#wow that was a lot to write

[onejellyfishplease]

So if you dont mind me I was just going to ramble about my ideas surrounding This post.

long post!

... so it takes place in the far future, where humanity has mived on to live with the planet and live harmoniously (think solar punk). the reason for their success as a species can be traced back to these mysterious heroes, who have vanishes from the world and are now mostly regarded as myth.

the turtles themselves have aged weirdly. without the stress and tremendous pain of the apocalypse they do not seem to age like humans do. much like the Yokai they are based upon they find they have incredibly long lifespans.

and as they age, they move away from what ties them to being human.

they become mythic and ethereal.

I didnt have clear cut plans for most of them, but heres what i came up with:

Raph never stops growing, ever. while his brothers find suitable hights he gets ever taller. eventually he becomes too large to move about safely.

When this happens he voluntarily sinks into a deep sleep. his physical body becomes part of the landscape as the world carries on around him.

But Raph's not gone. he can still send out his projections, which without a close bond with his physical form become more and more abstract as time goes on and Raph becomes more separated from his physical body, still embedded in the landscape.

The locals call these forms their 'red angels' as they commonly lead lost children back home and protect wanderers from falling rock slides. they also look almost incomprehensible, their abstract forms overwhelming to the human eye, such a display of mystic power.

Donnie never stops working. his need to create insatiable. So he never stops. From the shadows he helps humans build their technology, expanding their collective knowledge with his own.

he pours his soul into his work.

his technology becomes inseparable from humanity.

and so does he.

Donnie's soul is present in every computer, interface, and screen. watching over humanity behind a curtain of coding.

hes spent so much time watching over humans and creating with them, that hes kind of... forgotten... what he last did with his body.

oh well. he can always build a new one.

Mikey never stops helping

Mikey has committed himself to the restoration of nature. during humanities growing pains a lot of the planet had been scarred by their errors.

So Mikey has been helping them fix it.

with the help of his mystic powers, which have evolved beyond all recognition, he twists the environment back to the health of its prime.

(large machines a big as skyscrapers aid him, purple light flooding their servers as they trudge through the landscape)

he gives so much of himself, so much of the light of his soul to nature that its started to give back. flowers grow where he stands, the wind ruffles his hair. he snores in whalesong. he can speak in the light trills of birds. the wind gales when he sneezes. and his scales become soft with moss

Leo has grown with the O'Neil bloodline. All his brothers startes distancing themselves from the family once April passed, unable to look at the faces of her descendants without being over come by grief. but Leo stays.

he looks the same as he did a thousand years ago.

[morganbritton132]

No one wants Steve and Eddie to get together more than Eddie’s creative writing class who will collectively ripping their metaphorical hair out if they have to hear another long description of a king in need of rescuing.

Well, everybody but Steve.

Steve - who is only in this class because they wouldn’t let him take personal finance three years in a row - has not pick up on who the king is based on and will openly interrupt Eddie halfway through a story to be like, “This guy again? Ugh, he sucks.”

“He doesn’t suck!”

“Uh, yeah, he does? He’s mean for no reason and like, apathetic to his knights terrorizing people,” Steve adds. “Also he’s ugly. You keep describing him and he sounds ugly. He has a big nose. No offense, Jessica. The court jester should kill him.”

“Thats the point, Harrington,” Eddie scuffs. “He could be better if his court wasn’t full of idiots.”

“Then make him better,” Steve scuffs right back. “You’re the narrator.”

“I’d love to.”

The entire class thinks, so would we.

[sieglinde-freud]

ekko having x’s sprayed all over him and jinx wearing the firelight symbol into battle what in the fresh hell kind of affection is this. are u telling me they were late to the fight bc they were busy DOODLING on eachother??? what the hell. WHAT THE HELL. im sick. theyre so cute are you joking. and then they didnt even show us that scene like fuck off riot

[clickety-clacker]

Been seeing so many cool Clickies on my dashboard since getting into GGG, I just had to take the time to draw a few of them- plus, it was a bit of a challenge to try new styles. A lot of these guys were also super influential to how I draw and even think about Click Clack on my own time, so you should definitely check them out! Names below the cut cus it got long heehoo

Top left: @malartsorte

Top middle (holding papers): @scribblelimbo

Top right: @wishgraanted

Leftmost middle: @beastwhimsy

Middle (peace sign!): @sootnuki

Rightmost middle: @molabuddy

Bottom left: @pespillo

Bottom middle: @artuurle

Bottom right: @modmad

I know I said it already, but all of yall are super cool and I had a lot of fun challenging myself to make this! Keep on being awesome 👍

[seeeuspaceecowboyyy]

Y’all I hate when Miguel is portrayed as the “silent brooding” type in fics. Like yeah he had his brooding moments in the film but canonically he’s so sassy. Literally always has a comeback (maybe not super witty) and yeah he might be a bit awkward and mopey but he’s not shy or quiet. Irritated and grumpy maybe but not silent. He’s a talker and he’s got some sass. Just look at how he talks with Lyla, Peter, and Jess.

I also don’t like when he’s portrayed as “unreasonably cruel”. If that were the case, Peter B. and Jess would not have stood behind him and supported him all those times before the Miles incident. You can tell he really cares deep down when he:

• Lets Gwen join the Spider Society despite his reservations because he knows what it feels like to lose family

• Keeps Lyla around even though all she does is tease him because if he was a jerk he wouldn’t have wanted to put up with that and would have just shut her down instantly

• Carefully holds and watches Mayday while she’s with him instead of recoiling from her

• Tries to patiently explain the spider-verse canon problem to Miles and you can see the sympathy yet determination in his eyes when he tries to reason with Miles about the sacrifices of being Spider-Man

• Shows Miles his most vulnerable and heartbreaking moment as a way to connect with him

• He regularly calls for backup and works in a team instead of just going on his own which shows how much he trusts and appreciates his colleagues

I just wish we could have seen more of his normal interactions with other characters when he’s not dealing with high pressure situations.

(Edit: Yeah he got crazy scary during the Miles chase scene and kicked Gwen out at the end. I’ll admit he’s got a temper. But he was desperate guys. It was life or death to him and linked to his trauma with losing Gabriella. He literally thought another universe would collapse again if he didn’t do anything to stop it, making it partly his fault. It wasn’t just a pride thing. He felt like there was so much at stake and that’s why he went ballistic on Miles, just to make him listen.)

[dekupalace]

hi isatheads. is this anything

[cy-cyborg]

Toph Beifong doesn’t hold up as disability representation - Disability in the Media

[ID: A screenshot of Toph, a twelve-year-old girl with black hair in a loose, green and tan short-sleeve shirt and shorts, cheering in an arena. Next to text written in a rough, blocky font: "Disability in Media - Toph Beifong Doesn't hold up as disability representation" /End ID]

Avatar the Last Airbender is one of my all-time favourite TV-shows, and Toph is still easily one of my favourite members of Team Avatar. I was a few years younger than Toph when the show first started airing, and being a disabled kid who was into martial arts, constantly being dismissed by my able-bodied opponents and teachers, meant that I connected very strongly with her right from the get-go.

But upon my last couple of rewatches of the series, I began to come to the realisation that my opinions on Toph as a shining example of good disability representation were... well, pretty heavily influenced by my nostalgia for the show and that many aspects of Toph's character just don't hold up today. Which, honestly is fair, the show is nearly 19 years old (if it were a person in my country, it would be old enough to drink) and I think it's pretty ridiculous to expect every part of every character from an 19 year old show to age well. So today I wanted to talk about the things I think Avatar the original Last Airbender did right with Toph, where I think they missed the mark, and what changes I think would need to be made to Toph to make her work for a modern audience.

So let's start with why I think Toph doesn't really hold up as "good disability representation" today, and the elements of her character that just haven't aged as well.

For me, one of the biggest issues I noticed upon rewatching the show, is how often we are told (often by Toph herself) that she is blind, but how infrequently we are actually shown it's impact on her life beyond her bending or outside of jokey contexts. Outside of her bending, we only ever see her blindness impacting her ability to do things like read or write, otherwise, she functionally has full vision -so far as the audience is informed - with the only exceptions being when she's in the air or water (e.g. on Appa or in the submarines) or in loose soil (e.g. the desert). Having places and circumstances where she doesn't have access to her power that allows her to "see" was a step in the right direction, but I do think it would have been better if her seismic sense wasn't quite as accurate, even in the most ideal of circumstances.

But why? Well, I think Suki explains it really well, long before Toph is even introduced. when Sokka says "I should have seen you as a warrior instead of a girl" Suki stops him and says "I am a warrior, but I'm also a girl". Being a warrior and a woman are both important parts of Suki's character, and only recognising her as one or the other means ignoring a big part of who she is, and the same is true for Toph. Being blind is a big part of toph's character that has informed a lot of her life, but so is being a warrior and bending master. Many people see Toph as a warrior or fighter, but ignore her disability, but both are important. She's disabled, and a warrior, and those things don't cancel each other out, the same way being a warrior doesn't diminish Suki's status as a woman.

When the show was still airing though (and even still today) it was very common to see non-disabled fans of the show exclaiming that they honestly forget that Toph is even blind sometimes, with many people going so far as to say that she's not even disabled (and that this was a good thing). While I do think some of that comes from the fact they weren't used to seeing a disabled character as both disabled and an active participant in these kinds of stories, I do think this mostly happened because of the show's lack of, well, showing the impact of her blindness on her daily life and allowing her earthbending and seismic sense to erase the effects of her disability to some extent. It's much harder to forget a character is blind when it impacts their daily life in ways that are shown to the audience. This doesn't have to be in big, showy ways mind you, showing things subtly but consistently works way better than one "very special episode" type setup.

In the show as it is though, the seismic sense functionally gives Toph a perfect image of her surroundings until it's just not available anymore for *plot reasons*.

[ID: A black and white shot of Toph and how she sees the oponent she's fighting, with shockwaves radiating from him towards her to indicate how she's interpreting the scene. Her foe has jumped into the air and now has his hand dug into the ground of an arena, about to launch rocks towards her. /End ID]

In many ways, her picture of the world is better and clearer than what the non-disabled characters can see, leading to this feeling of her disability being erased. It may have been better though if the seismic sense could give her a general idea of big things in her immediate vicinity but she still missed the finer details, functioning at least a little bit more like a tactile/earthy-vibration version of the limited sight some legally-blind people have in real life. Things like a person's position, movement and overall pose would still be "visible" to her in a general sense, as well as big things in the environment (including things underground, since there are a few plot-points that require that), but smaller things like details about objects and creatures, people's facial expressions or what they're doing with parts of their body that have no direct contact with the ground (like their hands) is less clear. On top of this, she may struggle to detect smaller, lighter objects or creatures that realistically wouldn't cause much of a vibration at all. creatures as small and as light as Momo and Hawky for example might be detectable, but "fuzzy" to her, and anything smaller might make enough of a vibration to tell her it's there when it moves, but not enough for her to be able to tell what specifically it is without some other cue (such as sound). There are a few moments in the show that seem to imply this is what they were initially going for, but it's not really consistent, and is directly contradicted in her debut episode, "the blind bandit" when she explains that she can even "see" something as small as the ants off in the distance.

[ID: A shot of Aang, a twelve-year-old bald boy with an arrow tattoo on his head, dressed in a yellow and orange outfit, standing with Toph at night. In the foreground is an anthill will a trail of ants, which Aang is looking for. /End ID]

With an adjustment like what I'm suggesting though, she still serves her narrative purpose of teaching Aang the importance of being able to wait and listen - possibly even more so, as her needing to wait and collect more information in order to get a clearer image before striking, would back-up what Bumi tells Aang that he needs in an earth bending master. It would also still help to illustrate the connectedness of the world, a theme Toph continues to embody heavily in The Legend of Korra, while still showing the ways her disability impacts her more frequently.

When I talked about the "super-crip" trope a while back, I mentioned that one way to avoid the more harmful elements of the trope (where the character's disability is erased by their powers) is to use the ability in question more like a mobility or disability aid than a straight-up cure. The power should help them, but shouldn't make their disability redundant. People are creative and we would find ways to use a superpower or magic to help with our disabilities if it were available in real life, but what's the point of including a disabled character if you're just going to functionally erase their disability? For a character like Toph, I think this is the kind of approach that should be taken with her. Her seismic sense still helps her, but it's not a perfect replacement. (Ironically, I did use Toph as a "good" example of that trope, but I do think after this last rewatch, for the reasons I'm discussing here, I might have to backtrack that a bit).

I considered giving an alternative approach here, to keep the sensitivity of toph's seismic sense as it is in the show as is, but giving it draw-backs such as making her susceptible to sensory overload similar to what autistic people experience. However, while replacing one disability with another can work for some characters and stories, I don't think it's the best adjustment to make for Toph or any blind character, largely thanks to this also being a trope. The "blind (or d/Deaf) person who's other senses become super-human to make up for it" trope is very common in fantasy, sci-fi as well as older martial arts films, and while I'm not really the best person to cover it, I do know that members of both the blind and deaf communities have expressed a lot of frustration with it. Toph already falls into this trope quite a bit, and any suggestions I could make would have just dialled that element up to 11, and fixing one problem with another is never a good idea.

Another thing that actually did bug me for a while, even before my most recent rewatch of the show, is how Toph is treated on the rare occasions she does point out something won't working for her. There are a number of times where Toph advocates for herself and points out that something The Gaang is doing isn't accessible to her or sets a boundary to do with her disability, and she's either left behind, her concerns are brushed off or she's ignored entirely. The three most noticeable examples of this are in the Episodes "The Ember Island Players," "The Library," and Toph and Katara's segment of "Tales of Ba Sing Se."

In the Ember Island Players, Toph complains that the seats they have for the play are too high up and too far away, and she's unable to "see" what's happening on stage. Her friends don't really take any notice of her though except for Katara who tells her not to worry, "I'll tell your feet what's happening."

[ID: A shot of Katara, a fourteen-year-old girl with long brown hair and blue eyes, sitting with Toph, who is sitting with her arms crossed, annoying in a theatre seat. Both Toph and Katara are wearing red and gold, fire-themed outfits. Katara is looking at something off-screen. /End ID]

My problem here is that this particular kind of situation is something that is familiar to a lot of disabled people. Even the least independent disabled people I know get annoyed when their access needs or requests for accommodations, even among friends, are ignored and their pushback is brushed off with "don't worry, I'll just help you!" It's one of the first things that many disabled people tell non-disabled folks wishing to be better allies to us: you offering help instead of actually accommodating us isn't a good thing. We don't want to rely on others if we can avoid it, because honestly, non-disabled people often aren't very good at actually helping or in this case, relaying information to us without training and more often than not, it just results in us being left out. I find it very hard to believe a character as independent as Toph would accept that without any protest, especially considering that is pretty much exactly what ends up happening (even if the show didn't really acknowledge it). Katara never actually conveys anything about the play to Toph, except when she's attempting to throw Toph's words back in her face when she asks for clarification about the actor playing her - which ends up backfiring on her.

[ID: A shot from the same location as before, this time Toph has a huge smile on her face and is leaning on the balcony excitedly while Katara is leaning towards her, annoyed by her reaction. /End ID]

While it would have been better if Toph was actually listened to, it would have been…fine? if a justification was given for why they had to sit there (e.g. to avoid being recognised), if Katara had actually described the play for her. This wouldn't have been ideal, but it would have been better at least. In real life, many movies, TV shows (including this show's sequel series, The Legend of Korra) and other forms of visual media have an Audio Description track that does exactly that. If they weren't going to move for Toph to be able to see better, having Katara describe the play could have introduced kids to the fact this is an option. but instead it's brushed off, and I'll admit, it left a bit of a bad taste in my mouth, even back in 2006.

The Library is a bit more forgivable in my opinion, since Toph is still new to the group, but in this episode, she states that she doesn't want to go inside the spirit library because she isn't able to read and therefor there wouldn't be anything for her to do. However, it still would have been nice to see her friends consider this at all before they actually arrived. They could have (and should have) still gone, but some acknowledgement that they at least thought about the inclusion of their disabled friend would have been nice.

[ID: A shot of Aang, Katara, Sokka and another man are talking while looking down at a map on the table. Meanwhile, Toph is sitting on the other side of the table, completely disinterested as she sips from a large ice cup with her feet up on another chair. /End ID]

Alternatively, I do feel like Wan Shi Tong, a self-proclaimed all-knowing-spirit or his assistants would have been able to point her in the direction of something to interest her, since he does imply books aren't the only form of knowledge he collects.

The reason I mention this though is two-fold. In real life, disabled people are very often left out of "fun" group activities, whether that be in formal settings or in casual ones, like hanging out with friends. If the episode had been framed as "the Gaang learns about the library and decides to track it down," I might have been less critical, but it's specifically framed as something that at least starts out as a kind of break for the team where they all take turns picking out fun things to do so they can rest, and Toph's access needs not being considered at all until they're already there hits a bit close to home, especially since they just end up leaving her outside. Secondly, there's also a stereotype that disabled people (and especially blind people) don't belong in academia and places of learning, such as in this case, libraries. This stereotype is about as old as the concept of organised institutions of learning, and definitely isn't unique to AtLA, but the assumption is often that disabled people wouldn't be interested in more formal methods of learning, so it's not worth accommodating us. With blind people in particular, when I've seen this in media, the premise is often "well I can't read anyway so why bother?" which Toph definitely falls into here with no push-back against the trope.

[ID: A close up of Toph and the rest of the group, Katara, Sokka and Aang standing in a desert. Toph shrugs, looking bored, while the others looks confused and surprised with the exception of Katara, who looks mildly annoyed, standing with her hands on her hips. /End ID]

It does make sense that she would have been resistant to going in, and I'm not saying this episode should have turned Toph into a bookwork akin to Wings of Fire's Starflight (another blind character) or anything. But there was a chance in this episode to push back against some of these assumptions, and I think it's a shame they missed it. How cool would it have been if Toph had mentioned not feeling welcomed in more formal learning spaces because of her disability, which was just reinforced by the way her old earthbending instructor and her parents treated her. She decides to go inside the library anyway as "backup" in case something goes wrong, grumbling about it the whole way down. Wan She Tong starts his introduction mostly the same way, saying humans aren't welcome and Toph makes a snarky comment about it. Wan She Tong, equally offended that this human thinks he, the all-knowing-spirit, wouldn't have considered something, shoots back with an annoyed comment about humans being so self-centred. He explains that spirits come in all shapes and sizes, and not all of them have eyes, but they can still access his library. She's not the first sightless being in his study, and he-who-knows-ten-thousand-things knows this too. Once everyone is permitted entry, one of the knowledge seekers shows her to a series of slates about a lost earthbending form that she can actually read (or at least, "see" the pictures on) because it's carved. Or instead of a slate, it's a series of statues outlining the form, similar to what Aang and Zuko find in the episode "The Firebending Masters". Perhaps this form is something that helps her develop metal bending later on, and lays the groundwork for Toph becoming interested in teaching in the comics.

And finally, Toph and Katara's segment of Tales of Ba Sing Se. Katara convinces Toph to go get a makeover with her as part of a girl's day. Overall, this segment of the episode is pretty nice, and I liked that they showed that a person's gender expression (in this case, being a tom-boy) doesn't mean they can't like things outside of what we usually associate with that. Tom-boys can like girly things on occasion, and vice-versa, and I think this is an example of an episode that would seem a bit ham-fisted today, but honestly, was needed in 2006. However, there's a throw away joke where Toph says "as long as they don't touch my feet," and it immediately cuts to show spa workers filing down the calluses on her feet in a way so painful several staff are required to hold her down.

[ID: An image of Toph in a bath robe being held down in a chair by two spa workers while a third scrubs at her feet so hard that she is sweating. Meanwhile Toph is fighting against the two holding her down and has a facial expression like she is in a great deal of pain. /End ID]

this might be a minor thing in the grand scheme of the show, but it's still another example of Toph's boundaries about her disability and her access needs being disrespected by her friends, which the show just doesn't acknowledge it at all. People ignoring Toph's wishes about a part of her body she depends on in a much more direct way that others do is played off like a joke in a montage of otherwise enjoyable and goofy activities and this is a very, very common experience in disability circles.

There are a number of other, much more minor issues that show up with Toph as well, such as the fact she's the only one of the main cast who never has an on-screen (or on-page) relationship. not in the original show, not in any of the comics and not in The Legend of Korra. Again, it's not a big issue on it's own, especially because in AtLA, she's young enough where it's possible that she was just not interested yet, and she does have kids in The Legend of Korra where she mentions a relationship with a man named Kanto (Lin's father). So it is implied she does have some form of relationship eventually, but the issue is that it's never shown on screen or on the page. This feeds into a wider pattern in media of disabled characters being the only ones in their respective cast not given on-screen romantic relationships in stories, and so I still think it's worth pointing out, especially since the creators have had a lot of opportunities to correct that by now.

Toph is also portrayed, pretty much undeniably, as the best earthbener in a way that, at times, comes across almost like the creators felt like they need to compensate for her being on the team "despite" her being blind. This trope is one that I think Toph, at least partially, helped to popularise with the current generation of story tellers: The Disabled Savant. In this trope, disabled characters aren't really given the same room for growth as other characters; they aren't permitted to be average or still learning, they start good and get better. If they do progress, they often become the best, which is the case for Toph. To be fair, everyone in the The Gaang is the best at their respective skill by the end of the first series, which is why I say this is a minor point. She dose, however, have the least amount of on-screen growth in skill out of the whole team. Katara starts out barely able to lift any water at all, let alone actually bend it. Sokka is skilled with weapons from the start but does get his butt handed to him a number of times by others with more experience than him whom he learns from throughout his story arc. Zuko spends most of the early-to-middle of the show having things "blow up in his face" (to use his own words) and being belittled by his family of prodigies. While Aang is an airbending and, to a lesser extent, waterbending prodigy, he fails at pretty much everything else for a while before he starts to find his confidence - especially earth and firebending, not to mention the entire situation with locking himself out of the Avatar state. Toph is the only one who doesn't seem to fail or struggle all that much from a combat perspective. She does grow and improve in her bending (she invents metal bending after all) but she never has any moments where she really messes up or even struggles in combat all that much compared to the others.

All of these points and criticisms I've mentioned are not necessarily big in and of themselves, but when looked at together, they build up to create some issues with how Toph is depicted and how the people around her treat her disability

So that's it then? Toph is bad disability rep and Avatar should be "cancelled"?

God no. Like I said at the start, I still adore Toph and Avatar as a whole, but the show is a year away from being two decades old, it's bound to have some elements that don't hold up and I think it's worthwhile discussing them, specifically because I love the show and it's characters. Despite all the negativity I've brought up, I do think there are a lot of things AtLA did well with Toph too.

I've mentioned a few times that we rarely see how Toph's blindness impacts her life outside of her bending and combat abilities, and there's a reason I made that specification. Unsurprisingly, if you know much about the show's development, the ways in which Toph’s blindness and seismic sense impacts her bending and fighting style is one area where the show really does shine, and I still think that is worth a mention. The various types of bending are based on different styles of martial arts, specifically, different types of Kung Fu. Most earthbending in the show takes heavy inspiration specifically from Hung Ga, but Toph is different. Her bending heavily references Southern Praying Mantis Kung Fu, something unique to her within this world.

The reason for this (outside of simply wanting her to be visually distinct) was because the show’s creators made sure to consider what limitations Toph might have and what parts of the more common earthbending styles wouldn't work for her. Since her connection to the earth was critical in order for her seismic sense to work, they decided on a style that would keep her feet on the ground more, prioritised strong stances with minimal jumping and put more focus on attacking with her upper body. While not an intentional choice, the style they went with for Toph, according to the show's head martial arts consultant, Sifu Kisu, was supposedly developed by a blind woman in real life, at least according to legend. The creators also made further adjustments to the style with the help of martial arts consultants and just watching Toph fight is evident that a lot of love and care was put into the decisions made on that front.

I also appreciate that Toph's disability wasn't off-limits to joke about.

[ID: A picture of Toph waving her hand in front of her face with an exaggerated smile to remind the others she's blind. /End ID]

As I already mentioned, they didn't land 100% of the time, but lot of shows are afraid to use disability as a source of jokes, which would have felt weird and out of place in a show like Avatar. I see this hesitance in real-life too; people get extremely uncomfortable when I joke about my own disabilities and I've heard several people and even disabled comedians talk about the same observation. My last video on Tik Tok that got outside my usual audience was a joke about my prosthetic leg, and every single stictch and duet I received was people saying some variation of "I'm such a bad person for laughing!" "I'm going to hell!" or just straight up asking if they're aloud to laugh. If I didn't want you to laugh, I wouldn't have posted the joke! But joking about disability does make it more approachable. Despite how often Toph and the others made blind jokes though, outside of the one instance I mentioned earlier, they never felt mean-spirited or like they were punching down. Even when a very sleep-deprived Katara was intentionally trying to be.

I think it's also worth keeping in mind the context of the media landscape when Avatar The Last Airbender was airing. Today, characters like Toph are very common, so much so there's a whole trope about them (super-crips) but at the time, having a character with a major disability be a main character in an action-orientated kids show like Avatar was really rare. She wasn't the first of course, but a lot of the time, if they were included, they were almost certainly sad and depressed, wishing for a cure or they were designated to the roles of "Guy in the chair" (which is a character, usually a tech person, who helps from the background), inspiration, scary villain fake-out (or other variations of "creepy" character) or the actual villain. Having a character that was not only comfortable in her skin as a disabled person, who didn't want or need to be "fixed" or "cured" to be directly involved in the story, and who's main obstacle (at least in season 2) were how the people around her treated her, was pretty ground-breaking at the time (pun not intended) and went against the most prevalent stereotypes of it's day.

And I really want to emphasise that. For many Millennials and older Gen Zers, myself included, Toph was the first character that didn't tell us we were broken and needed to be fixed in order to be part of the group (even if they slipped up with that messaging occasionally). Prior to seeing Avatar, I honestly thought there was something deeply wrong with me for being happy with my life (a reminder, I was 10 years old when this show first started airing), because every other disabled person in the media only ever talked about how much worse their life was because of their disability, how much they hated it and how much they hated themselves. Many outright said that they wished they had died rather than become like me. Toph wasn't the first to go against those tropes, but she was the first example of a disabled character who wasn't like that many people my age saw. Did she do it perfectly? Hell no, but personally, back then, I was happy to have a character who maybe over-corrected and took things a bit too far than another sad character talking about how lives like mine weren't worth living.

I also deeply appreciated that Toph did struggle with her independence, at least initially, and where to draw the line with accepting help. Because of how much she'd been coddled and overprotected as a little kid, she saw any attempt at people being helpful and working as a team as them trying to baby her. It was very on the nose, but I liked that the show gave her an episode just dedicated to realising that it's ok to accept help. Again, this is a bit of a story telling trope today, but having the disabled character realise that it's ok to accept help, and to do it without talking down to them or saying that them wanting independence was bad, was a refreshing change compared to what was around at the time.

[ID: a zoomed out image of Toph, standing before her parents with Aang, Katara and Sokka standing behind her. /End ID]

While I think the show's creators could have benefited from consulting with disabled people and specifically blind people the same way they brought in consultants for the martial arts featured in the show, it's very clear to me that the intention behind Toph's character was good, and that actual effort was put in to make sure they depicted her well, even if some of it was a bit misplaced. It's also worth noting that the groundwork for a lot of my suggestions is already in place, they just didn't follow it all the way through. Overall, I'd say Toph was good for her time, and she's what was needed in the 2000's, even if she doesn't hold up as well today. I also think it speaks to how far we've come in terms of disability representation. When I first started engaging with the online fandom directly, almost no one, even other disabled people, argued that Toph wasn't good representation, because honestly, the bar was on the floor and we were just happy to have something different. But now there are options, and the standards are higher, and that's so, so good. It means that people, even in the media, are starting to listen and be more thoughtful about their depictions of disability than we were in 2006.

And finally, I want to really quickly mention The Netflix adaptation of Avatar. A few people have asked me now what I think they should do with Toph when they get to her, and what my predictions about the show are. I'm not going to talk about my predictions here, because this post is already way too long and that's not what this is about, but I don't think the suggestions I made today would necessarily work in this particular remake, primarily because of the tonal differences. Some adjustments definitely could, such the other characters doing a better job at listening to Toph when she points out inaccessibility and them actually considering her in the first place, but others might be harder to balance. The original show could get quite dark and serious at times, but it was primarily a light-hearted adventure story for kids. From what I've seen of the live action remake though, they're more heavily leaning into those serious elements - for better or for worse, and as such, trying to tone Toph down in the specific ways I mentioned might not balance out as well as it would in the original show. At the very least, the specifics would need to be different. To be honest, I'm not entirely sure what approach they should take, that's not really the point of this post, but I did want to quickly address it to avoid confusion. My suggestions today were specifically on how to approach the cartoon version of Toph for a modern audience, and were not meant to be read as suggestions on how her live-action counterpart should be depicted.

[homoqueerjewhobbit]

Audrey Plaza knew that Megalopolis was high camp but I'm not sure anyone else did.

[erinwantstowrite]

i think more people should write jaybin as being a cutie patootie. a little mischievous but overall a sweetheart. and more people should recognize that dick was the crazy one

[wabatle]

.ೃ࿐ Blue Lock boys and their love language .ೃ࿐Featuring: Isagi, Bachira, Chigiri, Reo, Nagi, Rin, Sae .ೃ࿐Warnings: Reader is implied fem in Chigiri's part, other than that gn!reader, this is my first time writing for Sae, so I'm very sorry if he's ooc! .ೃ࿐A/N: I did a little bit of research to figure all of the love languages out, and I’m really proud of the result! Keep in mind that all of them, although they may share a love language, can each interpret and display them in their own, unique ways <3 .ೃ࿐Taglist: @stellas-starry-stories13 (chigiri) @mariaace (everyone) <3

-ˏˋ⋆ Yoichi Isagi ˚₊· ͟͟͞͞➳❥ Words of affirmation, acts of service, quality timeׂ

╰┈➤Words of affirmation

Isagi will 100% make sure you feel secure and comfortable in your relationship. He always makes sure to tell you anything he thinks you need to hear and will talk to you if you have any problems.

ׂ╰┈➤Acts of Service

Though it may not be much, Isagi tries to do whatever he can to take a load off your shoulders. Got a long to-do list? Isagi will check off as many things as he can for you.

ׂ╰┈➤Quality time

Isagi would try to make as much time for you as possible. He wants to be around you and enjoys your presence, so why wouldn’t he want to spend time with you?

-ˏˋ⋆ Meguru Bachira ˚₊· ͟͟͞͞➳❥ Physical touch, words of affirmation, quality time

╰┈➤Physical touch

Bachira is very touchy. He will cling onto you and won’t let go, as well as accompany you everywhere. If there’s one way Bachira thinks he can prove his love for you, it’s with cuddles and attention.

╰┈➤Words of affirmation

If Bachira catches even the smallest signs of insecurity from you, he’s all over you, telling you how much he loves you, how amazing he thinks you are, literally everything he can think of to punch that insecurity out of you.

╰┈➤Quality time

Ditches practice for you. That’s it, that’s the whole thing. Okay, in all seriousness, Bachira wants to spend every second of every day with you. He’s like a puppy.

-ˏˋ⋆ Hyoma Chigiri ˚₊· ͟͟͞͞➳❥ Gift giving, quality time

╰┈➤Gift giving

Chigiri definitely loves to take care of your hair together, so he would gift you shampoo or conditioner, or some kind of hair care product. He would also give you hair ties or hair accessories.

╰┈➤Quality time

Chigiri loves to spend time with you. He doesn’t really care how, whether it’s sitting at home on the couch gossiping, or walking around town together, stopping at random shops. (Hence the gift giving.)

-ˏˋ⋆ Reo Mikage ˚₊· ͟͟͞͞➳❥ Gift giving, physical touch, quality time, words of affirmation, acts of service/all 5

╰┈➤Gift giving

It’s no secret that Reo is insanely rich. Which, for you, means you get practically everything, whether you asked for it or not. If you look at something for just a second longer, Reo’s card is already out, and you’re already exiting the store with a bag in hand.

╰┈➤Physical touch

Reo is also a clingy guy. He loves to be around you and cuddle with you, or simply follow you everywhere, like a lost puppy. It can get overwhelming at times, but he’ll stop if he feels he’s smothering you.

╰┈➤Quality time

Being clingy, that also means he wants to spend as much time with you as possible. He loves to take you out, whether to fancy restaurants or to luxury stores, or even traveling together. Whatever it is, he wants to do it with you.

╰┈➤Words of affirmation

If you feel insecure or some kind of negative emotion, he himself gets very insecure. So, in order to fix that, he assures you how much he loves you, and as you start feeling better, his own insecurities subside. He worries that he’s the one causing you problems, so you’ll have to assure him he’s not.

╰┈➤Acts of service

Reo would hate to see you stressed about anything, whether it’s something big or not. So, he’ll gladly take some, or even all, of the responsibility. I would imagine that sometimes you have to tell him you don’t need his help because he’s so insistent.

-ˏˋ⋆Seishiro Nagi ˚₊· ͟͟͞͞➳❥ Physical touch, quality time

╰┈➤Physical touch

Cuddles. So much cuddling. Even just when he puts his head on your shoulder, he stays stuck to you like glue. He just wants to have you near him when he’s gaming. He wants an arm around you while he holds his controller.

╰┈➤Quality time

The only reason I included quality time is because Nagi insists on gaming with you. Most of your dates are at home where you relax and play games together. But, on rare occasions when you go out, you most likely stop at an arcade at some point.

-ˏˋ⋆ Rin Itoshi ˚₊· ͟͟͞͞➳❥ Acts of service, words of affirmation

╰┈➤Acts of service

Though Rin may not have a lot of time for you, he still tries to do what he can to prove he loves you. So he does little things, like cleaning up the house a little bit or buying you something on his way home.

╰┈➤Words of affirmation

Though he may not be the best at it, Rin knows no better way to assure you he loves you than telling you. Of course, never in front of his team or really anybody, but, rest assured, he’ll tell you once he’s sure the two of you are in private.

-ˏˋ⋆ Sae Itoshi ˚₊· ͟͟͞͞➳❥ Quality time, words of affirmation

╰┈➤Quality time

Although it may not happen much, quality time with Sae is well spent. Usually, all you do is tangle together while either talking or watching something, but, nonetheless, Sae likes it, and so do you.

╰┈➤Words of affirmation

Despite what a foul mouth Sae can have, he would never use the words he uses to describe other teams or players on you. Most things he says feel and are very genuine, but a few things can come across wrong or sound very possessive.

thank you for reading!

blue lock masterlist | masterlist

[idontcaboose]

Haunted Car Au Part 12

Previous. Masterpost

Danny wasn't completely sure what all of the sound files Duke uploaded into the radio storage. Granted, the fact that there was apparently a 10 Terabyte hard drive just for the radio seemed a bit much, although it was over half full before Duke gave him a metric butt load of sound bytes, so maybe Batman was onto something. Now it was about three-quarters full…. How many files were there?

Either way, whoever named these files are the MvP of this entire situation. Either they were just the name of the saying, or we're named something like ‘exasperated 4’ and they were On Point!

Unfortunately there weren't any defined names other than movie references. Why were there three different versions of the “Hey, Becky, look at her butt” Danny didn't know, but he might use them for reasons.

Duke had left him alone with a disgruntled “Good Luck” after Danny started playing the ‘mood’ files to see exactly what they were. He figured Duke would come back in a few hours to have a “conversation” about his predicament. Until then……

DID THEY SOUND BYTE BATMAN HIMSELF?!?!?!

Next

@kizzer55555 @sebas-nights @candeartist422 @trappednyourheart @fandom-life-corrupted-me @tkiesai @2lbballpeenhammer @admiralwidow @rewrittenwrongs @whotfevenknowsanymore @symmetricalastigmatism @thespacedragons @atinygracie @okami-love @lesbian-spider-drone @1n0sss @forgetmenot-bluepurple

[piracytheorist]

Yor worrying that her disappearing because of her job would mean she betrayed the Forgers vs Yor realizing that the risk is worth protecting them.

Grey colours, the Forgers as she first met them having their backs at her with empty, disappointed faces, vs bright, warm colours, the Forgers as she now knows them facing her directly and smiling at her.

She starts the story feeling like an outcast, fearing that no-one, not even her brother, will accept her as she is. That people will turn their back on her, and her life will continue being colourless and lonely.

Then her life fills with colour, with people who will face her head-on and accept her. She develops into confidence that the Forgers care for her and is reminded that even if she ever has to leave because of her job, the knowledge that she protects innocent people...

and that this work of hers will be acknowledged...

... is enough to give her the strength to carry on.

[myokk]

🥺

[psychotic-nonsense]

Amateurs

~~~~~~~~~~~~~~~~

Credit for the idea - and some of the fic entirely - goes out to @thesolarangel !!!!! They allowed me to use their lovely idea, so many thanks, my friend!! Added my own flair but I hope I did your thoughts justice :D

Fudging the timeline a lil for this too. Continuity errors? Plotholes? The hell you going on about, bud, it's Valentines Day, we're just having fun here ;]

~~~~~~~~~~~~~~~~

Dear Steve Harrington, You are the most handsome, athletic, and considerate man I've ever known, and I want you to be my valentine. Meet me in the band hall at 4pm Love, your secret admirer

Steve eyes the note warily, confusion morphing his face. He can feel how comical it must look, but he doesn't really care. He just can't comprehend what he's looking at.

Senior year, fallen off his throne, the apocalypse factory sealed away (for forever, hopefully). He forgets how mundane life is outside of the hell he's lived the past three- almost four years.

Proven by the fact that, apparently, someone's left a Valentines card in his locker. And a little over a week until the day itself, no less.

It's the end of the school day, already 3:45. The note wasn't there this morning, so it must've been dropped somewhere throughout the day. He puts away his notebooks, closes the locker door, all while staring at the note.

Robin - the unlikely new friendship from this last summer from hell - is neck-deep in the locker across the hall from him, rambling about her day (and Vickie) and completely ignoring any outside force. It takes a little shove to get her out of her stupor.

"Hey, I was talking about something important here-"

"Oh sure, your endless pining is so interesting," he retorts, the hallway already blissfully empty so he can make such a joke. He shoves the note into Robin's face, holding it as she mouths the message to herself. "Any info about this?"

Robin scoffs, shoving Steve's hand away. "You know I'm bad at romance stuff, why ask me?" She turns back around to finish whatever she was doing in her locker.

Steve rolls his eyes. "I mean, do you have any idea who this could be? I don't know anyone from band."

"Who said it's from someone in band?"

"The note?"

"School's out, who's going to be in there? Pretty good place to sneak away for a Valentines meetup. Besides, I don't know everyone from band, what do you take me for, social?" She fake gags.

"Right, you just know the one-" He gets a shove on the arm for that.

"Sorry, Cupid, think you're on your own this time. Besides, you have been looking for a girl, right? Here's one falling right in your lap," Robin says, finally closing her locker. She pats his cheek, starting to walk away. "Hop to it, you're cutting it close!"

Steve stands frozen, watching her leave him behind. "Wha- I drove you here!" he calls out. "Where are you going-"

"It's Wednesday!" Robin calls over her shoulder. Right, the 'maintenance day' for Robin and her bike ("You can't forget how to ride a bike, Robs-" "Well I'm not testing it!"). No alibi for Steve, it seems.

He sighs heavily, quickly checking his watch. 3:55. He turns back to the note, seriously eyeing it and considering what might come out of this.

Oh well. Steve's not one to let someone down with punctuality, plus Robin was kinda right. Whether or not he'll have to let down this poor girl, he'll have to see.

He walks through the halls to the band room. Senses a little on edge from that uncanny feeling, but he does his best to ignore it. Hell's closed up, and everything's okay.

He makes it to the band hall just in time, yet upon walking in, the place is barren. Nothing but chairs and stands and the half-lit lights. Strange, how much more disappointed Steve feels about being stood up than he thought he would - meaning any at all. Still stings to know he's not always wanted.

Always needed, always the babysitter.

He's just about to turn around when a loud CRASH sounds from the far wall, and a storage closet door rattles as someone swears behind it.

Instincts now fully blaring in his ears, Steve immediately drops his backpack by the door and picks up a music stand, running to the back in a burst of energy. Upon throwing the door open, however, all that happens is a body falling into him, and the box said person was holding once again crashing to the floor.

Steve, in primary protective mode, drops the stand and grabs the person before they both hit the ground. A mop of dark hair is shoved into his mouth with an earthy cloud of smell around it, with a masculine grunt as they're caught and the feel of denim under Steve's hands.

Steve barely gets the person in a standing position without falling over himself, and this person takes a minute to get their legs working again. But they finally pick themselves up and massage their hands and something about that hair and smell seems so familiar...

"Whew! Thanks, man, I thought I was toast under that thing- Harrington?"

The person- guy finally turns around with a grateful smile that falls the moment he makes eye contact.

Eddie Munson. Local town Freak and D&D master, and the name Steve has heard way too much about since last semester. Thank the kids for joining that damn club.

Of course, Steve knew the guy already, word travels fast and appearances stay familiar in small towns. A three-peat senior, not too unlike Steve's super senior status (brain got too rattled after '84, and '85 didn't make it much better). A showman, either in the cafeteria or Steve's English class, he's always got something to make the people laugh. The kids praise him like a god, the halls whisper that he's the copycat of a deadbeat, and the town preaches that he's the harbinger of their fake hell.

But Munson doesn't seem dangerous to Steve right now. Nothing bad at all, actually, standing here under the light of a single sputtering light bulb that reflects in his big doe-like eyes just right, haloing his wispy hair into something angelic, and if Steve saw him in any other context he'd almost think him cute-

Oh.

Well shit.

It's well past 4pm. Munson's in the band hall by himself, in the dark.

Robin and Dustin have been telling Steve to 'broaden his horizons,' and didn't Steve himself say he 'liked more' in that food court booth?

And writing love letters sounds like something only a nerd would do...

Could it be him...?

"Munson, h-hey," Steve stutters out, realizing it's been a bit too long since anything was said. He throws the confused-curious-scared-relieved crisis to the back of his mind, focusing all his energy on just acting normal. 'Casual' went out the damn window when one of his hands ran through his hair. "What, uh.. what're you doing here?"

Thank god for that simple little response. Eddie latches on to it with a smile that makes little dimples show on his cheek, though they're gone too soon when he turns to kick the half cardboard, half duct tape box still in the storage closet.

"Just repaying some old debts," he says, that same jesting lightness he'd throw in quips against Mrs. Schneider. Eddie snaps his fingers, brings those so bright eyes back around to Steve. "Say, think you could give me a hand? Could use some old jock strength here."

Steve lets the jab roll past him, he's heard worse from the kids. He just agrees - because who is Steve Harrington if not ever helpful? - and steps into the cramped storage closet. It takes some maneuvering to make sure the poor thing doesn't fall apart in his arms, but he gets the box up off the ground. Nothing too strenuous, but Eddie is quick to direct Steve on which shelf to place the box. One more strain against the old cardboard gets them both in a panicked frenzy, but their combined push gets the box settled.

Now they're cramped in a tight storage closet shoulder to shoulder, and Steve is hyperaware of the presence. Eddie doesn't seem like that bad of a guy, he's willing to give it a shot, but he's afraid his charm might not work the same-

Eddie lightly slaps Steve's arm, drawing his attention and dear lord his eyes look so much brighter now- "Not that I'm not grateful for the aid, Mister Strongman, but only satisfaction brings a curious cat back." He leans against the opposite shelving of the closet easily, not very eager to leave the tiny space, it seems. "What brings you into the den of us freaks?"

Eddie looks so confident, speaks every word with an air of comfort and ease, that it makes the last of Steve's anxiety leave him in a huff of light laughter. He just draws in a breath, suddenly very curious to see where this goes, and starts up the charm.

"You tell me, Munson," he responds lightly. Tilts his head so he's looking up at Eddie through his eyelashes, pulls the face Nancy used to call stupid and begs that it isn't anymore. The smile is easy, though. It's so easy to smile around a presence like this.

Yet Eddie's comfort immediately wavers, and he looks surprised. "Uh..." he chuckles out nervously, "what's that supposed to mean, Harrington?"

Oh, so Munson plays hard to get? He can work with that. So much more familiar in this game, Steve just saunters the last few inches to face Eddie with only a breath's space between them. Keeps just enough distance, though, to make them both crave the closeness, leaning against the shelf beside Eddie to look down on him. "C'mon, Eddie... you know why I'm here."

And may the corpses of Upside Down monsters be his witness, Eddie "The Freak" Munson damn near blushes at the tone and proximity. Bingo.

"I- uh-" Eddie clears his throat. "'Fraid I don't recall," he mutters. There's a little bit of tension in his shoulders, hidden in the motion as Eddie leans further into the little space between them, staring Steve right in the eyes as he says, "Care to enlighten me?"

Steve is more than happy to remind him, especially if it gets the last of that tension out of him. It doesn't look right on Eddie. The line's been cast, the lovely fish caught, and now it's time to reel it in. "Well, got word lately of a new... development in Hawkins High." Steve meets Eddie's eyes and loses himself in them a little. "Figured I'd come by to talk to the source."

To Steve, it's the smoothest pickup line this side of the midwest.

But Eddie's entire demeanor sours in an instant. His shoulders tense, his eyebrow furrows so much that glorious light is gone, and he leans forward not by want, but by attack. "Alright, listen here Harrington, I wanted to give you the benefit of the doubt for those kids, but I swear if you don't pick your next words carefully-"

"Woah woah woah, hey wait!" Steve immediately backs up to give Eddie space - not much considering they're still in the damn closet, Steve walks right into the opposite shelving rack with a loud clatter - the tension in the air taking an instant 180. "I didn't- What did they- What're you talking about, I didn't mean any harm!!"

Eddie's still eyeing him warily, but he's not leaving despite the open door. That's a start. "What did you mean then, your highness?" he spits, and it sends a crack straight through Steve's heart.

One that shines light on the ignorant hope resting all on that damn...

"Did... did you not want to talk to me?" Steve asks quietly.

The volume seems to wear Eddie down a little too, as the light comes back to his eyes and the tension loosens. "Where'd you get that idea?" he asks, stern but lacking in power.

Suddenly this whole attempt - finding the note, following it, saving Eddie from the box, helping him, daring to take the leap - feels so fucking stupid that Steve can't believe he went through with it.

But Eddie's looking at him like he genuinely wants to know. Not just to get Steve away, but to know what's got him so out of sorts. Like he's bothering to care.

So Steve fumbles for the words with Eddie waiting patiently, his defenses falling with each failed sentence as Steve's too open heart shows him everything. In the end, Steve gives up, reaches into his back pocket, and pulls out the note. Looks away from Eddie as he holds it out for him to take. Feels his treacherous heart stutter at the brush of their hands as Eddie takes it. Can't bear to turn around, his face too flushed and his heart too worn as he hears the note crinkle, at Eddie's tiny gasp as everything clicks.

"Steve..." Eddie whispers, pleads, and Steve is oh so weak to such a sound. He looks up and comes face to face with an expression just as hopeful, as daring, as Steve has felt this entire interaction.

Eddie's a smart guy, it seems. He knows. But still he dares to ask. "You... thought I wrote this?"

Steve clears his throat, can't look away as he waves at the note held almost reverently in Eddie's hand. "It was 4pm when I showed up, wasn't it?" Jokes, feels the sincerity choke him a little. Eddie laughs like he gets it, looks back down at the note.

"I'm almost insulted then, Steve." Something happens to his face then that crushes all of the leftover tension in the closet. Brings back the right one with a teasing glance back at him, Steve's heart stuttering again. "This little thing-" he waves the note, "-was written by a complete amateur."

It's the same game, same rules, but he's playing with a teammate now and it feels so much sweeter. "Oh yeah?" Steve tempts. Doesn't try looking a certain way, not The King or The Hair. Just Steve. "Think you could do better?"

"Mhm, certainly," Eddie drawls. He looks back down at the note, steps off the shelf but doesn't dare step closer. "Shouldn't expect much, it's just an invitation... but to encourage an appearance, one should entice the recipient with the truth." He takes a slow, single step forward. To Steve it feels like crossing the world just to get them closer. "I'll give the girl this, she got all this right. But it just scratches the surface, doesn't it?"

Finally, Eddie looks up, and his eyes are black holes that Steve never wants to fight and his smile one that Steve would blind himself on if it meant it was the last thing he ever saw.

It's a universal truth that Steve Harrington falls hard. But the way Eddie's looking at him makes him hope like a fool that Eddie fell first.

"Because based on what I've seen..." Eddie takes another step closer, enough for their feet to rest beside each other, their knees almost touching, "Steve Harrington isn't just considerate, or athletic.

"He's brave. Smart. Loyal. Selfless. Seems like he'll throw himself into danger if it meant he's saving a life." Eddie takes that last step forward, leans fully into Steve's space with an open expression that is at once confident-scared-hopeful-real. Steve wouldn't look away if his life depended on it, because dying under Eddie's touch, Eddie's words, Eddie's gaze, would be the kindest death he could ever have.

"He's kind, cares so much it's a wonder his heart has room for the blood that keeps such a perfect guy alive." Eddie's almost whispering now. The shelving biting into their every limb is second to the tension pushing them together. "And while handsome is true, I'd have rather used something like... gorgeous."

That's when Eddie's eyes drift down to watch the shiver those words send through Steve catch right on his lip. "Sounds much more fitting, don't you think, Stevie?" Eddie looks back up to meet Steve's, and it's the most exposed Eddie's ever seemed, the most seen Steve's ever felt.

Steve can't breathe, can barely move his head in fear of being scalded by the heat of his face. "Yeah..." he gasps out. Swallows, his voice shaking as he forces it to move. "S-something like that..."

Steve Harrington is stuttering. He couldn't be ashamed if he tried, because what else could a weak man do to survive this?

The last of Eddie's confidence slips then, like he's just as weak. "Tell me I'm wrong," he whispers, pleads. "Tell me all the wishing I've done all this time was for nothing."

Steve doesn't have to. All he has to do is take that final leap, grabbing Eddie's waist. It's the answer to the begging left unsaid.

Waits to catch Eddie as he finally, finally closes that last tiny space.

Eddie kisses Steve with the emotion of a hundred years of waiting, the ferocity of fearing it going away, but the care of never daring to let it go now. Steve kisses Eddie back with the desperation of a lonely man given a hand, the strength behind a promise of protection, and the love hidden away in his poor heart finally allowed to burst.

He's lost in the feeling - Eddie's hands in his hair, Eddie's body pushing them closer, Eddie's lips and tongue on his own, Eddie's sweet gasps of air between their mutual desperation. It's a beautiful push and pull that Steve never wants to win.

A hand goes to Eddie's jaw, holds it reverently, tracing the bone and skin and motion. Another goes down to the side of Steve's neck, a light pressure, feeling the pulse and air and swallow.

They don't dare leave each other's lips, can't move away from the tight hold trying to connect every inch of them together, barely leaves room to breathe. Eddie wants to bite, Steve wants to see, but the thought of leaving is impossible to them, so they don't.

Until there's a sudden knock at the door of the band hall that breaks the haze. Steve pulls away to huff in anger, glaring at the wall they're hidden behind to whomever is behind it. Eddie shakes his head at the motion, laughs quietly, pulling Steve's attention back like a moth to flame.

"Steve?" calls out a tentative female voice. If Steve wasn't so drunk on Eddie's everything, he'd feel guilt over the poor girl finally showing up.

Eddie, however, just grins like this is another stage. Pulls away - with much agony from them both - from Steve just enough to look out the door. Steve can hear the girl gasp in shock when he's visible.

"Sorry, sweetheart," Eddie calls out. They're still close enough for the sound to vibrate under Steve's hands through Eddie's entire being. "Haven't seen him!"

The girl mumbles out a profuse apology and promptly exits herself. Such a shame, that people don't want to be around Eddie. What a blessing, that that leaves him all for Steve.

Eddie barely has time to close the closet door enough to keep them hidden more before Steve breaks and surges forward again. Catches Eddie's mouth while he's mid laugh, Steve mid smile. Nearly splits his lip with the force, but Eddie soothes it with his tongue before it can sting.

"Still breaking hearts, huh Steve?" Eddie whispers against his lips. Steve backs away, for the sound of Eddie's words is far sweeter than the taste of them, and the sight of Eddie's eyes far warmer than them both.

"'S long as it's not this one," Steve whispers back. Kisses Eddie again right, if a bit chaste. "Wanna know it instead, if his owner will let me?" Can't help but beg even under Eddie's full attention.

But Eddie just takes it in stride. Grabs the hand on his face and pulls it down to rest over his heart. "It is a little broken already, I'm afraid." His expression falls, just a smidge, but Steve sees it like clouds over the sun. "Sorry for assuming the worst earlier. I'm still scared I'm gonna wake up..."

Steve just does his best to hold Eddie's hand back. "You dream of me?" he can't help but ask.

Eddie looks at him with a look of pure longing. "Can't dream of anything else."

Steve holds him tighter, everywhere. Hands, body, sight. Mind and soul and heart. "Would you let me heal you?"

The clouds pass and Eddie holds him back, bonking their foreheads together - "If you dare, rearrange me so you may fit between the pieces..." - before going back to his lips.

'I wouldn't want to be anywhere else...'

Steve barely knows Eddie, but he wants to try. Eddie barely knows Steve, and he wants to show him everything. Robin and the kids are going to go crazy with this, but Steve's willing to brace for the aftermath.

So long as it means this secret admirer will stay by him for their lives to come.

[jasperthejester]

me: finally accepting theres a good chance im autistic and starting to work up the courage to ask my parents to see if i could get a diagnoses but being scared to

my mom: do you ever think you have adhd? if you want to do a screening for add next time your at the doctors you can

me:

[dykekarkat]

too much nathan as the extremely obvious serial killer wielding only violence not enough charismatic manipulative nathan who corners you with his words first. i need more.