#writers not remembering their own writing

[zom8iebyers]

"Mike and Will can't both be gay, it's unrealistic!!!" The people that say this bs underestimate just how BAD homophobia was back in the 80s. It's not that there were less gay people back then, it's that gay people couldn't come out safely. The people that say this learnt NOTHING from the show. Remember in season one when Will was missing and his OWN mother and brother suspected that somebody had killed him for potentially being gay?? THAT'S HOW BAD IT WAS. And the goal here isn't even to be realistic. This is literally a TV show with monsters from an alternate dimension and kids with telekinetic superpowers. Is any of that realistic at all?? NO!!! it's not. Does it matter? No, it doesn't. This is a FICTIONAL STORY. When you're writing a fictional story, the thing that you want to achieve is creating a good and interesting story. I promise you the writers couldn't care less about how realistic you think it is.

[shokveyv]

sari did not "choose" anything. you wrote her to choose sentinel, wrote her to be 25, and claimed that "making people uncomfortable is okay in writing." but then also try to claim that this is Japanese culture.

okay, well not all of your followers are Japanese and they don't have to be okay with seeing sari, an 8 year old upgraded to teenager, as said by her dad, now suddenly with a grown up alien robot.

You're free to draw what you want and write what you want. and if you post it publicly, people are allowed to have their public say. that first anon explained it perfectly and I have no idea how you could not understand what they meant when they said "if you knew someone since they were a baby or toddler, and then decided to date them the moment they were of age [18 in the states] , that is predatory, as in creepy, as in WRONG, you are predatory, as in creepy, as in WRONG.

no one in the States would or should find the idea of GROOMING as part of someone's culture. it doesn't matter if sentinel did or didn't remember sari.

again, draw what you want, but dont compare people being uncomfortable with your choice in taboo art as being like your mother. her issues with you are their own and your viewer's discomfort is NOT on the same level.

i really liked your art, but if this is how you will be when being told this sort of stuff makes people uneasy, then block and block and block. it is your account after all. and don't try to guilt trip people, that doesn't do anything but make your victim card expire. you're an adult drawing weird stuff. if you wanna own it, own it. don't pull the "I've been gone for 5 years, almost hurt myself and my mom gave me a hard time." its not fair you went through that but only bringing it up again NOW makes you look like you're farming for sympathy cause you drew an aged up version of sari dating a full grown mech.

She chose to based on the character development she was given. A writer understands this. Writing is uncomfortable. Otherwise why would you be question sari but not Tailgate, a literal child, being married to Cyclonus? You not question JRO? This is an edit: I have learned it is not a literal Child, he is only mind of a child behaviour.

Please curb your racism.

Sentinel didn't decide to date Sari moment she is 18. He did not know it was Sari and did not know his age. Why do you extrapolate "he waits knowingly until she is 18 to date"? that is you being malicious intentionally. She wasn't groomed. He didn't have contact with her at all xD You're being intentionally malicious and misleading! If you wish to debate you must have sensible argument not fake ones to lie to the audience. What are you talking about taboo mother????

If you cannot understand that sometimes there is writing that makes you unhappy and it's okay to be unhappy without the harassment of source, you are not mature enough to be reading my content, not mature enough to be on the internet. Grow up and stop being so racist and intentionally misleading!

Post-edit: Translator Alice here. She means that Sentinel has not seen Sari since last he saw her in the series. Sentinel doesn't recognize Sari as Sari when he sees her ala Cybertronian bibliotecaria. He never had a romantic interest in her as a child and was not waiting for her to become "of age" to date her. 20 years old is an important coming-of-age in Japan, so Sari being 18 at this point would have no significance to her dating-wise, unlike in America, where the age of 18 is significant. Nowhere did she say that he was waiting for her to become legal. That is something that was insinuated by the viewers.

[witchthefuck]

I hate how everything is so Night Court centric but at this point the only thing I want to read about is Eris Vanserra and his scheming.

Do you guys remember when he hinted to Cassian that there might be tunnels underneath Ramiel? What does he think is there? Is it supposed to help him overthrow his father? Is that why he allied himself with NC?

What does he think about Rhysand insulting High Lord least like to join his cause at the start of the meeting? And most importantly what does he think about Helion? Does he know about Lucien's parentage? WHAT DID AZRIEL WHISPER TO HIM?! I NEED TO KNOW.

How does he feel about his allies killing his soldiers? And torturing them BEFORE letting Eris know they were found? Did he ever thought if they were conscious or not while the crown controlled their bodies? How did he feel when he found out (through being under crowns control himself) that they were very much aware of what was happening around them?

And do we remember how Tamlin dragged Beron to war and basically lead Autumn Court's army? He would make far better ally than Rhysand. Night Court currently doesn't really offer Eris anything and keeps important information from him while getting information from Autumn Court. Is that why he insisted that Rhys should be more worried about Tamlin's wellbeing?

What sort of alliances was he able to secure within Autumn Court? Does he have his own "inner circle"? How much raw power does he posses and how much sway does he have in court matters?

I want him to see Hewn City and Illyria and decide that it's not the type of High Lord he wants to be.

I want to see how other characters view Eris without the weight of this Mor story (where is still don't get why anything is his fault). What did he give Keir?

I want the all the politics to finally make sense!

The worst thing is that to read it I will probably have to write it myself. And I'm not a writer.

[glitchedcrows]

I've never been a writer but I saw a post about Sirius' silver eyes and couldn't get this out of my head...so here's an attempt at something. (I also tried to write it into a @wolfstarmicrofic prompt)

first heartbreak - wolfstar - word count: 743

Remus chews on the nib of his quill as he re-reads the same sentence for the fifth time, ignoring the wet feeling on his lips as the ink is surely staining them.

He'd told the other marauders he had an essay to write, but really he just needed a moment to think. It had been impossible to keep his thoughts straight, all he could think about was those-

"Moony?"

His head snaps up and there they are, those eyes.

A grey storm pulling you into it's depths, keeping you trapped. They look colder today, or maybe he's just imagining because he feels cold looking at them. He watches as Sirius graze flicks down to his lips and he realizes he's still chewing on his quill. Sirius watched Remus wipe at his mouth with the cuff of his robes before meeting his eyes again.

"Can we talk?"

Sirius’ voice cracks a little at the end as he shifts nervously from foot to foot. He's clearly uncomfortable with Remus’ gaze on him which is exactly why Remus doesn't look away. He did this, Sirius did this so he can deal with the consequences. He resides to make the other boy suffer a little longer before he finally looks away, his voice coming out harsh and cold.

"No."

He can hear Sirius fidget on the other side of the table as he shuffles around to pack up his things.

He's not looking back up but he's very aware that he's being watched.

“Please, moony-"

Don't call me that!"

The words comes out as more of a growl and he almost flinches at the harshness of his own voice but he's bad enough.

"You lost any right to call me that when you decided to go and do this prank"

He says the last word with so much venom that, despite not looking at him, it's noticeable his Sirius flinches at the harshness of it.

"Remus…please I just want to talk.. just let me-“

"What?"

He can't help but interrupt as the anger builds in him. The moon just passed but the wolf isn't quite gone yet and Sirius is not helping him control his anger. He can hear the other boy open and close his mouth trying to get his words out.

"I just want to talk…”

But Remus has had enough, as he picks up the last book he finally looks up to meet Sirius' eyes and the mistiness of them is almost enough to make him falter. The grey of the storm is nothing new but they're not supposed to be accompanied but the ocean surrounding the storm.

But then he remembers how he once compares those eyes to silver. Silver which usually hurts him, but not this silver. Not those eyes, they were always so kind and made him feel safe. And the anger comes back in full force.

" You want to talk so bad? Sure let's talk”

And Remus can't hold it back anymore; he lets all his emotions from the past few days spill out. He lets Sirius have it all because he deserves to know how much he hurt Remus.

"Let's talk about how you did the worst thing imaginable and went and told my secret, huh?

Not only that but you went and told it to snivellus of all people! And for what? For a stupid bloody prank? You could have gotten him killed? You could have gotten me killed? If the ministry found out...do you even realize how bad this could have been? I TRUSTED YOU! And what did you do with that trust? Turned around and spat it back in my face apparently.”

Sirius opens his mouth ready to answer my Remus just raises a hand silencing him as he shakes his head.

"No. Just no. I'm done. Leave me alone Black."

He sees the impact of the name and a small part of him relishes the sight of the other boy's pain. He loves him so deeply and so dearly and that's why this hurts so much.

He turns and heads towards the exit. Despite hearing Sirius call after him he doesn't slow down until he's gotten far away from that voice. From those beautifully dangerous eyes. He doesn't know where he's going, just away from the hurt.

Sirius' eyes was the only silver that didn't hurt Remus. They were safe until they weren't. Then they hurt more than any other silver ever had.

[zoot-marimba]

After Post-COVID, we can very safely say that Thomas is Craig's biological father, the two look way too much alike for that not to be the case.

I will say that I initially figured Laura Tucker dyes her hair blonde, but then I remembered that Tricia's hair color is strawberry blonde-a hair color that usually comes from having one red haired parent and one blonde parent. Therefore, it seems fairly certain that Laura is a natural blonde, and we can obviously say that Tricia is definitely Thomas and Laura's kid by blood.

However, going back to Post-COVID, it is worth noting that while Craig is a dead ringer for Thomas at that age, there's nothing you can really point to as coming from his mother. Contrast that with Tweek, who has characteristics in common with both of his parents.

I will say that at least in the Dandyverse, I do lean towards Craig coming from a previous relationship of Thomas', with her and Thomas having separate some time after Craig's birth and that she later died. Besides the aforementioned details regarding Adult Craig's resemblance to either parent, there's a few other factors that went into the decision to go this route:

1. It could explain Craig's ties to Incan and Peruvian culture. Yes, that was likely meant to poke fun at the White Savior trope, but Mr. Kim was also initially meant to simply be a satirical take on Asian stereotypes prior to the big reveal with him.

2. It would certainly explain a lot about Thomas and Craig's relationship. The thing that I feel a lot of people miss and particularly fanfic writers miss when writing Thomas is that he isn't this mean or abusive asshole. If anything, he's arguably among the more nuanced parents on the show, certainly in terms of how he fits into the "good" or "bad" categories of parenting. As shown in "Tweek x Craig", Thomas very much does love his son, but he also clearly struggles in opening up emotionally (which might be the biggest thing he and his son have in common).

3. It could also add some context to Craig's behavior in the early seasons. In those seasons, Craig was known as the kid who was constantly getting into trouble, almost always just outside of either Principal Victoria's office or Mr. Mackey's. That's literally why he was singled out as being one of the kids set up to fight in "Tweek vs Craig". While a lot of it did come from Craig's struggles to deal with his emotions in a healthy or productive way, the loss of his birth mother could easily have served as the last straw in this regard. It also could explain Craig gradually mellowing out once the kids entered fourth grade as by then, enough time had passed.

4. Even though this post is meant to be about Craig's family and his relationship with his parents, I can even see this adding a fair bit to his and Clyde's relationship. While they were already friends beforehand (not hurt by having grown up on the same block), I can easily see Clyde turning to Craig for support after his own mother's death. Other than maybe Cartman (and even Clyde isn't stupid enough to turn to CARTMAN for emotional support), Craig is about the only other kid that Clyde knows that could possibly understand what it's like. Likewise, Craig can also open up to Clyde in a way that he struggles to with his dad (and can't really do with Tricia since Thomas's ex wasn't her mom), so he too would probably find it cathartic.

So yeah. That's all I've got to say about that.

Actually, putting this in a post in case the blog page ever disappears

[broken image was the thumbnail for The Magic Bush as it appeared on Hulu at the time]

and the best part, linking to the now defunct forums page that I didn't archive when we were saving pages last year :))))) Source

[oveliagirlhaditright]

Parallels: Buffy probably hinting that she enjoyed her and Angel's physical relationship.

So... there's a large part of me that actually hates this, of course. I feel like Buffy and the writers themselves have forgotten all of Buffy and Angel's good times (we even saw some of this in "Chosen"). And this is just completely inaccurate, because they actually talked a lot. All of season three, that's what their relationship was about, and that's all they could have then, really. And in fact, Buffy was often telling Angel things that she didn't anyone else. If I'm going to defend this at all, I guess it could, sadly, make sense that with everything that's happened with them, and the time that's passed, she's somewhat forgotten that (I think that's partly what was going on with the "Chosen" conversation, too). She's also furious in the last pic (and for good reason). And Buffy has been known to cut people to the quick when she is.

Why am I posting this, then, if I really dislike it? Because I feel like a lot of people in the fandom like to try and spin that Buffy and Angel didn't have the greatest physical relationship in the world (good--over Riley and her for sure--but maybe not great in the end)? Especially after they could no longer make love, and when compared with another ship? Buffy feels differently.

[weaponizedmoth]

"Faeries were always supernaturally beautiful, even if they didn’t look like they’d be. No human flaws mattered when it came to faeries: Double chins, crooked teeth, too thin, too fat, too small, it was no problem. They always seemed absolutely lovely. The only ones who could tell each other’s imperfections were their own kind.

(...)

Cornelius had a thin, oblong face, usually framed by his shaggy, now shoulder length hair, which was sometimes blonde, sometimes black, sometimes red, depending on his whims. His eyes were a dark blue that looked black to the untrained eye, and were topped by well kept blonde eyebrows. And sure, it all looked rather nice—but he was a tad cross-eyed (on the right eye, which you could notice when he looked at you), and he had a smile that was wide,"full of teeth." (...) His smile had been described as cute, especially when he laughed, which made him look like a flower petal—delicate. However, even with all his alleged beauty, Abigail also heard it being described as creepy and off-putting, especially when he was smiling without true emotion. She sided with the latter reports."

My final OC lore dump of the year <3 it took me days to get Neeley looking right and I still don't know if I did it, tbh. I also created a specific font for the Fairy Society Gazette, which will be below the cut. I have no idea why photoshop ate the quality of the text so much when the drawing looks fine, but oh well.

Happy almost new year!

(The font is rather crooked as it was hand drawn using bad hardware and my own handwriting as a base).

[adhdtsukasa]

prosekai au where everything is absolutely the same except niigo, instead of being a music circle, is a fanfiction writing-ish group. kanade is a writer, mafuyu is her beta reader, ena makes fancomics based on kanade's fanworks and mizuki makes trailers for upcoming fics. and basically that's it. niigo lore but everything revolves around them being wattpad ao3 users

[the-kipsabian]

wrestling fic writers!!

i have decided to be the change i wanna see, so lets do a nice little thing for each other, as a community full of incredible and talented writers. yes this is writer specific only, but thats cause thats where the main problem of people not interacting with creative works lies in this fandom as far as i can tell and have seen people talking about it especially in the last couple of months

if you read this, please add links to your written works. it can be just a single fic youre really proud of, your writing blog, your writing tag, your ao3 account, anything where your works can be found

and if you leave your link here, PLEASE check out someone else that has left their works, and interact with them. leave them a comment, even just a kudos, REBLOG their fic, etc. interacting is the keyword i want to emphasize here, along with building a sort of a masterpost of where to find people writing in this fandom

and if you are not a writer, youre still highly encouraged to interact with this post and share it and show love to the writers in this fandom, obviously!! i think that should go without saying, but adding it in anyways

a bit more about my vision and resources and such under the read more, but thats the gist of it. happy linking and please be kind and supportive to each other!! 💜

nobody is too big or too small to add their things on this list. if you write and post anything in this fandom whatsoever, be it fics or drabbles or headcanons, any companies or any kind of ships or reader inserts or any content whatsoever no matter how 'dead dove dont eat' or hell even if its just meta, we welcome all here and nobody can say that one thing is less valid than another. just please tag your content accordingly, especially if theres content warnings, and feel free to mention what you write, who you write, any info you wish to leave that would help people before they click on your links. but even so, that should not and hopefully will not deter people from interacting, no matter what it is. someones trash is another ones treasure, i promise you

and unless the amount gets really overwhelming, im personally going to be checking out everyone that leaves something here. unless it squeaks me out, but even then, i'll spread the word. and i just wish as many people as possible will do the same, and not just use this as a potential board to only get eyes on their stuff. ofc thats also the point, but you should give as much, if not more, than you get. we need to be kind and supportive of one another (besides, from personal experience, if you show love to someone else, they are more likely to do it back than without you taking the first step, so... pay it forward)

as for resources, heres a few links that should be helpful in leaving comments and feedback. of course everyone does their own thing and no comment is too big or too small to leave, but for those who need them. if you have anything you'd like added to this list, dont hesitate to get in touch or drop it in the post yourself!!

101 comment starters

ao3 floating comment box

kudos html

dont know how to comment? easy solutions

a quick hot guide to commenting (by yours truly)

an overall guide to appreciating fanfic writers

and just in general.. leave people comments. leave them asks about their projects. just go over and gush about their work. i know it sounds embarrassing but writers love nothing more than to hear that someone likes what they are doing. if you find a fic that hasnt been updated in forever, comment on it. it might just be the spark the author needs to continue. while kudos and likes are nice, and just as valuable to some, its definitely in the words the people leave for them that matter the most. im not saying this to put pressure on anyone, its just how it is, and i feel like unless people are writers themselves, and even then sometimes, thats just hard to grasp, especially if the writer is a smaller and less popular one who doesnt get a lot of traffic in the first place

i think thats all. just be nice and considered to everyone, reblog peoples works, this post with others add ons and so forth. and if i find anyone talking shit here or at other writers for something they share, you'll be blocked and im probably taking your kneecaps. be fucking nice. we are all struggling here and we need to stick together

happy sharing and commenting 💜💜

[rmbunnie]

Another little inconsequential red hood thing and I'll admit that I'm decently biased but it irks me to see the whole "Jason can't shut up about his death/he makes his death everyone else's problem" take really frequently because he simply does not do that enough for it to be a thing in like any actual Red Hood story.

It's a thing you see sometimes in modern annuals/comics with large casts, particularly if a writer doesn't seem super confident with writing all of the characters that they're working with or if he's just a background character in this one, because with comics it's quicker to reduce a character to recognizable landmarks than to try and work out a whole new complex voice if you don't really need to, so it's tire iron, Jane Austen, Joker, and death, and it's all written out in dialogue because every character in a group event can't have their own internal monologue, but like. That's pretty much it. UTRH is the establishing event for Jason Todd post death so of course a lot of it is about his death, although it's arguably about the lack of response to his death more than his death itself, and he certainly makes it Bruce's issue but one beef doesn't make a trend. Plus if his death is anyone's issue beyond his own Bruce and Joker are like the number one guys whose issue it is. He THINKS about his death a ton in Lost Days, but it doesn't really reflect externally on any of his interactions besides with Joker, which again, that's justified and relevant beef. Teen Titans 29 is more about his place in the hero community/feeling like he was an outsider even before the bomb/Tim being the new robin than about his death, and side note, that being counted as an attempt on Tim's life also bugs me. He beat him up and then left of his own volition. That's not an assassination attempt its called a fight, albeit a sneaky and unfair one. But anyways. I can't speak on Battle for the Cowl because i haven't read it, both that and Batman and Robin 2009 don't really compel me, but it's entirely possible that's an outlier to my point seeing as I kinda sorta haven't read it and don't care to lmao. Even New 52 (although HIGHLY unpopular) and Rebirth/Dawn of DC/Whatever we're doing now Red Hood content don't really have him talking to people about it besides the occasional little quips. He might make stances that were developed because of his death other people's problem, like in the Mia Dearden Green Arrow situation with the "getting involved in other people's business" issue, but acting like he makes specifically his death everyone else's problem is ignoring all of the perfectly valid actually canon things he makes other people's problem. Most of the unpleasant traits he brings to the table are a result of his death and the sense of abandonment and betrayal that came with it, but that doesn't mean he's bringing his death into it when he acts unpleasantly any more than he's bringing his birth into it when he shows up in the first place. The consequences do not equal the event. All this to say it's irritating when people say the character is grating because he doesn't stop whining about his death when that kinda just indicates to me that they're working off fanon based on fanon based on kinda mid batman annual.

[blitzsicedcoffee]

Tip #4 from someone who's written over 100k words of Helluva Boss fanfiction:

As someone who is notoriously bad with my own timelines, If you're gonna have a timeline, map it out somewhere lol. In notes, somewhere else on your document. TRUST me, if you don't map it, you will forget it and then have to reread all your chapters to figure it out lol.

[undead-moth]

I'm also just thinking about how people's frustration with The Bear this season in general and not just with SydCarmy is so indicative of how little people understand about story writing.

I got my BA in fiction writing which doesn't make me the world's leading expert or anything but I know enough to know that The Bear is exceptionally well-written and most of the complaints about this season stem from not knowing anything about writing a story.

And on top of this, the same people who don't know anything about writing a story are used to consuming really bad stories because right now, we're in one of the worst eras of television and honestly, writing in general, ever.

Because right now there's no expectation or requirement for a show or book to be well-written before production or publication. There's no requirement for it to actually be good, or for it to even make any sense at the writing level. All that matters is that people will watch it or read it and since people can't tell the difference between good writing and bad writing and largely aren't watching or reading for that reason anyway, who cares?

It's just an endless cycle.

Audiences don't recognize nor want good writing > Producers and publishers don't require nor pursue good writing > Writers that ultimately become successful can't nor need to write well > And the cycle starts over.

And because people are so used to bad writing, and can’t tell the difference between good and bad writing, and don’t want good writing anyway, when a show like The Bear comes around, a show that doesn’t hold their hand and explain everything to them or doesn’t spoon-feed them exactly what they want, a show that isn’t going to sacrifice the narrative through-line just to cut to the romantic chase - people are not only confused but pissed.

And then the most frustrating part of all this is that people then come to the conclusion the writer’s are bad at writing.

It is so bleak to be an aspiring writer right now, I swear.

[windcarvedlyre]

Previous reblog goes just as much for competing takes on a single character or ship as it does different ones competing with each other, imo. I think berating people for getting your blorbo wrong is less likely to get you 'correct' fanworks or analyses and more likely to make people too nervous about messing up to engage with them. I keep running into people with those anxieties and it really sucks.

If a misunderstanding is common it can be frustrating, but unless someone's being bigoted or an ass about it there's nothing morally wrong with that. If you overlook something major you can always just... go over the source material again and handle them better in future works, and the former still might end up as someone's favourite! My own favourite fic makes an assumption that I'll die on a hill against and it still changed my brain chemistry.

This especially goes for more complex characters; the harder one is to understand, the likelier it is that you'll never find clear, indisputable answers to every question you have about them because they may not exist. Even people who post about them like it's a full-time job can't be omniscient.

So wanting to be meticulous is great, but don't let perfect be the enemy of good! I'm saying all of this as someone who struggles with perfectionism myself. If we can apply the 'two cakes' metaphor to everything else about art, why not characterisation too?

[remyfire]

When the writer agonies hit.

[casenpoint]

It's a family dinner with Dawn and everyone's got feels. But sometimes that's how we get to the good conversations.

[maxiwaxipads]

Romarriche - “Your company is one of a kind… I would never lie to you. I would never say a half-truth or be quiet.” “What is it in your mind, Merold?” “Hearing your voice, complaint or not—it is music to me either way.” Merold - “If there is one constant in this world… Let it be you.” “You’re the cruelest and the kindest thing that happened to me.” “…If only you continued to look at me like that.” Romarriche - “…Merold?” Merold - “But~ It’s only a minor case of bad-mood-itis.” “So Romarriche, spoil me with a spar, will you?” Romarriche - “Merold.” Romarriche - “Look at me.” Merold - “…” Romarriche - “Is something… Wrong?” Merold - “Instead of a spar…” “I might want to lie down on your lap after all.”