#writer's rambling

[sijetaismoi]

NaNoWriMo is just around the corner

November is not my favorite month of the year, but it's always come with NaNo time, so it helped navigating through long work hours, short daylight time, gloomy memories, stress to get ready for Christmas.

Then I became a mom and let me tell you, NaNo has not been a priority. Staying alive was 😅And then, somewhere down the road, I forgot that I was a writer and just stopped writing.

Chenford brought that back to life and I'm so grateful for the show and the actors and this community.

So this year, as my kids are getting older, I want to write those 50.000 words in November. Or at least try. But I'm definitely not ready for a novel, I don't have the inspiration for that. So instead, I decided that I would write our two favorite idiots in love.

No idea if it's gonna be a very long fic, or smaller ones put together. I'm just going to write and go with the flow.

Wanna prompt me? Wanna do it with me? Wanna have a bit of fun in November? (50.000 words should make a lot of reading material for December/January, just in time to get our lovebords back on screen).

[batvvvvv]

currently writing and art blocked to hell and back bc my brain has forgotten how to generate coherent thoughts but i will return with! something ! at some point ! hopefully soon !

a harvey for your troubles

[sijetaismoi]

The fic I received the most comments and kudos on, is the one with sex toys in it (but no actual sex). Not that I don't appreciate it, but I'm pretty sure this is not the best I've written. By FAR.

I'm trying to prove a point to my brain: Reblog if you think fanfiction does not need sex to be good.

There is a trend I’ve noticed that smut fics tend to be much more popular than anything else and honestly I just want to have something to look at to remind myself and that writing doesn’t have to have sex to be worth putting out into the community.

[char-writes]

Daydreaming about my book:

Writing my book:

[autumnleaves1991-blog]

This is why writers abandon stories. It’s not that we don’t love them, it’s because we don’t want to love them alone.

[lonely-night]

eXCUSE ME???????????????????????

[defnotmadie]

the one thing i want to be able to do as a writer is make people come back to something ive written. i want that piece of text to haunt them, i want their thoughts to be briefly consumed by this. i want this to be something they remember long after its time. thats the one thing i want to do

[the-ellia-west]

HOW TO WRITE ROMANTIC ATTRACTION FOR DUMMIES

For anyone who wants to learn, (especially aro/ACE, aspec, ect.)

Requested by the lovely @darkandstormydolls

Alrighty! Welcome back or welcome to my blog! I'm dipping my toes back into the category of posts that gained me my exposure!

So if you're here, you want to know how to write romantic attraction/romance!

Strap in and let's begin!

(Pls spread this to people you think would benefit from seeing it, or anyone who requested it bc I forgot, ANY ASPECS)

Step one -

Your characters must admire one another at the beginning, Romantic feelings usually do not present themselves as obvious until you really think them through, meaning your characters may not notice they have a crush until it's too late

These are general statistics and light stereotypes. So feel free to not use this tip:

Male characters usually tend to notice physical things first, like body shape, hair, skin, clothing, the way their lover moves, ect

And Female Characters Generally tend to notice more small things and personality-based traits first, like their lover's humor, speaking mannerisms, shifts in expression, ways they fidget, emotion in their voice, ect.

And someone who is in love will generally show more interest in this particular person's movements, actions, words, and anything in general.

Step 2 -

The character will show more interest in sharing their love language with their lover/crush

Physical touch - People with physical touch love languages may want to hold hands, cuddle, hug, or just lean on their crush whenever they are close to them moreso than they want to with others

Gift giving - Gift givers will want to get more gifts more often for their crush, probably thinking of them whenever they see little trinkets or wanting to get them big gifts for special occasions or signs of appreciation

Acts of Service - Acts of service people will offer to do extra favors and a bunch of extra stuff they don't have to do twice as much as normal

Words of Affirmation - Flattery, they will generally flood their crush with kind words and compliments

Quality time - Quality time people will want to spend time with their crush at almost every turn, and when they want company, will turn to their crush first

Step 3 -

After a while, these urges while become very prominent and more noticeable to the person having them

They may find themselves fantasizing about their crush or having them show up in their thoughts more and more, feeling nicer and happier when they're around, or when they're thinking about them

Smiling when they think about them, cutsey little fluff thingies like that

A crush is essentially: I want to date that, I want to be near that always, I want to marry that, I want that to snuggle me (or other love languages)

Or in simpler terms: if that asked me out, I would say yes (or at least want to say yes if your character is in denial)

Step 4 -

The character's urges to be close to this person grows strong enough that they do smth about it, whether prompted by another character. Or they just don't know I how to not anymore (like when you wanna eat candy and you don't want to, but you do anyway bc I JUST NEED THE CHOCOLATE OKAY?)

(Or for Aro/Ace, garlic bread)

People who are in love are generally very prone to be all dreamy and poetic and VERY EXTREMELY BIASED towards their crush

Then Yada Yada they kiss & shit

You're welcome, BYEEEEEEEE 👋

Happy writing!

Love you! Thanks for reading, And Ghost Tumblr Mother says go drink some water and have a snack, you've earned it, and you are beautiful <333

Have a good day! :]

@blue-kyber @thisisntrocket @cosmolumine @i-do-anything-but-write @paeliae-occasionally

@supercimi @the-letterbox-archives @sunglasses-in-the-bentley @vyuntspakhkite-l-darling @artsandstoriesandstuff

@corinneglass @wyked-ao3 @urnumber1star

[ryemiffie]

Guys.. Stan canonically writes fanfiction, presumably posting it to ao3.. I bet that man has got the ultimate author's curse notes

"Sorry I'm late to update guys! Got arrested by the federal government for stealing materials from them to rebuild an interdimensional portal to save my long lost twin brother! But hopefully things will be more consistent now that I'm done saving him!"

"My bad for this being so rushed, currently living through the literal apacolypse!"

"Didn't mean for this too take so long y'all, had to reread the whole fic to refresh my memory after getting my brain wiped to kill the demon who used to date my brother, y'all know how it is!"

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[sijetaismoi]

Writer's block

I have started writing Chenford fics in February, the first one was published in March. I have 17 works published on A3O. I have one work that needs some editing but it's mostly done. I have 2 big WIPs. And I have 7 ideas that are waiting somewhere on a blank page.

For the first time in 4 months, I don't know what to write. I'm going through all of the documents opened on my computer, trying to start something and see where it takes me, but I have nothing.

Maybe work's a little to blame here. I need some vacation time. But I miss them so much. I need to get lost in a long writing session (and forget I have kids and a husband that depend on me not to starve to death).

What about you, fellow writers? How do you manage writing during this hiatus?

[batvvvvv]

still trying to figure out how i want to go about posting on this account, but i am also actively writing the story and. i just hit 10k words of plot. so that's cool !!!

no idea what that puts the current total wordcount at but i'm sure we're over 35k by now. that's a lotta words !!!

[olive-riggzey]

I made this to combat my current issue:

[crazylittlejester]

I sit down. I open my doc. I crack my knuckles. I prepare to write. A tumbleweed blows across my completely empty mind. I close my laptop. I lay down. I die.

[the-one-who-lambs]

This is a super super gentle reminder not to put your favorite authors on a pedestal. We're real people living average lives and not trying to be influencers. We criticize ourselves enough and we don't want to be held to an invisible standard (we start to worry we fail to exceed our own selves) or compared to other writers (we are not competing) or tailor our craft to cater to a wider audience (the right people will find you).

[batfambrainrotbeloved]

I love being in my writing research era