#women's urban wear

[mekyrdesign]

Elevate your style with the Women's Neon 90s Jacket, a vibrant throwback piece that captures the essence of the 90s. Crafted from lightweight, durable fabric, this jacket features bold neon colors and a retro design that makes it perfect for layering or adding a pop of color to any outfit. Whether you're heading to a festival or a casual outing, the Women's Neon 90s Jacket ensures you stand out in the crowd while staying comfortable and chic. Embrace the nostalgia today!

[margaretcruzemark]

Ann Demeulemeester, Spring/Summer 1999.

[croyl]

@alexanderdroth on instagram

https://www.instagram.com/alexanderdroth?igsh=MTFsdDZ3NW90YTN5NQ==

[a-a-a-anon]

thinking about how now after it became socially acceptable and enough time passed most woman on the street now wears pants and not skirts/dresses most of the time. even though i'm sure a lot of men think women look better in skirts/dresses and it was supposedly natural for them for women to wear those clothes. but it's so much more functional and comfortable to wear pants for so many activities.

thinking about how long it'll take until it's the same with makeup and most women you meet aren't wearing it most of the time. because i wear makeup regularly so i know that it's so much more functional and comfortable and time saving to go without makeup for so many activities. do you get what i'm saying. whether i'm wearing pants or a skirt people more or less treat me the same. when i'm wearing makeup people ARE nicer. people will ask what's wrong on the days that i'm not wearing any. even if you WANT to wear makeup for yourself the same way you'd decide to put on a skirt that day for yourself,, it's not the same. bc it's Expected for women's faces to look Like That (made up).

[dundealentnew]

Dundeal Entertainment West Women's Pullover Hoodie With Raglan Sleeve

Micro-fleece fabric will keep you warm. The front kangaroo pocket can warm your hands or store items. - Fabric: 95% polyester and 5% spandex - Regular fit - Kangaroo pocket - Fabric weight: 280g/m² - Stitch Color: black or white, automatically matched based on patterns. - Care Instruction: machine wash cold with similar colors, do not bleach, tumble dry low, do not iron, do not dry clean. - This product is made on demand, with no minimum order quantity. - Multiple shipping methods available, and fees vary depending on the location and the shipping method selected. - For custom areas, please refer to the Yoycol mockup generator for details. - Notice:a variety of factors may cause slight differences between the actual product and the mock-up, including but not limited to colors and precision of elements position. Size Guide Inch S M L XL 2XL 3XL 4XL 5XL Length 33.3  33.9  34.4  35.0  35.6  36.2  36.8  37.4  Bust 36.2  37.8  40.2  42.5  44.9  47.2  49.6  52.0  Sleeve 26.9  27.6  28.3  29.0  29.7  30.4  31.1  31.8  Waist 31.5  33.1  35.4  37.8  40.2  42.5  44.9  47.2  Hip 37.8  39.4  41.7  44.1  46.5  48.8  51.2  53.5    Centimeter S M L XL 2XL 3XL 4XL 5XL Length 84.5  86.0  87.5  89.0  90.5  92.0  93.5  95.0  Bust 92.0  96.0  102.0  108.0  114.0  120.0  126.0  132.0  Sleeve 68.2  70.0  71.8  73.6  75.4  77.2  79.0  80.8  Waist 80.0  84.0  90.0  96.0  102.0  108.0  114.0  120.0  Hip 96.0  100.0  106.0  112.0  118.0  124.0  130.0  136.0      This size guide shows product measurements taken when products are laid flat. Actual product measurements may vary by up to 3cm. Read the full article

[calder]

Released in 2010, Obsidian Entertainment's Fallout: New Vegas actively concerns itself with the realities of gay existence, and is widely recognized as a noteworthy work of queer science fiction. New Vegas extensively examines social attitudes towards homosexuality among the game's major factions, and primarily conveys this lore through gay and bisexual characters describing their own experiences. It also allowed the player to mechanically set the Courier's sexual orientation. By taking both available perks, the player character can be bisexual. By choosing neither, the player can opt out of seeing flirtatious dialogue options.

Uniquely, Fallout: New Vegas explores homosexuality in the context of wasteland societies, and touches upon related issues. The core theme of New Vegas is that the desire to recreate the past is driven by irrational nostalgia, and any endeavor to manifest past glory is dangerous and doomed. The social issue of homophobia is used as a demonstrative example. The resurrection of corporate and military power structures presents new avenues for Old World problems such as institutional homophobia to reemerge. One of the many issues that divide the New California Republic and Caesar's Legion is the latter's open persecution of gay people. The NCR is described as tolerant and even accepting of same-sex relationships, though acceptance tends to fall off the further one moves away from the developed, urbanized core of New California. In recent years, the Republic's rapid economic transformation has led to an unforeseen erosion of the humanitarian ideals which it was founded to serve. In practice, to recreate America was to take on its shortcomings and its sins. As subsistence scavenging has dried up, the people of the NCR increasingly turn to wage labor, entrepreneurial venture, or military enlistment to keep their families fed. Meanwhile, their government enacts morally corrosive imperialism (narrative verbiage), their dominion expanding indefinitely as their infrastructure crumbles from within. This has led to a profit-based imperial monoculture which must conquer, consume, and coerce to perpetuate. As personal politics and service labor grow in importance, people find themselves more inclined to present as "normal" in the interest of financial stability and political expedience. A loading screen visualizes this culture of artificial social normalcy: the portrait of President Aradesh on the NCR 5$ bill neglects to depict his unibrow, earring, and facial scarification, overall portraying the once-chieftain so cleanly-cut as to be unrecognizable at first glance. He also appears to be wearing a collared shirt or suit as opposed to the robe he wore in Fallout.

In the Legion, Caesar has mandated that every legionnaire take a wife and produce children, citing high infant mortality rates and the constant need for soldiers, and going as far as instituting child quotas. He treats human beings as a resource to be exploited for war. Ostensibly in this aim homosexuality has been declared a capital offense punishable by death. Historically, routine demonstrations of violence towards women and gay people are a deliberate feature of fascist societies, the only logical cultural conclusion of a government devoted entirely to war and control. In Forlorn Hope letter 9, an NCR soldier wrote wrote the following to his boyfriend:

Dearest Andrew, Writing this seems pretty morbid, but tomorrow we march into the no man's land between our camp and Nelson, which is crawling with Legion. The Major insisted I write this damn "if you get this, I'm dead" letter so here it is. What a crock. I have the luck of the devil and your love on my side, so I'll be home soon. Keep the porch light on for me. We'll party in New Vegas when I get back. I love you. —Devin

Devin believed he would prevail over the Legion because his love would keep him safe. He was found dying or dead on the battlefield, the letter was found on his body. In a post-release patch, the injured soldiers were removed from the battlefield for performance reasons, and never re-implemented. Driven largely in reaction to the Legion's hyper-masculine posturing and misogyny, rumors persist across the Mojave that gay male relationships are not only common within the Legion, but condoned. These rumors are repeated commonly in NCR society. A closeted NCR Major mentions that the Legion is "a little more... forgiving" about close male "friendships," speaking in a hushed tone to avoid suspicion. At the same outpost, the player can encounter Cass, a bisexual civilian woman. She may flirt with a male Courier, who may imply they are gay, prompting her to imply gay men are more common in the Legion. Even as gay men fight and die in the name of love under his command, NCR General Oliver may remark to Courier Six at the Second Battle of Hoover Dam: "If you think after all that's happened, I'm going to grab my ankles and take it like the Legion..."

This writing pertains to institutionalized homophobia which manifests in practice though power structures and social interactions without being written into law. Simply put, in his derogatory remark, the general expresses to his army that military surrender is gay, much like their gay enemy. From the brevity and bluntness of this remark, it's clear that this sentiment is already well understood among his ranks. Logically, to project strength in the eyes of such a leader, one might also project homophobia by scrutinizing and harassing one's peers and subordinates. In this atmosphere, the expression of homophobia is not only normalized, but materially incentivized. For the ambitious, it becomes a tool, and a way of casting shame upon rivals. For the closeted, homophobia becomes a survival tactic, hoping to throw scrutiny off oneself. This is why Major Knight is immediately frightened when a male Courier flirts with him. He is so profoundly alienated that he romanticizes life as a gay man under the Legion. The Legion punish homosexuality with death, and yet Knight characterizes them as more "forgiving" than the NCR. Through these apparently disparate events, the audience can trace how a distorted perception of gay people emerges among insecure men in a military environment, and subsequently becomes ingrained in the corresponding civilian culture. At the 188 Trading Post, a lesbian from the Brotherhood of Steel named Veronica also wryly remarks that she believes legionaries have gay sex about as often as straight sex. She also notes that this only applies to men, as women have no rights whatsoever in Legion society. In this aside, she conveys a pre-existing frustration with lesbophobic social norms. Veronica also mentions that the people of her bunker would rather she remain on the surface. The Mojave Brotherhood of Steel has no official policy prohibiting homosexuality, but an implicit attitude among its dominant members that their limited numbers require everyone to have children to avoid extinction. Numerically, this may seem logical on the surface, given their reluctance to recruit outsiders. However, given their tiny population, this is an ineffective countermeasure, as they do not have nearly enough members to maintain genetic diversity for more than a few generations. This approach is not universally supported by all family units within the Brotherhood, but every individual is ultimately at the mercy of the elder. Veronica was in a lesbian relationship, but they were quietly separated by Elder Elijah, due to the dominant culture of enforcing heterosexual pairing among their population.

Caesar's law has not ended homosexuality within his domain. Despite the obvious risks, some legionaries have continued to pursue relationships behind closed doors, especially given their access to slaves. So long as members complete their societal obligations and fulfill the child quotas, they are able to pursue romance with other men in secret. Homosexual relationships in the faction are noted as being relatively equal compared to the average Legion husband and wife, in a "Don't Ask, Don't Tell" sort of open secret policy. Gay legionaries must always make sure to keep their activities hidden. A centurion was once almost caught fraternizing with the teenage boy he had chosen to tend his tent. Despite previous "romantic" intentions, he quickly resolved to dispose of the slave to dispel suspicion. Had they been caught together, the centurion would have been charged with homosexuality and sentenced to death. This story is only known because the enslaved young man, Jimmy, managed to escape execution. Further illustrating the cruelty intrinsic to Legion governance, it's stated that homosexuality was the crime, and not the rape of a young slave; in fact, it seems Jimmy was forced to contribute to the child quota despite being a gay teenager, and the experience left him traumatized. He has resolved to never have sex with another woman, as the very notion triggers memories which fill him with disgust, and (in his own words) makes him feel like a slave all over again. The Strip is indifferent to gay people, viewing them as another opportunity to make caps. Both the Gomorrah and the Atomic Wrangler are interested in maximizing profits, and their prostitution services cater to clients regardless of their orientation. The openly gay Jimmy works at nearby Casa Madrid, but there is some tension among his peers due to his co-worker Maude's blatant homophobia. She supposes he's "okay, for one of those," and if propositioned by a female Courier, Maude will direct them to Sweetie for such "perverted" services. Pretty Sarah must regularly intervene to keep the peace among her staff.

The Followers of the Apocalypse, well-read punks who seek to embody healing through anarchistic values, are not concerned with gender. Most are openly and casually sexually active. Upon meeting Courier Six, Arcade Gannon offhandedly makes his gayness known, unprompted. The audience must face the fact that Arcade's apprehension of the Legion is far from abstract; under Legion law, he would be put to death. One possible ending gives further insight into Caesar's hypocrisy: should the player sell Arcade into slavery and leave Caesar alive, he will keep Arcade as a personal physician and philosophical advisor. They intellectually spar at length, and Caesar grows singularly fond of him. Accordingly, Arcade imitates the historic suicide of Cato the Younger by disemboweling himself. The Legion's remaining medics attempted to save his life, but none were Arcade's equal. Caesar understood his doctor's final gesture of contempt, and mourned him for months.

New Vegas ventures further into themes of healing from the trauma of sexual violence, from the perspective of a lesbian character. Corporal Betsy, an NCR sharpshooter, is a rape survivor, and suffers with PTSD from the incident. Her unprocessed trauma has manifested as a maladaptive tendency to aggressively and explicitly proposition the women she encounters, in an effort to reassert a sense of control. This defensive hypersexual impulse has negatively impacted her ability to connect with other women. A male superior officer notes that her behavior is inappropriate for anyone of her stature, but abstains from disciplining her out of sincere concern for her mental health. The Courier can help her begin to recognize these problems, and convince her to seek treatment from Doctor Usanagi at the New Vegas medical clinic, which proves helpful to her as she processes and heals from her trauma.

In Old World Blues, the Think Tank are five floating brains in jars who express themselves by waving robotic arms bearing screens depicting facial features. Before the War, they were federal scientists who committed crimes against humanity in the name of weapons development. Each is stuck in some sort of neuro-bionic feedback loop which prevents them from moving forward with their projects, mentally binding them to their central laboratory. Walking through their homes at Higgs Village, it's clear each was deeply neurotic before they were transformed into floating brains. Now without bodies, they attempt to maintain the illusion that they are exempt from sexuality as purely mental beings, but each displays obvious interest in the human form. They have codified this shaming with the term "formography." Most of the men are obsessively defensive over their complete disinterest in penises, which they talk about constantly. However, the shameless Dr. Dala shows overwhelming interest in observing and recording any and all human functions. Already androgynous in her pre-War life, Dala has taken to self-identifying as a "gender neutral entity" (though she is not known to use they/them pronouns). Regardless of the Courier's gender, they may coquettishly scratch themselves, clear their throat, and stretch in front of Dala until her biomed gel decoagulates. Dr. 8 also responds positively to graphic masturbation advice from Couriers of either gender. The X-8 research facility is ostensibly a massive immersive shrine to Doctor Borous's hatred of Richie "Ball-Lover" Marcus, a long-dead child who bullied Borous centuries ago. He also clings to his resentment of one Betsy Bright, who refused to attend a dance with him, supposedly so she could "go smoke with RICHIE MARCUS." Clearly arrested in development, Borous has literally built a temple to the fantasy of torturing his adolescent romantic rival and feeding him to dogs. His frozen, static characterization of the jock Richie Marcus as a "pinko-commie" who "likes balls" reflects the shallowness, pettiness, and overall misanthropy underlying his patriotic identity. It remains apparent throughout Old World Blues that the Think Tank are all chronically sexually repressed, which is inseparable from the values of the violent and judgmental pre-War culture which created them. With time and isolation, this ingrained repression has manifested as various intense and deranged psychosexual behaviors, including rage-fueled homophobia, voyeurism, and the obsessive performance of puritanical pretense.

____

“Although I’ve been out for a very long time, I made a conscious effort to be out with relation to this project, as I wanted to be visible as a lesbian in the game industry. New Vegas itself is, I think, one of (if not the) best games out there in how we treat homosexuality – and all of that is very intentional.”

“If my work on FNV, if my being out has helped even one gay person, then I have succeeded.” — Tess “Obsidian’s Gay Cowgirl” Treadwell

____

written (with help from other editors) for fallout.fandom.com/wiki/LGBT_representation_in_the_Fallout_series criticism welcome

[uncookedfeeler]

Cok's adventure I 🐙

Giselle

Tags : 3k3, Idol Giselle, story, a bit of Smut, creature kink,

Part 2

Seoul, May 28, 2024,

The night sky was clear, sparkling with countless stars, when a streak of light pierced the silence. Like a cosmic firework, a small spaceship looped and whirled before diving toward Earth. Unknown to the city's inhabitants, a small piece of space was about to collide with their urban lives.

.

.

.

"Thank you for your hard work," the Aespa girls say out of breath as they bow to the staffs in front of them. The girls have just finished their last performance of the day and are leaving the stage through the back. The sound of heels echoes in the hallway as they make their way back to their lounge, followed by their managers.

As soon as they enter the room, the girls collapse on the black sofa at the back of the room, between the various makeup stations, and enjoy a well-deserved rest.

"You've done a great job, that's all for today. Get dressed for departure in 30 minutes," says the manager. But determined to enjoy the sofa for a few more minutes, the girls drag their feet, except for Giselle who, in a rush of motivation, grabs her bags and heads for the dressing room.

The cabin is spacious and can accommodate several people. There is a large mirror on the wall. Giselle puts her bags on the nearby table and takes off her black boots, which lower her a few inches and allow her two beautiful feet to breathe. Although she loves this kind of footwear, she's very happy with the feeling of walking barefoot on the cold floor. A pair of white mittens follows, as does her necklace. All that's left is her black T-shirt showing off her two buddies, and a pink, white, and black military skirt, all tied together with pretty white and silver leather straps.

Giselle spreads the straps over her shoulders and finally lets them fall, still tied to her skirt. She is finally free from the torment of pleasure that is the constant rubbing of the straps against her sensitive nipples. She unzips the front of her skirt. There's a metallic sound on the floor and a cold sensation in her thighs. She grabs the bottom of her T-shirt and pulls it up, rubbing the underside of her breasts as they begin to jiggle.

She looks at herself in the mirror, her body now in sports underwear, her skirt still at foot level, and immediately notices the presence of someone behind her, a pretty Korean woman, still exhausted from her day, stands behind her and their eyes meet. The two women exchange a smirk.

"Karina-unni, you scared me!! Are you here to enjoy the show? you've come at the perfect time," says Giselle, not at all worried about her member's presence in the cabin.

Karina leans against the wall behind her and looks at Giselle “well, I see you still like to make a spectacle of yourself, Mr. Mirror is lucky to have such a slut for himself” she knows that Giselle loves this kind of situation and never hesitates to tease her when she can.

Giselle turns and faces Karina, whose back and ass are now visible in the mirror's reflection. Although she's used to seeing the other members in revealing outfits in her dorm, Karina finds herself staring at the perfectly round bottom of the woman in front of her. The image of a juicy peach comes to Karina's mind. Giselle realizes her effect on the leader and decides to finish her off immediately. The woman picks up her gray panties and bends over to pull them down. As she takes her time pulling them down, Giselle reveals more and more of herself, and Karina's eyes widen as she sees a round, ruby shape pressed into Giselle's butt.

“Meet my friend,” says Giselle with a big smile, Karina is now all red, she didn't expect Giselle to be wearing an anal plug at all during their working days. “You're such a slut, hurry up and change, the others are coming.” Karina replies. "What's the rush, you're the one who came unannounced, look how my ass is taking it so well," she jiggles her ass against the mirror, "imagine if it was a fake mirror and someone was watching us now," Karina struggles to answer and gets ready to leave when all of a sudden, the manager knocks on the door and tells the girls to hurry up.

The show is over, Giselle changes out of her underwear and into a stylish yet casual outfit, a simple oversized sweater, jeans and a cap to hide her face. She steps out of the cabin and comes face to face with Winter and Ningning, who are surprised to see Karina with a flushed face. They enter the cabin while Giselle lies down on the sofa by herself.

As she leaves the building with the 3 other girls, Giselle asks her manager if she can make a detour to the mall. Giselle had always been in the good graces of her managers, the image of a nice, calm girl was just a facade for her darker impulses. her manager has no reason to refuse and goes ahead with the girls, Giselle is now alone. The adrenaline of the performance is still pumping through her veins and the night has covered the city in soft shadows, tonight she wants to escape the often overwhelming life of a kpop idol, if only for a little while.

Giselle adjusts the straps of her bag as she walks toward the mall. She hums a tune, her mind bubbling with excitement for the shopping trip ahead. It wasn't just any trip, she had been looking forward to this day ever since she had placed an order online two weeks ago. Today, she finally gets to pick up her secret package.

Even though it's dark, once inside, the artificial light could make anyone forget what time it is,

The first store she visits is a popular streetwear boutique. The racks are full of trendy pieces, and as she looks through the clothes, she feels a wave of inspiration wash over her. Fashion has always been a passion, and today she wants to explore it freely, without stylists or choreographers to guide her choices. Just her, a piece of music playing in her ears. She stops at a cafe to get something to drink on her adventure between floors. Though trivial to many, she had learned to enjoy the small pleasures of a simple outing in contrast to her celebrity life.

But there was one store she was eager to visit, an intriguing little boutique tucked away in a corner of the mall. Giselle could feel the excitement building inside her as she made her way there. She stood at the door.

With a quick glance around to make sure her cap and glasses are firmly in place, she pushes through the shop's door. A soft bell announces her arrival, and the dim interior, lit by colorful neon lights, immediately envelops her in a captivating atmosphere. The walls are lined with everything from cheeky novelties to sophisticated items, and Giselle couldn't help but smile.

As she browses, her own lust begins to kick in and the feel of the toy she's hiding in her hole warms her body. Giselle rarely went out without her best friend deep inside her pleasure hole, leaving only the ruby-colored head peeking out from her plump butt. She squeezes as she feels the cold rod stirring the insides of her ass, yet she is mesmerized by an array of colorful products, each one more playful and daring than the last. She picks up a set of anal beads, a mischievous grin creeping across her face as she imagines the looks of surprise on her members' faces when she decides to give them away as a prank.

"Maybe I'll get the sexy cat outfit for Karina,” she thought to herself, giselle gazes at the black and white costume, the top barely covering the body, with only a band of fur covering the nipples. The bottom, on the other hand, is a transparent black strip with fur on the hips, the front is open with drawings of a cat's mustache on the opening.

and last but not least a 4 ball butt plug.

“Karina tries so hard to hide it but we all know her sex drive is insatiable, at night her moans of self pleasure can be heard all over the dorm, I even saw some red bite marks on her nipples, she must love her own milk”, she chuckles to herself as she continues to explore, letting her imagination run wild.

"I can't believe it, what's it doing here?" she exclaimed, spotting a cute-looking brown teddy bear on a shelf and approaching the object to take it in her hand. The sensation of softness reminded her of the time she'd caught Winter rubbing her wet pussy with one of her animal toys, the moans she'd let out in a low, lustful tone before exploding and staining her stuffed slave, her eyes full of pleasure. 

She says to herself “This girl doesn't know when to stop, she takes this poor bear with her everywhere, whether in the company, in the green rooms or even at fan meetings. Just imagine her rubbing her dirty and wet hole while talking to her fans, you can be sure she will never let him go thirsty.” 

She notices a small remote control attached to the back, “a vibrating bear, no less” ; she already imagines her little rascal happy for her next birthday.

Now that she had discovered potential gifts for her two Korean members, she couldn't leave Ningning to her own hands, the problem being that she wasn't very open about her sexuality.

"Mhh... What about Ning?" Giselle wonders, knowing that Ningning likes to be treated like a princess. More than once, she's led our staff by the fingertips to get her to do what she wants. Then she remembers a scene when they were training for her comeback: Ningning had got into the habit of spanking her members during their performance, and whenever she got her hands close to their asses, she couldn't help but stick her hand there.

Her face when she delicately slapped Winter's ass during their choegraphy is hard to forget.

She moves on to another section and the atmosphere here is quite different from the others: black leather outfits, eye masks and, in the middle of it all, an assortment of bondage whips with the word "SM" engraved on them, she smiles before saying in a low voice, "After all, a princess has to educate her servants when they deserve to be punished but even though she's the youngest, behind her soft character is a little girl who looks forward to give pleasure.”

After picking out a few items - some for herself, some as gifts, she approaches the counter where a cheerful cashier welcomes her.

"Miss, did you find everything you were looking for?" the cashier asked with a playful smile in his eyes.

"More than I expected!" Giselle replied, her cheeks blushing with a mixture of amusement and excitement.

"I also got a notification that my package is ready for pickup," she adds, unable to hide the lust in her voice. 

"Absolutely! I just need to see your ID and the confirmation code from your notification," he said, tapping his tablet screen. Giselle digs through her bag, hesitating for a moment as she pulls out her ID. She could feel her heart pounding, anxious for her package to be in her hands.

Suddenly, as the cashier turns to go to the back of the store, a huge noise is heard throughout the building, shaking Giselle's legs and sending her into a panic. Giselle freezes, a cocktail of fear and confusion coursing through her body as she instinctively runs to the front of the store, with the cashier right behind her.

Now standing outside the store, Giselle hears over the loudspeakers all over the mall:

"There has been an accident on the 5th floor. Please evacuate. Security will escort you to a safe area. Giselle makes sure her clothes are straightened and walks over to the security guard stationed by the elevators.

—--

On the floor directly above Giselle, an unprecedented event had just occurred: the crash of an unidentified object that tore through the sky and dived into the mall.

The crash site is unrecognizable as the impact sends shards of concrete and metal flying, startling the people inside the building, the crowd flees in fear, alarms starts screaming and the security officers rush to the scene. The hole in the roof reveals the full shadow of the moon, while the lights on the fifth floor no longer work and the cool night air fills the room. In this cloud of dust and darkness now lies the wreckage of your ship.

Your spaceship, a jewel of technology, is now smashed to pieces, the front window shattered on the ground, the rear landing gear cut off at the top and reduced to rubble.

The security personnel who hurry to the upper floors, wondering if some unexplained phenomenon has taken place. And then, from the smoking site, emerge the creature that will forever change Giselle’s life.

This is you, Cok, an alien octopus of vivid hues and shimmering red. Your body is a testament to the miracles of evolution; soft yet tough skin adorned with luminescent patterns that shifted as it moved; two black eyes capable of piercing the night with a single glance; cerebral faculties adapted to survival in any hostile environment; all these gifts of nature contained within such a small frame body. Your eight long tentacles glided effortlessly, taking in the new surroundings as curiosity flickered through his mind like electric sparks.

As you slowly become aware of your surroundings, the vibrations on the ground caused by the running guards, coupled with the deafening sounds of the alarm, awaken your survival instincts and you take advantage of the smoke to flee out of the impact zone and quickly crawl through the debris. Within the chaos, you were able to sneak into a shop whose door had been left open and take refuge in the room's emerging darkness.

—--

At the same time, the guards finally arrive at the crash site. Upon seeing the extent of the damage, they discover that the ground is littered with debris and that there is still dust in the air. It gradually dissipates, revealing the ruins of your ship.

Cautiously approaching, they finally get a good look at the structure responsible for the chaos. Confused at first by its shape, they don't think at first they're looking at a ship from somewhere else. Limited by their human knowledge, it is logical for them to think of a drone accident, deliberate or not.

The arrival of the police and emergency services helped to stabilize the situation. Fortunately, there were no fatalities and only a few injuries, mostly from the shock of the impact or debris from the surrounding area.

1 hour later,

A loudspeaker announces that the mall is closing immediately and that everyone should leave; the facility's security is now in question and there's no telling if there will be another incident.

Giselle has now returned to the first floor. She sits on the floor next to the cashier. Still shaken by what happened and tired, she is forced to go home without her package.

As she stands up, a jolt of electricity shoots through her body as she feels her toy sink deeper and deeper into her tight but wide open hole. She has the feeling that her toy is sticking to the very bottom, the idea of rubbing her fingers against its folds comes to her mind, and she also feels the formation of a small stain in her panties as they rub against her slit. A rush of libido hits her and every step becomes an agony. She's close to climax, but resists as she heads for the exit.

As she walks away and starts to call her manager, the cashier catches up with her and asks:

"Madam, do you still want to pick up your package, it won't take long".

This was the nail in the coffin, the desire was too much in her body and she could not refuse.

"Sure, I'll follow you," she said, her cheeks flushed now, her eyes full of lust, and her breath coming in short gasps.

—--

You've been hiding in the dark for a while. When the alarm goes off, you're greeted by a silence that doesn't displease you. Now you begin to explore your surroundings, even though everything around you is completely unfamiliar. Your tentacles aren't just there to move you; they're also powerful sensors, each with its own brain.

Crossing the room, you find yourself in the back room, devoid of light. You scan your surroundings. You identify metal structures, objects of all sizes and sensations. You are then attracted by a current of air coming from the ground. You crawl towards it and enter the passageway, probably damaged by the crash.

The passage is narrow even for you, and you continue toward the source of this air until you reach a dead end. You're immediately startled by the emptiness under your tentacles and feel yourself falling into the vertical vent. You barely catch yourself on the first ledge and slide to safety.

You realize that taking the downward path would be a mistake to avoid, and that the only solution is to continue blind in the ducts. After crawling about 5 meters, you hear a conversation in the distance and hesitate to continue in that direction. Finally, curiosity gets the better of you.

"Oh, this can't be! Look at this mess!" the cashier vent, accompanied by Giselle, who just arrived in front of the store.

The store, though one floor below the accident, had seen its merchandise knocked to the ground; some of it is still there. The once magical atmosphere was now just a pile of junk.

"Just a moment while I clear the way, ma'am," the cashier announces.

You arrive in what appears to be the back of a store. The environment is similar to the one you touched earlier. A faint beam of light from the shop crosses the room. You examine your surroundings again until you encounter something that paralyzes you for a moment.

Through your tentacles and round eyes, you recognize what appears to be one of your own kind. You make contact with this red creature with eight tentacles and two beautiful black eyes. But something isn't right. You don't feel any reaction from it, and the sensation of touch is unfamiliar, almost as if it were fabricated. Unable to discern the truth, a strange feeling arises in your body. This creature looks like you, but seems so different from you.

At this point, you're certain that the two people in the other room are dangerous. The bodies of your fellow creatures lying on the floor next to you are proof that your kind is not welcome on this planet. In panic, you hear footsteps coming towards you, and you hide in this narrow object. The sensation is pleasant, you feel as if you're being enveloped.

“Madam, the tablet is broken. You'll have to enter the code on the deliveryman's website. I'll pick up your package.”

“Thank you,” Giselle shouted across the room.

Hidden in this container, you still perceive the glimmer of light, the envelope of your hiding place gives you a feeling of security and comfort you have never experienced before on this planet, until the moment when total darkness drowns you, you feel tremors around you, the air becomes thin, but you don't need it anyway...

You hear the loud shout of a human announcing something in a language unknown to you. “Miss, i’ve found your package” 

You realize you're being moved, trapped in your box, you panic, wondering how you managed to find yourself so easily, knowing in advance that a direct confrontation is hopeless, you have no fighting skills, especially not against creatures much bigger and heavier than you, You're sure you've been captured and will suffer the same fate as your fallen compatriot.

"Here madam, I took the liberty of resealing the package, it must have been knocked over by the explosion, in case of damage, I apologize even more, now we have to hurry and leave," says the cashier.

Giselle, who finally has her precious package, leaves the mall before calling her manager to take her back to her dorm. It's been a busy day, but Cok's adventure is just beginning.

______________________________________________________________

First of all, thanks for reading, I've never written a fic before, but it's something I really wanted to try :) Think of this as an introduction chapter. I know the themes might not be to everyone's taste, but please look forward to the next ones.🐙

[hotvintagepoll]

Propaganda

Katharine Hepburn (Bringing Up Baby, The Philadelphia Story, The African Queen)—This woman. I have been obsessed with her for years. I know the urban legend is a popular one at this point of her walking around set in her underwear when her pants were stolen and she was left with only a skirt, but the pants thing is honestly enough for her to be the hottest in the room in my book. She refused to wear anything else at a time when the public in general and especially the studios did not like that. She was independent, stubborn, and so so very capable. Competency kink anyone? Also, if you want one final way that Katharine's entire life was saying "fuck you" to the establishment, it started young! Her mother took her to suffrage events, and she never got rid of that attitude of justice. I feel like I have barely scratched the surface of all the ways she was such a badass that I'm turning into a rambling mess instead.

Gene Tierney (Laura, The Ghost and Mrs Muir, Leave Her to Heaven)— The class, the elegance. The way she walks into frame and immediately all focus is on her. She had a pretty lengthy struggle with mental health that she describes in her book, which I think made her all the more sensitive in portraying characters like in leave her to heaven. Also she dumped JFK so

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Katharine Hepburn propaganda:

I'm sure one million people will submit her as an iconic Hollywood star but that iconicness might lead people to forget just how insanely hot she was like she had it ALL she was skilled she was funny she was smart she was beautiful AND she was likely bisexual

The single word I would use to explain Katherine Hepburn's appeal is *range*. In her acting career, that meant covering all the ground between lush period dramas and the comedies she did with Carey Grant and Spencer Tracey. In terms of hotness, it meant an uncanny ability to bring anything from a Dietrich-esque androgyny to some of the best Classic Hollywood Glamour you will ever see.

Katharine hep was so cool. The VIBES, the INDEPENDENCE,,, living life on her own terms.

she just had this.... bearing to her, this power. she could be funny, even silly (like in bringing up baby) but also so regal and elegant. she was nobody's fool and dear GOD that's so hot

Fancam link

She’s not only stunningly gorgeous (those eyes that pierce your soul! a jawline you could cut glass with!) but her delivery and physical presence in roles gives off confidence and authority in such a sexy way (truly the biggest dick energy of Old Hollywood). Her fiery energy in The Philadelphia Story? Unmatched.

God she's. She's so hot y'all. She has the range!!!!! Funny and dramatic and lovely

She IS the transatlantic accent. Classically gorgeous and such a strong personality.

She's literally one of the funniest women to ever live! She goes shot for shot with Cary Grant in Philadelphia Story and we damn well love her for it! She's the most annoying creature to ever live in Bringing Up Baby but she's so insane and funny that we simply cannot help but fall in love with her (and root for her to give Grant an aneurysm!)

i know she's accounted for but i really want to be sure someone has submitted the scene in bringing up baby where she's pretending to be a gangster

She simply stuns onscreen; you cannot do anything but be captivated by her presence. Also a non-gender-conforming icon and mild tumblr celebrity by virtue of that one picture from The Warrior's Husband (stage play).

Katharine Hepburn was out here casually changing the lives of young butch lesbians with her gender swag! She wore pants even when people said she shouldn’t, she refused to marry or have kids, and she wore menswear in at LEAST one movie!

If I start thinking about her face for too long I will cry she is so so hot. Katherine is so charismatic and charming in everything she appears in - watch her adopt a leopard and fall in love with her. Also she has the biggest dick energy ever (she and her pal Lauren Bacall share that accolade). Also had an incredibly long and varied career from screw ball comedies to serious dramas - she’s a queen of the screen and I adore her.

Someone's got to mention it, but she's won the most Oscars out of any performer and is largely considered one of the greatest actresses ever. She's got an incredible voice, an incredible presence, and she absolutely steals every scene she's in. She was private person and deemed standoffish and unapproachable, but she was also profoundly concerned for people's rights and was an outspoken supporter of abortion access. Finally, the Katharine Hepburn slacks look is just iconic. I mean look at her.

(I hope someone else submits real propaganda but just in case they don't:) Cries. Screams. Wails. The woman who singlehandedly made me realize I was bi. A real "do i want to look like her. be her. or be with her.' crisis, where the answer was all three. Holy shit please all three.

Gene Tierney:

The entire plot of Laura is that a guy has to become completely obsessed with a woman after just seeing her portrait. This only works because Gene was cast in the role. I 10000% believe anyone could fall in love after seeing her face.

Those eyes! Just look at those eyes! She’s at her hottest in Leave Her To Heaven— I literally want her to ruin my life.

Absolute grade-A babe, she is the perfection incarnate.

Gene Tierney was beautiful, poised, intense. I associate her with roles where she was murderous or an intelligent woman being patronized to - like a woman on the edge! As far as I am concerned, she deserved to do whatever she wanted.

She had a slight overbite which was amazingly sexy, and a throaty voice that was very memorable as well. She’s terrific in Laura, which reminds me I should watch it again.

EYES!! Her diabolical acting in Leave Her to Heaven is just perfect, Rosamund Pike definitely took notes for her Gone Girl from her.

Oscar-nominated and simply one of the most beautiful women to ever walk this Earth.

Absolutely stunning. In Leave Her to Heaven, she reaches Rosamund-Pike-in-Gone-Girl levels of “holy fucking shit?!?!?!” She had a fling with JFK in the ‘40s and also dated the exes of Rita Hayworth and Hedy Lamarr (Prince Aly Khan and W. Howard Lee, respectively). Sadly, her daughter was born with a disability (during a time in which there were few good mainstream options for disabled children and their parents), likely because of a fan who was sick with measles and went out of her way to meet Tierney (who was pregnant) anyway. Topical! Sure would be good if people stayed home when they were sick! Anyway, she was also a Republican, which sucks. Laura and Leave Her to Heaven are great viewing though.

[fallstaticexit]

Prev / Next / Beginning / Pillowfort

Transcript under the cut

Geoffrey: So, our anniversary is coming up. I was thinking maybe we could plan a getaway. Somewhere really nice. What do you think? Nancy?

[Nancy snores lightly]

Nancy Narrates: [It was all starting to wear on me-]

Geoffrey: [softly] Goodnight Nance. I love you.

Nancy: [murmurs] m ‘love you...Vanessa.

Nancy Narrates: [Having to balance the many sides of me]

Nancy Narrates: [There was the Nancy that was a Theta]

Nancy Narrates: [The Nancy that was free]

Nancy Narrates: [The Nancy that was an honest, loving girlfriend]

Geoffrey: Date night tonight?

Nancy: I- have a thing with the Thetas. Maybe another night?

Geoffrey: You know, I’m happy you’re putting yourself out there. I’m proud of you.

Extra Loud Stereo Plays: Do Me! - Bell Biv Devoe

Take a good look at me Tell me do you like what you see

Do you think you can Do you think you can do me

Kiss me pretty baby And touch me all over

Girl what makes you think you can do me Do you think you can do me girl?

Do me baby (x2)

-

Geoffrey: Hey, you ever wondered what happened to Vanessa?

Bob: Vanessa? Vanessa Villareal?

Geoffrey: Yeah. When we came back from break, she just- vanished.

Bob: Yeah, that was crazy, huh? I talked to Cassie about it once. She said it reminded her of that whole Angela thing that happened junior year.

Geoffrey: What Angela thing?

Bob: You don’t know about the Angela thing!?

Geoffrey: [chuckles] No one told me about it! It was like a urban legend.

Bob: Vanessa and her mean girl squad ganged up on her and started bullying her because they thought she was a lesbian or something.

Geoffrey: No way. Was she?

Bob: I dunno. I mean, she was always hanging on to Vanessa. I guess that’s where the rumors started. Anyway, Cassie thinks maybe people were starting to talk about her and Nancy. They were close too.

Geoffrey: What? Why didn’t you guys tell me?

Bob: Dude, it’s just gossip. We can’t know for sure that’s what happened. Vanessa was always getting sent to the office, she probably got expelled.

Geoffrey: Yeah...

Bob: Are you ok, man?

Geoffrey: I think maybe that’s why Nancy’s been so down all this time. I think she misses Vanessa.

Bob: Probably, friendships between women are really intense.

-

Darling: [groans] I can’t believe I have class in 5 hours. I’m screwed.

Nancy: [laughs] Who told us to throw a rager on a Thursday?

Darling: Hey, we’re still in better shape than those two over there.

Nancy: The Thetas? More like tea parties.

Darling: [laughs] Hell nah.

Nancy: Should we check if they have a pulse?

Darling: [chuckles] Man, they can’t handle their liquor for shit.

Nancy: Did you meet them through the club?

Darling: Morgan chased me down to do a tarot reading one day.

Nancy: Ah. She got you too, did she?

Darling: I kinda like that stuff, you know, like zodiac signs and all that. Tells you alot about a person. Speaking of, what’s your sign?

Nancy: I have no idea. Maybe I’m a Pisces?

Darling: When’s your birthday?

Nancy: January 17th.

Darling: Huh, no shit? You’re a Capricorn. I’m a Virgo.

Nancy: What does that mean?

Darling: For one, means we’re compatible.

Nancy: Oh? How can you tell?

Darling: We’re both earth signs, means we grounded. We want the real thing.

Nancy: I don’t know what I want.

Darling: I think you do though. I think you don’t want to say it.

Nancy: What don’t I want to say?

Darling: You tell me.

Nancy: Well. I guess... I guess I have alot of questions.

Darling: Like what? Keep it real, it’s just me.

Nancy: Well.. How do you know that you’re- you know.

Darling: What, into girls? I’ve always known.

Nancy: But how do you know for sure?

Darling: I was probably born this way. I never looked at guys the way I look at women. I love everything about them. I love the way they smell, the way they feel. I’m probably crazy about them. It’s wired in my brain.

Nancy: Have you ever kissed a girl?

Darling: [chuckles]

Nancy: Don’t laugh...

Darling: You’re right, you’re right, my bad. Yeah, Nancy. I’ve done alot more than kissing though.

Nancy: Oh. You mean...like sex?

Darling: Yeah. Like sex.

Darling: Oh. I guess that means you’re done asking questions.

Nancy: ....What is it like?

Darling: Kissing?

Nancy: I know about kissing. I mean [clears throat] the sex. With a girl. What does it feel like?

Darling: You really wanna know?

Nancy: Well. I asked, didn’t I?

Darling: Alright. Give me your hand.

Darling: You wanna know?

Nancy: [swallows] Mhm..

[chocolatecakecas]

barbie truly created the ideal society. women in every career field without question and holding positions of power. wearing pink traditionally hyper-feminine outfits while doing so. modern urban planning that creates walkable utopian cities. unique architectural designs. himbos everywhere. neon colors as far as the eye can see. everyone slaying.

[margaretcruzemark]

Thoughts on workwear Autumn Winter 2024.

[croyl]

@_sanct_ on instagram

[melbatron5000]

Minisode connections?

I think Maggie is a Mason. She wears a Masonic symbol on her necklace, and I suspect that's why she's sending records to a pub in Scotland -- connections to the lodge next door.

I think the Masons must have carved the Gabriel statue, probably from life. That's why they're called Masons, right? -- the first lodge was formed by members of the stone masonry guild in the middle ages.

Someone on Facebook mentioned she thought Elspeth didn't buy a farm. How difficult would such a thing be for an urban woman in that day and age? Instead she bought a pub. Which in later years got a jukebox.

One of the Mason sects that women are allowed to join are the Daughters of Job.

I don't know where all this leads, but I think there's a trail of breadcrumbs here.

[female-malice]

The breast binding trend that young women are doing now has already been done by young women 100 years ago.

Read this excerpt from this paper about qipao fashion by Adrienne Cox:

The changes in qipao fashion began with the trend of breast binding in the early 1910s. Breast binding became more popular toward the end of the Qing dynasty, especially among young female students, who sought to hide their feminine figures by binding their breasts and wearing the early qipao that was stylistically similar to their male counterpart’s changpao style.

Breast binding provided young women with a slim boyish figure and allowed them to show off a more androgynous body as they began to move into the public sphere, which allowed them to preserve a sense of modesty. By hiding their feminine figures, they were able to enter the public sphere without drawing the attention of the male gaze as sexually promiscuous women. In the late 1910s, the trend of breast binding for political reasons quickly spread around urban China, and by the 1920s women of each province sported their own versions of breast binding devices. In the north near Beijing, the laoshi moxiong or old-style breast cover was popular and bound the breasts tight to the chest. In the south the xinshi moxiong or new-style breast cover was more popular and provided a slightly looser fit. From this trend of breast binding, we can also understand how women’s outer clothing changed to fit the new style of feminine form, as qipao styles became tighter to conform to the boyish figures.

The general practice of breast binding also points toward women’s desire to take control of their bodies as they are increasingly visible in the public eye. Women chose to bind their breasts as a way to make their body more suitable to the public eye, which then allowed them to take advantage of education and job opportunities that would bring them directly within the gaze of a society that had functioned by hiding female bodies for centuries. During this time period, who was in control of women’s bodies was the serious question. The changes in both breast binding and qipao styles provided women the opportunity to enter the public sphere without drawing the criticism of conservatives who felt women should stay within their traditional gender roles at home.

By the early to mid-1920s, another movement was beginning to gain traction that completely changed the way that women would display their bodies in public, as well as how the Nationalist government would respond to women’s political needs and demands. This movement began as some urban women sought to free their bodies from the constrains of their clothing as well as the constrains of traditional gender norms. These women sought to literally free their bodies from the historical bindings that had deformed women’s bodies. In this movement, breast binding became closely linked with rhetoric surrounding foot binding, which linked it to the feudal and restrictive past. Feminists across China called this the ‘natural curves’ movement, and it sought to completely eradicate breast binding and focused on women’s physical health. The movement was later supported by the Nationalist government after 1927, and women’s health was encouraged for the benefit of the state—healthy women could produce healthy children—but the way women dressed and presented their healthy bodies came under attack from the Nationalist government for being too provocative.

When the ‘natural curves’ movement began, the women involved focused primarily on celebrating women’s ‘natural’ curves and bringing the ‘natural’ female form more fully into the public eye. This would both literally free women from hiding their figures using harmful tactics such as breast binding, as well as figuratively freeing women from the traditional expectations that drove women to hide themselves from men. In the past, women had either been in the home or so overburdened by loose layered clothing that the physical form was ultimately hidden away from sight. The focus of the natural curves movement quickly became the breasts, hips, and legs of women, and women’s magazines such as Linglong devoted centerspreads and articles to showing off and celebrating the physical health of athletic women. In 1933, the editors of Linglong even published an entire issue dedicated to showing healthy and athletic women. Linglong was largely influenced by the readers, and it wasn’t uncommon for a reader’s letter or personal article to be published in the magazine. This is important to note, because the 1933 sports issue that showed women engaged in sports also included images of healthy young children and mothers holding their babies, which shows that women around China supported the movement for a variety of reasons.

The emphasis on healthy and robust bodies became the forefront of the natural curves movement, and this focus was embodied in the two keywords of the movement, ziran mei and jian mei which mean ‘natural beauty’ and ‘healthy beauty.’ Under the principles of ziran mei and jian mei, Chinese women began to abandon their xiongyi entirely to show off the full shape of their breasts. Others began to adopt the western style brassieres, which would cover the breasts without pushing them into the chest. Politically active women throughout urban China could decide how they wanted to express their liberation simply by how they chose to present their bodies, and qipao styles were changed once again, this time to show off women’s full figures. Once again, the qipao was used as a way to show the political stance of the women wearing them.

In the late 1920s the Nationalist government, as well as some conservative civilians supported ‘natural breasts’ and fashion that followed not out of a desire to liberate women, but out of concern for their reproductive health and creating a clear divide between genders. A popular magazine called The Women’s Monthly published an article that openly admonished young women who still bound their breasts, and other women’s magazines published articles encouraging women to abandon their old binders in favor of the western bra, that would support the breasts without constraining them. Breast binding was said to be a major detriment to a woman’s ability to raise her child, as it was widely accepted that breast binding caused women to be unable to produce milk. These groups linked what was supposed to be a form of female liberation back to the traditional gender roles that many women were trying to escape.

–

First there's a breast binding trend among young women who want to avoid being sexualized by male peers.

Then there's a feminist rejection of this trend as feminists promote the importance of women's health and fitness.

And finally, conservatives co-opt the feminist rejection and twist it into a promotion of traditional reproductive duties.

All of this happened 100 years ago.

And all of it is happening again today.

[livefromcastledracula]

Book Carmilla vs Adaptations (SPOILERS)

Here are a few 'interesting' adaptations. I like some of them for their own merits, but mostly dislike them as Carmilla adaptations for the below reasons, with some notable exceptions: Vampyr: The Dream of Allan Gray (1932 film): The first Carmilla inspired movie, although it keeps almost NOTHING from the novella except 'female vampire'. In this case, a creepy old lady rather than a charming young lesbian. This is a really moody, slow, acid trip of a film though, a treat for fans of vintage vampire film. (3/10) Hammer Karnstein Trilogy: The Vampire Lovers is the gayest and most book-accurate. Carmilla still kisses/seduces men before killing them, boo. The second one her identically-named reincarnation is blonde and has sex with / falls in love with a man booooooo. She's not in the third one at all. It's all very 70's and nowhere near queer enough, but at least we got the incomparable Ingrid Pitt in the first movie. 5/10. Vampire Hunter D: Bloodlust: 'Carmilla' shows up as a surprise third act villain. She's an elegant and imposing vampire queen with a castle called "Cjethe" and the Vampire King offed her previously for being A Bit Too Extra. She's... Bathory. She's Elizabeth Bathory, right down to the name of her historical castle, the elaborate gowns and the blood-bathing. Bathory in Castlevania Nocturne even looks a lot like this one. Cool scary vampire lady, but Carmilla In Name Only. 4/10 Castlevania (Games): She's fine here, but mostly just kind of a big Dracula groupie like most of the other non-Dracula vampires. Often depicting as a flying skull or mask crying bloody tears, with optional succubus-like figure reclining on top of it. Cool. Rondo of Blood has her appear together with a ninja vampire Laura with bunny ears because why the hell not. 6/10 Castlevania (Netflix show): Baddass, angry Karen. She's amazing in the first season when she's scheming against Dracula, but after that she just sort of sits on her butt sipping wine and griping about men for a whole season until Isaac storms her castle. A cool character but not a great Carmilla, because Carmilla for me is defined by how much she loves women, not how much she hates men. Still amazing voice work by Jaime Murray though and her last stand was insanely baddass. 7/10

Carmilla Web Series / Movie: My favorite adaptation. It's obviously playing waaaay fast and loose with the canon and reframing her as a charming antihero in a zany urban fantasy, but there's deep current of love for the source material, especially in the movie. Natasha Negovanlis has charisma off the charts and the Hollstein romance is adorable. This Carmilla might be a black-leather-wearing snarky millenial goth with a Canadian accent, but as the show goes on it peels back layer after layer of the romantic, poetic, wistful, world-weary immortal hinted at by the novella. This show redeems LeFanu's lovelorn villain in all the best ways. 10/10. 2019 movie / Styria movie: I still haven't seen these, have heard good things about the gothic cinematography on the most recent one but not good things about the rest of it. The trailer looked moody and pretty though, I may watch it at some point.