#i dunno like im speaking personally as a writer whose earliest musical drafts were my attempts at emulating lmm

[thewhizzyhead]

ya know, what made epic the musical such a joy for me personally is seeing it actually develop throughout its 4-5 year long history and I don't just mean like from the ground up and everything. I mean it in a way as someone who immediately clocked Jorge Rivera-Herrans as a fellow playwright heavily inspired by Lin Manuel Miranda's style - which fucking meant of course most of the early publicized drafts of epic were raps because of course they are (this is not meant to be a slight because like I totally get him)!

But like actually seeing Jorge apply the lessons in LMM's writing into his own original style that is befitting to the story he wants to tell - and not only that, he literally took his audience along with him on his journey with every tried-and-tested demo and audition and everything, and the actual pre-production and production process of writing an album is something we don't usually get at all, especially in something as extensive as a musical concept album!

Like what really had EPIC make it's mark on the internet and on musical theatre (especially INDIE MT) is that it was a literal Odyssey of sorts - the creation of this entire fucking thing was a journey from beginning to end and we were all invited to witness it from behind the scenes while also having many artists among fans be a part in its creation one way or another, while also observing how Jay had his own artistic development throughout - from someone whose epic was quite obviously heavily stylized after Hamilton, into an artist whose style he can call truly his own.

I have so much more to say on how and why epic became such an iconic piece of work and perhaps being the first MT work in 2020 to truly define the decade, but all in all let's just say I'm glad to have witnessed the growth of an artist - and I'm excited to see what art this will inspire in turn.