from head to toe. “your bust—it’s perfect! you’d make a good cover girl, you know!”

you were wearing the bikini of the same brand inoue waka endorsed at satoru’s insistence, and true, it was indeed a sight for sore eyes.

his sore eyes, specifically. not others.

satoru scowled, and he marched towards where you were. he would do his job as always—chasing away no-good men from you.

“hey you,” he barked. “what business do you have with my girl here?”

the bearded man regarded him with surprise, before he assessed him from top to bottom. “oh! you’re mr. boyfriend? whoa, you don’t look bad yourself!”

“if you’re trying to bother my—”

“no, no! you’ve got the wrong idea!” the man defended, raising both hands in surrender. “you see, i’m about to offer the pretty lady a gig as a gravure model!”

wha? you gaped. satoru blinked.

“m-me?” you stammered, flabbergasted, pointing at yourself. “uh, are you sure?”

“yes! 100% sure!” the agent man replied with stars in his eyes. “miss, with your assets, you’ll outshine even inoue waka or kaoru sakurako themselves!”

“really?!” you almost laughed. it was a strange compliment, but a compliment nonetheless.

but next to you, satoru’s face darkened, his eyes obscured. his fists clenched around the paper bowl of shaved ice so hard it shook. the next thing you know—

“here, hold this.” he suddenly shoved the shaved ice to you, before he plucked his sandal off and—

“YOU!” satoru raised the flip-flop above his head, his eyes blazing with fury, ready to swing it at the man. “GET LOST YOU SLIMY BOZO!”

“—?! WAIT, YOUNG MAN!”

and then came the most disastrous scene before you: your boyfriend chased the agent with his sandal, throwing it at him that it bonked his head, then grabbed someone’s big-ass water gun without permission and continued the pursuit, determined to catch him.

. . .

“how could you?! why do you seem even remotely interested!?” satoru fierily questioned you after he was done cooking the gravure video agent, panting and sopping wet. in the end, the two of them got into a water gun fight that ended with him winning.

you turned to him, feigning an unimpressed expression. “he said i can outshine inoue waka. who wouldn’t want that chance?”

“you can’t!” he retorted almost immediately, aghast. “i mean, yeah you can! but no! no way! you can’t flaunt your body for everyone to see!”

“why?”

“you are mine!” he pouted hard, irked. “i don’t want to share you! you are for the consumption of my eyes only!”

his blatant response made you giddy, truthfully. and as if to stress his point, he suddenly pulled you to his chest from behind, wrapping both arms around you, making you squeal.

“satoru, you’re wet!”

“so? when i marry you someday, we’re going to share a lot of things together. wet is one of them.”

“does this mean you’d pick me over inoue waka?” you threw him a suggestive smile, looking up at him expectantly.

his face then turned pink, as he smooched you in the head. “you know the answer to that, dummy.”

who would have thought that he would really keep his promise and that you'd come to the same beach years later...?

[yeyinde]

preacher's daughter (Ethel Cain inspired) and biker Ghost would go so hard. all that corruption, religious trauma/catholic guilt, and small town gothic misery, you know?

sheltered daughter meets violence personified. the devil and the sacrificial lamb. you meet him when you wander up to the motorcycle club on the outskirts of town with a pamphlet about salvation clutched in your trembling hands. he leans his big, intimidating frame against the door jamb, and with his arms crossed over his broad chest, says must be good on your knees, aren't you, birdie?

(you answer with an earnest yes, sir, i worship on my knees everyday and pretend the heat that flares in your belly when he groans is from the too-hot sun; the first of many sins.)

later that evening, your daddy tells you that he's an honest and good man, but sometimes he prays that God strikes that vile place right down. you bite your tongue and nod, but sneak out at night and meet him there where you slip into silk lingerie and dance on stage just for him. he tells every man there that if he catches them staring at you, he'll stab them in the eyes, and you think it's the most romantic thing you'd ever heard.

it's love letters carved into the sunbleached bones of a half-submerged deer left to rot in the stagnant bog just outside of the abandoned white chapel. something watches you from the dark stained glass windows as he runs his tattooed fingers over your skin, leaving smears of gunpowder and soot.

(someone set the old man's car on fire—the who leered at you while you stood in the choir, wearing your lily white dress and sang glory be while you tried to forget what those tattooed hands felt like when they slipped under your skirt and between your thighs.

the old man was still inside—)

they call him a ghost. a demon. you call him Simon and daydream during bible study that you'll run away together. hop on the back of his old Harley and forget this place ever existed.

a daydream that quickly turns into a nightmare when your sordid relationship comes to light, and your daddy threatens to have him locked away for good. there's a gun in the safe upstairs. you think about the time Simon dragged you into the woods to shoot at cans and lose your faith under the sweltering sun when you pull the trigger.

"for us," you tell him, breathing in the dank church air ripe with sin and the stench of blood. "i did it for us."

it's leaning on the back of his Harley with your fingers threaded around his thick waist as the town grows smaller and smaller in the distance. staring up at the endless blue sky and grinning wide because you finally got your monster of a man wrapped around your finger.

(and all it took was a little deal made with the thing that lives in the abandoned church.)

[hauntingblue]

Hiyori is the most effective person to complete their kill so far

[happy74827]

One Call Away

[Wade Wilson x Female!Reader]

Synopsis: During one of his "jobs," Deadpool gets a call from his favorite gal [GIF Creds: jdsheart]

WC: 1970

Category: Fluff, Major Comedy {TW: Deadpool’s Humor/Nonfiltered Personality}

This man is so hard to write. I’m always stressing the noggin when it comes to planning and plotting 😔

『••✎••』

"And away we go..."

One neck crack and a couple of hip twists later, he was off like Aladdin and his fucktoy carpet, scaling the building similarly to a chameleon on LSD.

The only thing that was missing was some epic music.

He'd been chasing this baddie around the city for almost two days now. Some big-shot mob boss with ties to Hydra, or the Mafia, or the Yakuza, or some other three-letter-acronym organization. It was hard to keep track of them all at this point. They were all the same, except for the name.

They all had their own agenda.

Kill him, keep him prisoner, pay him off...

Wade never cared enough to listen because it was always the same. He just got hired to do the dirty work, and the pay was good.

The killing was better.

This one, however, was particularly good at eluding him. He'd been trying to get his hands on this man for a few days now. It wasn't as though he was trying to be stealthy or anything, either. He'd walked right up to his front door, knocked, and was greeted with a spray of machine gun bullets.

So, the usual.

But then the guy ran and didn't stop. It was like the fucking Roadrunner met Sonic the Hedgehog, and they decided to fuck around and find out.

Wade was getting real sick and tired of being a Roadrunner, too. He had a reputation to uphold. He wasn't known as the Merc with the Mouth for nothing. He was supposed to be the one doing the running and the killing.

Not the other way around.

Finally, finally, he managed to reach the roof where the guy was currently taking cover behind a small brick shack. The sun was rising, but it was still dark, and there were a couple of floodlights shining on the rooftop. It made him think of the night he'd had that heart-to-heart with Blind Al, even though all she really wanted was for him to bring her some of that special brownie mix.

What a night that had been.

But anyway, this monologue is starting to get too long, and we should probably move things along, eh?

Right.

So, the baddie.

His name was something long and non-English.

Salvatore, or Santino, or Salvation... Whatever the fuck it was, it didn't really matter. What mattered was that it was time to make him dead.

He stepped around the corner and was met with a spray of bullets, all of which lodged themselves into his Kevlar vest.

"Oh, come on!" he yelled over the sound of the gunfire. "This is real leather, you know. I'm tired of all the offscreen sewing and shit."

When the spray finally ended, he took a moment to catch his breath.

"…ow," he whispered to himself.

"You shouldn't have followed me here," the man said.

"Yeah, whatever," Deadpool replied. "Look, I'll make this easy for you. You drop down and give me fifty, and I'll let you keep that hideous mustache you're sporting."

The man's eyes widened in surprise.

"It's not that bad, is it?"

"Yes, yes it is," Deadpool assured him. "You got a squirrel living in it or something?"

"It's just a little bit of gray, you dick," the man argued. "What about you? What's with the mask? Are you hiding a mustache under there, too, or something? Maybe some acne scars?"

Deadpool shook his head and stepped forward, his guns drawn.

"Don't come any closer!"

"You know, this would be much more intimidating if you didn't look like a cartoon mouse."

"Stop it with the mustache!"

"Alright, alright," Deadpool said. "Enough with the mustache. But what is it about your hairline? I can't put my finger on it."

The man sighed in exasperation and pulled out his pistol, aiming it right at Deadpool's face.

"Hey now, don't point that at me," Deadpool scolded him. "That's not a very nice thing to do."

He ignored him and pulled the trigger, a loud boom ringing out as the bullet fired. It whizzed by him but missed its mark.

"You really are a dick," He grumbled before aiming his gun right between the man's eyes. And he was going to shoot, honest.

He really was.

But then his phone rang, and he was well-reminded of the current song playing through his head.

I'm a buff baby that can dance like a man. I can shake-ah my fanny, I can shake-ah my can!

Needless to say, he was distracted.

He lowered his gun and looked down at his pocket, where his phone was still ringing and still vibrating against his leg.

"Shit, hold that thought," He said to the guy, and he holstered his gun.

"Wh-what the hell are you doing?!"

Deadpool put his finger up to shush him before pulling his phone out of his pocket to answer it.

If you're an evil witch, I’ll punch you for fu—

"Heyyyy," he said in a sing-songy voice, "you've reached the phone sex hotline. For kinks and fetishes, press one. For booty calls, press two. For your favorite mercenary, press three."

"Ey, pendejo—" His opponent started, but he cut him off by snapping and raising his finger.

"Cut it, Tuco Salamanca. Breaking Bad called and wants its meth-cooking mustache back."

"Wha-I-you-"

"Anyways, this is your favorite merc speaking. Who do I have the pleasure of speaking with?"

"Is this a bad time?"

Wade's eyes widened in shock, and his jaw dropped open when he heard her voice on the other end of the line.

"Baby girl! Is that you? Oh, how I've missed your voice. It's like hearing an angel, or an angelic chorus, or a whole bunch of angels, but you're the most important one. Like, the lead singer or something."

"I literally saw you last night." Your voice was always drenched with the most amazing kind of sarcasm, and he'd missed it.

"And?"

"It's only been a few hours."

"And?"

"That's a short amount of time."

"And?"

You sighed, but he knew you weren't really annoyed.

"Anyways, you sounded busy," you continued, "so I'll just let you go."

"What?! No! Don't hang up!" He shouted into the receiver. "I've only fiddled with my pistols! Nothing interesting is happening right now!"

"Your pistols, huh?" You asked a hint of mischief in your voice.

"Well, yeah. They're the most important part of the mission, you know."

In the corner of his eye, he could see his target making his way towards the edge of the building. Quickly and efficiently, without dropping his attention from his conversation with you, he lifted his gun and fired a shot at the man's knee.

"Ah, fuck!" the man screamed in pain. "My knee!"

"Hey! Language!" Deadpool scolded him. "The lady of the house is listening!"

"Lady of the- what the fuck?!"

"I said language, you mustachioed rat!"

"Mustachioed rat?" You asked.

"Sorry, babe," he replied. "You know how excited I get when Downtown Abbey is on."

“There’s gunshots in Downtown Abbey?"

"Gunshots? Oh, no, no. That was… uh, a car alarm. Yeah, the neighbor's car alarm was going off."

"Uh-huh," you said, not sounding very convinced. And, of course, that was right around the time the guy's gun went off again, this time hitting him square in the shoulder. It made the phone fall out of his hand and clatter onto the ground, but the call was still connected.

"Dammit!" He yelled, looking at the fresh blood dripping down his arm. "That's gonna take forever to heal!"

"Who are you talking to?" The man demanded, his gun still aimed at Deadpool's face. "You're working with someone?"

"Hey, now, I don't remember giving you permission to talk," Deadpool told him, holding his bloody arm up to his face. "Look, I've gotta call you back, babe. I know it's been so heartbreakingly long—"

"Again, only a few hours," you said.

"—but duty calls. Love you, bye."

"Love you, bye."

With that, the line disconnected.

"Ugh," he groaned, his heart aching for the loss of your sweet voice. "I miss her already."

"Ey," his opponent growled, drawing his attention. He started speaking in rapid-fire Spanish, which Deadpool didn't really understand, but he didn't have to. The guy was just ranting and raving.

"Alright, alright, chill," Deadpool said. "Just calm down. It’ll all be over soon, little buddy."

"I am not little! I am a giant!" The guy protested, and Wade could practically see the steam coming out of his ears. "And I will not chill!"

"Well, can't argue with that, I guess," Deadpool said with a shrug, and he took aim. But before he could pull the trigger, the guy was running again.

"Hey, what did I tell you about running?!" He yelled, but his voice fell on deaf ears as the guy reached the ledge.

"I am a giant!"

"No, you're a giant asshat!"

"I will not be bested by some masked buffoon!"

"Buff? Me? Why, I never!"

"You're the biggest asshole I've ever met!"

"You know what? I am a big ass! A big, round, bubbly ass." He paused for a second. "Hey, what's your favorite flavor?"

"Fuck you, you red-clad imbecile!"

"You know, I'd ask you out to dinner first, but we're kinda past that now."

"Argh!"

"Alright, enough stalling," Deadpool said. "It's time to end this."

"Yes," the guy said, turning his gun back on Deadpool. "It is."

Of course, Deadpool being the smart-ass he was, he'd already taken a step to the side. As the bullet whizzed past him, he reached for his gun.

"Now, where did I put that thing? Oh, there it is."

He aimed the gun and fired, and the man fell back onto the ground. The bullet hit him right in the middle of his forehead, his blood splattering all over the concrete.

"Ha ha! Fatality. Deadpool wins!" He said, his voice taking on the deep, grounded tone of the narrator from Mortal Kombat. "Flawless Victory."

He stood over the body for a few seconds, reveling in his victory, before he felt the presence of another.

The gun on his right side got ripped from its holster, and the barrel was aimed back into his face, as it always seems to be.

But, he already sensed it was coming, so his fingers wrapped around his other and aimed that right in the golden spot… and let’s just say, The Golden Girls was a little less golden and a lot more crimson.

"Wow, this has got to be a record," He said as he bent down to stare at the new one’s anguish. "Two dead ugly mustaches in the same day. You can call me Sweeney Todd because shit… I just shaved you the fuck up."

He didn’t give the poor bastard a chance to even whimper before he fired another two shots into the man's head. All in all, this had been the easiest payday he'd had in a while.

He picked up his cell phone and slipped it back into its pocket before bending down and scooping up the mustache man's pistol.

"Ooh, lookie here, a nice, shiny new pistol," he said to himself. "Just what I've always wanted. Well, I don't actually need it. It's not like I have any other holes in my body, but you know what they say. The more the merrier."

He stuffed the gun in his holster and turned around, heading back the way he'd come.

"Time to get back to the good stuff," he said. "I have a date with my favorite girl."

He hopped up onto the ledge and looked down, his eyes locking on the window to his apartment.

And when he arrived, bloody and battered, you could only smile while holding up little ole Mary Puppins in all her drooling glory.

God, how he missed his girls.

[timmydraker]

During a patrol in Gotham one night, Red Robin comes across a strange sight.

A young woman stands over a crumpled body with a sling shot primed and ready, aimed a man with a rather large hand gun. It’s clear she’s protecting the woman who looks like she’s been hit over the head and had her bag nabbed, as it’s ripped and contents are spilled everywhere.

The girl sits shaking, she isn’t scared at all, standing strong with a shard of glass aimed at the man’s crotch.

Tim jumps down and disarms the man smoothly before turning to the young girl, who upon closer inspection seems to be around thirteen years old.

“Are you hurt?”

She shakes her head and stares at him for a moment with awe in his eyes before her eyes widen and she turns to the person behind her, “But she is! That guy was cornering her and I tried to help but he hit her and-“

“Alright, I understand. Would you like to help me get her to the ER a few blocks away?”

The girl nods with a determination Tim remembers seeing in Dick and Jason in their Robin days and he smiles.

He doesn’t ask her what her name is because side he knows he’ll follow up and find something to feel guilty about, but the girl seems to have her own plans.

She shows up a couple of days later, standing on a tall building with a cheap Robin outfit on.

Tim is confused before he drops down and she gives a big grin and mock salute, “How can I help?”

Tim smiled a little before shaking his head, “Taking the title of Robin, are you?”

She nods, now more bashful, “Well, I want to help people. I don’t want to fight exactly, but… well, sometimes you bats are too busy with the villains to notice the little guy and- bro to say you’re a bad hero-“

“You’re right, it’s okay. We can only do so much and sometimes preventing more damage being done saves more lives, but there will always be a cost.”

She smiles, bright orange, and impressively curly, hair getting in her eyes and sticking to the poor quality glue of her fake domino.

“I want to help. I… can help, please.”

Tim answers after a solid minute of silence, “What is your name?”

She frowns, “Aren’t I supposed to have a secret identity?”

He smiles in answer, “Yes, but I know what you look like and I can find out, I’m asking out of politeness.”

The girl looks like she could pout and Tim feels strangely old at the sight, even if he’s still got a few months before he can even legally drink.

“Carrie. Caroline to be specific.”

Tim smiles, “Well, Carrie, here’s the deal. I will meet you here or somewhere like here every night and until, and only until, you can land a hit on me will I agree to let you help.”

While Carrie doesn’t look pleased she nods, a clear sense of hope in her eyes even as she looks nervous.

She looses the first fight, and the second and third and fourth, but she gets better and better.

Tim doesn’t tell anyone about Carrie Kelly, nor does he tell her that he does end up doing a back ground check and finds two dead beat parents more focused on weed than their incredibly skilled daughter.

When she proves to be relentless in her desire to save lives he sends her to a teacher to help her stay hidden and safe. He’s not like Bruce, he doesn’t send her overseas to some dangerous people, but close by and to someone he trust to not hurt her nor tell anyone else about the strange young girl whose managed to give him a taste of his own medicine.

Selina Kyle is more than happy to take in the girl when she watches her sling shot fire crackers at muggers.

When Carrie comes back and meets Tim on a rooftop, she not only manages to hit him but knocks him off his feet.

Tim grins at her, pride filling his mind and making him understand Bruce just a little more.

But unlike Bruce, he isn’t throwing her into the fight at all.

Tim Drake is the one who pays for her school pills while her yippie parents refuse to work or spend money on her, and sends her real time footage of medical lectures in various collages across the country.

Carrie doesn’t become Robin, nor did she even wear that suit after the second night and he gave her a basic training outfit that properly covered her eyes and hair, but she does become something else.

She becomes Cardinal, the vigilante that swoops in to save civilians and provide the medical care that saves hundreds of people and allows the ambulances and hospitals to have a chance.

When she makes her debut the other bats worry about a new kid making bad choices, probably inspired by them, but Tim ignores it if only because he’s actually proud of her and trust her in a way he hasn’t trusted teammates in years.

After a year of this, a young girl asks for a meeting with Mister Tim Drake at his company and, purely so he wouldn’t have to do more pointless numbers, he lets her in after she passes the security check.

The girl who comes into his office is barely ten, cute little clips in her dark bob hair and a big book bag almost half her size behind her.

Tim recognised her instantly once he sees the bright yellow shoes she’s wearing.

This little girl, name Mia Mizoguchi, has been stalking him and Carrie for a few months now.

After he enrolled Carrie at Gotham Academy, the young girl nicknamed ‘Maps’ had been asking Carrie a lot of questions. Carrie had been good at avoiding incriminating answers, but had fallen for the younger girls clever trap as she casually spoke out infomation that could help with cases and Carrie delivered it back to Tim.

As soon as he realised that Maps had done exactly what he had done and figured out who Carrie was he was impressed. Because even if Carrie was new to the game, she had a skill for tricking people into looking away from her and had done well to stay low.

Maps had made the connection back to Tim, apparently.

Luckily, unlike Bruce, he wasn’t ignorant to their little stalker and actually knew her family from a few galas and charities. To be fair, Tim also wasn’t clouded by grief, but as he lets the girl explain how she totally doesn’t know who Red Robin is but if she did know who he was she would want him to know that a new drug trade route was actually being covered by a cotton candy company and she has over sixty pages worth of proof.

When he shows up to The Nest (named by Carrie) with Maps behind him, he finds Cardinal waiting with an excited gleam in her eyes.

Due to her being so young, Tim doesn’t allow Maps to go into the field until she’s the same age as both he and Carrie were, but she’s quick to show her worth taking over coms and doing an insanely detailed level of detective work that Tim can’t help but be a little jealous of.

Just like Carrie, who has been trying with Selina about only becoming Catgirl if Catwoman stops being a criminal for a few weeks now, he sends her to someone else for mentor ship.

Maps is a sweet girl, but she loves to talk and has a lot of friends who have most of the same interest, so he sends her to the one bat member he trust most.

Cassandra Cain immediately tells Tim that he has to adopt both of them and can’t quite understand why them both having living parents matters.

It’s Cass who gives Maps her vigilante name, Sparrow.

[gremlingottoosilly]

Cleaning services (perv!Konig x fem!cleaner!Reader)

Konig needs help in decluttering and cleaning his house. Unfortunately for you, he takes quite a huge liking in having pretty things like you around. And he isn't very nice about it.

TW: Perverted Konig, age gap, Konig masturbates at you without consent, implied kidnapping, yandere Word count: 3754 This work on AO3

There is no shame in having a professional cleaner, König tries to tell himself. 

Yes, he is a grown man with a very dangerous job that requires having a lot of responsibility. He holds the lives of his soldiers in his hands and risks his life every day not for the sake of his country, but certainly for the sake of his wallet and the reputation of KorTac. 

Hiring a professional cleaner for his house shouldn’t make him feel humiliated and embarrassed, and he knows it. Cleaners are basically like soldiers – doing stuff that other people can’t for a certain amount of money, providing services for the clients who can afford it. Besides, it’s a support of his local community – after everything he took from the people around his town, it’s only natural that he would support this growing business of cleaning services. 

There is no shame in having some nice old lady cleaning his house and watching over it while he is too busy trying not to kill himself or drown his head in liquor after a particularly rough mission. When you lose two guys on a run that was supposed to be the quickest task possible when you’re returning home with an injury that isn’t really that serious but brings your whole mental state into a very dark place, and when you’re forced to take 3 weeks of leave in the place you hate, hiring a cleaner to take care of everything really shouldn’t make him so ashamed of himself. 

Even if he can clean his space – the house is just too big for only one of him, and his ribs still have this funny feeling of fantom bullets traveling around his guts. So, he dials up the number of the cleaning services because he is too fucking old to understand their weird website and messenger ordering, even though speaking with a human operator on the other half of the line is somewhat more humiliating that having no idea of how to use a modern interface. 

There is no shame in asking for help, his therapist is trying to shrill it in his head all of the time and yet he is still hesitant when the cleaning professional is knocking on his door, finding this place surprisingly fast. König braces himself, thinking about all the ways he could avoid having a conversation – he drew a quick map of the place, put down the room cleaner shouldn’t be entering – his gun safe, mostly, already repeated in his head how he would greet them and swiftly extract himself from the situation. 

“Guten Tag, please, come in. This is the map of the place, don’t go to the red door on the right, don’t hesitate to ask questions, I will be on the second floor.” He takes a few wide, swift steps to his door and stops. Thinks again, overthinking, thinking too fucking much about everything, anxiously checking on his phone to read the message that yes, his cleaner is here and he should probably open the door or they would burst down the window. “Guten Tag, come in. Map of the place is here, don’t go to the red door to the right, please hesitate to ask questions, I will be somewhere around the house, lurking in the shadows” He braces himself to open the door, ready to see that sweet old lady who would spend the next 8 hours cleaning his house and then turn back another day to rinse and repeat until his house stopped looking like a place where a very, very miserable man lives. (Even if this is true) 

But, there isn’t a nice old lady with a bunch of cleaning supplies and determination to make someone’s life easier. 

But, there isn’t a cold middle-aged woman with a very professional no-nonsense attitude who wouldn’t even talk to him before going straight to work. 

But, there is a young girl. Well, not a girl, of course, if he had to guess you were somewhere around the “Too fucking young, but definitely legal” spectrum. Young enough to not be alive when he was already going to school, young enough to make him sweat, and definitely not old enough to be accepting a job where you’d have to spend so much of your life cleaning and scrubbing and sorting and…

There isn’t anything shameful in ordering a cleaning service when you genuinely need it, but you’re young and you’re pretty and he isn’t even wearing a mask because he is an old dumbass that forgot about it, and you look at him with your shiny eyes and…

Maybe, he should clean on his own – would definitely be less shameful. 

— Sir? H…hello? Good morning? Can you hear me? 

Yes, he can hear you. 

Yes, he would love to hear you every single day of his life, when he wakes up and when he falls asleep. 

— Ja. I apologize, I…thought it was mail. 

It’s a dumb excuse, but he can’t really say that he was just too fucking mesmerized by your shiny eyes and perfect hair and nice figure and basically everything about you. He has this nasty habit of imagining a future with people around him – with people who just fucking want to be left alone, and yet he still stares and looks and it’s probably ultra uncomfortable for them – but he can’t help imagining the life with every cute lady in the grocery shop or elegant lady sitting next to him on a train. 

He has a pattern – people who are not interested in him in the slightest. He has a pattern, a preference, cute girls, smart girls, popular ladies that were never even so much as looking in his direction. He could probably score someone now, having a colonel’s salary and honorably discharged payments, but he gave up on trying to find anyone. He has friends, company, has work where he spent most of his life anyway – he doesn’t need anyone, he wants to think. 

Then you waddle into his life with a bunch of cleaning supplies and a small vacuum, barely able to handle everything in your hands. He rushes to help and envelops your hands with his – you are so much smaller in comparison, he has bear-like arms and horribly big everything. he feels awkward when he gently removes everything from your arms – when he tries to help by simply putting everything on the table of the next room. 

König hated this house – it was big, it was empty, and the only reason he didn’t sell it was because Mother’s things were still locked in her old bedroom and every time he tried to clean it and evaluate the cost of the house, he decided that he will Do It Other Day. Coincidentally, all of those days were also followed by three-month minimum missions, making him utterly unable to do everything about this place anyway. 

This is why you’re here – a hired cleaner, a sorter, you promised to de-hoard everything and see if there is anything of value. Perfect for someone like him, especially since he is paying you double for spending the whole day and a few days more in his house exclusively. 

Now, he looks at how awkward your smile is, how you fidget with the edge of the broom you brought, and how you can’t even start a conversation because he is simply staring at you, staying in the living room of this dead, almost abandoned house. Now, he looks at how cute you are, how perfect, and remembers that he didn’t score with anyone in half a year already – not even in terms of sex, the casual flirting was also forbidden since half of his unit was transferred and the new people weren’t really fun of his tough methods of breaking rookies in. 

When was the last time someone genuinely smiled at him? 

Ah, he is staring again. Scheisse. 

— Where do you want me to start, sir? 

He wonders how much he should pay you to clean him instead. Would you be gentle? Rough? Would you call him a pervert, which he is, and then slap him and yell at him for being such a horrible old dog who is ready to pounce at every pretty girl in his presence? He would do anything that would set his mind free of the thought about Mom. Her bedroom. This whole house that he can’t call home ever since he turned 6 and understood why Father was always so, so angry. 

— The living room. If it’s not too much. 

He barely stops himself from talking more – you look weird, you loom surprised, you look at him like he is fucking stupid and, in fact, he is. Of course, it wouldn’t be too hard for you, you’re his clean, for fucks sake. You come here to clean, you get good money for it, he shouldn’t feel guilty for using your services because, in some way, he actually provides you with a job and a cute thing like you shouldn’t go to other houses, with old perverts that can do unspeakable things with the adorable worker. 

Ah, yes, perverts like him. God, he is hopeless. 

— Alright. Do you want to note something, like if there is anything I shouldn’t touch? 

He would allow you to take your adorable, yellow glow-wearing hands to get into his personal savings and all of his bank accounts, if you’d want to. He curses under his breath, hating how professional you are – hard worker, perfect, simply a fantastic person who deserves more than working for him. You aren’t trying to shy away from the job and he almost resents you for it. 

You’d make a good soldier, he thinks – you’re able to hear the orders and oblige to them, you’re obedient and came even before the discussed time. You’d make such a perfect private for his unit, he observes. 

Ah, right, he was supposed to answer you. Shit. 

— No. Just don’t go to the second room on the left. 

— Alright. Anything else? 

He grumbles under his breath, trying to get into the right headspace to deal with someone like you. König knows it’s rude, to just ignore and leave you like this – but if he were to stay in he same room as you, he would do something horrible, disgusting, and completely dishonorable to you. So, he leaves – escapes – to his office. Father’s office, mostly, the only thing here that belongs to him are some documents and useless papers – and a laptop that he drags to every other room anyway. 

He doesn’t like this room, it reminds him of the worst episodes of his early childhood – yet, this is his only reserve. He doesn’t want to leave the house because the territory is secluded and if something were to happen to you, he would be the only one able to help. He also doesn’t want to leave his gun collection with you – he doesn’t want you to find it and freak out or hurt yourself. 

This is what he tells himself, at least. He wants to be there with you, in the same room preferably, but horrible for his anxiety, because he wants this illusion, phantasm of having a loving relationship. Of having a woman in his life, a lovely housewife who would cook for him, clean for him, and would be absolutely spoiled with gifts and attention. God knows he doesn’t have a romantic bone in his body – but he will carve one out of his ribs for you. 

And he only knew you for an hour tops. 

König feels like literally the worst man alive when he spread his legs and starts stroking his hard, glistening cock. He brushes over the swollen, red tip, not allowing himself to have any lube other than spit and oozing pre-cum – he tries not to cum embarrassingly quickly, thinking about your perfect gestures and smiling face. How perfect you look in your cleaning uniform – not like maids from the occasional porn he was watching, but still beautiful. Your body is perfect even with all of those ugly layers and grey fabric – and he can’t stop thinking about the sway of your hips or glimpses of your legs under your dress.

He thinks about you, bent over his couch, trying to clean the especially dirty spot on the furniture – how the material of your dress would be tight around your ass. The image makes him grunt quietly, stroking his barely wet dick even more – the pain from the dry sensation only makes the pleasure all the sweeter. He is hard, was hard for the past 10 minutes as you were introducing yourself and whatever your deal is. He is dirty, perverted, knowing only your name and your face – and he is still stroking himself, thinking about paying you extra just so you’d get on your pretty knees and suck him. Would you be sloppy, messy, get his cum all over your face so you’d have to wash it off? Would you be experienced, eager, trying to get as much seed as possible with that pretty tongue of yours? 

He is a lost cause because he hears the sounds of vacuum – you’re only a few rooms away from him, trying so hard to clean his house for him, to work through every bit of furniture and everything he acquired for the past twenty years or so – and he moans loudly, knowing that you don’t hear anything. You’re probably listening to music or some silly girl’s podcast about planets and gardens and maybe some university lectures. He’d pay for your courses, he would get you any book you want – having his salary and barely spending it made him softer in the saving habits. 

He can afford to splurge on a pretty girl who just needs a rich Austrian mercenary to sweep her off her feet. But, he is old – but, he is a monster who preys on someone helpless, using her pretty face to jerk himself off, and he doesn’t even deserve your number, although he has had it since accepting the service. 

His cock is big, angry red in his hand as he runs his finger over the bulging vein, teasing the sensitive flesh – always loud in bed, with grunts and moans of pleasure, he can barely contain himself now, only forcing his mouth shut when he doesn’t hear the sound of vacuum anymore. He strokes his dick fast, angry, and slams it into his fist, trying to make the pain last longer, so he won’t cum after a minute or two. He has the stamina to last longer – but it’s also the first time he was so horny since…he can’t even remember. 

König thinks about putting you in his bed – like a perfect housewife, you would hug his waist with your legs, would allow him to lick and grope at your tits, and won’t scream too much when he’d force his tongue inside of your precious pussy, taking every last drop of your pleasure. He wouldn’t want to be forceful, angry, you’re too precious for this and too weak for his strength – but he can imagine slamming into you in a matting press, cumming inside and not even pulling out, warming his cock in the heat of your body. 

Father would kill him for doing something so dirty in his office – but he is long dead, devil save his soul, and it’s König’s office now. Even when he barely uses it, even if he doesn’t really need this. It came in handy when he had to jerk off to the pretty cleaning girl who cleaned up after him – so, somehow, his father managed to improve his mood 15 years after he died. 

He cums with a low groan, whispering your name – he doesn’t understand how a pretty thing like you still works here and wasn’t taken by someone else already, but he would take what he can get. Never the one to get the first dibs, never being someone’s first choice – he feels terrible for thinking about you in such a low way, but his pleasure sticks to his fingers and, at this point, it’s too late to feel bad. 

Drying the tip of his dick with a tissue, he spends a good few minutes with spread legs, his soft cock laying on the chair, with cum still oozing out – such a waste, honestly, would be much better to stuff you full of his cock or even take your pretty ass, spread you slowly. Keep only the tip in, not pressuring you into anything more until you’d start moving yourself, like a good slut you will be. 

So perfect under him – the images and sounds of your voice are running through his mind, making him breathe heavily. If he was younger and had as much sex drive as before, he would already be hard – but he needs some time to relax, thinking about your pretty legs and adorable face. 

It takes him a few minutes of listening to your sweet voice to understand that you were not, in fact, a hallucination or a mystical fairy coming to make him come. You were standing outside of the office door, looking embarrassed and clearly hearing at least some of his horny mumblings – you avoid looking at him, and your fingers are trembling when you tug at the sides of your dress. Guilt immediately rushes to him again, he looks at you like a perfect treasure you are – and he is a horrible monster trying to hoard all of it to himself. 

— What is it, liebling? 

Petname goes smoothly from his tongue and he can only hope that you don’t know German – he is too embarrassed to talk to you, too anxious, his newfound shyness is a result of both your beauty and the post-nut clarity that already made him feel like a monster. He contemplates just giving you money and sending you off, paying double for the false call, and leaving you a 5-star review so you won’t get in trouble with your boss. 

You look so meek from his angle of view – he has to fight the urge to pinch your face, squeeze your cheeks, grab your waist in his firm hands, and just lift you in his arms, holding you to his bed. Maybe getting a nice set of cuffs to ensure you would never escape from him. 

— I finished with the living room and…well, I just wanted to ask if you want the decluttering work to be done today or tomorrow. 

He remembers how he basically paid you for a few days worth of work – and he smiles at exactly how perfect this decision was. Of course, you are a smart girl, a modest girl, you aren’t staying the night and would rather waste time on the road, much to his dismay, but at least he would see you for a few days already. 

He might not even let you go after. 

— Ach. Today, if it’s not too…

He stops himself again – of course, it’s not too much, you are a professional, not just a friend that comes to clean his place for a pack of beer and maybe some pizza. He doesn’t know how to talk to you, anxiety eats him whole, and he has to just avoid looking at you to avoid further embarrassment. 

— Alright. I will do it right away then. 

You smile awkwardly, your lips are twitching and he already knows that you could hear him moaning your name and sweet little praises while stroking his cock. You aren’t biting the hand that feeds you, not running away screaming at how perverted he is – poor girl, you probably need money more than you need personal safety if you’re fine with him heaving like this. If you were his, he would never allow you to be so careless. 

He moves behind you in the most dreaded room of the house. Mother’s bedroom, a room that she only used for sewing and only allowed him in when he was extra whiny after another failed fight with his bullies. All of her thighs are here – ever since she passed away, he just moved everything to one room and locked it, barely bothering to keep a key. He hates being here, almost as much as being in Father’s office — this room smells like death and old paper and you scrunch your nose in an adorable expression when you take a step inside. 

— I will divide everything into categories, alright? 

— Gut.

You look at him nervously, clearly scared that he is watching over you now. It might feel like a logical decision – after all, it was his mother’s vintage things, who knows what kind of jewelry she kept here, something that he won’t even notice gone until it’s too late. You and him both know, however, that this isn’t the reason he is looming over you. A perfect obedient thing, you deserve something better than his affection, but he still locks his gaze with yours, looking at your hands and going through various furniture pieces. 

You work like a fairy, not an ounce of laziness or exhaustion in your actions – even after you already spent a few hours cleaning his living room, you act like a Cinderella that got a bunch of magic mice up her rags. He licks his lips, looking at your perfect ass you as sit on your knees, starting with decluttering every little box there is. 

— Can I just put it back in boxes or…

You look the the contents – vintage makeup, some jewelry, head pieces that don’t look particularly expensive but were definitely well-loved. You wonder who they belong to – probably a wife, or, maybe, some of his relatives who lived here. He doesn’t seem like a married or divorced man – he does, however, look insanely lonely. 

It takes him a good few seconds to respond, too mesmerized by the little song you were humming a minute before. He imagines you in that old, chunky jewelry, some necklaces that cost more than your salary – and the thought makes him salivate. 

He smiles, leaning closer to you – hot breath on your face, you shift immediately, scared. He is so fast for someone so big, his movements are perfect and his eyes are cold – you feel the chill deep in your bones when he moves even closer, his lips almost brushing against yours. 

Suddenly, you are very aware of the fact that he locked the door to this tiny room when you both moved in. 

[heavenbarnes]

(tw allusions to murder and violence)

your older bf!simon who’s more accurately described as a gun dog.

trained to the sound of a gunshot- where you tell him to go, he’ll follow.

loyal like a hound, too. whatever heinous little mess you find yourself in, he’s there to clean it up.

lick the blood right off your hands.

“i didn’t mean to, he was being so awful- i just pushed him- i didn’t know his head would hit the curb!”

the tears in your eyes were doing less to convince him and more to make him harder between his thighs.

big thumbs, rough pads and blunt nails, pressed to your cheeks to wipe away the tears that were trailing off them.

“don’ worry, sweet’art- i’ll ‘andle it”

tells you to go inside and make a tea, let the kettle whistle long as you want. turn the telly up full tilt and put your feet up.

if you hear anything, don’t come looking.

so you do as you’re told, you curl into his side of the couch and you tune out the sound of the garage door opening, the distant sounds of dragging.

you don’t even flinch when you hear the first swing of an axe.

you forget, you’re free of thought when he takes you to bed and turns your brain to mush. lets it leak out your ears like-

anyways.

gun dog, retriever- picking up kill and dropping it at his master’s feet.

just once. he doesn’t like seeing you get dirtied by what he feels more aptly fits him.

after that, attack dog. hound waiting to be released, will bare his teeth if you so much as whistle.

“you should’ve seen the way he looked at me, simon”

his teeth could’ve shattered with the force in his jaw behind his bite.

“looked at me like he wanted me, thought that he owned me”

a visible shudder ran through him, visions behind his eyes of you with anyone else.

“told him i had you but- well, he said you didn’t matter”

so you stay inside and you forget, don’t even flinch when you hear simon get his keys and lace up his boots.

“i’ll be ‘ome soon”

you forget, isn’t till he’s kissing your forehead and laying you back on the couch that you even remember he was out.

long fingers wrapping around your ankle to sling over his shoulder. you don’t pay attention the the dried blood under his finger nails.

disregard the scratches down the length of his chest. replace them with your own.

“anyone ever gives y’grief, jus’ tell me and i’ll ‘andle it”

there’s a symphony of “yes, yes, yes” slipping off your tongue and you could blame it on clever fingers of his but-

you like being the hand that holds the leash.

fighting dog, ring dog- lay money on him and he’ll make you rich.

lay a finger on what’s his and he’ll make you pay.

“sweaty hands, tried to grab me when i walked past”

ignore the blood in the tread of his boots.

“called you weak, said a real man would’ve been out with me”

ignore the bite marks on the shell of his ear.

“called me a filthy slut- kind of the same way you do”

ignore the new wood chipper behind the house.

simon’s a big dog with loyalty in spades, born to serve one master.

you never ask so he never tells. play ignorant, blissful and unaware about what grows from the seeds you plant.

seeds scattered to the wind that happen to catch within him, seeds that take and grow gnarled and angry and looking for an excuse.

any excuse to show what he’s made of.

you know he’s always been a mean dog, you know he’s always had bite.

but you, of course, never worried your pretty little head.

not even when an ugly one turns up on the doorstep.

bad dog.

plays with his food.

[kissitbttr]

pregnancy was never easy. if it was, fathers could do it.

and truly it was something that toji had learned throughout being married to you and seeing your belly swell with your baby girl. the constant mood swings, back pains, cravings and all. but toji is a wonderful husband. for that, he wouldn’t change it for the world.

anything you want, you get even if your midnight cravings hit. toji will still get up and get dressed before drive to the nearest store that has your favorite red velvet cake with cream cheese frosting.

but being pregnant also means that toji has gotten far more protective than usual. more staying by your side, more checking up on you through his phone, more hiring security cameras and guards to keep you safe. despite your protests, he still thinks it’s necessary.

“sweethea—what the heck?” toji grumbles, eyes almost popping out of his sockets to see you’re not beside him. eyes glancing left and right and that’s where the panic begins to seep into him. “fuck” he scrambles out of the bed, seeing the clock hits at two am,

“no, no, no—“ he feels bead of sweats racing on his temples before slipping on his shoes and a shirt over his head. thinking that something might have happened to you.

god, i can’t go through this. not again. not you. please, please, not you.

toji may not have been the most religious man that has ever walked on earth. but he will beg on his knees and plead to the man up above to never take you away from him,

and just as he about to grab a gun off his safe, he hears the refrigerator door shut downstairs. the sounds making him halt as he quick to whip his head to the source of it.

his eyebrows then furrowed, putting the weapon down carefully before stepping out of your shared room. sometimes he curses himself for buying a home far too big because now he feels like it’s an eternity coming down the stairs. but again, he bought it for you.

the living room lights are already turned off, the only dimmed light he could see is from the kitchen. not only that, but he could hear the metals clinking. so slowly, with ever so confusion written across his face, toji approaches slowly

and there you are ever in your glory, body draped in your favorite pink silky robe sitting on the floor with your back against the fridge. a plate of not one but two red velvet cake slice in your hand as the other forks your way through the delicious treat.

toji heaves out a breathe of relief, knowing that nothing had happened to you. and the noise is loud enough for you to stop chewing and look up. eyes widen at your husband’s figure standing only a few feet away,

“hi” your voice sounds small. almost like embarrassed because you feel like a kid who got caught stealing a cookie off the jar,

“sweetheart” the nickname falls from his mouth like he’s happy to see you after being a part for so long. “what are you doing?”

your mouth slowly begin to chew, a cute smile making its way as your eyes glinting with innocence that toji can’t deny but feel like he’s falling in love with you all over again.

“the baby is hungry” is the only thing you can muster to a response, like it’s an obvious thing. “she wants cake” you giggle quietly,

oh yes, he is definitely falling harder for you again

“the baby is—“ he sighs, hands coming up to rub his face up and down. not because he’s upset but rather amused. “she wanted red velvet cake?”

“mhmm!” you nod vigorously, taking another big bite of the dessert. “and cream cheese frosting!”

and for the first time in a while, toji laughs with his head shaking at the sight of his beautiful wife eating cake at two am. “she told you that?”

“yes! i heard her whisper to me before i go to bed ‘mama.. can we eat the cake? but wait until dada goes to sleep’ because she knows how dada doesn’t allow mama to eat cakes” you smile at him, doing your best of baby voice. licking the cream off the utensil,

toji is grinning so hard he feels like his cheeks are hurting, his eyes are full of love when he looks at you and the little girl you’re growing in there,

“well dada is just taking care of mama so she will be healthy. she needs veggies and whole foods” he takes another step closer, sliding next to you. his eyes never leaving yours, looking at you so lovingly by the way you eat. “i thought something happened to you.. i was panicking”

you pout, not wanting to cause anymore distress on him. “i’m sorry i shouldn’t have done that. but i couldn’t wake you up, you looked exhausted”

he frowns, bending his knees close to his chest. “you should’ve. i would gladly grab the cake for you hence you asked, baby” he leans forward and kiss your temple,

a grateful smile places on your lips, humming in a contentment at the feeling of his soft mouth on your skin. “hmm, i know—“ you cradle his cheek with your free palm, thumbing against his cheekbone and down to his scar.

he used to be so insecure about it until you made him not to be. giving so much praises and kisses about the scar that you think look so hot on him.

“want some?” you extend a spoonful of the cake towards his mouth, in which he opens almost immediately, biting onto the sweet goodness. “how lucky i am to have you, mr. y/l/n”

he laughs, wiping the walnut crumbs off the corner of his lips. “i should be the one saying that to you, doll”

maybe second chances do exist. and it’s a privilege for a person to earn one. toji may had done very questionable things in the past that would make a person think twice in befriending him, let alone married to him but change is real.

and the flaws are what makes it him. it’s one of the reason you are drawn to this beautiful man. because despite every negative seed he may have in him, he still tries. trying and trying to be the person you deserve and the father that your baby girl deserve.

it upsets you to no end knowing that everyone can’t see that. they just see him as a cold, reserved, selfish man who keeps himself closed from the world to see. they don’t see the tears he had shed almost every night for failing to be perfect, they don’t see him having a small banter with you because he wanted to take your last name, they don’t see the amount of times he locked himself in his room because of people talkinh, they don’t see him always rushing out of his office on fridays because he wants to get home before you do just so he can cook your favorite dish,

they don’t see all of that but toji doesn’t care. he doesn’t need their validation nor approval. he just needs yours.

because it’s you he always comes home to. you are his salvation. you are his peace. you are his dream came true.

you, you, you, you.

before you could protest, he presses his lips against yours and move his hand down to your bump,

“happy doesn’t even begin to describe how grateful i am to be your husband”