#wow! i love this story

[dickgreyson]

lichrally the first time patroclus is addressed in the iliad, its achilles like on a tuesday calling him 'divine patroclus,' could u imagine how insufferable it was to be around them?

[poorly-drawn-mdzs]

Happy one year anniversary to In Stars and Time!

[localraccconn]

barry keoghan u lil freak i love u so much

[contactlessdrivethru]

just finished opla mood

[daclium]

My metaphor doodles that I should post here too

[timethehobo]

Just finished Emmy’s personal questline and am too full of feels rn so all I have is a tiny doodle tonight. I love him sm. 😭

[hazieash]

Astrid about to use her new genjutsu

[ye-olde-trojan-horse]

remus was james’s gay awakening (he’s the casanova of gryffindor tower, so duh)

sirius was james’s gay ‘confirmation’ (they kissed once, and james knew he wasn’t straight)

then james said hmmmm I want a combination of both, and ended up with regulus.

[s-aint-elmo]

Falin has been nearsighted since she was little, and has a habit of squinting when she's looking at things. —Delicious in Dungeon World Guide: The Adventurer's Bible

she should have been at the optometrist's

(ID in alt text)

[astral-herald]

Viktor's (subverted) Aristotelian Tragedy

A common sentiment I’m seeing throughout post-finale Viktor discourse is an understandable concern or distaste for the element of choice lost throughout his story. I know a lot of us – myself included – expected more time spent on his transformation, along with emphasis on the anger/rage/betrayal fueling it. But seeing him allow Singed to “begin the process” in episode 8 reminded me of Arcane’s origins – tragedy. Bear with me for another long analysis :)

Aristotle wrote the following on the tragedy: “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself…with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” He also emphasized that the true tragic hero couldn’t be perfect, and his downfall into such catharsis-inducing circumstances was reliant on a fatal flaw, oftentimes pride.

Viktor fits this mold, as do many Arcane characters, and it stands to reason that this was intentional since the writing team has reiterated that the show is a tragedy, at its core.

Regarding Viktor’s fatal flaw, I’d argue it’s pride, but it manifests very uniquely. He never makes any grand declarations about his success and doesn’t draw attention to himself in any clear way throughout season one (“Progress Day” comes to mind). Instead, his pride manifests as staunch independence and self-reliance that lead to his downfall; his unwillingness to break his stoic mold arguably led to his use of the Hexcore…so it goes.

Fascinating caveat: Viktor’s pride is a defense mechanism, a necessary tool he built in order to survive and succeed in a hostile environment to people of his station. His self-reliance is increasingly desperate as his illness worsens. He’s cornered by fate but banks on the sanctity of choice at every turn – in season one, Viktor is bound by the conviction that we all have a choice. It’s why he’s so distressed when Jayce makes the wrong one regarding weaponizing Hextech.

“There is always a choice.”

Viktor’s choice to fuse with the Hexcore is the classic Aristotelian fatal flaw moment, the singular incident that opens the flood gates for eventual catharsis. We watch Viktor make an irreparable choice, one that we know to be bad, and endure the repercussions. He then makes the choice to abandon the Hexcore, and end his life, but audiences can’t shake the feeling that those consequences aren’t leaving anytime soon.

So why is Viktor so anti-choice in his final season 2, act 3 form?

Choice is Viktor’s weapon. Pride is what leads him to abusing it. Despite how uncomfortable and depressing it is to watch, Viktor’s slow descent into the Herald is a perfect twist of fate. The Arcane is even so insidious that it meshes with his original intent, to help those suffering in the undercity, while convincing him that their subservience is healing. He becomes responsible for their choices. He knows what’s best because he’s relieving the Gloriously Evolved of their suffering, right? The utopia is for the greater good, yes?

Admittedly, it was really hard watching act 3 Viktor descend fully into his choiceless ethos. But we can still relate it to his tragic flaw – his pride has mushroomed into coldhearted omniscience; not only does he know what’s best for everyone, evolution, but he also has the sense to make the choice for them to supersede their “baser instincts.” The grief we feel upon seeing this perverted, violent version of himself, as far removed from Viktor as possible, is the culmination of Aristotle’s treatise on tragedy. The catharsis is the rock-bottom Machine Herald.

"Choice is false."

But then Arcane decided to basically make Jayvik canon (get out of here, Christian Linke) and destroyed the early drafts of this post. I’m going to rapid-fire this next bit:

Jayce forces Viktor back to life. Viktor has no agency in his season 2 inciting incident. Again, it’s distressing when we mourn his agency, but it remains in accordance with Aristotelian tragedy.

Viktor clings to humanity as long as he possibly can. When Jayce calls out Viktor’s trajectory, alleging that his old partner had died in the Council chamber, whatever is left of Viktor gives way to the Arcane because his last tether has been snapped.

Jayce knows the game – Old Man Jenkins Mage Viktor told him so. Jayce becomes the linchpin in subverting Viktor’s tragedy. He knows what must happen. He understands now.

Machine Herald Viktor is given the chance to undo his fatal flaw, to reverse the catharsis, when he sees Old Man Jenkins Mage Viktor. With Jayce’s help, he takes it.

Given that it’s a version of Viktor who ultimately frees him from himself by empowering Jayce, we can gather that Viktor has liberated himself from his tragedy.

Aristotle’s catharsis is rapidly transformed from something based in release to something healing – Viktor’s tether to humanity returns. He grasps it. The walls of his pride and self-reliance collapse. He accepts Jayce’s help, finally being seen as the full individual he is. Catharsis ensues, for sure, but I don’t think it’s based in the typical tragedy genre.

All this to say, I think Viktor’s arc was, in fact, carefully constructed. He represents the Aristotelian descent into a fatal flaw and that’s very distressing to see unfold, especially since he embodied the tragic hero archetype so well from day one. However, Jayce undoes this narrative and we’re given an incredibly subversive ending that I, personally, never saw coming.

I’m sure that Mage Viktor has a much larger bearing on this analysis than I’m accounting for. But for now, suffice to say that he is Viktor’s way out of the tragedy. TALK ABOUT CHOICE!

This doesn’t erase anyone’s discomfort for Viktor having less and less agency, but I’d like to emphasize the logic and literary precedent behind the story decisions.

PS: here's a quick source I looked at about Aristotelian tragedies. I hope to re-up on Greek tragedies so I can get more specific about the parallels Arcane draws from them.

[aprikkaa]

I LOVE GREGORY RAAHHHH

+ bonus greg and evan!

[dragonnarrative-writes]

Transferrable Skills Part 2

Transferrable Skills Masterlist

You don’t often use your MyFet beyond finding a group or conference to attend. You periodically clear out your messages, just in case an acquaintance wants to reach out. So you almost delete the message from the anonymous profile on autopilot, but the subject line intrigues you.

Interested in Distance Play, No Punishments - 14 Hrs Ago

Intrigued, you open it because… at least they read a little bit of your profile.

I noticed your profile because of your self-rope pictures. The rest of your profile is very interesting to me - specifically your engagement in solo play and dislike of punishment. I liked the post you made about obedience as an ongoing active choice.

I’m a man in my 30s with a classified job. I travel a lot, and I’m looking for someone to have a strictly long-distance arrangement with. I’m interested in: non-restrictive rope, obedience, behavior modification, praise. I’m sure there’s more, but I’ve written this message six times. Please let me know if you’re interested in discussing.

Well, that’s refreshingly straightforward and devoid of unsolicited smut. You read the message again, then click into his profile. G_987654321_ It’s… pretty bare. But if he’s got a classified job, that makes sense, right? Location: Antarctica. His age is listed as 33, and he’s listed himself as dominant and seeking acquaintances and play partners. Not interested in hookups, interested in casual nudity, obedience, praise. Hard limits of degradation and humiliation.

It’s not much more information than the message itself, but it’s more than some of the men who have asked if you want to meet up in private. You review his original message and bite your knuckle. Worst case scenario, he’s some troll who will call you a range of slurs and waste your time, and then you’ll block him. Best case scenario… he means what he says.

What are you looking for? Who, What, When, Where, and Why?

You send the message and log out of the app before you can chicken out. Your inner voice is grumbling (stupid stupid stupid), but that’s normal. You let yourself watch two and a half episodes of your latest show, and then make a hearty dinner.

You’re surprised when you pick your phone back up. One new message.

The whole time you’re cursing the app for glitching and logging you out and forgetting your password, you’re sure it’s not him. Most likely, it’s an event announcement from a friend or a bot. But you like going to events, so it’s worth it.

It’s a message. It’s from him.

Who: You and Me What: Praise-based, goal-oriented obedience play When: Twice weekly when we’re both available, but I won’t always be available. Sometimes weekly, sometimes a greater time between meet ups. Where: Virtual meetings. Video preferred, audio-only acceptable. First couple of discussions will be text based until I can get secure video set up. Why: Mutual relaxation and well being. Sexual connection preferred, but obviously not required.

Having a guide was helpful. Thank you.

Well… That’s something.

—

You follow Simon towards the fighting, which is not where you wanted to go. When you point this out, he barely acknowledges except to say “You don’t want to go the other way.” So you keep low and stay quiet and breathe like he told you to.

He leads you down a few halls and you don’t bother trying to remember the route. He seems to know where he’s going. One or twice he has you stop while he checks around a corner, but eventually, he herds you into a small conference room. You freeze when you see three men, but Simon drops the muzzle of his gun to the floor, so you must not be in too much danger.

“Who’s this then?” A man in tactical vest and boonie hat steps forward, and you sidle behind Simon before you know your feet are moving. He gives you a considering look before looking to Simon.

The man in question fishes you out from behind his and plants you in front of him with a heavy hand on your shoulder. “Found Bambi wandering the halls.”

Boonie Hat’s eyebrows pop up. “Bambi?”

“’Bout scared the piss out o’me,” Simon confirms.

“Well, that throws a wrench in things,” the other man says. “But there’s nothing for it. Stow her for now, we’ll keep her safe.”

Simon’s hand guides you to the other side of the large table and pushes you gently into a plush rolling chair. He puts his huge body between you and the others, who look at you curiously,

“Eyes up, li’l fawn,” he intones.

You aren’t sure how well you hide the flinch when you see the skull covering his face, again. He’s quiet as you look between his eyes, clasps his gloved hands in his lap so you can see them when you look over him.

There’s a lot of him to look over.

Now that you’re not moving, you can see the brown spots on the edge of his mask, flecked on his tactical vest. His thighs spread a bit beneath his black pants where they meet the table. His biceps bulge, which is a whole different experience in person than it is online. Theres a gun on his hip, and a knife. Two knives. Three. How many knives does a man need?

Enough for everyone’s throats. You have to bite back terrified giggles.

“You’re gonna stay ‘ere,” Simon tells you, interrupting your musing. Your horror must be plain on your face because he shushes you, again. “Shhh. Easy. This wing’s secure. Can’t keep you safe if I’m wonderin’ where you’ve wandered to. Acknowledge.”

“What if something goes wrong?” you blurt.

“You follow Price if you can't see or ‘ear me. ‘e's the Captain, outranks me,” Simon answers. He points to Boonie Hat, then to the black man, who smiles at you, and a white man with a mohawk, who looks at you like you’re the most fascinating thing he’s seen all day. “This is Gaz, that's Soap. You can't find the Captain, you sit tight and wait for one of them to retrieve you."

“But-!”

“Acknowledge, Bambi.”

You swallow back tears. “Please don’t leave me alone.”

“’M goin’ where the guns are,” he answers. “’S my job to take care of you, right? Acknowledge.”

It’s hard to get the words out, but you do. “Acknowledged. You have to take care of me.”

“’M not always going to be able to do that the way you want. Acknowledge.”

“Acknowledged. Not always the way I want.”

“’M gonna keep you safe as I can,” he says. “’Nd it’s okay that you’re scared. But this is my job. ‘S not a scene. So I can’t negotiate. Acknowledge.”

“It’s your job,” you say, taking a deep breath and letting it out. Unfortunately, you can feel the day catching up with you, and your eyes start to prickle. “It’s not a scene, we can’t negotiate right now. Acknowledged.”

The one called Gaz approaches from the other side of the table. “Ghost, we’ve got to get moving.”

Before you can integrate the realization that Simon is apparently called Ghost, the other one, Soap, peeks around Simon’s shoulder with a raised eyebrow. “This your bird, LT? Le’s get her tucked away, aye?”

Something about the way he asks if you are Simon’s bird, his girl, flips a switch in your brain. Because you’re not Simon’s girl. You’re not even supposed to have ever met in person. You’re an online sub, a weird, awkward, anxious person who couldn’t find an in person connection. And yeah, Simon-Also-Called-Ghost is an online Dom but apparently that’s because he’s running around Europe rescuing people from hostage situations!

It’s a little much.

You suck in a breath through your mouth as everything gets blurry with tears. Your whole body shakes with the sob that you try not to let out. You simultaneously want to lock every muscle in place and curl up on the ground to die.

A hiccup shakes you hard enough that you almost fall out of your chair.

Simon’s gloved hand grips the back of your head, and you’re guided to press your forehead against his thigh.

"Shhhhh," he whispers, and you can almost pretend that you’re listening to him in your ear from thousands of miles away. His pants are tough and scratchy, nothing like your pillow, but the steady pressure of his hand is so steadying. "It's okay. I know this isn't a scene, but the same rules apply. You feel overwhelmed, don’t know what to say, you hold up 4 fingers. No punishments for feeling something. Show me."

Holding up 4 fingers feels familiar. The way his hand cups the back of your skull doesn't. But it's still nice.

Sooner than you’d like, Simon guides you down off the chair and under the table. You can’t pay attention to the others, though you can see their boots on the other side of the room. Instead, you keep your eyes on his his right hand, stuck on the inane detail of skeleton themed gloves. Your dom wears skeleton gear to work. His work is killing some people and saving others.

That hand cups your chin and makes you look up into his face. His eyes are dark, piercing. His voice, when he speaks, sends shiver down your spine. “Stay. Acknowledge.”

You’re already about as low down as you can get, but you still duck your head as much as you can while keeping eye contact. “Acknowledged. Stay.”

His thumb caresses your cheek for a long moment. And then he’s standing. Chairs are pushed in to surround you, and four pairs of heavy boots dash from the room.

You curl up, hug yourself, and let the tears fall.

You wake up with a start. Your whole body hurts, shoulder and neck and hips tight like they haven’t been in a long time. And of course they are. You’re on the ground, lying under a conference table. Why the hell are you under a conference table? You’re not in college anymore, you’re too old for this shit.

And then you see a pair of huge boots round the edge of the table and remember.

Your heart is in your throat as two chairs are shifted away and a huge form drops into a crouch. A part of you flinches back from the mask, the tactical clothing, the blood you almost can’t see shining on his boot. But then you see those eyes and think, Oh. You came back for me.

[somerandomcockroach]

I tell with all seriousness that after watching Cyberverse the first thing I wanted to do is reread Local Trains au by @ryuki-draws

I think every time I will be rewatching specific moments in Cyberverse I will go and just read this comic again....

[alarts]

finished veilguard a week ago and loved loved loved the final slideshow and the pose their story ended with so I had to redraw it in my own style... their love endured <3

[my-darling-boy]

(TW injury description)

I am SO glad you asked I lose my mind over this man. Sidney Beldam! He’s most known for his miraculous recovery from a major facial injury sustained while he served as a young sergeant in the First World War. If you’ve read the Facemaker by Lindsay Fitzharris you might recognise him! Sources differ slightly about his story, so I’ve pieced it together as best I could. The photos below were from about February 1919!

Born in 1897, Sidney was about 17 living with his mother in Cambridge, England when the Great War commenced. While he didn’t enlist initially, he was soon conscripted when it came about in 1916 though thankfully he was in a non-combatant role driving lorries transporting soldiers to boats headed for France. It’s where he learned he enjoyed driving! However in April 1917, Sidney was transferred to the Machine Gun Corps and eventually rose to the rank of sergeant where only 7 months later, his life would change forever.

During the battle of Passchendaele, one of the muddiest most gruelling segments of the war, Sidney was on the frontlines when a shell burst, sending a shrapnel fragment tearing diagonally through his nose and the right side of his face. The young soldier collapsed face first into the mud which ended up saving his life as falling backwards would have caused him to choke on his own blood. For three days Sidney laid in a mangled heap floating in and out of consciousness while vermin scurried about his body and the other dead and wounded around him. No one would ever know the details of those agonising three days, but the trauma he experienced there left him with a lifelong phobia of rats and cockroaches. After the initial wounded had been cleared out, a wandering band of stretcher bearers discovered Sidney alive after one man touched him with his boot fully expecting him to be dead. Miraculously, he was still clinging to life.

The 19 year old sergeant was rushed down the line and then transferred to two different military hospitals where his wounds were hastily stitched in an effort to save his life before infection could spread. Unfortunately, closing the gap where he was missing flesh in his cheek caused his upper lip to be pulled into a sneer and a sunken depression formed where most of his nose was missing around the bridge. Still, he was lucky to be alive, which he later used to remark. Well he was luckier still as he would be transferred to Sidcup military hospital in Kent where he would become a patient under Sir Harold Gillies, the man often considered the pioneer of modern plastic surgery. When he arrived at hospital in 1918, his wounds were healed but his face still bore the heavy trauma of his experience. If you want to see his photographs upon arrival, I won’t post them here but if you search his name, the photos are everywhere. IMO they’re not graphic but I know it can upset some people.

Gillies went to work trying to restore Sidney’s face. This required him to reopen the wound in his cheek where a skin flap was grafted to allow his upper lip to return to normal. He also folded down a skin flap from his forehead in order to create a new nose. Behind his facade, a series of tubes and canals had to be inserted for proper sinus drainage and other unnamed functions. While his initial handful of surgeries did most of the work to reconstruct his face, Sidney underwent over 40 surgeries between 1918 and the 1930s, some reconstructive and some to evacuate the tubes behind the flesh, meaning the common cold was a routinely painful affliction for him. Gillies understood operations were traumatic for the men at Sidcup, especially since most required more than one, and so made a point about creating a lighthearted ward environment, one Sidney says was quite jolly with the staff doing everything they could to make them feel comfortable and dignified as possible. And while I thought the topmost photos were the most updated case study photos for his recovery, I stumbled upon another set from 1920 in the Faces of War by Andrew Bamji I have not seen posted anywhere!

And lads listen. In such a sweet little twist, while Sidney was still recovering from the bulk of his major surgeries, a local pianist by the name of Winifred volunteered to play for the resting servicemen, all of whom had some form of disfigurment or amputation. Carrying in her sheet music, she and Sidney laid eyes on each other for the first time and she later remarked how his smile instantly lit up the whole room! For them, it was love at first sight. The two were soon married, and although it was in the 1920s, I don’t have an exact year for this. This most likely came after Sidney was finally discharged from service in 1921. There is a photo of their wedding and y’all look how SWEET!!

Between his initial surgeries and army discharge, Gillies asked if Sidney would be his personal chauffeur, an offer he took up quickly as he loved driving from his time with lorries during the war. One somewhat humorous account tells of Gillies—who was a bit scattered at times—asking Sidney to renew his driver’s license as the surgeon left it until the last day to take care of; Sidney in a rush waited in a long line at the county hall before jumping the queue and begging the administrator to expedite his employer’s license as it was needed to drive him to the hospital the next day. The man refused, even for a surgeon to get him to his patients. Sidney went to another staff member who was friends with Gillies and begged him the same. The man cheerily agreed but was still in need of a signature from the stubborn administrator who again refused... at least until he found out Harold Gillies nearly won a golfing championship, at which point he took Sidney to his personal office to expedite the license as he was happy to do business for a skilled golfer (apparently saving people’s lives doesn’t matter as much??). A no doubt perplexed Sidney was finally able to get back to the hospital on time!

After his army discharge and most likely about the time of his marriage, Sidney moved back to Cambridge where he worked for the council as a rent collector. He was so well liked, apparently even from the people he collected from, that he soon worked his way to Housing Manager for Cambridge. About this time, he had a daughter, Pam. Every account I read of him, people gush about how sweet he was. His wife recalls how Sidney was always adored by all his family and friends. His granddaughter Marilyn McInnes in an interview said, “He was the most warm and optimistic and loving man. I adored my grandfather, I was constantly on his lap as a small child. I never noticed anything funny about his face, I guess I thought all grandads looked like mine.”

Sadly, Sidney Beldam passed away from cancer at about 80 years old in 1978. But considering the man was given 6 months to live and ended up living for 60 years more surrounded by a large and loving family, I’d say he certainly had a full life. There is a picture of him and his wife in the 60s and they are absolutely charming!!

But anyway that’s me done rambling I’ve a massive crush on him. His story makes me genuinely happy to tell and I’m so glad you asked!

[unproduciblesmackdown]

Lackadaisy Enrichment