#work-related rant

[spinaart]

hey leader!!!

[imerian]

My (very old) loscar brooch (?) that i just now made doodles for

More pictures under cut

[buglvr24]

why why why is putting clothes away and keeping my room clean so difficult. it literally feel torturous sometimes. i know i need to try and do difficult things. i was trying to clean and i was like “i wish i could just have two laundry baskets. one for dirty clothes and one for clean.”

and my mom said, “you can’t do that”

so i said “well why not if it would help me keep my room cleaner and work for me”

and she said “well then what’s the point of having a closet and drawers, and your clothes would be all wrinkled, and you’d never be able to find anything.”

she’s right and i’d love to have everything put perfectly away but it’s just so much sometimes

[rhaenin-time]

No, House Targaryen is not inherently "doomed" by the very same flaws (and themes) that doomed the civilization that they left.

No, they're not fated to succumb to the Doom that they survived specifically because of the foresight that set them apart from everyone else who perished. Not only would it be terrible, simplistic writing, it would also endorse a terrible, simplistic worldview.

People choosing to make House Targaryen a representation of and thematic successor to not just the civilization that they differentiated themselves from, but the power structure that they chose to leave, literally divested from, and actively worked to prevent from rising again in another form... really rubs me the wrong way.

Why isn't this projection and generalization done for any of the families that come from the cultures that are not coded as other? Why is it only the family that's been separated from their cultural context? Why do the other families each get to be unique, complex manifestations not just of different aspects of their cultures, but of their own specific histories?

Why is the foreign degenerate family both a representation of everything wrong with the culture they come from, and a scapegoat for everything wrong with the system they assimilated into? How is it they represent everything bad about what they left behind, and also everything bad about the land they came to? Even though all those flaws are not only shared by the system as a whole, but are flaws that predate their arrival, that they were punished for resisting, and that they are demonstrated to be incompatible with. Why is it always both?

It just rings so familiar to the way so many people view the other in real life. Because the Targaryens are overtly, and intentionally written as the other. It's the reason so many people identify with them, and it's the very same reason that other people vilify them. They're not just the in-universe other to the 'default' culture established in the text, but they're also given characteristics that we, the reader and audience, can recognize as other and even sometimes anathema to Western Christian culture.

Perhaps the old tales were true, and Dragonstone was built with the stones of hell

A Storm of Swords, Chapter 25, Davos III

I want you to ask yourself: Why is the idea of "fire and brimstone" evil?

To paraphrase the annoying people that love to cite Ramsay when they feel like it: If you look at a morally complex family surrounded by other morally complex families in a morally complex world in a story that's famed for seeking to challenge your underlying assumptions, and think that their association with fire and brimstone is meant to signify their singular satanic evilness, rather than say... challenge that very Eurocentric assumption, you haven't been paying attention.

This vilification mindset where the Targaryens are the singular evil of Westeros is so common to people who seem to want to consume ASoIaF without engaging with the criticisms of the Eurocentric worldview of history at the heart of it. And they end up using the convenient “others” to project all the wrongs of that world onto so they don't need to examine it any deeper.

This is the part where I so often get crucified!

This is the take that so often gets me crucified for "trivializing real world bigotry" in an attempt to "moralize interpretations of fiction" by an onslaught of people with troubling ideologies who then ironically steer the onslaught to moralizing their interpretations of fiction in a way that seeks to either mask or justify their troubling ideologies.

The worldbuilding of ASoIaF is an almost unparalleled projection of the Eurocentric worldview. That's what makes the world feel so rich. That's why GRRM and even the readers and audience are able to craft so many details that feel intuitive. But that also means that how you choose to interpret that world is often driven by underlying biases and ideologies that relate to that worldview — especially if you're not willing to challenge them the way George RR Martin does and encourages you to do.

It means that certain potential biases and ideologies people might balk at outwardly expressing in the real world are recontextualized in a way that feels more comfortable to indulge in.

There are countless examples from countless parts of the narrative. Honestly, you could fill books on the matter. But the one I'll point to right now is how the vilification I pointed out earlier is so emblematic of how the Eurocentric worldview often seeks to project their own flaws onto the other or choose scapegoats for systemic issues.

It comes from the same place with how someone pointed out that the baffling bastardphobia that would have medieval peasants giving the side eye is so often people jumping at the chance to “cosplay” as bigots who base their arguments in misogyny and bio-essentialism. Because it's an acceptable channel to indulge in that mindset in a way that they'd often otherwise question, or at least hold back from expressing out of caution.

And there I go again. "Moralizing fandom" for pointing out that fandom is so often used as a 'safe space' to build communities that share and spread troubling ideologies that you're not allowed to criticize because those ideologies have been 'appropriately' decontextualized from their real-world parallels, even though those parallels are still very much there.

But the problem is that it's impossible to simply 'channel' bigotry and leave it in an 'acceptable' space, because bigotry doesn't work like that. It's not a static object you can carry around in your pocket to play with when you think it's safe to do so. It's a blight. A living poison that feeds and grows and spreads. And if you give it a 'safe space' and continue to feed it with 'acceptable' fuel, it will always find its way out.

[skinnypaleangryperson]

[geekynightowl1997]

Okay- but...

Has anyone else noticed that at least with Dean Devlin- Christian Kanes characters all have some sort of ties to each other?

I mean:

Eliot Spencer; A military bred, mercenary trained, with multiple aliases- with a specific skill set, con-artist.

Jacob Stone; An art historian, with multiple aliases, genius brain, eidetic memory (?), librarian.

Alex Walker; con-artist, with multiple aliases, an eye for detail, retired giftshop owner.

The characters might not be the same but there still enough for them to be long lost triplets or something.

[tio-trile]

Did you hate the season 2 finale? Are you still looking forward for season 3 because of it or are you turned off of looking forward for any tv show good omens from now on?

What season 2 finale? Good Omens has never been adapted into a TV show. I love the book tho!

[lifenconcepts]

Oh I’m utterly fascinated by how people of the past expressed the unexplainable through art and poetry, turning their turmoil from being alone and misunderstood into something beautiful that all may see.

Honestly a shame that people now just whine about not enough flags to represent them when at some point in the past many individuals would not even know how to justify what they were feeling nor find people alike, and to atleast find comfort in the solitude escaped through music and literature, fanaticising about worlds where such a thing was normalised or turning themselves into a beast, to share with the world the level of their inner workings.

[cherrirui-official]

I FORGOT TO POST THESE HERE!!! But please take the sillies that i did a while back while i work on other art stuff!

[koszmarnybudyn]

Another magical girl au design? its more likely than you think

[ideasarestuckinmyhead]

How would the yv-boys feel if their listeners knew how to speak a different language? (All cuz my listener ocs know how to speak in japanese)—

All would be impressed of course since the US has lots of diverse languages spoken here.

would want to learn words: All

want to learn cuss words: Alphonse, Charlie and Lucien

Probably can speak another language: Lucien, Faust, Auron, Seth, Charlie, and Finn.

Flustered if you flirted with them in the language you can speak: All bc romance your mans bbg (used gender neutral)

I feel like a couple of them would even be able to speak another language since I did give some hc of the boys being some ethnic groups! Like Seth being Mexican!

[francy-sketches]

aegon is brokenstar coded (child fighting enjoyer) and joffrey is breezepelt coded do you think if they were warriorcats aegon would be joffrey's evil dark forest mentor

[i3utterflyeffect]

alan pulls up a miku video to attempt to pacify them, like you would to a crying ipad kid with cocomelon

...okay but real question: do you think c!alan knows who miku is. or do you think either chosen or one of the CG had to tell him

[dunmeshiminimumwage]

[thedrotter]

not-yet-dead-person

silly comic of a conversation in-game i thought was too funny not to make something proper for instead of a doodle ww

(timelapse + wip images (thus silly process commentary in read more if you like artist commentary :3)

i think the sketch looks silly and goofy and funny so i find it important to share with you the mere presence of the faces i drew on it. i drew it on top of the boxes without staying inside its borders because i find my proportions can get wonky if i draw them cropped in a restricted space. and I feel trapped otherwise and i will draw BAD!!! give me spaceeeee to go wild!!!!

the head circles are there for emotional support

very low res speedpaint because truth is the canvas was much bigger than the space where my comic was placed. i didnt account when exporting my timelapse in 720px that that tiny space would look so pixelated ... but it's able to be percieved, so its okay.

(i will now comment on my process and it is not brief sorry)

usually i would try to clean up my sketches and figure out what goes on top before jumping into linework, but since there are multiple panels and drawings i chose to jump into inking right away for the sake of brevity. i just went in with a brush that uses pen pressure and drew what was needed. i added extra line thickness and contrast in areas around the face because it helps direct your eyes there more easily that way.

according to her equipment rei has a chain belt but i only remembered it existed once I was going to color, and i did not like that discovery... I chose to ignore it to maintain my peace. i already have the color palettes for these characters figured out, and i didnt really want to think about a new element at the moment www I tend to overthink those things a lot so i skipped it

the rest is rather straightforward! not that anything else wasn't, but in here i could turn my brain off and sing. linework and sketching require mumbling so i cannot turn my brain off. just block in the characters with a solid color so i can have a mask (something along those lines,) where the color can stay inside. then just color in !!!

Base colors just had slight cell shading on the skin, and for the hair i airbrush a bit of the skincolor in low opacity near the forehead... I'm not sure what it means, but i can look at the faces easier with it somehow. i like the gentle subtlety it adds even if you cant really tell. it makes things look nice.

background was just me blocking in the color of the wall and floor, shade the wall a bit, then slap a noise and free use wood texture on top. work smarter not harder ! yet it took a bit to make it look stylistically fitting with the characters, and even now i think bottom middle panel looks odd. whatever!!!

for the middle panel i thought itd be funny if the background was a solid silly and colorful one to contrast the next panel's sketchy black one. a contrast to how the word widow is seen. on that note my handwritting is not pointy. i gaslighted my hand into thinking that it was indeed pointy in that moment so i could write "not-yet dead person" in letters that didn't seem cute. my hand did not fall for it but it complied anyway

that's basically it! I'm not sure what else i could say that doesn't feel barebones because it really is that straightforward. if you're curious I used clip studio paint for this. only special brush used was for linework (a brush named Lemon Brush), the rest used were just the default. my computer gets the least credit. it was trying to convince me a 20mb file was going to nuke it all the time and hardly let me save multiple times so i do not appreciate it

[clambuoyance]

I’ve never been so obsessed with a character so bad that I literally can’t do anything else I’m like the squidward meme watching SpongeBob frolic outside the window stretching a hand out to all the pretty paintings and animations and comics I see in my head but being unable to feel any motivation for it . If only i could use the energy spent to create 20 kon doodles to sit down and concentrate on a single finished full piece I used to be able to make like 5 page comics what happened to me