#yes i Know the character is not real and the actor is not the character. at all times.

[once-in-a-blue-moon-rising]

Seen a few 'maturity is realising that it's not a look of love' videos on Instagram re: 457, and while I do realise it is Not That Deep, I nonetheless have THOUGHTS

The crux of those thoughts is this: has fandom's view of shipping narrowed so far that unless two characters are mashing their faces together on-screen, it's immature to interpret the text contrary to what we assume the creator's intention was?

With this ship specifically, let's start with the obvious: the actors have insane chemistry. This is true whether you see the characters' bond as platonic, romantic, antagonistic, or something else. They are very obviously comfortable and friendly with one another in real life, and this translates into an intense on-screen relationship between Gi-hun and In-ho (and I'm sure this is exactly what the director did want, because, newsflash, this is our protagonist/antagonist duo).

I do think it's valid to ship something based purely off the actors' chemistry, but the comment is obviously referring to the characters themselves in the context of the story, so let's address that too.

There's a clear motivation for the way In-ho stares at Gi-hun, follows him around, and generally tries to insert himself into his life, and this is what these posts are referring to. He's testing his ideology, he's watching how he's affected by the horrific things that are happening around him, and to help him do this, he's ensuring that Gi-hun trusts and likes him. It's important if he wants to prove to him that the world is unchangeable, and humanity irredeemable.

And because of that, it's not the 'look of love'. Case closed?

Well, no.

Because there is so much nuance and depth that you're failing to explore, if a look can only mean one thing.

Because why does In-ho bother? Why is Gi-hun worth his time and interest? In-ho - via the games - has access to resources that far far outweigh the money Gi-hun won. He could prevent him from finding the island forever. He could just have him shot tbh. He's not really a credible threat - at most, he's a minor annoyance, because people need to be paid off every so often to prevent him getting too close.

Just through this detail, we can deduce that In-ho cares, in some way. He is interested enough to want to change Gi-hun's mind, when it would be so much easier to... not. Is it love? It's certainly fascination. And I don't think it can be argued that he brought him back for the VIPs' entertainment and not his own, because Gi-hun was searching for three years before In-ho let himself be found. And even when he's found, it's Gi-hun who suggests going back into the games.

So these stares - yes, he's testing him, but he's doing it because he wants to. They denote genuine interest. How did this guy retain his hope and faith in humanity? How can I prove to him that my view is correct?

And I'm very much not saying that a romantic interpretation is 'correct', because fiction should be interpreted however the audience sees fit, but what is love (in all its forms) if not wanting to know someone and be known by them?

This is even more compelling to me when we take into account In-ho's backstory, which we learn a bit more about in season 2. Because he and Gi-hun are so similar, except in the way they've used their trauma to interpret the world. Which just adds to the evidence that In-ho would be fascinated by this man, be determined to know him and to change his mind.

What I'm saying with all this isn't that 457 is canon, and that anyone who says otherwise is media illiterate. What I'm saying is that the real immature interpretation is one that's surface level, be that interpretation 'uwu he loves him' or 'he's PLOTTING evil things'.

[howtodisappearcompletelyand]

20/10 stars little guy

[sonknuxadow]

jim carrey as gerald also sucks btw . i already didnt think he was a particularly good choice for eggman because it feels like hes just playing himself and not eggman but seeing them take a character whos entire deal is being long dead but still impacting the story through his grief driven actions and bring him back to life and make him a main character and also turn him into a silly jim carrey character is making me turn into the joker

[imjustavenuxwithaboomerang]

just learned that people are like legitimately pissed that mackenyu buffed up for season 2 ???

[aromanticasterisms]

yknow i was a little miffed when yoimiya got her second story quest but i can't even be mad that cyno's getting his. he's been around since manga days he deserves it

[jackkin-memories]

when I say down bad I mean the baddest of downs

[sandinmybed]

I get that people are upset but "recast will byers! from now on I'm drawing him like THIS instead!" and he looks exactly the same but with a smaller nose? that's not helpful and tbh it's just antisemitic. did we not agree like less than a year ago that removing actor's ethnic features in fanart is racist? at best this is performative and at worst it is racism

[unproduciblesmackdown]

billions(tm): it's incredible how we just provide a little snippet of material designed to be "guy we all want to push down the stairs immediately somehow" and through this amazing acting alchemy it becomes gold. electric. magnificent. we can't get enough so we will just keep writing this loser character and the actor will somehow keep bringing the dazzling transmutation through his ability

actor will roland: [is aware autistic people are real]

[mariocki]

A very young Michael Cashman makes his screen debut as Syd Benson, the loyal son of an escaped convict, in Gideon's Way: The Tin God (1.14, ITC, 1965)

[marypsue]

me, encountering a photoshoot of or interview with an actor who plays a fictional character I am Not Normal about, out of costume and character and living their life as an actor, unexpectedly and abruptly reminding me that the fictional character does not in fact exist or have a life or interiority and is in fact portrayed by a Real Fucking Person who does exist and has thoughts and goals and dreams and a whole life entirely unrelated to that nonexistent fictional character, and could hypothetically stumble across my Being Not Normal On The Internet about one of many characters they pretended to be in exchange for a paycheque: ah lads not again

[altschmerzes]

always good to remind oneself that it is always an option to simply block and ignore people who are being Weird To You on your posts. it is never necessary to engage. If It Sucks Hit Da Bricks.

[fondfamilies]

not a self-shipper, not a two characters ship blog/one character main blog, but a secret third thing (revolving hyperfixation blorbo show around in my head & occasionally v casually shipping the lot of them with each other in nearly any combo, whatever's fun)

[bigcats-birds-and-books]

oh, update, y'all: four (4) pages in, and THE ACTOR AND THE TARGET is already rewiring my brain, what a BOOK

[creatingblackcharacters]

No, That’s Not ‘How Color Works’. - Whitewashing

Whitewashing, as defined by Merriam-Webster:

"to alter (something) in a way that favors, features, or caters to white people: such as a) to portray (the past) in a way that increases the prominence, relevance, or impact of white people and minimizes or misrepresents that of nonwhite people and B) to alter (an original story) by casting a white performer in a role based on a nonwhite person or fictional character"

In fandom context, we know it to include:

Making someone’s skin lighter

Making someone’s hair a thinner texture

Changing someone’s nose to be thinner

Shrinking their lips

Changing the character in their entirety to be someone else

The Normalization of Whitewashing

Remember how I mentioned last lesson that despite the nature of poorly drawn Black characters, most audiences are not turned off enough to discourage the action in professional works? Similar idea with whitewashing. Not the same- unlike the Ambiguously Brown Character, which claims to have plausible deniability, overt whitewashing is usually enough to make fans speak up! But that’s the key word here- overt! It has to be “bad enough” to make enough people speak up, but as we’ve seen many a time, “bad enough” seems to have a much higher threshold for nonblack viewership (sometimes the limit doesn’t exist!)

Some visual examples

This is a link to my personal thread on a Netflix show I was watching- Worst Ex Ever. Now, while the show itself was quite enlightening, there was something I could not get over. I thought I was going crazy. And that was that no matter how dark the person of color would be in real life, the animated portions would draw this light pinkish-brown. Every. Single. Time. It's like they couldn't fathom scrolling down the color wheel. And this is a Netflix original! Netflix has plenty of money for someone to have caught this in creation. But... it was produced. And put out. And they're making more of it.

I asked all of the Dragon Age fans about the series, and uh… I didn’t know things were this bad, guys! Apparently this is a man of color, but it doesn't seem like the creators want you to know that ����. Jokes aside, as I’ve discussed before, the noticeable whitewashing- and that was one of many racist things I was told- was not enough to prevent sales... so why would they stop? I can only hope this new game, with all the updates, is enough to turn the tide. But the series has gone on for a while now, that if they’d chosen to do ye same olde… there clearly would not be a lack of financial support to prevent it.

Colorism as a Tool

Even when actors of color are cast, colorism often plays a role in normalizing whitewashing to audiences, even to Black audiences! People think “oh well at least they’re Black!” as if that is the only important part. It is not.

While Aaron Pierre, the actor cast for John Stewart of Green Lantern fame, is a GORGEOUS, STUNNING man, he is not the dark-skinned man that John Stewart is supposed to be and should not have been cast! To me, this is overt colorism, but clearly for many people this is not “enough” to warrant concern or even prevent the casting itself- including the studio behind the movie! Black fans have plead for years for the character of Storm to be played by a dark-skinned, preferably African, woman, and it has never happened.

It naturally happens in fan spaces as well, which is another indicator that colorism as a tool for whitewashing is quite effective for audiences. If I see one more Zendaya fan cast for Kida from Atlantis, I will scream. It’s been happening for years, and I don’t think any of the people who just want to see her and Tom on screen either understand or care that Kida is a dark-skinned character. Zendaya doesn’t look anything like Kida- it doesn’t matter if she’s Black too! Just because someone is Black does not mean they can play every single Black character! I’ve even seen people fancast Emilia Clarke of Game of Thrones fame, to which… I don’t have the words. I can’t fathom what would cause these decisions other than racism.

The Common Excuses

I must be honest. I don’t really feel like re-iterating how certain things are not okay and how to fix them, because I’ve already discussed these things in massive detail. So I’m just going to direct the excuses I regularly hear to my lessons, where you can read up on them.

“Their hair/eyes are like that because they’re biracial so-”

Relevant Lessons: 2.1, 2.2, 2.3, 8, 9, 10

There is nothing wrong with having biracial characters with a range of features. I am not saying that! Because yeah, genetics do happen!

But I mentioned this in my last lesson, and I will re-emphasize here, that using biracial identity as a way to whitewash is a sinister form of racism. The intention here- the real intention- is the issue here! The idea that somehow this character can only look the way you want them to look by "diluting" their Blackness… I don’t know how you can explain yourselves out of that one.

You don’t get to use us as an excuse for diversity while still trying to maintain your preference for Eurocentric beauty standards. Black biracial people don’t always look light skinned, thin-haired and ambiguous, and even the ones that do don’t deserve to be treated as your fetish for pretend antiracism. If you just want to draw a white person with a tan, do that. But don’t change a character’s entire look just so you can work in some whiteness. If you want to claim that canon Black character’s mother was white, then I guess they inherited some of her personality because their features should not change.

“It’s my style/It’s the color-”

Relevant Lessons: 3, 4, 10

I hate all excuses for whitewashing, but I’ve grown to despise, hate, abhor and loathe this one the most as I’ve become an artist. I wish there were stronger words to describe just how much I hate the “style” and “color” excuse.

Are style and use of color oft intertwined? Absolutely. I’m not saying they aren’t. But out of everything, there are two things I want artists to understand:

1. Style does not cancel out racism! No style forces you to choose ashy greys and to change peoples’ features. That’s you! If you look at something, and it looks offensive, you change the style. You grow as an artist!

2. “Everyone who is brown will look ashy so I just-” if you recognize that your Black characters look strange in comparison to your nonblack characters, then it’s time to try something else! I don’t understand this sudden need for “realism” when it comes to color and lighting, but not when it comes to hair, for example. No one cares about realism when giving every and all Black characters wavy tresses they probably wouldn’t have, but suddenly milquetoast watercolor attempts at brown and off-putting lighting is “how it works”. That’s not fair.

The color picker is an available tool! I use it often!

Dead giveaway of purposeful whitewashing: if someone gets the outfit color palette right via color picking, but the skin color is multiple shades lighter. That means they were looking at that character and chose not to proceed.

Dead giveaway of purposeful whitewashing: if the white characters in the show are completely correct in their palettes. Again, that means they cared enough to look at everyone else… and not the Black characters.

If you use the color picker and the color picked is… disrespectful, you do not have to use that! You can simply choose a better color that is still similar to the brown that ought to be depicted!

“It’s the lighting-”

Relevant Lessons: 4, 5

If your white characters do not shine like snow in the sunlight because of your lighting, then your lighting does not make your Black characters suddenly light tan.

If your Black characters look bad in your lighting of choice- for example, putting a very dark-skinned character in electric white lighting can be ghastly- try changing the intensity or the color of the lighting. DON’T change your character’s skin color!

I'm going to show you some pictures of South Sudanese model Nyakim Gatwech. Pay attention to the choices of light, color, and makeup.

Look how BEAUTIFUL she is! Look at the choices of intensity and color of light, and how they make her look different in each image.

Now look at this image in comparison:

In this image, whoever did her makeup and took this picture did not take into consideration her skin tone. She's also under this really intense lighting. This is an example of "increasing the lighting does NOT make an image "better"". She didn't need to have lighter skin or "more lighting" to look good. She needed BETTER lighting, lighting that worked with HER.

To see this as an example in drawn art, @dsm7 makes an excellent argument for proper lighting and color, why it is an issue to use it as an excuse, and how to solve that problem.

‼️DISCLAIMER FOR NEXT EXAMPLE‼️

Okay. I am about to show y’all a fan-created example from my personal experience. It is a TEACHING EXPERIENCE ONLY. I am not including the artist’s name in this image. It happened a couple years ago, and it’s over- they’ve chosen to be who they are despite me kindly confronting them about it. The only reason I’m including it at all is because I feel like it would be remiss to have such a clear-cut, multi-level example, and not teach with it. That said, no, I am not telling anyone to act out towards them. Again, that is not what I’m telling you to do. The last thing I need is a literal lynch mob of angry nonblack viewership for trying to teach you all, and y’all sitting there watching it happen to me. Every example of whitewashing is not going to be so obvious, but I hope you learn how to spot the examples in the art you see and share.

I'm obviously a Hades fan, particularly of Patroclus- despite my disdain for the lack of effort in his canon character design. So I've seen a lot of things. That said:

“Well it’s just MY design of them-”

Relevant Lessons: ALL

The sepia coloring did not do this. The lighting did not do this. The design is the exact same as the Hades version, even down to the shape of the hair curling in the back. The only thing that is different… is the man himself.

Y'all. Y'all! You CANNOT take a pre-existing Black character and say “oh well this is my design of them” …and the design is of a whole white person. Because if the rest of the fit is the same, and the only thing that changed is the Blackness… Racism. If you’re going to “make up your own design”, then do that!

“Blackwashing”

Speaking of: I’m sure someone edgy out there thinks they’re so smart as they retort to the screen: “but if that’s not okay, then why is Blackwashing okay?” To which I say- shut up. 😐

The “definition” by fandom: making a nonblack character Black, usually an anime character, but characters in general.

Funny enough, the actual definition in the dictionary (or closest to) is “to defame”, in contrast with whitewash (as in whitewashing history). Maybe racist fans ARE using it correctly when they say you’re blackwashing their characters, when they mean you’re making them “less likable because they’re Black now”. 🤔

Anyway: Blackwashing is not real for the same reason reverse racism is not real.

Me painting these characters brown is not going to take away from the fact that there are far more of you in media than there is of me. Me saying that I ‘headcanon a character as Black with 4C hair’ is not going to make the studio go “oh! Well they must be Black with 4C hair now!” Me saying “oh I think I’d like this character better if they were Black” as a beta tester (less overtly, obviously, because I’m not racist!) will never make a studio change that character. Black viewers have minimal value in comparison to the power of the white viewer’s dollar. I could draw white characters Black every single day of every single game media… and they would still produce majority white characters. There has not been centuries- if not millennia, when we consider Jesus Christ himself, even- of purposeful “Blackwashing” with the intent of removing the original ethnicity- and thus importance- of white people. No one has ever been allowed to forget when someone is white. No one has ever been allowed to forget or not acknowledge white people.

How it could be "solved"

Personally, I love Black edits and I welcome them here. I find them creative and fun. But if you really, REALLY didn’t want us to make those edits, then naturally, we need more Black characters in all of our media!

I wouldn’t have to make edits if I saw more of me to begin with in the things I like to watch- but when we have those characters, racists act an ass about them. We’re not allowed to even be present! I’ve seen too many gamer bros mocking the existence of Yasuke in Assassin’s Creed, and he was a real ass man. But if we made a game about African peoples in African societies, how many of the gamer bros would actually play those games? Do you think there’d be as much support, when we hear so much about Black characters that are treated so abhorrently? How many games do we have where people would love their faves just as much if they were Black? I even learned that Solas was apparently supposed to be a man of color. IMAGINE how many people would not have liked that man, with the same exact plot and characterization.

Something I’ve noticed recently: apparently "Blackwashing" is not a thing when White fans “allow” it. Take this recent trend with Miku. International Miku was beloved! But if you draw any other character as Black on any other day, there will be people that are horrid about it. Ask any artist, Black artists and Black cosplayers especially, who’s ever done it what their comments are like. I’ve read entire missives akin to white supremacist drivel on how it’s somehow morally wrong to make characters Black. Meanwhile no amount of “hey maybe you shouldn’t do this” prevented the movie Gods of Egypt from being created, with a cast full of British White people.

Solutions to Avoiding Whitewashing!

1) Using References!!

Do I think you should know what Black people look like? Yes. We’re humans. It’s 2024. Everyone knows what we look like when it’s time to hate and discriminate against us, so you know what we look like when it’s time to love and depict us. If you’re on Tumblr, you have access to the Internet. ESPECIALLY if you’re in the U.S., as Black people are the source of damn near every piece of online pop culture. If you can find my dialect to make my jokes, you can find pictures of me.

Would I rather you use a reference every single time so that you can only strengthen your depiction of my people? ABSOLUTELY.

Anyone on the Internet telling you not to use a reference or that you shouldn’t need a reference? Unfollow them. You don’t need that negativity in your life. Why would you deprive yourself of a tool to create? The greatest portrait painters in history had to look at their subjects! You are not getting paid nearly as much to do this as Hans Holbein, and he had to stare at Henry VIII correct else lose his head- you can pull up multiple references. I’d far rather be judged for using hella references than be judged for being a racist!

Part of the issue is people draw what they’re used to, what they’re comfortable with (thus last lesson). But if what you’re used to is not what someone will look like… That’s not okay. Their features are not the issue, your skills are the issue. Learn! Practice! There is no rush. No one is rushing you to be perfect at drawing Black characters, and no one is rushing you to post them. You can just practice! If you’re not a professional, you can take as long as you need to draw! If you need to draw that piece of hair over and over until you feel like you have down the shape, you do that! If you need to use a tool that would draw the hair for you, you get that tool!

If you want to post, you can say you are practicing! If you make clear you are practicing, then be willing to accept that people may have feedback. I’d far rather deal with someone saying they’re unconfident and practicing, than someone posting a whitewashed caricature and closing their ears because “well at least I’m trying!”

2) Empathize! Care about actual Black people when you create a Black character!

Imagine, if you will, in the Twilight Zone: you went to an artist, and you asked for a white character (I typed in “regular looking white dude” on google). There’s hardly ever any white characters, you’re so super excited about this one! You paid good money, because you’ve seen just how amazing this artist creates! They’re so good at drawing characters of color! But no matter how many times you ask, they send you back an image of… Assad Zaman.

That man might be fine as hell! Gorgeous! Beautifully done! Chef’s kiss. Stunning! But… He’s not white. That’s not what you asked or paid for. You can’t even fathom how they mixed this up, they don’t even look alike! And when you confront them, they gaslight you, they call YOU the issue for not understanding how you can’t tell that this is a white man! They would never get this wrong! They have white friends, you’re the racist! But you’re not stupid, and you have functioning eyes- you can SEE what this drawing looks like! And… It’s not you.

It’s dehumanizing. It’s being told that there’s a “better way” to look like you, and that’s by… Not looking like you. You, as you exist, are what’s incorrect. Your identity is incorrect, not their drawing. It’s better to have thinner hair instead of an afro or locs, it’s better to have lighter skin, it’s better to have a straighter, thinner nose over a round one, and smaller lips.

And what makes it worse is knowing that people who don’t look like you? Probably won’t care. They won’t be willing to see- not unable, but unwilling- that playing with this caricature is harmful, that they’re propagating harm by not acknowledging it. They’re letting you know that your humanity means less to them than the clout received with a whitewashed or half-assed Black character, and that people will applaud them for that ‘attempt at inclusion’. And people will applaud! They will be entertained by the mere performance! And that hurts.

I’m going to say this, and it’s awkward and I try not to say it directly on here, but… Having Black friends and/or being around actual, real life Black people would help. I can tell from some of the questions I receive that Black characters and their traits- especially things like our hair and our cultures- are being treated as… alien concepts. But even if, for whatever reason, you legitimately don’t know any Black people, you do not need to know us individually to care about our humanity as a whole! Even if you do not know we’re there, we are, and we could possibly see your work!

By acknowledging Blackness and making room to understand what it means- and that includes how we can look- you are doing the bare minimum of acknowledging our personhood. If you cannot do even that, you don’t need to be drawing us.

Conclusion

Here’s the thing: if you want to draw a white man with tanned skin, do that. Just do it! You do NOT have to erase me to have more of you! There is not a single fandom where the majority of the white fans ever said “gee, not another white guy!” It simply doesn’t happen. God knows we wish it did sometimes. You will always have an audience for white characters. There’s no danger to any of you of “being erased”.

(Without putting on my political hat, I will say that a lot of white people who consider themselves to be far from white supremacist will express beliefs in line with great replacement theory if you push them hard enough. It is unfortunately not as uncommon an idea as you might think. I would do some self-evaluation.)

People are going to notice that you only ever draw white people, but… To be frank, that has never stopped anybody from being successful. Again, Jen Zee, at Supergiant with the terrible dark-skinned characters… Still has a job. at Supergiant. A professional studio. Dragon Age. Multiple games of consistent whitewashing and racist writing. Still going. If racism prevented creation and popularity, I wouldn’t have to have this blog. Alas, that is the society we currently live in.

But if you ACTUALLY want to depict Black characters, if you ACTUALLY want to do right and be respectful- not because you want the clout, but because it’s the right damn thing to do- then you need to commit! This means drawing them as they are meant to be! Accept that you’ll likely lose some fan base, who was there (whether they were aware of it or not) for the white and lighter skinned characters. Accept that this means that trying to appeal to those people by whitewashing characters is 1) wrong, 2) racist, which is 3) something you chose to do when you could simply have just… Drawn more white people.

I’ll say it again: antiracism is hard. It’s hard doing the right thing in a society that rewards racism so easily. It’s really hard knowing that people will stop supporting you or caring as much about your work when you start including Black characters as actively as you do white ones, especially if you start talking about the importance of it. But in my honest opinion, I’d far rather be someone that cared about others, with genuine fans, than someone that was racist for the fleeting internet clout of strangers. And that may be less ‘hopeful’ than I normally am in these lessons, but… People make choices. And people who have been informed- as you are now- are aware of the choices they are making. It’s the thought that counts, but the action that delivers- let’s choose better actions.

[ghcstao3]

AU where ghost is a relatively famous voice actor—by name, anyway. he’s never shown his face in those ‘behind-the-scenes’ videos, doesn’t do red carpets for the bigger productions, always leaves the press junkets to his colleagues. he loves his job, don’t get him wrong, it’s fun and creative and he’s met some really great people, he just… has never wanted to be in the limelight. that’s not for him.

and it’s easy to get away with, because all of the voices he uses are not really his. there’s elements of him, sure, but nothing someone in person could necessarily place, unless they really listened close and were some kind of super fan. in real life, ghost is soft spoken, and maybe his voice is a little rough from the years before he learned how to properly take care of his vocal cords, but it’s still completely separate from all his characters. that was a rule he stuck with throughout his career—no using his real voice.

soap likes to consider himself a fan of simon riley.

(of his work, obviously. just his work. he definitely isn’t intrigued or anything by the mystery that is the voice actor. nuh uh. not at all.)

he’s seen just about every film and show that features one of the actor’s many voices, knows what little trivia is known of him, and, ultimately, he really respects the guy. his younger sister had finally landed herself a sizeable role in voice acting pretty recently after years of odds and ends, and soap knows how difficult it is to make it in the industry. so what if he may also have a little bit of a crush on the unknown man’s talent?

and so what if that little crush has presently brought him to a bookstore, because soap had heard simon would be voicing a character in some adaptation and soap wanted to get himself caught up? it’s fine. it’s normal. totally normal.

it’s in search of the book when soap accidentally stumbles into an absolute brick-wall of a man as he rounds the corner. soap mutters out apologies, goes to move past him, but then looks up and melts, just a little. because it’s then that soap discovers the prettiest set of brown eyes he thinks he’s ever seen. and when his gaze briefly flicks down—he sees that the man is holding the book he’d been looking for.

soap grins, does his best to look charming in spite of the fact that he’d just run into this poor, beautiful bastard. “was lookin’ for that one, too.”

the man’s brow furrows in confusion before he realizes what soap had been referring to. his eyes fall almost self-consciously to the book.

“oh, yeah. it’s a good book. gave my nephew my other copy, so i’m just…” the man lifts the book in some helpless gesture.

“hm.” soap nods. he can’t help but notice how soothing the man’s voice is, low and rough around the edges, but completely soft in the middle. “y’hear they’re making a movie?”

the man perks up, and for a moment soap wonders if that’s panic he sees flash in his eyes. he clears his throat. “yes, that’s actually why i’m, well. i owned it before, but because i’m doing the—because of the movie, i had to…” the man sighs, shoulders slumping. it’s endearing, the way he’s gotten so easily flustered, like he isn’t used to small talk. “never mind. i’ll let you… i hope you enjoy it. the book. and movie too, i guess.”

soap laughs, not unkindly. “the book, we’ll see. favourite actor’s in the movie, so i’ll probably like it either way.”

“yeah?” the man cocks his head, curious. “who’s that?”

unashamedly, soap replies, “simon riley.”

it’s not unnoticeable, the way the man’s face blossoms a faint pink before he coughs and ducks his head. “he’s, uh. heard he’s good,” he says. “so others say.”

for a moment, it looks like the man is preparing to bolt, so soap sticks out his hand as a last-minute resort to keep him around just a little longer. “i’m john. friends call me soap. long story, but if you maybe let me take you out for some coffee, i could tell you?”

apprehension lines the man’s posture, but he eventually tucks the book under one arm and shakes soap’s hand. “friends call me ghost. and i’d like that.”

ghost’s hand is warm, his grip firm. soap tries not to let himself linger in the touch.

“sounds like a date.” soap smiles up at ghost. “did you want to do that today, or…?”

ghost shakes his head. “can’t today. but i can give you my number?”

soap agrees, but as he reaches for his phone he’s met with an empty pocket and the realization that he’d left it on the counter at home. he sighs, feeling disheartened, readying an excuse when he gets an idea. “d’you have a pen?”

ghost does, in fact, have a pen, though soap supposes he could’ve just gone and bought one from the bookstore just as well. soap tells him to stay put a minute, goes to retrieve his own copy of the book, and comes back with it opened to the first page.

“i’m buying it, anyway,” soap says. and it’s commemorative, he doesn’t add, of the day and reason we met. because he’s hopeful this may actually go somewhere.

ghost writes his phone number inside, deliberately hands the book back to soap with the cover pressed closed by his thumb, and they head to the register together.

it’s only when soap gets home and finally goes to type ghost’s number into his phone that he sees, above the digits, a small simon :) inscribed on the paper.

[sexlapis]

[◉°] … TOJI AND Y/N BEING A COUPLE FOR 10 MINUTES STRAIGHT (PART 5) … 899k views

꩜ : actor!toji x gn!reader

part 1 part 2 part 3 part 4 (they are actress!reader)

sfw for the most part, fluff, crack, peeping toms & perverts (toji deals w them <3), cute babies, use of y/n

⤷ the way tojiyn is just real at this point…

a/n: thank you so much for 3000 followers that is literally crazy! thank you all sm for enjoying and supporting my fanfics🩷🩷. as a gift u all get more actor toji. i just missed him <33

_____= your name

masterlists

from the actor![character] series:

actor!toji masterlist

actor!nanami & actress!yn being a couple

actor!levi & gn!reader being a couple

taglist: @okayiamkassandra | @tiredslepz | @hayatslife | @shxyxyxxxx | @snowprincesa1 | @laylasbunbunny | @mimiemie | @ncentic | @rosesored | @imover-18 | @gintokhi | @suzuperstarr | @lostgxrlblog | @jallie10 | @nnsav | @bunnyx-sakura | @bubbabobabubbles | @ladytamayolover | @keiva1000 | @morgyyyyyyy | @studiecoherence | @earth2fae | @ce-namonreads | @ib4ryuguji | @hisjaegerist | @basiloverthyme | @sweet-kiwi | @sayitowshi | @iovemytoru | @thecompletechaosmaster | @sugutoad | @inumakiiz | @uzxotic | @1meshugge1 | @kunikuzushisbeloved

*

꩜ first clip

posted on toji’s (mostly inactive) instagram, a clip of you with a little baby no more than a year old standing on your lap. you make funny, expressive faces as she giggles and mumbles in an adorable, pure manner. the pinnacle of innocence.

“look at that! who’s that, baby?” you ask the baby, referring to the person behind the camera.

you turn her around, making her look up. she points, her face beaming with a toothless smile.

“ahh!” she squeaks.

you giggle.“it’s toji!”

a huff is heard from behind the camera and a big hand comes and strokes the baby’s chubby cheeks. “hi princess.”

the clip ends there, but the reaction from the internet only begins.

-

@ynb11111gestfan

a baby??? wtf did i miss???!:!:!

@justalurkeracx0unt

YOU GUYS ADOPTED?????????

@gojosbl!ndfold

which one of you gave birth

@tojizbigfatbreederballzinmymouf

girldad toji? my biggest dreams have come true💕💕

⤷ @herbigdoeeyesss

YOUR NAME?????

-

it’s safe to say, everyone was confused about who this random baby was. so, you were the one to clear things up by posting a video on your story;

“i’m sorry for the confusion guys. yes, me and toji had a baby. toji had a very long labour and he worked so hard and gave birth to a little baby girl <3”

well, that cleared things up.

꩜ second clip

toji walks out of a elevator and is…carrying you in his arms. bridal style. with your bodyguards following close behind (not that you need bodyguards when toji is with you).

the man holding the camera asks toji, “why are you carrying them?”

instead, you respond with a shrug, “my feet hurt.”

toji doesn’t even react. he just walks down the corridor, carrying you like he does it every day.

꩜ third clip

shortly after you began filming for a minor role in a popular television series, there are rumours floating around of toji allegedly physically assaulting one of the members of staff on set.

of course, everyone has all kinds of theories of what happened, but many people are not surprised because, well…it’s toji. they are not shocked by this type of behaviour coming from him.

but then, all is revealed by TMZ in a short youtube video, being a oh so nosy individuals they are:

“we got leaked information about what happened on that set. apparently, the staff member had been secretly recording y/n in their caravan, even when they were getting dressed! disgusting, i know. it’s said that toji spotted them and ‘took’ matters into his own hands. and by that, i mean throwing hands. toji is now being accused of assault by said staff member. in my eyes,” the reporter throws his hands up, shrugging, “that freak got what was coming!”

after that, people are on toji’s side, praising him for what he did. but enough people believed his actions to be extreme and overly violent.

so he releases an apology for his actions in a video, in which it is very clear that he had just woken up and he was still in bed:

“hey everyone. i know just about everyone’s heard of what happened. i would just like everyone to know that…i don’t care,” he chuckles, “i really don’t give a shit. i would do it again if it had to. that piece of shit deserved what he got. i’m only sorry for not breaking his other arm.”

꩜ fourth clip

you and toji are on the red carpet in paris, being interviewed about an awards show and your time in the country.

“so, have you two seen any of the sights and attractions in paris?”

“uhhhmm, no not so much. we really wanted to but we’ve just been uhh, really, really-” you pause for a moment, a second too long as you look at toji, who is staring at you. even from this angle, toji is seen to be smirking and he winks at you.

you blink rapidly and turn back to the interviewer. “busy. yeah, we’ve been really busy.”

“that’s one way to put it.” toji chimes in.

a tojiyn truther favourite.

꩜ fifth clip

you and toji, wanting to raise money for charity, decided ti participate in the bake-off, a televised baking competition.

“okay!” you start, excited.

the excitement doesn’t last very long.

“what even is this [BLEEP]?”

“toji! don’t swear! they have to bleep that out!”

off you and toji go, baking in such a disorderly and chaotic fashion, even the other participants are looking at you sideways.

multiple bleeps are edited in due to toji’s creative language.

“phew!” you breathe out. “i think we’re making good time-”

“ten minutes left!” the host calls out.

“ten minutes!?” toji shouts.

“what? ten? we haven’t even started the buttercream yet! the cake hasn’t even cooled down! what!”

“move,” toji moves into your space, snatching the whisk and bowl of ingredients from you hands and begins stirring like an absolute mad man, “you cool off that [BLEEP] cake, i’ll make this! [BLEEP].”

you dash toward the window, plain cake in hand, and simply…stick the cake out of the window, hoping it will call down faster.

toji and you are stared at in complete and utter confusion.

after sloppily applying the buttercream to the cake, along with the toppings, you and toji are done just in time.

it is your time to present.

you and toji walk to the front, placing the cake in front of the hosts.

“hm,” the woman said, “presentation is messy.”

you and toji glance at each other.

they take a bite.

“oh,” the male judge hums, “not bad.”

“i think it’s quite tasty!” a judge with a british accent compliments. “well done to the both of you.

you and toji cheer silently and high five.

you both came in third place in that round.

go figure.

꩜ sixth clip

you and the cast members of “jujutsu kaisen” are at comic con for a fan Q&A. the place is packed full of fans!

“i…i have a ques-question for _____. I-” his voice cracks wildly and he clears his throat, causing a few giggles in the crowd.

he continues. “i-what-why-what-what do-how-” he sighs and covers his face with embarrassment.

a wave of laughter goes through the crowd, mocking the poor boy even further.

“it’s okay,” you coo to the fan, “i don’t bite.”

the audience laughs some more.

and the toji interrupts with his own comment of, “they sure do.”

you gasp. your head whips towards toji and the crowd erupts with laughter, whistles and hoots of teasing and encouragement.

the fan, now beet red, covers his face again. “oh my god.”

“great! toji look what you did!” you shout. “you broke him!”

*

a/n: new actor toji take it or leave it