#yes I was his if only once!

[tendermimi]

Danez Smith, Recklessly

[lotus-pear]

i love you royal trio (minus akechi)

[magicpiano]

DCXDP corpse AU (where Danny leaves behind a body every time he transforms.) Danny finds out about Tim not having a spleen and is like, "you can have one of mine if you want."

[puppetmaster13u]

Prompt 261

“So is no one going to talk about the eldritch space child or…” 

“I mean, do you want to get between a child and Batman? I think the only one who could even get close right now is Superman…” 

“No you’re right, I think- oh my god the eldritch space child is playing with batman’s bat-ears and he’s not doing anything about it what the fuck I thought only Robins could get away with that-” 

[ironunderstands]

Sunday’s worldview sucks, his outlook and perception of himself and others sucks… and that’s why he’s so interesting

In honor of his drip marketing releasing tonight (or maybe yesterday for you depending on when I get this out), I’d like to talk about why I think Sunday’s beliefs and perspective is very, very flawed and how his own biases rather than the actions of those who oppose him are what led to his downfall.

Sunday is entirely responsible for his own failure, and that’s exactly why he’s incredible.

This contains mentions of leaks and spoilers for the Penacony quest line… you have been warned

To start with, oh my lord do Sunday’s preconceived notions kick him in the ass. 

I think the best example of this is his conversation with Dr. Ratio in which Ratio pretends to betray Aventurine, selling out his plan to Sunday. Now, what’s incredibly interesting about this exchange is that Ratio doesn’t fully lie to Sunday once in this exchange, rather he says half truths and makes vague statements which Sunday himself interprets as being in support of him. 

Take what Ratio said the whole, “A scholar knows their position and wouldn’t forsake it for the sake of petty pride.” In retrospect, we know this line is actually referring to Aventurine- aka Ratio is saying he’s not just going to sell him out to Sunday for the sake of information about the Stellaron (which he would get anyways if the IPC attained Penacony, plus Mr. Incredibly Dedicated Knowledge Spreader probably has other means of gaining it then through The Family). 

However, since Ratio answered the invitation Sunday gave him, Sunday assumes that Ratio is on his side, believes his cause is righteous, and that he won Ratio over with offering him information about the Stellaron, therefore making that previous statement of Ratio’s null, because Sunday interpreted it as, “convince me this is worth my time + prove to me you’re correct,” when it really meant, “there is no way in hell I’m about to sacrifice my friend to you, and there is nothing you could offer me to make me do so you crazed lunatic.”

But why did Sunday not weigh the options? Why did he unquestioningly believe his perception of the situation was the correct one?

Well- partly it’s because Ratio and Aventurine were doing their damndest to make it seem like they hate each other and that their plan was going off the rails.

But the more important part is that even without Ratio saying a word or even accepting the invitation, Sunday already believes he’d be on his side. 

Let me demonstrate this through Sunday's perspective:

I am a righteous person, I am doing the correct things, my worldview is the correct one. Dr. Ratio is also a righteous person who seems to be doing the correct things. Therefore, since we are both on the side of good, and Aventurine is clearly not on that side considering his status as Stoneheart and his negative relationship to Ratio, then Ratio will naturally want to be on my side. After all, the good guys work together, do they not?- and together will vanquish this evil villain.

This perspective is a simple one, but Sunday’s unshaking belief (up until the end of 2.2) that he is 100% in correct and in the right, that any and everyone who he also perceives to be in the right (like Ratio) would believe/side with him without truly needing to be convinced. Sunday doesn’t come out the gate offering the Stellaron information- he only keeps it as a backup just in case. 

However, this is complicated because Sunday is also not an idiot, and he’s extremely paranoid, so he’s going to make sure that the way he views the world is 100% correct on the off chance he’s wrong which could foil his plans- which is why he invited Ratio in the first place. Nevertheless, this isn’t him hunting for new perspectives, but rather him desiring to prove himself right again, which is a bad thing because Sunday is very much not right. 

A perfect world is a perfect pris- *gets shot*

Reference that approximately 2 ½ people will get beside, Sunday’s ideology that he is fully confident in.. sucks. It sucks ass, it’s terrible, and let me explain.

I’m not going to try going over all the little intricacies to how the dreamscape works because I a) don’t know and b) don’t particularly care because they aren’t relevant to the argument I will be making- which is that Sunday’s ideology is inherently flawed and immediately falls apart under scrutiny.

Essentially, he desires to create the perfect fake reality, enveloping the whole galaxy in Ena’s dream and fulfilling their every desire and whim within it, with himself as the sacrifice to allow it to exist. The seven rest days, no illness, no pain, no challenge, you get the idea. 

And, this perfect world paradoxically sucks ass because of its perfectness.

Improving society is great, eliminating hardship is great, increasing quality of life is great.

But declawing reality itself- absolutely not.

I’m going to try to explain this through my favorite strangely specific anecdote- the process of obtaining diamonds in Minecraft.

Stay with me now.

You essentially have two options- go out and mine them yourselves the hard way, which takes hours, gives you less diamonds per the amount of time spent on it, and likely with you exhausting some of your resources like food, torches, and tools which you will need to replenish.

Or.

You can just.. get them from creative mode or commands, and you can get as many as your heart desires.

However, despite the fact that option one is harder, gives you less diamonds and takes significantly more time, I, as well as hopefully you, would pick it every time (at least in a survival world, although honestly idk why you would even need pure diamonds in creative).

And that’s because the first option is rewarding. 

You did not earn the diamonds you easily and magically summoned into your inventory, there is no struggle, no journey, no challenge to it, therefore it feels entirely unremarkable, as compared to the feeling you (hopefully) get from mining diamonds, which makes you happy because you earned it. Yeah, it was harder, but the process itself is fun- the anticipation of not knowing when you’re going to find them, if at all, the danger, the fighting and digging and mauvering you will have to do in the process.

And with this unconventional example, the fatal flaw with Sunday’s ideology is revealed- it’s boring. 

It’s boring as shit.

Yeah, for the first few months or even years it might be enjoyable- having everything you could ever want served on a silver platter. However, humans are a) inherently a bit greedy and b) desire challenge, and this scenario fulfilles neither of those things. Naturally having everything means your desire for more can never be fulfilled, leaving the wanter forever unsatisfied, whereas in the real world, things are truly out of your reach, meaning that even if you never end up getting them, they are still a tangible thing just out of reach… as strange at it sounds, we like being tantalilus-ed more than you think. After all, if what you want is so easy to get, you will never run out of things to want, and eventually that gets draining. 

Continually, if everything is easy, if everything is just right there whenever you want it- existence itself no longer has stakes. 

And that’s the problem, because much like how a story with no stakes is extremely hard to find compelling, a life with no stakes feels boring at best and downright pointless and meaningless at worst.

I’m just saying, there is a reason why the Nihility was such a strong presence and problem in Penacony.

Anyways, like with the diamond problem, a lack of stakes means that nothing you do feels rewarding, because you didn’t truly earn it. 

Which is where the Sunday’s idea of a “perfect” reality falls apart, because the most enjoyable reality for humans to live in is not one literally devoid of any possible flaw.

So why does he believe in it? When it’s so clearly flawed?

Well, it’s because Sunday doesn’t think a better alternative exists.

The world made you this way.. and you chose to continue what it started.

I’m sure I don’t need to repeat the story of the Charmony Dove all over again because trust me, we’ve all heard it before. Nonetheless, it reveals something important both about Sunday’s personality and his ideology- he’s fundamentally a defeatist.

He doesn’t believe that there is any alternative for the dove, that it could ever be able to fly again with its deformed nature, so instead of being “cruel” and letting it “inevitably fall to its death,” he’d rather keep it in a cage all its life where it has no freedom, but at least it would he alive and “happy”.

And this is where his defeatism reveals itself- Sunday doesn’t believe reality itself can get better because improving it when there are so many factors and things out of your control is hard at best and impossible at worst. Therefore, he resorts to creating an escapist, false version of it- a perfect golden cage, because constructing that is far, far easier than trying to help the dove fly again. 

The universe has endless possibilities, if Robin and Sunday had tried hard enough, they probably could have found a solution. Sure, they were both children, so the capabilities necessary to even attempt that were likely far out of their reach. However, it was still possible, but Sunday doesn’t believe in possibilities- he believes he’s right above all else, which is where that stubbornness and arrogance comes into play again.

Sunday doesn’t think better solutions than his exists, and he believes everyone would could possibly stand in his noble way are either villains, or horribly misguided; so it’s his job to show them the light.

This is why he lets the Express Crew + Firefly try to change his mind- Sunday wasn’t actually interesting in shifting his perspective, or really what they wanted to say. Rather, he just wanted to let them say there peace, because well, Sunday’s a good, righteous person (at least from his perspective), and good, righteous people listen to others. Good, righteous people will let these poor, ignorant souls offer their foolish words before exposing them to the harsh truth- or at least that’s how Sunday sees it. 

Moreover, this also explains his arrogance. If he believes his worldview is the sole correct one, then why listen to anyone else? He’s this world's savior, or at least he’s been raised to believe that- so why not relish in it? He enjoys punishing Aventurine, enjoys the bastard who stood in the way of Sunday’s plans, shrinks away in “defeat” and get what he “deserves.” Despite how miserable it sounds, Sunday also takes pride in having to be a martyr to bring about his beautiful dream. The belief that he is a selfless, good person is a selfish desire of his, even if a genuine one, and it’s what leads to his downfall.

Sunday could have actually listened. He could have reevaluated his loss to Aventurine and realized it was not through the others clever deception, but through his own biases. He could have actually taken the Express’s and Firefly’s advice. He could have looked for other avenues to help the people he truly does care about. 

Despite Gopher Wood’s manipulation- Sunday’s decision to go forward with the pain is entirely his own, because he truly believes- even with all the evidence for the contrary- that he is correct.

And that’s why he fails. Not because of the Express. Not because of Ratio. Not because of Aventurine. Not because of Gopher, or even the rest of The Family.

No, Sunday fails because he is flawed, and he is wrong, and he is the arrogant, selfish and biased one, and his worldview is wrong.

So what now?

This might have seemed like I think Sunday is pure evil and irredeemable, but I think it’s quite the opposite.

He has very good intentions, and he does genuinely care about it the well being of other people around him. He gives Aventurine a chance to prove his innocence, even if he never intended on changing, he does listen to what the Express + Firefly have to say. He pauses when Robin shows up, as she’s the one person (until the very end) he’s actually willing to accept the perspective of. The whole reason he ended up here in the first place is because Gopher Wood twisted Sunday’s good intentions into a fatal arrogance and utmost belief in a flawed worldview. 

However, what really sells me on Sunday’s goodness is when eyes widen at that final moment, the light draining from him as he realizes he is wrong. 

And once Sunday realizes he is wrong, those flaws that bind him can finally be examined and improved upon, as they all stem from that worldview he no longer believes in. 

His whole life, Sunday has been enacting out someone else’s plan for him, even if he’s come to internalize it over time, at the end of the day- it was never his, and without it, he’s empty.

Which is exactly why the only place he can go now is the Express, and the only thing left for him is redemption and growth.

Dan Heng is right- Sunday has a noble soul, and now that he has stopped believing in himself, he’s no longer shackled by the past either. Improvement or utter demise (in a likely nihility-flavored manner) are his only options remaining.

I understand a lot of people want to see him become a Stellaron Hunter, but imo, that just does nothing for him. He’d still be following someone else’s path/script, and Mr. I Will Sacrifice My Whole Existence To Become The Sun To Illuminate These Wandering Souls probably wouldn’t be so on board with the whole.. terrorism part of being a SH. Like yeah, they are our friends (kinda), but they absolutely kill innocent people and cause millions of dollars in property damage to people who don’t deserve it. 

Also, being on the Express Just Makes Sense. This is a game about choices, a game about accepting the mistakes of your past, but not letting them define you in order to move on and forge a better future for yourself and others- with the Astral Express + Trailblaze as a concept being the literal embodiment of it. There’s a reason when you switch to the Trailblazer’s POV in stories, it includes Kafka’s most important words to us- “When you have the chance to make a choice, make one you won’t regret.”

Therefore, I hope the choices Sunday will make in 2.7 are ones he’s proud of, and I can’t wait to see how exactly they get him on board with the crew, because there still is a LOT of development he needs to do before then. 

Anyways, thank you so much for reading, and if you have any thoughts I’d love to hear them. This was a stream of consciousness mess, but I hope it was still valuable nonetheless! Also if you are reading this on the day it was written, I hope we don’t get disappointed by his drip marketing!

[answermywearyquery]

the theerapanyakul kids: how close are you with each other?

loan’s kinnporsche 2nd anniversary: favourite familial relationship: the theerapanyakul kids (insp: ½+½)

[valyrfia]

lando liking hate comments on his instagram…brother put the phone down. take a deep breath. call a friend.

[turtleblogatlast]

Mikey and Leo episode centered around Mikey wanting to push Leo and Draxum together since Leo’s the most reluctant to give Draxum any grace (for good reason!) But, thinking on the spot, Leo says he’s gotta go do something for Hueso and “just can’t hang out right now 😔” (yes, he says the emoji out loud.)

Mikey calls his bluff and now the three of them (Mikey having grabbed a weary Draxum along) go to Hueso’s to find that yes, he actually does have a job for him. Said job asks for Leo to go with Hueso to deliver multiple pizzas to this giant yokai quite a distance away, and Hueso figured it would probably go better with Leo’s help (emphasis on probably.)

Well, Mikey decides that this would be a great bonding opportunity for them and basically invites he and Draxum along. Unfortunately for Leo, Hueso doesn’t care enough to wave away more help, though he does side-eye the wanted criminal Baron Draxum coming with them. But who is he to judge? (This choice has consequences.)

The journey goes about as terribly as you’d expect, but at least the pizzas get delivered on time.

[teethlordd]

Putting some guys in some fancy outfits

[morskisir]

CRAZY EVIL BITCH!!!!!!

[hamlettheedane]

i am a firm believer that if there was ever a iwtv/hannibal crossover that hannibal would have lestat crying and whimpering on the ground in 10 minutes flat. meanwhile will graham and louis dpdl would have so much to talk about, ultimately become dawgs and be on a rowboat down on the mississip just catching crawfish in a net and bitching about the nasty bloodthirsty senior citizens they have court ordered conservatorships over

[arttsuka]

I wanted to talk about Toothless and how his design and personality changed for the worst throughout the 3 animated movies (I won't be tackling any of the shows because I haven't watched them)

In the first movie he's at his best. His design is actually amazing, from the overall model structure to the patterns on his skin (which are visible in every shot, especially the ones taking place during the day, without ruining the 'illusion' of his black skin. It actually feels like it's resembling a panther aka black leopard in which the fur patterns are still visible). His face has a more aerodynamic shape, more sharp, a big curve.

His snarky but intelligent personality was really fitting for him. And we got to see more of it as the movie was progressing and he was getting more comfortable with humans.

In the second movie the patterns on his skin are still mostly there, way less prominent but still visible. His face got squashed down (a problem which only because stronger in the 3rd movie) but as a whole he still looks presentable, kinda. His posture changed too (but I'm too lazy to find evidence, you'll have to take my word for it).

I remember not having a problem with his personality in the second movie which is why I was surprised to see that this was only half true. He acts more domesticated, that's to be expected, but only around humans? When he interacts with other dragons it's like he's a completely different character, closer to what he became in httyd 3 than 1. He's still quite intelligent and more used to human equipment and people in general. In the first part of the film (especially this scene with Hiccup) he acts like how I'd imagine he should be in the 3rd movie, here it should have been a 'middle' ground, not 100% domesticated but not movie 1 feral either.

In the third movie he suffered the worst. Gone are the patterns on his skin, he's solid black now. His face got weirder too.

His personality got reduced to this stupid, slobbering 'dog'. His pupils are always dilated and his tongue almost constantly out. He acts unintelligent and he doesn't have that snarky personality he had in the first and even the second movie. He's basically a different character altogether. (That scene where he tries to 'woo' the light fury is embarrassing at best and shows exactly what's wrong with his character now).

They did it to make him more 'likable' to younger audiences + to make a good visual contrast to the light fury (who has an undercooked personality AND awful design as well), which is weird because they gave the light fury patterns on her wings?

The light fury looks like a beluga whale in the worst way possible. She has almost nothing going on visually to the point it doesn't even make sense. Her skin looks fragile, she's so weirdly smooth for no reason. It would legit be better if they took a night fury model and painted it white.

They gave her a 'cat' personality and took it away from Toothless (why couldn't both be 'cats'?). Also she's the 'girl' character, her only purpose is to be the romantic interest. She adds nothing to the film.

No comment in the live action design. Just ugly. Atrocious even.

Also something else that's been bothering me from the live action remake is this scene.

They've basically recreated every scene exactly as it was in the original so far (which is a bad thing) but the slight hesitation Toothless showed before touching Hiccups hand was the one thing they chose not to include? (I know the scene wasn't meant to have that in the beginning and it was an error in animation which they decided to keep because it gave the scene more personality so, why not include it in the live action?)

[o3o-lapd-o3o]

here's part 7! hope you guys enjoy! part 8 will be uploaded tomorrow!

(p.s my headcanon explainations are in the tags if you're curious)

the post/thread that started this whole au

dinner scene: part 1 | part 2 | part 3 | part 4 | part 5 | part 6 | part 8

there's a masterlist now!

*after everyone had gone inside, telemachus left to go to his room to change while penelope and odysseus headed to theirs*

*penelope had help getting changed/ready from her handmaiden, however odysseus doesn’t start changing, instead he’s just sitting on a lounge chair looking out the window at the sun setting*

penelope: *now ready for the evening*

penelope: *to her handmaiden* thank you for your help. 

penelope: *smiles as she’s walking to the bedroom door with her* 

penelope: *remembers something* oh! please let the others know to make sure you all grab yourself enough to eat after all the hard work the past couple of days! or take some of the remaining fish & meat home to your families!

penelope: *waves goodbye as her handmaiden leaves the room*

penelope: *closes the door and turns to face odysseus*

odysseus: *still staring out the window*

penelope: odysseus?

odysseus: *no response*

penelope: *understands he doesn’t mean to ignore her* 

penelope: *slowly walks towards him* my love, it's just you and i now

odysseus: *finally realises penelope was calling out to him* 

odysseus: *turns his head to her* i’m sorry penelope

odysseus: *looks her up and down, always amazed by the beauty of his wife*

penelope: *giggles as she see the lovestruck look on odysseus face*

penelope: *stops just in front of him and twirls around*

penelope: see something you like?

odysseus: *standing up and pulls her into him by her waist* 

odysseus: always *goes in for a kiss*

penelope: *accepts the kiss*

penelope: *giggles when odysseus keeps planting kisses all over her face*

penelope: my dear husband, stop distracting me! 

penelope: it’s time for you to get ready.

odysseus: *stops the kisses and looks down and sighs*

penelope: *cups his cheek with her hand and turns his face back to hers* 

penelope: you know i’m not going to force you to wear anything you don’t want to, right?

odysseus: *leans into her hand* i know, i know…

odysseus: it’s so silly of me isn’t, it’s just clothing-

penelope: *now holding his face with both her hands* nothing is silly, not if it makes you uncomfortable my love

odysseus: *smiles* i love you

penelope: *smiles back* i love you too

penelope: *lets his face go* now, what would you like to wear tonight? 

odysseus: *looking at the tyrian purple pelops she's wearing* i would like to match my beautiful wife

penelope: *knows she had a chiton made for him at the same time she had her pelops made* ok, let's get you matching then

*once odysseus is ready, him and penelope leave their room and make their way to the palace entrance ready to greet their dinner guests*

*when they arrive, they see telemachus; who is dressed in more ‘princely’ attire than his usual day-to-day clothing, talking to athena who arrived not long ago*

telemachus: oh! mother, father, you're ready!

athena: *turning to them*

athena: *smiling* good evening

penelope: *smiles back* good evening lady athena

athena: please penelope, i think we’ve known each other long enough… especially after everything in the past year

athena: just athena is fine

penelope: *smiles* sure…athena

odysseus: *looking at athena* 

odysseus: it’s still so weird not seeing you in all your armour

athena: *laughs* well i thought the occasion didn’t require it

*the four of them continue talking for a little bit*

athena: i see that my uncle hasn’t arrived yet.

telemachus: *turns to his father* you told him it was tonight right?

odysseus: *nods* i did

odysseus: *thinks for moment and sighs* 

odysseus: he’s not going to come to this entrance… but i know where he’ll be

athena: i’ll go with you to get him

telemachus: me too!

penelope: *laughs* well i guess i might as well join too

odysseus: let’s go then

*they all head in the direction of the entrance for the palace gardens*

odysseus: *stops them before they all head outside* ok maybe we don’t all need to go down to the sea

odysseus: i’ll go meet him and we’ll both join you shortly

*telemachus, penelope and athena wait by the entrance talking amongst themselves, while odysseus makes his way down to the palace cove*

*odysseus arrives at the cove when he sees poseidon making his way out of the water*

poseidon: *sees odysseus* 

poseidon: king of ithaca

odysseus: *deadpan expression* poseidon.

poseidon: *rolls his eyes at odysseus, for the clear lack of title for him*

odysseus: the others are waiting, shall we get going?

poseidon: *about to agree when he remembers about the arrow*

poseidon: wai- uh i mean, i have a question before we leave…

odysseus: *eyebrow raised* 

poseidon: you're not… i don’t know, mad or angry with me or the sea’s inhabitants by any chance?

odysseus: huh?

poseidon: *pinches the bridge of his nose* has the sea or i, done anything to offend you in the past day?

odysseus: *now confused* no?

poseidon: *drops his hand from his face and then points at odysseus* then why did you shoot me?!

odysseus: *even more confused* shoot yo- whAT?

poseidon: *reaches into his chiton and pulls out the arrow he kept there* 

poseidon: *shows the arrow to odysseus* please tell me then, what have i done that's got you shooting arrows at the sea?

odysseus: *looking at the arrow, then up to poseidon* i've not shot any arrows at the sea? 

odysseus: also, who shoots arrows into the sea?!

poseidon: *hands up in the air in agreement, the arrow being thrown behind him* 

poseidon: that's what i said! but who else would it be? it hit the waters of this cove, so unless-

odysseus: *suddenly realises where the arrow has come from*

odysseus: *starts laughing*

poseidon: *brings his hands down and narrows his eyes at odysseus* what is so funny?

odysseus: *wiping a tear away from his eye from laughing so much* my son

poseidon: *now his turn to be confused* huh?

odysseus: *having collected himself * my son, he shot the arrow during archery practice

poseidon: *eyebrow raised* and you're teaching your son to shoot the sea… because?

odysseus: *rolls his eyes* it was an accident, my wife startled him and he misfired. 

odysseus: *lets out a tiny chuckle* i can’t believe it made its way to the sea though 

poseidon: oh

odysseus: yeah ‘oh’ 

odysseus: why would you think i’d shoot the sea anyway? 

poseidon: *arms now crossed and looking away from odysseus* 

poseidon: who knows with you…

odysseus : *smirking* oh poseidon…i’d just use other ways to get your attention

poseidon: *whips his head back to odysseus* 

poseidon: *sees odysseus’ shit-eating grin*

poseidon: oh be quiet… what if i arrived early? 

poseidon: *points at himself* i could have been hit!

odysseus: *snorts* oh please… an single arrow wouldn't kill you

odysseus: besides we both know you've been impaled with worse

odysseus: *turns to head back up to the palace* anyways, let's head up to the others

poseidon: *realising what odysseus said* wait-

poseidon: odysseus of ithaca!

odysseus: *just keeps walking ignoring poseidon’s outburst*

poseidon: *grumbles under his breath but swiftly walks to catch up odysseus* 

*odysseus & poseidon make their way to the palace garden entrance where now only athena is waiting*

odysseus: *looking to athena* where-

athena: *already knows what odysseus is going to ask* they headed to the dining hall.

athena: telemachus wanted to check some final things and penelope left to accompany him.

odysseus: *nods at her explanation*

athena: *turns to look at poseidon*

athena: *nods head at poseidon* uncle

poseidon: *blank look on his face* athena.

athena: *now looking at her nails* not seen you since you were up on olympus in apollo’s infirmary…

athena: *looks back at poseidon and grins* speaking of which… how’s your chest?

poseidon: *scoffs and crosses his arms* fine.

poseidon: *suddenly smirks back* need i remind you that you were also there for a similar  reason…how’s your face?

athena: *grin has left her face and now narrows her eyes at poseidon*

odysseus: *not wanting to deal with two bickering gods* 

odysseus: *sighs*

odysseus: *claps his hands together sharply* OK! how about we don’t fight in my palace, yeah?

odysseus: besides, telemachus has been extremely excited about tonight’s dinner, so i do not want anything ruining it…

odysseus: *makes sure to look at both of them*

odysseus: *red eyes appear & disappear in the blink of an eye*

odysseus: got it?

athena: *now semi-understands why poseidon listened to odysseus ‘requests’* uh-

poseidon: *putting an arm around athena’s shoulders* yep, no arguing here!

poseidon: *turns his head towards athena* isn’t that right my dear niece?

athena: *stares at poseidon in disbelief at the words ‘dear niece’*

athena: *turns to odysseus* you can’t be seri-

odysseus: *raises his eyebrow*

athena: *sighs* sure, no fighting in the palace

odysseus: *smiles* good. now i know you know where the dining hall is located athena, but poseidon doesn’t.

odysseus: so, if you’ll both please follow me.

odysseus: *starts walking down the hall*

athena: *shrugs poseidon’s arm off in disgust and follows odysseus*

poseidon: *sighs and also follows odysseus*

[medicalunprofessional]

[emo-batboy]

Little Headcanon About Battinson Solving Cold Cases :)