#writers techniques

[hayatheauthor]

10 Non-Lethal Injuries to Add Pain to Your Writing

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

Instagram Tiktok

[thegurlwhoisntthere]

Y’know, I feel like we don’t give the writers enough credit when it comes to Soren

So often when a character is the “comic relief”, they start off with dynamic personalities and then lose them as the season go on (looking at you Cat Valentine and Steve Palchuk), but not Soren

No, Soren somehow manages to jump between being comic relief and genuinely serious and caring seamlessly. And it’s all the same character, too! He doesn’t feel like he’s switching personalities they’re just other facets of who he is and it’s amazing!!!

[deception-united]

Online Writing Resources #2

Vocabulary:

Tip of My Tongue: I find this very helpful when I can't think of a specific word I'm looking for. Which is often.

WordHippo: As well as a thesaurus, this website also provides antonyms, definitions, rhymes, sentences that use a particular word, translations, pronunciations, and word forms.

OneLook: Find definitions, synonyms, antonyms, and related words. Allows you to search in specific categories.

YourDictionary: This website is a dictionary and thesaurus, and helps with grammar, vocabulary, and usage.

Information/Research:

Crime Reads: Covers crime and thriller movies, books, and TV shows. Great inspiration before writing a crime scene or story in this genre.

Havocscope: Black market information, including pricing, market value, and sources.

Climate Comparison: Compares the climates of two countries, or parts of the country, with each other.

Food Timeline: Centuries worth of information about food, and what people ate in different time periods.

Refseek: Information about literally anything. Provides links to other sources relevant to your search.

Perplexity AI: Uses information from the internet to answer any questions you have, summarises the key points, suggests relevant or similar searches, and links the sources used.

Planning/Worldbuilding:

One Stop for Writers: Literally everything a writer could need, all in one place: description thesaurus, character builder, story maps, scene maps, timelines, worldbuilding surveys, idea generators, templates, tutorials... all of it.

World Anvil: Provides worldbuilding templates and lets you create interactive maps, chronicles, timelines, whiteboards, family trees, charts, and interactive tables. May be a bit complicated to navigate at first, but the features are incredibly useful.

Inkarnate: This is a fantasy map maker where you can make maps for your world, regions, cities, interiors, or battles.

Miscellaneous:

750words: Helps build the habit of writing daily (about three pages). Fully private. It also tracks your progress and mindset while writing.

BetaBooks: Allows you to share your manuscript with your beta readers. You can see who is reading, how far they've read, and feedback.

Readable: Helps you to measure and improve the readability of your writing and make readers more engaged.

ZenPen: A minimalist writing page that blocks any distractions and helps improve your focus. You can make it full screen, invert the colours, and set a word count goal.

QueryTracker: Helps you find a literary agent for your book.

Lulu: Self-publish your book!

See my previous post with more:

Drop any other resources you like to use in the comments! Happy writing ❤

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[novlr]

[bluebxlle-writer]

Writing Villain Organizations

masterlist. main navigation.

bluebxlle_writer on instagram

1. Goal & motivation

To pose a threat to your main characters, your villains need a clear goal — preferably one that directly negates your MC’s goal. But that’s not enough — they also need a clear motivation to justify their goal.

Now, which one should you flesh out first? Goal or motivation?

The answer is : it’s up to you. You can start by giving your villain organization a clear goal before brainstorming possible motivations that would support this goal; or you can come up with a backstory which narrates their motivation then set up a goal that aligns with said motivation.

2. Influence

To be memorable, your villain organization must have some sort of influence on your main characters and the general public.

An underground criminal organization that brings annoyance to your main characters because they wreak havoc everywhere they go and are impossible to catch as they have their ways to evade law.

A supernatural cult that brings fear to the public because they have the most powerful people on their side who won’t hesitate to kill anyone who stands in their way.

A cryptic society that brings a sense of uneasiness to the MCs because they’re unpredictable and have actions that don’t seem to make sense, yet always results in casualties.

3. Leader

Behind every villain organization is a leader who can control all the worst and most evil people in your story. This should be something frightening, so make sure to clearly establish how they obtained their power as a leader.

Expertise — they have expertise on a certain skill that’s deemed important, such as mastery of a deadly spell.

Charm — they can sway and manipulate people as they please.

Cruelty— they’re evil and ruthless, striking fear within the group and coaxing everyone to listen to them.

Ambitions — they have a strong goal and plan, convincing the entire organization that he’s the best man to achieve that goal.

Savior — they “saved” several villains from a gruesome end and played the role of “savior”, earning gratitude and awe.

4. Disputes

Selfish and goal-driven villains are bound to trigger disputes within the organization. Here are a few conflicts that could trigger disputes :

Factions — the organization is split into two factions ; one that supports the current leader, and one that support someone who promises to bring a “real” change if he were to become leader.

Betrayal — when one villain betrays the organization and the leader finds out, this may trigger an all-out dispute ; some members defending the betrayer and the rest wanting to kill them.

Absense of a leader — When the leader dies or is incapable of issuing orders, members of the villain organization may fight for the leader’s seat as they want to use the position to reach their personal goals.

5. Parallel

If your main characters are also part of an organization, a villain group can serve as a parallel to your MC’s organization.

While the villains operate under personal goals and are only bounded by fear to their leader, your MCs have a common goal and are willing to work together to reach it.

While the villains don’t care about public safety and only ensure the smooth operation of their missions, your MCs always put civilians first.

While the villain strictly prohibit emotional relationships; let alone romantic relationships, your MCs are free to be with whoever they want.

[coffeetank]

Easy Narrative Techniques That Spice Up your Works

Narrative Technique is, in simple words, the method a writer or author chooses to tell their story. It includes literary and fictional devices that assist greatly in writing literature or fiction.

In this post, I'm going to go into useful details about narrative techniques and how to play them out while writing your project. Here they are:

1. Setting:

You must've noticed that in genres like horror/mystery/crime the story is set in or restricted to just one place. This has an important impact on the protagonists and characters of your story. Settings play a huge role especially in the genre of crime/horror because the plot is carried out within those premises.

For example, in the movie Scream, the whole story is carried out in the town of Woodsboro, which is significant to note as it adds more thrill given that the killer is on the loose and within very close proximity.

Settings are also vital in genres like fantasy/adventure where the conflict is carried out in an unusual environment as it creates a sense of fight-or-flight hence gripping you into the story.

2. Cliffhanger:

Cliffhangers are common, and rightfully so because they are essential in a fair amount of stories. A cliffhanger is when the author ends a chapter or a book in suspense, often hinting at event that is due in the later part of the book or series.

Cliffhangers can either introduce the possibility of a newer event, or will create a gap before something is resolved, which makes your reader want more in order to find a solution. This encourages your reader to stick by and through, until a satisfactory answer is given.

Cliffhangers are also more effective in the genres of crime, horror, mystery, adventure, and fantasy. In genres like romance or slice of life, cliffhangers can be used, but it needs to be ensured that it doesn't deviate from the light-hearted mood of the story.

3. Multiperspectivity:

This one can be so interesting if used right. Multiperspectivity, as the name suggests, is when there are more than 1 or 2 perspectives in the story.

This pumps up the interest factor as different characters will see things differently. When you show the story being carried out in a variety of POVs, you give your readers the chance to read the story in a new light with every character.

This can also affect the plot, as different characters will have different goals by the end of the story. Multiperspectivity can also help you resolve conflict between different characters. In addition, you can use this to introduce a hidden villain/a hidden hero.

4. Sensory Detail:

Sensory details are the visual images you create for your readers while writing descriptions. This helps in the famous ‘show, don't tell’ and sensory details will visualise the scene for your readers.

This can also be paralleled with imagery (sight, touch, sound, taste, smell).

For example, imagine a hilltop. Instead of just writing about the fact that you see trees and the sun and some animals, you could put down your senses to make the description more visual. It would go like – “As she stood on the hilltop, her eyes took in the verdant swathes before her. The soft breeze tickled her skin while she basked in the warmth of the sun. Deer galloped across the lush, green grass, calling and prancing in carefree freedom. The scent of the earth hit her nose, and it was there that she felt she was home."

5. Foreshadowing:

It's common, it's effective, it's fun. Foreshadowing is when the author is implicitly trying to hint at a forthcoming event. It creates a suspicion in the reader's mind, which keeps the interest alive.

Foreshadowing and cliffhangers can be mixed to create a lot of questions in your reader's minds, which further keeps them hooked into your work.

6. Analepsis & Prolepsis:

Fancy words for plain terms. It's nothing but flashbacks and flash-forwards.

Analepsis (flashback) is when the author breaks the chronology of the story to bring light to an important event in the past. This either has an impact on the plot or the main character.

Prolepsis (flash-forward) is when the author breaks the chronology to go into the future. This can be used to highlight an important event (or events) that are likely to happen in the future.

It's important to note that these are not the same as time skips, which are just a leap from one time to another to not lose grip of the eventfulness of the story.

7. Chekhov's gun:

Chekhov's gun keeps your writing in check. Chekhov's gun is a principle that says any and every element in a narrative should have a purpose. If it doesn't, it get's removed.

Let's say you've introduced a character. Chekhov's gun requires you to assign a purpose to that character. Unless they are contributing to the story, they are useless. If they can have any sort of impact, then you keep them. If they don't, then they get executed from the plot. The same thing applies to objects as well. If your protagonist has found a box, something better come out of it or it's getting thrown in the trash.

8. Title Drops:

We love these, let's be honest. As the name suggests, title drops are when the author writes the name of the title in a line, or adds it in a dialogue, or uses it as a description to finish the story with a cherry on top.

Example: In the 90s romcom She's All That, there's a scene during their prom preparations where two guys are rapping and one of them says, "she's all that" as lyrics. This is a title drop.

9. Antithesis:

Antithesis uses two opposite ideas and puts them together to amplify the message you're trying to send. Antithesis can be done in two cases: contrast and parallelism.

With respect to CONTRAST, antithesis uses two polar opposites to highlight a certain point. For example: "In an instant, all the colour was gone. He was left with black. He was left with white." Here, you have ‘black’ and ‘white’ being used as opposite colours to signify the lack of vibrance.

With respect to PARALLELISM, antithesis puts forth a contradiction but in parallel structure. This means that the grammatical structures of your opposite phrases/sentences are the same. For example: "He was left with black. He was left with white." These two sentences have the same grammatical structure. Infact, the only difference between these two sentences is the colour, but then it amplifies the message.

I hope this helps those reading this. If you're a beginner or even stuck with your work, try implementing some of these to help yourself!

- ashlee

[tahbhie]

So you want to write a novel before 2025 runs out, huh?

10 actions you should include in your list to make that dream a reality.

1. Practice Time Blocking  

Trust me, you need it. Allocating specific blocks of time for writing can significantly boost your productivity and help you stay focused. Emphasis on ‘stay focused’.

2. Have an Idea Reservoir or Tank 

Create a dedicated space to store all your ideas during brainstorming sessions or whenever inspiration strikes. I recommend Google Docs and Notion to keep everything organized and easily accessible.

3. Watch More Movies and Read New Books 

There's no better way to expand your horizons than consuming diverse media. This is such a great way to spark fresh ideas and provide new perspectives for your writing.

4. Listen to Writing Podcasts and Join Helpful Newsletters  

Stay updated and inspired by listening to writing podcasts and subscribing to newsletters that offer tips, advice, and industry news. It changes everytime. Who says 2025 would be any different? It's best to be prepared. 

5. Create a Playlist 

Arrange your favorite tracks in a way that suits your writing mood. Music can be a powerful tool to set the tone and mood. It helps you feel relaxed and aid scene projections. It also enhances your creativity.

6. Join an Active Writer's Community 

Yes, it's that important. Whether it's an online forum or a local group, being part of a community provides valuable feedback and critique. Engaging with fellow writers also offer support and motivation.

7. Build Your Social Presence  

I feel this isn't addressed enough. If you want people to get invested in your work, start promoting your book and what you do even before it's finished. Share your journey and let people fall in love with your process and personality.

8. Write a List of Comfortable Spots  

Identify and list the places where you feel most comfortable and productive while writing. Having a go-to spot can help you get into the right mindset.

9. Research Writing Tools 

Explore various writing tools and find the ones that work best for you. Discard the rest to avoid clutter and distraction.

10. Invest in Writing Courses  

If you can, take courses that will help you improve your craft. Courses are now made into digestible sections, covering an important segment of writing in elucidating details, which saves you the hassle of paying high figures for a course.

Lastly, go easy on yourself 

Understand that some days will be unproductive, and others will exceed your expectations. This doesn't make you any less of a writer. Love yourself for what you do, appreciate your work for what it is, and value your effort no matter the outcome. You need to love your work first before others will.

♥♥♥♥♥♥

Happy new year fams 🥳🌹

[oblivionax]

Here's my ultimate character profile template that helps define crucial details of any important character in your story, may additionally help with outline, plot holes, and even writer's block if you're stuck or losing interest:

Name:

Gender:

Personality type: (unnecessary, but may be helpful with making your cast diverse and assigning more realistic fears and desires, e.g., enneagram)

Desires: (what does your character want?)

Fears: (what keeps them from getting it?)

Beliefs and misbeliefs: (what does your character need to change their mind about in order to overcome their fear and get what they desire? There's also beliefs in this part, because some things your character believes in don't necessarily change, but if they can somehow affect the plot, why not mention it? It doesn't necessarily have to be bad)

Social life: (how does your character behave around their family? Their friends? Strangers? Rivals? Enemies?)

Addiction: (what habits does your character possess? What or who do they depend on? Do they always need something in their hands to fidget with? Or do they often ask for a light?)

Self image: (how does your character view themselves personally? What are their imperfections they feel bad about? What are the parts of their appearance they're proud of? Do not confuse with physical description!)

Physical decription: (do not confuse with the former! What does your character look like to others?)

Backstory: (here's your time to shine by using everything we established in previous parts by explaining the reason behind each (but not necessarily every single one) part. For example: where did your character's fears come from? Their desire? Their misbeliefs? The ugly scar they're so uneasy about? Why do they smoke or need fidget toys? Why are they more friendly to strangers than their own family? Etc.)

Here's the blank version to copy and paste into your projects. Feel free to use, change, ignore some parts, or add your own:

Name:

Gender:

Personality type:

Desires:

Fears:

Beliefs and misbeliefs:

Social life:

Addiction:

Self image:

Physical description:

Backstory:

[rrcraft-and-lore]

Credit to: Ian Sanders for the post.

I love this

[thewhizzyhead]

ya know, what made epic the musical such a joy for me personally is seeing it actually develop throughout its 4-5 year long history and I don't just mean like from the ground up and everything. I mean it in a way as someone who immediately clocked Jorge Rivera-Herrans as a fellow playwright heavily inspired by Lin Manuel Miranda's style - which fucking meant of course most of the early publicized drafts of epic were raps because of course they are (this is not meant to be a slight because like I totally get him)!

But like actually seeing Jorge apply the lessons in LMM's writing into his own original style that is befitting to the story he wants to tell - and not only that, he literally took his audience along with him on his journey with every tried-and-tested demo and audition and everything, and the actual pre-production and production process of writing an album is something we don't usually get at all, especially in something as extensive as a musical concept album!

Like what really had EPIC make it's mark on the internet and on musical theatre (especially INDIE MT) is that it was a literal Odyssey of sorts - the creation of this entire fucking thing was a journey from beginning to end and we were all invited to witness it from behind the scenes while also having many artists among fans be a part in its creation one way or another, while also observing how Jay had his own artistic development throughout - from someone whose epic was quite obviously heavily stylized after Hamilton, into an artist whose style he can call truly his own.

I have so much more to say on how and why epic became such an iconic piece of work and perhaps being the first MT work in 2020 to truly define the decade, but all in all let's just say I'm glad to have witnessed the growth of an artist - and I'm excited to see what art this will inspire in turn.

[fluffytheocelot]

honestly homophobic of netflix to remove the interactive with the julethief canon events in it

AND ON THE DAY CARMEN ESCAPES VILE NO LESS 😒

rip To Steal or Not To Steal. you had the entire fandom in a chokehold over that ending <3

[hayatheauthor]

100 Dialogue Tags You Can Use Instead of “Said”

For the writers struggling to rid themselves of the classic ‘said’. Some are repeated in different categories since they fit multiple ones (but those are counted once so it adds up to 100 new words). 

1. Neutral Tags 

Straightforward and unobtrusive dialogue tags: 

Added, Replied, Stated, Remarked, Responded, Observed, Acknowledged, Commented, Noted, Voiced, Expressed, Shared, Answered, Mentioned, Declared.

2. Questioning Tags 

Curious, interrogative dialogue tags:

Asked, Queried, Wondered, Probed, Inquired, Requested, Pondered, Demanded, Challenged, Interjected, Investigated, Countered, Snapped, Pleaded, Insisted.

3. Emotive Tags 

Emotional dialogue tags:

Exclaimed, Shouted, Sobbed, Whispered, Cried, Hissed, Gasped, Laughed, Screamed, Stammered, Wailed, Murmured, Snarled, Choked, Barked.

4. Descriptive Tags 

Insightful, tonal dialogue tags: 

Muttered, Mumbled, Yelled, Uttered, Roared, Bellowed, Drawled, Spoke, Shrieked, Boomed, Snapped, Groaned, Rasped, Purred, Croaked.

5. Action-Oriented Tags 

Movement-based dialogue tags: 

Announced, Admitted, Interrupted, Joked, Suggested, Offered, Explained, Repeated, Advised, Warned, Agreed, Confirmed, Ordered, Reassured, Stated.

6. Conflict Tags 

Argumentative, defiant dialogue tags:

Argued, Snapped, Retorted, Rebuked, Disputed, Objected, Contested, Barked, Protested, Countered, Growled, Scoffed, Sneered, Challenged, Huffed.

7. Agreement Tags 

Understanding, compliant dialogue tags: 

Agreed, Assented, Nodded, Confirmed, Replied, Conceded, Acknowledged, Accepted, Affirmed, Yielded, Supported, Echoed, Consented, Promised, Concurred.

8. Disagreement Tags 

Resistant, defiant dialogue tags: 

Denied, Disagreed, Refused, Argued, Contradicted, Insisted, Protested, Objected, Rejected, Declined, Countered, Challenged, Snubbed, Dismissed, Rebuked.

9. Confused Tags 

Hesitant, uncertain dialogue tags:

Stammered, Hesitated, Fumbled, Babbled, Mumbled, Faltered, Stumbled, Wondered, Pondered, Stuttered, Blurted, Doubted, Confessed, Vacillated.

10. Surprise Tags

Shock-inducing dialogue tags:

Gasped, Stunned, Exclaimed, Blurted, Wondered, Staggered, Marvelled, Breathed, Recoiled, Jumped, Yelped, Shrieked, Stammered.

Note: everyone is entitled to their own opinion. No I am NOT telling people to abandon said and use these. Yes I understand that said is often good enough, but sometimes you WANT to draw attention to how the character is speaking. If you think adding an action/movement to your dialogue is 'good enough' hate to break it to you but that ruins immersion much more than a casual 'mumbled'. And for the last time: this is just a resource list, CALM DOWN. Hope that covers all the annoyingly redundant replies :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

Instagram Tiktok

[charbroiledchicken]

cannibalism as a metaphor for obsessive love/limerence in literature is officially one of my favourite things ever.

you love me so much that you will never be satisfied with my closeness until we are the same being? until our hearts are so intertwined you can feel the twin pulses under your skin? that you cannot properly exhibit your love unless you give me yourself entirely, preferably on a silver platter?

perfect.

[deception-united]

Online Writing Resources

YouTube:

Abbie Emmons: A published author. Her videos have great tips and advice for plot and character development.

Hello Future Me: Mostly worldbuilding tips, but very in-depth, with specific examples.

Ellen Brock: A professional freelance editor who provides help with all aspects of writing—outlining, worldbuilding, character writing, plot development, publishing, and generally answering any questions writers may have.

Terrible Writing Advice: Great writing advice, if you can handle the sarcasm.

Podcasts:

Writing Excuses: Albeit fast-paced, the given writing advice is quite useful. There's multiple seasons addressing topics such as story structure, characters, and genres, amongst many others.

The Creative Penn: This podcast is run by author Joanna Penn, who shares the lessons she learned in her own journey and advice for writing and publishing your novel.

I Should Be Writing: Interviews with various authors, and encouragement for aspiring writers.

Story Grid: Outlining methods, writing tips, editing advice, and analysis of various works.

Blogs:

Creativity Portal: Author interviews, creativity generators, writing prompts and templates, and various other writing resources.

Now Novel: Aside from writing tools, this website has multitudes of posts about characters, dialogue, narration, plotting, editing, and story structure, as well as writer motivation.

Helping Writers Become Authors: Tips on dialogue, characterisation, outlining, plot development, structuring, character arcs, and common writing mistakes to avoid.

Almost an Author: This website is great help for aspiring authors, with advice that ranges from genres to motivation for writers to guidance for making writing a career.

Hope this is helpful! I'd love to hear any other resources you use or are familiar with. Happy writing ❤

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[novlr]

[thedungeonbat]

trying new methods🕰️

tried the pomodoro technique for the first time today and it worked surprisingly well! I got all my homework and studying done within an hour (unbelievable right?) and even managed to organise my notes. Today was filled with anxiety and a lot of exhaustion from yesterday. My math exam apparently was more draining that I thought and being a ta in the late afternoon didn’t help. Let’s make tomorrow a fresh start.

I’ll now try and see if the pomodoro thing helps with finally getting the next chapter of my fanfiction done, I by now feel sorry for the few readers :‘) exam season and writers block got the best of me. Update, 5:40pm.: I finished the chapter and uploaded it! Woho!

Todays highlight: saw one of my favorite teachers who seemed quite happy to see me as well!!<3