#written 1/3/2023
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Sunny & Luna
She found herself Drawn to dolls but moreso To a pair of twins
One named "Sunny" And the other dubbed "Luna"
In them, she saw two halves Two halves of her being
At one point, she was like "Sunny" Optimistic and exuberant Even sharing similar interests
But that part of her died
Died and became eclipsed Gone was her "sunny" side What came was a husk
A shadowy husk of dimmed light
She became cynical and (less than) halfhearted A seething dislike of "sunny" people (Sunny, the doll, however, is more endearing)
Always in the shadows Practically unseen
At least, she'd muse, Luna's eyes sparkle. Though, the light in her own had dimmed
In a sense, she was divided in two The parts of her that died And the part that would eclipse them
The dolls are twins As different as their namesakes In memories, Sunny was the girl she was
And, currently, Luna is the girl she became
#rainbow high#sunny madison#luna madison#shadow high#notebook poem#musings#free-verse#revised#medium poem#then and now#doll collecting#introspection#reality subtext#written on the fly#written 1/3/2023
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vent
if i get this apprenticeship im fr fr gonna have to go back into therapy aye i need to get this dissociation in check im really spiraling i shant lie
#i am loosing my grip on reality fr fr uwu#the other day i was so fucking convinced there were people in my house who wanted to kill me t-t im really not thriving t-t#ive lost about 2 weeks of memory#and the whole year was already hazy t-t#this might be the year i finally snap and talk to a dissocation specialist and see wtf is wrong with my brain#if i find 1 (one!!!) more fucking doc written in my phone that i dont remember in a writting style that isnt mine; im fucking snapping#same applies to waking up in a random ass part of town with no memory of getting my ass there#this shit aint normal!!! im p much certain!!!#i can live with the foggyness and the confusion but id rather actually do something about the memory loss#its upsetting and annoying and i want to not be like this please and fucking thanks t-t#dis meh#personal#cw: vent#5/3/2023
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Writing tips for long fics that helped me that no one asked for.
1.) Don't actually delete content from your WIP unless it is minor editing - instead cut it and put it in a secondary document. If you're omitting paragraphs of content, dialog, a whole scene you might find a better place for it later and having it readily available can really save time. Sometimes your idea was fantastic, but it just wasn't in the right spot.
2.) Stuck with wording the action? Just write the dialog then revisit it later.
3.) Stuck on the whole scene? Skip it and write the next one.
4.) Write on literally any other color than a white background. It just works. (I use black)
5.) If you have a beta, while they are beta-ing have them read your fic out loud. Yes, I know a lot of betas/writers do not have the luxury of face-timing or have the opportunity to do this due to time constraints etc but reading your fic out loud can catch some very awkward phrasing that otherwise might be missed. If you don't have a beta, you read it out loud to yourself. Throw some passion into your dialog, you might find a better way to word it if it sounds stuffy or weird.
6.) The moment you have an idea, write it down. If you don't have paper or a pen, EMAIL it to yourself or put it in a draft etc etc. I have sent myself dozens of ideas while laying down before sleep that I 10/10 forgot the next morning but had emailed them to myself and got to implement them.
7.) Remember - hits/likes/kudos/comments are not reflective of the quality of your fic or your ability to write. Most people just don't comment - even if they say they do, they don't, even if they preach all day about commenting, they don't, even if they are a very popular blog that passionately reminds people to comment - they don't comment (I know this personally). Even if your fic brought tears to their eyes and it haunted them for weeks and they printed it out and sent it to their friends they just don't comment. You just have to accept it. That being said - comment on the fic you're reading now, just do it, if you're 'shy' and that's why you don't comment the more you comment the better you'll get at it. Just do it.
8.) Remove unrealistic daily word count goals from your routine. I've seen people stress 1500 - 2000 words a day and if they don't reach that they feel like a failure and they get discouraged. This is ridiculous. Write when you can, but remove absurd goals. My average is 500 words a day in combination with a 40 hour a week job and I have written over 200k words from 2022-2023.
9.) There are dozens of ways to do an outline from precise analytical deconstruction that goes scene by scene to the minimalist bullet point list - it doesn't matter which one you use just have some sort of direction. A partial outline is better than no outline.
10.) Write for yourself, not for others. Write the fic you know no one is going to read. Write the fic that sounds ridiculous. You will be so happy you put it out in the world and there will be people who will be glad it exists.
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Here is a brief summary of what is happening in Wikipedia right now:
In the last few years (3-4 years) the WikiProject Indigenous peoples of North America, which was originally created to improve the quality and coverage of native issues and native articles on wikipedia, has been hijacked by a small number of users with an extremist agenda. They have been working diligently over the last few years to change the definition of both what it means to be an Indigenous American and even what it means to be state and federally recognized.
The four or five key players (Mainly Editor Yuchitown, Bohemian Baltimore, ARoseWolf, (now retired editor CorbieVreccan, Netherzone and Oncamera) who are part of the “Native American Articles Improvement Project” started implementing these changes slowly, but they started pursuing their goals aggressively after November 2023, when state-recognized tribes retained their voting rights in NCAI. Essentially, after the movement to delegitimize state-recognized tribes failed officially, the key players doubled down on altering and controlling the flow of information about Native Americans through Wikipedia.
The talk page of Lily Gladstone’s article has a relevant discussion here. Initially, the leaders of the WikiProject removed any reference to her being a “Native American Actress” and instead had her as “Self-identifying as Blackfoot” and “Self-identifying as Nez Perce” because her blood quantum was too low to be enrolled in either tribe.
You can see some of the discussion here:
https://en.wikipedia.org/wiki/Talk:Lily_Gladstone
Eventually they relented and changed her category to being “Of Nez Perce Descent” but you can see in the discussion that they are referring to an article that these editors (Yuchitown, Bohemian Baltimore, and CorbieVreccan) themselves appeared to have mostly written and revised:
https://en.wikipedia.org/wiki/Native_American_identity_in_the_United_States
This statement is very much at odds with even the government’s description, as seen below;
The DOJ Office of Tribal Justice Office on their webpage “Frequently Asked Questions About Native American”, question “Who is an American Indian or Alaskan Native” states:
“As a general principle, an Indian is a person who is of some degree Indian blood and is recognized as an Indian by a Tribe and/or the United States. No single federal or tribal criterion establishes a person's identity as an Indian. Government agencies use differing criteria to determine eligibility for programs and services. Tribes also have varying eligibility criteria for membership.”
In addition, “List” pages have been created on Wikipedia for federally and state recognized tribes. The Wikipedia “List” page for state-recognized tribes is inaccurate in its interpretation of state recognition and not supported by expert reliable sources--(1) Cohen’s Handbook of Federal Indian Law 2012 edition, (2) NCSL.org current stand on state recognition (not the archived list from 2017 which NCSL no longer supports), (3) Koenig & Stein’s paper “Federalism and the State Recognition of Native American Tribes: a survey of state-recognized tribes and state recognition processes across the United States” (both 2008 & updated 2013 in book “ Recognition, sovereignty struggles, and indigenous rights in the United States: A sourcebook”)
https://en.wikipedia.org/wiki/State-recognized_tribes_in_the_United_States
State-recognized tribes who have received recognition through less formal but acceptable means have been moved from the Wikipedia list page on state-recognized tribes to the Wikipedia list page of unrecognized or self-identifying organizations.
The Wiki page "List of organizations that self-identify as Native American tribes", in particular, is being used to purposely defame legitimate Native American individuals who are members of the tribes/Native communities that are on this list.
By the parameters set up on Wikipedia, only the colonizer’s governments can acknowledge who is Native American through either federal recognition or state recognition. If an individual is not a member of a federally or state-recognized tribe, then it is determined that they cannot be Native American and are, instead, considered “self-identifying” or only “a descendant of ...” (example Lily Gladstone). As a result, Native individuals are currently being tagged as “self-identifying” and their names are put on “list” pages that strongly imply they are “pretend” Indians.
These editors have indicated that they would like “self-identification” to be the default setting for any people who they deem do not fit within the parameters that they themselves created within Wikipedia.
Moreof, these editors are admin and senior editors within the Wikiproject Indigenous Peoples of North America, and are being called in specifically to weigh on Native Identity, and any project involving any Indigenous Group.
Any attempt to correct misinformation, add information, or change any of these articles is often met with being blocked, reported for various offenses, or reported for having a Conflict of Interest, whether or not that is actually applicable. They have use this strategically in many different pages for many different individuals and groups within the scope of their Wikiprojects.
While changing things in Wikipedia does not change the truth, it is a way to control how most people take in information, and thus they hope to manipulate the narrative to better suit their goals.
This is quick and messy but:
Here is a link to the google document with the other state recognized tribes (Including yours) that were edited by these editors. This is an incomplete list so far that only goes back to September 2023 but I am going to add to it. If you can add to your own part of this list, and send your complaints and information to the arbitrator committee (the email is below) with the involved editors, this will help our case.
The more tribes who complain, and the more Wikipedia editors complain, the better our case will be.
https://docs.google.com/document/d/1YNDEjLTrrZ_mMIRCVxtvt69FwCYpJWKs71lBhWa5a9M/edit?usp=sharing
The place to make complaints on Wikipedia is oversight-en-wpwikipedia.org , and
arbcom-enwikimedia.org . It is most helpful to have an editing account on Wikipedia, because Yuchitown and the others will try to defend themselves using Wikipedia methodology and make anyone who confronts them look like the aggressor (see the other tribes who tried to fight back on Wikipedia I found).
The more people and tribes make complaints the more likely it is that this will work and we can rid ourselves of these monsters.
Some of the tribes I have spoken to are taking legal action against these editors. Any groups affected by their policies should also reach out to the news to make knowledge of this more widespread.
Thank you
- quoted with permission from an email sent by an associate of my tribe. Message me for their email address if you'd like to reach out to them.
#indigenous#intertribal infighting#state recognized tribes#seaconke Wampanoag#our chief and first councilman were at NCAI and there was ver nearly physical violence about this issue#Seaconke Wampanoag is recognized in MA and currently pursuing recognition by RI#like we gave active bills in tge state house
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burying yourself
{Heaven. A grand realm of saints and a homestead for sinners alike. Grand.}
{...okay, not that grand. Still cool, though.}
{Life is easy in Heaven; do what you're told. If you're not told to do anything, don't be a dick and you're fine.}
{Enter Asbeel. They've been stuck in their armor for so long that no one remembers what they look like - not even themself.}
{The Council - specifically, VII - has called for Asbeel for a very special purpose.}
{Hearing the call, Asbeel trotted their way to the Council Room to hear what VII has to ask of them.}
{In a word... it's unpleasant.}
{An alternative universe's Asbeel has been mortally injured, and requires a... burial, of sorts.}
"...please. Do them a favor, won't you?"
{...Asbeel had no choice but to accept.}
-
{Judecca.}
{Cold. Lifeless, almost. Dark. Moist.}
{Asbeel. Much the same.}
{A flash of light. Another being. They were barely able to see who it was before the being picked them up.}
{...Four arms. Pleasant ride for someone so faithless, no?}
{Asbeel had been put into a small hole. The four armed being seemed to not want to be doing this, judging by their body language.}
{...It appears they have no choice. So be it.}
{Life hadn't been particularly fond of Asbeel. They let it happen.}
-
{The blood red glow of the other Asbeel's armor radiates through the ice. It's... painful, to think about. Having to bury yourself.}
{Asbeel watches as the glowing from beneath dies down, their grip tightening on the shovel in their hands.}
-
{Cold.}
{A gentle hug.}
{A tired soul.}
{Wonder where I'll go.}
-
{The glow dies down. Asbeel can feel the cold of this frigid hellscape biting into their armor.}
{With a salute, Asbeel takes their leave, disappearing in a flash of light as always.}
-
{Heaven.}
{VII hadn't heard from anyone about Asbeel or what they've been doing as of late, so they took it upon themselves to go check on the big lug.}
{...VII did not expect to see a proud warrior sobbing on the edge of their bed.}
{They need a moment. Best to let them have it.}
#asbeel ultrakill#thinly veiled vent post#probably poorly written to#written at 3 am 11/30/2023 (12/1/2023? either or. in between.)#the thing i was worried about didn't end up happening so i'm totally fine for at least right now#have the post!
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The Cranberries - Zombie 1994
"Zombie" is a protest song by Irish alternative rockband the Cranberries. It was written by the lead singer, Dolores O'Riordan, about the young victims of a bombing in Warrington, England, during the Troubles in Northern Ireland. The song was released on 19 September 1994 as the lead single from the Cranberries' second studio album, No Need to Argue. While the record label feared releasing a too controversial and politically charged song as a single, "Zombie" reached number 1 on the charts of Australia, Belgium, Denmark, Germany, and Iceland, and spent nine consecutive weeks at number 1 on the French SNEP Top 100. It reached number 2 on the Ö3 Austria Top 40, where it stayed for eight weeks. The song did not chart on the US Billboard Hot 100 chart as it wasn't released as a single there, but it reached number 1 on the US Billboard Alternative Airplay chart. Listeners of the Australian radio station Triple J voted it number 1 on the 1994 Triple J Hottest 100 chart, and it won the Best Song Award at the 1995 MTV Europe Music Awards.
The Troubles were a conflict in Northern Ireland from the late 1960s to 1998. The Provisional Irish Republican Army (IRA), an Irish republican paramilitary organisation, waged an armed campaign to end British rule in Northern Ireland and unite the region with the Republic of Ireland. Republican and Unionist paramilitaries killed more than 3,500 people, many from thousands of bomb attacks. One of the bombings happened on 30 March 1993, as two IRA improvised explosive devices hidden in litter bins were detonated in a shopping street in Warrington, England. Two people; Johnathan Ball, aged 3, and Tim Parry, aged 12, were killed in the attack. 56 people were injured. Ball died at the scene of the bombing as a result of his shrapnel-inflicted injuries, and five days later, Parry lost his life in a hospital as a result of head injuries. O'Riordan decided to write a song that reflected upon the event and the children's deaths after visiting the town: "We were on a tour bus and I was near the location where it happened, so it really struck me hard – I remember being devastated about the innocent children being pulled into that kind of thing. So I suppose that's why I was saying, 'It's not me' – that even though I'm Irish it wasn't me, I didn't do it. Because being Irish, it was quite hard, especially in the UK when there was so much tension." The song was re-popularised in 2023 after it was played after Ireland games at the 2023 Rugby World Cup. It was picked up by fans of the Irish team, with videos of fans singing the song in chorus accumulating hundreds of thousands of views on social media. This offended other Irishmen, who identified it as an "anti-IRA" anthem, and said that that the lyrics failed to consider their experience during the Troubles.
The music video, directed by Samuel Bayer, was filmed in Belfast, Northern Ireland, in the heart of the Troubles with real footage, and in Dublin. To record video footage of murals, children and British Army soldiers on patrol, he had a false pretext, with a cover story about making a documentary about the peace-keeping efforts in Ireland. Bayer stated that a shot in the video where an SA80 rifle is pointed directly at the camera is a suspicious British soldier asking him to leave, and that the IRA were keeping a close look at the shoot, given "the British Army come in with fake film crews, getting people on camera.” While "Zombie" received heavy rotation on MTV Europe and was A-listed on Germany's VIVA, the music video was banned by the BBC because of its "violent images", and by the RTÉ, Ireland's national broadcaster. Instead, both the BBC and the RTÉ opted to broadcast an edited version focusing on footage of the band in a live performance, a version that the Cranberries essentially disowned. Despite their efforts to maintain the original video "out of view from the public", some of the initial footage prevailed, with scenes of children holding guns. In March 2003, on the eve of the outbreak of the Iraq War, the British Government and the Independent Television Commission issued a statement saying ITC's Programme Code would temporarily remove from broadcast songs and music videos featuring "sensitive material", including "Zombie". Numerous media groups complied with the decision to avoid "offending public feeling", along with MTV Europe. Since it violated the ITC guidelines, "Zombie" was placed on a blacklist of songs, targeting its official music video. The censorship was lifted once the war had ended. In April 2020, it became the first song by an Irish group to surpass one billion views on Youtube.
"Zombie" received a total of 91% yes votes!
youtube
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Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship
by Ren Basel renbasel.com
The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.
The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)
On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)
Then the Walt Disney Company made a huge mess.
On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)
The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.
The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)
While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?
It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)
Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.
While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)
When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)
Nimona, however, is hard to kill.
While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)
Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.
Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)
When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)
Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.
Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.
Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.
The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.
There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)
The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.
To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.
The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.
Enter Nimona.
The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.
“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.
It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.
A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)
Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.
When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”
Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.
In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.
The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.
Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)
When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.
About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.
Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.
When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.
Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.
Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.
Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)
The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.
Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.
During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.
After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.
When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)
Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)
In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.
Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.
Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.
Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.
After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.
When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.
Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.
But she isn’t safe from the Director.
In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.
When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.
Nimona, however, is hard to kill.
Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.
The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.
The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.
In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.
In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)
The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)
Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.
Long live Nimona, and long live the transgender community she represents.
_ This piece was commissioned using the prompt "the Nimona movie."
Updated 6/16/24 to revise an inaccurate statement regarding the original comic.
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Notes:
1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.
2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.
3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.
4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000.
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21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200
22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.
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24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.
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45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.
46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.
47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.
48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.
49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.
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𝐇𝐨𝐬𝐡𝐢-𝐓𝐨𝐛𝐞𝐫 ☠︎ 𝐓𝐡𝐞 𝐒𝐜𝐫𝐞𝐚𝐦-𝐪𝐮𝐞𝐥 | a JJK series
𝐀𝐮𝐭𝐡𝐨𝐫'𝐬 𝐍𝐨𝐭𝐞: another year, another kinktober for the blog; everyone say thank you to @blkkizzat for making me do this before i get off this platform bc i promise you i was ready to throw it in the trash, LMAO !! I can only hope that I can post everything on time...anyway, happy October, everybody!
2023 kinktober list ⋮ masterlists ⋮ playlist
𝑾𝒉𝒂𝒕'𝒔 𝒀𝒐𝒖𝒓 𝑭𝒂𝒗𝒐𝒓𝒊𝒕𝒆 𝑺𝒄𝒂𝒓𝒚…𝑻𝒂𝒍𝒆???
All the material below contains 18+ content, so minors do not interact. Changes + added pieces will be updated; look through my RBs to see what was changed or added. Contents of the fanfics/pieces are specified in their respective posts.
☠︎ = ficlet/thirst/scenario (Tues) | ♱ = fics (Thurs)
𓉸ྀི . . . 𝑾𝑬𝑬𝑲 1 :
☠︎ 𝐂𝐨𝐫𝐫𝐮𝐩𝐭 𝐌𝐞, 𝐁𝐚𝐛𝐲 . . . ft. bully! Gojo ⋮ corruption kink
♱ 𝐓𝐡𝐢𝐧𝐠𝐬 𝐆𝐨 𝐁𝐮𝐦𝐩 𝐢𝐧 𝐭𝐡𝐞 𝐍𝐢𝐠𝐡𝐭 | s. gojō + k. nanami + h. higuruma
Two demon hunters and a witch unite to take down a demon terrorizing the locals — sounds easy enough until the demon puts up a good fight and drags you three in for a night you’ll never forget…!
𓉸ྀི . . . 𝑾𝑬𝑬𝑲 2 :
☠︎ 𝐁𝐥𝐨𝐨𝐝𝐲 & 𝐌𝐞𝐬𝐬𝐲 . . . ft. true form! Sukuna ⋮ cannabilism/ blood kink
♱ 𝐒𝐡𝐫𝐞𝐝𝐝𝐞𝐝 𝐃𝐫𝐞𝐚𝐝 & 𝐋𝐞𝐠𝐬 𝐒𝐩𝐫𝐞𝐚𝐝 | s. ryōmen
The duty of a shrine maiden isn’t straightforward — especially during the olden times. Could you take on the supposed King of Curses head-on and leave unscathed in more ways than one? Who knows…
𓉸ྀི . . . 𝑾𝑬𝑬𝑲 3 :
☠︎ 𝐇𝐞𝐚𝐭 𝐧' 𝐒𝐡𝐞𝐞𝐭𝐬 . . . ft. werewolf! Nanami ⋮ breeding kink + knotting
♱ 𝐋𝐨𝐯𝐞 𝐓𝐡𝐲 𝐃𝐞𝐦𝐨𝐧 𝐍𝐞𝐢𝐠𝐡𝐛𝐨𝐫! | t. fushiguro
Not only are you drunk on a Friday night, but you’re a drunk, closeted succubus who is, unfortunately, under the care of the hot neighbor under your roof! Would you ruin the mood if he found out your little secret? You don’t even wanna know!
extra!! to be announced soon...
𓉸ྀི . . . 𝑾𝑬𝑬𝑲 4 :
☠︎ 𝐒𝐢𝐫𝐞𝐧𝐬' 𝐌𝐚𝐭𝐢𝐧𝐠 𝐂𝐚𝐥𝐥 . . . ft. sirens! Shoko + Utahime + Yuki ⋮ monster-fucking + foursome
♱ 𝐖𝐡𝐨'𝐬 𝐒𝐜𝐫𝐚𝐢𝐧' 𝐖𝐡𝐨, 𝐌𝐢𝐬𝐭𝐞𝐫 𝐆𝐡𝐨𝐬𝐭𝐢𝐞? | c. kamo
Having a phantom in your apartment sounds pretty scary…! But what happens when you finally catch that unexpectedly cute ghost creeping around and frightening you? And…how do you plan on punishing the little scrub?
𓉸ྀི . . . 𝑾𝑬𝑬𝑲 5 :
☠︎ 𝐒𝐨 𝐖𝐚𝐫𝐦 & 𝐓𝐢𝐠𝐡𝐭 . . . ft. ex-husband! Toji ⋮ cockwarming
♱ 𝐅𝐮𝐜𝐤 𝐇𝐞𝐫 𝐅𝐨𝐫 𝐭𝐡𝐞 𝐓𝐡𝐫𝐢𝐥𝐥[𝐞𝐫] !! | s. gojō + s. getō
Ending the month with tradition: pulling up all the best scary movies to watch and hanging with your two best friends! But it's safe to say that the thing poking behind your back isn't a knife…according to Gojo.
𝑾𝒆𝒆𝒌𝒍𝒚 𝑾𝒊𝒕𝒄𝒉𝒆𝒔 𝑪𝒍𝒖𝒃!!
Would you wish to be tagged? Please lmk in the replies or in my inbox!
Accepting the first 50 ppl ; still open!!
© 𝐇𝐨𝐬𝐡𝐢𝐠𝐫𝐚𝐲2024 ⋆♱✮♱⋆ These tales have been transcribed and written by the original poster (me). Do not steal, edit, copy/plagiarize, or post any of my works on your own accounts, in or out of this app. Please and thank you.
#𝑯𝒐𝒔𝒉𝒊 ˚₊‧꒰ა ☆ ໒꒱ ‧₊˚ 𝑾𝒓𝒊𝒕𝒆𝒔: 𝑺𝒆𝒓𝒊𝒆𝒔#kinktober#kinktober 2024#jujutsu kaisen x reader#jjk x reader#jujutsu kaisen smut#jjk smut#jjk x you#jjk x y/n#choso x reader#nanami x reader#gojo x reader#geto x reader#sukuna x reader#toji x reader#jujutsu kaisen x you#jjk fics#jujutsu kaisen fanfic#jjk x reader smut#anime smut
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⋆ ˚。⋆౨ৎ˚ Perfect All American
♥ masterlist | request rules | based on this request
♥ pairing: oscar piastri x fem!american!driver!reader
♥ synopsis: you and oscar decided to make your relationship a secret in hopes to not stir up any “conflict of interest” rumors. however, he just couldn’t help being a proud boyfriend when you won your first race for williams as a rookie.
♥ smau + written - fc: girls on pinterest - none of the pictures are mine
♥ warnings: swearing !!!
♥ a/n: once again, i’m so sorry this took so long for me to write but i really hope it was worth the wait anon <3
-October 2023-
liked by logansargeant, oscarpiastri, susie_wolff and 879,593 more
williamsracing We're incredibly pleased to announce that @/yourusername has signed a three year contract deal with us starting this following F1 season. She will line up alongside @/logansargeant and will be the first woman to drive a Grand Prix since Lella Lombardi in 1976. We are absolutely honored to have you. Welcome to the Williams family 💙
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yourusername its a perfect all american grid
user6 I understood that reference
user5 🦅🦅🦅
user1 USA USA RAHHH 🇺🇸🗽🏈
user8 WOOO
user2 following in susie's footsteps :')
prema_racing we’re so proud of you
yourusername <3
oscarpiastri I’ll see you in melbourne 😉
user12 it’s the wink for me
user4 im gonna miss prema era y/n
user5 @/user4 ok but the trio is back together !!! y/n, oscar, and logan
user6 @/user5 you’re forgetting about fred
user9 fred vesti always the bridesmaid never the bride
user10 need me some williams gear asap
user14 💙💙💙
logansargeant excited to finally have a fellow american on team torque
yourusername me 🤝 logan
alex_albon 😐
georgerussell63 and here I was thinking you were happy to join me at mercedes
user13 I’m a child of the britcedes-sargebon divorce
✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧
-Williams' Rising Star: Y/n L/n-
Williams has announced that American F2 Champion, Y/n L/n will be making her Formula 1 debut next year alongside Logan Sargeant. She has been making waves in the world of motorsports for over a decade now, and it seems that all of her hard work has finally payed off. She's already been placed in the history books for her impeccable talent on track and her inspiring work off it. Not only has she broken plenty of records in feeder series', but she also contributed to the creation of F1 Academy.
From Long Beach a to Monte Carlo
Early in her karting career Y/n was scouted for the Mercedes Junior Drivers Team and she's seemed to have a close relationship with Toto and Susie Wolff ever since. She uprooted her life from California to London as a young teen, taking a huge risk in hopes to accomplish her dreams.
What does this mean for F1?
With rising representation in all areas of f1, we can hope to see young women getting more opportunities to make their mark on the sport. Let's face it, the future of F1 is female.
✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧
liked by oscarpiastri, williamsracing, liablock, and 583,502 more
yourusername POINTS?!?!
tagged; @/bah_int_circuit
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williamsracing starting off this year strong!
frederikvestiofficial WOOOO !!!
yourusername WOOOO 🎉
arthur_leclerc way to go y/n
yourusername ty artie my favorite leclerc 😍
charles_leclerc hey ??
user1 @/yourusername what about oscar piastri-leclerc
yourusername I CHANGE MY ANSWER
oscarpiastri I'm so happy for you
yourusername <3
user2 ...
user3 👀
logansargeant lets gooo 💪
yourusername 🦅🦅
✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧
liked by mclarenracingf1, landonorris, yourusername, and 983,012 more
oscarpiastri maiden win
comments are limited
yourusername never beating the polite cat allegations with that smile
oscarpiastri :]
yourusername I'm so proud of you btw 🫶
oscarpiastri 🫶
landonorris congrats
oscarpiastri thanks mate
✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧
✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧
✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧
-Dutch Grand Prix-
"Plan A, Y/n. Plan A," your race engineer said to you on the radio.
"What about plan C? I think it will work," you responded.
"Uhm, as of right now we don't want to risk your position, so plan A, Y/n, plan A." they spoke softly.
"I can hold the tires, I swear. We're already at the back of the pack, we have nothing to lose."
"I think that's the first time I've heard a driver try to argue their way out of the main strategy," Crofty laughed on the broadcast.
"Box, Y/n. Box."
You sighed, thinking you've reached your defeat. You pulled into your pit box and noticed the green ring on the tires.
They're putting you on inters.
They're following your strategy.
You clicked the radio button back on, "Thank you," you screamed to your team.
You were briefed with everything a few days ago, but you couldn't help but come up with your own plan after getting the weather report for the weekend.
The rain was about a minute away now and you begged the team to put you on intermediate tires right at this time. You knew it would be difficult to drive on a barley damp track like this, but if it worked you could be looking at a podium.
You only had to drive a single lap before it started pouring and your plan payed off. Almost the entire grid struggled with their dry tires in the new track conditions, giving you time to create a lead as they had to slow down and pit.
Every lap you completed as race leader made you more anxious than the last. You held your breath as you reached the last corner of the last lap, vaguely able to see the chequered flag. Tears filled your eyes as you crossed the finish line in P1, the Williams garage being shown on the big screen sprinting out to congratulate you.
-
Before you had the chance to jump into the arms of your team, Oscar was running up to you. He picked you up and pressed his soft lips to yours right in front of the cameras. You smiled into the kiss, happy tears still streaming down your cheeks.
He pulled you into a tight hug, "I'm so proud of you. I love you so much," he mumbled into your hair.
"I love you too, Osc." you laughed through your crying.
He pulled away, cupping your face in his hands, and kissing your forehead. You smiled as he wiped your cheeks with his thumbs.
"So... instead of us interacting with each other online to keep our relationship private, you decide to make out with me in public?"
Oscar laughed and hugged you again, "Just enjoy the moment.”
✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧
liked by kimiraikkonen, sebastianvettel, williamsracing, and 6,394,625 more
F1 Y/n L/n makes history as the first woman to win an F1 Grand Prix and the first win for Williams since 2012. Well done 👏
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yourusername fact is walter white james vowles couldn't have done it without me 🗣️
georgerussell63 so true 🔥
logansargeant LETS FUCKING GOOOO
yourusername RAHHHH
susie_wolff I'm so proud of you 💗
yourusername <3
user7 the way susie was recording her on the podium like a proud mom :')
user8 ROOKIE WIN
user4 🐐🐐
lewishamilton @/yourusername incredible drive today. congrats on the win, it was well deserved
yourusername tysm lew 🫶
jensonbutton thats literally my daughter
youruseranme DAD 🫂
user3 I thought she was supposed to be Toto's daughter...
user6 @/user3 toto, lewis, nico, jenson──they're all related one way or another
user2 family tree is a wreath
mercedesamgf1 all hail queen y/n
user9 y/n to Mercedes 2025 !!!
liked by yourusername, landonorris, logansargeant, and 1,203,284 more
oscarpiastri y/n l/n. my best friend, the love of my life, and a formula 1 grand prix race winner. this is such an incredible achievement and I am so happy for you. I know you are out there inspiring so many young women and I couldn't be prouder. you are the most incredible girlfriend, driver, and person I have ever met. congratulations on the win, you deserve it. I love you ❤️
tagged; @/yourusername
comments are limited
yourusername osccc 🥹 you've been my #1 fanboy since our karting days and I can't thank you enough for all the support you've given me <3 I love you so much
♡ by oscarpiastri
✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧
end notes: tysm for reading <3 don’t ask me about the real life mechanics behind the tires bc im obviously not qualified for that 💀 i based that scene off of the strategy i use when i play gran turismo and i see the clouds get grey (it’s never failed me)
#𝒍𝒊𝒗'𝒔 𝒘𝒐𝒓𝒌𝒔 ౨ৎ#oscar piastri x you#oscar piastri x reader#oscar piastri x y/n#oscar piastri x fem!reader#oscar piastri smau#oscar piastri social media au#oscar piastri fluff#oscar piastri fanfic#op81 x you#op81 x reader#op81 x y/n#f1 x you#f1 x reader#f1 smau#formula 1 x reader#f1 fic#f1 fanfic#formula 1 fanfic#formula 1 fic
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Whumptober 2023
Welcome to Whumptober 2023 — the sixth year running!
COMPLETIONISTS/PARTICIPANT BADGES CAN BE FOUND HERE
To those of you who participated last year, welcome back! To everyone joining this year, welcome!
Please make sure to read the Event Info carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.
This year’s AO3 Collection can be found here.
And this years playlist can be found here.
There are 139 prompt options in total this year - this is including the alternatives list! A special thanks goes out to those who took part in our trope vote back in July. From the 1526 responses to our list of 223 tropes, we looked through the popularity results, as well as your honourable mentions, and were able to produce this years prompts list. Stay tuned, as we will be posting some of the results at a later date!
We’re very excited to see the community come together once more and be a wild, chaotic bunch of creators and consumers of whump. Go wild with the prompts, and support your fellow creators - we wish you all the fun!
Best of luck and happy whumping,
Mods Vanne, Yenn, Kitty and Surro
(All 31 Themes + Prompts, Event Information and FAQs are posted below the cut!)
Whumptober 2023 Prompt List
No. 1: “But now this room is spinning while I’m trying just to fill in all the gaps.”
Safety Net | Swooning | “How many fingers am I holding up?”
No. 2: “I’ll call out your name, but you won’t call back.”
Thermometer | Delirium | “They don't care about you.”
No. 3: “Like crying out in empty rooms; with no-one there except the moon.”
Journal | Solitary Confinement | “Make it stop.”
No. 4: “I see the danger, It’s written there in your eyes.”
Cattle Prod | Shock | “You in there?”
No. 5: “You better pray I don't get up this time around.”
Debris | Pinned Down | “It's broken.”
No. 6: “Do or die, you’ll never make me; Because the world will never take my heart.”
Recording | Made to Watch | “It should have been me.”
No. 7: " “I paced around for hours on empty; I jumped at the slightest of sounds.”
Alleyway | Radio Silence | “Can you hear me?”
No. 8: “I’ve got soul, but I’m not a soldier.”
Overcrowded ER | Outnumbered | “It’s all for nothing.”
No. 9: “Learning everything ain't what it seems, that's the thing about these days.”
Polaroid | Mistaken Identity | “You're a liar.”
No. 10: “Can’t you see that you’re lost without me?”
Broken Phone | Stranded | “You said you'd never leave.”
No. 11: “All the lights going dark and my hope’s destroyed.”
Animal trap | Captivity | “No one will find you.”
No. 12: “I haven't slept in days but who's counting?”
Red | Insomnia | “I’m up, I’m up.”
No. 13: “It comes and goes like the strength in your bones.”
Cold Compress | Infection | “I don’t feel so good.”
No. 14: “Feed me poison, fill me ‘till I drown.”
Flare | Water Inhalation | “Just hold on.”
No. 15: “I don't need you to help me I can handle things myself.”
Makeshift Bandages | Suppressed Suffering | “I’m fine.”
No. 16: “Would you lie with me and just forget the world?”
Gurney | Flatline | “Don’t go where I can’t follow.”
No. 17: “You’re the lump in my throat and the knot in my chest.”
Collar | Touch Aversion | “Leave me alone.”
No. 18: “I tend to deflect when I’m feeling threatened.”
Blindfold | Tortured For Information | “Hit them harder.”
No. 19: “I’ll take one final step, all you have to do is make me.”
Floral Bouquet | Psychological | “I’m not as stupid as you think I am.”
No. 20: “People don’t change people, time does.”
Blanket | Found Family | “You will regret touching them.”
No. 21: “See the chains around my feet.”
Vows | Restraints | “Don't move.”
No. 22: “They never saw us coming, ‘til they hit the floor.”
Glass Shard | Vehicular Accident | “Watch out!”
No. 23: “It’s gonna get me by the end of the night.”
Shadows | Stalking | “Who’s there?”
No. 24: “I’ve got a head full of chemicals; mouth full of ridicule.”
Goodbye Note | Neglect | “I thought they were with you.”
No. 25: “You’re not delivering a perfect body to the grave.”
Storm | Buried Alive | “They’re not breathing!”
No. 26: “Sometimes I get so tired; I don’t even know myself.”
Seeing Double | Working To Exhaustion | “You look awful.”
No. 27: “You drew stars around my scars; But now I’m bleeding.”
Matches | Scars | “Let me see”
No. 28: “We might not make it to the morning; so go on and tell me now.”
Bloody Knife | Sacrifice | “You'll have to go through me.”
No. 29: “I only sink deeper the deeper I think.”
Scented Candle | Troubled Past Resurfacing | “What happened to me?”
No. 30: “It’s okay, just to say, ‘I’m not okay’.”
Borrowed Clothing | Bridal Carry | “Not much longer...”
No. 31: “I thought that I was getting better.”
Emptiness | Setbacks | “Take it easy.”
Alternatives List:
Betrayal
Aftermath of Failure
Brass Knuckles
Decoy
Body Modification
Playing Cards
Examination
Hunting
Drugging
Shaking
Panic
Broken
Miscommunication
Lab Rat
Reluctant Whumper
Event Info & Rules
~ Please read our extensive event info posts before sending us an ask ~
WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. The 'theme' of each day is the line of lyrics.
The prompts are merely to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is "flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be related to the 'spark' of a relationship. It's truly up to you!
In total, there are 4 prompts for each day: there's lyrics, an object, a trope and a line of dialogue to choose from. We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks.
Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.
When uploading Whumptober content to your blog, be sure to tag the with:
#whumptober2023 …..(the event tag)
#no.1, #no.2, #no.3, …..(day number)
#lyric, #bruises, #stabbing, …..(the theme or specific prompt you chose)
#fandom or #OC, … (ironman, originalcontent, oc …)
#medium …..(gifs, fic, podcast, art, etc.)
#teeth, #gore tw, #etc …..(trigger warnings & any additional tags. Add "tw" AFTER the trigger/content warning. )
#nsfwhump …..(only for nsfw content)
#your own tags go here
PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]
Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.
Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed the event. You do not need to post anything you have created, we rely on trust and we will not check this.
Questions not addressed in one of our many event info posts can be directed to this blog. We will not answer any questions that have been answered in the FAQs or rules already.
Frequently Asked Questions
Q. How does this year’s prompt list work? What do I have to choose?
You can create something based on:
The overall theme/lyric of the day
Prompt 1, 2 or 3
One or several of the alternative prompts
A combination of the above
Q. Is [specific anything] allowed?
When in doubt: JUST DO IT!
Q. Do I have to do all 31 days?
Participate as much or little as you like! Just be sure to tag your posts properly (ex. #no.7, #radio silence). If you create works for 31 total theme days you will become a completionist. But apart from that, there are no repercussions if you don’t fill prompts for each day.
Q. Can I post early/late?
Yes, you can post whenever you want. We will only reblog posts during October, but you can use our prompts all year round. The day you post will only affect your probability of being reblogged.
Q. Will you reblog my post?
Due to the sheer number of content posted during Whumptober we can’t promise to reblog every single post. We will make a random selection trying to capture a wide variety of content. The following will increase your chances at being reblogged:
tag your post properly
post within 2-3 days of the theme you want to fill: if you fill the prompt for Day 1 your chances of being reblogged during October 1st to 3rd are highest and will go towards zero afterwards.
Q. What if I don’t understand a prompt/theme?
Send us an ask! We’re happy to help with wild, unhelpful clarifications or brainstorming. That being said, the themes are entirely up for interpretation. Don’t take them too literally. For example: You can be choking on a cherry, someone else can choke you or you could be choked up on emotions, etc.
Q. What kind of content can I make? Can it be NSFW?
This is a MIXED MEDIA event! You can write fic, post meta, doodle or paint, create a gifset or photo edit, link a song, or get crafty with video - anything goes. As for NSFW, make what you like, we just hope that you’ll tag your work accordingly so that others participating in the event can stay safe.
Q. Can I combine Whumptober with other creation challenges?
Absolutely, as long as the other challenges allow it too.
Q. Can I upload/repost my Whumptober content to other social media platforms?
Of course! You can post your own content wherever you like (or you can opt to not publish it at all). Additionally we’ve created an AO3 Collection to archive any fics posted there. It can be accessed here. The tumblr blog @whumptober-archive is the official archive, so please respect the boundaries of any closeted whumpers in your social circle.
Q. Can I use prompts to write a new chapter for an existing fic?
Yes.
Q. An existing fic I am currently writing contains many of the Whumptober prompts, can I use it?
If you are actively writing this fic at the moment with the Whumptober prompts in mind, yes. If you’ve previously posted something that checks the boxes, we ask that you not include it retroactively for this current year. You can, however, add new chapters relating to one or more of the prompts.
Q. What kind of characters can I write for?
Fandom characters, OC characters, human, furry, alien, cyborg, RPF, whoever you like. You can use the generic “whumpee” character or have specific ones.
Q. Does it have to take place in a specific fandom?
No, you can create works for your own worlds or for fandoms or for both. You can also create more generic or pan-fandom works. You can do cross-overs or use OCs, whatever you want.
Q. Can I use a prompt multiple times?
Yes, but it only counts once towards being a completionist.
Q. If I’m not comfortable with one day’s prompts can I use a prompt of a different day as a substitute and still be a completionist?
No, you can’t exchange prompts for different days. However, if all four prompts of a specific day make you uncomfortable, we have created an alternate prompts list that you can draw from. You can exchange any prompt with these, but please make sure not to use them twice.
Q. Where can I post my work?
Post where and how you want. You don’t have to (cross)post it to Tumblr or at all. Just keep in mind if it’s not on Tumblr we will not be able to add it to the blog archive.
Q. Can I start posting early?
You can, but this is an October event and wouldn’t it be more fun with everyone doing it at the same time? That being said, you can post early, but we won’t be reblogging any work predating October 1st.
Q. Do I have to finish a fic I started/can I post WIP’s?
Yes you can post WIPs. And you’re not obligated to finish it in October for it to count towards being a completionist.
Q. Is co-writing allowed?
Yes, absolutely, and it would count towards being a completionist for both/all of you.
Q. Do I have to create 31 standalone pieces to be considered a completionist or can I write one continuous story?
One continuous story is fine. The challenge is to write something for 31 prompts. If that’s spread over 31 fics or just one, you are still considered a completionist. (The same goes for every other media you choose.)
Q. Is there a min/max limit on word count?
There is no limit.
Q. Can I combine prompts? Is there a limit on how many?
No limit and combine as many as you’d like.
Q. Is a hc/angst/emotional whump focus ok?
Of course! We are not going to establish a threshold for whumpiness. If you think it’s whumpy enough, then it’s whumpy enough. It can be physical, psychological, emotional, or any combination of the three.
Q. What’s considered nsfw?
See this post
Q. What is whump?
Typically the genre includes situations where a fictional character is hurt, be it emotionally, psychologically, or physically. Fanlore provides information here.
Q. My interpretation of the prompt isn’t whumpy at all, does that count?
If you don’t think your interpretation is whumpy, then it doesn’t count for Whumptober. Remember that whump comes in many forms, though, and that we don’t have a whump-checker or a threshold for how much whump needs to be included. If you think your interpretation contains enough whump to count, then it does.
Q. Can I start working on the prompts before October?
Absolutely! That’s why we post the prompts a month in advance. We recognise how difficult it can be creating for 31 days in “real time” so feel free to start creating early!
Q. How do I tag triggers?
tw at the end of the word, ex. #gore tw
Q. Do I have to use your tags?
Yes, if you want your work archived on the blog. If not, feel free to use whatever tags you want.
Q. Does combining prompts count towards completion?
Yes
Q. Can we @ you?
Yes but we mostly rely on the #whumptober2023 tag.
Q. Is there anything we are absolutely not allowed to write?
There are no rules, but please make sure to properly tag your trigger warnings. And keep in mind Tumblr’s policies if you are posting it here (or the policies for whatever site you use).
Q. Where can I go for brainstorming help?
Here on Discord or come into our ask box.
Q. My characters are minors, is that ok?
Yes, but as with everything else, use clear and descriptive tags.
Q. Can I cross post on other blogs?
Yes, multiple platforms and blogs are perfectly acceptable. You can also post different works to different accounts under different names, without posting them everywhere at once.
Note: This is a creation challenge, please don’t repost your old work under our tags (unless it’s been changed or edited for the event).
Thanks for reading, and happy whumping!
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𝐀𝐍𝐀𝐍𝐓𝐀𝐑𝐔’𝐒 𝐊𝐈𝐍𝐊𝐓𝐎𝐁𝐄𝐑 | 𝟐𝟎𝟐𝟑
hello my loves 🥀 last year was quite fun, wasn’t it? now, lets get into it once more, yet this time even better! enjoy. ♡
𖧡 please note the following, some of those works may contain triggering content and kinks that might not be for you, do not click on something you aren't comfortable with, much love.
𖧡 links: main masterlist | ao3
𖧡 status: completed!
♡𓂃 ࣪ ִֶ kinktober masterlist.
𖧡 important: the characters will be added on each day. + this year i will switch between headcanons but also whole written fics and so on. characters will vary each day.
𖧡 since star rail doesn't have many characters it'll be for every other day that i felt they fit in but don't be surprised if i end up posting both fandoms on days where only genshin was planned, i’m going with the flow and i know myself, i will definitely get an idea for a star rail character with the kink and then just post both fandoms and add it onto the masterlist.
1. october ♰ size kink
genshin impact— alhaitham, wriothesley
honkai star rail— jing yuan, luocha
2. october ♰ cunnilingus
genshin impact— heizou, venti, scaramouche, xiao
3. october ♰ bimbofication
genshin impact— ayato, childe
honkai star rail— luka, blade
4. october ♰ knife kink
genshin impact— dottore & pantalone
5. october ♰ aphrodisiacs
genshin impact— tighnari, kazuha
honkai star rail— sampo, jing yuan
6. october ♰ blow job, deepthroating
genshin impact— lyney, kaveh, kaeya, neuvillette
7. october ♰ monsterfucking & dragon cock
genshin impact— zhongli, neuvillette
honkai star rail— dan heng
8. october ♰ doggy / ass lovers
genshin impact— diluc, albedo, cyno, scaramouche
9. october ♰ threesome
genshin impact— neuvillette & wriothesley
honkai star rail— blade & jing yuan
10. october ♰ exhibitionism
genshin impact— itto, childe, xiao, dainsleif
11. october ♰ breeding
genshin impact— wriothesley, zhongli, thoma, ayato
12. october ♰ cockwarming
genshin impact— heizou, alhaitham, baizhu
honkai star rail— blade, gepard
13. october ♰ biting/marking
genshin impact— kaveh, kazuha, cyno, venti
14. october ♰ yandere corruption
genshin impact— lyney, albedo
honkai star rail— dan heng, jing yuan
15. october ♰ bondage
genshin impact— kaeya, diluc
honkai star rail— luka, blade
16. october ♰ dumbification
genshin impact— tighnari, dottore, scaramouche, childe
17. october ♰ virginity loss
genshin impact— neuvillette, heizou, wriothesley
honkai star rail— blade, jing yuan
18. october ♰ overstimulation
genshin impact— gorou, lyney, alhaitham, kazuha
19. october ♰ edging
genshin impact— zhongli, xiao, ayato
honkai star rail— welt, dan heng
20. october ♰ dacryphilia
genshin impact— neuvillette, diluc, baizhu
honkai star rail— blade, argenti
21. october ♰ jealousy
genshin impact— alhaitham, thoma, scaramouche, wriothesley
22. october ♰ mirror syx
genshin impact— cyno, kaeya, childe
honkai star rail— gepard, jing yuan
23. october ♰ squirting
genshin impact— ayato, kaveh, tighnari, pantalone
24. october ♰ brat taming
genshin impact— kazuha, alhaitham
honkai star rail— welt, dan heng
25. october ♰ orgasm denial
genshin impact— diluc, lyney, albedo, thoma
26. october ♰ degradation
genshin impact— scaramouche, dottore, pantalone
honkai star rail— jing yuan, luocha
27. october ♰ praising
genshin impact— neuvillette, dainsleif, xiao, zhongli
28. october ♰ vampire au
genshin impact— diluc
28. october bonus ♰ bodyguard au
genshin impact— wriothesley
29. october ♰ nipple play
genshin impact— neuvillette, childe, kazuha, heizou
honkai star rail— sampo, blade
30. october ♰ hate syx
genshin impact— wriothesley, ayato, scaramouche, alhaitham
31. october ♰ drunk syx
genshin impact— kazuha, venti
honkai star rail— dan heng, jing yuan
1. bonus ♰ power imbalance
genshin impact — neuvillette, ayato, dottore, alhaitham
2. bonus ♰ cock worship
genshin impact — wriothesley, heizou, scaramouche, neuvillette
3. bonus ♰ body worship
genshin impact — diluc, zhongli, childe, alhaitham
©2023 anantaru do not repost, copy, translate, modify
#genshin impact x reader#genshin x reader#honkai star rail x reader#hsr x reader#genshin smut#genshin impact smut#hsr smut#honkai star rail smut#blade smut#neuvillette x reader#neuvillette smut#kazuha smut#scaramouche smut#scaramouche x reader#jing yuan smut#dan heng smut#wriothesley smut#alhaitham smut#diluc smut#heizou smut
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The Captainess in Covington
That morning, She went across the bridge With a friend
They couldn't board a real boat But they could pretend
That the Captainess Is setting sail on a real paddlewheel (the Little Free Library certainly looks like one)
Someday, they'll go on a real one But, for now, that morning, They'll play pretend
In a Kentucky park On the second to last day of the year.
#poem with a picture#poem fic#miku hatsune#reality subtext#nendography#nendoroid#Grand Voyage Miku#written on the fly#free-verse#revised#written 1/3/2023#poem inspired by a pic#canva#short poem#notebook poem#sunnie the pikachu#vocaloid
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A poll designed to make you recoil at the passage of time
cheat sheet with dates/years under the cut
if you joined in 2007 - 17 years
if you joined in 2008 - 16 years
if you joined in 2009 - 15 years
if you joined in 2010 - 14 years
if you joined in 2011 - 13 years
if you joined in 2012 - 12 years
if you joined in 2013 - 11 years
if you joined in 2014 - 10 years
if you joined in 2015 - 9 years
if you joined in 2016 - 8 years
if you joined in 2017 - 7 years
if you joined in 2018 - 6 years
if you joined in 2019 - 5 years
if you joined in 2020 - 4 years
if you joined in 2021 - 3 years
if you joined in 2022 - 2 years
if you joined in 2023 - 1 years
if you joined in 2024 - 0 years
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vettel reincarnate * fem!driver
after retiring from formula 1 at the end of the 2022 season, f1 legend sebastian vettel realised a while after the announcement that he would miss the paddock way too much. instead of taking back his announcement, he pairs up with an up-and-coming driver and gets her a seat in a race car in formula 1.
this is SOOO heavily inspired by @sebscore and also @thepersonnamedsam (i was doing some research how to start and came across theirs too) and i'm lOVING IT!!
i wanted there to be a twist that didn't make it seem like it's an outright copy, so there it is! do feel free to send in requests here or questions!!
if there are too many similarities and/or copies, do drop me a message to let me know so i can address them </3
do take note that these are written in no particular order, just based on requests and scenarios sent in or that i come up with!
about fem!driver
get to know her -> a short summary on fem!driver
meet the yln's -> meet femdriver and her siblings
pre-formula 1
2023: the rookie season
2024: the sophomore year
2025: fall from grace
2026:
2027: championship contender
2028: the time is now
a day in the life
radio
smau specials
the yearly recaps: special dts editions
misc
the schumacher problem
extras
asks
in another life | fem!driver au x logan sargeant
the vault
#sebastian vettel x reader#oscar piastri x reader#logan sargeant x reader#george russell x reader#fem!driver#f1 fem!driver#female driver#max verstappen x reader#formula 1 fanfic#disneyprincemuke#disneyprincemuke imagines#charles leclerc x reader#alex albon x reader#liam lawson x reader#yuki tsunoda x reader#pierre gasly x reader
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On 5th December of 2023, The Atlantic came out with an article titled "War in the Congo Has Kept the Planet Cooler" written by Ross Anderse, the senior editor at the Atlantic, where he oversees the science, technology, and health sections. As you could've guessed, this genocide-friendly title did not fly by the internet and they have since (9th December at the time of writing) changed the title to "The Grim Ironies of Climate Change", a paywalled article.
Let us break this down further to try to understand their thought process-
1) They posted an article with an insanely insensitive and dangerously racist title.
2) They, rightly, faced backlash.
3) With the knowledge that what they had done was wrong at least on some level, they decide not to remove the dangerous article...
4) ... but rename it and continue to unapologetically host it in their site?
There is no way to make sense of it outside of the framework of white supremacy that has dehumanized African bodies to the point where they, to a colonial mind, appear as viable sacrifices to quell the climate disaster that continues to be driven by the same countries whose foreign policy is to keep Congo as unstable as posible. There is no "war" in Congo, there is a genocide for raw minerals that, through multiple levels of slave labor, become the smartphones and other electronic devices you and I own. And the colonizers know this -- that they have implicated billions of people around the world in their inhumane project, and they hope to turn this forced complacency into active genocidal intent, where the plunder of Congo becomes acceptable to you if it buys the west a little extra time to protect what little comforts it has thrown your way. I am not going to tell you how to think. Sit with this information and come to your own conclusions.
They might have changed the title of the article but the internet is forever. Here is the link to the Wayback Machine snapshot of the original title. Ironically, you can access the archived version that implicates them for free, while you would have to pay to read the current version.
#free congo#dr congo#congo#democratic republic of the congo#congo genocide#im gonna tag gaza too because this has Israel all over this#free gaza#free palestine#israel doesn't have a right to exist#fuck israel#fuck united states#fuck britain#fuck europe
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Hii !! From the smut prompts (stop rolling your eyes, I know Im predicatable!) could I request "Accidentally Sending Nudes", "Sexting" and... a secret third thing (the choice is yours, go hogwild) for Jason x Fat Fem Reader? I'm leaning more towards sub!reader but shes def a little shit about it :3
Thank you in advance if you write it !! 🌼
See, this is why it pays to send in a request with me, because even if I don't answer it right away, I keep requests in my inbox for months and come back to them later!!! (This is from December 2023)
(Also this request is just plain fun) (because Star knows exactly what buttons to push to get me lmao)
DC Titans Requests - OPEN
How would Jason react to you accidentally sending him a nude?
(Jason Todd x Fem!Thick!Reader)
Warnings: set specifically in the Titans!verse - set during season 3/mentions of season 3 plot points; spoilers for major plot points of Titans (including character deaths on the show); this is kind of enemies to lovers? (enemies to fwb, I guess); the reader uses she/her pronouns and has a vagina; the reader is described as being fat/plus sized; passing mentions of Gar x reader (I couldn't help myself); dubious consent - because of the nature of the trope, Jason sees the reader naked without her explicit consent, and he decides to keep the picture without her consent - but it does spark a consensual sexual relationship between them; passing mention of using nudes for blackmail (that does not happen); this isn't really proofread; (generally, I consider this post to be a fucking mess because it was written in Tumblr but I was still trying to have fun with it lmao.)
...
Jason is minding his own business when it happens.
(For once in life, he is fully, completely, minding his own business.)
He's back in Gotham and he hasn't seen you in months - and if asked, he would say that he hasn't thought about you. He doesn't have time to think about you because he's been too busy with this therapy bullshit, training, trying to get back his title of Robin. Trying to get back in the cape. (And trying to get back in Bruce's good graces.)
But that's not exactly true. He's thought about you a lot.
(Most of those times have been with his hand around his cock, but again - he won't admit that.)
There is an occasional time that you cross his mind and it's because he's wondering genuinely how you're doing - wondering if you're well, how your training is going, wondering if you're doing okay under the Dickhead's reign. But he can't ever pluck up the courage to text you and simply ask. Because that would be admitting that he cares, and that would make him look like a weak little prick.
And that's why he's so damn surprised when you text him first.
He hasn't heard from you since he left the Tower (well, since he stormed away from Donna's funeral in what you called a 'toddler fit' - something that ended in a rather vicious text argument between the two of you). In fact, the last thing in the text history between the two of you is you calling him a 'giant, petty, whiny baby who can't deal with his own emotions'.
(You had no clue what had happened between him and Rose, so that did inform a lot of your opinion on the matter.) (And that was probably the reason why Rose still had all of her teeth after you had seen her at the funeral.)
But all of that was aside from the point.
The point being - Jason found himself smiling when your contact name popped up on his phone.
He has you in his phone as 'Pretty Girl' - along with a contact picture of you sticking your tongue out at him in response to having his phone shoved in your face with the knowledge that he was taking a picture of you. (That tongue always makes him think certain things, so even though you intended for it to be some rude thing to ruin the picture, it makes it so much better for him.)
(1) new photo
That instantly catches Jason's attention.
Perhaps you were sending him a picture just to flip him off, or sending him a picture of a dumpster to ask him if it reminded him of home - a common joke you used to make when he still lived at the Tower.
Jason grabbed his phone and opened the message, expecting another tired joke, and-
Holy fuck.
The last thing he was expecting - your naked body. Your gorgeous naked body.
(He likely would have expected a nuclear blast or for the Joker to clean up his act and actually become a decent, sane citizen before he expected this to happen.)
Jason brought his phone closer to his face, making the picture full screen in order to examine it better - he needed to make sure that he wasn't hallucinating, or that this wasn't some weird dream. But fuck, he definitely wouldn't be able to dream up this.
You were so perfect - so fucking perfect in a way that was so very real.
The picture was a fucking stunning side profile of your body - rolling curves, lacy underwear that could clearly barely contain your impressive hips with sweet little stretch marks jutting out from the fabric (jagged little marks across the softness of your skin that made Jason want to act up) - soft fat for him to grab onto, and the perfect teardrop shape of your breast, now bared to his eye in a way that he had only dreamt of before. Something that he had stared at through the oversized tee shirts you wore to bed without a bra, just wondering what you looked like underneath.
And fuck, this was so much better than anything he could have dreamt up.
Jason's cock began to harden almost instantly, and laying in bed, he reached over to his nightstand for some lube, ready to milk that picture for all it was worth, when-
His phone buzzed again.
Pretty Girl: 'Delete that.'
Jason hadn't even considered that you had sent it to him by mistake. He had been far too busy enjoying to even consider the intention or the psychology behind it.
So, he took his hand off the waistband of his sweats and texted back the first thing that came to mind.
'No.'
(He didn't hear your annoyed growl on the other end, frustrated at his downright typical Jason behaviour.)
'It's not my fault you made a dumbass mistake. Besides, it's the least I get after all the nagging from you.'
Then, something else came to mind as the bubbles popped up, meaning you were busy formulating a reply - an annoyed one, no doubt.
'Who did you mean to send it to anyway? Who are you fucking whose name starts with J that's not me?'
(You hesitated.)
Pretty Girl: 'I didn't type in J.'
'???'
Pretty Girl: 'I typed in G. And it turns out the first contact that popped up was Giant Baby. That's you.'
Jason felt annoyed and insulted on all levels. The fact that you were going to Tiger Boy for dick instead of him, and the fact that you had used such a mocking contact name for him. But when he realised that such a pathetic string of events had caused him to accidentally see you naked, he couldn't be too upset.
'I'm still keeping the picture 😈'
Pretty Girl: 'You're such an asshole' Pretty Girl: ... Pretty Girl: 'You owe me one'
'Fine, I'll owe you one'
Jason shrugged it off, thinking he had won, until -
Pretty Girl: 'No, you owe me a cock.'
This made Jason's stomach jump. You couldn't possibly mean-?
Pretty Girl: ... Pretty Girl: 'You owe me a picture of your dick. You know - an eye for an eye type stuff.'
Jason wanted to ask questions - what did you plan to do with the picture? Should he shave his balls first? Did you want more than one?
But his cock got even harder at you asking for a picture, at you demanding to see his cock, and he couldn't properly think - he couldn't even reason that you might later blackmail him with the picture.
No, instead, he found himself ripping down his pants and turning on the bedside lamp for good lighting, pumping himself up to peak rigid hardness and grasping the base of his cock in hand. And then, without hesitation, he snapped a picture for you. He made sure to get his abs in the photo - a collection of his best assets, with his pants pulled down to mid-thigh, showing off his tight stomach, the deep V leading down to his dick, and his thick seven inch cock in hand surrounded by some well-kept dark pubic hair.
(He was proud of it - and that ego was one of the things that annoyed you most about him.)
He sent it without hesitation and then you began typing several times and stopped once again. Jason's stomach churned with nerves until -
Pretty Girl: 'Fuck you' Pretty Girl: 'I thought it would be smaller'
Jason had no clue how to respond to that, and he was busy racking his brain for some clever reply, when -
Oh. Oh fuck.
(1) new photo
You had sent him another picture. And this time it was definitely on purpose.
It was a view between the plump, beautiful thickness of your thighs - your hand was inside the pretty lace of those panties, and your fingers were visible working on your clit while your needy hole dripped wetness onto the fabric.
So you had liked what you had seen.
Pretty Girl: 'What would you do if you were here right now?'
Jason's brain short-circuited then. He thought of so many things - eating your pussy until you screamed, flipping you onto your stomach and fucking you until you begged him to stop, gripping onto those gorgeous thighs, pinning them to your chest and pounding into your cunt until you finally surrendered and said that you had liked him all along, fucking your smart little mouth to finally shut you up-
Pretty Girl: 'Come on, Jay. Don't disappoint me.'
Oh, he won't.
(Another thing Jason won't admit - he came back to the Tower just for you.)
...
DC Titans Masterlist
#star-mum#my lovely moots#requests#requested#sundrop writes#jason todd#jason todd x reader#jason todd x you#jason todd x plus sized reader#jason todd x y/n#jason todd smut#red hood x reader#red hood x you#red hood x y/n#dc titans#titans#dc titans fanfiction#titans fanfiction#titans x reader
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