#yapping about my wife

[minicorruptprogram]

I love my wife ( @bobacatz ) sm you guys <33

[ogcjmn1]

didnt know if i should throw these together but i guess i'm going to. starting the new year off right

edit to add: ive moved my art to a different account! @znbpsg

[paperglader]

they really put alicent in bridgerton blue on the reunion and genuinely expected me to think that she didn’t in fact march all the way to dragonstone to get wifed up? bfr

[yuwuta]

Wow I have been nonstop thinking about tennis king yuuta and his little baby boy I’m going to kill you (affectionate) - @yuutito

teeheeeeeeeee….. here’s some more, aleks :’) enjoy :))))))

“Everybody thinks he looks like me, but I don’t see it that way. Maybe it’s because every time I look at him, I see my wife and I’m reminded of her […] I’m a little biased so I see her in everything.” 

You find yourself with tears welling in your eyes the more you read into Yuuta’s latest magazine interview. Between his sweet quotes and the pictures of him with your son, it’s taking everything in you not to burst into full-blown tears. 

Your boys look so handsome. You and Yuuta shared your concerns with publicizing your child at such a young age, but you two came to the conclusion that you’d rather have the control in the narrative than to let private family pictures be leaked uncontrollably. As another point of reassurance, Yuuta’s career provided him with just enough lime-light to be a household name without the crazy fame and criticism that came along being a true celebrity. Besides—Yuuta talked enough about you and your son in press conferences and interviews that it was bound to happen sooner rather than later. 

The article wasn’t entirely about you, or your family—or at least, you’re sure it wasn’t intended to be; you knew your husband had a knack for rambling about his loved ones, even where work was concerned. As you continue to read, you find a segment where the author compared Yuuta’s current statements with something similar he’d said about you twelve years ago—at the very start of his professional career: “If I owe this [winning Gold] to anybody, it’s my girlfriend. She’s always believed in me, even when I didn’t believe in myself. I wouldn’t have qualified or even thought to qualify if it weren’t for her.” 

It feels like you and Yuuta were just two kids in love back then. You didn’t think it could be more than that—you didn’t think you could love Yuuta more than you did all those years ago, but somewhere along the way just being in love wasn’t enough to describe it; Yuuta became your partner, someone you loved fundamentally, but also because you couldn’t stand to see yourself without him. And just when you thought you couldn’t love anyone nearly as much as you love him, you turn the page to a picture of your husband and son peeping through the holes of a racket and your heart feels full. 

When you scan the image more closely, you realize that it isn’t just any racket—it’s an old one, one you’d given to Yuuta as a gift probably back in high-school. You had no idea he’d kept it, but you suppose you shouldn’t be all that surprised; Yuuta is nothing if not sentimental. 

“Ah, there she is~” Yuuta’s voice cuts through your thoughts. When you turn, you see him, with your baby boy on his hip, sliding the back porch door closed. 

Both boys approach you with a smile on your face, and you set the magazine aside to sit up in the lounge chair to greet them. Yuuta presses a kiss to your forehead, then your lips before you do the same to your son. Immediately after, he reaches his arms out for you, and Yuuta chuckles, “You wanna be with your mama? Can’t blame you, I missed her, too.” 

He hands the baby off to you, and takes a seat on the other end of the chair, reaching over to coo at his son as you smother his face in kisses. 

“How was the farmer’s market?” you question, letting the baby settle into your lap. 

“Good, he picked out some very bright peppers, and we got some more strawberries, know you’ve been craving them,” Yuuta smiles, reaching over to pat your son’s head, when the closed magazine catches his eye, and he reaches for it, quickly flipping through, “Ah—I guess that interview’s out. He’s grown so much, even though it was only a few months ago.” 

You find the blush on his cheeks beyond endearing. Yuuta always finds room to be bashful no matter how many times he’s waxed poetic about his love for you, or his family—his cheeks always stain pink like the first day you met him. 

“It’s sweet. You’re sweet,” you smile, sparing a hand to run through Yuuta’s hair, charmed by the way he leans into your touch, “I didn’t know you still had that racket.” 

“Of course, I keep everything you give me,” he says, earnestly. He closes the magazine and scoots a little closer, taking advantage of the proximity and of your touch to lay his head on your shoulder, “Did you… read all of it?” 

“Almost, but no, why?” you question, with a light-hearted grin, “Did you say something that would lead the world to believe you’re somehow even more in love with me? Because you might already be past the threshold, dear.” 

Yuuta hums. He reaches to take you son out of your lap and carefully shifts himself to that he’s laying down, his head on your lap, and the baby in his arms, happily giggling and cooing as Yuuta holds him up. He lowers and raises him back and forth a few times, nuzzling their noses together when their faces are close, before sitting him up on his chest.

Then he tilts his head up to look at you, wide, love-filled eyes blinking slowly before he says, “Maybe… depends on if me saying I want more kids is past the threshold or not.” 

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[adashulaz]

One thing I've noticed about Piltover, not only do they not take disabled people into consideration(i.e. Salo and Viktor), they don't even think about their non-human residents. Steb being the number person to use as my evidence.

Stebs uniform when we first meet him is the typical enforcer uniform. The only difference is you can clearly see that Steb wasn't given a uniform that took his biology into consideration. The collar of the uniform goes up to the fin that's on the back of head/neck, and for fishes fins can be used to feel around them so I doubt having something rubbing up against the end of it all day is comfortable. Not only that but we know that his ears can move and are seen facing more outwards and away from his head, his hat wouldn't allow that and would make it very uncomfortable. The straps of his hat also cover the gils on his jaw and that as well would be uncomfortable, they're silts in his skin that would most likely allow him to breathe underwater so having fabric rub against it would be uncomfortable.

In conclusion, his uniform wasn't made with him in mind. His uniform would be fine for the typical human, the collar might be annoying but not uncomfortable for some. The hat wouldn't cause discomfort as well, it would be like wearing a typical hat or even just like a helmet. But that's for a human, Steb clearly isn't human. He's more fish-esque than human, his biology is different meaning his needs are different. His uniform doesn't fit those needs.

His uniform for Caitlyns striketeam is better suited for his needs(at least some of them). The collar goes out more, it's not rubbing up against his fin. His hat is much different, it's no longer covering his ears and it doesn't have straps that covers his gils.

Obviously Caitlyn had a say on the uniforms because they're part of her striketeam but she also took in Stebs needs and how his old uniform wasn't made with him in mind. So she made the suitable changes, even if they don't seem important, for Steb it most likely made his uniform more comfortable.

His uniform in act3, while it seems different than the others around him based on the fact that it doesn't have a belt and his arm things are black with minimal gold outlines, it still seems like the typical enforcer uniform based on the color scheme. Not only that but it looks similar to his uniform when he was on Caitlyns striketeam.

His collar still pokes out and away from his fin. His hat doesn't cover his ears and it doesn't have a strap that covers his gils.

This uniform takes in his biology, probably more than the two previous ones he wore based on the fact that it looks much more different. Graysons uniform and Marcus' uniform never looked like the one Steb wears in act3 and both of them were of a higher rank than Steb. So it's safe to assume that this new uniform that Steb wears is better sited for his needs.

Basically before all of this, Piltover never took in their non-human residents into consideration when doing things despite having Heimerdinger(a non-human) as a councilor and founder. Steb is a prime example of that, he shows this fact with the different uniforms he wears when on screen.

[potato-lord-but-not]

hello there !!

don’t worry about this until you listen to part 48 but i’m dreadfully curious, as the biggest oscar enthusiast i know,

how you’re feeling about barnabus malevolent…

He’s a freak honestly (not as much as………….. the monk guy I’ve forgotten their names already)(lying I just don’t know how to spell them) the Frenchmen….. now that’s a pathetic man I can get behind

[sealightblue]

have you even catfished someone?

yes i did. as a male wolf (im afab) inspired by optimus prime. i had 5 wives. on animal jam. in 2015. i was 11.

# nonbinary lesbian in the closet core

also i looked something like this

[chilldust]

Art stream shenanigans from yesterday, meme by @kriimhild

My new years resolution was to learn draw backgrounds. I still don't know how, actually, but Clip Studio's default brushes and me messing around usually come up pretty good-

(Some examples of me messing around with enough brushes for the backgrounds until it looks good under the cut)

(two last ones are from last year, but the rest are from this year)

While character art is mostly my main focus, I am pretty proud of my journey of figuring out how to add them into worlds that feel real for them :3

[ganondoodle]

Kinda in regards to the Empress & BodyGuard 2-

Is Zaphira (sorry if I spelled her name wrong) an elf or do humans have pointed ears in your universe? If no elves, how do the pointed ears happen? Are there different length of ears and if so do they mean somethin?

Love your art & use of colours!

Thank you! and thank you for asking! (this sketch took me way too long .. and the colors still look washed out on my desktop screen but im not editing a third time ..)

Zaphira is human, there are no elves, as such, in this world, though humans tend to live longer than IRL and have differently shaped ears-

the shapes are rather diverse (example above) and culturally (so far) they have no significance, they are merely a trait just like different nose shapes or fantasy hair colors

the worldbuilding reason is that these are extremely diluted demonic influences- in the past demons were frequently in the human world, though largely in secret/disguised, and long time exposure to demonic presences can have varying effects, the most immediate and common being a longer life or wounds healing faster than normal; there might have been other long time effects but the only trait that stayed even after their disappearance is the ear shapes

(there was a mass extinction event of demons that wiped out all above a certain age, since demons generally dont die of natural causes their life neither depends nor revolves around reproduction so there were extremely few left and those were too young to keep most of their knowledge and culture alive, as they rarely wrote anything down; Shargon is of the current oldest generation and witnessed it happen, just like most now adult demons, Thor and Eadrya are both a bit older than him and thus the oldest living demons, which doesnt mean much considering the technically endless lifespans of them)

and to explain me including Shargon in a human appearance- hes the only demon that spends as much time in the human world as at home, largely to escape the others since they are not interested in going there and would otherwise attack him any chance they get (the human world is rather uncomfortable for demons to be in and they have better things to do than to chase him that far), while hes generally very weak compared to them, something he is very good at is shape shifting, mainly the speed of which, being able to shift between full demon and the smaller more humanoid form extremely quickly, or even mid forms that are a mix of both - even in motion! while for the others it takes them quite a bit and forces them to stop which is the main reason he keeps escaping them not able to keep up with his rapid shape shifting (though it does take its toll .. also a reason hes so skinny)

he is the first (only?) one that at some point will learn how to shift into a much more human looking one (depicted in the sketch) too, but its rather dangerous since it involves supressing and compressing his demon heart and system... which is what keeps demons alive (its somewhat like holding your breath for way too long) so the only time he would make use of it is in extreme situations, like avoiding detection by maschines that can pick up demonic energy or escaping shackles made of celestial silver (which drains their energy and can scar/hurt them permanently, like silver to vampires(?werewolfs?) in a way)

....the point is that if he shifts into a human form he has very long ears, meaning that is basically the extreme form that doesnt occur in humans and hints at the origins for those ear shapes being demonic exposure in the past

[habitsbf]

heloooo!!! idk what 2 say in specifics. but. habit is such a cool and interesting character. like ive always loved the idea of him being kinda insecure and knowing he isnt as powerful as he makes himself out to be. like he knows there's something bigger than e can't run from. idk what im saying. hope this makes sense gulp

HELLOOO :D dw, this makes complete sense to me!! i feel like you can kind of see how insecure he truly is in "half-acre of ash". hes basically having an existential crisis. he repeats "its the same" over and over again, rambling on and on about how hes been around for so long and how he has seen so much change. he claims things WILL change for him and he WILL get what he wants, but then he pauses and contradicts himself, saying "maybe, uh, maybe itll change." hes unsure. he repeats that phrase multiple times as if hes trying to convince himself its the truth. he wants to believe it to be true, but realistically, hes probably scared things wont change, and he will be stuck in that same loop he got the others stuck in.

[kacievvbbbb]

Can't believe this show just said that yeah these broken children that have finally managed to claw some semblance of family out of the train wreck their psychotic father made of them, these children now adults, don't get peace, they don't deserve it. actually the world is so much better without them in it. They are the direct reason why so many people they have met are not living happier lives and the universe would be a much happier safer place with them gone. They were pawns in their father's game and now they are victims of their "mother's" scheme. And this is all they get, there was never any happy ending for them in the cards the universe rebukes their very existence and it is constantly trying to write them out of it.

They doomed the world from the start, the blame is all at their feet and they must pay for the crime of being born "special".

The fucking implications of that my god!

That's the message you ended your show on. That is what you are leaving us with. Why?

[kj-yikes]

17. Family

(on ao3 here)

Kara's eyes open blearily to see the beginnings of the morning sun's rays shining through their bedroom window. Running a hand through her hair, she rolls over and sees that her wife is still asleep, clutching her pillow and feet touching Kara's. Kara smiles and watches Lena's steady breathing. Years of waking up next to Lena, and it's still the most beautiful sight in the world to Kara.

Smiling, Kara slowly extricates herself from the bed, careful not to wake Lena, and opens the bedroom door. She stretches, yawns. Crossing the kitchen, she opens a cabinet and grabs two glasses. From behind the closed door down the hall, she hears rustling and a muffled voice. Smiling, she sets the cups down on the counter and crosses the kitchen to open the bedroom door.

"Yeyu!" a small voice calls. Her three-year-old daughter sits up in her bed, surrounded by stuffies she had so carefully arranged before bed last night. Kara's heart swells with affection the way it always does when she looks at her daughter, her little miracle.

Years ago, Kara had given up on ever having a family of her own. As Supergirl, she thought she had sacrificed a quiet, domestic life, because how could she have a partner who was willing to always have their life in danger? How could she take care of a child when she was busy saving the city?

The dance between friendship and something more with Lena had lasted years, and on Kara's side, part of the reason she never acted on her feelings was the fear that one day, Lena would decide it was too much, that while she could love Kara Danvers, she wouldn't be able to love Kara Zor-El, who flies off at a moment's notice to save the day.

But Lena had stayed anyway. Lena loved every part of her. Lena wanted a life with her. Lena wanted it all with her, and a couple of years ago, when Kara had whispered her greatest secret desire to her wife one night laying in bed entwined in one another, Lena whispered that she wanted it too, and she worked tirelessly to make it happen.

Their daughter, Kieran, a perfect blend of both of them, was born a year later. It had been some of the best months of Kara's life, watching their little miracle grow inside of the love of her life. Thirteen-year-old Kara, who crash landed on Earth and was heartbroken to discover that her mission, to raise little Kal-El, was moot, would never believe the life that she has now.

"Good morning, iskah," Kara says in Kryptonian as she places a kiss on her unruly, dark curls, mussed from the night's sleep. "Ready to get up? It's a little early, but I won't tell Mama if you don't." The girl's bright blue eyes light up as she grins and moves to clamber out of bed, carrying her favorite stuffed elephant and her blanket dragging the floor as she runs out of the room.

"Shh, don't wake Mama yet, okay? Do you want to help me make coffee?" Dark brown curls bounce as Kieran nods enthusiastically. Kara preps the beans and puts them in the grinder, then lifts Kieran up to sit beside the espresso machine. Her little legs dangle and kick the counter.

"Okay, do you want to press the bellow? Make sure all the grounds are out?" Kara guides her tiny hand to the bellow and helps her pump it a few times, until Kara can hear that all the grounds have cleared. She slides the portafilter out and tamps it before sliding it back into place into the machine.

"Do you want to hit the button?" Kieran nods enthusiastically and reaches around the machine to press the flashing button. "Perfect, baby. You make the best coffee." The smile Kieran gives her is the splitting image of Lena's, and it makes her heart clench.

"Can I have coffee?"

Kara laughs. Kieran has been asking for coffee for the past few weeks, and every time Kara gives her a sip, she hates it. Even at three years old, Kieran is strong willed and curious, always wanting to try new things and explore and experiment. Kara thinks she knows where Kieran gets it from.

"How about I give you a sip of mine when I'm done making it, and we make you some chocolate milk too?" Kieran squeals in delight, little feet kicking the cabinets. Kara pulls out the milk and chocolate syrup and lets Kieran squeeze a little syrup into a sippy cup.

Kara finishes making the coffee for herself and Lena, letting Kieran drop a few ice cubes into each glass. "Let's go bring Mama her coffee and wake her up."

Having been let loose from the cabinet, Kieran races to the bedroom door and stands on her tippy-toes to open it. She scrambles up onto the bed as Lena stirs, Kara following close behind with the two cups of coffee.

Lena's brow furrows briefly as an elbow accidentally lands in her stomach. Kara is always amazed that Lena, her sweet, grumpy wife who sometimes can't form a coherent sentence before her morning cup of coffee, always manages a smile and words of affection for her daughter no matter how early in the morning it is or how little coffee she's had. She smiles affectionately as she watches her daughter squirm until she's burrowed in Lena's arms.

"Mmm, good morning, darling. It's a little early for you to be up on a weekend." Kara grins guitily.

"Sorry, sweetheart. She was already awake."

"We made you coffee!" Kieran exclaims.

"Oh, good, thank you iskah. Because you know if your Mama doesn't get her coffee in the morning, she's a monster." Lena raises her arms and growls before digging her fingertips into Kieran's stomach. As the girl's laughter echoes throughout the room, Kara climbs into bed and hands Lena her coffee. Lena smiles at her gratefully and leans forward for a quick kiss.

Kara adores slow, sleepy mornings like this with her little family. Her heart swells with gratitude as she wraps an arm around her wife and her daughter settles between them.

Kara once thought that her purpose in life, the reason she survived the destruction of Krypton, was to be a hero and save Earth. Now, though, she's found other meaning in life too. She finds it in these quiet moments and in the way her daughter smiles up at her and in the way she discovers with Lena how to be the kinds of parents that honor their pasts and their daughter. Teaching her daughter to be brave, strong, cunning, and kind like her mothers, and holding and remembering the stories of Krypton. That seems like just as good of a purpose in life as being Supergirl, and she's so grateful she's able to have it all.

[auricfog]

tagged by @queennymeria, @imogenkol, @shellibisshe, and @statichvm to make some book covers with this template! decided to take this opportunity to be normal about my original universe 😳🩷

small handful of tags again but @risingsh0t, @loriane-elmuerto, @d-esmond, @jamessunderlandgf, @faerune, @florbelles, @unholymilf, @thedeadthree, @nokstella, @shadowglens, and ... you!

[ki1ldeer]

Sometimes I remember I gave Finn a brother

[scoliosisgoblin]

Which version of Rick is your fav?

it's so hard for me to choose tbh. HOWEVER, I'd say Evil Rick

then I'd say it's C-137 and Memory Rick

I love how pathetic™ Evil Rick really is tbh. love that he's being controlled by his Morty. can you guess who my favorite Morty is?