#working at heights course

[twilight-zoned-out]

Edwin Payne is a dweeb who gives terrible weak comebacks, who can be unnecessarily petty, or overly smug, who is inordinately pleased with himself when wearing detective gear and using scientific gear, the thought never crossing his mind that he might not look as cool as he thinks he does, who carries a continual and utter absolute delight at acting like the characters he loved to read about, who was enthralled by his magazine detective and adventure stories and who wears a similar smile when he sits on the bed watching Scooby Doo with Niko, 'these detectives are terribly clever,' whose board game collection is mostly variations of Clue, who requires payment (because any good detective is worth some kind of payment) but whose idea of payment is whatever interesting object the client offers to add to his collection, who has encyclopedic intelligence he clearly dedicated hours to learning, who has a particular way of acting and speaking like everything is of vital importance, because to him, it is.

[xraytheredx]

It's been such a long time since I've fallen so hard for a project. All the work put into Welcome Home so far has been so vibrant and amazing, and things are just getting started! Of course I had to draw something for it! 😊💖 (Several somethings, to be more accurate! XD)

[frankenstheythem]

aaaugh fuck it. chibifies their ass

[bmpmp3]

which also reminds me. it is a bit interesting seeing so many jokes about piapro coming crawling back to vocaloid 'cause like. am i insane or did people really dislike a lot of V6. it didn't seem to be as hated as V5 is now as an engine but like I dunno i remember seeing a lot of general disappointment with V6 as a whole.... maybe its more like piapro and vocaloid are crawling back towards eachother

[toytulini]

if you draw enough monster ocs, when you go back to drawing a human character, it feels like "sameface syndrome" everytime, by virtue of their face being. human.

[feverdreamsandlucidnightmares]

Y’know what? I’m roughly Meryl-sized. Where do I find a proportionately sized Wolfwood to cosplay with? And if possible, can they be strong enough to carry me (at least briefly, I know none of us are genetically augmented super soldiers) the way he does when running for their lives in Tristamp?

Listen! Listen, I know a guy that can hold my entire body weight with one arm without straining and several other people have described me in terms along the lines of throwable, I know it’s vaguely possible — wouldn’t it be neat? Wouldn’t it be fun? Can’t my size be useful for once in my life? I look fucking comedic in every group picture I’ve ever been in, let me use it for the bit.

[twistedappletree]

motherfuckfrickityfrickfrackfuckle

[matamisin]

*holds up Clay in my hands* this troll can and should hold so much trauma

[buttercup-art]

So I was looking through some 'Ugly Betty' clips last night, and couldn't help but imagine these as Hugo and Noa:

also a bonus (this one is from the show 'Desperate Housewives', but it really reminded me of Noa! I can totally see her saying and doing stuff like this lol):

[fhvsydney]

https://64e5a8865258e.site123.me/blog/working-at-heights-course-fhv

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[aphemorpha]

Mh. I have an idea that Jon's perceived incompetence is because we really only see him out of his depth. Lack of Emotional Intelligence, Social Skills and Common Sense. He is simply a classic High Int, Low Wis, Low Cha build.

[famewolf]

all my old fav youtubers coming back this fall has gotten me into a mood where I've been diving back into old bands I used to listen to religiously. and i gotta say ... they all still slap

[longagoitwastuesday]

Hi, can i ask you why in your opinion some people consider the moors a proper character in wuthering heights? Do you think the story would have been so different if it had been set in a different location?

I've wanted to sit on this for a bit to see if I changed my opinion/reaction, because I thought of an answer instantly. I'm going to be sincere, what I thought was "because people have not read enough (good) books".

I'm not entirely sure why people consider the moors a proper character because I don't think it works as one at all. I imagine a big part of the reason why is the appeal of the aesthetic and how powerful an impact it has had culturally and even in general in the collective imaginary, but I don't think that's exclusively due to Wuthering Heights. Trying to dig more, I'd say it's because of the importance it has for the characters, emotionally, narratively and symbolically. And, digging even more, I imagine it's due to the metaphysical bond and even ontological identification between moors and characters some people read into it.

Most if not all of these characteristics are typical of significant settings in books, though. They don't necessarily confer the settings the title of "character". And, as much abstract personality as they may have, in my opinion the moors are lacking something to be comfortable calling them so. In Wuthering Heights I'd say the house itself, Wuthering Heights, feels more like a character to me than the moors. Still, I'd say even then there's a certain something missing.

As much character or importance in ambience setting Bly Manor has in The turn of the screw, I don't think one could freely say it's a character on itself; that's sort of the situation with the moors in Wuthering Heights, I think. In comparison, Comala in Pedro Páramo, Hill House in The haunting of Hill House, Macondo in One hundred years of solitude or Vetusta in La Regenta, to name a few, feel a lot more like characters. They are books in which the settings themselves feel fleshed out with care, thoroughly developed like a character, and they even read as having a certain will of their own, as actively participating in the narrative at times. The moors in Wuthering Heights don't work that way. And it's not a bad thing. They don't have to, that's not their role.

Now, on the question about whether I think the story would be so different if set in some other location... I think the answer is both yes and no? Of course the book would never have been exactly the same had it taken place somewhere else, and the heather and in general the description of wildlife and vegetation are symbolically meaningful. But also, I didn't have a clear image of what the moors were when I first read the book. I imagined something infertile, isolated and cold, but that's it, and it worked. I didn't know how the English moors were at all.

I do think the isolation aspect is necessary to make Wuthering Heights, and I'd say perhaps even the cold and generally bad weather, but it's also true in a similarish way Pedro Páramo works with a place that is very hot. Ultimately it's up to the writer, and it will work if it's well written and well waved alongside the other parts forming the book. Wuthering Heights was waved with the moors in mind specifically, and it works. Would the story in abstract be much different if set somewhere else? Not necessarily, probably not, but it wouldn't be exactly Wuthering Heights, just as it wouldn't be if one were to change any other of its characteristics.

[red-hemlock]

// [ hide ] sender leans in to receiver's body, hoping to hide against them in a moment of fear

Action Prompts for Leaning @mute-call

Green eyes pass a glance behind, taking-in the sight of the fearful form leant against her... He had good reason, denying the fact that things weren't a bit hairy at the moment would be nothing short of naïve. That gaze shifts ahead, a sight that causes her to bristle once more and fist an already too-tight grip around the blade-hilt in her palm. Hired hands, and a lot of them too, sent by their 'illustrious' target to no doubt excise the thorn trying to stab into his side; and rid the world of her employer as well. Kill the killer, and you've taken the-out the immediate issue; but eliminate the one holding the leash, and you've stayed the collaring of further attack dogs in the future.

Smart. But not if Bell's current mouthy 'mutt' had anything to say about it. River's free hand slips behind, a slow brush of skin-upon-skin, but a thought halts her touch at fingertips only. The minute she takes Steven's hand and turns, they'll be on them like sharks raring to savage a bloody carcass... Far too many to focus on killing, whilst keeping him safe.

"...Sorry, Boss. I'm afraid I'm going to be needing both hands to take-care of this." Raising to flatten against his chest, that hand now pushes him back. A movement seemingly born out of annoyance to their annoying pursuers, but in truth, it was a gentle nudge toward the door behind them. Half-hidden in the dark, and their only apparent way out.

"Go, and don't look back." River speaks the soft order with an edge of insistence, "Don't worry. I'll meet you back, same spot as always."

[mctreeleth]

I keep deciding to do more and more complicated craft projects like a fucking idiot why do I keep thinking 3D geometries are a thing I can do just by thinking about it really hard?