#woman playwright
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I choose whether or not I want to conform to unrealistic beauty ideals perpetuated by the media.
Fucking Feminist - Rose Lewenstein
#book#books#quote#quotes#book quotes#theatre#theatre quotes#plays#woman playwright#Rose lewenstein#fucking feminist#feminist
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Andrew Minyard, Literature Major ("Hell hath no fury" , "Jean Valjean") getting a PhD just to piss off Aaron so they're both Dr. Minyard is just--
#William Congreve (1670-1729)#an English playwright and poet. The entire quote reads#“Heaven has no rage like love to hatred turned#Nor hell a fury like a woman scorned#The Mourning Bride#jean valjean#from Les Miserables de Victor Hugo#aftg#all for the game#andreil#andrew minyard#twinyards#aaron minyard#they're so stupid#and smart#and andrew is so dramatic for quoting so much shit
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Renata Carvalho
Gender: Transgender woman (travesti)
Sexuality: Queer
DOB: Born 1981
Ethnicity: Brazilian
Occupation: Actress, playwright, theater director, sex worker, activist
#Renata Carvalho#qpoc#lgbt#lgbtq#travesti#transfemme#trans femme#queerness#lgb rights#queer rights#transgender#transgender woman#queer#1981#brazilian#latino#actor#playwright#director#sex worker#activist
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Paula Vogel
youtube
Paula Vogel was born in 1951 in Washington, DC. Vogel won the 1998 Pulitzer Prize in Drama for her play How I Learned to Drive. She later won a Tony Award for her play Indecent. Vogel's plays explore subjects such as AIDS, domestic violence, LGBT rights, and censorship. She has won the American Academy of Arts and Letters Award in Literature, and an lifetime achievement award from the Obies. In 2015, Vogel was inducted into the American Theater Hall of Fame.
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cutest iasip interview ever
#it's always sunny in philadelphia#iasip#sandy martin#lynne marie stewart#i love them so much#and especially sandy#i mean the woman is a respected playwright‚ theatre producer and director#she doesnt need to be doing Sunny#but she's clearly having so much fun with it
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rough draft of a new show <3
#this one is about a woman who takes her husband to a remote island to try and get him to confess that he doesn’t love her#while in the process convincing herself that the island is actually a tentacle of the kraken#writing#playwright#my post
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solemn vow to never be complacent or meek around things i feel strongly about again — to at least start the conversation even if i don’t have the words to talk back exactly to a poisonous idea — in kind, to pick up the thread if someone else does the same — tired of letting evil shit unfold —
#honestly this mostly only happens because of my disability which. i've been dreaming/reading about navigating that in ways feel better#or else because im scared of violence as a trans woman but i’m sick of fear of violence making me passive#rarely because i got scared in the crosshairs of financial insecurity and feared losing work#but that is what im parsing this time and very determined not to let that happen ever again#cuz like. having the supposed 'non-action' of passivity even available to you is a privilege of whiteness#in this case it was taking a creative-side gig on a play that felt very clear the playwright had given very little if any consideration#to nonwhite perspectives like clearly by a white person thinking about a white audience kinda liberal politics#and i took it bc my friend's mentor was directing and she put us in touch and spoke highly of him#and she's indigenous and very willing to call out white bullshit so i had some hope/trust that he would push it more#and he........ did at least cast a latino actor in the one role that would have made the play horrifically racist#if it had been cast as a white person but that felt like doing the absolute least to me#im still very much figuring this world out#understanding the ethics of theater work and im glad i did this in that regard#cuz like. i didn't fully realize that my only real chance to make a creative + ethical statement was right out the gate in accepting the gi#as an SM like... there's really no other chance to have an opinion so i should not take work if the script doesn't align w my ethics#and use that rejection as a chance to make it clear what's fucked up#...if i even ever SM again that was the most stressful gig i've ever done and i didn't even get paid for it. fuck#sorry for writing half the post in the tags. if ur reading this ur too close >O< jk haaiiii thx for reading my diary#very much a 'i am thinking through these concepts still and ur welcome to share ur thoughts on them' kinda post
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The Hermitage
Artist: Unknown Artist, Formerly attributed to Theodore de Bruyn (1730–1804)
Former Title(s): The Hermitage North End Road, London
Date: c. 1772
Medium: Oil on canvas
Collection: Yale Center for British Art, New Haven, CT, United States
#painting#oil on canvas#the hermitage#agriculture#architecture#brick#bridge#country house#cityscape#buildings#espalier trees#fields#mansion#playwright#pon#river#woman#child#garden#gate#artwork#18th century painting#brittish
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Second Stage announced its fall lineup and, hm...
On one hand, this means we get a fairly sizable cast, and I do like that. And I'm generally a fan of big messy family dramas, but the contemporary takes on this concept have been so uninteresting as of late. This play seems way too similar to last season's Appropriate, and I hated that. It was trying to be August: Osage County, and just didn't do it for me. What about this play is different? What could this playwright bring to the table that hasn't been served before?
#i was being so damn snarky in the tags about a white woman probably writing a gay twink couple into the family in a weird fetishy way#only to find out that the playwright is a lesbian#wait fuck. abort post. i have no choice but to support this fully
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The playwrights made their heroine a single woman and though dressed in men's clothes she was chaste.
"Normal Women: 900 Years of Making History" - Philippa Gregory
#book quote#normal women#philippa gregory#nonfiction#playwrights#john day#the madde pranckes of mery mall of the bankside#thomas dekker#thomas middleton#the roaring girl#heroine#single woman#cross dressing#chaste#moll cutpurse#mary frith
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Someone asked what’s your favorite one-person show, and this is always my pick, hands-down.
#julia sweeney#letting go of god#one-person shows#one woman show#atheism#religion#catholicism#theater#theatre#stage play#actors#actress#playwright#Youtube
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"At the risk of stating the obvious, no woman can mate with a bull and produce a child. Recognizing this simple scientific fact, I am led to a somewhat interesting suspicion: King Minos did not build the labyrinth to imprison a monster but to conceal a deformed child, his child.
While the Minotaur has often been depicted as a creature with the body of a bull but the torso of a man, centaur-like, the myth describes the minotaur as simply having the head of a bull and the body of a man, or in other words, a man with a deformed face. I believe pride would not allow Minos to accept that the heir to the throne had a horrendous appearance.
Consequently, he dissolved the right of ascension by publicly accusing his wife Pasiphae of fornicating with a male bovine.
Having enough conscience to keep from murdering his own flesh and blood, Minos had a labyrinth constructed, complicated enough to keep his son from ever escaping but without bars to suggest a prison. (It is interesting to note how the myth states most of the Athenian youth "fed" to the Minotaur actually starved to death in the Labyrinth, thus indicating their deaths had more to do with the complexity of the maze and less to do with the presumed ferocity of the Minotaur.)
I am convinced Minos' maze really serves as a trope for repression. My published thoughts on this subject (see "Birth Defects in Knossos"Sonny Won't Wait Flyer, Santa Cruz, 1968) inspired the playwright Taggert Chielitz to author a play called *The Minotaur* for The Seattle Repertory Company. As only eight people, including the doorman, got a chance to see the production, I produce here a brief summary:
Chielitz begins his play with Minos entering the labyrinth late one evening to speak to his son. As it turns out, the Minotaur is a gentle and misunderstood creature, while the so-called Athenian youth are convicted criminals who were already sentenced to death back in Greece. Usually King Minos has them secretly executed and then publicly claims their deaths were caused by the terrifying Minotaur thus ensuring that the residents of Knossos will never get too close to the labyrinth. Unfortunately this time, one of the criminals had escaped into the maze, encountered Mint (as Chielitz refers to the Minotaur) and nearly murdered him. Had Minos himself not rushed in and killed the criminal, his son would have perished. Suffice it to say Minos is furious. He has caught himself caring for his son and the resulting guilt and sorrow ineeses him to no end. As the play progresses, the King slowly sees past his son's deformities, eventually discovering an elegiae spirit, an artistie sentiment and most importantly a visionary understanding of the world. Soon a deep paternal love grows in the King's heart and he begins to conceive of a way to reintroduce the Minotaur back into society. Sadly, the stories the King has spread throughout the world concerning this terrifying beast prove the seeds of tragedy. Soon enough, a bruiser named Theseus arrives (Chielitz describes him as a drunken, virtually retarded, frat boy) who without a second thought hacks the Minotaur into little pieces. In one of the play's most moving scenes, King Minos, with tears streaming down his face, publicly commends Theseus' courage. The crowd believes the tears are a sign of gratitude while we the audience understand they are tears of loss. The King's heart breaks and while he will go on to be an extremely just ruler, it is a justice forever informed by the deepest kind of agony."
House of Leaves by Mark Z. Danielewski
pg. 110-111
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What's your secret, envoy? emperor geta x fem!reader
Summary: Desperation drives you to the gates of the Roman Empire when your brother is dragged away to fight as a gladiator in their blood-soaked arenas. With nothing left to lose, you strike a perilous bargain with the cunning Emperor Geta—your freedom and future in exchange for your brother’s life. But what begins as a desperate ploy turns into a tangled web of intrigue, betrayal, and forbidden ties. You never imagined that the ruthless emperor would become more than an adversary—and that the most dangerous risk of all would be losing him.
chapter one | chapter two | chapter three (completed) ao3 link
Darkness had fallen, and the flickering light of the torches surrounding the arena cast dancing shadows on the ancient stone walls. The weight of chains stretched from wrist to wrist, from wrist to ankle, echoing with every step you took.
Fatigue and resignation were etched onto Geta’s face, but the last spark in his eyes had not yet dimmed. Looking at him, you felt in your bones that this moment had finally come, that the inevitable was now here, confronting you.
The screams and cheers echoing through the arena were like a death march rising from the heart of Rome. The crowd was filled with the fervor of ruthless savagery; in their hands were roses and mud-mixed stones, hurling at you the paradox of life and death.
On one side, a barbaric crowd hungry for blood; on the other, roses, symbols intertwined with death. The air carried the mingled scents of soil, sweat, and fire, imprinting the moment indelibly into your memory.
As the sky transitioned from a copper-hued sunset to the absolute blackness of night, Macrinus's arrogant gaze gleamed before you. Reclining on his throne with the demeanor of a king assured of his victory, he listened to the frenzied cheers of the crowd.
Beside him sat Caracalla, his face utterly different; tense with rage, you could almost hear the blood coursing through his veins. His hatred for Geta seemed like the hidden playwright of this dark theater.
Geta suddenly stopped. The clinking sound of the chains reverberated on the stone floor. Standing confidently in the center of the arena, he held his head high. “People of Rome!” he shouted, his voice echoing through the stone walls and reaching every corner.
The weight in his voice imbued each word with both fury and hope. “Today, here before you, a conspiracy is being staged. Macrinus is a traitor who has infiltrated the heart of our empire! Can’t you see his treachery?”
For a moment, the crowd fell silent, but it was short-lived. Screams, laughter, and jeers rose again, crashing over you like a wave. Geta’s voice was lost in this sea.
Though he continued speaking, the crowd’s minds were already sealed with a predetermined verdict. They wanted blood. The eyes looking at you sought not justice but mere entertainment.
Geta’s words were like winds wasted in the void. You looked at him, your heart constricting, helplessness clutching at you. Geta’s hands trembled into fists; the chains clattered once more. Among the faces watching, there was no mercy, only cruelty.
At that moment, Macrinus rose from his seat. As his steps echoed in the arena, the crowd began to quiet down. That arrogant, mocking smile never left his face. His hands moved like those of an actor initiating a play, and his voice rang out, cold and cutting.
“People of Rome!” Macrinus declared, his every word dripping like venom.
“Today, you will not only witness the punishment of traitors. No! Today, I present to you a tragedy! You will see how these two traitors pay the price of their betrayal. But the one to execute their punishment will not be an ordinary gladiator…”
The crowd held its breath. Everyone waited to hear what Macrinus would say. His voice lowered, but its impact grew stronger, slithering like a serpent and feeding the crowd’s curiosity.
“Their executioner will be one of this woman’s own blood! Her brother!”
For a moment, everything seemed frozen. Your mind refused to comprehend it. “No…” you murmured, the word breaking like a fractured prayer before leaving your lips.
Your eyes turned to Geta. He was just as shocked as you, but his expression quickly shifted to one of anger.
When one of the slave gates opened, the figure emerging was initially just a vague silhouette in the darkness. The crowd held its breath. As the echoes of footsteps drew closer, your heart began to race. Your eyes recognized the figure. Broad shoulders, a face weary but hardened—it was your brother.
No. This had to be a nightmare. It couldn’t be real. But there he was. His chained hands were visible beneath the coarse, heavy pieces of gladiator armor. The crowd’s shouts and cheers rose once more. The people were enthralled by this dramatic display.
Geta leaned toward you, his voice firm and sharp. “You must pull yourself together.”
Ignoring the weight of your chains, you surged forward, running toward your brother. But just as you moved, the world froze with the sharp cry of an arrow. The arrow embedded itself in the sands before you, halting your steps.
Geta suddenly appeared beside you, pulling you back. He extended his arms protectively in front of you like a shield. “Stay calm,” he said in a low voice, though a storm raged within him. “They’re luring us into a trap.”
Macrinus’s voice filled the arena with mocking resonance. “Ah, how touching! But there is no mercy in this arena! Without blood, there is no victory! The people of Rome want victory, they want tragedy, they want blood! But only one will leave this arena alive!”
A brief silence fell before he widened his smile and added, “And the decision of who that will be… is in your hands.”
As the crowd erupted in wild cheers over this merciless proposition, tears streamed down your cheeks, and you saw the same anguish in your brother’s eyes.
Geta turned to Caracalla, his voice now an unstoppable eruption of fury. “Are you really watching this, brother?” he shouted, his voice reverberating against the stone walls of the arena. “Can’t you see how Macrinus has deceived you? This game, this plan, all of it is his doing! He lied to make you kill us! He lied to turn you against me!”
Caracalla sat on the throne on the other side of the arena. His face seemed expressionless, but there was a flicker in his eyes. Yet what was it? Doubt? Or anger? You knew you wouldn’t get an answer in that moment, but you heard Geta’s voice rise even further in one last desperate effort.
“Are you so blind that you can’t see Macrinus’s true face?” he cried, his voice sharp like a cutting wind. “He’s the traitor! Not us! He’s the one poisoning Rome! He’s the one who turned you against me!”
At that very moment, one of the large gates in the corner of the arena slowly began to open. The crowd momentarily ceased their cheers, turning their attention to the gate. Beyond it, General Acacius and his elite soldiers emerged. Acacius stepped forward with a composed demeanor, his face bearing an expression as unyielding as stone. The silence of the crowd turned into a murmur; some greeted Acacius with surprise, while others speculated on his intentions.
Seeing Acacius enter the arena, a glimmer of hope appeared in Geta’s eyes. “Finally…” he murmured.
Acacius approached the center of the arena and bowed toward Caracalla. However, this did not please Macrinus. “General, what are you doing here? The game has started, and it is not your place to entertain the crowd!” he snapped, his voice tinged with irritation.
Acacius spoke with cold certainty in his tone, “Your Majesty, I am responsible for the security of Rome. However, I sense that there is a darker plan unfolding behind these public games.”
Macrinus, his anger plain on his face, demanded, “What are you implying, General?”
Acacius took another step forward, standing directly in front of Macrinus. “Betrayal and manipulation. And the one responsible for it is you, Macrinus.”
Turning to Caracalla, Acacius spoke in a measured tone, “Your Majesty, I have evidence to prove Macrinus’s treacherous schemes.”
Caracalla hesitated for a moment. His gaze shifted from Macrinus to Geta and finally to Acacius. The crowd held their breath, waiting in tense silence.
Caracalla’s face was like a stone mask. His silence made every breath in the arena feel heavy. At last, he turned to Macrinus and spoke with a mocking smile, “How curious, Macrinus. It seems everyone has a story to tell today.”
Macrinus let out a confident laugh, attempting to mask the tension in the air. “Your Majesty, this general’s loyalty has long been questionable. Don’t let him waste your time with supposed evidence. Justice must be served to Geta and these traitors!”
But Caracalla ignored Macrinus’s words and focused his gaze on Acacius. “Do you have evidence, General? And if so, why have you waited until now?”
Acacius, feeling the weight of the question, replied in a calm voice, “Because traitors work in the shadows, Your Majesty. I waited for the right moment.”
Despite the cheers of the crowd, Caracalla seemed lost in thought. Finally, he raised his hand, silencing the arena. A wave of quiet spread, broken only by the whisper of the wind and the crackle of the torches.
At that moment, Macrinus lost his feigned smile and raised his voice. “Your Majesty, this is a trap! Acacius and Geta’s collaboration is nothing less than treason against Rome!”
Acacius turned to Macrinus, his voice as firm as steel. “Watch your words, Macrinus. No one understands treachery better than you.”
At that instant, Acacius reached into an inner pocket of his armor and produced a carefully folded parchment. His expression remained stoic, but his eyes shone with the determination that matched the gravity of his words. “Your Majesty, this parchment contains the proof of Macrinus’s treacherous plans—details of conspiracies that threaten Rome’s security…” As he spoke, a murmur rose among the crowd.
The whispers spread like sparks under the flickering light of the torches.
Macrinus, struggling to maintain his mocking facade, said, “Who can guarantee the reliability of this so-called evidence?” But the panic in his voice was impossible to hide.
At that moment, the leader of the archers stationed at the edge of the arena was staring at Macrinus, waiting for his orders. Macrinus scanned the crowd quickly, then furrowed his brow and gave a low command: “Prepare.”
The archers drew their bows, aiming at the four figures in the arena. The tension was so thick it felt difficult to breathe. The murmurs of the crowd foretold an impending storm.
As you tried to understand how everything had reached this point, your eyes drifted to Geta. There was a strength in his stance, one that seemed to defy all the chaos in the world. When your eyes met, a spark of both fear and something else lit up within you. His gaze seemed to say, “You wil be okay.”
Geta stepped forward and suddenly pulled you into his arms. The warmth of his chest was stronger than the cold steel of his chains. It was as if you weren’t standing in the middle of an arena, as if you weren’t in the shadow of death. He whispered, his voice low enough for only you to hear, “If this is our end, I’ll die protecting you.”
In that moment, everything froze. The flames of the torches danced in your eyes as you felt Geta’s hands on your shoulders. His embrace wasn’t just protective—it was a reflection of all the emotions he had suppressed. A warmth spread through you, momentarily erasing all fear.
Macrinus’s voice cut through the moment. “Archers!” he shouted, his anger echoing through the crowd. But just then, chaos erupted among the spectators. Those who believed in Macrinus’s schemes clashed with those opposing him. Torches toppled over, and the crowd at the edge of the arena began scuffling with the guards.
Amid the chaos, someone accidentally bumped into an archer. Losing his balance, the archer released his bow, and the arrow shot through the air, piercing the silence of the arena as it landed on the ground. The tension peaked. A scream rose from the crowd, and people began to scatter in panic.
In that instant, Geta reflexively pulled you to the ground, wrapping his arms around you. The arrow had struck just a few steps away. “I won’t let anything happen to you,” he said, his breath warm against your neck. The tears streaming from your eyes were the expression of a feeling that was neither pure fear nor pure happiness. When you looked at Geta’s face, you saw that his eyes, too, were brimming with tears.
Acacius’s gaze was locked on Macrinus, who was attempting to retreat.
Meanwhile, the guards in the arena quickly moved to secure Caracalla’s safety. Soldiers rushed toward the emperor’s throne, escorting him to the palace gates to protect him from the chaos among the crowd.
Only four people remained in the center of the arena: You, Geta, Acacius, and your brother. The sands glowed with sparks from the fallen torches. Your heart knew that everything would unravel in this fleeting chaos. Geta’s hands were still on you, and when you turned to him, words caught in your throat. He simply whispered to you, “Never forget me.”
As the chaos grew, Macrinus retreated to a corner of the arena. But Acacius, sword drawn, began to pursue him.
The turmoil within the arena escalated. Shouts echoed among the crowd, and a full-blown rebellion erupted. For a brief moment, Geta turned to you, his face holding something you had never seen before—a mixture of love and sorrow.
“You must stay here,” he said, his voice softer than before. “I can’t protect you if you put yourself in danger.”
“No, Geta! You can’t go!” you cried, tears burning down your cheeks. But Geta had already made his decision. He gave you one last look—a gaze that wasn’t just a farewell but the passing of an eternal memory to you. “Forgive me,” he said. Then he surged forward, following Acacius.
You tried to run after him, but a strong hand on your shoulder stopped you. When you turned, you saw the determined look on your brother’s face. “Don’t leave him! Please!” you shouted, but your brother held you firmly.
“No,” he said, his voice hard and resolute. “Listen to me. I can’t leave you here. We have to get out of here. Now!”
He wrapped his arms around you, almost carrying you away from the chaos of the arena. But your mind and heart remained with Geta. With each step, you felt further away from him, and each breath became an unbearable torment.
Your brother quickly led you out of the arena to a waiting horse. “No! Let me go!” you shouted, but he didn’t listen. He placed you on the horse, your hands trembling, your eyes still locked on the fading sight of the arena. “Something will happen to Geta! I can’t leave him alone!”
Gripping the reins tightly, your brother said, “He risked everything to save us. We must honor his sacrifice!” He spurred the horse forward. Behind you, Geta’s face remained frozen in your mind as the last image you saw of him. Your eyes were still filled with tears, and everything felt like a dream—or rather, a nightmare. But one thing was certain: Geta’s choice had changed your life forever.
You found yourself inside an old stone-walled warehouse where your brother had dragged you. The interior was dark, illuminated only by the faint moonlight streaming through a narrow window in the wall, casting soft shadows. The distant screams and the sharp clash of metal against metal outside planted deep roots of fear in your heart. From afar, the silhouette of Rome was visible; massive fires painted the sky orange, and smoke rose like a heavy shroud. The city was burning. Rome was burning.
Your brother stood with one hand on your shoulder, the other gripping the hilt of his sword, on high alert. "You’re safe here," he said, though his voice didn’t sound particularly confident. His words didn’t comfort you.
Your eyes remained locked on the distant flames. Trembling with a storm of emotions swirling inside you, you muttered, "Geta... He’s dead. He... He tried to save us but failed. I... I couldn’t protect him..." Your voice was hoarse and filled with sorrow.
Your brother spoke without looking at you. "We had to survive. Geta knew that. That’s why he risked everything." But those words didn’t console you; instead, they brought another wave of guilt and grief. You collapsed to your knees, your throat tight with emotion. Tears streamed down your cheeks as the weight of your grief crushed you to the ground. Watching Rome burn, you remembered Geta’s face. The determination, courage, and... farewell in his eyes. You felt as though something inside you had shattered.
Crying was like trying to purge all the heaviness inside you, but it also left you feeling more drained. Your eyes burned, your shoulders shook. Finally, when your tears dried and your breathing grew uneven, exhaustion settled over you like a heavy blanket. Your eyelids succumbed to their own weight, and you slipped into a dark unconsciousness.
You didn’t know how much time had passed. It was as if your grief had disconnected you from time. But after a while, a sharp "clattering" sound pulled you back to reality. The echo of horse hooves reached your ears. Your heart began to race; the silence of the warehouse was torn apart by the resounding sound. A whistling noise came from above the rafters, like a cold wind slipping inside. You heard the creak of the door as it opened.
Your brother instantly rose to his feet on high alert. One hand went to the hilt of his sword, while the other protectively pushed you behind him. "Stay behind me," he said, his voice now tired but just as protective. Your heart pounded as you tried to guess who they were. But then, everything went still.
Then, the moonlight illuminated the faces of those who had entered. You suddenly recognized the two riders before you: Geta and Acacius.
At that moment, your world froze. You stared in disbelief. Standing before you was Geta, alive and breathing. His face bore a few scars, and he looked exhausted but strong. And then, your body moved as if it had a will of its own. "Geta!" you cried, your voice trembling, but this time not with sorrow— with joy.
You ran towards him. Your brother tried to say something, but you didn’t hear him. In that moment, all you cared about was reaching Geta. Tears streamed from your eyes, but they carried an entirely different meaning now. Geta bent slightly toward you, and when you threw your arms around his neck, it felt as if time itself had stopped. You held him tightly, as if letting go would make everything vanish again.
"You... You’re alive! I thought I lost you! I was so scared!" you said, words tumbling out of your mouth as your mind struggled to process everything. When Geta’s strong arms wrapped around you, a deep sense of comfort washed over you.
Behind you, Acacius exchanged a brief look with your brother, his face tired yet determined as he gave a small nod. In the darkness of the night, the only thing holding you all together was love and the instinct to survive.
Clinging to Geta, you felt waves of happiness and relief wash over you. The weight in your heart seemed to lift entirely. His warm voice broke the silence: "Don’t worry anymore. Everything is under control." His words rang with the solidity of a promise, though your mind was still struggling to grasp what had happened.
You pulled back slightly from his embrace to look into his eyes. "What happened? What did you go through?" you asked, your words shaky but filled with hope.
A faint smile appeared on Geta’s lips. "Macrinus has been captured. He’s been thrown into the dungeon and won’t pose a threat again. We also quelled the rebellion among the people. The city will be rebuilt now. There’s a light of hope for everyone," he said. His voice was weary but carried the relief of a hard-fought victory. As you watched his expression, you found yourself admiring his courage and leadership once more.
Acacius stepped forward, as stoic as ever, though a flicker of pride and satisfaction shone in his eyes. "Emperor," he said formally to Geta, "Tonight, Rome saw not an emperor but a hero of the people. Your loyalty and bravery will become a legend."
Geta turned to him, nodding. "This victory isn’t mine alone. It belongs to everyone here. And to you, Acacius. Rome could never have had a better general, and never will."
Acacius’s lips twitched slightly in what might have been a faint smile—a quiet expression of gratitude. But when Geta turned back to you, his face was entirely different. His eyes softened, as though he’d found his one source of peace amidst all the chaos. "But above all, seeing you here... That is my greatest victory."
Those words filled your heart with warmth. "I thought I’d lost you," you said, tears accompanying your words. "It felt like the whole world had stopped, Geta. Without you... I would be nothing."
Geta took one of your hands in his. The warmth of his palm melted away all your fears. "And I would never leave you," he said, his voice low but resolute. "No force, no rebellion, no war could ever separate me from you."
His words brought a faint smile to your lips. In that moment, the entire world seemed to quiet down. While Rome’s smoke rose in the distance, you felt safe at Geta’s side. His eyes held a promise—a future of countless days together filled with hope.
The following days were spent rebuilding Rome. The people looked upon both Geta and Acacius with deep respect. Acacius received an honorary medal from the Senate and was declared the commander-in-chief of the army. Your brother was hailed as a hero who restored his family’s honor. But your world was defined by being at Geta’s side.
One day, as you walked through Rome’s quiet gardens, Geta was beside you, his usual calm yet profound expression on his face. Amidst the birdsong, you noticed him suddenly stop. "I need to say something," he said, his voice taking on a serious tone.
Your heart skipped a beat. "What is it?" you asked, smiling slightly.
Geta took your hands in his. His eyes locked onto yours as if he understood the entire world within them. "I’ve seen many things in my life—power, war, betrayal. But after meeting you, I realized that the most important thing isn’t loyalty; it’s love. Before you, I wasn’t living, only existing. And now... I know what it means to truly live."
His words deeply moved you. Your eyes welled up, but with happiness this time. Being with him made all the chaos of the world feel meaningful.
In that moment, Geta leaned down, and his lips softly met yours. It was a moment beyond everything—a moment transcending all the complexities of life. Rome might have burned, and the world might have been changing. But your world was complete in Geta’s arms.
And in that moment, after all the struggles, losses, and fears, you were truly happy. It was a happiness that would last forever.
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Kristina Lugn
Poet and playwright Kristina Lugn was born in 1948 in Tierp, Sweden. Lugn wrote eighteen plays and eight poetry collections. Her literary debut was the 1972 poetry collection Om jag inte, but she rose to prominence in 1983 with the play Bekantskap onskas med aldre herre. Lugn's works often dealt with sorrow and loneliness. She won the Selma Lagerlöf Literature Prize and the Bellman Prize, and was a member of the Swedish Academy, the body that chooses the recipient of the Nobel Prize in Literature.
Kristina Lugn died in 2020 at the age of 71.
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Completely agreed! And here we'll post a list of other QUEENS that most of the times are labelled as "wife/girlfriend of..." well, we said ENOUGH!!!
Jane Asher: author, activist, boutique owner, cook, model, muse, producer, writer
Pattie Boyd: actress, author, columnist, model, muse, photographer, writer (struggled with fertility)
Bebe Buell: activist, author, columnist, manager, migrant, model, single mom (Liv Tyler), muse, musician, playmate, producer, singer, writer
Pam Courson: baby sitter, boutique owner, editor, fashion designer, migrant, model, muse (struggled with addiction)
Marianne Faithfull: actress, author, model, single mom, muse, musician, singer(struggled with addiction)
Uschi Obermaier: activist, actress, author, model, muse, traveller, writer
Cleo Odzer: activist, anthropologist, author, columnist, migrant, model, PHD Doctor, traveller (struggled with addiction)
Demri Parrott: actress, artist, baby sitter, designer, model, muse, poet, stylist (struggled with addiction)
Iggy Rose: actress, migrant, model, muse, shop assistant (struggled with addiction)
Marsha was a migrant too.
And so on... why judging women calling them "groupies" when clearly they are more than that? They are their own person to begin with. They have talent on their own, their own jobs and money. Stop labelling them, and start to celebrate their lives and talents!
I wish people would acknowledge that Marsha was more than Mick’s girlfriend, she had a career you know. 🙃 This woman starred in several movies and plays, was the most photographed woman in England, and the start of the “Black is Beautiful” movement. Mick was her bitch for a little while but she was more than that.
Model, singer, actress, activist, writer, novelist, playwright, radio host, 60s icon, The Face™ of the 'Black is Beautiful' movement, breast cancer survivor...& a WHOLE queen. Marsha Hunt DID that!!!!!!
#Marsha Hunt#model#singer#muse#activits#playwright#stage actress#actress#Black is Beautiful#radio host#queen#breast cancer survivor#novelist#strong woman#our muses#strong women
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Mephistopheles and Margaretta is a 19th-century wooden double sculpture featuring two images carved on opposite sides; it portrays two characters from German playwright Johann Wolfgang von Goethe's 1808 play Faust. The obverse depicts the demon Mephistopheles, and the reverse depicts a woman, Margaretta (Margaret, or Gretchen). A mirror placed behind the sculpture allows both sides to be seen simultaneously. Carved from Sycamore wood. Artist Unknown.
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