#wow this was!!!! so much fun to write

[clickety-clacker]

Been seeing so many cool Clickies on my dashboard since getting into GGG, I just had to take the time to draw a few of them- plus, it was a bit of a challenge to try new styles. A lot of these guys were also super influential to how I draw and even think about Click Clack on my own time, so you should definitely check them out! Names below the cut cus it got long heehoo

Top left: @malartsorte

Top middle (holding papers): @scribblelimbo

Top right: @wishgraanted

Leftmost middle: @beastwhimsy

Middle (peace sign!): @sootnuki

Rightmost middle: @molabuddy

Bottom left: @pespillo

Bottom middle: @artuurle

Bottom right: @modmad

I know I said it already, but all of yall are super cool and I had a lot of fun challenging myself to make this! Keep on being awesome 👍

[blindmagdalena]

i'm thinking about john killing someone in front of his s/o, but that was about to kill them so his violent is seem a protectiveness. to be seem bloody and not be feared....

18+ 2.7k homelander x reader, established relationship, gore, blood, morally grey reader? shower sex, fingering, praise kink, breast play, dirty talk, rough sex, count down, needy/possessive/yandere HL, reader is nondescript with f!anatomy.

Homelander is breathing shallowly, eyes wide—wild—blood dripping from his chin and from the stray strands of hair that fell forward when he lunged. He's elbow deep in a man's sternum, and his other hand is wrapped tight around his broken neck, the bones like fragments of glass poking out from beneath rapidly cooling skin.

It all happened in an instant. One second, the man currently in his hands was grabbing you by the hair, a knife swinging wildly towards your throat, and the next he was dangling from Homelander's grasp, heart slowing against his knuckles.

He laughs through his teeth, licking his lips reflexively. The blood is sour, contaminated with god knows what, but that hardly takes away from the thrill of the moment.

It's been a while since he held the gaze of someone whose life he just claimed. Long enough that he forgets where he is, and who he's with.

He drops the man to the ground like a wet sack of potatoes, innards spilling out from the hole his arm leaves behind. In the man's hand, Homelander sees something that sets his teeth on fucking edge: strands of your hair ripped from your scalp in that limp, dead palm.

"You stupid motherfucker," he growls through a crooked sickly smile, lifting his boot to crush the hand like it were nothing more than an insect. The man's heart has long since stopped, but the rapid pound of another is still loud in his ears.

Yours.

Slowly, he turns around to look at you. You're cradling your skull where you'd been grabbed, tears gathering in your wide glassy eyes, the shock of it all catching up to you. You're staring intently at the corpse, watching blood pooling out from beneath it.

You've never looked at him with fear in your eyes before, but that's precisely what he sees when your eyes meet his. It makes him bristle internally. What was he supposed to do? You were in danger, and the way you screamed will follow him into his nightmares.

He could have lost you just now. You could be the one soaking in a puddle of your own blood, losing your life to the press of nothing more than a flimsy metal blade. While Homelander has always been logically aware of your humanity and the tender vulnerability that entails, nothing has ever put it so viscerally in the forefront of his mind as a freak incident coming so close to erasing you from his life.

He did what he had to. You'll understand. You have to understand.

"Hey," he says, hands raised to you placatingly, as if coaxing a spooked wild animal. The blood just makes his crimson gloves look glossy. He blocks your view of the body. "Hey, it's alright."

Your terror is palpable in the race of your heart and the sour smell of adrenaline coursing through you.

He reaches for you with the hand that isn't drenched in viscera, but before he can take hold, you beat him to the punch, throwing yourself into his arms, your own wrapping tight around his middle, hands clasping together beneath his cape.

Caught off guard, Homelander's arms hover awkwardly for a beat before he returns your embrace. He'd been certain that he was the source of your fear after a display like that.

"He just-he tried to kill me," you rasp, tears overflowing, spilling down your cheeks, wetting his suit further. "Yeah, yeah he sure did. S'alright, he's not gonna hurt you again," he coos, stroking your back with one bloodied hand, the other cupping the back of your neck. He kisses the top of your head as you cry, working the shock and fear from your system. "Ssshhh, shhshh."

Looking over his shoulder once, he lifts you up into his arms and takes off gently into the night sky, keeping you gathered close as he flies, carrying you far away from the mess spilled all over the pavement.

Not his problem. His focus is you.

With your face buried in the crook of his neck, he can feel your tears rolling down into the collar of his suit, can smell the sea salt sweetness of them. He's never let you see that side of him before. When the shock wears off, will you see the moment for what it was?

Will you realize how much he enjoyed it?

Landing on his balcony, your arms are still tight around his neck. Neither of you have said a word since take off. He's not sure where your head is, other than the fact your racing heart has slowed to a more natural—albeit still nervous—patter.

Inside, he sets you down gently on your feet. Your balance wavers, and he settles you with his hands on your hips, staining your clothing with smears of dark blood.

He's almost afraid of breaking the tenuous quiet, but he needs to know where your head is. When you glance away, are you looking towards the door, planning your escape?

His hands tighten reflexively on your hips, and your eyes spring back up to meet his.

"You okay?" He asks quietly, warily.

"Yeah," you say, though it's hardly convincing.

"You're in shock," he says, touching the side of your face. Enough of the blood has been wiped on your clothes that it doesn't transfer much to your skin. "You remember what happened?"

Maybe your distress will leave you malleable enough for him to shape the incident just right. Make sure that you remember first and foremost that- "You saved me," you say, cutting his thoughts short. "That man was trying to hurt me, and you... you saved me."

His brows lift, surprised to hear you say it first. "Yeah. Course I did."

"You were so..." You trail off, gaze moving along his features.

Apprehension prickles from his spine all the way up to the back of his neck. He's accustomed to being scolded for his brutality by Madelyn, or looked on with thinly veiled disgust by Maeve.

They're both long gone from his life now, yet he finds himself waiting with bated breath for your response, his throat tight under the gripping hands of the ghosts of his past.

"Amazing," you exhale, banishing his specters with the sweeping wind of your breath. "God, I've never been that scared in my life, but you reacted so fast. No one has ever protected me like you do," you say, cupping his blood spattered face in your palms, smearing it into thin pink swaths across his skin with your thumbs.

He breaks into a slow, pleased smile. "Well, you've never been with anyone like me before."

"No," you agree. He can still feel a slight tremor in your hands, your body still coming down from the adrenaline high. "And I never will."

That strokes his ego deliciously. He likes the finality in your voice, the dreamy way you're looking at him, even as the smell of blood hangs heavily in the air. He almost kisses you before he remembers he's got the blood of some random thug all over his face.

"I need a shower," he says, lips close enough that his breath teases yours.

"Me too. Guess we'll have to share," you say, feigning resignation.

He grins. "Uh oh."

In the bathroom, Homelander makes quick work of undressing, but you're faster. You're already in the large shower, steaming water pouring down from above. He steps in with you, letting the water wash over you both. The water turns pink as it carries the blood away, and then sudsy as you both soap and shampoo the mess of the day from you bodies.

Once he's rinsed, he slips in behind you, wrapping his arms around you and nuzzling into the crook of your neck. "I love you," he says at your ear, trailing kisses down to the lobe, to your neck. He loves the feel of goosebumps rising against his lips.

"I love you, too," you respond as you have a thousand times before. Maybe more. He stopped counting when he was sure you'd never stop.

"How much?" He prompts, hungry for more. Your praise and assurance after a moment of such uncertainty has only made him desperate for more. He wants to wring more pretty words of admiration from you, hear more of just how good he is to you.

He can't help but color your answer with a slip of his hand between your thighs, toying with your clit.

The touch earns a shivering sigh from you. "So much. More than I can stand sometimes," you say, leaning your head back against his shoulder.

"I thought you'd be scared of me after seeing what you saw... What I'm capable of," he murmurs, pillowing the reminder with deft, wet fingers. "Are you?"

You shake your head. "No, m'not, mmm... You'd never hurt me," you say, breath hitching as his fingers slip in further, fingertips stroking the lips of your pussy.

"Never," he echoes, his other hand slotting over your throat just to feel each noise you make. He pulls you back flush to his body, presses his hardening cock to the curve of your ass with his a shaky groan. "I liked it," you admit quieter, moaning when he slides his middle finger inside you. The confession stirs something primal in him, makes him growl out a rough little noise against your skin, grinding his cock into you.

"I wanted to rip his fucking guts out for touching you," he says, working another finger into you, savoring the slick, velvet feel of you around them. "For trying to take you from me." His words make your cunt quiver. He can't help himself, has to pull them from you just to taste you, sucking the nectarine sweet flavor from his fingers, rolling his tongue between them, hungry for every ounce of it.

He moans around his own fingers when you reach back and take his cock firmly in your hand, jerking him slowly. "I want you inside me," you say, your legs spreading slightly, back arching into him. "Touch me until yours is the only one I remember."

Fuck. Yes, that he can do.

You let go of his cock, and he wraps an arm around your waist, guiding himself between your wet, soft thighs. You close your legs, earning a breathy noise from him as he rocks between them, the warm, wet heat of your cunt a tease along the top of his cock.

"Take me," he murmurs fervently at your ear. "Wanna be in you, feel you, fuck you, make your pussy mine."

Shuddering against him, you reach down between your legs. Pressing your fingers to the underside of his cock, you push it up as he moves forward, the thick head of it catching on your entrance and splitting you open in one long, slow thrust.

Christ, you're so fucking tight. He can feel your muscles contracting, flexing, pulling him deeper. Your cunt feels made for him.

No one will ever take you away from him.

His right hand goes across your chest, cupping your left breast and rolling your nipple between his thumb and index finger while he braces you tighter to him. He rolls his hips slowly at first, relishing the tight, slippery pull of your cunt before he begins to pick up a proper pace.

"Feels good, doesn't it?" He grits out, the slap of naked skin against skin loud in the shower. "Tell me how good it feels."

"Feels like being fucked by the fucking sun," you moan, gripping his arms, useless for anything other than taking his cock when he holds you like this. "Hot, you're so hot inside me, and I can feel... I can feel you holding back, it's like you're vibrating," you say, voice catching with every solid thrust. "It's like... it's like getting as much as I can take from something so much bigger than me."

He doesn't know what he expected to hear, but it isn't that. The idea that you can feel the true gravity of his power behind each restrained thrust drives him wild, makes him want to give you more, but he knows he can't. Not without breaking you. Sweet, frail, human thing that you are.

If he could, he would break you apart, fuck you until you fall to pieces in his hands, and then he would put every single fragment back where it belongs, but he can't. If he breaks you, he will lose you.

He needs you to survive him.

"Fuck, fuck," he rasps, holding you that slight bit tighter, lifting you nearly off your feet as he arches his back, lifting and dropping you onto every thrust of his hips. "M'gonna come," he says, voice reedy. "Come with me, let me feel you. I know you're close, can fuckin' feel it. Touch yourself for me, sweetheart."

Immediately, you drop a hand to your clit, the tips of your fingers brushing where he's pounding into you. The touch must be electric because you jolt against him. "I am, I am," you whine, rubbing yourself, the pleasure making you squirm.

"M'gonna count us down, alright? And you, mmmgh, you're gonna come with me," he says, already fighting to hold himself back. Your cunt is only getting tighter the closer to release you get, making it hard for him to stay focused.

"Five... four," he manages to say, desperately holding onto his final tethers of control. You're beyond speech now, reduced to nothing more than desperate, needy noises as you finger your clit, not even bothering to try and hold yourself up while Homelander mercilessly bounces you on his cock,

"Three... two..." His words are strained, balls drawn up tight, cock throbbing in the slick grip of your cunt. He needs to come so bad it makes his toes curl, but he won't let go until he feels you coming undone.

"One..."

One, two, three more thrusts, and you're screaming his name, knees curling up, your whole body tightening like a vice. The spasm of your orgasm rips his clean out of him, has him gasping into the crook of your neck.

He comes so hard his vision goes white, every movement halting, his focus purely on the ardent pounds of his cock emptying deep inside you, flooding you so thoroughly that the excess spill back down his shaft, his balls, mingling with the hot water and making him shiver from head to toe.

When he can, he takes in a deep, shuddering breath, easing his hold on you, though not by much. You're all but limp in his arms, panting, head lolled back against his shoulder. He lets the water run on the two of you a little while longer, savoring the aftershocks of your release before gingerly slipping out of you.

Carefully, he rubs the water between your thighs, tenderly cleaning you, kissing your neck, your shoulder.

"That was..." You trail off, words half slurred, and then you just laugh softly, the marvel clear in your voice.

He laughs, too, his own voice frayed. "Sure was."

The two of you put as much effort as it takes to get dry before making your way to bed, slipping beneath the cool sheets and rapidly warming them with your bodies, Homelander's in particular. He's always run hot, and you seem extra appreciative for it tonight, wrapping your arms around his waist and snuggling into his arms.

"I love you," you mumble sweetly.

Homelander draws the covers up over your shoulders before slipping his arm around you, drawing you into the warm, safe circle of his arms. "And I love you," he purrs, gently rolling his knuckles up and down your back.

You look peaceful, he thinks, watching as you begin to drift to sleep. He's sure it helps that he wore you out so thoroughly, but still, he'd anticipated that the shock of the evening would still have you worked up. It could be that you're still processing, that the trauma will return in nightmares that follow you into the night.

Maybe the threat of a rat simply makes less of an impact when you're cradled in the jaws of a lion.

Regardless, should you sleep fitfully or peacefully, he will be here.

No force in this would can keep him from you.

[toxintouch]

yk how in veres likes on his character sheet it says he like cooking (badly)…… WHY HAS NO ONE DONE A FIC ABOUT THAT YET‼️⁉️⁉️ THAT SHOULD NOTTT BE A WASTED OPPORTUNITY. i’m not even joking im ab to send this to so many people because i can’t let this go to waste 😞

Here u are anon!  For the record, you are completely free to send this prompt around wherever you’d like!  It was such a fun idea, I’d love to see more takes on it. ^^

Warnings: Vere talking Innuendos? Innuendos.  So many, and I don’t guarantee that they are funny lol.  Just a general silly vibe and imo: absolutely  tooth rotting fluff.

‧₊˚ ⋅ 𓐐𓎩 ‧₊˚ ⋅SOUS CHEF ‧₊˚♡₊˚

You find yourself wandering through Lowtown during the lunch hour, trying to decide what sounds like a good meal.

Your mouth waters at the scents being carried on the breeze, a plethora of pleasant aromas wafting out of the eateries nestled inside the Amaryllis District, so fragrant that you can smell them all the way down on the bustling streets of Lowtown as long as you stay downwind.

However, if there’s one nice thing about knowing Leander it's that you also know you don’t have to go that far (or spend that much) for a delicious lunch. 

Near enough to the Wet Wick, there’s a series of side streets that make up an eclectic amalgamation of Lowtown and the Amaryllis District, and in it: a small and inconspicuous eatery.  The menu changes often, though you aren’t sure if that’s out of innovation or necessity, but the food is always filling and reasonably priced.

You follow the winding streets, getting lost for a brief moment before correcting your course, traveling until you see colorful chipped girih tiles and wide, clean windows.  You let yourself into the shop, the now familiar sound of hinges in need of an oiling welcoming you.  

There’s an assortment of goods on display–jars of honey and spiced fruit and loaves of braided bread with seeds–all kept safely locked away beneath an enchanted pane of glass.

Looking around, though, you don’t see anyone selling said fantastic wares.

You call out, expecting the shop keep or her wife to come running but instead you hear…silence.

Followed by a loud metallic clatter.

You freeze, unsure what to do, what the threat is–if there’s even a threat?–but before you can make up your mind, you’re greeted by a most unexpected sight.

Vere comes out of the kitchen area, his hair swept into an artfully stunning up-do that reveals the long line of his neck and clavicle, blemished only by the heavy collar locked around his throat. 

He’s wearing a weighty linen apron over his clothing, presumably to protect his outfit, though–his long gossamer sleeves are completely discordant with the notion, making you think that maybe the apron is more of an aesthetic choice.

“What’s this–?  A mouse?  In my kitchen?” Vere asks playfully as you continue to stare, dumbfounded.  He wields a spatula in his hand like a weapon–swatching it into his off-hand like a riding crop with a decisive snap.

“Where is–?”

“–The shop keep?  Wherever she pleases–the shop’s closed on Mondays.”

(You really don’t like the way he’s watching you…  Or the way he keeps inching closer…)

You take a step backwards, your eyes never leaving his.  “Oh,” you say, bandaged hands reaching blindly behind you.  “I didn’t realize.  The door was unlocked, so…”  You trail off.

You find the doorknob at last.  You attempt to turn it only to find that it won’t budge.

“Was it?”

Vere saunters up to you, tail swaying behind him.  You manage to tear your eyes away from his predator stare to search for possible exits, though you know for a fact you won’t be fast enough.   You look back and he’s already in your space, crowding you against the entryway.

(He smells really good, actually.  Like leather and spice and the subtle cling of perfume and incense.  And beneath that, something–earthy–animalistic, but in a way that’s intoxicating as opposed to unpleasant.)

“I was just about to make myself a snack–how nice that a snack came to me.”

“Stop playing around.” You try to steel yourself and inject the perfect amount of scolding into your voice while combating his heated stare.  “I know you’re just fucking with me to try and get a reaction; you and I both know you’re not going to eat me.” 

If he was, he would have done it by now.  Sometime within the weeks you’ve known him.  …Probably. 

Unless he just likes to play with his food.

“I didn’t realize you knew me so well,”  he says, looking amused.  “Perhaps I didn’t plan to, but now I simply can’t resist.  You look so absolutely delectable, how could I possibly contain myself?”

You don’t get the chance to reply.  Vere’s countenance changes suddenly–you watch his ears flatten a second before you hear the screaming whistle of a teapot.  His ears twitch in annoyance at the sound, his perfectly sculpted face showing a sour sneer.  He gives you a sideways glance, calculating.

“Then again.  I find myself in need of a sous chef.  Congratulations on your promotion.  Come along now.”  He hooks a finger into your cloak and pulls you easily into the kitchen.  (To be fair, you don’t struggle.  Anyone would want to see where this is going, right?)

He releases you once you’ve crossed over the threshold, waving his fingers uncaringly towards a second apron affixed to a hook on the wall as he beelines to remove a glass teapot from the stove and stifle the noise.  He moves quickly as you watch, casually throwing aside the spatula in his hand in favor of an ornate silver teaspoon.  He measures a vibrantly colored tea into the inlaid steeping container of the equally ornate teapot and takes a pleased inhale as the tea’s fragrance blooms, humming as he flips over a delicate hourglass to keep track of the steeping time.

There’s silence for a moment–

Him watching the teapot and you watching him.

“Well?”  He asks, without looking up.  You’ve seen this look before, you think – this pensive, almost lonesome look that makes your heart ache against all better judgment.  “Staying or going?”

He grins when you put on the apron.  You search his face for some sincerity, but he’s all sharp teeth and tall ears, covering any glimpses of deeper emotion with a sheen of smugness.  He circles you once you have the apron on, taking in the image.

“Mm, don’t you just look adorable.  Very domesticated.”

You’re pretty sure that the word he’s looking for is domestic. But of course, he knows what he said and he meant to say it.  You decide that he’s probably betting on your correction, already armed with a witty retort.  You smooth the apron down while pointedly looking away, deciding that you won’t give him the satisfaction.  You hear him chuckle.

Since you’re avoiding looking at Vere, you look around the kitchen for the first time.

It’s a spacious workspace–moreso than the storefront, even.  There’s a large iron stove unlike anything you’ve ever seen, covered with magical runes and dials, with a large hearth built into the belly of it.  A plethora of pots and pans have been placed on the burners, left to sizzle and pop in the red hot heat.  

Oil is singing from the heated, shallow basins but you don’t see anything cooking inside.  

There’s a slab of meat diced into neat squares and a heaping bowl of lumpy batter set to the side of the stove top.

“What are you making?”  You ask, trying to make sense of the scene.

“Panko crusted fish filet.  And there’s a pasta in the oven.  For dessert, I was thinking–” he gives you a sly look, one that makes your ears feel warm, “hmm, well.  I just had a much better idea in regards to dessert.”  He makes a show of licking his fangs, the movements of his tongue slow and sensual.

You think you tied your apron too tight; your airway is feeling a little constricted.  It seems to be getting worse the longer you watch.

You clear your throat, tearing your eyes away.  More ingredients, most partially prepared, and a host of dirtied pots and pans greet you.  You turn your back to him as you explore, fully engrossed in all of the views that the mess of a kitchen has to offer.  You’re almost afraid to ask: “So, what am I here to help with?”

“Oh?”  You don’t hear Vere come up next to you, but you feel him brushing up against you.  “Does my darling sous chef require…instruction?  A guiding hand, so to speak?”  You freeze, feeling his breath against your ear, shivers running down your spine at his light and teasing chuckle.

But then he’s breezing past you, making a wide dramatic gesture toward the large tome perched surreptitiously on the counter.  “Lucky for you, I’ve a recipe.”  His tail wags swishes elegantly behind him as he beams with pride.

His tail knocks the whisk out of the mystery batter beside the fish filet but he takes no notice.

Vere hops gracefully up onto the counter, reaching for the batter.  He does an impressive twist in order to grab hold of another whisk and you take the time to appreciate that.  Then, with Vere occupied and seemingly ignoring you, you take a look at the recipe book.  

The text is old and withered with the occasional dash of sprawling spidery script painting the margins.  (Said writing is utterly illegible–you’re actually not sure if it’s in a language you can read, though if you squint you think you can see something that looks like the word ‘cake’.)  The page it’s opened to is ripped in half, rendering precious steps of the recipe lost to time.  You spot a mysterious bite mark piercing through the corner of the leather cover.

And can’t stop yourself from surreptitiously glancing over at Vere.  He’s moved on from the batter (which looks as lumpy as it did a minute ago) and is now eating skewers of raw fish with his nails.

“You’re not supposed to eat while you cook,” you say, the time worn words out of your mouth before you can examine your personal stance on them.

“Says who?  Some limp dick?  No shame in indulging, pet.”

“You’re not even gonna have anything left to cook,” you warn.

“Hum, sounds like my sous chef should get to work covering them in batter instead of just standing there before I eat them all.”

You roll your eyes, but follow through with instructions.  The space is unfamiliar and your movements are slow and unsure with Vere looming over you from his perch on high, watching.

One of the pans of oil gives an ominous pop.  “Hmm, sounds like it’s hot enough,” says Vere.  “Move over.”

“Is that safe?”

“For me,” Vere says simply.  “And it’s faster.  Now stand further back or you'll get splattered–and not in the fun way.”  Idly, he tosses a batter covered filet into the shallow pan.  The resulting hiss makes you both cringe.

As if on queue, the hourglass for the tea gives a gentle chime, lighting up with a golden glow.  (You’re beginning to wonder how this humble shop can afford all these magical items, but then again this is the city of secrets.  You’re probably better off not knowing.)  Vere’s ears perk up, pleased.  He tosses the remaining fillets in the pan without a fuss, setting lids on top of each to contain the oil, acting as if doing so is going to stop any potential disaster.

Main course forgotten, he moves on to digging something out from inside one of the many cupboards.  “Be a dear and cut this for me, will you?”  He hands you a delicate peach before heading to the tea pot, stirring the contents and adding what must be a priceless amount of honey.

The peach in your hand is overripe but still vibrant–amazing, as you haven’t seen fresh fruit at all since you came to Eridia.  Your mouth waters anew as you remember what led you here in the first place–your quest for a meal–and you’re almost tempted to take a bite, follow Vere’s advice and sink your teeth in.

“My, my.  I’m almost jealous.  I thought you only looked at me like that.”

Vere shushes the denial from your lips, bossing you around regarding how he wants the peach sliced before shooing you out of his way and finishing his remaining tea preparations,with the look of an artist at work.  The tea is a warm oolong color, made only more alluring once the infusion of peach is complete.

It’s refreshing, too, once Vere serves it to you over ice.

You can almost ignore the great plumes of smoke coming from the oven.

Vere cooks how others might enjoy a leisurely stroll. 

Which is to say, he seems to be having fun, but you’re not convinced he intends on really going anywhere.  Still, there’s a rhythm to it–a dance, though he leads you in expected loops and turns, changes the tune at a moment's notice.  He’ll get bored of the task at hand and find some new spice to peruse, demand you taste test an ingredient or give your opinion on a dizzying new flavor he’s concocted.

(He manages to convince you to sample a bit of cucumber soup from the cold box.  You retch, proclaiming it salty, downing another glass of delicious peach oolong–

“I can still taste it in the back of my throat…!”–and he cackles wildly.)

Thick locks of hair are falling out of his up-do by the time he’s satisfied, framing his face and bringing your attention, again to the inviting line of his clavicle.  He tosses his loose hair over his shoulder, preening.

The recipe book is basically ruined, and the pasta is null and void, but some of the fillets look mildly edible.  The artful garnish is beautiful, at least.  The kale and orange slices really bring out the crispy burnt bits.  Vere seems to enjoy plating the food a great deal, humming and rearranging and circling the display until he deems it arranged to perfection.

He’s elegant when he takes a bite, biting down with a crunch.  His tail goes very still for a moment, then shivers microscopically as he chews.  He swallows in a manner that you can only describe as dignified, dabbing his lips with a napkin.  You wait in anticipation, but Vere says nothing for a long time.  Then, he quietly takes the old recipe book and throws it away.

Thankfully, he doesn’t insist on you trying it too.

You end up snacking on some of the pre-made goods, drinking the remaining tea and lounging at one of the shop’s cozy little tables.  The mood is light and easy, and the view is magnificent.  Outside, there’s nothing but trash littered streets and urchins, but inside…the afternoon glow coming from the window illuminates Vere like a sunset, painting him in dazzling shades of gold and red and bronze.

Vere hums, peering at you pointedly through his sooty lashes.  “So, dessert?”

You can’t imagine the look that comes across your face–whatever it is, it makes Vere laugh.

“What are you giving me that look for?  My intentions are pure.” His voice is a masterclass in syrupy false-innocence.  “As clean as Leander’s bed sheets after–”

“Please don’t finish that sentence and give me any mental images,” you beg.  “I have to sleep there tonight, I’d rather not know.”

“Ignorance is bliss.”  Vere agrees, closing his eyes and appearing to bask in the sun for a moment.  His face does something that you don’t quite catch–some hidden expression–but then, he’s smiling easily.  He must really be relaxed if he can still smile seconds after thinking about Leander.  You’re still admiring him when the shadows against the walls flicker, and suddenly he isn’t sitting next to you any more.

Instead, he’s returning from the kitchen, a tray in hand.

He sets it down in front of you, revealing an assortment of strawberries and an ornate silver porringer of what appears to be melted chocolate.  Vere sets it down on the table, plucking the small dessert spoon from the chocolate once he’s seated across from you again.

“Occasionally, life does offer up something sweet to savor–only for those willing to go out and take it.”  His tongue darts out to lick the chocolate off the spoon in his hand.  He maintains eye contact as his tongue laves across the basin and–embarrassingly–you think you get a little lightheaded from the intensity with which your blood rushes to your face.  The crinkles at the corners of his eyes tell you that he know exactly where your mind has gone.

Setting the spoon down, Vere instead picks up a bare strawberry, leaning in closer to press it gently to your mouth.

The chocolate is overly bitter–a little burnt, perhaps, but you can’t find it in yourself to care when you’re tasting the remnants of it on Vere’s lips.

(Before leaving, you plop a few coins down on the counter as payment.  You brought enough to cover your food…but definitely not enough to cover the mess in the kitchen.  There’s really nothing you can do about that.  

You hope you don’t get blacklisted.  You’d like to come back next Monday.)

Hope you enjoyed if you made it this far! ⸜(｡˃ ᵕ ˂ )⸝♡

[iridiss]

Aaron’s such an underrated character on Aphblr tbh. He’s become one of my favorite characters in the cast as I rewatch more and more of Mystreet. Aaron will tease you, but he’s also one of the best characters in the cast to go to for emotional support. He’ll tell you as it is, smack you upside the head when you’re being crazy and shake you back to rational normalcy, but then he’ll sigh and tell you you’re gonna be just fine and everything’s gonna be okay. He is the number one (and on occasion only) holder of brain cells in the whole neighborhood. He’s the most sensible, and often the word of wisdom/rationale, much more so than Katelyn or Lucinda or Zane or Laurance are. This can often make him come off as a serious character, but he’s still down to clown! He just does it in a different way!

He’s supposed to contrast Aphmau’s louder, more extroverted, playful, ditzy, eccentric personality, by being quieter, more rational, more responsible, more cautious and careful, more reserved, a word of wisdom to contrast her crazier, chaotic energy and pranking and punning and ponies and general whimsical tomfoolery. But that does not, by any means, mean that he is not participating in the antics. Just because he’s the only one who thought to bring a first aid kit and a safety harness doesn’t mean he’s not jumping off that cliff with everyone else in this crazy cast. You tell him to dig, he’ll bring shovels. He may sigh or say “oh god not again” when shit goes awry or the gang decides they are Dead Set on doing something insane for the 10,000th time, but by god he will commit. Aphmau kidnaps a baby and goes on a mad chase for a comedic bit, and he never complains about how “stupid” and “reckless” and “obnoxious” his girlfriend is, he just says in a completely calm tone, “Now if you’ll excuse me, I need to go save my girlfriend.” And he chases after her immediately lmao.

Aaron enables the antics and participates in them, and if you rile him up or challenge him damn well enough, he will throw himself into the group antics with an unbeatable, fiery fervor. If the boys decide they’re all gonna pretend to be Santa and his elves in order to cause prankster-variety chaos one day, Aaron would join in and go right alongside them. He’s here to make sure it all goes to plan. He’s here to make sure you don’t break any bones when you jump off that roof like a madman. He’s here to help you run away from the cops, help you break into the building. He may chide you for doing it in the first place (“do you even know what you’re doing?!”), and if needed he may drag you back home if you’re barking up the wrong tree and it’s nothing but detrimental to you, but if it’s viable for the bit, he absolutely will show you how to break a window correctly.

And he can be a little shit if he wants to, too!! He can snicker at you and tease you and make quips, and I bet if Aaron himself dedicated his energy to it, he would make the best of pranks. He’s not an asshole that’s full of himself and too serious and stoic and cool for being silly, he’s not a whiny bitch, he’s actually very incredibly supportive. At times, much more so than Garroth, Laurance, Zane, Katelyn, etc. He’s reliable, he trusts Aphmau a lot, he knows how shittily Aphmau cooks and still does his damndest to support her, and he will force himself to eat her biohazardous cooking just to make her happy. He is the chef of the household. He’s good with animals, animals love him. He’s a kind guy!!! He’s just got his own unique energy and vibe to him, that no one else in the cast really has, and I really appreciate that core trait of him. He’s a grounding character. He’s probably got his own ways that he’s weird and eccentric that are a lot more hidden than Aphmau’s. If we didn’t have Aaron, the entire neighborhood would have burned down ages ago, ten times over.

I genuinely do believe he’d make a fantastic dad, being a combination of a soft and gentle and tenderly loving man, and responsible enough to always bring safety helmets and bandaids and snacks, very supportive of his kids development, emotionally available as a great source of genuine advice and wisdom while still getting plenty of encouragement. He would probably want to make an effort to be a very different parent than his father was, and since he was emotionally neglected as a child, he would refuse to do anything similar to his own kids. He’d be a good influence (and Aphmau would be the bad influence LOL)

He’s kind of a teddy bear of a man <3 If he weren’t so heavily wolf-themed, I’d say a bear would be the best animal that’d fit his personality and energy. He’d protect you like a bear, he can be really fucking terrifying if he wants to, but he’d only use that power to make sure Aphmau gets what she wants and needs to make her happy. He’d never use that terrifying intimidation factor of his on his friends and loved ones, never as anything more than a single look that has a derailing Garroth/Laurance/Travis/Dante/Gene/etc. get right the fuck back on track and start backpedaling, like if they started saying or doing something careless or stupid that made Aphmau feel worse. He’s quiet and reserved with that tired, grounded, solid energy of a bear. He’s a big guy. But he can also be really soft and supportive and sweet. He takes more time to come out of his shell and let down his walls, but when he does, he really dedicates his life to the few people he manages to trust. And it’s that thick outer shell that makes Aphmau a good match for him, because she’s kinda the only character in the cast who’s able to bring him out of his shell so easily.

She’s kind and extremely friendly, unstoppably and unendingly so. She’s sweet and naive and selfless in the way that proves to Aaron that she’s not trying to get anything out of him, she’s not lying to him, and she would never neglect him or just…abandon him like a discarded toy once she’s through with him. She’s not scared of him. She sees the best in everybody, and sees that there’s something more underneath that scary, prickly outer shell of defenses that’s managed to push everyone else away and keep the likes of Laurance and Garroth and Katelyn on their toes. She sees what no one else does, she sees the true beauty and the kind heart he has underneath. Even in MCD, when he’s literally held a sword to her throat and threatened her life multiple times, she can still sense that he’s full of shit and there’s a kind heart underneath, and if she does a little cultivating, extends a hand of gentle kindness and genuine affection, a kind of love and affection he’s never really seen before and been starved of all his life… it works wonders, and he steps out to meet her. He changes, drastically, because she sees the best in him, and that makes him want to become the best version of himself that he can be, for her. Where he might hate himself and grapple with feeling unloveable, Aphmau is there to remind him none of its true. And so he tries to keep her nightmares away in return, sticking by her side, taking care of her, cooking for her, encouraging her to keep doing everything she does best, defends her against the bullies that make her feel like she’s not good enough, and takes her by the shoulders to remind her that she is good enough, and all the voices out there and in her head that tell her she’s not are full of shit. Because he knows first-hand, better than most, the good things she brings to those around her and the wonderful presence she is in others lives, and how wonderful she is as a person. He trusts her. He’s here to guide her along in her path to becoming her fullest self, to give her that last big nudge to boost her along the way. Likely on a cosmic level, mainly, with her becoming Irene.

He’s very sweet, he’s sweet to Aphmau, Aphmau’s even sweeter to him, and genuinely I’ve learned to love the big, fluffy guy and I really appreciate him and his impact on the other characters the more and more I see of him. I don’t really know how I would enjoy Mystreet or MCD or the Aphverse without him. If he were real, I would love to give him one big hug, I bet his hugs would be amazing (topped only by Garroth’s rib-crushing bear hugs)

[derpycatsu]

opened my 3ds for the first time in months and continued my pokemon Y game and well. i havent really put it down. so here are some sycamores :) i think he is very cute

[tmos-time]

hi

so uhhh this line in your erisol understuck post "not getting into all the ELABORATE thoughts i have on how the geno route would go"

…………can we have some of it????I'm dying of curiousity ever since I read that post lol

also just to let you know that your aus are all very fabulous and they live in my brain rent free all the time. i was wondering do you mind fanart??

aww thank you, i don't mind at all! would love to be tagged if anyone makes any <3

as for the understuck geno route; here's a loose plot path for it!

basically, the plan would be to have a split in how the route could theoretically go; a normal version of the route following close enough to undertale's canon events with the characters given, and a secret route for speedrunners because sollux deserves to have a proper battle at the chagrin of people trying to speedrun LOL

[quatregats]

Something I've been thinking about is how Patrick O'Brian manages so skillfully to write characters whose actions contradict their beliefs, which I think is honestly a big part of why his characters feel so real. Mostly with Stephen and Jack—e.g., and perhaps most notably, Stephen has notably leftist sympathies (honestly I have no idea how to characterize his politics in period terms) who nonetheless becomes very comfortable with his rise to the landed gentry, while Jack is a card-carrying Tory who much of the time sympathizes far more with working class sailors and farmers than with the upper classes—but I'm sure he does it to a lesser degree with some of his minor characters (James Dillon, while perhaps not precisely minor, comes to mind), and I love that he's able to do that, especially the way in which he embeds it in the narrative. We see how they're all unreliable narrators of themselves; we understand how they want to be seen and how that does and doesn't coincide with the reality, but most importantly, this isn't presented as something reprehensible, just as a part of their own humanity. They are not their expectations for themselves, but they don't need to be those expectations to be beloved.

[carlyraejepsans]

Do you enjoy underfell? I thought you disliked aus /genq

i don't dislike the concept of AUs itself, I'm just not a fan of like... the subculture that spawned around them in the UT fandom specifically and how it eventually took over almost all canon content (especially when it limits itself to the bros)

i like aus visually! i am an artist at heart after all. it's just that, if I'm going to care about them as stories and not just fun design ideas, my bar is uhh almost impossibly high the further you move from canon lolol.

[madbard]

Sanctity

A Killer Sans story.

Every child dreamed of the Angel.

When Sans was young, he had imagined it as a skeleton, beaming with all the radiance of the stolen sun. Each evening, he kneeled beside his father and whispered the poetic words of prophecy, voice faltering at first, then growing steady as the tale of the Angel settled firmly into his skull. Later, he would kneel with his brother while his father vanished into the lab. Each night, he dreamed of the moment when the Angel would tear down the barrier, at last letting the bright and deadly sunshine in.

Everything could be attributed to the Angel. If a monster was successful, it was because they had a place in the prophecy, an important role which would contribute to their eventual freedom. If a monster fell down, it was because they had failed, somehow. They were not the Angel’s chosen and would never be free.

(Did Sans have a place in that prophecy? If he was chosen, then why was he so fragile? Why would it be so difficult for him to make it to that future? Sans had asked his father that one night, after their prayer. Nothing would ever break that silence.)

When Gaster’s final experiment went up in flames, Sans imagined it made a light brighter than the sun. He imagined its light was like the palm of the Angel, taking his father with it – or casting him, finally, into the infinite darkness of the earth. He spread his father’s ashes on the remnants of the lab and then, as an afterthought, on his younger brother’s scarf. He laughed at the funeral, quietly. He shook the chill hands of fear and doubt from his soul. He had faith.

(Some monsters whispered that the prophecy had been interpreted incorrectly. They whispered that the Angel would indeed free them – that their dust would one day mix with the river and thus find its way to the ocean. Sans ignored them as best he could.)

When Sans was young, he had imagined the Angel as a skeleton. But lounging at his post one day in early adulthood, he was surprised to see it take the guise of a child. He was even more surprised when no one else seemed to see it for what it truly was. It turned to him, looked him in the eyes. Then raised a single finger to its lips.

Sans followed the Angel. He watched it navigate through each encounter with kindness and grace. He watched it befriend his brother, the captain of the guard, the royal scientist, and even the king. He watched it destroy the barrier and finally baptize his people in the all-destroying light of the sun. He felt its eyes upon him, and in that moment knew the gaze of something truly unlike himself. Come and see, those eyes said. He saw the prophecy come true.

He stood with his brother in the light of the Angel, the light of the long-awaited sun. For a moment, he thought himself in heaven.

Then he woke in hell.

That first time, he didn’t even see the Angel arrive in Snowdin. His eyelights flickered slowly as he wandered the icy streets in a daze. The air was still, and thick with a scent he refused to recognize. They had escaped, hadn’t they? After years of prayer and service, monsterkind was finally free. His mouth curved around a quiet, desperate prayer. This had to be a dream…

Just outside of Snowdin, he found his brother’s scarf.

Funny, how these things worked. Sans’ first impulse was to find the Angel. Something had gone wrong, certainly – something had gone terribly, terribly wrong. But he had seen the Angel treat his brother with kindness. It would have protected him… right?

Perhaps he already knew…

“Sans.”

Sans spun around, gripping Papyrus’ scarf. The Angel stood behind him, eyes almost as wide as its smile. A silver knife glinted in its grip. His whispered prayer froze as his eyes went dark. He stood still.

“what happened?”

“Nothing much. And everything.” The Angel stepped forward. “Give that to me.”

“where’s papyrus?”

“Free.” The Angel took another step forward, and Sans felt a chill creep up his spine. “You remember being free, don’t you?”

“i…”

“Don’t you want to be free again?” This time, Sans didn’t have time to respond. Its knife had already slashed through his chest.

The second time, Sans woke in the early hours of the morning. He took a shortcut into the woods, stepping onto the abandoned path which led to the hidden door. Even so, he didn’t quite understand. Even so, he didn’t quite believe. Fear made a nest in his ribcage.

This time, the Angel killed him first, separating his head from his shoulders, and Sans woke up back at home.

If a monster fell down, it was because they had failed, somehow. Sans fell again and again. Each time he died, the Angel would say something different, something new. It spoke of the sun’s rays, the way they warmed at first then burned and bleached and ruined. It spoke of the sins of the surface, the suffering of the Underground. It spoke of an endless loop, from which they would never be free. “Better to end it now,” the Angel whispered, wiping blood from its blade as Sans crumpled to the ground.

The loop continued endlessly. Bit by bit, Sans stopped praying.

The loop continued endlessly. He began to fight back.

The loop continued endlessly. The angel’s words changed.

“Do you know the difference between an angel and a god?” the Angel asked once, after Sans dodged its blade. Sweat dripped down his skull, and the air seemed to frost his ribcage as he gasped for breath.

“sorry. i god no idea.” The knife whistled past his ear, and a hushed “angel’s sake” escaped his mouth before he growled and swallowed the word.

“I’ll give you a hint.” It attacked once more, and this time it didn’t miss. It walked over to his dissolving form and whispered to him. “An angel is a servant. A god serves no one.” It stepped back. He died.

This time, the Angel approached him with an altogether different kind of smile.

“But what is a god without an angel?”

Sans said no in every way he could imagine. Loop after loop, death after death. He joked and danced around the question. He sent another attack. At his lowest, he pretended he hadn’t heard.

“Angels live forever.”

“when everyone else is dead?”

“Angels are never alone.”

“i wouldn’t be alone if it wasn’t for you.”

“Angels are powerful. They are beautiful and loved.”

“heh, that’s kind of a loaded comment, isn’t it?”

“Angels know their purpose.”

“what would a lazybones like me want with a purpose?”

“Gods are tireless. I can keep going forever, and nothing will ever change.”

“…”

“You were made to serve me.”

The funny thing about prayer? Repetition makes it meaningless. There is performance to it, certainly. There is what prayer symbolizes, there is the essential power of routine. But once the words become instinctive, the meaning can’t help but diminish. After enough repetition, prayer becomes little more than muscle memory for the weary. And when the weary recite it, how then can they hope to see God?

Sans kneeled in the hallway, bones aching, magic all but spent. Somewhere before this moment lay the memory of the sun, the way he had rested in its blinding light. Even before that, the echoes of evenings spent in prayer with his father, torn carpet barely cushioning his bones. Those memories were lost now, or buried. So many deaths – had there truly been anything before this? Could there ever be anything after? Sans didn’t know. Eventually, he no longer cared.

“and if i said yes?”

It paused and stared at him. A chuckle started low in its throat, stopped just behind its teeth. Sans wished he could feel a twinge of anger or fear at the sound. He just felt tired.

“Just for one round. Just to try something new.”

“somehow i don’t believe you.”

“Somehow, I don’t think that makes a difference.” The god stepped forward, knife glinting in its hand. Sans closed his eyes, waiting for the final blow. Instead, he felt the warm handle slide into his skeletal grip. “Go forth, my angel. Do as your god commands.”

There was a momentary darkness. He woke at the foot of his bed, hands folded. Eyes dark.

When Sans was young, he had imagined the Angel as a skeletal figure. After maturing, he discarded that image as a figment of childhood’s vivid ego. For a moment in time, doesn’t every child worship a god that looks like them?

Sans was not a god. Through the snow, the water and the flame, he became the angel of death. The flash of his knife answered prayers, scattered dust in the river that it may one day reach the ocean. He remained by his god, always. He watched, as if outside himself, as his knife found the faithful and the faithless alike. He watched his brother die.

“That prayer, in his final moments – you know, before he forgave and spared you. Didn’t you teach him that?”

“…”

“Aw, don’t be like that. It’s hypocritical when you’re the one that killed him.”

“shut up.”

“Ooh.” The god smiled and leaned forward. “But it’s new, isn’t it? Isn’t it better?”

“no. no, it isn’t.”

“Hm.” The god nodded. “Do it again.”

The funny thing about prayer? Its meaning is only found through repetition. Sans scoured through the Underground again and again, knife faltering at first, then growing steady as the path of the Angel settled firmly into his skull. He made a sacrament of death, and his god glutted itself on the dust in his path. He became something truly unlike himself – did that now make him holy?

Holy enough, he decided, waking among flowers with his soul burning bright outside his body, a strange tarry fluid dripping from his eyes. Holy enough for this.

It seemed to know what he was planning. At least, it didn’t look surprised when he brandished his weapon. Nor did it fight back. It only spoke. “You know, you were nothing before me. And you will be nothing after.”

How easy, to kill a god. In the end, how stupidly simple. The Angel laughed as he killed his god with its own gleaming knife, and it laughed too, bright blood staining its teeth.

“i killed you.” The Angel giggled. “does that make me god now?” The god lay still. Its chest had stopped moving a long time ago. The Angel finished his prayer anyway. He had to be certain. “actually, nah, not sure i like that… hey, i’ll figure it out.” The Angel rose to his feet, staggered a bit, then bowed his head. “go to hell.”

What is an angel without a god? From then on, the Angel drifted from world to world. He recited prayer as he always did, utterly divorced from meaning. His knife brought whatever his victims chose, and he learned to see the afterlife in their dimming eyes – the reflection of paradise or punishment, a final acknowledgment of the waiting dark. He laughed in the moment before a creature crumpled to dust – something about it made his soul sting, sharply. It made him feel alive.

Sometimes the Angel would glance over his shoulder, searching for his god’s approval. When he caught himself doing this, his posture would stiffen suddenly, and he would cease his prayer. In those rare moments, a victim might escape. In that way, news spread through the multiverse of his arrival – though ‘Angel’ was not the word they used.

Even to the multiverse’s darkest corners, the Angel slowly became known, and this filled certain people with a cool excitement. Gods watched on and wondered where his allegiance might fall. But this Angel had little patience for deities.

“Aren’t you just fantastic!” The Angel paused, then straightened, turning through the snow of decimated universe to face a small, skeletal figure, dressed in a stained scarf and splattered with ink. “A Sans who no longer believes in anything, but still sees himself as the Angel! A Sans for whom death has become prayer, because prayer never led to anything but death. Odd, definitely – I’d guess your creator was feeling pretty ambitious when they made you…” The skeleton tilted their head. “I’m not sure they succeeded.”

“who are you?”

“Ink! God of Creation. You see, I helped make this universe, so… whoa there, let’s not be too hasty!’ The Angel had raised his knife and taken a smooth step forward.

“god, you say?”

“Hm. Maybe I shouldn’t have said – wow, you’re quick!” Ink swung a massive brush through the air and the Angel’s knife skittered across the brushstroke’s obsidian surface. “Look, sloppy or not I think you came from a place of real excitement and love! I’d like to –”

Ink never finished his sentence. Blinking, the Angel darted around the obsidian shield and raised his knife to stab this god in the chest. He managed to spill a vial of red paint, so much like blood that he smirked, believing for a moment that he had already won. Retribution was brutal and swift.

The Angel no longer felt fear. His god had cured him of that, through the endless resets. Still, Ink’s rapid-fire attacks quickly had him on the defensive, constantly dodging and side-stepping to avoid strike after inky dark strike from the god’s strange weapon. Each time he brandished his knife, he was ambushed by a new attack from a new direction, all coinciding on his form as he struggled to fight back, struggled to survive.

Was this the true power of a god? Something cold settled in the Angel’s soul, causing it to fizzle. He began to seriously consider retreat.

But to where?

The Angel tried to step into another world, but Ink was on him the moment his portal closed, taking advantage of the snow’s blinding afterimage to dig a painted blade into his back. It was dark here, and cold – far colder than Snowdin ever had been. Another blow, and the Angel’s soul shuddered again. This time, he felt fear.

Was this it? Was this where he died?

Another blow.

Perhaps this was right. Perhaps this was what he deserved…

Another blow and sparks flew from his soul, igniting terror and pain. This time the Angel screamed. This time, his mouth shaped a word he’d sworn to never say again.

“ANGEL!!!”

Ink lunged forward, but before his final blow could land something warm and strong gripped the Angel’s ankle and dragged him into the infinite darkness of the earth.

When the Angel woke, he imagined for a moment that he was dead. His sockets could not focus because there was nothing to focus on – the world seemed to have vanished into a brilliant white expanse. He lay there, soul burning, weeping black, emotionless tears. A minute? A year? If the figure hadn’t spoken, the Angel might have lain there forever.

“Greetings, little angel. I’ve heard a lot about you.”

The Angel leapt to his feet. Across from him stood a strange, dark figure. At first, he might have guessed that it was a skeleton – but a tarry black fluid not unlike the Angel’s tears covered every bit of the monster’s body, leaving only a single teal light to stare into his sockets. The Angel might not have recognized Ink’s power, but he could feel this monster’s strength – could feel it in the way the very air seemed to bristle against his presence. This was no mortal. This was beyond anything the Angel had seen.

“what have you heard?”

“In general? Ah, little one, that would require some time.” A fluid black tentacle slipped from the creature’s spine and wrapped around the Angel’s shoulders, immobilizing him. The Angel was still. “But you were asking what I had heard about you. So I will oblige. I have heard that you are a harbinger of death. Some have gone so far as to call you an angel, but I know better than that. After all, what is an angel without a god?”

“i already killed my god. i don’t need another.”

“I do not desire your worship. Besides, there is a title which suits me far better than god.”

“what do you want?”

“A fighter. Someone with little respect for the likes of Dream and Ink, who would aid me in destroying my enemies.”

“you want me to kill gods for you? i would do that anyway.”

“Well then, little god-killer. I have a place for you, if you’ll take it.”

“…and if i say no?”

“Then I shall leave you in the first universe that opens up beneath our feet. You will be free to cause whatever destruction you wish. But if you choose to follow me – oh, you will see and experience far greater things than you could ever imagine.”

“somehow i don’t believe you.”

“Very well. You may return to your dreary existence. But you are limited when you fight alone. You will be more powerful at my side.” The figure extended a tarry hand. “I am not like the other gods. I have no need for angels. But you aren’t exactly an angel anymore… are you?”

The god killer stared at the dark figure, stared at his extended, toxic hand. The dead grass beneath his knees felt like torn carpet. He remembered a different hand, a hollow palm. Prayer was simpler then. The words didn’t yet matter, not like his father’s cool hand on his skull, not like his brother’s chirping voice. The angel wasn’t present in that space. It was only them.

His soul flickered.

“no.” Killer rose to his feet, meeting those deadly teal eyelights. Viscous black fluid burned into his hand. “i’m not.”

The prophecy was fulfilled. The Angel was dead. And for the first time, a prayer was granted.

End credits music:

[sun-e-chips]

Idk if you've been asked this yet but if you haven't...

does the water park have underground tunnels? Like Disney level underground? Or not? because I know Disneyland uses them to allow cast members to get to their areas without being seen in clashing ones to "preserve the magic" and all that fun stuff (apparently they are longggg walks)

i was just curious if the park had them, and if so would underground races (literally) occur?

Hello hiiiiii @buzzybee3 !!!!!

Interestingly enough in a way the waterpark DOES have underground tunnels but not quite like what Disney has. It’s a water drainage system for all the slides and pools. This way if any “incidents” happen everything can be properly drained and sanitized, and the boys figured out a way to run a water reserve for these exact instances so the watery attraction can be up and running in no time. But everything is still regularly filtered and sanitized regardless, the reserve is just for emergencies. Nothing really for the boys to traverse the park in.

Walking around Sun, Moon and the Tikis freely roam the park as they please so in a way their always in character, but still fairly genuine. (no need for backstage paths) You bringing up cast members made me really want to dive into what life is like for the boys around WB:D

Im trying to think how best to describe Sun and Moon and their work vs leisure time around the park and resort … hmmmm

Though Sun and Moon co-own Waterspark Bay and split up the work, they do favor particular roles.

Sun: More of the financial and legal responsibilities, he handles the business side of running WB. (its all self taught, this stuff is very fun and interesting to him, which is great because it eats up a lot of his free time after park hours). Sun also makes a lot of the big decisions for the park, one example being the major reconstruction/renovations made to Waterspark Bay.

Moon: Very similar to a manager, he manages his team (the tikis) and schedules, the leader in the day to day operational decisions. Most things are reported to him (Moon is the behind the scenes leader, he does a lot of multitasking with meeting guest and park needs throughout the day) My boy is a stickler for safety and rules but having said that he knows how to break them. (What a hypocrite)

(Typing this I’m just now realizing the irony of Suns heavy working hours being at night while Moons is during the day… wow)

The Tikis fill the role of the employees; guest services, cleaning, maintenance, security, all the staff needed to fill those other roles in running a themepark and resort .

The boys still do a lot of guest interactions throughout the day though because they love it! This is where they started, this is the heart of everything they do, connecting with people and making their vacation as magical as possible. It’s the best way to find out what needs improving and to catch issues in need of quick fixes. They want to make that connection with you because it matters to them that you are enjoying yourself and making great memories.

As far as they’re concerned the money that comes from the park is money that goes into bringing a smile to your face!

…

Ok leisure

The boys do follow a schedule, but for the most part they walk around throughout the day wherever they feel they’re needed. They have the luxury to take a break whenever because they are comfortable and confident in the routine they built and if needed Sun and Moon could take an entire day off because the Tikis get the drill. (Moon would probably still be peeking at Tiki updates because he just can’t help it)

Yes even if they were on a break guests will still approach them wanting to talk, ask questions or take photos but they don’t mind they’re always happy to interact. (If the boys really wanted a break they know how to get it, empty resort rooms, in-between closed dinning hours, low guest traffic times, staff/maintenance areas etc.) but I would say they do most of the approaching to guests, people walk up to them maybe around 15 times a day which isn’t a lot. And guests typically don’t approach if Sun or Moon are currently talking to someone. *wink *wink

(Thank you so much for your questions and letting me ramble haha)

[incesthemes]

happy wincest wednesday!! i'm curious about what you think might happen to sam and dean's relationship in a world where they never find john in season one (eg. azazel kidnaps him to take him off the chessboard, he dies on an obscure hunt without lining up the clues well enough for s&d to follow him, etcetera). where would that major lingering question leave them? in terms of wincest, do you think john's death was necessary to "allow" them to act on their codependency, or would his absence push them together regardless?

OK please excuse any typos, i AM writing this with a cast on. anyway HAPPY WINCEST WEDNESDAY!!!!! this is such an awesome prompt, you've definitely got me thinking.

based on my understanding of seasons 1-2, john actually serves more to drive sam and dean apart than being them together, mostly in the way he serves as a symbol for sam and dean's fates, which are diametrically opposed. by pursuing john, they are pursuing the fates given to them, and those fates dictate a retelling of cain and abel: dean is supposed to kill sam, who has become a monster. it's only when they abandon john that they can avoid their destinies—which is why, in season 2, dean is successful at avoiding his fate (for the most part, starting from 2.09), but sam is not. sam, rather, is following a path he believes john would have wanted for him by continuing to hunt (he completely made this up in his head which is still so funny to me), but in reality pursuing the hunt continues to push him down the road azazel wanted for him. and this is why, during their "honeymoon" phase circa 2.10 to 2.17 (and ambiguously continued into 2.20), sam is the one driving most of the conflict, while dean takes an emotional, supportive role to reassure sam that he doesn't have to succumb to fate. dean has, in these episodes, fully abandoned his fate, while sam still clings to it and introduces doubt into dean's mind through his own self-assured convictions. and this is paralleled by dean fully abandoning his father and the duty john saddled him with, and by sam wanting to honor his father by continuing to hunt down azazel (and hunt in general).

and we see this in season 1 as well: every time john makes an appearance in some way, it furthers the plot. and the plot is sam's fate (dean's fate isn't truly introduced until season 2, and so dean exists sort of ambiguously and as a result lacks narrative agency throughout season 1; his decisions make no impact on the story and sam alone drives the plot forward). john is a symbol for azazel, functionally speaking, and azazel is a symbol for sam's fate. john is azazel is destiny. thus why sam and john are so deeply paralleled and intertwined: they all come to reflect the same thing. in this way dean is the true outsider to the conflict pertinent to the story, and he's treated as such throughout the first season. he makes his mark instead by parroting john, by becoming his mouthpiece in his absence. his own individuality is constantly pushed to the side and suppressed until 1.18 allows him to finally move forward into some semblance of personhood, which is what he needs in order to finally defy john in 1.20.

i just realized this is a lot of context and not an actual answer lmao but basically all of this to say, i don't actually think john's death was necessary for their codependency. it took root in them around 1.11, long before they actually "found" john in 1.16. and it was 1.18, an episode which had little to do with john directly, which allowed dean to break out of the mold he had forced himself into. the act of choosing each other, specifically over john (who represents fate), is what allows them to achieve codependency. the moment where they choose to exist in a codependent relationship indeed is one where john is still alive, in the season 1 finale. sam chooses dean over john, in doing so abandoning his fate, and they solidify their deeper connection. it is in fact john's death which causes sam to falter in this conviction because of his desire to honor john's memory (again by just making shit up in his head about his father. i love him), and this decision has massive ramifications throughout the rest of the season.

if, instead, they simply lost john and never found him, i think a lot of the john-generated conflict would have been avoided. and john generates a lot of conflict for someone who shows up in just a handful of episodes, because he is a symbol of destiny for both of his children, pressuring them in equal amounts but in completely different ways. without that pressure looming over their heads, i think pretty much all of the conflict in season 2 could have been avoided: sam wouldn't feel the need to keep hunting azazel despite throwing away his fate and likely wouldn't be so resistant to dean's persuasions; dean wouldn't be torn between duty to his father and duty to his brother; john's memory wouldn't have caused the problems it did in the first half of the season (especially 2.02-2.04). assuming the rest of season 1 played out roughly the same even with john's absence, it would stand to reason that they would still choose their codependency, and they would settle into some kind of fucked-up domestic bliss—probably continuing to hunt small-scale until azazel inevitably forced their hand anyway (tenacious bastard). sam giving up on his revenge quest would settle most of the enduring conflicts in season 2, and sam only doesn't do that because of john's death.

of course, this makes the assumption that abandoning john is still their active choice. i think that's a reasonable assumption to make because they had begun the process of extricating themselves from their father way, way before john ever shows up or before the end of the season where they achieve codependency. for dean this looks like rebellion, defiance against the iron grip john has around him. and for sam this looks like forgiveness, which he steadily accomplishes across season 1. by 1.20 they no longer define themselves by john but by each other, and it's a mere two episodes before they make the final plunge into each other. it has little to do with john and much more to do with themselves and their interactions, their natural conflict and their unique resolutions. giving up on finding dad seemed to already be something dean was working towards by the time john showed his face in 1.16 (he was resistant to pursuing john single-mindedly and preferred to focus on the smaller hunts, both out of deference to john and out of his own desire to save people), and sam's gradual forgiveness of john began as early as 1.08. so really it was specifically his absence that allowed them to come together, because the groundwork for their extrication began without john and it bloomed despite john. he is the axis around which they are turned, but it is the process of overcoming him which allows them to choose each other. they replace their father with their brother (and in 2.03 sam even offers to replace john very, very literally, by "filling the hole" john left behind in dean) and this replacement—literally, as their father and the man who raised them, and figuratively, as the symbol for their destinies—is the foundation of their codependency.

at the same time, this doesn't exactly look at the potential conflicts that would arise with john's absence. there would be little plot movement without him there driving them forward; they would remain stagnant, and that stagnation could disallow the blossoming of their codependency through a lack of choices and decisions. it is of course the deliberate choosing of brother over father which inevitably drives them closer—in 1.11 it's sam choosing to save dean instead of finding john; in 1.16 it's dean choosing to send john away instead of braving the world together; in 1.20 it's sam and dean both standing up to john in equal measures; in 1.21-22, it's sam choosing to let azazel escape. without john exerting pressure on them, sam and dean sit comfortably without moving, together but with a marked distance between them. which was exactly meg's plan in 1.16: they weren't moving fast enough for her liking, so she used john as bait (the three of them were mutually bait for each other, rather) to force them to make decisions.

so it's sort of a double-edged sword. they steadily come together and twist themselves around each other without john there to drive them apart, but at the same time it is john's active presence which allows them to take definitive steps toward their desired state of being (codependency). without the pressure john exerts on the narrative, their progress is slow, and they're too nervous to make those drastic leaps from step to step without some external force pitting them against each other. in that way they're a little too comfortable with each other (a lifetime together will do that for you), and they have to be unavoidably forced out of that comfort in order for them to commit to anything. john is both the driving force for their codependency and the wedge hammered between them, which sums up his narrative role so poetically if you ask me.

so like, tldr (seriously), i think if john went missing and they made the active choice to stop looking for him, they still definitely would have the potential to achieve codependency, but it might take them a much longer time to do so, especially with azazel's meddling (because he, of course, wants them to kill each other—that's their destiny after all). without something to rotate around, they risk stagnation, but it would likely be a comfortable stagnation with steady, if slow, progress toward a better, closer relationship. i wouldn't say the end product would ever be healthy though, because it's clear early on that their ideal relationship with each other is that of codependency, and so they are constantly striving for that end goal. and like, thank god for that, idk what i'd do if they were normal about each other 💦

[aka-indulgence]

for the ask game... 🎩 :3c?

Oughhhh my brain…. theres so many vague ones from my childhood that I have to remember… oh, I’ve got one that definitely put me through a wringer of emotions I didn’t understand at the time fjhdkshfd

The Green Death from the first How to Train Your Dragon book!! (Fun fact it was and might still be my favorite book series of all time. I definitely have fond memories of it.) The Green Death also one of the guys that changed my brain chemistry forever (Giant threatening dragon. Giant monster. Oof)

There’s no pictures of him I can find 😭 but there were illustrations in the book. He’s a Seadragonus Giganticus Maximus, and he’s so large you never get a full body illustration of the guy, only his eye, his teeth or a talon… brhhh

For context the Green Death washed up on Berk. The Berkians tried to do a war cry to scare it away but he basically scoffs at it and proceeds to roar the bones out of their skin and they couldn’t figure out what to do. So Hiccup, someone who can speak Dragonese, goes up to talk with him on his own to try to persuade him away with words.

He proceeds to have a really tense chapter where the dragon wakes up from his nap and repeatedly, casually threatens his life, speaking about the different ways he could kill/eat him, his eye is taller than a human,

One scene is when he talks about how he’d go about deboning a human and a giant claw lands on the cliff Hiccup’s standing on.

And then later on through plot reasons the dragon becomes enraged at Hiccup in particular and ignores every other human running away from him to pursue him specifically

Needless to say the chapter where Hiccup talks with the Green Death was kid me’s favorite. I kept rereading it. And I was like “why do I really like this part.” LMAO

[sentientstump]

that melting expression spoke of troubled analysis of surroundings, it appears on my face every day too. (translation: ayo, my eyesight is also goofy!!!)

doodle page with exploration of the theme for this comic below 👇🏼

literally drew that face and was like "huh, i will implement this idea into the very core of my being. no one can stop me " or something like that- xD

[mbat]

i literally read the book of bill days ago but its only now kinda hitting me how fucked ford and bills whole thing was though cause ford literally talks about being so unable to sleep (to try to keep bill away), and when sleep inevitably caught up to him, he would wake up to his body abused and things messed with and he just couldnt seem to find an escape (and he literally didnt get to truly escape until 30 years later)

(also keeping people awake for unhealthily long periods of time is another tactic used to mess with and control people because of how it impairs brain function)

listing off the things we see in those few pages in the book of bill:

i mean, punching and scratching at a steel door for hours would be so damaging to your hands and probably hurt like hell for at least 2 days after. then bill says he was hitting fords head against a wall, though its said in a post-it as if its a joke, but he also isnt exactly above doing that, and honestly he says most things like its a joke.

i also dont need to say 'bill really doesnt know how to take no for an answer' because he makes that very clear in literally any interaction we see with him.

bill literally puts a venomous snake near ford while fords asleep, which could have killed him if he wasnt lucky+skilled enough to deal with it.

he nearly gives ford hypothermia, and in the same action actively threatens ford with the idea of making him jump off of a high spot, and like ford says, doesnt do it just so he can send a message to ford about how hes the one in control.

he gets ford in trouble with not only the law, but also with other people that are probably not very happy with him after. he mutilates fords body in several ways, and i dont think i need to go into detail on them because theyre... so ew. and he even exposes part of fords body to the world. like, its just taking his shirt off, but thats still showing off his body in a way that he didnt agree to or want

and then he attempts to (or purposefully fails to) call stan, using fords voice to threaten suicide and tell stan that ford never loved him.

and he punctuates it with a final power move, in a hallucination that he creates, hes messing with stans memories and making him feel like his body was basically about to implode

and like. okay, we all joke about toxic old man yaoi, and its a good joke and toxic old man yaoi is great and its an interesting ship, but holy fuck.

like. to say the absolute least, that had to be so, so deeply violating. its no wonder that when we see ford in the past, when he finally contacts stan, he looks like hes on the verge of shattering into a million pieces. he just went through, and still wasnt yet out of, some deeply abusive shit.

like... everything coming out lately both in this book and what ive heard is on the website, mixed with what we already knew from the show itself... the stans are both so, so fucking tragic dude. their whole lives were thrown away over things that really didnt even need to be the way they were, and then they both get into situations that are pretty damn screwed, and those situations follow them for the rest of their lives. its basically a miracle that things worked out in the end for them.

i dont really have a point, i just had to talk about all that. i read almost all of the book of bill in one sitting, and while i was really enjoying it, i was also getting kind of tired of sitting in one spot only doing this one thing for several hours straight. i still felt a lot of the emotional bits of it of course, but man this part specifically just really didnt hit me until now.

i mean, to say the absolute least, i know what its like to feel violated in a similar way, though not anywhere near to the extent of what he went through at all. someone get that man some therapy got damn

[marshmellowtea]

celia hates basically all of chris's friends by virtue of them Being Chris's Friends (it personally offends her that there are people who love him better than she ever could in his life), but she has a special distaste for sandra, who she not only dislikes for being a dirty whore promiscuous, but she's also openly accused her of trying to steal chris from her, an accusation that held no weight when it was first leveled at her cuz sandra hadn't thought she cared about chris like that but it slowly became a self fulfilling prophecy as she spent more time with him and his parents and decided "yeah, actually, i am going to steal your son from you and your creep husband you piece of shit, fuck you celia fuck you fuck youfuck you"

[aimfor-theheart]

my cicicielo💛 for your writing game: western au + vash pls? :3

amira you love me fr for giving me this one!!!! <3333 THANK YOU!!!

western au

vash x reader

cw: none...soft....lil touch of angst....

∘₊✧───────────────────✧₊∘

a sea of endless green, the hills rolling as far as you can see, meeting the mountains somewhere in the distance like old friends. the sun is a honey melt in the sky, ripening to a deep blue. the flowers, bursts of red and pink and orange and white, scatter over the fields before you.

a figure in the distance. silhouetted against the setting sun. standing there, lonesome against the sky.

you'd know the slope of his shoulders anywhere.

"vash!" you crow to the heavens happily, a bird crying out. "vash the stampede!"

that figure turns, but you're already running for him, running down the slopes and bends of the earth and towards him.

and he runs for you, too. shouting your name into the sky.

when you collide, its like reckless stars.

he laughs as he catches you, as he turns to take the brunt of the fall, arms around you tight and secure. with all the momentum, you both roll over each other a few times in the flowers, down the slope of the hill.

when you both finally still, you're on top of him again, still laughing. you pick yourself up, hands flattening against his stomach to lift yourself up. your legs are straddled on either side of his waist.

when your giggles subside, you're left looking at each other, breathing hard. petals caught in his hair, his hat missing somewhere, shirt a little open underneath your hands.

"hey, cowboy," you say slowly, taking him in like you can't believe it's really him, breathless with your excitement, aching with your joy. you breathe it through your smile;

"you came back."

"heya, cowgirl," he says back and his hands twitch, reaching up to pluck petals from your own hair, to take you in, too, "course i came back—i told'ya i would."

his smile is wide and brimming, but you can see that touch of sadness in his eyes—that creeping melancholy, like it's own vine that overtakes and chokes out the flowers of his happiness. you touch at the corner of his eyes as if to chase it away.

"i wasn't sure you'd make it back to me." you admit, smile waning.

he reaches up and covers your hand with his. catches it. presses his lips to your open palm in a reverent kiss. his brow furrows for just a moment.

"i did my best." he says, "i made you a promise."

you pull your hand away to fist both in the front of his shirt. "almost makes up for how you left me, vash the stampede—damn criminal that you are."

he smiles sheepishly, "i am sorry, sweetheart, i knew you'd be mad—"

"damn right i was!" you say, shaking him a little, baring your teeth.

but then you take him in again, underneath you. alive and breathing. heart kicking beneath your hands, beneath all those scars and wounds. back in your life like he'd never left. back on these hills and under the same sky. tears prick your eyes.

you could cry having him back—it's like a dream you thought you'd never have again.

"you better not ever do that to me again—" you say, voice breaking, trying to be angry and tough but so, so lovesick, "you hear me, vash?"

"loud and clear," he says, his starry eyes suddenly welling with their own tears, smiling fond and soft at your anger that isn't really anger at all. he swallows around it all, "i got a lifetime to make up for it, huh?"

you grip the front of his shirt, hauling him up to you, and he yelps a little, laughing.

"you better, cowboy."

he kisses you hard, kisses you desperate and sorry and aching. his hands, one cool and metal, and the other warm and flesh, all over you suddenly. around you. hitching you tighter to him, mouth warm and soft and stubble scraping up against your lips like it had so long ago.

when you pull away, breathless, he says, "let me start now," and suddenly rolls you onto your back in a field of flowers. the sun sinks in the sky, bruising blue and soft, stars winking to life above you both. the moon's curve is a soft smile, shining down on a lovelorn earth.

"let me show you how sorry i really am, cowgirl."

when he kisses you again, you taste the curve of his smile, and yours fits against it like an old, worn key coming up against it's homelock.

in another universe writing game!