#yes I like tumblr I like their product

[strange-aeons]

Oh and that fucking crab day post sends shivers down my spine btw. I say this as someone who owns multiple pieces of tumblr merch — support them if you want, or don’t, I don’t care, but we are NOT turning a tech corporation into our poor little wet meow meow who deserves all our money uwu. We are NOT pressuring normal ass people into donating to resolve a company’s millions in debt as if it’s some important charitable cause.

[weabooii]

Thank you all for being so patient, my shop is finally open!

For the first time ever, I've made some apparel with my DandaDan design! I've been a fan of the manga since earlier this year and had it planned out for months! I'm so happy to finally execute it!

I'm so happy to share some of the new stuff I haven't yet posted anywhere and I'm very happy with how everything has turned out. Please check it out if you are interested! Thank you so much <3

[axinitewolf]

sprunki class doodles

[carnivalcarriondiscarded]

ah yes! the joys of executive dysfunction and something being Fundamentally Broken In Your Braincase!

[penguin-scribbles]

a cold and maddening descent 🍏🐙

[bythehearts]

not to bring tiktok drama on tumblr but like every time a ‘scandal’ comes out with one of these ‘production companies’ that make fan films i always hope we’re finally gonna discuss how they professionalize something that should be an hobbyist endeavor… and yet every single time i’m disappointed.

[mechazushi]

Long story short on the video, it's just a breakdown about mummies in history as it correlates to the history of its media as well. It's still a good and informative break down (Definitely check it out and support the channel), but as it got to the point of breaking down the tropes seen in movies about mummies and how many of them were seen in previous novelizations, I got to thinking about a story idea of my own.

It kinda revolves around the whole distinction between mummies that are powerful sorcerers that get the benefit of looking like a human and less powerful mummies that are forced to shamble around and be stuck in their bandages. It also dips into the "The mummy is looking to brink back their dead lover who just so happens to be reincarnated." trope as well as "bandage mummies only exist as servants/violent body guards".

So it takes place in the height of England's Egypt Craze where tomb "Unboxing" was still a thing and some British f*cks as well as their ✨gorgeous female assistant✨start poking around in a tomb. It's a lesser known tomb and everyone makes it clear that this was dedicated to some high ranking guard that made a noble sacrifice or something so they decided to make the guy's funeral a little more special. The British guys write it off and go see if there's a bigger tomb to plunder investigate (I feel like I should also mention one of these guys is supposed to be the female's betrothed love interest that immediately gets ntr'ed once the actual green flag walks, or should I say shambles, into the picture.)

Female Assistant sticks around to explore the first chamber more deeply and shenanigans happen. She reads some passages on the wall that has foreshadowing bits into it, maybe translates a scroll or two by candle light because she can't sleep due to the ✨visions✨ or some shit, and ends up accidentally resurrecting the noble guard from earlier. It's initially the lower tier type of mummy, the type that's somewhat mindless and still wrapped in bandages. Shit goes down, maybe it tries to kill the other tomb raiders explorers but it doesn't pan out (personally, I see it as a loony-toons type moment with the Mummy trying to kill them, the Assistant foiling every attempt, and the British guys none-the-wiser) Eventually it's discovered that the mummy seems to recognize the Assistant as someone he once knew and now only obeys her commands.

The Assistant uses that to her advantage and manages to drag it/him back to their lodgings. I have nothing specific for this part, other than that the next third and over of the movie (I see this as a movie. Or a webcomic if you wanna torture yourself.) is just Tarzan and Jane antics where they fall in love with each other. It's also happening alongside a side plot where the mummy is slowly gaining memories/intelligence/the ability to speak as it/he slowly sheds his bandages in the process. (I don't picture him losing all of the bandages. I still like a little bit of monster left to f*ck with. And yes, it's handsome.) Basically he slowly starts reverting back to the noble guard he once was as he remembers why he sacrificed himself in the first place and why the Female Assistant looks so familiar to him.

The last third cuts back to the British guys and them getting to meet the monkey's paw consequence of their hubris. They do the same thing that the Assistant did, only they end up resurrecting an ancient and powerful sorcerer that was sealed away for humanity's greater good. Maybe they strike a deal with the guy, maybe they run like the little b*tches that they are, who knows. Anyway, the mummy guard's spider sense pings and he realizes who ended up getting reawakened. Come to find out, the sorcerer also thinks the Female Assistant looks pretty familiar and does some wibbly-wobbly magic to confirm that, yes, she is some reincarnation of a long dead princess(/competing sorcerer maybe? It would be a nice double twist if you're into that sh*t)

Big fight ensues, the good guys win, and the Female assistant rides off into the sunset on an Excelsior Model 19 with the Mummy boyfriend.

The End.

[wonder-worker]

people really do not know what they're talking about when it comes to Elizabeth Woodville's social status, huh?

[cuteniaarts]

Digitalised + coloured + redesigned version of my Suiren and Vaatu sketch from two days ago, as promised!!

Coming up with Suiren’s design was a very long process of trying and failing because after you’ve drawn 9+ different versions of one character, the creativity starts to run a little dry, but I’m actually really proud of this one, she looks absolutely adorable <3

(Also yeah I did mostly just scribble Vaatu’s pattern because who has the energy to draw the all out accurately. Not me, that’s who, I’m chronically tired. People who draw him on the regular have my utmost respect. He’s still a funky little guy though :D)

Bonus, Raava incessantly screaming inside Suiren (and being completely ignored because Suiren is tired of her) while all this is happening:

[castielsupernatural]

fr fr if you are a new tumblr user and you ever have any questions about how tumblr works nor how to see the right stuff on your dash or how to make your blog not look like a bot you can dm me. i don’t care if you don’t follow me or i don’t follow you it’s not weird i just know tumblr is easier when someone shows you the ropes. it’s the last website in the universe that doesn’t play into instant gratification so you have to do a little trial and error to get the perfect experience but that’s exactly why it’s pretty much the only website left with a good experience. i am 100% serious

[themyscirah]

But look at us Luke, we're the ones left alone, holding some rich monster's pain. All of existence, built on his violence. All of space-time, humming to life with a single inviolate rule. Give the hero something to punch.

[hastalavistabyebye]

More oc doodles

And this time with Marcia <3

She's an adorable sweetheart with a resting bitch face and I love that about kaysh

@five-oh-thirst you want to see some doodles <3

[themidnightcircusshow]

@heartofstanding tagged me in this meme months ago and unfortunately it took me this long to get to it because I had a mild crisis over how long it's been since I've read a novel, let alone one that I loved 😅 so this is nine of my favourite novels (not books, because if I included manga/short stories/comics/etc this would be giant)

0The Picture of Dorian Gray -- Oscar Wilde// Pyrrhus-- Mark Merlis//The Scarecrow--Ronald Hugh Morrieson//Unnatural History--Kate Osman//Tunnels of Blood--Darren Shan//The Coffin Dancer--Jeffery Deaver//Hero--Perry Moore//Frankenstein--Mary Shelley//One Flew Over the Cuckoo's Nest-- Ken Kasey

[ildi-dragonheart]

random thought but after seeing that AMAZING ranpo and yosano fanart by @/fury176 i had this thought in my head wherin what if in the episodes covering yosano's backstory

from the moment yosano had to mass heal/revive the soldiers to her finding tachihara's older brother's lifeless body

the colors of the episode slowly start fading to just black and white like in the first few episodes of the untold origins arc up until the part where ranpo got his glasses

and tHEN

from then on the rest of the episode is just black and white uNTIL

the part where ranpo tells her that there is a place where she will be allowed to live

and at the moment ranpo says "there is", her world (and the episode) very slowly starts gaining its colors back like veryy slowly like

the colors are flickering faintly like how she's starting to have this little flicker of hope when ranpo said that there is a place that will accept her and allow her to live freely

and when ranpo says "it's your kindness that means something", when she finally cries, the episode and her world burst back into colors

idk i just had that thought right after i saw the fanart when i was in school earlier

[agentravensong]

post-hamlet thoughts

tl;dr my college did hamlet and i was in it and it was cool

first of all, in case i hadn't made this clear already, this was entirely student-produced. i mean, we got some money from the theater department, but people-wise, it was all students.

i've told the rest of the cast this time and time again, but they're so good. insanely dedicated and humbling in their talent.

our hamlet, horatio, ophelia, and laertes were all freshman, and they were all stellar. ophelia and laertes broke my heart every night in the second half with their anger and their sadness. horatio always brings top energy to scenes and had lots of funny moments (espec counting his doubling as the second gravedigger) but also made me feel things (we staged act 4 scene 6 as him alone on stage reading hamlet's letter to the audience and he killed it every time). and our hamlet was just incredible; a pleasure to act against as guildenstern and a pleasure to watch / listen to in their more emotional scenes.

and everyone else was great too! our polonius was always funny but also had genuine moments of connection with his kids; our cladius brought some great depth to the role (his take on the monologue in act 3 scene 3 was great) while still being despicable, especially in his manipulation of laertes; our gertrude brought our director's take on her to life impeccably; and, of course, i had a wonderful and hilarious partner in our rosencrantz :)

not to mention our quartet of players (who also filled out the other miscellaneous roles) who had a ton of great moments. shout-outs in particular to the guy who doubled as the first gravedigger and sang his sung lines as a sea shanty (honestly, i think he could have been a great guildenstern or rosencrantz in another universe).

the crew, of course, was also amazing. there were like 150 cues? my friend (the writer i mentioned in this post) did a fantastic job with the lights. the people behind the staging and makeup did just as well. and the costumes were so fun! everyone looked great; we had a consistent black-white-red-brown color palette that tied it all together. special shout-out to the player king wearing a white shirt with a black cape while cladius wore a zipped-up leather jacket and a white cape.

oh, and me and ros? we got fedoras :) i may share a photo later. maybe.

we did our show in the college black box theater (inside the fine arts building), which i do not currently have the brain cells to try and explain the layout of. it's a kind of weird space, but i think we made the most of it. for the majority of the show i was off stage left, meaning i was hanging out at the top of the stairs which serve as the main entrance and exit to the theater (sitting/standing where i couldn't be seen by the audience obv). you can't really see the stage at all from there but you sure can hear the actors, and by the time of the show that was (mostly) enough for me.

as far as how the actual shows went?

friday was our most engaged audience. their laughter was greatly appreciated in the early scenes ...slightly less so when everyone was dying in the final scene. i mean, i get it, people start dropping like flies and actually foaming at the mouth and spitting out (fake) blood; it's a lot. i applaud hamlet and horatio for staying in character through it. everyone did a great job that night; it was probably better than all our dress rehearsals as a whole.

saturday, at least from my pov, had kind of weird vibes at the start? i don't know how much of it was people getting to bed late the previous night, how much of it was overconfidence, and how much of it was people getting in their own heads, but it was our lowest energy show. the audience wasn't as audibly engaged either, but they did give us a big applause. i felt more good than bad about it by the end, for sure.

especially in retrospect, because, despite us having a smaller crowd at today's matinee, everyone was back on the ball. the ending in particular i think was the best we've ever done it. it was probably my best performance as well.

to be clear, i wouldn't rate any of our three shows below an 8 out of 10, for what that's worth. everyone gave so much to their performances; the funny bits were funny even when the audience didn't seem to think so, and i was always getting caught up in my feelings in the second act. you can't ask for much more than that.

now, here's a compilation of things from the production in no real order:

i already posted about this, but having the blood stains on stage where people die from the beginning of every show? *chef's kiss*

i'll also restate the thing i mentioned in the tags of that post: characters who were murderers had symbolic blood makeup after they killed someone. cladius had a bloody ear from the start of the show, the meaning of which becomes clear once you see the player king get poison poured in his ears; hamlet got blood on their face during intermission that's meant to be polonius's blood; and, arguably most significantly, gertrude had bloody handprints around her neck when she entered at the end of act 4, which, in addition to her hair and arms being dripping wet, is meant to suggest that the story she tells about ophelia's death is, in fact, a cover for something less accidental.

as mentioned above, our director's take on gertrude in general was, from my understanding, pretty different from the standard. to quote from his character spines, "you fundamentally want to prepare your son hamlet to be king; you are playing essentially a game of chess to do so." it was really compelling to see in action. the way she performed act 4 scene 7? chilling.

speaking of those character spines, the first line of horatio's is literally just, "You are in love with Hamlet." and boy howdy did that come through

prime example of that (other than just, all of his and hamlet's interactions, which were wonderful): when horatio finished reading the letter from hamlet, he sniffed it, in a very sweet and very not-platonic way

it was an unintentional running gag throughout the whole process that other cast members would forget between ros and me which character we were playing - to the point that every performance, when hamlet first greeted us, even though i would get to them first, they addressed me first, and it's written that they say my name first, they would call me rosencrantz and our ros guildenstern. ...someone should write a play about that.

i might have posted about this already, but in ros and i's first scene with hamlet, when the two of them start talking about child actors, hamlet made us sit in the thrones, and we would make moves to leave of varying boldness that they, of course, never let us follow through on. this then got basically repeated in act 3 scene 2 except that horatio got to join in on the fun of relentlessly mocking us

(the thing where hamlet handed me their copy of william shakespeare's complete works while they dud the "what is a man" mimi monologue got dropped at some point in the dress rehearsals, unfortunately. they did flip through it with the players though)

during the play within a play, polonius would keep falling asleep and ros and i would keep waking him up

(we also got to do some fun silent banter back in act 2 scene 2 while hamlet and the players were doing their thing)

then the bit after that with the recorders, aka guildenstern's defining moment, was just so fun. hamlet and horatio basically sandwiched ros and me between the two of them, and hamlet and i played off each other very well (at least imo), and though i couldn't see what horatio and ros were doing behind me i know that it got some good laughs. and i could tell every night that the scene landed despite the shakespearean language barrier, so i can't help but be satisfied.

my other best moment was when the king told me to go get polonius's body from the stairs and i got to slump and make a "do i have to?" face before my (final) exit. i managed to actually get some chuckles from that tonight, from the crowd that, again, laughed the least in general, and i can't put into words how euphoric i was to have that be my last moment playing guildenstern.

from the rest of the second half of the show, which i am not in, i will highlight a) the gravedigger eventually realizing after shoveling for minutes on end that he's been shoveling literally nothing (love me a good little fourth wall break) and b) when hamlet and laertes come to physical blows over ophelia, horatio, on his line, steps between them, draws laertes's sword, and takes a stance pointing it at laertes to hold him off, all in basically one glorious motion.

oh, and the ending, of course.

as i alluded to way earlier, we had fake blood and alka-seltzer tablets that the people who died in act 5 scene 2 used to great effect (particularly the people who died via poison)

speaking of that scene, the sword fight was very neat! well-choreographed and well-enacted. real foils btw

and the way hamlet and horatio performed the ending? more than anything, the way hamlet said "give me the cup; let go!" - that shit hurt, in the best way, every night. (and though hamlet died in the king's throne (with the king's crown on), horatio held / clung to them the whole damn time)

for a lighter final note: our polonius doubled as fortinbras and came on at the ending in this huge, heavy, vampire-ass cloak, accompanied by our director as the messenger from england who announces my and ros's death :)

thankfully, we did record our last dress rehearsal, so we do have a version of it that we'll get to watch back in the future. i won't be able to share it with any of y'all (we will apparently be in BIG trouble if we post it anywhere online) but it'll be nice to have for me.

funny thing that happened while i was typing this long-ass post out: i kept using present tense and then realizing i had to change it to past tense. and by "funny" here, i mean, uh... oof.

we never got a perfect run-through where no lines were skipped over, but, i mean, it's fucking hamlet. we did this shit in like a month and a half (with a week lost to spring break); it's more than impressive that the show turned out how it did. it was a group labor of love, and one of the best things i've ever gotten to be a part of.

and i miss it already.

...at least there's movie night on tuesday :)

[jupiter-reimagined]

i think im going to kill someone if i read 1 more comment thats just like "OF detected, opinion rejected" because what the fuck does that have to do with anything. what happened to letting people do whatever they want w their lives and earn money in any way they can. i think im going to be sick actually. people really be out there saying theyre pro sex-workers until they see like. an actual one in the internet wilderness. i think im gonna actually delete instagram i cant stand it anymore lol