#wrote out some prose for it

[six-white-venus]

What can you do when you hate every word that comes out of your mouth with a burning passion? When nothing you say ever feels right? When all of your words feel like lies, even though they’re not?

Because they’re not, right? …right?

[ranticore]

does revelation return wildfires feelings

It's Complicated

[zenmai--jikake--no--komoriuta]

MiqoMarch'24, Day #7: - light -

A bit of a different take on this prompt, today is all about sin eater D'nyr from the point of view of an alternate timeline where he really did become a Lightwarden!

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀- observations log. 1/5/XX, day.?? - ……..thus the creature was bestowed the title of Forgiven Temperance by its former allies, following the meaning of self-sacrifice and asceticism; excessive restraint/repression of one’s self for others benefit. At his core, one can suppose that this was both his fatal flaw and driving virtue! The poor soul… To date, nobody knows for sure what the beast fully looks like, not even those who fled the site of its transformation at the depths of The Tempest! It has scarcely budged from its initial location a few moons ago… obvious logistical reasoning aside, only a scant few exploration teams have had the wherewithal to venture down there past the safety of the Ondo's dwellings. Reports have led us to believe that the creature is covered in sharp spines and has monstrously large "claw-hands" (as it was described), or possibly some sort of scorpion-like tail as well? Its profile is unclear and hard to make out in the murk from such a distance, but one thing is unanimously clear; all of our teams have fled after seeing what they claimed to be "horrifying gold eyes" staring back at them! Yet the beast has not once given chase upon sighting our researchers, which is just as unsettling as it is perplexing… Due to the unique constraints inherent to its location, we are at present unable to cull the Lightwarden and return the night to the region of Kholusia. Mercifully, its light has not pierced anywhere else due to the sheer distance from the water's surface acting as a convenient attenuating filter, but one could surmise that if the beast were to emerge then all of Norvrandt would be under light pall again… its effect on the populace is quite clear: residents have responded with equal levels of fear and also apathy to this situation, as while some are content to live their lives as they had been before (with the beast effectively "out of sight and out of mind" and therefore not a problem), others are starting to become fearful of the ocean entirely (a complicated notion, due to their relative proximity at all times to it)! Disquieting rumors have started to spread amongst fishermen and sailors alike, that if you venture too close to the ocean you'll be dragged under by the Lightwarden, never to be seen again… though one would hope most people would question how bogus this sounds-- if you'll excuse me interjecting my own personal opinion... at this juncture I simply cannot see the Lightwarden ascending from the briny deep just to prey on hapless passersby when it has showed absolutely no inclination towards moving from even just one single spot-- it has nonetheless had a noticeable impact on the region's imports and exports of fish, so now we must find an effective way to quell the people's terror to rectify the economic impacts alongside dealing with the creature too………..

------ (as a bonus, have the rough draft of his Lightwarden trial encounter under the cut! because I am sad it will never get to see the light of day otherwise and I was proud of the concept years ago lmao)

CONCEPT: . Overall theme is “the breaking down of appearances to reveal what was always there, but hidden away”-- stage and boss both change per phase to reflect this, going from a more idealistic “this is what the WoL as a sin-eater would look and fight like” to a “ohhh god what is that that’s not the WoL anymore” . Mechanics are based around D’nyr’s repressed feelings towards others (loneliness, anger/the need to lash out sometimes, not always saying how he feels, his dislike of others putting him on a pedestal, etc.) and the world at large (eg. the fragility of life, futility of some things, etc.) and his unfulfilled hopes and wants (to live unfettered by responsibility to the world, to settle down with a family of his own someday, etc.)

PHASE 1: . Certain mechanics grant a stacking buff to the boss (Fervent Denial), which is necessary to progress the fight! These mechanics have an interrupt bar and represent the feelings and things that D’nyr has repressed-- if the cast is interrupted, the buff will not be given, increasing the flat % of damage taken from the ultimate attack at the end of the next phase [it's calculated based on the damage dealt to the boss in the first phase (% thresholds that indicate how much it weakens the overall ult damage by), as well as the actual phase progress bar (below 80% is no extra damage, at 80-90% it is +3% extra damage, 90-99% an 5% extra damage, and 100% a flat wipe)] . In a meta sense, the only way to put him down for good is to damage him when he is at his most vulnerable (ie, his final form), and the only way to get him to show that is to let him go berserk and not deny him the things he’s been disallowing himself all this time-- as D’nyr at his core would never allow himself these actions, it causes a “breakdown” of the mask (literally, the bosses’ one too [he has a blank slate mask with a golden kintsugi X like D'nyr's scar, for context]) and internal walls holding him back, fracturing his perceived sense of self and causing him to shift into a form that represents all of these denied things, which is what truly needs to be destroyed/purified! . Normal mode has 7 chances to grant Fervent Denial giving some leeway for mistakes (the buff stacks cap at 5 however, so it is not possible to get 7 stacks despite there being opportunities to do so), but Extreme only has the exact 5 chances needed to progress! If players have not let the boss reach at least 5 stacks by the time the hard-enrage longcast goes out, the party will wipe. . Fervent Denial also slightly increases damage dealt by the boss, so he will gradually hit harder and harder over time, plateauing right before the phase change. . After the boss uses its phase-shift move (what would normally be the yet-unnamed hard-enrage longcast), the stacking buff will disappear and the boss will become untargetable, beginning the DPS check phase.

DPS CHECK: . Unfinished from here on out-- but basically beating up… some kind of add, and while you do that the boss' mask slowly cracks with bright light before shattering into his second form and unleashing his ultimate attack (he becomes more agitated and spiny-looking but I never finished designing any of his forms so just imagine the possibilitiiiiies)

PHASE 2 & 3: . To be continued……. or not! maybe someday :')

[cheeto-flavoured-pasta]

It’s the little things. Well, in your eyes, they’re the little things, but to me, they mean so much. You came out to your parents, even though you say it wasn’t that hard and they were cool about it anyway. You went to therapy — begrudgingly, because you haven’t had a good experience with it in the past, but you powered through the struggle nonetheless, even if it’s just another boring Friday for you. You figured out how to paraphrase that explanation on your math homework, or passed that test, or did something, anything. And my heart rings out with four echoing words: I’m proud of you.

So, so proud of you. 

And maybe you wouldn’t get why. Maybe I just love the feeling of celebrating someone else. Maybe I just get excited too easily. Maybe I care too much. Maybe it’s annoying. Maybe I’m not used to hearing that praise from a friend, so I try shower it as much as I can on others because I know it hurts when you’re deprived of something like that. When you’re deprived of companionship. When you’re alone. When you haven’t had a single friend in years up until now and you’ve struggled for so long to open up to anyone else. 

Have I done anything special? Maybe. I don’t know. Probably not. You probably wouldn’t think I have. And maybe I’d think the same thing. Is there anything about me that I can be proud of? Is there anything you even like about me? Do I even matter? You have so many friends. Am I just another one to you, unlike how you’re everything to me? 

Maybe, at the end of the day, after all the banter and vulgar teasing and energetic moments, when I say “I’m proud of you” I don’t just mean that I’m proud of you. Maybe I’m also saying that I love you. And I know those three words are always associated with significant others, because society likes to prioritize the romantic over the platonic when both are valuable; blah blah blah; you’ve heard me rant about this before. But why can’t I reclaim it anyway? Why can’t I tell my friends that I love them?

But even if it was normalized, maybe it’ll still be weird to you anyway. Maybe you’d brush it off, much like you do now. Maybe you’d cringe. Maybe you’d laugh. Maybe you’d never say it back. 

And maybe, just maybe, I’ll still sit in the corner, wondering the same thing over and over.  

Are you proud of me like I am of you?

Do you love me like I love you?

[juno-infernal]

so i’ve been sketching out plans to do a little bookbinding project— a handwritten compilation of some of my all-time favorite poems, thematically arranged. maybe illustrated a little too.

unfortunately i feel like this task is slightly cursed, because the last 2 times i actually got down to work on similar projects (more scrapbook-y things with letters, journal excerpts, + my own poetry as well), the person i was making them for almost immediately broke up with me. both times!! if i do this one for me do you think i’ll break up with myself :/

[bejeweledmp3]

computer how do i stop feeling insecure on my writting so that can i write. computer please

[bread-making-vikings]

I'm looking forward to getting to forge of darkness but ngl the path to ascendancy books are taking too much of the mystery away from the malazan series - like it's cool to see kellanved and dancer goof about but it feels like it's just checking off names people recognise, even when it contradicts stuff we know about Whiskeyjack and Dujek (for example) just to have them be there at the start?? I'd much rather each book skip ahead a decade or something, and focus on stuff we barely even heard about before, not just "oh you remember that really cool thing we hinted at? yeah here it is laid out pretty prosaically".

Idk if it's Ian Esslemont, bc from the two (2) of his empire books I've read I really enjoy his writing style and think it meshes well, but they're just kinda draining a lot of the magic out. Things like the Tiste Edur and K'chain Che'malle are talked about as slightly niche but common knowledge, and it's just a bit lame?

[estherkae]

june 10

i don’t remember the last time i’ve been okay. but maybe my okay is less than i expect or think it should be.

your poetry isn’t about me when i think it is. a crow woke me up early this morning and i laid in bed for longer than i should’ve. i think i was waiting for you, maybe i wanted you to call or maybe i wanted to turn around and just find you there. my mom was doing laundry and folding socks. i didn’t say your name when i woke up because i knew you wouldn’t hear it even if you had been there or on the phone. the tree with arms is still and not silent and not moving.

my dad left the garage light on two days ago and i don’t know how to turn it off. i’m mad at you. i’m mad at everyone. i’m insecure. i miss my boyhood. i miss my girlhood. i don’t remember the last time i’ve been okay and not falling.

[tangledinink]

From the ask game - 9. Do you write every day? If you wrote today, share a sentence of what you’ve written!

Okay. Uhmmmm. So you guys trust me, right?

This was technically written today because I wrote it at 2AM lol.

As for writing every day, no, not necessarily! I think taking breaks it honestly pretty important. Literary roleplay has been a hobby of mine for a while now, though, so if I'm in a good group then I really will write every day, lmao. And if I'm in a writing mood I'll work on TMWN just about every day-- but I also definitely take days off!

[covenofthearticulate]

expanding my valentine’s day drabble because i can’t stop thinking about it but i genuinely have no idea which option to go with for the ending because on the one hand I was Lestat to get to try out the vibrator and it’s marvelous and Louis gets all sappy (and turned on) just watching him feel good. But on the other hand I think it would be hilarious if they have all this lovely foreplay and get all sensual and romantic but then Lestat forgot to charge/get batteries for the vibrator because he’s a fucking Dumbass

[ojirocardigansniper]

there is no drug like goingback and rereading your poetry and realizing how good and tastey a piece was. (amazed) Oh fuck i forgot i was good at this

[wayfaringauthorofficial]

I live with ghosts. Walking through this town, I keep my eyes peeled for new ones, but they always take me by surprise. Maybe too many things have happened to me and it's a sign. but of what? What do the ghosts and dark spells want me to do? I wish I knew. Maybe my life would make a little more sense. Maybe I would stop wandering through these crowded streets, looking as alone as I feel.

Do they know what goes on inside my head? The dreams that jerk me out of the deepest sleep, no matter what time it is? Sometimes, I try to guess if birds or crickets will greet me. Most dawns, I'm wrong. I jolt awake into silence, a new sort of nightmare that tries to plague me. And it sucks me right back in like I'm under a spell that I can't break. If I do, I might forget how to be.

My mother always tells me to be myself, to ask myself who I am. But I do. I ask myself that question every day, as I bury my nose in books jus trying to feel something that might make me appear normal again. I didn't want to be this way, didn't look to be the girl no one believed in. but that's who I woke up as one day, trapped in a stranger's body. When will I get my life back? when will I be able to know who I am again?

Sometimes, I ask the stars or the rabbits that stare at me. but if they answer back, I can't understand. We don't speak the same language or live the same lives. Sure, we're both hunted. Both are perceived as weak, helpless things... but this creature fears the barrel of a gun. I fear the hands that threaten to snatch me away in the dark. A man who sneers as he preys upon a girl he swears he can't resist, that he'll love and cherish, forever keeping her locked away from the world.

[copperbadge]

Recently I ran across an article about an art center that was doing creative expression classes for people with disabilities. Not that unusual, I've encountered that and trauma-oriented art therapy before, but it was the first time I'd come across the idea since getting diagnosed with ADHD. While the class was aimed more at high-needs disabilities, it occurred to me that I could -- if I wanted -- make non-prose art about being disabled.

Outside of my work in scene design I've never been much of a visual artist because I've never felt I had the combination of "something to say" and "a meaningful way to say it", but I started to question how meaningful and complex I really had to be to just make some statements about having ADHD. I can do it in prose, after all.

So I started thinking about how you would talk, in visual language, about things like time blindness, shame stemming from undiagnosed disability, the shift in behavior that medication can induce. Ways to express my condition to people who don't experience it. I still didn't really know how to build the pieces but whenever I went to an art museum I'd think about how I might do a gallery installation. The centerpiece of my mental gallery was a pair of barcodes, one marked "Neurotypical" and one marked "Neurodivergent".

[ID: An interior view of a small booklet, with pages marked 1 and 2, showing barcodes -- on the left, labeled Neurotypical, and on the right, in slightly weirder configuration, labeled Neurodivergent.]

And then I thought, why not make a zine? Nothing you're thinking of couldn't be put in zine form instead of on a gallery wall.

[ID: The booklet continues to pages 3 and 4; on page 3 is a postage-style label reading AUTISM with up arrows on either side, and on page 4 is a QR code labeled ADHD. The QR code technically should work but it just dumps a block of text I wrote about having ADHD into a browser.]

I grew up with zine culture in the 90s and I always wanted to make one but much like with visual art, I never felt like I had the right kind of thing to say; either I had too much to say or too little, and anyway I wasn't confident that what I wanted to do wouldn't just come off as trite and obvious. But you can make a six-page zine out of a single sheet of paper, so I did: I made Helpful Labels For Strange Brains by idab zines, a division of Extribulum Press. (i--dab is a term for a cuneiform tablet that contains a royal communication.)

[ID: The last two pages feature the same image -- a cereal bowl with a spoon in it, the spoon containing a single Adderall pill. One image, however, is captioned "Wake up. Pour yourself a cup of iced coffee. Fix a bowl of cereal. It's going to be a good day." while the other is covered in a detailed ADHD-style step-by-step process for the same actions, culminating in "It's going to be a day like that."]

I'm pretty pleased with how it came out -- the art all looks intentional and it still has that "taped this together after school" aesthetic I remember fondly from the 90s. And the confines of six pages, each only a few inches square, offers a good structure to keep things clear, simple, and meaningful.

[ID: The cover of the zine, labeled "Helpful Labels For Strange Brains" in a kind of esoteric stampy font.]

Especially nice is that if you wanted to you could just hand out the flat sheet, and let folks fold it into a booklet or not -- there's instructions for folding it on the back of the zine. Additionally I have some sticker backed printer paper so I could print it such that you could literally turn the labels into real labels.

Anyway if you want it, here ya go. You can print it on a single sheet of paper and follow the instructions on the back to fold it. I thought about selling it but I do not have the spoons to do a bunch of printing and folding and shipping.

[allbark-no-bite]

don’t write checks you can’t cash.

jake seresin x reader (wc: 3.6k)

summary: jake seresin is under your skin. or maybe you’re under his. either way you’re going to eat each other alive. jake isn’t about to take the fall

warnings: mentioned age gap, heavy sexual tension (the smut is coming i promise)

author’s note: back on my topgun bullshit bitches (respectfully). i’m not usually one for multi part fics but i actually wrote something with plot for once so please just bear with me. loosely inspired by Zach Bryan’s ‘nineball’. please note this fic title is subject to change bc i hate it

(you can read part 2 here!)

————————————————————————

You don't believe in love at first sight. You think the whole concept is some foolish idea that people who have already fallen in love have the liberty of saying they believe in. Then people who have been through failed relationship after failed relationship are convinced that they're never going to fall in love because it just doesn't happen. The whole idea pretty much just sets the rest of the population up for failure from the start.

Even the concept of finding the right person one day and growing to love them is hard for you to grasp. Because how can you love someone that much? How do you know you love them enough?There are some days that you don't enjoy the presence of even your closest friends for very long, friends who you would do anything for. Even family, you only tolerated so much.

Your high school boyfriend hated that about you, the fact that you realistically needed so little of him—or anyone for that matter. You have always been violently independent, able to provide what you require, and therefore having to maintain a simplistic relationship became nothing but a monotonous task. Even most of your closest friendships faded with time.

Eventually, you prosed the question: what can someone else give me that I cannot give myself?

The answer was companionship. Because when you strip away everything from a person and all they have left to offer you is themself, you have to be willing to choose them. And sometimes that's not the most appealing quality.

Something did happen, the first time you made eye contact with Lt. Jake Seresin, but it was far from love. It was something terrible in your chest, like an aching. Like you knew in your gut that he was going to change your life. Good or bad, you didn't know, but it was certain to happen.

You don't even believe that you two were destined to meet — you just happened to, and in that moment, the damage was done, it was your fate to ruin each other.

——

You like the way he says your name. You like that he says your name on purpose, like he is intentionally seeking out reasons to say it. It's not as harsh sounding coming from his mouth.

"You from around here, [L/n]?"

You're wiping down the glass hatch of your F/A-18 when he approaches you from behind. You swivel your head to catch sight of him behind your back but he's already making a wide circle around you, his chin tipping up then down as he inspects your plane from behind his tinted aviators.

As you watch him scrutinize your aircraft, you regard him with a certain level of apprehension. Jake Seresin was nothing short of gorgeous. He was six feet of bronze skin and lean muscle, withbright green eyes, and a movie star smile. Not to mention the southern accent that had girls drooling over him.

"Austin," you correct him. "Austin, Texas."

You'd been transferred over to Miramar a little over a month ago, becoming the newest addition to the Dagger squad. California was a nice change of scenery, and everyone you had met so far had welcomed you with open arms. That is, everyone but Lt. Seresin— Hangman as they called him. You were still trying to find your footing with him.

You genuinely don't know what his problem is with you. The guy had hardly even given you a glance since the moment you'd arrived. Your first guess would have been that he was one of those dickheads who didn't like women working in the field, but his relationship with Phoenix disproved that theory.

Your answer seems to warrant his attention, and he looks up. His expression twitches at the correction but he doesn't say anything in response. For the first time since you arrived at Miramar, still, unsmiling green eyes catch yours from across the aircraft.

You hold his gaze. After a moment, your stomach twists in an unsettling way, like even it doesn't know what to do with itself. Your first instinct is to look away. Your brain is telling you that if you do, you can avoid any sort of confrontation that may happen as a result. But it's like you can't.

This is the first time he's looked at you, and now you don't dare to look away.

Even from behind the tint of his perfectly polished aviators, you can make out the distinct color of his green eyes. They're so distracting that you have to remind yourself to breathe.

After what feels like eons of uncomfortable staring, he breaks your gaze —surely it couldn't have been longer than a few seconds. Flustered, you glance around to see if anyone else has picked up on the affair. Fortunately, or unfortunately, you're not quite sure which, it's nearing 6pm and the base is on the better side of empty. It's a Friday evening and everyone is eager to head out for the weekend.

Someone clears their throat. Hangman is still standing there, hands shoved in his pockets like he doesn't have anywhere better to be. You want to say something but your gut is telling you that there's some sort of game going on here and you're not sure of the rules.

Finally, he faintly nods his head, as if to excuse himself, and turns to walk away. You watch his retreating back and relax a little, breathing a bit easier.

As you're turning back to your plane, relieved that the interaction is over, you hear him call back over his shoulder.

“The team is heading to the Hard Deck at nine. Don't be late."

And then he's gone, disappeared between one of the hangars.

——

For nine thirty on a Friday evening, the bar isn't nearly as busy as you'd expected it to be. You don't have to fight for a parking spot out front and there's not even a line at the bar. Other than a rowdy looking gaggle accumulating at the pool table, the atmosphere is pretty laid back. Looking around as you walk further in, there is a handful of people in civilians, but the majority of the crowd is composed of off duty aviators in their summer khakis.

You're about to head over to the bar top, where you were sure you had spotted Captain Mitchell, when someone shouts your name.

"Hawk!"

Your head swivels at the sound of your callsign, and you catch sight of Rooster beckoning to you over at the pool table. Immediately you recognize the familiar faces of the Dagger squad around him. You acknowledge him with a smile and head over to join them.

“And here we thought you were going to be a no-show," the brunette pilot chirps, his arm wrapping around your shoulder as soon as you're close enough. You lean into his embrace while touching his chest with a friendly pat of your hand. Bradley is by no means close to drunk but most definitely more than a little buzzed if you're going off of the smell of beer and lime on his breath and the occasional involuntary twitch of his mustache.

"I thought about it, but I can't keep letting you guys have all the fun," you laugh, holding out your other arm so that you can greet Natasha with a hug as Rooster releases you.

After hugging you, she presses a sweating bottle of beer into your hand. "Coyote bought everyone a round so I figured I'd save you one before the boys wiped them out. Sorry if it's a bit warm, you did show up fashionably late."

You playfully roll your eyes at her, taking the beer anyhow. "Thanks, Phe."

Payback places a large palm on the top of your head, diverting your attention towards him as he returns from the bar. "Don't let her fool you, we're just getting started over here. Rooster isn't even drunk enough to get on the piano yet."

Laughing, you glance over at the brunette aviator. "Now that I've been waiting to see. I hear you're quite the show, Bradshaw."

Since you transferred over to Miramar, you had been hounded nonstop to go out drinking with the team for weeks, and Rooster's infamous performance had been one of their key selling points. That and the fact that the owner, Penny, often gave them free drinks. Apparently she had a thing for Captain Mitchell.

Rooster grins, leaning against the pool stick in his hand as he waits for Fanboy to take his shot. "Let me get a couple more beers deep and I promise you won't be disappointed."

As you go about making your rounds to greet everyone else, you can't help but notice that there's someone missing. After you take a seat beside Bob to watch Rooster and Fanboy play, you glance around the bar a few times, convinced that you've somehow overlooked him despite the fact that the place isn't busy enough for that.

An almost disappointed feeling pulls at you despite how ridiculous the realization makes you feel.

After spending the better part of an half hour trying to push the feeling away, you finally spot a familiar head of blonde hair over at the dartboard. He's by himself, about three darts in and half a bottle of beer down. So much for the personal invitation, you think.

You watch as he throws a dart, practically without so much as aiming whilst contemplating whether or not you even have it in you to muster up the courage to face those green eyes again.

Without giving yourself the chance to back down, you swallow back the rest of your now warm beer and head over.

He tosses another dart just as you reach him, and it finds itself dead center with the previous three.

"With a hand like that, you should be kicking Rooster's ass over there in pool," you say as you come to a stop behind him.

Walking away from the dartboard, Jake turns to grab his bottle of beer from the table beside you.

"I'm not much of a betting man," he huffs, leaning back against the table. The muscles of his biceps bugle distractingly against the sleeves of his uniform.

You look back over your shoulder, watching from a distance as Fanboy's cue clips the eight ball and sends it ricocheting off the sidewall. He groans, and Rooster whoops triumphantly from behind him.

"It wouldn't be much of a bet. Even with his winning streak, I think you'd give him a run for his money."

Hangman takes a sip from his bottle, mouth lingering on the rim before he sets it back down and crosses his arms. "Rooster's all luck and no skill. The table's got a lean."

You raise your eyebrows at the confession, half laughing at his lax confidence. "Oh? And you would know this how?"

"C'mon, son. Fuckin' hit it in."

Body tense, his arm quivers ever so slightly and the pool stick bobs shakily in his hand. He closes his eyes and takes a breath in.

"I haven't got all day, kid."

He breathes out and breathes back in. The smell of cigar smoke and cheap beer swims in his head.

"What're you doin'?! Quit wastin' time."

He exhales, opens his eyes, and hits the pool stick forward. The white cue ball shoots out to the left, bounces against the eight ball, and sends it hurdling towards the side pocket. At the very last moment, it veers off to the left and falls into  the back corner pocket instead.

The man standing on the other side of the table curses, his pool stick dropping to the ground, but Jake pays little mind to him. He straightens, looking around eagerly for the only set of eyes that matter. The grin falls from his face when he realizes the old man isn't even watching, too busy counting out his prize money and yanking out a ten to hand to the bartender.

Jake looks up at the clock on the wall over his shoulder.

12:57 am

"Dad, I wanna go home."

"Not yet, son. I've already got fifty put down on another round."

"Want me to show you?"

His offer makes you pause, and you can't help but cock your head a bit as you try to weigh out just where this is heading. For weeks he has acted as though you barely even existed and now you're engaged in the longest conversion the two of you have had since your arrival.

Jake finishes his drink and sets the bottle down whilst walking over to you. "Final offer. Take it or leave it."

You laugh a little before stepping back so that he can make his way to the pool table. "Lead the way then." But before you can make it too far, his palm finds the flat of your back, pressing you forward so that you're in front of him. You're glad he can't see you because your face flashes hot at the unexpected contact.

"I'm not the one playing, kid. I'm just going to show you the ropes."

"Oh, I didn't-"

Any objections you have about the situation are ignored as he pushes you firmly in the direction of the pool table and asks Payback for his cue. "Look alive, Bradshaw. Hawk is about to show you how this thing is done."

Straightening his wide shoulders, Bradley grins, smug and easy as you and Hangman approach the opposite side of the table. "And here I thought you were here to reclaim your throne now that I'm intoxicated."

Jake grins back. "You don't need to be drunk for me to do that."

Bradley's mustache twitches, but he's still smiling. "Sure."

Jake turns back to you, placing the pool stick in your hand. You can't help but think that his expression is all too confident for someone who has never even seen you play pool.

"Nervous?" he asks as you take the stick from him.

"Should I be?" you ask back, turning your head to watch as Rooster takes the liberty of breaking the rack.

He shakes his head, his green eyes glowing with a warmth that you've yet to see from him. "Not as long as you don't totally suck."

Seeing that it's your turn, you brush past him to stand at the table. "I guess I'll let you be the judge of that."

Thankfully you've played your fair share of pool and so you're able to hold your own for most of the game. Jake remains criminally silent as you play, arms once again crossed as he leans against a nearby stool, but you can feel his gaze burning into your back the entire time. It isn't until the end of the game and you've missed the same ball multiple times that he steps in.

"Shift left," he directs you. When you glance over at him, he nods his head as if to insinuate where you should move but doesn't move from where he's planted himself since the beginning of the game.

Hesitantly, you shuffle over a half step and take the shot. The ball comes closer than you have been but still hits the sidewall just short of the pocket. You huff in frustration, and Rooster steps forward to take his turn, sinking his second to last ball in the same pocket.

"I hope you're ready to buy the next round, Seresin. Looks like Hawk is losing her nerve," Bradley goads, unable to keep himself from boasting a little at your expense. When it comes to Hangman, he can't resist the chance to taunt him.

You roll your eyes at his comment, not bothered so much by it as compared to the fact that you're losing. When it's your turn again, you line up the ball and lean down to assume your position when Jake stops you.

All the sudden he's right beside you, palm pressing into your hip to scoot you to the side. "Move over." When you look at him like he's crazy, he huffs. "C'mon, do you want my help or not?"

It isn't so much of a question as it is a statement and the press of his hand against your side doesn't leave you much of an option and so you shuffle over to the far right side of the pool table.

Before you can even comprehend what's going on, he's leant over you, his impossibly tall frame pressed to your back so that he can reach around you and guide your hands. One wraps around your hand on the stick and the other cups your opposite elbow.

It takes everything in you not to jerk away, overwhelmed by his sudden proximity. Instead you try to focus on controlling your hammering heart and pray he can't tell how clammy your palms suddenly are.

"Hey, that's not allowed," Rooster complains. "Is that allowed?"

Coyote shrugs. "It's not not allowed."

Distracted by their bickering, his voice in your ear nearly makes you jump. "Hit the cue ball. Hard."

The lean press of his body is almost enough to distract you from the fact that he's done a god awful job of lining up the shot. There's not one alternate reality where you make this shot.

"You can't be serious."

He's so close that you feel him smile beside your ear. "Dead."

"Any day now," Rooster prompts, as if you aren't aware that Jake Seresin has been pressed against you for an uncomfortably long amount of time. And if Hangman has noticed the fact that your heart is fluttering erratically inside your chest or that your skin is flushed hot to the touch, he doesn't let on. 

"I'm waiting," he reminds you, his voice placid in your ear.

Against your better judgement, you take the shot.

The white cue ball hurtles into the black eight ball with a hard clack and sends it flying across the table. It smashes against the sidewall, exactly as you had expected it to, and you release a breath of defeat. And then something unexpected happens. The ball slows, but instead of bouncing to a stop, it continues to roll left across the table. You all watch as it rolls directly into back corner pocket of the table.

"Well I'll be damned," Payback mutters aloud.

"Hell yeah, [L/n]!" Phoenix shouts, her loud and robust voice ringing out across the bar. "Shots are on Bradshaw!"

"Thanks buddy," Coyote laughs, teasingly grabbing the back of the brunette aviator's shoulders as he heads off for the bar.

Bradley waves them off, looking a bit miffed but still good naturedly accepting his defeat.

"How about it? You're a cold blooded killer."

Like a bucket of ice water being dumped over your head, the sound of Hangman's voice coming from behind you jerks you back to reality. You haven't even noticed that he'd stepped away. Something inside you twinges at the loss of his body pressed against yours.

You turn around to face him, your brain still trying to comprehend what just happened.

"How'd you do that?" you ask incredulously, your tone almost accusing. A deeper part of you wants to ask 'why did you do that' but the smile on his face stops you.

His top row of pearly white teeth that you glimpse is pristine, however brief, before his pink lips come back together in a more subdued smile. It's an expression that is so very genuine and carefree that it sends a spark straight through to your heart. You've never seen him actually smile before, and especially not at you.

"You're smiling," you accuse before you can stop the words from coming out of your mouth, half giddy at the discovery yourself.

Jake looks slightly away, turning his head briefly in order to suppress his smile before looking back to you. “Yeah? So?” His green eyes are twinkling as he says it, like he knows he’s been caught.

You jab the short end of the pool stick into the center of his chest, but he’s quick to grab it before it can find home.

“Up until yesterday, you could barely stand to even look at me,” you say.

He bites the inside of his cheek. “That’s not true.”

“So you’re saying that I’m seeing things.” You try to tug back on the pool stick but Hangman doesn’t release it.

“I’m saying you shouldn’t be seeing things.”

With that, a larger portion of the previous smile is gone from his face, a more sober look replacing it.

Just like that the spark fades. Even though you want to shut down, turn your back to his face and just walk away. You force yourself to keep talking, holding your voice steady. “I don’t think I’m following you.”

Inside you know exactly what he means.

His eyes flicker up over your shoulder but the Dagger squad has already moved on to crowd around Rooster at the piano.

You clamp your jaw together as he releases the pool cue and crosses his arms in front of his chest. It makes him look more relaxed than he is.

"Look, whatever this is—whatever you think I am, I'm not." He says this with the realistic conviction of someone who knows that even if it is, you can't. He says it like he’s trying to convince himself.

You’re not quite sure how old he is—barely thirty if you had to guess— but he’s older. Too old. Not to mention fraternization is deeply frowned upon.

"I know," you answer firmly. Because you do. Because even if it isn't, you want it, whatever it is.

He stares down at you with those green eyes, his pupils pinpoint sharp. After a moment he heaves a sigh and releases it, nodding his head. “So we’re in agreement?”

“Yeah,” you answer. “We’re in agreement.”

“Good.”

“Good.”

[cursecuelebre]

Top Recommendations for Norse Pagans that aren’t Problematic.

There is a lot of books by people who are racist and part of far right side of Heathenry and I’m going to try my best and list the books I have that helped me on my path that isn’t problematic and have questionable intentions. Books and YouTube channels.

Anglo Saxon Socerery and Magic by Alaric Albertson. He is very knowledgeable in his work and path especially on runes which includes the rune poem to make your own interpretation and witchcraft side of things. He even talks about the Elves which I appreciate because not a lot of Norse authors talk about them. It’s more Germanic than Norse but I can’t see any problem adopting certain aspects since they are very similar. I will say he does take himself a bit serious at times but his information is so good and worthwhile. I have not read his first book on Travels through middle earth but it focus on more the pagan side.

Poetic Edda and Prose Edda: it’s what every Norse pagan needs. It’s the foundation of Norse paganism not bibles but myths and tales that can help along our journey. There is tons of translations, but my favorites are Dr. Jackson Crawford Poetic Edda and Anthony Fawkes Prose Edda. But look into other sagas as well like Volsung which Dr Jackson Crawford also wrote about.

Beowulf. More of a Germanic tale but again includes it has roots of Germanic sorcery, traditions, religion like the concept of Wyrd (Fate), the runes, and values within his society like loyalty and mythical creatures. Again there is many translations even Jrr Tolkien did a incompleted version of Beowulf but I think Tom Shippey finished that version I could be wrong. Nonetheless explore more than one, the oneI have is by Seamus Heaney.

Grimm Fairy Tales this mostly German Folklore but it’s still quite important to learn about in German folk magic, creatures and entities in German folklore tends to be very real to the practitioner in their spellwork.

The Way of Fire and Ice by Ryan Smith a very progressive outlook in Norse paganism, he talks about creating communities in Norse paganism and calling out and denouncing Nazis in the community how Norse Paganism is inclusive and how to be open to all types of people. But he has a beginner approach to the deities, beliefs, values within Norse paganism.

Look into a lot of academic sources that’s where you will find a lot of information on Norse paganism and religions.

Tacitus Germania - A Roman historian talking about the Germanic tribes their culture and customs.

Saxo Grammaticus history of the Danes

The Viking Way by Neil Price it goes good in depths about magic in Scandinavia like Seidh

Dictionary of Norse Mythology a quick guide to northern myths, if you are trying to find a specific god and you don’t have time to look up in a book it’s in there with great information to each one.

Children of Ask and Elm: History of Vikings by Neil Price on Scandinavian culture during the Viking age

Some YouTube Channels

The Norse Witch: Bente lives in Germany and their channel encompasses all of Norse paganism more around magic. They do interviews with other Norse witches of folk magic like Icelandic and Danish. Even gives good book recommendations and advice on general spellwork as well!

Freyja Norling: Freyja actually lives in Norway and is a Volva, she focus on so many things within Norse paganism like Trolls, the runes, the gods, knot magic, etc. I love her channel because she actually lives in Norway and very experienced in her work.

Dr Jackson Crawford he is an author but he also has a YouTube channel. He was a professor in Colorado on Norse culture, mythology, and language and now is a full time YouTuber. He did a series of videos on the runes which are more historically accurate. Discusses the myths and the language and what do they mean. Jackson Crawford isn’t a Norse pagan nor he doesn’t care if you are one but just letting you know he isn’t coming from a pagan perspective.

The Welsh Viking also like Jackson Crawford but still has really great knowledge on Viking culture.

De Spökenkyker who is a channel that focus on German Folk magic living in Germany who is a practicing German Folk Witch.

Please feel free to add on any recommendations that are helpful and useful to the Norse pagan Community!

[tkingfisher]

So I write all sorts of things (fiction, fanfic, screenplays) and my mind is cluttered garden of flowers and weeds and shiny ideas, and I'm wondering how to form a writing practice to clear it into tidy rows? Is it possible to shepherd untamed ideas into order?

How do you manage all your wonderful worlds, characters and inspiration and not feel haunted by the story bits and pieces in your head? Any practical tips beyond dark magic?

Thank you, you are such a constant inspiration for me, both prose and just your presence. <3

*laugh* Oh god, Nonny, if I ever find out, I’ll tell you! When you read books, you’re getting the Instagram-filtered view of a writer’s brain, all the flowers that grew out of the compost heap, carefully composed and shot in optimal lighting. The real inside of my skull is a magpie nest of Neat Shit I Read/Saw/Thought Up While Lying Awake At 2 AM. There are characters and ideas in there that I’ve been trying to get into a manuscript since I was twelve and typing on an Amiga 500.

But, that said…really, I think it’s okay. Creativity is inherently untidy. The compost heap can be corralled into a very pretty box made of sustainably harvested materials, hand-stained by traditional artisans being paid a living wage by an employee-owned company, but as soon as you lift the lid, it’s all worms and coffee grounds and old potting soil and cow shit and the vegetables you swore you were gonna eat this time before they went bad. That’s what compost is.

Nevertheless, having been in the business for…uh…fifteen years now? (@dduane is snickering at me, I can feel it) and having written nearly forty books, I can offer three bits of something less than advice. It’s what I do. It may not work for anyone else, but it’s what I do.

Un-Advice The First: If you get a shiny idea and you are super excited by it? Go ahead and chase it. Pull up a new page in Word or whatever and slap down a couple thousand words while it’s exciting. I know that this absolutely flies in the face of common wisdom, but quite frankly, my enthusiasm is a much rarer commodity than my time, so if I’m excited about something, I write it down until I’ve taken the edge off.

Then I usually save it into a big folder called “Fragments” and go back to work on whatever I’ve got a deadline on. (Usually. Sometimes the edge doesn’t wear off, and I wind up with another book. Which, y’know, darn.)

There are vast numbers of people who will tell you that a shiny idea is a sign that something is wrong with your current project and the solution is to knuckle down and work! through! it! And those people are probably right for them, and I trust they know how their own brains work. Me, though, I got ADHD like a bat has wings. My hard drive is a vast swamp of story beginnings, neat ideas, random scenes. And that’s okay because I still get books finished.

In fact, it’s better than okay. Not that long ago, my agent sent a novella to a publisher and they said “We’ll take that novella and three more novels. What’ve you got?” And I ended up plundering my hard drive and sending the editor a good dozen random beginnings until we found one that we both liked, and then I wrote the rest of that book. And then another one. If I hadn’t had all those fragments lying around, though, it would have been a miserable experience of writing book pitches and trying to think of stuff I could get excited about. (This may not be how some editors work, but it’s how my editor and I work, anyhow.)

Un-Advice The Second: Trust that everything will find a home eventually.

This one is easy to say and hard to do because sometimes you get that overload that if you’re writing the book about, say, werebear nuns, you aren’t writing the one about the alien crustaceans. Or worse, you feel guilty. If you don’t use that one cool thing, was all that time you spent on it wasted?

Breathe. Be easy. Every single cool thing does not need to go into a single book. There is no sell-by date on the neat character. You will probably write many books in your life and all those random characters will find a home. (Seriously, the werebear nuns were lurking for like a decade.)

For me, at least, when I find the spot where something fits, it often snaps into place like a Lego. Easton’s backstory as a soldier from a society where soldiers were a third sex had been kicking around in my head for a few years, derived from about three different sources, and then I wrote the opening to What Moves The Dead and all of a sudden Easton was there and alive and they had strong opinions about everything and I had ten thousand words practically before I turned around.

You can also stave off guilt by writing some of your ideas in as highly personal Easter Eggs. A couple of my books have references to a white deer woman, a heroic deed done by a saint and the ghost of a bird, and a woman with dozens of hummingbirds on tiny jeweled leashes. Those are all characters and stories I’ve had vague notions about, but haven’t managed to work in anywhere or learn much more about. Still, the passing reference is enough to make me feel like I haven’t abandoned them.

(The advantage to this is that once you DO write those in, the readers are all “oh my god, she foreshadowed this a decade ago, she must have planned this all out in advance!” Then you look really clever and well-organized and no one has to know that you have no idea what you’re doing.)

Un-Advice The Third: Write the kitchen sink book.

At one point, I had so many stray ideas that hadn’t gotten into a book yet—the tree of frogs, the dog-soldiers, the stained glass saint, the albatross and the shadow of the sun, and also I wanted to write something with Baba Yaga—that I hauled off and wrote a book where I just put in everything and the kitchen sink. It’s called Summer in Orcus. There are bits in there that I had been cooking in the mental compost heap for decades, but that weren’t enough on their own to sustain a whole book. The phrase “antelope women are not to be trusted” showed up in my head some time in college. It’s a fun little book and I’m proud of it, but it’s very much a patchwork quilt of weirdness. But it’s also written so that if later on, an antelope woman shows up in another book in another context, that just adds to their mythology, it doesn’t break canon or whatever.

(Pretty sure I’m not the only one who has done this, either. China Mieville has said that he wrote Perdido Street Station because what he really enjoyed was writing all the weird monsters.)

So yeah, that’s my advice, for what it’s worth. Some days I just tell all the fragments and ideas that I promise that I’ll get them a home eventually but I need to write this thing here now. Sometimes I throw down enough words to get the story stabilized and then I’m okay to move on. Sometimes I write multiple books simultaneously.

Any method you use to write the book, so long as it doesn’t hurt you or anyone else, is a perfectly valid method. If anyone tells you different, you send them to me.

(…god, I hope that was the question you were actually asking, Nonny, and that I didn’t go off on a completely different tangent when you just wanted to know how I keep track of a plot or something.)