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#yeah that makes sense to me as well
soosoosoup · 2 months
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treasure planet au, last of the batch (Poppy & Floyd)
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saewokhrisz · 1 month
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also for tma prompt ideas, desolation avatar tim? I've seen the idea floating around n I think you would have an awesome interpretation
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gorgeous gorgeous girls get blown up in a wax museum and become one with the wax and fire
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keferon · 26 days
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“Mistakes on mistakes until” ch 69 spoilers below!
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Ahahahahahahah here I go again
Mistakes on mistakes until until I can draw Jazz with my eyes closed
I woke up, checked my phone, woke up for real and decided that whatever plans I had for this day yeah no they can wait a little bit kfkgnfk
Also. Consider listening this while reading. Or don't who am I to tell you what to do~
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tojisun · 3 months
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johnny breaking in your pussy to prepare it for a bigger cock (simon’s) :(
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mummer · 3 months
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the nights watch cultivated its strength from doomed men who had their life as their only possession..... making an offering at the onset of winter... this is not a sentence but an honour......
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mamawasatesttube · 2 months
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wish more ppl in the timkon tag understood the concept of "best friends to lovers" 😩 where's my "years' worth of stupid inside jokes referenced at the worst moments just to make each other giggle" nonsense. where's the bone-deep understanding and knowing of each other. the ease and relaxation in each other's presence. the "i know how your head works without you having to tell me" of it all. where's the "no one knows me better than you. how could it be anyone but you" of it all!!!
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annabelle--cane · 1 month
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I don't think it's quite so simple as "queer internet discourse doesn't matter/exist in real life" because in order for someone to be posting on the computer they also have to be a real life person who might sometimes exist in offline queer spaces, I think it's more. social media isn't actually for having real conversations where you learn and exchange ideas, it's for automatically picking a side on an issue and Being Right At All Costs, but if you're looking at someone face-to-face and they say something out of pocket you can usually talk to them for five minutes and then they'll say "huh yeah I guess I didn't think of it like that."
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itwoodbeprefect · 3 months
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i was today years old when i realized that the orange blobs on this shirt pat wears for a good part of episode 6...
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... are flowers (and rocks)...
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... and not, as i fully believed, many tiny flying pomeranians. for your convenience i've prepared a visual to argue the validity of my interpretation
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corporate needs you to find the difference.png
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pup-pee · 5 months
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SO I MIGHTVE GOTTEN A BIT INSPIRED BY THIS POST
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divorcedfiddleford · 1 year
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and you may say to yourself: "my god! what have i done?" and you may tell yourself: "this is not my beautiful wife!" and you may tell yourself: "this is not my beautiful house!" and you may ask yourself: "well, how did i get here?"
time isn't holding up, time isn't after us, time is a pony ride! (images described in alt text)
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turtleblogatlast · 5 months
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I honestly love the clothing styles of each of the turtles in this show and I love how these styles really incorporate their personalities as well.
Like, obviously Donnie has the best sense of style, yeah? Think that’s something pretty agreed upon here. Everything we see him put together is very meticulously crafted and clean. That goes with his personality because Donnie is a very meticulous person in general, and he knows what he likes very, very well, and knows how to flaunt it in turn. Him commenting on colors he enjoys or disapproving of outfits that the others see no problem with also shows how he just generally has an eye for this kind of thing. He doesn’t just know what looks good on himself, but also what looks good on others - and I think this ties into his love of gift giving too. Donnie also has a flair for making sure that his things have his “mark” on them, and his clothing is no exception. All that he wears and how he wears them screams “Donnie.”
Mikey is really fun because his styles are honestly a pendulum between super simplistic and incredibly out there. And often, you’re going to see a lot of color or patterns to both. And in my opinion I think that all reflects really well on Mikey’s character - he’s got a colorful personality but even more than that he’s incredible sure of who he himself is. Mikey’s style, I feel, is less what looks good as clothes and more what sparks joy in Mikey himself. His bright stickers he wears are a testament of that! He’s comfortable in his own skin and his style reflects this perfectly, whether he goes for a more out-there look or a more toned down one.
Now, for Leo. Okay, I think I’m actually in the minority here I feel because Leo’s style isn’t really that bad? Hear me out- if you actually look at what he wears, try taking out, like, one accessory. Suddenly, that outfit works! He even manages to put together many good outfits in the series, but his “bad” ones are the ones that tend to stand out, alas (just like how his mistakes tend to be big ones oop-) Basically, my personal look at him is not that he’s inept at styling at all, but that he has a “too much” gene. And like everyone else, this sense of style is completely like him, too. Going too far to impress when all he needed to do was slow it down some to think things through. (And funnily enough, a lot of his outfits take random aspects from his brothers too - “nothing without them” huh?)
For Raph, I feel bad for him since pretty much all of his clothes are inevitably going to be ripped, but he makes them work pretty much each time. Like Leo, Raph tends to go more sporty with his looks, but I also noticed that his stuff often goes in that in between of comfy, cool, and cute. His pajama suit in particular comes to mind in terms of “cute” as it’s more something you’d see younger children in rather than older kids, and I think it can be a subtle nod to the fact that for all Raph tries to seem older, he’s still just a kid too.
I could probably go on, but these are just all off the top of my head - I love how the boys’ personality’s come out in so many different ways.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt headcanons#rise donnie#rise leo#rise mikey#rise raph#I love fashion actually#if you’re wondering where this came from it came from me watching hours of outfit creation vids#but yeah! I honestly could probably go more into it#but I’m going off my memory for the most part rip#Leo in particular makes me sad because I disagree with like 99% of the fandom about his fashion sense LOL#I don’t think it’s bad but it’s def not close to Donnie level#Donnie is his own category#Leo though he’s not just jerseys and ripped sleeves#he wears full eye makeup as a granny and kills doing it#his pirate costume was very well put together imo#even his regular weird frog like disguise is perfectly fine when you get rid of the goggles#I ALSO don’t think Raph’s style is bad either#my boy has more difficulty with clothes since he’s limited to the stretchier stuff but like#he’s got good style!!#I’m def looking more into this all than necessary but#watch me come back to this and change it like fifty times#if you’re wondering what I mean about Leo’s outfits taking from his brothers#look at Raph’s standard disguise (the one they go out to play basketball with)#ripped sleeves and a backward cap#one of Leo’s main outfits in The Clothes Don’t Fit the Turtle?#ripped sleeves and backwards cap#incedentally these borrowed aspects actually hinder his overall look!#his outfit without them is more HIM y’know? which says a lot about allll their individual styles
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57sfinest · 2 years
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theoretical entroponetics: the post
okay. LONG post incoming. i have summarized all available information on the pale, separated into confirmed objective truth & in-canon speculation that may or may not be true, and then appended my own very detailed theory on the pale! this post is meant as a resource; please feel free to add things of your own in replies/reblogs (please tag me if you do!) or point out any errors i may have made. you’re welcome to use any of my personal theory in your own work but please credit me if you do!! (and tag me in that/send it to me, i really want to see what you do with it!)
Here’s what we *know* about the pale, according to in-game and concept art: 
It erases data, at least the kind stored on radiocomputer filament and magnetic tapes.
It has no dimensions of its own- pale latitude compressors serve to force dimensions on raw pale and allow navigation. 
The pale is referred to in the context of entropy
It arrived with mankind, but not immediately- there are 8000 years of written history, but the pale was first recorded 6000 years ago, implying that pale either didn’t start forming immediately or that it was so insignificant/distant that it went unnoticed for 2000 years. 
There exists a group of people who are actively trying to expedite entroponetic collapse; the ideology is called entropolism
To this point, pale isn’t immediately visible. Pale has molecular structure, but manifests as a waveform, and only becomes visible at a certain distance from the origin, once wave frequency is sufficiently high. 
During pale exposure, people experience “sense objects”: visual or auditory hallucinations and/or vivid physical recollections of memories. These hallucinations may originate from their own consciousness or someone else’s. c
People require physical and mental examinations before interisolary travel and are allotted a certain number of days per year as their pale exposure threshold. 
Overexposure results in a pale “addiction”- these individuals crave pale exposure, and it’s unclear if this addiction can ever be broken. It’s also unclear whether there is a point at which pale exposure becomes lethal, but given that it dissolves matter, we can be fairly certain that a given length of continuous exposure will kill. 
Radio signals, cold plasma torches and anodic sound are all used to manage the pale to permit travel through it. Plasma torches destabilize the molecular structure of the pale to create gaps, anodic sound widens and maintains these gaps, and radio signals rationalize the pale into recognizable dimensions.
Radio signals are, in return, susceptible to corruption by the pale, resulting in entroponetic crosstalk, where signals from the past or the future are transmitted to the present. CCP is one such phenomenon and is directly related to the formation of new pale through magpie interpretation.
There is a dedicated Union for people who work in and with the pale (the Pale Workers Union). They have two slogans; “The light purifies; The sound absolves; The pale no more” and “Son et Fureur” (sound and fury)
Here’s what we may choose to believe about the pale, based on the thoughts and beliefs of in-game characters:
In conversation with Soona, the pale is described as a “curdling milk” phenomenon: “repulsive, but natural”
In this same conversation you can theorize that the churches were meant to contain the pale origins; out of the seven churches, six were destroyed during the suzerain or the revolution
The phasmid and whatever other lifeforms it’s communicated with believe that entroponetic collapse is comparable to an oxygen holocaust (i.e. the great oxygenation event), implying mass extinction due to a toxic overabundance of sapient thought
Harry refers to it once by saying “The wolf is at the door. It’s going to eat the sun.” so take that as you will
It’s likely that Tiago’s “Mother” is some manifestation from the pale, if you choose to believe that the 2mm hole is in fact a pale origin point (the concept art does confirm it’s a pale origin, but the game offers other explanations, so I won’t say it’s the only answer)
Inframaterialists believe that revolutionary action (NOT thought) may create a counter-force that will prevent the spread of pale; it’s unclear if any reversal is possible.
The world will be fully consumed by the pale in 27 years (I put it here because you may or may not believe that shivers and harry are reliably sourcing this information)
And now my personal speculation about the pale:
A quick and easy point: it’s confirmed that the pale has a measurable EMF “exhalation” frequency that varies with proximity. Strong enough EMF pulses can actually tamper with magnetic storage- radiocomputer filaments! Electronics! Fortress Accident data loss! This gives us a tangible explanation for why pale can delete data :)
This may also explain its ability to cause radio interference- radio frequencies are just a subset of EMF frequencies, so it’s possible that pale exhalation on *just the right frequency* is what’s responsible for the entroponetic crosstalk we get on radios sometimes
The pale canonically has an atomic structure, but it also has wave properties, so it’s possible that the pale has wave-particle duality on its subatomic level, like photons do
Based on this, entroponetics is likely a very similar field to quantum mechanics, which might be an interesting source of ideas for anyone (like me) who wants to explore pale-related possibilities
The pale could be a manifestation of raw patterns. That’s why math “forces dimensions” on it- it rationalizes or “tames” the patterns, which allows it to be manipulated to a certain degree.
There are several references to the pale that refer to mathematical concepts and patterns, saying that the world dissolves into “a tangle of azimuths and cosines” as it blends into the interisolary pale- more on this later
Steban comments that the pale is commonly theorized to be nostalgia or “historical inertia”, but it’s largely agreed that it’s “the past” in a broad sense. Thinking about the idiom that history repeats itself, it could be that history/the past is part of the pattern that comprises the pale, and that it’s also the type of pattern most readily perceived by people (people don’t viscerally *perceive* math, for example, but we experience memories)
To first define entropy: Chemically speaking, “the measure of a system’s thermal energy per unit temperature that is unavailable for doing useful work. (per encyclopedia britannica).” Physically speaking, it’s a measure of randomness or disorder in a system. Less work/less order = more entropy; it’s a physicochemical “winding down” of a given system
It’s commonly thought that pale is the entropic force, but what if it’s the opposite? (Keep in mind the chemical definition: less ability to do work = more entropy) Consider: the pale as less entropic, a cleanup force, recycling the potential lost by death and destruction in the universe. This in part explains why a dead person’s memory is present in the pale- their potential has been recycled into the pale in the form of their memories (their life’s *pattern*)
Enthalpy is a related concept to entropy and is defined as the total energy contained within a system. Holding the system enthalpy constant- saying the universe will always have the same amount of total energy, no matter what, according to thermodynamics- results in an entropic tug-of-war between the pale and the world. The pale wins through sheer inertia (again, inertia is mentioned specifically in game)
Overall: think of the world as “cooling”, losing heat and energy through war and death and complacency. Think of the pale as steam and heat, melting down old materials to start it all over again. (Kim says, *through entroponetic interference*: “it’s been a long, cold winter.”)
Consider: the pale as a sinusoidal function, eternally repeating. The pale recycling the universe to start a new cycle, “spending” itself, resulting in pale not being present in the beginning. Then, as the new things begin to settle- with the advent of the human mind, specifically- the pale reforming, slowly reclaiming potential, eventually ending the cycle to start again.
In comes CCP and magpies. Consider: CCP as a backwards transmission from the next “cycle” (after all, pale has no sense of time). Magpies as *pattern-sensitive* people who are able to decode CCP into something useful called novelty. They reach into the potential of the next cycle to build the potential in their current one- this paradox could be what creates more pale, because (and this is where it gets weird, I apologize) doing this retroactively increases the total amount of energy/work/potential in the current cycle to have been reclaimed by the pale for the next one.
Think of the pale as the compost bin for every single thought in the universe. The pale is the exact right size to compost every little atom and thought in the universe, and can hold nothing extra. But magpies reach into the future, the next cycle, and bring in extra. This paradox forces the pale to grow to accommodate the additional material, which also increases the starting potential of the next cycle. This process allows each cycle to accumulate minor changes from the previous one, which can snowball over many cycles.
Furthermore, to the inframaterialists’ point: revolutionary action would be such a radical shift in inertia that it would increase the potential in the world, forcing the pale to pause/shrink to “balance the equation” in terms of pale-vs-world thermodynamics. So maybe they’re right after all :)
And some diagramming, to explain the utter bullshit I’ve just dropped:
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wisted-twonderland · 10 days
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aware
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thatonebirdwrites · 21 hours
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Cheating Death Part 2
Part 1 here.
Only seconds after Lena vanished in the portal, the Kryptonite cage melted into the floor. A yellow light pulsed so brightly, Kara had to close her eyes. Light infused her cells and pushed the pain of the Kryptonite away.
Lena's words echoed in Kara's head. How she'd stomped and shouted, the tears on her face, the desperation in her voice. How heartbroken she'd been when she'd said, "No, no you don't get to tell me who I am anymore."
She didn't know what to do. Lena had been hurting and grieving this entire time, and what had she and her friends done? Celebrated her brother's death, ignored Lena's increasingly isolating behaviors, and pretended everything was fine.
It wasn't fine.
Yet, the yellow light. Why had that activated? Was it Lena or the Fortress?
Kara ran through the Fortress to the control panel. She dug into the log and swiftly found Lena's code. It had been programmed to create the cage if Kara asked about Myriad, but then the yellow light was also programmed to heal Kara after Lena escaped. A note was annotated on that section of the code, and Kara's breath caught in her throat.
"I wish I could stop loving you. This hurts worse than death."
Tears dampened her cheeks and she wiped them away. What would she tell Alex? How can she explain any of this?
She didn't want her friends to turn on Lena, and Alex definitely would go after Lena if she knew about the cage. It'd been temporary, and Lena had programed a healing sun-bed equivalent burst for after. That alone gave her hope that she could still reach Lena.
Because even in her heartbreak, Lena did not want Kara dead.
She grabbed the weapon she needed, the same one Lena had used to stop Leviathan from killing Kara, and re-calibrated security. Her tears froze on her cheeks by the time she finished.
Kara flew out of the Fortress and high into the stratosphere. She listened for Lena's heartbeat, but heard nothing at first. Fear clenched her heart. Either Lena hid behind lead, or something terrible had gone wrong since she'd left. She hoped it was the former.
With a heavy heart, she flew to the DEO. Alex waited on a balcony.
"Kara?" Alex said, alarmed. "What the hell happened? Where's Lena?"
Kara held out the weapon. "It works as hoped. Sustained blast will keep Rama Khan down, and then attach the power dampeners."
Alex took the weapon with a frown. "Kara, what happened to Lena? Where is she?"
Kara shook her head. She couldn't voice it. She refused to believe Lena was lost to them. There had to be a way to save her, to bring her back, to repair what Kara had fucked up.
She pressed her hands against her face and flinched when Alex tried to touch her shoulder. "I got to find her," she whispered. "I got to make things right. I got to."
"Kara, I can't help if you don't tell me." Alex's voice held kindness, but Kara knew how quickly Alex could turn to anger. When it came to Kara's safety, Alex might cross a line she'd regret. Kara had done it for Alex a few times.
But with Lena? Kara had no boundaries. Lena held her heart in a way no one else did. She'd talked herself into settling for Mon-el, but it'd never been who she needed.
She needed Lena.
"Kara?" Alex tried again. "Kara, talk to me."
"She's the one who shot Lex." The words felt unreal.
Alex's brow wrinkled. "I thought he died when he fell."
Kara shook her head. "We never found a body or even parts from his suit, remember? If he had a portal watch, he could have gone anywhere."
Alex sucked in a breath. "And Lena was waiting for him?"
Kara nodded. "She shot him to protect us. She's been grieving and hurting all this time, and what have we done? Ignored her grief! Where were we for her pain?" She paced the balcony as fury at herself and everyone around her built up in her sternum. "I hurt her! I hurt her with my lies, and I have to fix this."
"Kara," Alex hefted the weapon. "Maybe let Lena have her space. We still have to deal with--"
"Alex, you didn't hear her!" Her pacing quickened and a groove appeared in the concrete from her superspeed.
Kara should tell Alex, and yet she couldn't. She needed to save Lena from Myriad herself, but to do that, she needed to find Lena. And she still couldn't hear her heartbeat.
She let out a shout of rage, her fist colliding with the wall and shattering the concrete. "I hurt the person I love! I have to fix this. I have to bring her back."
Her rage petered into sobs, and she fell to her knees.
Her, the strongest and fastest on the planet, brought to her knees by a Luthor.
She thinks of all the times she could have told Lena, and how she'd chickened out, afraid of losing her. Afraid of living a life without Lena's presence. Now a Lena-shaped hole had been carved in her chest, and she hurt.
It felt like Kryptonite all over again.
Was this how Lena had felt the past few months? This agony?
And yet, Lena had still helped. She'd still saved Kara's life. Still built devices that helped others. Why Myriad? Why use that monstrous device? Kara couldn't make sense of it. The months of pretending to be Kara's friend.
She should be angry at Lena. Furious at the betrayal, but she felt only grief. She'd started this with her lies, with leaving Lena in the dark. Lena could have helped so much more if she'd been in on it from the start. Then this never would have happened.
Kara sat there, silent, head-bowed long enough for Alex to leave and return with a cup of herbal tea. Rooibos since most other teas were too intense thanks to Kara's supertaste. Her fingers curled around the warm cup.
"I tasked Brainy and J'onn with the weapons. We'll deal with Leviathan." Alex smiled and squeezed Kara's shoulder. "You do what you need to do, Kara. I'm with you, okay?"
Kara nodded numbly. She sipped the tea and slowly became aware of a high-pitched beeping. "Wait, that's the signal watch," she murmured. She put down the cup and listened. It came from downtown. "Lena," she whispered.
Before Alex could respond, Kara blasted into the sky and broke the sound barrier. The crack whipped across the city and shook windows. She landed on Lena's balcony at L-Corp, ripped open the door, and dashed into a dark room. The beeping came from the stairwell.
Horror twisted her gut. She supersped down the stairs, all forty-three flights, until she reached the stairs just below ground level near the door to security.
She threw open the door and the thick scent of iron assaulted her nose.
Eve lay in a pool of blood, no heartbeat. Someone dressed in black lay crumbled near Eve, again no heartbeat. Blood coated the stairs from where Lena must have crawled.
Lena, her Lena, lay motionless, one hand on the top step. For a horrifyingly long second, Kara couldn't hear a heartbeat. She dropped next to Lena and pressed her fingers against Lena's pulse point.
No, there it was.
A faint badum-badum, the most precious sound in the universe.
She could do nothing for the others, but she still had a chance to save Lena. A scan of her body revealed the bullet in her side, how it pierced a lung.
Kara gathered Lena into her arms, and ran through the security sector, hitting each door with her shoulder to wrench it open, until she finally made her way outside.
Lena's blood soaked into her suit, her head rolling in Kara's arms. She held her close and flew as fast as she dared toward the DEO. "Lena, please," she whispered, "please hold on. Don't you dare die on me. Not now. Not like this."
When her feet touched down, she heard Alex's voice shouting about a Rama Khan sighting. Agents poured into vehicles, and the team prepared to leave.
Kara ignored them. She walked through the bustle, and people parted for her.
Alex turned from where she studied Brainy's screens. Her eyes widened. "What the hell...?"
"Please. Help her." Tears clouded her vision.
"Medical now. Brainy J'onn's in charge." Alex grasped Kara's arm and maneuvered her through the mess of the control center. Technicians worked on last minute fine-tuning of weapons, and others manned screens plotting possible vectors. Activity that meant nothing to Kara, not if Lena died.
Not if she couldn't speak her last truth to Lena.
She laid Lena on the medical bed, and Alex ordered her nurses to get an IV in immediately. Kara began to pace, the blood drying on her suit. Alex cut away Lena's shirt and examined the wound.
"She needs surgery now."
"What do I do?" she asked Alex, anguished. "What do I do?"
Alex shook her head. "You can't help with this. Go help J'onn, and wear Lena's anti-kryptonite suit. I'm not sure how long I'll be in surgery."
"Can you save her?"
"I will try my best," Alex said. She refused to look at Kara, and that told her far too much.
Alex didn't think Lena would make it.
"Promise?" the words came out small, plaintive.
"Promise. Now get out of my way." Alex hooked the IV bag to the pole on one end of the bed, and rolled it toward an interior suite. Two nurses followed along with a second doctor.
Kara closed her eyes and listened to the most beautiful heartbeat in the universe -- it faintly hung on, slower and slower with each passing minute.
She couldn't stay and watch the medical team open up Lena. She couldn't.
Instead, she grabbed the anti-kryptonite suit. As it flowed over her, she almost wept again. It felt like Lena hugged her, the suit entirely her design and her nanites.
She flew outside and listened for J'onn. The fight was to the southeast by the docks.
Hadn't Leviathan been targeting Lena? She'd saved her once from them already. Maybe twice if she counted the break-in that had knocked Lena unconscious.
Now Lena was dying, and Kara didn't just want justice for Lena.
She wanted to tear apart whoever ordered that assassin.
The windows shook at the sonic boom, and the ground cratered when she landed.
Rama Khan and another Leviathan member battled J'onn and Dreamer, who had the weapon from the Fortress. Agents, with adjusted weaponry to match the power-disrupting frequency, scattered around the docks.
Kara didn't care about the risk. She didn't care about the Kryptonite weapons the assholes carried.
She crashed into Rama Khan and threw him into a dock building. The wall crumpled. "Did you hire Lena Luthor's killer?" she growled.
Rama Khan laughed and stood with hardly a mark on him and his ridiculous earth-toned suit. "Those who cross Leviathan do not live to tell the tale. Let you now join her, Supergirl." He extended his hand and the ground shook violently.
A blast from Dreamer's gun sent Rama Khan sprawling. Kara sped over and grabbed him by the throat. Her feet she stomped on his arms. "No one hurts Lena and survives," she growled. Her eyes glowed, and she let out a scream of grief and fury.
She blasted him and punched him again and again. Blood gushed from his face, but then he melted into the earth and stumbled into being a few feet away.
Only for Dreamer to blast him again. Kara pummeled him with the rage of a thousand suns. Her vision red, and the land ripped and shredded in their fight. Part of the pier demolished when Kara threw Rama Khan's accomplice into it. Another building fell when Rama blasted Kara into its walls.
Rama Khan slowed, each blast from the gun scrambled his powers long enough for Kara to rip into him until he bled from multiple places. She lost track of the others, so intent on eliminating the one who ordered Lena's hit.
"Kara!" J'onn clamped the power dampeners on the alien. "Kara, we got him."
Kara clenched Rama's neck and looked down to see the cuffs clasped to his wrists.
How much loss could a heart handle? Why did the universe seek to torture her so? Her entire planet, nearly all her friends, and now the woman she loves most -- loss melted through her crevices, filled her with a blinding fury.
She'd fought to keep everyone alive. It's why she needed to be in control, but that obsession of controlling everything, to make sure she never lost, had poisoned her. She couldn't control everything.
She couldn't even save Lena. The thought of Lena dying in surgery, of never hearing her voice again -- even Lena shouting in anger?
Her fingers crunched bone. Rama Khan tumbled from her grasp and hit the ground with a thump, motionless.
Dreamer and J'onn looked at her, but she didn't respond to their words or looks. Agents swarmed around them to secure the site, while Brainy set up the containment unit for Rama Khan and his accomplices. The ruckus roared like the sea in her ears.
She turned without a word and shot into the sky. She flew as high as she could, to where little to no oxygen existed. The fury burned in her, and she wanted to rip herself apart. She deactivated her helmet, turned off its life support systems, and let the lack of air suffocate her and her emotions.
She'd live. She'd always live, wouldn't she? While all she loved died.
She closed her eyes and let herself fall. Air whooshed around her body, screamed in her ears as she hit terminal velocity. For those brief moments, she heard nothing but the shrill wind, the rest of the Earth drowned out in her fall. A moment of release from the endless soundscape.
Halfway to the ground, she righted herself and flew to the edge of Earth's atmosphere. Again she let herself fall. For a third time, she soared high and fell.
Each time she let herself get closer and closer to hitting the ocean. No matter how hard she tried, she couldn't outpace her fury at her own actions. At her failure.
This time she hit the water. She sunk into its depths.
Sea life swam around her, the distant calls of whales rippled through the water. What should delight her brought her sorrow.
No, she couldn't die. Her wretched powers, her curse, kept her alive. Kept her isolated from those she loved. Her careful, practiced control meant even in moments of extreme emotion, she still had to make sure not to hug too tightly. And kissing? How many noses had she broken?
All she wanted was Lena. Even if she could never be with Lena, she needed Lena to be alive. To be healthy and happy. Kara could live with just being on the sidelines, right? As long as Lena was alive.
She burst out of the ocean in a shower of sea water. She hung in the air and watched the waves below her. Her ears tuned to her favorite heartbeat, and there it was, faint, far too faint, but still pulsing.
A slither of hope wove into Kara's wretched spirit. She flew back to the DEO, the wind drying the moisture from the sea.
When she landed, Nia met her at the balcony's doors. "Kara," she breathed out as if she'd been running. "Been looking everywhere."
Kara crossed her arms over her chest. "What do you want?"
"It's Lena. Alex said to let you know the surgery is ongoing and Lena's handling it like a pro." Nia met her gaze, but worry painted across her face. "Don't lose hope yet. She may still live."
Kara said nothing. She heard the rebuke in Nia's words, but she didn't regret her actions. For Lena, there was no boundaries. She'd destroy a thousand Rama Khans if it meant saving Lena.
She followed Nia down the hall, through two intersections, and into the medical bay. Most of the beds were occupied by injured agents from the Leviathan battle. It was the surgery room that occupied all of Kara's attention.
Lena's heart beat still in those glass walls.
Kara walked up to them and pressed a hand against the cool glass. Lena looked so pale. So fragile.
The tears returned. Her chest constricted with a Lena-shaped hole that ached with each beat of her heart.
She didn't move from that spot for the rest of the surgery. Kara held vigil in silence, unmoving. She'd given Lena revenge on those who tried to kill her, and now Kara waited.
Waited for hope to dawn once more.
/end part 2
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not-equippedforthis · 8 months
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really love characters who have varied panic responses. kirk stating himself that he does not panic outright, externally, not in high-stress dangerous situations, but instead becomes tense and level like a wound string, on-guard: mostly because his role as captain necessitates that he maintain level rationality even when facing potential death as his training as 'the guy who tells you what to do when shit hits the fan' requires, but also because his childhood experiences taught him early that drowning in the desperate haziness of panic won't help you survive. especially as kirk already follows his intuition so deeply. he learned to grasp and contort the feeling. spock is the main person who represses his emotions, of course, but kirk does it to those deep-set, personal ones (this includes how he doesn't reveal anything truly personal about himself willingly 90% of the time, only what others already know/shallow anecdotes) in a much more subtle way that's really interesting to me. certified expert at avoiding the subject as long as he isnt caught out on the lie. professional bluffer.
in terms of past or parents we dont know much!!! hes known as the heart-on-his-sleeve guy!!! like yes he yells, he gets irritated, excited, hes a whirlwind of quick-thinking and plans and intuition, he goes out of his way to connect with his crew and shows it, when he puts on a little act or bluff he puts his heart into it and clearly enjoys the dramatics so much, at times he wears his heart on his sleeve, he laughs openly and is honest to spock about what he means to him, he's very sun-coded to me in a burning, passionate way, always intertwined with the stars and seeking them out, but when it comes to genuine deep-set turmoil? we dont actually know all that much about him??? hes so full of emotion and character (i love fics where spock characterises jim's mind/bond as a whirl of colour and sensations, hes a quick thinker!!! intuitive!! lively!!!) and yet its still so outwardly surface level. tarsus iv gets mentioned like twice? so especially here where kirk gets briefly jumpscared by the creature, because like:
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its subtle but his eyes. his eyesss!!!!! kirk commands with his emotions but there's always some sort of level of control to it, or he transforms them into something that spurs on others or uses them to ascertain a goal: seeing unguarded fear/distress in his eyes even if its faint and brief (in this instance) makes me go insane every single time. like!!! its such a small moment!!! he isnt even panicking!!! really, he just got jumpscared!!! its insignificant!!!!!!! but seeing a two-second flash of actual, naked apprehension is just...oughhh,,,,,,,,,
oh god, and dont even get me started on the galileo seven episode where he assumes a tense level-headedness throughout the whole thing, irritated and apprehensive but not panicking, making sure he maintains intelligent rationality, even when he has to leave them behind, but when spock and the crew are confirmed safe and the bridge is occupied the camera pans to him and his eyes look like they're fucking watering and he's so achingly relieved. don't even talk to me. im. fuck.
he shows so so much but at the same time reveals so little.
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meamiiikiii · 1 month
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vtuber loop !!!
[reverse entry au? the reverse isekai part of it? tangentially related to this post here, and also the last part of this post too]
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