#wrote out some prose for it

[six-white-venus]

What can you do when you hate every word that comes out of your mouth with a burning passion? When nothing you say ever feels right? When all of your words feel like lies, even though they’re not?

Because they’re not, right? …right?

[ranticore]

does revelation return wildfires feelings

It's Complicated

[i-havenothingelsetopost]

genuine question, do you like maths?? i have a vague feeling i saw your post of tags or something that said something about it but i cannot figure out if it was in fact you or if it was even positive ahahah

Yeah that was me! I don't go looking for math problems, but when I happen to do them, I tend to enjoy it. Wasn't always this way — elementary school math was about speed and memorization and I hated that — but I had a really good teacher in upper secondary school, and it became about creative problem solving. It feels the same as writing a poem in meter or managing to untangle a really bad knot in a ball of yarn.

[orcelito]

Just finished rereading ITNL chapter 2 again

Yknow, it's long felt like a weaker chapter to me, especially compared to chapter 1. It's a Necessary chapter, but it's basically an entire chapter of introspection. Add in the fact that I wrote it in a single day and was half falling asleep by the end of editing it, but pressing onwards anyways bc I wanted So Badly to get it out that night...

The Legato part was the weakest for that. I remember staring at it and breaking my brain just trying to make it sound better before just giving up and posting. But when I worked on my full-fic re-edits about.. a year ago now? A year and a bit. I think it was October ish of 2023. But I focused on that part again, trying to get it up to my standards to be satisfied with it.

Coming back to it after some number of months, my brain relatively fresh, I think I actually did a pretty decent job. Despite being an introspective chapter, it really drives home how Wrecked vash is about it all. I like to say that chapter 1 is like a thesis to the fic, where you get vash's goals laid out pretty clearly (him picturing the things he wants to fix + him picturing his dream of having all the people he loves around a table with him, including Knives. It serves as motivation for him jumping back in time in the first place and it remains his driving force throughout the fic). In contrast, chapter 2 is... almost a secondary thesis. We see his doubt, his fears, his panic. We see the things that he's going to be struggling with throughout the whole fic. His wish to handle it all on his own, as well as how overwhelming it all is to him. Chapter 2 is the necessary second side to chapter 1's thesis, showing the weakness in his own strength and drive.

The cracks in his own unstoppable force.

Idk it's just interesting to me. Having been away from it long enough, I think I really do appreciate chapter 2 after all.

[softgirlstudio]

what they don’t tell you about starting to heal after a traumatic event is that you will meet past versions of yourself in everything you do

like i find myself looking at posts i made before the crash and i used to be so invested in stuff that frankly doesn’t matter anymore, it’s almost like someone else wrote it. i literally don’t feel connected to that girl anymore even though its me.

everything seemed so simple and delicate then. now it’s like i’ve been given this ball and chain of grief and trauma to drag with me everywhere. i used to feel like a human but now i just feel like a husk of a person

[juno-infernal]

so i’ve been sketching out plans to do a little bookbinding project— a handwritten compilation of some of my all-time favorite poems, thematically arranged. maybe illustrated a little too.

unfortunately i feel like this task is slightly cursed, because the last 2 times i actually got down to work on similar projects (more scrapbook-y things with letters, journal excerpts, + my own poetry as well), the person i was making them for almost immediately broke up with me. both times!! if i do this one for me do you think i’ll break up with myself :/

[bejeweledmp3]

computer how do i stop feeling insecure on my writting so that can i write. computer please

[bread-making-vikings]

I'm looking forward to getting to forge of darkness but ngl the path to ascendancy books are taking too much of the mystery away from the malazan series - like it's cool to see kellanved and dancer goof about but it feels like it's just checking off names people recognise, even when it contradicts stuff we know about Whiskeyjack and Dujek (for example) just to have them be there at the start?? I'd much rather each book skip ahead a decade or something, and focus on stuff we barely even heard about before, not just "oh you remember that really cool thing we hinted at? yeah here it is laid out pretty prosaically".

Idk if it's Ian Esslemont, bc from the two (2) of his empire books I've read I really enjoy his writing style and think it meshes well, but they're just kinda draining a lot of the magic out. Things like the Tiste Edur and K'chain Che'malle are talked about as slightly niche but common knowledge, and it's just a bit lame?

[estherkae]

june 10

i don’t remember the last time i’ve been okay. but maybe my okay is less than i expect or think it should be.

your poetry isn’t about me when i think it is. a crow woke me up early this morning and i laid in bed for longer than i should’ve. i think i was waiting for you, maybe i wanted you to call or maybe i wanted to turn around and just find you there. my mom was doing laundry and folding socks. i didn’t say your name when i woke up because i knew you wouldn’t hear it even if you had been there or on the phone. the tree with arms is still and not silent and not moving.

my dad left the garage light on two days ago and i don’t know how to turn it off. i’m mad at you. i’m mad at everyone. i’m insecure. i miss my boyhood. i miss my girlhood. i don’t remember the last time i’ve been okay and not falling.

[tangledinink]

From the ask game - 9. Do you write every day? If you wrote today, share a sentence of what you’ve written!

Okay. Uhmmmm. So you guys trust me, right?

This was technically written today because I wrote it at 2AM lol.

As for writing every day, no, not necessarily! I think taking breaks it honestly pretty important. Literary roleplay has been a hobby of mine for a while now, though, so if I'm in a good group then I really will write every day, lmao. And if I'm in a writing mood I'll work on TMWN just about every day-- but I also definitely take days off!

[wayfaringauthorofficial]

I live with ghosts. Walking through this town, I keep my eyes peeled for new ones, but they always take me by surprise. Maybe too many things have happened to me and it's a sign. but of what? What do the ghosts and dark spells want me to do? I wish I knew. Maybe my life would make a little more sense. Maybe I would stop wandering through these crowded streets, looking as alone as I feel.

Do they know what goes on inside my head? The dreams that jerk me out of the deepest sleep, no matter what time it is? Sometimes, I try to guess if birds or crickets will greet me. Most dawns, I'm wrong. I jolt awake into silence, a new sort of nightmare that tries to plague me. And it sucks me right back in like I'm under a spell that I can't break. If I do, I might forget how to be.

My mother always tells me to be myself, to ask myself who I am. But I do. I ask myself that question every day, as I bury my nose in books jus trying to feel something that might make me appear normal again. I didn't want to be this way, didn't look to be the girl no one believed in. but that's who I woke up as one day, trapped in a stranger's body. When will I get my life back? when will I be able to know who I am again?

Sometimes, I ask the stars or the rabbits that stare at me. but if they answer back, I can't understand. We don't speak the same language or live the same lives. Sure, we're both hunted. Both are perceived as weak, helpless things... but this creature fears the barrel of a gun. I fear the hands that threaten to snatch me away in the dark. A man who sneers as he preys upon a girl he swears he can't resist, that he'll love and cherish, forever keeping her locked away from the world.

[mxjackparker]

Working Guys: A Transmasculine Sex Worker Anthology is officially out today! We're published!

Those who've been watching this book through its creation may be tired of hearing me hype up all the contributors for this, but it's worth repeating. All of the 20 transmasculine sex workers in addition to myself who wrote about their experiences for this are amazing and have incredibly worthwhile stories to read.

"I genuinely think anyone who wants to talk or form an opinion about sex work needs to read this book, since it not only offers thoughts about transmasc people but also reflects about what sex work means in a society like ours and what reasons does someone have for engaging in it."

The book includes many kinds of sex workers, from those who sell sex in-person to professional dominants to Onlyfans creators. You can read the experiences of Felix Mufti, Dakota Nevaeh (18+), Eddy (18+), Sunan, Trip Richards (18+), Liam, Arc D, Julian Yang, Mister Saul (18+), Ron Beastly (18+), and many others!

"This is a diverse collection of work - from cutting analysis of the camming industry, statistics on violence against transmasculine sex workers, to personal stuff that reads like prose poetry. Care was taken to include minorities within the minority, especially people of color."

Such a huge proportion of transmasculine people have done some kind of sex work, yet awareness of this is low! As a sex worker myself who often struggles to be understood and has become frustrated with the lack of resources out there or things to read describing feelings and difficulties like my own, I'm so happy to have been able to put together this anthology. When I transitioned whilst selling sex and making porn, I'd have strongly appreciated a book like this.

"The "multiple texts" format is really easy to apprehend for people who's primary language is not english (like me, so sorry for the typos and such), compared to a huge essay in one block."

You can order a copy from most online book stores, or get an e-book here.

[fangbanger3000]

we need to talk about The Silence and The Song

[PLEASE READ] edit to add: i realise that this post has been reblogged far and wide and that there is not a lot i can do about it now, but this is me trying anyway.

posting examples from the fic about my issues with its repetitive structure was careless of me, and i apologise to those of you who read it and became insecure about your own writing style. as someone who has worked with ai in academic settings, it's incredibly difficult for me to explain to you how the tone and structure of ai-generated fiction works and how, after reading enough of it, you can simply just tell. i do also realise that this is an incredibly weak argument, which is why i didn't include it when i originally wrote this post.

all that to say: there is an enormous difference between "beginner's writing" and ai writing. being repetitive as a new writer (or a seasoned one who just likes using repetition) is so normal. as is flowery/purple language. i've read hundreds of books and fics and the difference between these traits in ai-text and actual works is starkly clear. please don't feel anxious over the examples i've used in this post.

again, i apologise for any distress i have caused.

as per my last post, i have received a lot of encouragement to go public with this, and the more disappointed people i have in my dms, the angrier i get. so i will.

the silence and the song is an ancient arlathan au DA fic on ao3 by luxannaslut, and it is partly, if not entirely, written by an ai. i have no wish to be involved in any kind of fandom drama or witch hunting or bullying, but as a writer myself there are few things that piss me off more than watching people steal the work of others because they can't be fucked to write. it's disrespectful to your fellow writers, it's disrespectful to your readers, and it's disrespectful to the authors of the works the ai is stealing from.

ai is a plague that has no business being in creative spaces and you must do better.

the writing pattern

there was something very odd and monotone about the sentence structure of tsats that i couldn't quite place, so i fed chatgpt a prompt along the lines of "two people in a fantasy novel hate each other, but they secretly desire one another, and they kiss", and the screenshots above are the results. the third one is an excerpt from chapter 40 of tsats. the writing pattern is identical and it doesn't seem like the "writer" has even bothered to pretend they wrote it. if you're going to use ai, at least be sneaky about it. you know, paraphrase a little.

nonsense descriptions

"her nimble fingers worked with quiet precision" (ct. 1), "his grip firm but tender" (ct. 33), "her gown pooling around her like embers" (ct. 1).

fingers don't make sound, so what does quiet precision mean? as opposed to what? her joints cracking with every movement? how is a grip firm but tender? what does that mean? since when do embers pool?

the entire fic is littered with these adjectives that contradict each other or just straight up do not make sense, because all an ai does is generate descriptive language with no understanding of what the words it's spitting out actually mean. i could spend hours picking out examples from the seven billion pages worth of text, but i quite frankly have better things to do and would simply challenge you to try getting through a chapter or two without noticing the pattern.

repetition at structure-level

all the scenes in this fic are described in pretty much the same way. they open with purple prose vomit of the surroundings; solas is standing somewhere looking "unreadable as ever"; ellana's fiery golden molten fire copper ember ginger red hair is flowing this and that way; there's some dialogue with whoever is present and it leaves ellana feeling different variations of "something she couldn't name". this is, once again, a blatantly obvious sign of ai. below is the result of me feeding chatgpt the line "write me a scene from a fantasy novel where a woman with red hair is sitting on the ground in a magical garden at night", and side by side with that is the opening scene of the fic. make your own judgement.

repetition at word-level

this one speaks for itself. we fucking get it. her dress is orange, her hair is red, mythal's presence is heavy in the room, solas looks unreadable, compassion is sitting on her head like a crown, solas' ears are betraying him and ellana's move with every thought she thinks. we get it. the issue here is that an ai remembers the info you feed it, but not necessarily the info it shits out. if it's being told to write scene after scene of an elven woman with a gown that looks like fire doing xyz, it's going to do so with no regard for how many times the reader has already been informed of these details.

lastly: the breakneck speed

359,6k words in four weeks by a person who allegedly is employed and married and hasn't pre-written anything? no. any writer will tell you that this simply isn't possible. it absolutely infuriates me to see how much praise this "writer" gets for posting up to three full chapters in a day without anyone calling bullshit. i am pulling out my hair, you guys.

why i'm not going to live and let live this one

perhaps i would be less angry if the fic was some silly bullshit court intrigue Y/A stuff, but this is a text that handles very heavy and triggering topics such as SA, coercion, domestic abuse, and other things of the same vein. to sit back and put your feet up while having a robot write these extremely sensitive and very real human experiences with words it has stolen from texts written by actual persons is fucking heinous. the "writer" should be deeply ashamed of themselves and i'm sick and tired of watching people eat up their bs.

and on that note: the amount of people in my dm's telling me that they feel stupid and naive for not clocking this has infuriated me more than anything else. you're not foolish for this. being fed ai-generated bullshit is not what is supposed to happen on any creative platform and much less a fandom-centred one, so of course no one approaches a fic through that lens. fandom and fic writing is supposed to be about passion and the only person in this situation who needs to do better and change their behaviour is luxannaslut. polluting our creative spaces, wasting the time of your readers, and minimising the effort of actual writers who are working hard to provide content for us all to share and enjoy is vile and so, so lazy. i beg of you: do better.

[copperbadge]

Recently I ran across an article about an art center that was doing creative expression classes for people with disabilities. Not that unusual, I've encountered that and trauma-oriented art therapy before, but it was the first time I'd come across the idea since getting diagnosed with ADHD. While the class was aimed more at high-needs disabilities, it occurred to me that I could -- if I wanted -- make non-prose art about being disabled.

Outside of my work in scene design I've never been much of a visual artist because I've never felt I had the combination of "something to say" and "a meaningful way to say it", but I started to question how meaningful and complex I really had to be to just make some statements about having ADHD. I can do it in prose, after all.

So I started thinking about how you would talk, in visual language, about things like time blindness, shame stemming from undiagnosed disability, the shift in behavior that medication can induce. Ways to express my condition to people who don't experience it. I still didn't really know how to build the pieces but whenever I went to an art museum I'd think about how I might do a gallery installation. The centerpiece of my mental gallery was a pair of barcodes, one marked "Neurotypical" and one marked "Neurodivergent".

[ID: An interior view of a small booklet, with pages marked 1 and 2, showing barcodes -- on the left, labeled Neurotypical, and on the right, in slightly weirder configuration, labeled Neurodivergent.]

And then I thought, why not make a zine? Nothing you're thinking of couldn't be put in zine form instead of on a gallery wall.

[ID: The booklet continues to pages 3 and 4; on page 3 is a postage-style label reading AUTISM with up arrows on either side, and on page 4 is a QR code labeled ADHD. The QR code technically should work but it just dumps a block of text I wrote about having ADHD into a browser.]

I grew up with zine culture in the 90s and I always wanted to make one but much like with visual art, I never felt like I had the right kind of thing to say; either I had too much to say or too little, and anyway I wasn't confident that what I wanted to do wouldn't just come off as trite and obvious. But you can make a six-page zine out of a single sheet of paper, so I did: I made Helpful Labels For Strange Brains by idab zines, a division of Extribulum Press. (i--dab is a term for a cuneiform tablet that contains a royal communication.)

[ID: The last two pages feature the same image -- a cereal bowl with a spoon in it, the spoon containing a single Adderall pill. One image, however, is captioned "Wake up. Pour yourself a cup of iced coffee. Fix a bowl of cereal. It's going to be a good day." while the other is covered in a detailed ADHD-style step-by-step process for the same actions, culminating in "It's going to be a day like that."]

I'm pretty pleased with how it came out -- the art all looks intentional and it still has that "taped this together after school" aesthetic I remember fondly from the 90s. And the confines of six pages, each only a few inches square, offers a good structure to keep things clear, simple, and meaningful.

[ID: The cover of the zine, labeled "Helpful Labels For Strange Brains" in a kind of esoteric stampy font.]

Especially nice is that if you wanted to you could just hand out the flat sheet, and let folks fold it into a booklet or not -- there's instructions for folding it on the back of the zine. Additionally I have some sticker backed printer paper so I could print it such that you could literally turn the labels into real labels.

Anyway if you want it, here ya go. You can print it on a single sheet of paper and follow the instructions on the back to fold it. I thought about selling it but I do not have the spoons to do a bunch of printing and folding and shipping.

[cursecuelebre]

Top Recommendations for Norse Pagans that aren’t Problematic.

There is a lot of books by people who are racist and part of far right side of Heathenry and I’m going to try my best and list the books I have that helped me on my path that isn’t problematic and have questionable intentions. Books and YouTube channels.

Anglo Saxon Socerery and Magic by Alaric Albertson. He is very knowledgeable in his work and path especially on runes which includes the rune poem to make your own interpretation and witchcraft side of things. He even talks about the Elves which I appreciate because not a lot of Norse authors talk about them. It’s more Germanic than Norse but I can’t see any problem adopting certain aspects since they are very similar. I will say he does take himself a bit serious at times but his information is so good and worthwhile. I have not read his first book on Travels through middle earth but it focus on more the pagan side.

Poetic Edda and Prose Edda: it’s what every Norse pagan needs. It’s the foundation of Norse paganism not bibles but myths and tales that can help along our journey. There is tons of translations, but my favorites are Dr. Jackson Crawford Poetic Edda and Anthony Fawkes Prose Edda. But look into other sagas as well like Volsung which Dr Jackson Crawford also wrote about.

Beowulf. More of a Germanic tale but again includes it has roots of Germanic sorcery, traditions, religion like the concept of Wyrd (Fate), the runes, and values within his society like loyalty and mythical creatures. Again there is many translations even Jrr Tolkien did a incompleted version of Beowulf but I think Tom Shippey finished that version I could be wrong. Nonetheless explore more than one, the oneI have is by Seamus Heaney.

Grimm Fairy Tales this mostly German Folklore but it’s still quite important to learn about in German folk magic, creatures and entities in German folklore tends to be very real to the practitioner in their spellwork.

The Way of Fire and Ice by Ryan Smith a very progressive outlook in Norse paganism, he talks about creating communities in Norse paganism and calling out and denouncing Nazis in the community how Norse Paganism is inclusive and how to be open to all types of people. But he has a beginner approach to the deities, beliefs, values within Norse paganism.

Look into a lot of academic sources that’s where you will find a lot of information on Norse paganism and religions.

Tacitus Germania - A Roman historian talking about the Germanic tribes their culture and customs.

Saxo Grammaticus history of the Danes

The Viking Way by Neil Price it goes good in depths about magic in Scandinavia like Seidh

Dictionary of Norse Mythology a quick guide to northern myths, if you are trying to find a specific god and you don’t have time to look up in a book it’s in there with great information to each one.

Children of Ask and Elm: History of Vikings by Neil Price on Scandinavian culture during the Viking age

Some YouTube Channels

The Norse Witch: Bente lives in Germany and their channel encompasses all of Norse paganism more around magic. They do interviews with other Norse witches of folk magic like Icelandic and Danish. Even gives good book recommendations and advice on general spellwork as well!.

Dr Jackson Crawford he is an author but he also has a YouTube channel. He was a professor in Colorado on Norse culture, mythology, and language and now is a full time YouTuber. He did a series of videos on the runes which are more historically accurate. Discusses the myths and the language and what do they mean. Jackson Crawford isn’t a Norse pagan nor he doesn’t care if you are one but just letting you know he isn’t coming from a pagan perspective.

The Welsh Viking also like Jackson Crawford but still has really great knowledge on Viking culture.

De Spökenkyker who is a channel that focus on German Folk magic living in Germany who is a practicing German Folk Witch.

Please feel free to add on any recommendations that are helpful and useful to the Norse pagan Community!

[nostalgebraist]

I feel like I've had the same experience several times now: someone does a new translation of a non-English literary classic, and all the critics praise it to the moon, so I go and try to read it, and it's turns out it's just . . . bad? Like, really bad? And weirdly bad?

A while back, I wrote about the case of Pevear and Volokhonsky. Here's another example, which I encountered while doing background research for my novel Almost Nowhere.

----

One of my novel's major characters is a literary translator, famous for his rendition of the Persian epic poem Shahnameh ("Book of Kings").

To help me write this character, I tried to read the Shahnameh myself. I started out – where else? – with the translation that seemed to be the gold standard, and which was certainly the most critically lauded.

Namely, the 2006 translation by Dick Davis, in prose with occasional shifts into verse.

Here's how the Shahnameh begins, in Davis' translation:

What does the Persian poet say about the first man to seek the crown of world sovereignty? No one has any knowledge of those first days, unless he has heard tales passed down from father to son. This is what those tales tell: The first man to be king, and to establish the ceremonies associated with the crown and throne, was Kayumars. When he became lord of the world, he lived first in the mountains, where he established his throne, and he and his people dressed in leopard skins. It was he who first taught men about the preparation of food and clothing, which were new in the world at that time. Seated on his throne, as splendid as the sun, he reigned for thirty years. He was like a tall cypress tree topped by the full moon, and the royal farr shone from him. All the animals of the world, wild and tame alike, reverently paid homage to him, bowing down before his throne, and their obedience increased his glory and good fortune.

And here is the same opening, in the 1905 translation by Arthur and Edmond Warner (which I only discovered much later in the process of writing Almost Nowhere):

What saith the rustic bard? Who first designed To gain the crown of power among mankind? Who placed the diadem upon his brow? The record of those days hath perished now Unless one, having borne in memory Tales told by sire to son, declare to thee Who was the first to use the royal style And stood the head of all the mighty file. He who compiled the ancient legendary, And tales of paladins, saith Gaiúmart Invented crown and throne, and was a Sháh. This order, Grace, and lustre came to earth When Sol was dominant in Aries And shone so brightly that the world grew young. Its lord was Gaiúmart, who dwelt at first Upon a mountain; thence his throne and fortune Rose. He and all his troop wore leopard-skins, And under him the arts of life began, For food and dress were in their infancy. He reigned o'er all the earth for thirty years, In goodness like a sun upon the throne, And as a full moon o'er a lofty cypress So shone he from the seat of king of kings. The cattle and the divers beasts of prey Grew tame before him; men stood not erect Before his throne but bent, as though in prayer, Awed by the splendour of his high estate, And thence received their Faith.

Now, I can't speak at all about the source text. I have no idea how faithful or unfaithful these two translations are, and in what ways, in which places.

Still, though. I mean like, come on.

This is an epic poem about ancient kings and larger-than-life heroes.

This is a national epic, half myth and half history, narrating the proud folkloric lineage claimed by a real-world empire.

There is a way that such things are supposed to sound, in English. And it sure as hell isn't this:

What does the Persian poet say about the first man to seek the crown of world sovereignty?

Excuse me? That's your opening line? I thought I was reading a poem, here, not taking a fucking AP World Literature exam!

----

Postscript

Some of the critical praise for the Davis translation, quoted on the back cover of my copy (emphasis mine):

"A poet himself, Davis brings to his translation a nuanced awareness of Ferdowsi's subtle rhythms and cadences. His "Shahnameh" is rendered in an exquisite blend of poetry and prose, with none of the antiquated flourishes that so often mar translations of epic poetry." (Reza Aslan, The New York Times Book Review) "Thanks to Davis's magnificent translation, Ferdowsi and the Shahnameh live again in English.” (Michael Dirda, Washington Post) "A magnificent accomplishment . . . [Davis’s translation] is not only the fullest representation of Ferdowsi’s masterpiece in English but the best." (The New York Sun)