#writer tropes

[equallyloyalandlethal]

Pass the happy! 🌻🌈 When you receive this, list 5 things that make you happy and send this to 10 of the last people in your notifications!

Okay so I've gotten tagged four times for this. FOUR and two of them have been you @ksbbb, so Imma do four lists of things, but each tag will be different subjects.

This one is gonna be tropes that make me happy:

Gruff, grumpy character A that is soft and squishy for character B and ONLY character B

Everyone thinks character A is the strong silent type that "doesn't do emotions" but character B can see all the emotions written on their face and doesn't get why everyone insists that character A is emotionless

Character A being too sick/injured to do basic small tasks, like brush their hair, and character B helps them with it; bonus points if combined with the first trope

Hyper-controlled and regulated character A that throws everything out the window when it comes to character B

Soft forehead touches and kisses in silence as a goodbye and reassurance

[knebellindemann]

[theaftersundown]

the holy grail types of fanfic

[charbroiledchicken]

if it's good enough for you, then it deserves to be made. don't let anyone else decide if your story is worth it or not.

[allthingswhumpyandangsty]

you know a fic is good when it has this

[bebx]

reblog if you’ve read fanfictions that are more professional, better written than some actual novels. I’m trying to see something

[uhhsnail]

I love a character raised to be a weapon as much as the next guy. But what really gets me is a character raised to be a shield. Who can’t fathom being needed—or even being wanted— beyond keeping others safe. Who believe they are alive only to insure someone doesn’t die. no matter the cost. Characters who self-sacrifice not because they think they deserve it, but because no one else does deserve it, and it’s their job to protect.

Characters who’ve been told that’s why your important. Your worth something because this other person/ thing is important, and you are here solely to keep them safe.

Bonus points if it’s not a legitimate job they’ve been given. Maybe at one point it was, but now that they are free from it, they haven’t given up that mentality. No one is forcing or asking them to do this, but they need to. They need to in order to be deserving.

[edwardcreel]

reblog if you believe fanfics are as valid as books that were published and sold by authors who write as their main careers. I'm trying to prove a point

[the-overanalyst]

it's always so fascinating and heartbreaking when a character in a story is simultaneously idolized and abused. a chosen prophet destined for martyrdom. a child prodigy forced to grow up too fast. a powerful warrior raised as nothing but a weapon. there's just something so uniquely messed up about singing someone's praises whilst destroying them.

[rae-butter]

Honestly, I love it when characters relapse. When someone who’s gotten over their anger issues falls into a situation so out of their depth they fall back on their old habits. When someone who’s learned to open up becomes a recluse again in order to cope with something outside their control.

There’s just something so horrible, so toxic, about watching a character grow and then slip back into their old selves in order to cope, bc you know they still care, that they’re the same inside, but watching them hurt so hard they don’t know what else to do brings a sense of catharsis.

[questions-about-blorbos]

This request was sent to us and we made a poll in response to it. Send any Blorbo-related question you want to our inbox and we’ll make a poll on which people can vote with their own Blorbos in minds

[bixels]

The final TF2 issue really got to me. Spoilers, but it’s the reveal that all of this suffering and murder and war over gravel and shitty land was for nothing but senseless, bottomless hatred. That the administrator can’t even remember where this revenge plot started as she flashes through different false memories of her parents’ deaths. There was never a tragic backstory or justification, only terrible people doing despicable things. And despite how crass and stupid and unserious TF2 is, the story subverts every expectation by showing the survivors and inheritors willingly breaking the cycle. Ms. Pauling lies to the administrator and chooses not to save her, and finally lets her die. (Hurts even more if you read into the subtext that Ms. Pauling is in love with the administrator.) She lets the final cache of Australium go and walks away from the burden and legacy of a century-old bloodfeud. Hale lets Gray’s daughter go and live her life freely. Spy is the first to arrive at Scout’s house and meet his big family, finally takes off his mask, and helps with the kids. Even Merasmus exhaustedly makes peace with himself and Soldier and chooses not to curse him or something. There’s nothing to finish, no promises to keep, and no one to avenge. The only thing to do is break the cycle and walk away.

It feels odd how happy and warm everything is, but it feels so right and earned. These bloodthirsty, awful, violent men were expendable cogs in a machine of endless violence, and they found a way out. It’s a genuinely great message about letting go the past that burdens you and finding the will and a way to hit the bricks, change, and be happy. Maybe they don’t technically deserve happiness, but they’ve got it nonetheless, and they’re not gonna let it go to waste. They’re still all crazy and violent, but on their own terms now and with people who love them! Smiles.

[urfriendlywriter]

what will your character do..

(reblog and brainstorm, lovelies! u can also write drabbles with theseee )

if they're met face to face with their plot, with no warning?

if they're stressed?

if they're happy? who will they want to share it with?

if they're sad? will they go to anyone for comfort? if yes, who?

if they're forced into a life of death situation?

if they're being threatened?

if they're kissed by their ex?

if they're confessed to by someone who they had no clue liked them? (given, they're single or not)

if their lover betrays them?

if they're coughing up blood out of the blue?

if there's a strange presence in the room, and it feels ominous?

if they discovered a dead body?

^ if the dead body is their best friend? (great question to start and develop a plot)

if their enemy is at their doorstep, bruised and injured?

if they had to share a bed with someone they don't particularly hate? ahem

if they had to be fed by someone they didn't like/their crush?

if their partner-to-be? enemy? pulls them into a secluded and shushes them? (their bodies pressing and all that!!)

when asked to choose between their family and their lover? (given the circumstances of ur story)

when kissed on their head by their enemy after a near death experience?

if they're dancing with a stranger, and the stranger says 'stop dancing, sweetheart and you'll hunted. do u wanna die?' ?

if they find out the food that served to them has glass dust on it? (who is it served by?)

when being pulled into a hug when they most need it by someone they least expect?

when they have to hold someone they loved at a gun point? why would it even occur?

when they have to choose between their own life and their lover's?

when they've to give up something (of great importance to the character) to save their lover?

[charbroiledchicken]

reblog if you're a writer but would rather drink straight cyanide than show any of your family members your work

[allthingswhumpyandangsty]

“do you think you’ll still be writing fanfic when you’re 90?” yes, I do, and I hope AO3 is still here with me when I’m a 90 year old childless fanfic writer who writes slow burn dead dove do not eat dubcon gay sex enemies to lovers. next

[bebx]

my taste in fictional men is just the unstable, traumatized and dangerous ones who radiate strong "I'm not a bad dog. I'm a wounded and terrified dog who bites to survive" vibes honestly