#worn in New England

[silkdamask-blog]

A special #FootcandyFriday from on-site at the @WoodmanMuseum where we are opening an exhibition 4/6 I have had good fortune to work w/ all 3 pairs of shoes TY to @unhlibrary & @MoffattLaddHouse for the loans for ‘Combing History: Flax and Linen in New Hampshire.’ @unhresearch

[marzipanandminutiae]

ok but what are YOUR favorite and probably real victorian funfacts?

There genuinely were some doctors who thought riding in trains would cause uterine prolapse [uterus falling out], when trains were new. The concern was that the vibrations from travelling so fast would break the fibers connecting the uterus to the abdominal wall. Unsurprisingly, this did not stop women from riding in trains. Because fuck that noise- trains!!!

One time in the 1840s a bunch of doctors shellacked live horses and rabbits and concluded, when the animals died (probably from heat exhaustion after being unable to sweat), that they had suffocated and that mammals breathed partially through our skin.

Some beauty manuals of the era may have created accidental sunscreen. Occasionally you see advice to wear cold cream on your face when going out, to prevent sunburn. This probably mostly didn't work- but some cold cream recipes contained zinc oxide for a "white foundation" effect, due to beauty standards favoring very light skin, which may have created a low-level SPF. Other manuals also advocate sealing the cold cream in with powder...which even more frequently involved zinc oxide.

A dentist may have gotten away with a malpractice death by blaming tightlacing. A 23-year-old maid named Annie Budden, of Preston, England, went to have a tooth pulled in January of 1895 and suffocated after the procedure, during which she had been dosed with nitrous oxide. The dentist said she was tightlaced and therefore the coroner ruled that he was not at fault- however said dentist claimed that her natural waist was 23" and her corset measured 18". Presumably that's the closed measurement, and corsets were commonly worn with at least a 2" lacing gap at the time (one corset ad I've seen mentions that women liked to give the theoretical closed measurement of their corset as their waist measurement, to make it sound smaller, while actually wearing it with the customary gap). Ergo, she was only laced down about 2-3 inches, a difference unlikely to cause asphyxiation. The fact that she worked as a maid similarly calls the assessment into question- how could she have successfully done physical labor while laced down in a way that diminished her lung capacity so much? Her employer vouched for her good character and excessive tightlacing was seen as vanity- and would have been noticed by making Miss Budden look out-of-proportion physically. That doesn't add up either, to me. The dentist went on to become mayor of the town where this all happened.

That thing above started as a fun fact about the only credible death due to tightlacing and then I looked into it more and now I'm just mad.

Justice For Annie Budden

Sorry this has gotten off-track but I'm still mad about the whole Annie Budden thing

[fashionsfromhistory]

Winter Ensemble

1880s

Anyone living in New England realizes that dressing in winter means dressing for warmth. A stylish few, however, somehow manage to combine warmth with elegance. This ensemble was purchased by Miss C. L. W. French of Roxbury and Boston, Massachusetts, from Mlle Lipman's establishment in Paris for the lavish sum of 1,600 francs. Miss French surely would have impressed anyone as she strolled along the Commonwealth Avenue mall or rode down Beacon Street in a sleigh.

The original bill and a photograph of one of Miss French's relatives wearing the dress in 1920 were also given to SPNEA. Along with the photographs, the donation included a program from a Suffrage Pageant in 1920. This tantalizing bit of evidence suggests that Miss French may have been a suffragette, for this dress was worn in 1920 by a relative at a celebration of the Nineteenth Amendment awarding women the vote.

Historic New England (Accession Number: 1990.507A-G)

[woso-dreamzzz]

Ma'am: Christmas

Aitana Bonmatí x Royal!Reader

Summary: Christmas in the Ma'am Universe

"Is it worth setting Real Madrid on fire?" You wonder aloud as you lay across three different seats in the friends and family box, throwing a tennis ball up and down thoughtfully.

"I'm afraid that might cause a diplomatic incident, ma'am," Your ever present bodyguard says gruffly," It doesn't belong to you."

You sigh, long and drawn out. "I guess." You think for a moment before sitting up. "Should I buy it? And then set it on fire?"

Your bodyguard, tall and serious and dressed entirely in black and wearing shades you're ninety percent sure means he can't see anything when the sun goes down, doesn't even let his lip twitch. You suppose he's meant to be intimidating with his stocky shoulders and large frame but he's holding your puppy Rufus, fast asleep in his arms, and shivering slightly in the cold air.

"Well?"

He sighs. "Why would you want to do that, ma'am?"

"For a Christmas present. For Aitana. It would make her happy, I think. For Real Madrid not to exist anymore."

"Has Her Royal Highness asked you that?"

"Well...no...but-"

"Then perhaps it's best that you refrain from that, ma'am."

You huff. "I don't think I want you holding the prince anymore."

That manages to get an upwards quirk of the lip from him though as you take poor sleepy Rufus from his arms. "Don't worry, Rufus," You whisper to him as you both watch Aitana walk onto the pitch with the team," We'll find something for your Mami that she'll love for Christmas."

Christmas for you have always involved pomp and ceremony and now that includes Aitana too. The family had their traditions and you were expected to abide by them.

Aitana hadn't really thought about how her life would change by marrying you. A lot of it hadn't. She could stay in Spain and with Barcelona and still play football. She could come home to the apartment you and her lived in with yappy little Rufus where you'll be at the stove, cooking up some monstrosity that she would eventually save you from after showering.

But this was Christmas and you were both expected at the Sandringham Estate to celebrate with the family so it wasn't going to be a quiet, private Christmas spent with just the two of you.

You had your traditions, which is what Aitana assumed this was.

"A present? It's the start of December."

"I can't give my wife a gift?"

No matter how many times you said it, Aitana could never stop the smile appearing on her face at that word.

Wife.

Your wife.

It was the new title that Aitana loved the most.

Because that was what she was.

Your wife.

"I...I haven't gotten you anything extra," She says," Was I meant to?"

You shake your head, pressing a soft, chaste kiss to her lips. "I'm the one that's changing Christmas for you. It's going to be different this year so I'm sorry. It's the least I could do."

"You're so sweet."

You grin. "I was planning on setting Real Madrid on fire but I was persuaded not to."

Aitana laughs, another kiss landing on you.

The gifts pile up after that.

For every day leading up to Christmas. Not one day is missed and you're both there to watch her open it, in front of the Christmas tree and happy little Rufus and his silly little puppy smile.

Jewellery, clothes and more practical things like a new pair of boots because her own were getting worn out or a book series she'd only mentioned wanting once in parting.

The gifts piled up and you didn't even seem to care for anything in return except for maybe a kiss.

"Tell me what we're doing later," Aitana says as you both lay back on the bed in the private jet," What should I expect?"

You'd delayed it as long as possible, letting Aitana have that private holiday season she had wanted. But you couldn't delay it forever so early Christmas Eve, had you both (and Rufus) flying back to England to join your family.

Aitana's fingers trace a pattern over the skin of your arm as you relax back into the pillows.

"Well William likes to play a game of football before dinner," You tell her," I expect you to show him how it's done and win. He's so excited to see your skills up close. But he'll be wearing stupid Aston Villa socks so be sure to tell him he looks stupid."

"So win a football match? I can do that."

"We do presents on Christmas Eve too. And then when all the kids go to bed we have a black tie dinner. I checked with Father though and our son can stay up and come."

Aitana laughs. "You don't have to keep referring to Rufus as our son, you know."

You frown. "Why wouldn't I? He is our son."

She laughs again. "What's next? Christmas Day? What do we do then?"

"Well, we usually go to a Christmas service but you don't have to come if you don't want to. After that, we'll have to go back to Buckingham Palace. That's where Father wants to broadcast his speech from this year."

"And we're coming too?"

You grin at her, biting your lip and leaning close to whisper in her ear. "I'm saving up a present for you. But you can't tell anyone."

"I can keep a secret."

And it's a secret Aitana does keep for the next day.

She does end up on a cold, English football pitch against your eldest brother and she does end up humiliating him much to your delight.

She plays circles around everyone like the professional she is and chooses William wearing the Barcelona kit instead of his favoured Aston Villa one as her forfeit.

Her pile of presents is large and not even all of them are from you but the ones that are, are her favourite.

Your own presents range from things you actual enjoy and want (from people like your father and auntie Anne) to gag gifts like one particular shirt planted with Aitana's face from your brother that you wear proudly before being forced to take it off for dinner.

"See," You whisper to Aitana with a grin," Not all English food is bad."

She looks down at her roast thoughtfully and purses her lips, fighting back a smile.

You poke her cheek. "Is that a grin? Is it? I think it is! I knew I would convince you one day!"

Aitana allows a weak smile on her face. "There's outliers in every cuisine," Is all she offers," I stand by what I said. Spanish food is better."

"Yeah," You laugh," That's why you've been eating all the Yorkshire puddings."

"They're nice! You should make these at home."

You kiss her hand with a wink. "As Her Royal Highness commands."

It's not the first time Aitana's been to Buckingham Palace but there's a different feel to it during the holidays. There's a tree in practically every room and festive lights hung up everywhere they can be fit.

You're giggling as you lead her through the halls, a pretty smile on your red cheeked face. You had a bit of liquid courage earlier in the form of a spiked eggnog that Kate had given to you before you and Aitana set off back to London with your father and his wife.

"Where are we going?" Atiana giggles as well," What is it?"

"Okay," You say, finally skidding to a halt in front of a pair of ornate doors," Close your eyes."

"You can't be serious-"

"Please? It'll ruin the surprise!"

"Fine."

Atiana closes her eyes and allows you to lead her into the room.

"Careful," You warn her," We're going up some steps. And then turn...Yeah, like that...And sit."

"Can I open my eyes now?"

"Just give me a moment."

Something is placed on her head and Aitana gets the feeling that she knows where she is.

"Okay," You say," Open."

You're on your knees in front of her, head pillowed on her thigh as you sit between her legs on the little dais.

"Beautiful," You say.

"You know I'm not meant to be sitting on this," Aitana says though she makes no movement to lift herself off the throne.

"But it suits you."

Aitana hums, lips pressed together thoughtfully as you plant a small kiss on the inside of her thigh. "You spoil me."

"Yes."

She frowns. "You'd do anything I asked."

"Don't say it like it's a bad thing," You say, eyes wide earnestly," It's not a bad thing. I'll do anything for you."

"Even now?"

You nod. "Even now."

Aitana grins at you, some of her own liquid courage swirling around her body as she widens her legs and fists her hand in your hair.

"I think you know where I want you."

[hellotailor]

Apologies if you've already done a post on this and I've just missed it, but can I ask for your take on the pyjamas worn by the cast of interview with vampire? I mean technically they're not a 100% necessary item, but just from a quick look there seems to be a lot of variety and they do change over the series

ok, i’m delighted by the specificity of this question, and it turns out that i have a VERY extensive answer.

there’s a lot of sleepwear in IWTV due to the volume of bedroom/coffin scenes, and like any other outfit, these costumes are shaped by characterization and historical period. for instance claudia initially wears a long, modest, frilly nightgown - an old-fashioned style that plays into her girlish doll wardrobe purchased by louis and lestat. however her sleepwear matures over the years, including a trendy lace nightdress with bloomers in the 1920s (note the rectangular silhouette), and a pink padded jacket/pastel robe outfit in 1940s paris. she's following contemporary trends while charting a visible trajectory from child to adult.

when i wrote about the Théâtre des Vampires coven costumes, i noted that while their wardrobes share certain themes (ie. monochrome patterns and stripes), they each have specific personal tastes. that holds true for sleepwear. in the S2 finale we see the coven going to bed in their coffins, with Eglee in a gorgeous (maybe 1940s?) robe, Celeste in a striped pajama suit reflecting her 1920s-30s cabaret style, and Armand in a plain grey set of prison jammies because he's Suffering.

of course, the star pajama outfits all belong to Louis and Lestat, playing into their wealthy domestic aesthetic in S1. they receive multiple bedroom/coffin scenes, and Lestat's gold Leyendecker robe is obviously iconic.

touching on the historical side of things for a moment, pajamas (as in a matching buttondown top and loose pants) were popularized in the western world in the 19th century, as a repurposed south asian import - kind of like how banyans became trendy among the upper classes in 18th century england. this was when loungewear started to catch on as a concept, both in terms of dressing gowns and smoking jackets (which you could wear while socializing at home) and actual pajamas, which became unisex in the 1920s.

back in his human life in the 18th century, Lestat probably slept naked or wore a shapeless white nightgown (and possibly a nightcap, the sexiest of garments). but in New Orleans he adopts Louis' lifestyle, which involves a luxurious wardrobe of fashionable menswear. they're both into shopping and looking good, and i think they enjoy the ritual of getting dressed together each night.

(i also have a personal theory that Lestat may prefer to sleep fully clothed because his formative traumatic memory involves waking up naked in the dark. after all, he doesn't need pajamas to stay warm, and he doesn't have a recent habit of wearing them in his human life like Louis does. then again, maybe he just enjoys having a new outfit for every occasion!)

in Dubai, we only get one scene (iirc) with Louis and Armand in their pajamas, lying in bed wearing outfits that tie into the striped prison bar imagery of their bedroom. Armand is in warmer brown tones (like his Paris wardrobe) while Louis is in black and grey, like the rest of his Dubai outfits. i'd also note that this is the one place where they're genuine in private, meaning that they aren't putting on a show for Daniel. so this is potentially Armand's most relaxed costume in the present day.

the fact that they're wearing this kind of old-school sleepwear feels very appropriate for their whole deal, imo. in the 21st century, a lot of people just sleep in boxers and t-shirts or whatever. there's a slightly 20th century vibe to wearing a full set of buttondown pajamas, and Armand's outfit reads as more stylish (and possibly more wealthy) than your average millennial guy. which makes sense! they're old men.

i think we can assume that every single thing in their Dubai home is ferociously expensive, even when it doesn't need to be. considering the way Louis gives himself a modern makeover in the finale, i do wonder if he'll switch over to sleeping in t-shirts etc next season, or if he'll stick with variations of the same sleepwear he wore during his mortal life.

p.s. all of my iwtv design posts are available on this tag!

[taylorswiftstyle]

On stage at Eras Tour | London, England | June 23, 2024

Tiffany & Co 'Diamond Wire Ring' - $2,675.00

The Eras Tour costuming has been unique in many ways but one that I've noted specifically is the care Taylor has taken when it comes to accessorizing over the course of her three hour set. There are dedicated necklaces worn during the Lover set to coordinate with a particular bodysuit. She wears a 'RED' merch replica of her Cathy Waterman 'LOVE' ring during the RED set. These are obvious bits of costuming that take the immersion of the show into that time period's era that one step further - because details matter.

Taylor doesn't typically wear personal pieces on the stage, though that's changed somewhat since last summer when she added a few new lobe piercings to her ears and she's since opted to wear her own earrings on the stage. But my eye happened to catch a new addition to her ring stack on Night 3 in London with what appears to be a T&Co ring. The 'wire' design is iconic from the Tiffany's T collection and, of course, features two T's mirroring one another.

Photo by Gareth Cattermole via Getty Images

[tradgedyinwaves]

Touch - Ch. 2

Poly!141 x chunky!reader tw: little creepy at the end, stalking vibes

By the time the other three members of Task Force 141 made the drive to Ghost’s hometown, he had already determined where you were living by following you from the market and was back in his own flat, swirling a glass of whiskey. The team sat down to make a game plan, almost treating you as if you were one of their missions while sitting around Ghost’s beat up old dining table. You’d be theirs, one way or another. 

A Week Later, Saturday. 

Bleary weather had plagued Manchester for the last few days, gray clouds hovering overhead while you attempted to find your motivation for your job. It wasn’t helpful that you’d received news from your mom that your cousin and Kit would be getting married soon. A brick settled in your stomach at the news, ending the call with your mom quickly as you forced down the tears you refused to keep crying over him. 

In an effort to cheer yourself up, you headed out of your flat and down the street to the sweet little flower shop you’d found your first week in Manchester. The owner, Magda, was a kind, gentle old lady who essentially took you under her wing when you had trouble finding your footing in the new country. She’d been a boon to you, telling you the best shops for everything from groceries to clothes. You’d helped her find her cat when the mangy thing had slipped out the back door to fight the stray living behind a neighboring shop.

The bell chimed above your head, banging against the worn wood. You were immediately greeted by the scent of the most beautiful flowers and Magda’s voice talking a man through the best choices for an apology bouquet. You caught her eye over his shoulder and waved, a soft smile on your face as your eyes drifted to the back of the man’s head.

He easily stood a foot and a half taller than the elderly owner, cropped mohawk adding to the already egregious height difference. His shoulders were broad, though not quite as broad as your masked man back in New York. Why were you thinking about him all of sudden? You shook your head, clearing your mind like an etch-a-sketch and headed straight to the hyacinths and lilacs, wanting the sweet scent of your favorite flowers to brighten up your flat and completely missing him turning to take you in.

“Pretty flowers. Almost as pretty as you.” A low voice startled you out of your reverie, spinning on your heel to face the man Magda had been helping previously. Now, you could see that his eyes were a shocking blue and the lopsided smile he provided you made your heart stutter against your ribcage. But the size of him was what intrigued you. 

You’d accepted that this was the way you were now. Despite doing months of working out and eating well, your body hadn’t changed much from when you’d left the States. The cleaner food of England helped you feel better though, breathing a little life back into you after everything you’d dealt with. But that also meant that men weren’t as courageous in approaching you, their bravado faltering in the face of society's expectations. So when an attractive man approached you, blatantly flirting, your first response was to think it was a joke, snort and walk away, effectively blowing him off.

A gentle hand on your shoulder a few minutes later had you whipping around to ask what the guy's problem was, but was greeted by Magda instead. Immediately, you looked around for the mohawk guy, but he was nowhere to be found and you could have sworn the bell hadn’t dinged against the door. Weird. Bringing your gaze back to the elderly woman, you raised a brow at the scrap of paper in her hands. “That sweet young man paid for your flowers and left this as well,” Magda handed you the piece of paper with a number and a messy name scrawled at the bottom. 

Johnny. 

You’d gone home with your overly expensive bouquet and the scrap of paper after, staring down at it as if it would burst into flames at any moment. You took a deep breath, telling yourself “Why the hell not?” as you punched the number into a new message chain. 🪻: Uh, hi. Is this Johnny?

🧼: Ay, it is, Petal.

🪻: Petal? 

🧼: Well, I don’t know your name, do I?

He made a good point, making you sigh as you released your own name to him in spite of your reservations. But maybe, just maybe, you could manage to make a few friends if he ended up not being interested in you.

The next few days were spent lounging around your flat, going to work, and texting Johnny. What you didn’t know, though, was that he was reporting everything back to his boys. It had only taken Simon’s word and the one picture to have each of them wagging their tongues and readying their arms to protect what they now saw as theirs.

By the time you were winding down on Wednesday night and brewing tea that Johnny had insisted you know how to make, you were smiling at your phone that lit up every few minutes with his messages. The two of you had discussed everything from your favorite color and food to what had brought you to England. When he’d heard the details of that night, sans your interaction with Ghost, and paired it with Simon’s recollection, he’d been furious. His fingers tightened around the phone to the point that Price had taken it from him in an effort to not have to buy another replacement.

Simon had been in the same boat as Johnny, opting for stomping out of the flat to walk off his rage and guilt, feeling it gnaw at him for not stepping up before and then abandoning you after. His feet carried him to your building, watching from the ground as you paced around your space. When your pacing brought you in front of the window, you paused and looked through the glass, heart hammering as you saw a dark shape of a man standing on the sidewalk. But the light of the lamp posts made one thing stand out very clearly,

the white skull painted on his mask. 

I didn't want to offend any Scots with trying to type out Johnny's accent. I have a feeling this is going to turn into some long winded fic, so buckle in if you're ready for that.

Thank you so much for your support!

[hometoursandotherstuff]

Delightful 1860 stone folly, (a building that has little or no function, and pretends to be something that it is not. The building of follies was especially popular in England during the 18th and 19th centuries), in Gloucester, UK. 3bds, 2ba, £525k / $685,230. The house needs some refreshing- the carpeting is worn and some of the walls seem yellowed.

I love the pink fireplace and the chandelier. It will need new flooring, though.

The wallpaper in the dining room is cute, but it looks yellowed. The carpet is shot, too. It's a sizeable space, so it could look very nice.

The large kitchen looks like a playhouse kitchen, doesn't it?

The large family room features sunny yellow walls, a painted beam, and turquoise fireplace.

Vintage bath with some fancy tiles.

In the primary bedroom, the bed should probably go into the nook on the right.

This is cute. I really like the closets.

Isn't this adorable? Some cute and colorful furniture would be amazing in here.

The 2nd bath is blue, which could be nice.

Oh, this smaller bedroom also has a built-in nook. Very nice.

Larger room that fits 3 beds. It could also have a nice sitting area and desk if it has fewer beds.

I like the tile in this bath. Victorian toilet and stained glass window gives a vintage look.

Tiered patios in the back.

Two stone outbuildings.

Lovely pond.

The original little folly was expanded to make it a large home.

https://www.rightmove.co.uk/properties/152084159#/?channel=RES_BUY

[enwoso]

SEXIER IN BLACK! — lucy bronze

*something that’s been in my drafts for a few weeks, sorry for the lack of fics but i am writing little bits in between studying but exams are nearly over so should be able to get more done soon<3*

navigation

“black or pink?” you questioned holding up a black satin dress where the straps crossed over the front and in the other some a matching light pink suit. lucy looked up from her phone as she lying on the hotel bed. looking back and forth between the two outfits several times.

you were leaning towards the black dress, it being a while since you had worn a dress or even had the excuse to dress up fancy. so what better excuse than lucy and the lionesses going to an award show. although you weren’t nominated for anything due to spending half the season out with an injury - you still wanted to be there to support lucy and the other girls.

you and lucy went way back and had been friends for a while before any feelings actually came into the picture. knowing of her since you began in england U17s youth teams.

it not being until you were called up to the senior team, and she took you under her wing, lucy having joined a year earlier that you started hanging out more often, until you both confessed your feelings for each other — ever since then the two of you had been inseparable.

the award show was paying tribute to young and upcoming stars both domestically and internationally, the girls being nominated for their work done at the euros. it also being a chance to see new and old faces.

“hmm.. well you do look adorable in pink but-“ your girlfriend pausing, her face deep in thought you could see the cogs moving behind her eyes as she looked between the two outfits still not giving you an answer.

why was the girl so indecisive?

second felt like hours had passed and she was still looking between the two outfits, the clock ticking and you already didn’t have a lot of time to get ready as the two of you decided to have a thirty minute nap which actually was two hours.

“so i’ll just pick the pink then?” you ask, your arms getting sore from holding up the two outfits for so long like some sort of clothes statue.

“no, no!” lucy quickly said as she moved to sit on the side of the bed, “you look cute in the pink but the black.. you just um what the word..” lucy continued, she was dragging it out on purpose now knowing how short of an attention span you had to begin with and how much your hated waiting.

“you look sexier in black” lucy smirks, as your stomach begins to do flips. “so go with the black!” she confirms her answer as you nod satisfied that you had finally gotten an answer from the girl.

“could have just said that in the beginning!” you mumbled, but still loud enough for lucy to hear you as you turned around to move back into the bathroom to get changed.

placing the dress down on the counter as you began to get changed, the black satin dress which hugged your curves just right and for once maybe lucy was right — you did look sexier in black.

not that you would ever admit that to your girlfriend’s face knowing the smug smile you would get if she knew you thought she was right.

the ego of hers did not need to be boosted anymore than it already was on the daily,

fixing the straps to ensure that they sat on your chest in the correct way, feeling a pair of eyes staring you down from the doorway.

moving your head slowly to the direction of the doorway, your eyes were met with lucy as she stood in the doorway a large oversized hoodie which will definitely make its way into your wardrobe later, and some shorts that she always slept in.

little flyaways coming from her bun as her hair was all messy from the nap the two you you had just woken up from but still she managed to look gorgeous, her tattooed arms standing out as she stood with a giant smirk across her face.

“yeah?” you asked wondering she she needed anything as she stood there in her own thoughts, while you began to rummage through your makeup bag for a certain product.

“oh nothin’ just admiring how beautiful my girlfriend is!” lucy smiled as she came and wrapped her arms around your waist her head resting on your shoulder.

“mhm that so?” you mumbled as you began to press makeup into your skin, drawing lines and dots on your face.

“why are you even puttin’ that on your face?” lucy asked, as she focused on you dabbing your face as the product blended into your skin. lucy of course knew the basics about make up but she didn’t wear it a lot — in fact very rarely. the most makeup she wore was mascara other than that her makeup supply was very limited.

“makes me look more put together!” you shrug as she hummed, “you look gorgeous with and without out!” lucy whispered as she placed a gentle kiss to your neck, a grin appearing on your face like a child at christmas.

you carry on with your makeup as lucy does everything in her power to slow the process down by teasing you.

placing sloppy kisses to your sweet spot on your neck, sucking slightly on it every few seconds as you body tried to remain calm, your head had other plans.

“luce, please… you need to go and get ready” you squeaked out. however you weren’t sure if you were wanting her to stop and listen to you or if you were wanting her to carry on kissing you.

your breathing increasing with each kiss she placed on your body. seconds beginning to feel like hours as she removes her hands from your waist, lifting you so you were now sitting on the bathroom counter.

kicking the door shut with her foot, as she placed on hand on your lower thigh and the other moved up to your cheekbone and gently tucks the loose strand of your hair behind your ear.

you swore you could hear her pulse as she brings her lips to yours as you can feel the fire crackle under your skin. the same feeling you get in her tummy as you did when you and lucy had your first kiss appears once again.

if there was one feeling you could have for the rest of your life — this would be it.

you don’t let yourself think about how your going to explain to the rest of your teammates why the two of you are so late.

all you wanted to focus on right now was the way her hands slowly roamed your body, your body feeling flushed just at her touch.

the way her mouth tastes, the way your tongue somehow knows how to follow hers and the way your hands grip her neck to pull her closer into you.

burying your fingers into her hair, tugging gently at it as her hands find their way fumbling with the straps of your dress. feeling the smirk on her face as small whines fell from your lips as she nipped and tugged at your body.

“lucy! y/n!” georgia yells banging on the bathroom door startling both you and lucy as you jump away from each other a the sudden noise. “are yous’ in there” a thick milton keynes accent of leah williamson sung out as they both began to bang on the door at the lack of the answer.

“hang on!” lucy yelled back, while the two of them still banged on the door — probably just to be annoying.

lucy helped you down, smiling as she kissed you one last time before opening the door. both leah and georgia nearly falling over at the sudden moment of the door opening.

“how are the two of you not ready yet?” leah asked as her and georgia stood all dressed and ready while lucy opened her mouth to say something before being cut off by leah pulling a face of disgust, “you know what don’t answer that i don’t wanna know”

“can yous like hurry up, everyone’s waiting and im starvin” georgia complained as you stood their beginning more to wonder how they even got in when neither have a keycard for you door and for a good reason.

"how’d you even get in-" you began.

“okay cool- also lucy you’ve got lipstick on your face!” georgia cut you off before you even had a chance to get your sentence out, directing the last part to lucy as she pointed to your girlfriend. before the two left giggling, quickly leaving your room.

“do i really have lipstick on ma face?” lucy asked turning to you as you smile to yourself reaching to rub it off with your thumb.

“darling you need to get better at puttin’ makeup on!” lucy cheekily says as she watched you fix up your own lipstick.

“and someone needs to learn to keep their hands to their self!” you sass as a gasp comes from your girlfriend as your quick remark.

“don’t wear that dress next time.” lucy mumbled as you stood dumbfounded as she was literally the one who told you to wear the black dress.

“go and get ready, we’re already late!” you smile at lucy hitting her slightly in the shoulder as you pushed her out the bathroom.

[inthedayswhenlandswerefew]

In The Gloomy Depths [Chapter 6: Bloodstone]

Series summary: Five years ago, jewel mining tycoon Daemon Targaryen made a promise in order to win your hand in marriage. Now he has broken it and forced you into a voyage across the Atlantic, betraying you in increasingly horrifying ways and using your son as leverage to ensure your cooperation. You have no friends and no allies, except a destitute viola player you can’t seem to get away from…

Series warnings: Language, sexual content (18+ readers only), parenthood, dolphins, death and peril, violence (including domestic violence), drinking, smoking, freezing temperatures, murder, if you don’t like Titanic you won’t like this fic!!! 😉

Word count: 6.1k

💜 All my writing can be found HERE! 💜

Tagging: @nightvyre @mrs-starkgaryen @gemini-mama @ecstaticactus @chattylurker, more in comments 🥰

💎 Only 1 chapter left!!! 💎

You must not have heard him correctly. Down by the bow, third-class passengers are still laughing as they kick pieces of ice back and forth. Children who have been shaken awake are giggling as they dash around in their worn, patched coats. On the Promenade Deck, tycoons and aristocrats are flagging down stewards to fetch them fresh drinks. There is no more humming of the ship’s engines, although no one else seems to have noticed; they have quit and will never work again. In a few hours, they will be resting on the bottom of the North Atlantic Ocean. It’s just barely April 15th, and half the passengers aboard won’t live to see the sunrise.

Kill Daemon??

You’ve never even hit anybody, not unless they struck you first. “I can’t kill someone.”

“Yes you can,” Aegon insists. His tone is urgent; there isn’t much time left. “And you won’t have to do it alone. Like I said, I’ll help you.”

A drop in your stomach, a chill down your spine, wide-eyed primal fear like a prey animal’s. “Even if I wanted to, Daemon can’t be killed.”

“He’s not a monster. He’s just a man. He has blood and organs just like we do. I promise you, if we cut him he’ll bleed.”

“He’ll hurt me,” you whimper. “He’ll know what I’m trying to do and he’ll break my neck or push me overboard. You don’t know him, he’s…he’s…he’s relentless, he’s cunning—”

“We can have what we want,” Aegon says, grabbing your face with his hands, fingertips callused from years of playing viola on streets, in pubs, in small rented rooms, on the decks of ships. “We can leave Titanic together. We can stay with my family for a while in New York, and then we’ll go back to Ireland so you can be with yours, and when my father dies we’ll spend half the year in England and the other half with your parents, and you’ll get to keep Draco, and Daemon will never touch you again. You’ll be free, Petra. And you deserve that. But no one is going to give it to you. You have to fight for it.”

Is it possible? Is it really? You imagine having breakfast with your parents in Lough Cutra Castle, the table full: you, Aegon, Draco, Fern, everyone smiling over plates of fried eggs, bacon, beans, mushrooms, tomatoes, and white pudding, cups of tea breathing steam into the cool morning air. Are you willing to fight for that? Are you willing to murder? At last you say: “Daemon isn’t the only problem.”

“Who else?” Aegon asks, demanding, impatient, though his hands are gentle. “Rhaenyra? And the old woman, right? Draco’s governess. Dagmar.”

“And Daemon’s bodyguard Edward Rushton, we call him Rush. He carries a pistol.”

“Okay.” Aegon nods, his eyes distant, his thoughts whirling like Titanic’s colossal propellers once did and never will again. You know he’s devising a plan. We only have an hour or two.

“Aegon…I have to get Draco into a lifeboat first.”

“Right.” He kisses you, a quick brush across your cheek like a dusting of snow, and you think: I can’t lose him. “Over a thousand passengers are going to die tonight. Let’s make sure four of them are people who deserve it.” Then he takes your hand and together you descend the steps to B-Deck.

~~~~~~~~~~

Scarlet fever is named for the distinctive rash that marks its victims, tiny red dots like blood blisters, so itchy they are soon scratched raw, raised bumps of braille in the shape of ominous omens, corporal constellations of bad stars. Dagmar was reminded of them the first time she ever saw bloodstone, a dark green crystal freckled with red, a pendant that Dameon sent her from across the world where he was opening a new mine in Australia.

Valentin was the first one to get sick. He was the youngest, the only boy, and while perhaps mothers are not supposed to have favorites Dagmar knew in her bones that she did. She held him—three years old, white-blonde hair, loud and wild—as he grew quiet and weak and hot with fever, and then he was gone. After Valentin was Juni, and then Karin, and then Mikele, and finally Gunnar, a lumberman who worked hard and never complained, not even when he was dying of kidney failure. Dagmar was once a woman with four children and a husband, but then she was no one, untethered to the earth, unmoored from everything that had been, and people left adrift in the ocean are likely to drown and spend eternity in the crushing, sunless abyss.

She wandered for a while, too old to fathom a new life, too young to simply wait to die herself, and of course suicide is a sin. To keep from starving she took jobs as a governess; the only thing Dagmar knew how to do was raise children, and she was good at it. With each new household she found herself searching for Valentin’s eyes and hair and spirit, for a child that could make her believe he was alive again. But none of the temperate, blue-blooded little boys or girls of England—where Dagmar had fled to escape the memories of her homeland—came close to filling his footsteps, his handprints, the hemorrhaging puncture wound he left in her chest.

Then one brutally cold winter, Dagmar was referred to the 8th Duke of Beaufort Baelon Targaryen, deep in mourning for his wife Alyssa who had recently perished in childbirth and at a loss to handle his two sons. Viserys, the heir, was already eight years old and too set in his ways to ever see Dagmar as a mother. But Daemon, only four—so much like Val, Dagmar had thought as she lifted him from the floor—was sad and needy and vicious, furious at the world for stealing his mother from him, and this was something Dagmar could understand. She became his new mother. He became her reason for living.

Daemon grew up, as all children do if they are not preserved forever in youth by untimely deaths, and Dagmar drifted away to other castles and mansions, other families, other attempts to silence the ghosts that rattled doors and windows as she slept. But no one could replace Daemon, and each time she received a letter or a gift from him—photographs from his mining expeditions, bracelets and hair combs, taxidermied foreign beasts—Dagmar would write him a thank you note and always include the same postscript: Daemon my dear, my brave rogue prince, it would be the greatest joy of my life to one day help look after your own child. And at last, when Draco was born he summoned her, and little Valentin was alive once again.

Now unlike Daemon, Draco did have a mother, but she was young and easily managed, inexperienced with babies, eager to please her husband. Daemon was so sage and charismatic and renowned, and she faded into his shadow until all her colors were gone and she was black and white like a photograph, never knowing what to do or say, staring inanely from doorways. This was just fine as far as Dagmar was concerned. She could pretend that Daemon’s wife was dead like poor Alyssa Targaryen.

Here on Titanic, the baffling shockwave yanked Draco out of his dreams. He’s crying, soft disoriented whines, and Dagmar soothes him and reads him The Little Mermaid and tells Fern—also awakened by the shudder and now pacing restlessly around the staterooms—to make some tea. Just as Draco is finally dozing off again, there is a loud knock at the front door. Dagmar brings Draco out into the sitting room, leading him by one of his tiny pawlike hands, to find Fern speaking to a steward who will not come inside any farther than the doorway, as if he is in a hurry. Fern, puzzled, is clutching the white lifebelts he has given her.

The steward is explaining: “I’m sure it’s just a precaution, ma’am—”

“It’s not a precaution,” Daemon’s wife says as she sweeps into the room, and for some reason there is a man with her, a blonde man in a black wool coat. Immediately, Dagmar’s blood turns to dark viscid poison. What is she doing? Why can’t she disappear? “Thank you,” Daemon’s wife tells the steward briskly. “I’m sure you have other rooms to visit. You should be on your way.”

The steward is evidently too busy to be offended. He retreats into the hallway and vanishes, and the strange blonde man shuts the door behind him. Dagmar scrutinizes the intruder, and he glares back at her with eyes like deep water, a murky melancholy blue. He’s the same man she saw on the Boat Deck, the one who reminded her so much of Viserys when he was young, that solemn, grieving boy she could not coax into loving her.

Why can’t Daemon’s wife just die? Why should she live when so many have been lost? Why would God judge her more worthy than Valentin, Juni, Karin, Mikele, Gunnar?

“What’s going on?” Fern asks Daemon’s wife, her voice reedy and timid.

Instead of an answer, there is a question in return: “Is anyone else here?”

“No,” Fern says, perplexed. “Why? What’s happened?”

Daemon’s wife holds out an empty hand, not to Fern but to Draco, who Dagmar is still grasping with bony fingers gnarled by arthritis. She says: “Draco, please come with me.”

“Why?” he asks, but he has already taken a step towards her, tiny bare feet. Dagmar does not surrender him. She will not, she cannot. He stops when his arm is fully extended and then looks back to his governess, his surrogate mother, his pale eyes full of doubt.

“We have to go somewhere,” Daemon’s wife says. She is still reaching for him. “Draco, please. I need you to listen to me, we don’t have much time.”

“No,” Dagmar sneers. “You don’t know how to take care of him. You never have.”

“Can I go?” Draco asks softly, and Dagmar pretends she has not heard him.

“Draco,” Daemon’s brainless young wife pleads. Her eyes flick up to Dagmar’s, and there is a moment of terrible understanding between them, as if they are mirror images: neither can try to force him without driving him into the embrace of the other. He is not a child who is easily tamed; he is a wolf, he is a dragon.

“Dagmar?” Draco says, peering up at her, and he’s asking for permission but in another minute he might be stomping his feet and screeching loud enough for the entire hallway to hear.

Dagmar glances at the lifebelts Fern is gripping tightly. What’s wrong with the ship? Is it sinking? But no, Dagmar cannot believe this. Titanic is unsinkable; everybody in the world knows that. She tells the boy: “She’ll take you away from me. She’ll steal you. But she won’t keep you safe and warm and happy like I would.”

“I’m your mother,” Daemon’s wife tells Draco, and now her voice is choked and there are tears glittering in her desperate eyes. The blonde man looks at her like he would carry the weight of her anguish if he could, every last pound. Who is he? Why is he here? “I know it might not feel that way sometimes, but I am. And I love you more than anything. I would never hurt you. I’m trying to protect you. Draco, I need you to come with me right now.”

And horribly, unthinkably, he yanks his little hand out of Dagmar’s. She claws for him and he spins around to face her. “No!” Draco shouts. “I decide! Me! Not you!” She is stunned into silence. She watches him careen across the sitting room, and Daemon’s wife scoops him up as if he belongs to her. She holds him for a while, a minute or more, before she sets him down on the floor and quickly helps Draco get his socks and shoes on. The boy does not complain. Then she lifts him again and—with what appears to be great effort—passes him to Fern, who while bewildered accepts this task, now carrying both the boy and the lifebelts. Daemon’s wife grabs all the coats hanging from the coat rack and piles them into Fern’s already full arms.

“Fern, take him upstairs to the Boat Deck. Get to a lifeboat, do not wait. They will be launching them soon if they haven’t started already.”

“Lifeboats?” Fern repeats, blinking, stymied.

“Yes,” Daemon’s wife says, and she and the maid share a long, silent, meaningful look. Draco gazes worriedly around the room, gnawing on his fingernails. The blonde man watches Dagmar, his expression severe, hateful.

Fern asks: “How much time until Titanic…?”

“An hour or two. You won’t be in the lifeboat for long, a ship called Carpathia is en route. But she’s not close enough.”

“Oh,” the maid exhales numbly. “Jesus, Mary, and Joseph…”

“Stay with Draco. Don’t leave him for a second. Get into a lifeboat, keep him warm, wait for Carpathia. I’ll follow you as soon as I can, but…there are some things I have to do first.”

“Like what, ma’am? What could be so important? You shouldn’t wait either.”

Instead of answering, she says, low like a dire warning: “If you happen to see them, do not speak to Daemon, Rhaenyra, or Rush. Don’t tell them what’s going on.”

“Yes ma’am,” Fern replies quietly, and nods like she suddenly understands. She takes Draco and hurries out of the room. Now Dagmar is alone with them: Daemon’s idiotic little girl of a wife, her inexplicable companion.

“This ship can’t sink,” Dagmar says; but is the floor tilting? She has only just noticed it.

“Of course it can,” Daemon’s wife counters. “Any ship can. I kept telling everyone how terrified I was of the voyage and you all treated me like I was insane. But I was right. I wasn’t a coward and I wasn’t stupid. And you can’t make me believe that I am anymore.”

Dagmar is about to reply—something cutting, something cruel—but then her steely Scandinavian eyes snag on the stranger and all at once it hits her like a man’s knuckles. She gasps, shocked, ferocious. Aegon. Viserys’ son. A villain, a traitor, an unworthy beneficiary of a grand inheritance. “I know who you are. How the hell did you get here?”

The man grins menacingly. “Fortune brought me a ticket. Best luck I’ve ever had.”

Dagmar screams, hoping he will hear her: “Daemon?!”

Aegon lunges, catches her around her long thin waist, wrestles her towards the door to the private promenade deck. Dagmar isn’t strong, but she is fierce; she scratches at his eyes and bites his hands when they try to smother her howls. They stumble together through the doorway and out onto the pine planks, knocking over lightweight wicker furniture. When her teeth close around Aegon’s fingers, Dagmar tastes blood like warm copper.

“A window!” Aegon is telling Daemon’s wife, but she’s already there after slamming the door to the sitting room shut, franticly turning the hand crank under the nearest window. The glass opens, and freezing night air pours in.

They’re trying to kill me, Dagmar realizes. They’re going to throw me overboard.

She jabs a bony elbow into Aegon’s throat, and he collapses to the deck, wheezing and helpless.

“Daemon!” Dagmar shrieks again. If he hears me, he’ll save me. My savior, my son. “Help!”

But it’s his wife who arrives instead. She collides with Dagmar, strikes her with two open palms, shoves her through the window. Dagmar’s hipbone cracks against the windowsill, a dry brittle snap, and then she tumbles out into the darkness.

Her last thought as she sees the stars—before she hits the frigid water and is knocked unconscious, then dragged under by the merciless weight of gravity—is that if they were red they would look like the dots on the skin of a child with scarlet fever, like the crimson flecks in a bloodstone.

~~~~~~~~~~

“Oh my God, I…we…” You stare down into the black waves that swallowed her so effortlessly, a flash of her long silver hair as it came undone and then nothing. “She’s gone. She’s really gone. We killed her. We’re murderers.”

In reply, Aegon coughs and gasps for air, still crawling around on the deck. You run to him and help him stand up.

“Thanks,” he croaks.

“Are you alright? What can I do?”

“I’ll be fine,” he rasps. “Just need a minute.”

You look down to see blood dripping from his fingers, thick beads of crimson like teardrop-shaped rubies, like oil paint. You ache for him, you feel his pain as if it is your own. “Your hands, Aegon, your hands…”

“I’m okay,” Aegon assures you, smiling. “The bitch chewed me up, but I’ll live.”

“I want to save your paintings,” you say. “We can’t let them go down with the ship. We’ll take them to the Boat Deck and give Fern your portfolio, make sure she and Draco get safely into a lifeboat, and then…then we’ll…” We’ll finish what must be done. We’ll free you and me and Draco.

Aegon is nodding as he rubs his throat, already bruising. “Any idea where Rush might be? The guy with the gun?”

Before you can answer, you both hear it: the sound of a door swinging open and heavy footsteps inside.

~~~~~~~~~~

He likes that Daemon calls him Rush. It’s better than Eddie, which is who he was when he was a boy being kicked and backhanded by his stepfather, and laughed at by the other kids at school for not having shoes to wear. Now he is someone brand new, and that boy Eddie could be a character in a book or a song, vaguely familiar but not real.

Daemon has never hit Rush, never even threatened him. He has never stolen his laborers’ promised wages or cornered maids to violate them, impregnate them, ruin their lives. He goes into the mines he opens and periodically travels the world to inspect, descending into clouds of dust and chipping gemstones from the walls with his own tools. He is kind to his son Draco. He is brave, he is brilliant, he knows how to have a drink with working men and captivate them with his stories. Rush would do anything for Daemon, who saved him from a life of obscure, powerless poverty. He would overlook any number of sins.

Rush gusts into the bedroom and sets about gathering up valuables and stuffing them into a suitcase: business correspondence, jewelry, sketches of designs, bundles of cash from the safe. Daemon will regret having to leave the taxidermied tiger head, but it’s simply too large and heavy to bring with them. Rush hasn’t located Daemon and Rhaenyra yet, but this isn’t so unusual; they are always sneaking around, evading being found purely for the sake of it, the deception, the thrill, ravaging each other in ever more inventive places. God knows where they were when Titanic struck the iceberg, or if they are aware of the impending sinking. Rush is not panicking yet; there’s still time, though perhaps not too much of it. With each passing minute, the ship lists further towards the starboard side. He is just about to get Daemon’s dagger from the writing desk when he hears the door open to the private promenade deck. Rush turns to see Lady Targaryen peeking in from the threshold, pale blue dress, white coat.

He has never felt any loyalty to her. She is a thoughtless, mollycoddled girl, raised in a castle with parents who loved her, and what would she know of what the world was like for everyone else? Daemon only roughed her up when she deserved it, when there was no other way to make her listen, and never too badly: no split bones, no scars. In Rush’s opinion, it was just enough to give her a taste of adversity.

He sighs. “Well, unless you plan on drowning or freezing to death tonight, you might as well follow me up to the Boat Deck. I’m just here to collect some things. They’re only putting women and children in the lifeboats now, but I’m sure first-class men won’t be far behind.”

She says nothing, only watches him from the doorway. The old witch Dagmar isn’t here; she must have already taken the boy to the highest level of the ship, where affluent passengers are waiting impatiently and still in denial that Titanic will soon disappear beneath the waves, asking stewards to fetch them drinks and cigars, calling out song requests to the string quartet.

“You wouldn’t happen to have seen Daemon or Rhaenyra, I assume?”

“I thought they were with you.”

“No,” Rush says, smirking. “I seem to have lost track of them. They’re not in either of their staterooms. But don’t fear. Daemon is more than capable of looking after himself. He’ll turn up soon enough.” Perhaps I missed them up on the Boat Deck; it was crowded, it was chaos. Perhaps Daemon is already helping Rhaenyra into a lifeboat, his large rough hands steadying hers as she steps inside. He would save her first.

“I’ll help you pack the valuables,” Lady Targaryen says suddenly, and starts towards Daemon’s writing desk.

“Just keep out of the way,” Rush snaps; and then he sees something and stops dead.

A painter’s easel has slid halfway out from beneath the bed as the floor tilts. This is a peculiar enough item, but the paper clipped to it is stranger. The image is of Lady Targaryen, that is certain, but she isn’t alone; there is a man with her, and while nothing is shown below the collarbones, the activity in which they are partaking is unmistakable.

If she’s found a lover, Daemon really will kill her this time.

Rush gapes at the painting for several long seconds and then looks up at Lady Targaryen. “What the fuck is that?”

~~~~~~~~~~

Your hand hovers on the handle of the desk drawer. You can’t open it and take the dagger while Rush is watching. You know that beneath his coat he wears a shoulder holster containing a Colt 1911. Even with a blade, you are outmatched.

Aegon appears in the doorway to the private deck with a wicker chair. He hurls it at Rush as hard as he can, and as Rush curses and fumbles for his pistol, you seize Daemon’s dagger from the drawer and plunge it into Rush’s back, once, twice, three times, many more. You can’t help but scream as you stab him, because it’s horrible beyond description: the resistance of gristle, the muffled popping of organs, kidneys or a liver or a spleen, and Rush is groaning and contorting, dark blood spilling across the slanting floor. Aegon struggles with him for the gun, ultimately wrenching it out of Rush’s weakening, shaking hands. He’s dying, and while you harbor no affection for him and never have, you remember the children your parents lost. Life is not something to take carelessly. It is already so fragile, and each death creates mourners like heads springing from a hydra.

Over a thousand people will die tonight. Is that really possible?

Rush has stopped moving. You are kneeling with the gold hilt of the dagger in your fist. The gemstones are splattered with blood: amethyst, tiger’s eye, black opal, emerald, ruby, bloodstone, sapphire.

“Here,” Aegon says, trying to give you the pistol.

You recoil. “I don’t know how to use that.”

He laughs, a half-hysterical little cackle. There is a smudge of Rush’s blood across his cheek like a stain of lipstick. “I don’t either!”

“Keep the gun. I trust you.” You turn to the easel that has slid out from beneath the ruffled bed skirt—once white, now speckled with red—and realize that stray blooddrops have been flung across the painting, dots of red turning tacky on the thin layer of oil paint. “I ruined it,” you say, soft and mournful.

“No,” Aegon disagrees, smiling. “You just added some more color.”

You use the bedsheets to wipe the worst of the blood off your hands and the dagger. Then you pull Aegon’s leather portfolio out from underneath the bed, open it, and store the new painting safely inside. In the meantime, Aegon rolls Rush’s body into the closet and entombs him in a heap of gowns you’ll never wear again. You stand, pick up the dagger, and catch a glimpse of yourself in the oval-shaped mirror…and instead of looking away, you stay there for a while. The woman in the glass—like silver, like moonlight—has frightened eyes but a glinting blade as well. There are massive maroon splotches on the belly of your ice-blue dress; you button your coat to conceal them. Through the open door to the private deck, frigid night air floods in like the seawater slowly filling Titanic.

What does water that cold feel like? Like knives, like fangs? A thousand people will soon find out.

“Ready?” Aegon asks. He puts the pistol in the pocket of his stolen black coat.

“Almost.” You find your handbag from yesterday, green to match the emerald-colored dress you wore before Aegon painted you, before he uncovered you like a rare gemstone. Within is Aegon’s small aluminum lighter; you tuck the dagger inside as well. You yank out a handkerchief and clean the blood from Aegon’s cheek with it, then peer down at his swollen, bloodied fingers and knuckles, ravaged by Dagmar’s bitemarks. They are trembling. “Are your hands—?”

“I’m fine, I’m fine,” he whispers, pulling you in and kissing you, touching your face and your hair, his lips warm and soft in a haze of copper-scented glacial air. Would you do this again for him? For Draco, for yourself? Yes. I’d do it a hundred times. “We’re halfway done.”

Up on the Boat Deck, people are finally realizing that the ship is in mortal peril. First-class women, shimmering in their gowns and their jewels, are being hastily loaded into lifeboats along with their maids and their children. You spot Fern in one vessel; she is wearing two coats herself, and has bundled Draco in at least four from what you can tell. She holds him on her lap, and Draco is uncharacteristically hushed, compliant, fearful, gawping with startled blue eyes beneath disorderly white-blonde hair. They are seated beside Benjamin Guggenheim’s elegant French mistress, Léontine Aubart. Ben himself is striding back and forth on the deck with a number of companions, all in pristine black suits and puffing on pipes or cigars, assisting the weeping women as they flee to the lifeboats.

“We are prepared to go down as gentlemen!” Ben is trumpeting. Nearby, a string quartet is playing not an Irish song that you have known since childhood but the mellow, merry, please-don’t-panic melody of Samson and Delilah by Camille Saint-Saëns.

“I guess my viola is long gone, huh?” Aegon tells you. “Oh well. I hope the fish enjoy it.”

Ben Guggenheim continues: “Let it be known for all time that we stayed until the end to save the lives of the innocent, our beloved women and children, and that they survived because of us. Our bodies may fail, but our Christian good deeds will last eternally.”

“Hear hear!” other men are shouting drunkenly, raising glasses of brandy. Stewards and officers cast them brief, rather impatient glances. You wonder if any of the aforementioned gentlemen have considered the women and children of the third class, many of whom must have already predeceased them as they were drowned below deck, ignoble, invisible.

You think for the first time: Are they going to let Aegon into a lifeboat?

“Mam!” Draco shouts when he sees you, reaching out with both arms. You sprint to where he is still secured in Fern’s lap and lean over the side of the lifeboat, clasping his cold little hands and kissing the top of his head. Then you give Aegon’s portfolio to Fern.

“Take this with you. Try to make sure it doesn’t get wet.”

“Are you climbing in now, ma’am?” Fern asks hopefully. “There’s room for one more if we squeeze together.” Her eyes dart to Aegon. “Perhaps two.”

“I can’t,” you reply. “Not quite yet. But I’ll be back soon.”

“No, you have to come with us,” Draco says. The ship’s officers are signaling for the vessel to be lowered into the water. You spy other familiar faces aboard: young pregnant Madeleine Astor, the glamorous Countess of Rothes, the newly-wealthy Margaret Brown. Being a first-class passenger will save her life tonight.

“I’ll get in another boat. I promise.”

“No,” Draco says, and now he’s sobbing. He can’t understand the scale of it, but he knows something is terribly wrong. “Mam, we can’t leave without you. There’s room in the boat. Please get in. Please.” And you think: Maybe he does need me after all. Maybe he always did.

“You can go with them,” Aegon murmurs through your hair. “I’ll finish this. I’ll take care of Daemon and Rhaenyra.”

But he might need your help…and you cannot leave him here alone to freeze or drown or be murdered when Daemon discovers his lethal intentions. “You’re safe,” you tell Draco, one last touch of your palm to his hair, one last reassuring smile you hope isn’t a lie. “Stay with Fern. I’ll be in another lifeboat and I’ll see you again when this is over.”

“No, no, no!” Draco cries, still grasping futilely for you; but the lifeboat is lurching down towards the water and he is soon beyond your reach. High above, a flare explodes in the inky night sky, gleaming silver rain to tell any passing ships that Titanic is doomed. The North Atlantic is like black glass, smooth and reflective. Distant constellations are mirrored there, and you remember a passage from a book you gifted Daemon for your second anniversary when you still believed he might one day love you, an ancient tale from India about the beauty of the ocean: Its huge white waves looked like clouds; its gems looked like stars; its crystals looked like the moon; and its long bright serpents bearing gems in their hoods looked like comets, and thus the whole sea looked like the sky.

“Lady Targaryen,” Ben Guggenheim says as he marches over. He is swaying like he might be drunk. If he is, you can’t blame him. The truth is cold, and poison is warm: alcohol, smoke, a lover’s hands, a gush of blood. “Do you require any assistance, my darling?”

“No, thank you,” you reply swiftly before he can inquire further, and Aegon’s arm circles your waist as you hurry towards the entrance of the Grand Staircase together. You clutch your green handbag close to your chest. Where are Daemon and Rhaenyra? When will this be over?

From back by the lifeboats you can hear Ben Guggenheim shouting: “Tell my wife and daughters in New York that I love them! Tell them that I died a hero, and that I shall see them again when one day we are reunited in heaven…pray for my soul…tell the newspapers of our courage tonight…”

You and Aegon escape into the very top level of the Grand Staircase, the dome of glass and wrought iron above, the English oak wood steps winding below. As you enter, a frenzied crowd passes you on their way out to the Boat Deck: shipbuilder Thomas Andrews, J. Bruce Ismay, a number of others. And then, just as you and Aegon are beginning your descent, you see her on the landing below, frozen in place where she gapes up at you from beside the clock. Soon its ticking will fall silent forever. It will live on only in the memories of the survivors.

Rhaenyra is alone on the staircase. She is wearing a red and black gown and a white lifebelt; she is on her way to evacuate the sinking ship. You have intercepted her not a moment too soon. But she is not looking at you. Her Targaryen-blue eyes are fixed on Aegon, incredulous. It is the first time she has truly noticed him since she came aboard, and she remembers his face from photographs, from portraits, from awkward, frosty visits when they were both children.

“Aegon?” she says. “What are you doing here?”

In response, he removes the pistol from his coat pocket. Rhaenyra screams and bolts down the staircase, Aegon right behind her, flying like a phantom, like a shadow in his stolen black wool coat.

You try to follow, but they are faster. You slip on the steps, one of your blue shoes clattering away as you grip the banister to keep from falling. You reclaim your shoe where the staircase meets A-Deck; outside the illustrious Promenade Deck encircles the perimeter of the ship. You steady yourself against the bronze cherub statue as you slide your shoe back on, then resume the chase…but you don’t know where Aegon and Rhaenyra have gone.

Farther down the Grand Staircase? Out onto the Promenade Deck? Into the maze of hallways?

You try to listen for them, but the turmoil outside is growing louder. You hear a gunshot, but you cannot tell from which direction; the sound reverberates through the steel of the ship and melds with the chorus of failing machinery: groaning joints, snapping beams, steam vented from the massive funnels. You pause in the doorway that leads out to the Promenade Deck, black freezing air drawn into your heaving lungs.

Which way?

Now there are footsteps on the Grand Staircase coming up from B-Deck. You race back to the bronze cherub, but it is not Aegon or Rhaenyra who meets you there. It is Daemon, appearing on the landing like a fogbank or a thunderstorm, black suit, glinting deep-set eyes, towering over you; and once again you are a seventeen-year-old girl climbing into the marriage bed with him and hoping he’ll like you, once again you feel yourself to be entirely at his mercy, in terror of him, in awe of him.

Daemon grabs you by your coat and pushes you against the bronze cherub statue, its edges prodding at your spine. You yelp and he chuckles, and he asks, so casually he must know nothing about Aegon or his pursuit of Rhaenyra like a hound after a fox: “And what are your plans for this evening, dear? Dinner and dancing? Or perhaps a nice brisk swim? Good for one’s health, I hear.”

You can’t find your words. Your fingers that grasp your handbag are numb and useless. Daemon is inside you again, not your body this time but your mind, snipping threads and dissolving mirages. How did I ever believe I could kill him?

Slowly, Daemon’s grin dies. He releases you, and then for some reason—a trick?? a trap??—offers you his empty hand. “Come on,” he says, as if relenting. “I’ll help you get to a lifeboat.”

You stare up at him, and the shock must show on your face, the disbelief, the cautious wonder.

“I can’t take you away from Draco,” Daemon says, answering a question you don’t need to ask. He owns all of you; you have no secrets. “He’s so young. And I know what it’s like to lose a mother.”

Draco, you think with abrupt glass-sharp clarity. I’m doing this for him, and Aegon, and me.

You don’t take Daemon’s hand. Instead, you open your handbag and rip out the dagger. You slash at Daemon’s throat, and you almost cut him deep enough, a fraction of an inch from the carotid or the jugular or the windpipe. But Daemon pulls away at the last second and you only wound him, scarlet rivulets spilling down his neck and staining the white shirt beneath his suit jacket, melting rubies, hard soulless gemstones in the sockets of his eyes.

Daemon throws you down the staircase and you hit the oak steps hard, bruising, twisting, rolling, the thoughts jolted out of your skull. The dagger is knocked from your hand and is lost. You fumble blindly for it where you are sprawled on the next landing, halfway to B-Deck. Your vision is blurred by stars like those in the mirror image on the North Atlantic Ocean.

But I need the dagger, I need it, I need it, I can’t kill him without it.

And as you lift your head you see Daemon coming down to meet you, a gemcutter here to break you over and over again, until there is nothing left but glimmering dust, until you have never existed at all.

[the-jewel-catalogue]

The Chequers Ring is one of the few surviving pieces of jewellery worn by Queen Elizabeth I of England.

The mother-of-pearl ring, set with gold and rubies, includes a locket with two portraits, one depicting Elizabeth and the other traditionally identified as Elizabeth's mother Anne Boleyn, but possibly her step-mother Catherine Parr. 

The ring is presently housed at Chequers, the country house of the prime minister of the United Kingdom.

According to legend, Robert Carey, Elizabeth I's maternal relative, took the ring from her finger when she died at Richmond Palace in 1603, and took it to James I in Scotland as a token of her death. Her jewellery collection was soon dispersed by the new king and queen, James I and Anne of Denmark.

[nicolesainz]

“Written mine on my upper thigh” LN4

Lando Norris x f!reader

Author’s note: My comeback story HAD to be about the winner of the Dutch Grand Prix (by 22 seconds) and @freedaxf1 ‘s husband!! I present to you, possessive Lando Norris

Summary: Lando and you have been having an on and off relationship since your teenage years. While he lives his life in England, you’re back home trying to move on but everything seems impossible. What happens when Lando finally tracks the continues cycle?

Warnings: inaccuracies about Lando’s job and birthday, sexual themes, minors dni, 18+, nicknames, oral sex!

His eyes had been glued to my body for the better part of the night. I must admit mine were doing the exact same, given with how good he was looking. In all the years we have known each other this was one of the times where I have caught myself thinking “I will never share him with anyone. He is mine.”

I had come to London for a play with my friend group and we all decide to collectively separate our schedules and explore the city. In my case, I had been desperate enough to let someone else explore me. I knew that if I spent another month without his touch, I would need to buy a third vibrator.

As I was walking into the fourth bookstore of the day, trying to find as many new romance novels as possible, thankful I decided to pack very lightly, and my luggage had some extra space. It was at the very moment when my fingers laid on Shakespeare’s “Othello” when a raspy British voice tingled my entire body, “No surprise finding you looking at England’s most profound litterateur work.”

I turned around to be met with the most crystal blue eyes I had ever encountered in my life. They also happened to be the eyes of the man that drove me insane for most of my teenage years and fell in love with. I also was not surprised when I caught him licking his lips as he was staring into mine. Usually what that meant in both our minds was “Yours or mine?”

“I am starting to believe you have put a tracker on me given I can’t hide from you.”

“You will never find it sweetheart. I am better at hiding than you will ever be.”

“Now that you mentioned it, a certain pair of panties has me feeling uneasy every time I wear them on dates, maybe that’s your hiding spot.”

“Probably shouldn’t have worn them whilst you were with me. Or even when you weren’t with me, since it’s a sign that I have marked them as mine.”

“A tracker was unnecessary. The universe has sided with you, knowing all my dates were major failures.”

“I won’t lie to you, so I can’t say I am sorry for you baby. After all, I hardly doubt you reached a point with those poor fellas where you screamed their name as loud as you did mine.”

This probably would be an ideal time for him but very unfortunate time for me to admit that I once misnamed one of my dates and used his name instead. And an even more annoying fact that he was right about was that I had never reached a point with any of those guys to moan their names, or even let them touch me.

The past 3 months I hadn’t allowed myself to get physical with anyone else but him. Everyone was slowly starting to wonder why my visits to London were becoming more and more regular. As the months were going by quite fast, the use of my vibrator was becoming an even more usual habit. The moment I die I know there’s a place for me in hell, with the amount of times I have surrendered myself to the captivating voice of this Englishman, making the most unholy thoughts about his tongue and fingers touching the most inappropriate parts of my body, as I slide in my vibrator, imagining his insanely powerful body thumping against mine, groaning and moaning his name louder than a holy prayer.

“What brings you around my place this time? Missed my cock so much couldn’t get enough of it?”

“Friend group getaway if you so badly want to know. And trust me if I wanted to fuck you so much with one single call, I could have made you travel back home and wreck me, like the good obedient boy you are.”

“I think you are mistaking me for you darling. I don’t remember being the one who came knocking on one’s door begging for a night of pleasure. Or the one who screamed the other’s name so loud they lost their voice the next day and wanted to be fucked in front of a mirror so they could see how well I fit inside of them.”

I absolutely hate it how he knows exactly which buttons to push in order to play with my brain. Well, you’re the one who lets him so, it’s more your fault, not his. Although I absolutely love it when he pushes those buttons during sex.

I will never admit to his face that he is the best sex I have ever had. He doesn’t need to know that his ego doesn’t need more boost. Ever since I last saw him, he has changed massively. His hair has turned into a darker shade, the fuzziness in his hair has been replaced by a regular curly cut and only a few strands can be seen from the excess of his beanie. He probably has grown a few inches as well, hopefully his cock has as well.

“Say, how did you find me? If you are stalking me, I should get restraining orders now.”

“Happy coincidence. I was looking for new law books about school. And also, a gift for your birthday.”

My heart stopped when he said he was looking a gift for my birthday. I sent him a month ago for his own birthday a scrap book from my last visit in London with pictures we took of each other of the different sights we visited, maybe a few sneaky ones in bed as well.

“You know you don’t have to buy me anything. A text or a call is more than enough.”

“I know, my love, but nonetheless I had to get you something. Thought it was better than anything else.”

“Surely not better than being with you or hearing your voice.”

After I managed to escape from his eyesight, I went back to my room to get changed for the night out me and the guys were about to have. We mutually agreed not to pull an all-nighter so we would be in time tomorrow for the play. With the chilly weather I was met today, I decided that along with my tight dark blue dress, a pair of see-through leggings would be more than ideal. I was on a call with the girls and as I was applying my red lipstick, a message popped up on my screen.

“Try not to catch a cold tonight babe.”

Such small messages declaring his love for me were everything I was asking for in a man and I am thankful they are parts of him. We weren’t in a proper relationship but to the people that didn’t know me very well like my friends, I was always saying “Oh I have a boyfriend, but he lives in the UK”, because he indeed was the closest things I had to one.

When I finally found the location of the club, I managed to easily spot my friends, and I was greeted with many drinks to pick from. Alcohol heaven for sure. I decided to refrain from drinking over 2 glasses so I could enjoy their company more sober than drunk and in case I needed to carry anyone back to their hotels.

After 2 hours all the girls found themselves dancing on the main floor to a remix of Jason Derulo and Lady Gaga, the dirtier the better. All the lights were flashing on our bodies and every man around us was raising their glasses to the way we were dancing. One certain man though wasn’t very pleased with the way I was dancing.

My vision was slightly blurry, but I could tell from the facial expression and the crossed arms that his blood was boiling and the more I was shaking my ass, the more he was ready to throw hands to the other men that were drooling over me and then grab me from the waist and drag me out of the club. I slowly stopped and was about to go sit down with the boys of my friend group, when I felt a sudden arm forcing me away from the couch.

“What the fuck were you thinking? Or were you not thinking at all?” his voice has risen an octave higher than the music and had shaken me to my core. He has never yelled at me.

“I was just dancing. There’s no need to yell at me.”

“Almost 50 men were one step away from getting on the dance floor and laying their hands on you. Do you call that ‘just dancing’?”

“I wasn’t dancing alone, and I wasn’t the only one dancing in that manner.”

“Do you think I care what the other girls do?”

“I still don’t get where all this possessiveness comes from? I get that we have a good time together, I love you and you love me, but we aren’t in a relationship. You don’t own me. I can do whatever I want.”

“You do whatever you want and yet you let me play with you whenever you’re near me. You never stop me. You haven’t slept with other men since we last met and you always talk about how much you are missing me. I only talk about you to my friends, and I refuse to go on dates knowing you’re in another country saving yourself. So, forgive me if I care about you even though I am not your boyfriend.”

As much as it pains me sometimes to admit, I would give anything for him to be my boyfriend. He is the only man I trust with my heart and body. I hadn’t fallen in love with another man ever since we first kissed back when I turned 18. So yes, I can complain as much as I want.

“Feeling better now? I have stopped dancing, and I will go home to wear my nun costume so no man in sight sees any possible skin from my body. Will this please you? Or should I cover my face as well?”

“What would please me is if I had you every day close to my body, wrapped inside my arms, kissing your every inch day and night, claim you as mine forever but god forbid, we are ever in the same place for at least 2 weeks.”

I do not hold back, and I grab his face into my palms and kiss him fiercely. Every time we kiss, I get more and more intoxicated. I am being drugged by the best possible addictive poison. My heart is filled to the very top and I do not desire anything else more in this world that having him kissing me until my breath is cut short.

His tongue dances with mine and the feeling of vodka mixed with gin burns my throat in a pleasing way. I can feel my lipstick being smudged all over his face and as my hands are wrapped around his neck, my leg finds its way around his waist to pull him closer to my body. Everything betrays his power on me as I can feel him growing against me and moaning softly.

“Not here. I need you all for myself. Where are you staying?”

In just a few minutes I find myself slammed against the shower wall, with the water covering both our bodies, extending the heat. His lips found their way on my neck and his fingers are playing with my hardened nipples. My mouth can’t possibly contain the ungodly moans that he is producing and fuck him nothing can ever top this.

“Say once more than you aren’t mine and I will stop being gentle with you.”

“I am so yours. No other man kisses me the way you do. No other man touches me the way you do.”

“No sweetheart, no other man is allowed to touch you. Get it?”

“Fuck, yes.”

Words barely are being phrased properly as I scream in pleasure when he softly bites my nipple after having bitted my collarbone. I have come to terms with the fact that I love it when he is biting me. It’s his way of showing that he loves me. I literally have no control of my body the moment he lays his kisses on me. Its absolutely beautiful.

“I love no one else but you. Oh, how I adore you.” I manage to mumble through the groans.

“What an angel you are. From the moment I met you I knew I was done. Oh, you are never leaving my grasp.”

“Then don’t make me leave. I can be yours, I am yours.”

He then proceeds to fall on his knees, so he can be met with my womanhood as he raised my leg over his shoulder for better view.

“Facetiming you will never compare to the real deal. Oh, my beauty.” And my hands instantly grab against his hair and pull then tightly as his tongue is toying with my wet core. Every inch of my body is trembling and I can’t physically stop moaning his name that by now even the neighbours are well aware of his existence.

“Be mine. Be mine forever. I will give you anything, all I want in return is you.”

“Don’t stop. Oh, I missed you. You take care of me better than anyone else.”

“I can’t go another 3 months without seeing you. Stay with me.”

“I love you but oh my, you know I can’t.”

“Be my girlfriend. Please let me be yours. Let me claim you as mine. Let me take care of you for the rest of your life.”

I look down on him as his lips detach from myself and the cold breeze of the shower hits me with an open mouth from the shock he just caused. I never in my life thought he would ask me to be his girlfriend. It made my heart shutter when I couldn’t have him years ago and now that I am given the chance, everything restored. All I could possibly ask for.

“You probably found the best timing in the world to ask me such question. At my most vulnerable.”

“Want me to ask you after I am finished eating you up darling?”

“I mean, no, my answer would be the very same.”

“Which is? Care to share with an impatient man?”

“A million times yes. Do you think I have spent all this money in visiting you for you to ask me that question and then say no? I would have been insane.”

“You kind of are insane.”

“Excuse me?”

“You go insane every time we kiss and then you drive me insane so we are even.”

“Insane boyfriend and girlfriend?”

“Surely the perfect match.”

[literaryvein-reblogs]

Writing Notes: Fashion History

for your next poem/story (pt. 1/2)

1850-1879

The Civil War began in 1861 and ended in 1865, heavily impacting the lives of those living during the time period. In fashion, the rise of the sewing machine allowed more decorative effects to be used in dress, and new aniline dyes paved the way for brighter shades of dress.

This time is known as the Crinoline Period because cage crinoline made of whalebone or steel hoops replaced heavy layers of petticoats, and were commonly worn under dresses by women of the time.

One trend that hit its peak in the 1870s was the bustle, an item women secured under the back portion of their skirts to add volume.

In terms of silhouette, a narrow waist with a fitted bodice and full skirts was the recurrent style. Popular sleeve styles included pagoda sleeves, gathered bishop sleeves, and the coat sleeve.

During the day, high necklines were appropriate, but women often wore lower necklines in the evening.

Wraps and shawls were commonly worn, and accessories such as parasols, gloves, snoods, and bonnets were highly desired.

1870-1900

The years 1870-1900 include what is known as the Bustle period, in which the popular silhouette shifted from full skirts to a more fitted look characterized by fullness in the back.

Throughout the Bustle period of the 1870s and 1880s, a variety of padded devices were utilized to create back fullness, as the bustle took on different forms.

The bustle of the first stage (1870-1878) was achieved through manipulation of drapery and the use of decorative details such as flounces and bows at the back.

From (1878-1883) fullness dropped to below the hips and decorative effects of the skirt became focused low as a result.

Long trains and heavy fabrics also helped to emphasize the focus on the rear.

The latter part of the decade (1884-1890) saw the bustle at its largest. Often referred to as the shelf bustle, it was rigid and took on the appearance of an almost horizontal projection. At this time, skirts shortened to several inches above the floor and rarely had trains, with the exception of some evening dresses.

Additionally, they include the 1890's, which are often referred to as the Gay Nineties or La Belle Epoque. Times were good, Paris was the center of high fashion, and for those who could afford it, dress was lavish and highly decorative.

The corset continued to be worn, aligning with the fashionable silhouette of a full bust and hips with a narrow waist.

Dress ensembles typically consisted of two pieces -- a bodice and matching skirt.

The one-piece princess dress, worn by some during the latter part of the period, was an exception. Bodices were often fitted, with the cuirass bodice style emerging from around 1878-1883.

Sleeves were close-fitting and ended at either three quarters or at the wrist.

Evening dresses were differentiated by their lavish trimmings, level of ornamentation, trained skirts, and short sleeves. Weighted silk offered greater body and was a popular choice for dresses beginning in the 1870s.

Full sleeves were at their largest in 1895, before they gradually decreased in size towards the turn of the century.

By the 1890s, sleeve with fullness were only seen with small puffs at the shoulders.

Tailor-made costumes consisted of wool or serge skirts worn with a shirtwaist blouse. and were considered ideal for traveling.

Shirtwaist blouses were often accessorized by cravats and jabots. The variety of outerwear for women increased during the late nineteenth century and was dominated by coats, jackets, and wraps.

Accessories of the period included small hats, gloves, muffs, decorative fans, and parasols.

1900s

The first decade of the twentieth century is often referred to as “La Belle Époque” - French for "the beautiful age." During this time, Paris reigned as the capital of art and fashion, extravagance and opulence was in, and French couture became all the rage.

Edward VII became King of England with the death of Queen Victoria in 1901, ushering in the “Edwardian Era.”

Additionally, Henry Ford's Model-T was introduced in 1908.

Art Nouveau influenced fashion and ornamentation with the popularity of curvy shapes, floral prints, and ornamentation.

And with the introduction of Ford's Model-T, "motoring garments", such as duster coats and goggles, became essential for automobile riding.

The dominant silhouette of the period was the S-bend hourglass shape, which was achieved through the use of long bell or trumpet skirts that swept the ground, and the “monobosom” fullness of the front bodice.

Voluminous sleeves were another popular feature of turn-of-the-century fashion. Women still wore tightly-boned corsets, along with layers of petticoats. Two-piece ensembles were introduced, consisting of a skirt and a shirtwaist blouse. Garments often featured necklines with high standing collars for daytime and exceptionally low décolleté necklines for evening wear.

Lingerie dresses — flowing white gowns with lace detailing — were a popular choice for outdoor hot weather. Pale colors and un-patterned fabrics adorned with lace or embroidery were favored in this style. Shoes and boots exhibited pointed toes, and parasols were a must-have accessory for outdoors. Elaborate, often large hats decorated with bird feathers enjoyed heightened popularity.

1910s

The War Years (1914-1918) resulted in simpler styles, with moderation in fabric usage as well as the use of darker hues. As a result, garments of this period often have a more utilitarian and masculine appearence.

The “teens,” as the 1910s are often referred to, saw sweeping changes in fashion due to the work of French designer Paul Poiret, who was largely inspired by both the exoticism and color of the Far East and the Ballet Russes. “Orientalism” in fashion became all the rage and was seen in kimono-shaped coats, capes, saturated colors, and exotic embellishments.

Popular trends included the “peg-top” silhouette with hip fullness, Paul Poiret’s narrow-at-ankle “hobble skirt”, and Mariano Fortuny’s “Delphos gown” which featured his secret pleating technique.

Tunic dresses were also introduced, and featured a short skirt layered over a longer one. Necessitated by the new shapes in fashion, the hourglass S-bend silhouette transitioned into a more column-like, tubular form with a higher waistline. Brassieres replaced tight corsets and accommodated the soft, unfitted tea gown, a popular choice for afternoon hosting. The wide-brim hat continued to be a fashionable accessory and shoes began to replace boots.

1920s

The year 1920 marked the beginning of Prohibition, as well as the end of the Suffrage Movement, with women gaining the right to vote.

King Tutankhamen’s tomb was discovered in 1922, further fueling the taste for the exotic, and creating an obsession with all things Egyptian.

The Harlem Renaissance ushered in the Jazz Age; sleeveless dresses with shorter hemlines and sequin, bead, and fringe embellishment enhanced and enabled the fast-paced dance movements of the Charleston and Fox Trot.

The "Roaring Twenties" were years of major change for both fashion and society.

Besides major cultural events inspiring change, fashion was also influenced by Art Deco through the use of straight lines and geometric forms in both silhouette and decoration. The twenties silhouette was straight and tubular, and dresses deemphasized female curves, breasts, and hips.

Chemise dresses hung straight from the body and helped created this fashionable linear silhouette. The “flapper,” with her bobbed-hair and boyish silhouette, became the epitome of the fashionable look of the period. Hemlines rose, revealing more of the female leg for the first time in dress history, and shifting the focus to shoes for the first time.

During the period, Gabrielle “Coco” Chanel popularized costume jewelry — as well as wool jersey suits.

The cloche, a bell-shaped hat, was “the” hat to have.

Small beaded purses and long beaded necklaces were popular accessories.

1930s

The defining event of the 1930s was the Great Depression.

The stock market crash of 1929 and the ensuing depression created a need for less expensive garments without elaborate ornamentation. Designers of the period therefore relied on seam lines and darts as major forms of embellishment. Clothing that was cheaper and diversified was critical, thus creating the need for ready-to-wear fashion.

The overwhelming popularity of the movies in the 1930s helped perpetuate the ideals of “Hollywood glamour.” Women began looking to screen stars for inspiration in fashion, hairstyles, makeup, and even demeanor. The movies, and the glamorous lifestyle they portrayed, were a way for the public to escape the harsh realities of the Depression.

Designers such as Elsa Schiaparelli incorporated concepts of Surrealist Art into fashion designs, offering fantastical creations that also provided a flight from reality.

The 1930s also saw the birth of American sportswear and two-piece bathing suits for women. The decade saw a continuation of the linear shape of the 1920s, but with a leaner, longer, more feminine silhouette. The waistline returned to its natural position and hemlines dropped. Evening fabrics tended to be pale or white solids of silk or satin, and the backless evening gown was introduced at this time.

French designer Madeleine Vionnet created the “Bias Cut”, which produced a “liquid” clinging effect on the body. Hats of all varieties were widely worn, and a right-angle tilt was a common way hats were styled. Shoes featured low heels and rounded toes. Costume jewelry and fur added the final touch of fashionable glamor.

1940s

World War II began in 1939, ushering in a new conservatism in fashion. Fashion designers were forced to close their houses in Paris, and “practicality” became the new buzzword in fashion, with a focus on producing sensible styles and “utility garments” which required a minimum quantity of fabric.

In the United States, the L-85 Limiting Order aimed to freeze the war-time silhouette and stop rapid seasonal changes in styles in order to conserve fabric use. Tailored suits and military-influenced styles were seen in items such as belts, breast pockets, high necklines, and small collars. Both clothing and hair were influenced by the war.

For women who worked in factories, superfluous decoration and long hair posed safety threats. Hairstyles and makeup became an integral way to achieve personal style, since clothing and accessories were rationed.

Hollywood stars such as Veronica Lake, Rita Hayworth, and Bette Davis were significant influencers of fashion. American designers began developing sportswear collections, spurred by the necessity of the war-time focus on the ideals of simplicity and utility.

Casual separates, shirtwaist dresses, slim skirts with patch pockets, and halter and square necklines became popular. Women could also be seen wearing trousers, although it was mainly for utilitarian purposes, not everyday wear. 

The 1940s silhouette was tailored and narrow, with a nipped-in waistline and squared shoulders achieved through the use of shoulder pads. Hemlines rose to just below the knee. In light of rationed fashion, hats allowed an individual fashion statement, and small styles such as veiled pillboxes and berets, often worn at a right angle, were most popular. Shoes were usually chunky with rounded toes and featured either low-heeled or wedge soles.

Leg makeup was also introduced and offered women a remedy to the rationing of nylon stockings.

More Notes: On Fashion ⚜ Writing Notes & References

[woso-dreamzzz]

Proud V

Hardersson x Teen!Reader

Summary: Your first match for Sweden

"And Sweden is making a substitute. On comes y/n Harder, Arsenal's youngest forward. Blackstenius makes way."

It's your first match for Sweden, the first of Sweden's euro qualifiers as well.

You high five Stina on your way onto the pitch.

It's a late substitution, maybe five minutes or so until the ninety minutes are up so you know you're the last kind of hail mary before this ends in a draw.

You pass some of your Arsenal teammates on the way to the corner that's being set up.

It's hardly the first time you've worn a Sweden jersey. You were a staple on the youth teams. You always had been.

Your first long term foster family had gotten you into football. They'd sorted you out with kit and gear and put you into a kid's football club to see if you liked it.

You really liked it.

Their foster license expired and you got moved but you never left your football behind.

Some families were more into it than others but none of them stopped you from pursuing your football.

Least of all Magda and Pernille.

You knew Magda from a distance when the senior team had come down to help out with whatever youth team you were on at the time. It was almost like fate that you got placed with her and Pernille over the summer.

It had been the best summer of your life both emotionally and physically.

They worked on your game while they were off season. They helped you with your studies and they took you out to the arcade and the beach and anywhere you wanted to go.

You didn't want to leave.

They didn't want you to leave.

There was a bunch of red tape around it, lots of meetings with lawyers and the judge and your care worker but by the time the next season rolled around, you had a new last name and two mothers.

Now, you're here.

Playing in Wembley Stadium for Sweden with Momma's last name emblazoned on your back.

You weave between Morsa and Johanna, slotting between them during the jostling to get into position.

The ball comes in and you make the jump.

It gets cleared away and England are on the counter attack quickly.

Magda peels away from your side quickly to sprint down the pitch to intercept while you follow at a more sedate pace.

Defending is not your role and you're not the greatest at it.

You've been bought onto this pitch for one thing and that's to score a goal.

You pass Lotte on your way and exchange a small smile with her. You've still got to go back to North London after this and you and Lotte are friends.

Morsa recovers the ball quickly and boots it up the pitch.

Most of your team was concentrated in your half of the pitch so the ball falls neatly to your feet.

You can feel Lotte at your back quickly, almost too quick for you to react but you turn even quicker, keeping the ball out of her reach.

You don't have any backup as you drive forward into the box.

Greenwood slides in for the tackle but you jump over neatly with the ball practically attached to your feet.

Charles and Bronze start closing in as you lose Lotte behind you.

The angle's getting tighter and tighter and Earps starts coming towards you to collect the ball.

You've driven into the box so quickly that there were no reinforcements for you to pass to.

So, you kicked the ball upwards just as Earps comes out.

The ball sores over her head before landing and rolling into the empty goal.

The Sweden supporters go wild as, seconds later, the ref blows the final whistle.

You scored.

The familiar arms of Morsa wraps around you from behind as you celebrate.

"Debut goal!" She cheers as the rest of the team finally run over.

You laugh. "Do you think Momma was watching?"

Of course she was.

She couldn't travel to watch, not with preparing for her own Euro qualifiers but your phone is ringing by the time you get back to the locker room.

"Hi," You say as you pick up, Pernille's face filling the screen.

"Debut goal," She teases and you look down bashfully.

"That's what Morsa said."

"It's impressive," Pernille says.

You roll your eyes. "It's my job."

"Still impressive. Don't sell yourself short."

"I'm a Harder," You reply," It's what we do."

Pernille grins at you, face full of pride. "Don't do that," She says," Celebrate, alright? You have my full permission to let loose and drink tonight, alright?"

You huff out a laugh. "You know most mothers wouldn't encourage underage drinking."

"I think I can make an exception tonight."

[ereardon]

Homecoming [Jake Seresin x Reader] Chapter 1

Summary: Returning home to California after six years abroad in England, you found everything has changed. Jake Seresin, your father's former college roommate and lifelong best friend, is now a widower and has purchased a new vineyard in Montecito, only a few miles from your childhood home. Your parents’ marriage is on the rocks, your brother is struggling with what to do with his life, and you’ve grown up and are starting your own counseling practice. So what happens when you find yourself falling for the man your father calls his best friend? And worse, what happens when your parents find out he’s falling for you, too? 

Pairing: Jake Seresin x Reader

Warnings: Age gap, eventual smut, cursing, alcohol

Word count: 2.1K

Author's note: This fic references a significant age gap, as reader is the child of Jake's best friend. However, she's in her mid-twenties, and he's been only a small part of her life to this point as he spent the majority of his time traveling with his late wife. This fic does not depict grooming, but if you are concerned with any of the themes please read at your own risk.

You took a deep breath and closed your eyes. 

A part of you had forgotten what it smelled like, to breathe fresh ocean air instead of stuffy city smog. Six years in London had warped your senses. It had worn its way into your everyday life, from the coffee you drank (flat whites) to the way you asked for random items (bits and bobs) to the foods you now craved (sausage rolls and chips with mayonnaise). 

You looked down at your ratty pajama bottoms and sighed. Even though you had spent the better part of a decade abroad, living a sparkling social life in one of the world’s greatest cities, you were still the simple girl next door from Montecito. You still lived with your parents, a fact that you were very well aware of as you stood at the french doors of your childhood bedroom, staring out across the backyard. 

Below, you could smell the charcoal grill and your mother’s famous peach cobbler. 

“Y/N!” Your father’s voice was nearly crushed by the sound of a car zipping up the circular driveway. You leaned out further against the Juliette balcony, trying to spy the car, the green back end of a shiny Jaguar coming into view. “Come downstairs for cocktails!” 

“Five minutes!” you called back. 

Ten minutes later, who was counting, you stepped barefoot down the spiral staircase, landing silently on the marble foyer floor. Voices carried across the expansive hallway through to the back of the house where the large iron doors leading out to the patio were propped open, a light early fall breeze wafting in. 

Before you could make it halfway across the room, a ball of fur caught your eye and you were almost toppled by a shaggy golden retriever as he jumped on your legs. 

“Hugo!” You bent down, rubbing your hands along the dog’s spine, over his head, ruffling his ears. “You’ve gotten old, buddy.” 

“He’s aged like fine wine, just like his dad.” 

You looked up. Jake Seresin was headed straight for you, a grin practically splitting his face, his favorite cowboy hat resting on his head. You gave Hugo one last pat on the head before standing up, flinging your arms open wide, letting Jake pull you tightly into a hug. He smelled familiar, like dirt and ripe stone fruit, and as you pulled away you noted that his left hand, typically adorned with a gold wedding band, was bare. 

“Good to have you back, Sparky,” he said, stepping toward the back of the house, Hugo following on his footsteps. 

“God, been ages since someone’s called me that,” you replied. “In London they just called me that California girl.” 

He laughed. Jake’s laugh was always something you had admired. Deep, and whole. It practically had its own seat at the long wooden table that your mother had piled high with bowls of colorful salads and plates of dip. 

“Y/N, can you pour the wine Jake brought?” 

“Sure.” You grabbed the bottle. It didn’t have a label, just a simple green bottle with a red wax drip over the cork. You sliced it off carefully, sinking a corkscrew into the soft cork with ease. Jake watched with hawk eyes as you yanked the handle up seamlessly, pulling out the cork and sniffing it. A warm pinot noir. You poured yourself a fingertip in a glass and took a sip. “Damn that’s good.” 

Your mother frowned. “Manners, missy.” 

You rolled your eyes. “Mother, I’m twenty five.” 

“You’re never too old to be reminded that it’s nice to have manners.” 

“She’s not wrong, Marla,” Jake said, his fingertips folding over yours as he took the wine bottle, filling everyone’s glass. “It is damn good.” 

“You’re biased,” your father said, leaning back against his wooden chair. “It’s the best vintage you’ve had since you bought the place.” 

“Good rain last year,” Jake replied, sliding the glass back over toward you. “And no fires.” 

“Thank God,” your father replied.

“Where’s Colin?” You turned left and right, your older brother nowhere to be seen. 

An uncomfortable silence settled over the outdoor table. You frowned. Colin had always been the wild card of the family, but you had complete faith in him. The two of you were Irish twins, born only a year apart, and he was the one you spoke to almost daily while you lived abroad. Colin was the one who called you when cousin Jackie ditched her fiancé two days before the wedding, and Colin was the one who tapped on your door late at night to sneak out and go swimming on balmy summer nights. It was Colin who you could depend on, even when no one else could depend on him. 

“He’s out,” your father said finally, folding his hands on the table. “Shall we get started?” 

“Yes, please, I’m starving,” you replied, leaning forward and taking a heaping serving of your mother’s famous quinoa salad. 

“So Sparky, how’s it going, being back?” Jake leaned forward in his iron chair, picking at a piece of garlic bread. 

“Well, the food isn’t all brown,” you replied, biting into a ripe tomato, letting the flavor burst along your tongue, “so that’s a plus.” 

“I quite liked those potato triangle things they had in Scotland,” your dad replied. 

You rolled your eyes. “Potato tatties dad. And yes, those are good. But so are vegetables.” You paused. “I have to say, the wine here is way too expensive though.” 

“Ouch.” Jake smirked. “Speaking of wine, your mom said you’re looking for a job for a few months, while you get everything for your clinic organized?” You nodded. You had signed the lease for the clinic over Zoom while still packing up your flat in London, excitement worming its way through your limbs. It was becoming real. Six years of school and finally you were opening your own counseling practice in California. “Contractor said we’re about four months from finishing.” 

“Come work for me.” You looked up, surprised. Jake had his hand dangling over the side of his chair, petting Hugo’s fluffy head. “I need a new manager. Someone with people skills and a head for numbers. You can work whatever hours you need, if you need to start late or end early to check in on the clinic.” 

“That’s a really nice offer.” 

“I sense a but coming.” 

You nodded. “But I don’t know anything about business.” 

Jake waved a hand in the air. There was a nonchalance about him. There always had been. He was the polar opposite of your father – a hard exterior corporate lawyer. No nonsense. Jake and your father had been friends for as long as you could remember. But he and his late wife Jenny were the complete opposite of your parents. They traveled the world. They hiked in Peru and ate at tiny sidewalk cafes in Vietnam. For the majority of your life, they had lived in the Bay area, and you would see them a few times a year, the two of them dropping by on the tail end of a trip or at the start of another. 

It wasn’t until Jenny passed away that Jake decided to put down roots. He packed up the Marin house, settled into a beautiful ranch-style home on the edge of the new vineyard he purchased. 

“Neither did I,” he said. “You’ll make it work. You’re a smart girl. Besides, there’s free wine in the deal.” 

You raised your glass. “Well, who could say no to that?” 

***

You slid your sunglasses to the top of your head, locking the car door and staring out at the vineyards stretched in front of you. 

Jake had bought the vineyard, Carrboro Estates, three years before, right after Jenny died. In that time, you had only been home once, and even that was just a quick four days during Christmas break. This was the first time you were seeing the vineyard in person. 

It was a Monday, the vineyard was closed to the public. As you walked down the stone path toward the Tuscan-style doors, you couldn’t help but see the resemblance between your parents' cliff-side house and the structure in front of you. 

“Hello?” The entry was large, with swirled marble slabs on the floor, a two-storey tall wall of wine bottles to your left, a round table in the center of the entry area with a few sample bottles of wine. You stepped closer. A picture of Jake sat in the very center of the table, grinning and holding up a glass of wine, the sun setting behind him over the grapes. 

He looked handsome. It wasn’t the first time you had recognized your father’s friend was attractive. But it was the first time as an adult you realized just how much of a commodity Jake must be, now that he was single. 

“Sparky? I’m down here, staircase on your right.” 

You followed Jake’s voice, down a hallway that opened up into a large staircase. Quietly, sneakers slapping against the broad steps, you made your way to the lower level, which opened up to an entire wall of glass doors, a patio sitting right outside. 

“Pretty nice view, right?” You swiveled around. Jake was holding a glass in one hand, cleaning it with a white cloth. 

You grinned. “Nice is an understatement.” 

“Welcome to Carrboro Estates.” 

“Fancy.” 

Jake chuckled. “Come on, let’s do the tour and then have a drink.” 

Jake walked you through the lower level, which held the outdoor patio as well as the kitchen. Upstairs, there was a private events and tasting room, as well as a bar. One half of the building had floor to ceiling windows with views over the vineyard, which cascaded down the hillside. 

“I can’t believe you built this all.” 

“Most of it was done by the time I bought the property,” Jake said as the two of you settled into a table at the edge of the patio. He uncorked a bottle seamlessly, tipping it into a wide mouthed glass, the red liquid dripping down the side leaving thin streaks. “I just made some changes, and then added on the house.” 

“Where is it?” You looked around. 

“About half a mile that way,” Jake replied, stretching one finger to your right. “Just below that hill.” 

“Bet it’s lovely.” 

“I’ll have you over some time for dinner. Hugo would like it.” You grinned. Jake set his wine glass down. “So the job. I’m looking for someone to be here when I’m not, essentially. You’d be front of house and back of house, which means helping with tastings, ordering supplies for the food menu, overseeing staff and helping me with some of the books. A little bit of everything.” 

“I’ve never had a real job,” you confessed. “I mean, I was a TA at Uni, and a lifeguard that one summer before senior year, but that’s about it.” 

“I’m looking for someone smart, that people like and want to listen to. You’re perfect for the job.” 

You cocked your head to one side. “That’s it? That’s the interview?” 

“I trust you,” Jake said and you looked up, surprised. His eyes were locked on yours. “What I don’t get is why you think you can’t do this.” 

His words cut, but not because they were harsh. You found yourself shocked that Jake Seresin of all people could read you like an open book. 

“What if I fail?” you asked quietly.

“At what, pouring wine?” Jake shrugged. “Open a new bottle. I don’t care if you break a hundred, fuck, a thousand bottles. Doesn’t matter to me, Sparky.” 

“Not the wine,” you whispered. “My clinic.” 

Jake nodded. “So that’s what you’re afraid of.” 

“Terrified,” you admitted. “Excited. Every feeling in the book.” 

“I was so worried the night before we opened that I accidentally got rip roaring drunk in the kitchen,” Jake said and you laughed. “Woke up the next morning at five a.m. on the floor in just my jeans and boots, no shirt. And had to open and welcome all the employees.” 

“Does it get better?” 

“Starting your own business is terrifying,” Jake said. “And it’s the best thing I’ve ever done. You’re going to be great.” 

You smiled. “I’ll take the job.” 

Jake tipped more wine into your glass. “Honey, your name’s already on the books. You’re working your first shift on Wednesday.” You blinked and Jake shrugged. “I said I needed help, didn’t I? Besides, this place needs some warmth in it. I think you’re exactly what we’ve been missing.” 

Tag list:

@lyn-js @seresinhangmanjake @bobfloydsbabe @blue-aconite @clancycucumber230 @dempy @allbark-no-bite @teacupsandtopgun @na-ta-sh-aa @katiedid-3 @bradshawburner @xomrsalliej4787xo @xoxabs88xox @kmc1989 @shanimallina87 @rosiahills22 @emo @horseshoegirl @eminyourjeans

[fashionsfromhistory]

Jacket

c.1630-1650

Italy or England

Several examples of knitted jackets or waistcosts survive in museum collections are waistcoats, with well-known examples in the Victoria and Albert Museum, London (473-1893, 346-1898, 106-1899 and 807-1904). Both men and women wore these items of clothing either as undergarments during the day or as informal déshabillé or undress at home in the evening to provide additional warmth. These items tend to fall into two categories: Italian waistcoats that open down the front, sometimes known as Florentine waistcoats, and those that pulled over the head. Italian waistcoats were knitted using one or two colours of silk yarn, in imitation of patterns found on woven silks, the effect often enhanced with the use of purl stitches. The fine gauge of these waistcoats suggests that they were hand-knitted in professional workshops, using extremely fine metal knitting needles, known as ‘wires’, for wealthy classes to buy as ready-to-wear clothing. The garment is constructed from rectangular knitted sections; two front panels, two back panels and two sleeves. Several have triangular gores inserted to provide additional width over the hips, at home by the wearer or a member of their household. Their name suggests that they were made in Italy and exported to northern Europe, but it is now known that fine silk yarns were imported from Naples to London from the late sixteenth century to supply the native knitting industry. Because knitted waistcoats were for informal wear there are no known sources showing them being worn, making it hard to give them a more specific date. They appear to have originated at the beginning of the seventeenth century. Lady Elizabeth Howard, the wife of Lord William Howard (1563–1640) ordered ‘a pound of woosted for wastecotes’ for 9 shillings in 1618 and the Danish Royal family used knitted silk waistcoats for children’s shrouds during this period. Knitted waistcoats continued to be worn throughout the century. There are records of waistcoats being relined during the course of their use. Sir Thomas Isham (1656/7–81) is billed £1 5s 6d from his tailor for ‘new Lining A Purple and gold Silke knit wastcoate’ in April 1680. There are continuing references to them also in the early eighteenth century, including a London newspaper report of the theft of a ‘green silk knit waistcoat with gold and silver flowers all over it’ in 1712.

Glasgow Museums (ID Number: 29.126)