#without complaint

[whynotfangirl]

I expected a lot of things this Christmas with my fam but I did not expect to be so full of rage.

I love my family and I want to help out but I get here and I’m just expected to do the cooking for Christmas dinner. I tidy the table, and my dad gets annoyed at me both for asking him where things go (because I don’t live here) and also for not having put the tablecloth on yet (I still don’t live here!!!!).

And he sits there watching videos on Facebook while I clean and cook around him and I am so, so angry. Like I knew it was going to happen. The second I found out my mum was working Christmas day, I expected this. I just didn’t expect to feel so angry about it.

[brodorokihousuke]

referring to all aa rivals exclusively as weirdos from now on

[stil-lindigo]

the gods of harrier dubois.

[ you exceed the divine, faithless, oh faithless. don't you know a turned back can be two things? i'll never ask which you are - a dismissal, or an invitation to follow.]

prints (all proceeds go towards purchasing e-sims for Gazans and helping re-locate Palestinian refugees)

[hyacinthsdiamonds]

I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️

[fluentisonus]

there are many retellings & adaptional choices i really don't like when it comes to writing new stories about old myths, and that i feel are boring or ignoring interesting points & implications or unfamiliar with the topic or ancient cultural context in a way that rubs me the wrong way. BUT the way some people on here talk about myth retellings as if retelling them is in and of itself a bad thing, or that retellings are somehow 'staining' the 'meaning' of the 'original myth', and Particularly posts that just seem to be hating on the people writing these books not for any real constructive point but just because they think Change Is Bad is going to make me feel bonkers insane fr. come on guys

[wherestoriescomefrom]

rian johnson took all that time, put in all that effort to make glass onion a fantastic period piece to the first four months of pandemic, a prescient narrative that anticipates the stupidity of rich billionaires, and then pulled the rug from under us because the world of benoit blanc just straight up doesn't have the mona lisa anymore

[popfizzles]

Eeon is awesome and 2018 tumblr did you wrong. we're ready for her now

thank you 🥺 im glad today tumblr loves her

[dailynakaharachuuya]

Skk wedding please I beg 😭🙏

"Chibi.. did you really make the ringbearer.. your dog?"

"She's our dog now, idiot."

[luminarai]

Attempting to get the beast used to a dental hygiene routine is… well, it’s going.

(She stayed that way for a solid 8 seconds despite hating being held belly up so I think it’s safe to say that Mim is not beating the ‘tiny speaker playing elevator music instead of a brain’ allegations any time soon.)

[stillness-in-green]

The thing that doesn't make sense to me if Izuku resolved to kill is how it doesn't let them prove AFO wrong? AFO did his big reveal which only makes it clearer how deep the grooming went and it should've been time for Izuku to understand Tenko and Tenko to understand the abuse then reject the mindset forced onto him. But Izuku killing Tenko doesn't do that. Tenko just dies. It feels very wrong.

I guess Izuku just wasn't very interested in proving AFO wrong! Honestly, the only thing I immediately remember Izuku disputing the guy on was the same thing he disputed Shigaraki on: that he was anything more than a human being. AFO isn't a Demon King, but just a lonely man. Shigaraki hasn't transcended humanity; there's still a human somewhere deep inside of him. Izuku won't correct his allies' use of dehumanizing language for Villains, of course, but he's quick to push back when the Villains themselves self-aggrandize.

Sorry, I really only have withering disdain for Deku at this point. And I guess I don't really see any evidence that Deku was ever particularly driven by "proving AFO wrong." He wants to stop AFO, certainly, but that's because AFO is a monster who takes advantage of vulnerable people to maneuver them into doing Bad Things that advance AFO's Bad Plans and sets them onto Bad Paths that are difficult to walk back, not because he expressly opposes AFO on this or that ideological point about the nature of humanity and society.

(Hit the jump for the rest of a somewhat rambly reply.)

If anything, current evidence is that neither Deku nor the manga itself really do disagree with AFO about the frailty of humans, as expressed by Tsukauchi answering Deku's question about how to prevent future tragedies by shrugging and saying, "You don't, because life fucking sucks sometimes and that's just how it is. Our hands are completely tied on improving the system as we have it, so all we can do is punch out the Villains that appear in front of us to stop them from causing more harm."

That's also me being a bit harsh, of course. The fact that Deku is even still asking that question in the epilogue suggests that the manga hasn't reached its final answer yet, and maybe it will yet come up with something better! It doesn't have much time left, but it's still possible!

All the same, Deku is still having to ask that question in the epilogue because he never truly faced it over the course of the story. Never thinking about what Shigaraki as a person said in favor of fetishizing the Crying Child, never coming up with any kind of non-violent plan of attack or conversational approach, I have to ask what exactly about Shigaraki did Deku ever disagree with AFO on?

AFO, in the end, characterized Shigaraki as a puppet he molded exactly as he desired, a doll who he sculpted and programmed to act as he wished, a feeble child who has never made a single decision that AFO didn't cultivate him to make. So far as I can tell, Deku never really contested that framing. He didn't know the extent of it until the full reveal, of course, but Deku, like AFO, insisted on approaching Shigaraki solely through that "Crying Child" lens. He seemed to believe that nothing Shigaraki said or did on the surface really mattered (save as a reason that Shigaraki had to be stopped and potentially killed), that the "truth" of Shigaraki was that feeble little weeping boy who never grew up.

How could Deku possibly "prove AFO wrong" in that context? He doesn't even disagree with him! I mean, he's got some nice talk about how people deserve a second chance, sure; he says that people doing wrong doesn't make them Villains for the rest of their lives. What does do that, however - insofar as I can tell from how opaque the series keeps Deku throughout the final war - is refusing the hand out of the darkness. You stop being a victim and become a Villain for the rest of your life by choosing to remain a Villain even when offered an alternative (no matter how patently awful that alternative is).

Shigaraki chooses to remain a Villain and Deku doesn't have a counter for that because Deku never really got past the false binary represented by Villains and Victims to begin with. And I think the same goes for people who expected Shigaraki to just fold when he realized the extent of the grooming he'd undergone. Disallowing Shigaraki any agency in who he is and what he's done is defining him the same way AFO and Deku both did; when Shigaraki refuses to accept that framing, refuses to be a passive victim, the only thing left for him to be is a Villain. And when a Villain refuses to stop...

Well, Hawks already told us what the Heroes' answer to that is. "Someone has to die." As no one ever stepped up to prove him wrong, as far as the story is concerned, he isn't.

AFO always knew that victims can be turned into Villains with the right nudges; that's the whole reason for him cultivating "warped seeds" whenever and wherever he found them. Hero Society is - and always has been - much too rigid in its enforcement of the Hero/Villain/Victim narrative to effectively combat him. Crucially, Deku - the boy who wants to bring everything back just the way it was - doesn't disagree with him. He thinks AFO is an asshole for setting people up to fail, but he doesn't disagree about what failure means. So if AFO, Deku, and the story itself are all in agreement, what's even there for Deku to disprove?

Now, there is something that would prove AFO wrong, but it isn't something you can do while insisting on drawing lines to separate sad manipulated woobie victims who just need to be saved from awful unrepentant villains who just need to rot. It isn't something you can do while infantilizing Shigaraki Tomura.

The way to prove AFO wrong is to make room in society to help all Villains. Even if they aren't asking for it, even if they never ask for it, and even if they're jolly bastards who don't really deserve it! As long as there's a point at which it becomes okay to give up on trying to save Villains, Shigaraki will remain unsavable. He will insist on being unsavable. He could no more let that go than All Might could step aside and let AFO's attack kill an innocent at Kamino.

That's what it means to be a Hero for Villains.

Ultimately, what makes AFO right is that he knows that Hero Society makes it difficult if not impossible to uncross the victim-to-Villain bridge, and so anyone who does cross that bridge (with or without his influence) is that much more susceptible to him. Deku, in turn, thinks the only Villains he can save are those who drop everything and come sprinting as fast as they can back to the Hero side, so anyone who won't do that is someone he can't help.

Shigaraki refused to stop trying to create a better world for Villains. Toga refused to live in a world that would imprison her. Twice refused to give up on the friends no Hero would help. It's the same with every other Villain who refused to quietly endure their status quo: in a society that refuses to change how it treats Villains, anyone who won't submit to suffering in silence cannot be saved.

That's the paradigm AFO exploits, and Deku will never prove him wrong without resolving to change the paradigm first. We'll see if the last two chapters get him there.

[casualavocados]

Chen Yi & Ai Di + the respect they command leading Yiyun Meng: North Hall

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[tsukasalover]

it’s kinda stupid to call rui “sassy” or say he was acting “mean” for simply doing what any person would do realistically after tsukasa humiliated nene in the main story. i swear this fandom has gone over this a thousand times and yet for some reason it’s still so hard for people to accept that tsukasa was being a self centered asshole. that’s not even exaggerating anything that’s just the truth.

btw (if im wrong correct me) but rui has never gotten angry at someone unreasonably he’s actually quite mature and doesn’t just?? explode over things so i dont know why him refusing to work with tsukasa even after nene forgave him is seen as a “mean” thing… let’s not forget he still believed tsukasa hadnt changed at all and only wanted to be in shows for selfish purposes. it’s not bad to admit that tsukasa is egotistical and has acted much more mean in unacceptable ways than rui + has had to own up to this and work hard to grow as a person over time

[marketableplushieenthusiast]

(Spoilers for Shadow Generations)

I think what I appreciate most about Shadow Generations is just that it gives Shadow ACTUAL, CANON closure for his struggle between good and evil.

By the end of Adventure 2, he remembered his promise to Maria and made his choice to save the world, but then he "dies".

When Heroes revives him, he doesn't remember any of that.

His namesake game (and I say this as gently as possible), as cool as the multiple endings were, feels so unsatisfying. We get to see Shadow's potential for good and evil, sure, but then the true canon ending comes, and it doesn't specify what he did (or even what exactly he remembered about his past) to get there, and then he just decides not to let his past control him. Which isn't a terrible direction on paper, but the symbolism of him literally throwing away a picture of his family just seems... Like the opposite of what made this character appealing in the first place?

And from there, the games kept giving mixed signals. Sonic '06 shows how deeply he and Team Dark come to care for each other, but then its events get literally removed from the timeline. Sega begins to pretend that Team Dark aren't even friends in their mandates for a while (despite the fact they clearly care for each others' wellbeing before anybody else's). Shadow becomes practically a popsicle stick puppet for "angry, serious, violent rival", and they never feel a need to explain his motivations or reactions beyond waving at that four word character description again.

Shadow's appeal (at least to me) was never that he was a character who didn't care about anything - it was that he cared very deeply, actually. (Someone who nearly lets the world be destroyed as revenge for losing his family is the exact opposite of someone who doesn't care!) He may not be cheerful, he may be quiet and stern, he may have a temper and be capable of terrible things if he isn't careful, but he isn't heartless.

And Shadow Generations FINALLY got it right, I feel.

There's now no doubt that he remembers his past, and that it did matter to him. It still does, in fact, and we're dropping the idea that he'll move on from it like it never happened. That's not how tragedy works.

But he will be able to move forward.

He has finally, WITHOUT GETTING AMNESIA, IN THE CANON TIMELINE, gotten to become the hero Maria wanted him to be.

That doesn't mean his story's over: I'm sure they can still find adventures to send him on. And that doesn't mean he needs any kind of complete personality overhaul, either. He can still be more aggressive than Team Sonic, and more stern, and maybe even more willing to resort to questionable methods to fight next week's bad guy.

But all of Team Dark has gotten to acknowledge that they do, in fact, care for each other, even if their attitudes aren't as chummy as Team Sonic.

Shadow has gotten to hear from his family that they are proud of him, weird alien DNA and all, and that even though he will have to go the rest of his long life without them, their love will always go with him, and give him the strength he needs to overcome any of his darker parts.

Shadow having a darker edge than Sonic and Shadow being a hero are things that can and SHOULD coexist, and I'm so glad we finally got to see it for him without it getting wiped from canon or his own memories again.

[sir-adamus]

so much of the hatred rwby gets seems to be rooted in people being offended that what started as an amateur production, started so amateur

like, there was a tiny budget, all the voice acting was done with people with little to no experience, the animation was jank, the episodes were short and the pacing was all over the place with some questionable writing decisions, and it was very clear they were having to learn while doing and improving as they went along

instead of meeting the crew where they were at and respecting the ambition, people got mad that it wasn't a highly polished professional production with 25 minute episodes and nitpicked every little thing about it for ten years

[anglingforlevels]

Open House (Yandere House x Reader)

When people say the housing market is a nightmare, is this what they had in mind? (The story goes out to me because I’m trying to get an apartment and it is Suffering. Please pretend this count as yandere.)

CW: not proofread, unconventional captivity, swearing, I accidentally had too much fun writing Abby and forgot the point of the story-

Minors DNI

When you proudly had reached the saving milestone to buy a small house in the countryside, you had opted to spend some of that money on a real estate agent, figuring it was a good investment, hiring a Ms. Abby Bardot – who, over the phone, had insisted heavily on being called Abby rather than Ms. Bardot – who had twenty years of experience in the field.

Quite quickly, you realized that perhaps she wasn’t the most conventional real estate agent.

Ms. Abby, you quickly noticed at your first meeting, was all hand-wringing and nervous sweating, though she seemed sweet enough, having clutched a tin of home-cooked cookies in all shades of black and almost-not-black, and had heartily insisted you’d take as many as you’d like (which was zero).

She had insisted on bringing you to an open house for what she had called a hidden gem of a house, that it would be a private tour. To you, once she mentioned it would be at 1 p.m., it was quite obvious that “private tour” meant, “no one else has or will be showing up”.

Ms. Abby had also enthusiastically shown pictures of the place, pictures she had ready-at-the-go on her phone, presumably she really needed a buyer for the house.

“Ms. Abby.” You had said, interrupted with a small interjection of, Oh please, just Abby. “Ms. Abby, that’s not quite a house and more so a small manor. I went over my budget with you when I hired you.” Ms. Abby had quickly recovered from the rejection and puffed out her chest proudly.

“Why that’s the best part, this is within your budget!”

You had sent her a dubious look at this. “Are the pictures… How do I put this delicately? Are the pictures recent and unedited?”

Ms. Abby deflated so quickly that it almost felt impressive, almost urging you to clap as if it was a circus performance. Of course, it felt mean had you clapped at her dejected look.

“It’s well-kept, I assure you. These pictures are all recent, I’ve updated them every year for almost my entire career!” She said proudly, and you almost felt pity at the fact she didn’t seem to realize her own slip-up but instead paraded it around like a badge of honor.

Though, all-in-all you were charmed, and somewhat endeared, by the honesty. But not very much by the house at all. “I think I’d like to look at other options, it’s awfully big for just one person.”

“Ah, wait!” Ms. Abby said urgently. “Please, before we continue with other options, let’s first try out the open house this Friday.”

“Is this protocol, Ms. Abby?” Ms. Abby’s lips wobbled at this and… “Are you crying?!”

“No, I’m a professional. Real Estate Agents don’t cry, I’m simply sweating, is all.” Ms. Abby sniffled, dubbing her eyes with a handkerchief, presumably you were meant to believe her eyes were suffering heat stroke on this fine autumn day.

“…Alright, I’ll go to the open house. Just give me the address.” You eventually relented, if only to avoid seeing the pitiful sight of a teary-eyed Ms. Abby.

That’s how you ended up before a grand house out in the middle of nowhere, the closest town was an hour-long drive away. Forest and fields were most of the surroundings, which was why the house was in such stark contrast, standing as a sole presence, the forests and fields shying away to make room for it, leaving a vast vacancy around it, stretching on for at least fifty meters.

It really was a pristine house, when comparing it to the pictures, it seemed to match right down to the placement of every rock and plant in sight. As if someone had consciously placed each leaf and pebble.

The plants and trees of the garden donned vibrant colors despite the season. You wondered how often Ms. Abby came by, or if she had hired a crew for maintenance, as you could not spot even the slightest hint of dirt or spiderwebs.

The only thing that looked aged was, unfortunately, the “For Sale” sign.

It felt a little unnatural, but you chalked it up to currently being a display house, and thus not lived-in either. You took notice of the way the trees beyond the reach of the garden were withered and wrinkled, and the grass yellowy, dry patches, barely hiding the dirt beneath.

“Some more forest could really do this place some good.” You mumbled. You hesitated for reasons you didn’t fully understand before stepping beyond dead plants clinging loosely to your feet and entering the garden.

You felt a prickling sensation behind your eyes the further you traveled, the door felt so far when the weight of something cloyingly attentive seemed to drag you down as if to prevent your advances.

“You’re here!” A delighted Ms. Abby yelled out before the sound of pitter-patter was interrupted by a loud thud against the door that rattled the frame. With her energy dampened, a sheepish Ms. Abby appeared behind the front door, simply saying; “It opens the other way.”

Right, something attentive could only have been the attention of the overzealous Ms. Abby.

“Come in, come in!” She invited, all but pulling you stumbling into a most decadently, lavishly decorated foyer. From distasteful stuffed animal heads to the ruby red furniture and mosaic glass tables, it felt quite uncomfortable, all sharp angles and very little homeliness to it, like an ornate display of wealth rather than a welcome into a household.

“Not very welcoming, huh?” You commented, which Ms. Abby elected not to respond to, though the small “eep” suggested she had heard the negative impression.

Looking the room over it was impossible for your eyes not to rest at the centerpiece of the foyer: A huge painting above the staircase. A solemn-looking guy stared out into the air, curly locks framing his face. Old paintings always looked miserable, yet you couldn’t help but feel there was a glint of genuine misery in his eyes. Noticing your attention had wandered, Ms. Abby followed your eyes.

“Oh, that was an owner of the house who had it commissioned back during the Renaissance, they wanted it right here, in the heart of the house.” She explained though you couldn’t say you agreed to a decadent foyer being the heart of a house, and if it was, that wasn’t boding well for Ms. Abby’s already poor sales chances.

“I’ve never understood why someone would want to pay money to look miserable in a painting, like you’re paying for it, at least make yourself smile or something.” Your jab was met with Ms. Abby’s impressive ability to carry on like you had said nothing negative at all.

“You know, the owner claimed it was a Jan van Eyck-original too.” Ms. Abby said as if letting you in on a secret, or town gossip. “Really, we’ve had it appraised.”

“And the appraiser confirmed it was a Jan van-whatever original?”

“…The owner really loved art; you’ll see plenty of paintings throughout the place.”

So that was a no. And speaking of no’s:

“Listen, Ms. Abby, I don’t exactly have the budget for a big house, as I already said. I especially don’t have the kind of budget that the kind of person who’d commission an artist to paint them for their foyer would have.”

Abby laughed nervously. “Well, you see, the value’s dropped as I mentioned. We haven’t been able to sell it for a long time, so the price just kept falling.”

“Right. But even so, it can’t have fallen that much.”

At this, Abby avoided eye contact, wringing her hands before, after a big breath, blurting it out. “The person in the painting was the last person to own the house.”

…

“Is this place built on top of an oilfield or something?”

Ms. Abby laughed a hearty if a bit shrill, laughter, before sighing and mumbling. “If only.” She clapped. “But! This is a charming house, why, let me show you the many rooms!”

“Ms. Abby, have you ever considered a field outside of sale?” You asked dryly but nonetheless followed along, eager to leave behind the painting, as you felt watched. The house consisted of many sprawling hallways, enough to almost make one dizzy, and you struggled to remember where everything was.

The house had many rooms, none of them particularly inviting, reading more like a historical display room lacking any warmth or heart (and perhaps even worse, any semblance of renovation despite old age), and all absolutely clustered with trinkets, knickknacks, and in the case of the walls, paintings – leaving very little free space.

It really did read like a historical display, as some rooms seemed older than others, suggesting partial renovation must have been done on some of the rooms. You’d like a word with whoever had been in charge of that lackluster, nonsensical effort.

Perhaps the lack of replaced furniture or renovation was why the house periodically seemed to creak and moan in odd ways, at times you almost confused it as Ms. Abby groaning or sighing, only to realize it was the sound of the house itself.

As for Ms. Abby, she remained undeterred regardless of how many snide remarks you made, which you had to commend her for, though the charm you initially had felt from it was quickly wearing off. Ms. Abby actually seemed increasingly happy, humming to herself. She didn’t think the sale was going well, did she?

“How much of the house is there left to see, Ms. Abby?” You asked, increasingly impatient and tired, having been dragged through an unreasonable number of rooms, which inexplicably, almost all were bedrooms (and yet, you had yet to see more than a single bathroom).

“Well, we’re still missing a couple rooms like the kitchen, oh! I know, how about the master bedroom since you’ll be spending every night there.” She said with a beaming smile.

“That’s awfully optimistic, Ms. Abby.” You noted, at this you received a good-hearted chuckle.

“Oh, this place is too lovely to pass up on, I think it likes you – it’s a match made in heaven. If you don’t like some of the features or decorations, it’s easy to change those, so it would be a waste not to live here.”

“I can’t imagine a house as empty as this holding much affection, and I’m not up for a big project.” All you wanted was a small but cozy house, a simple place. You felt exhausted just thinking about the amount of work you’d need to pour into a house like this to make it feel like home.

“Well, it’s perhaps not an easy house,” Ms. Abby admitted, her cheer at this point an unshakeable force, as a sense of confidence seemed to have sprouted in her. “But that’s why when that rare fit comes by one must take the leap and hold onto it.”

You’d feel insulted by the suggestion you were a good fit for this distasteful and unpleasant house, had Ms. Abby not already shown herself as incompetent but well-meaning. You simply sighed, giving up the conversation, figuring you’d find another real estate agent when you came home.

“Well, take me to the master bedroom then.”

Ms. Abby led you through the foyer again, the bedroom apparently at the other end of the house. Your eyes were drawn to the painting once more, its eyes felt more sunken in than before, shadows forming beneath, to which you tiredly sighed. “Me too, buddy. Me too.”

The master bedroom seemed to be at the stopping point to the sprawling hallways on the right. You were just aghast at the fact you had gone through another set of sprawling hallways, you wondered who had come up with the confusing layout of the place.

Ms. Abby tried to imitate a trumpet to build up suspense but trailed off after you shot her an impatient look. After a weak cough, she simply said “Tadaah” and opened the door.

You stopped up, your right foot hanging in the air, about to cross into the room. A sense of foreboding filled you; it was a bit different from the first time, however. The prickling sensation you felt and the cloying attention, it felt smothering, less like a shove away and more like… Being held in place.

Ms. Abby waited patiently inside the room, not commenting on your hesitation, though you had been snarky and displeased the entire tour, so perhaps this just seemed like more of that. You swallowed and ignored the pressure as you put your foot down and entered the room.

The air felt different here. You had hoped the odd sensation would disappear if you just carried on, like when you entered the house, to begin with, instead, it worsened. The air clung to you, terribly heavy and sticky. It took you a moment to actually focus enough to realize Ms. Abby had spoken, so when you finally snapped back to reality, Ms. Abby was standing in the hallway.

“-tively spellbound already. I’ll give you some time to look around and get acquainted together, one-on-one.” And then she closed the door in your face. The room was, oddly empty, compared to every other room. Nothing but a big, red bed, the empty walls that you could’ve sworn were further away when you entered, and that feeling of being watched, lodging into your skin like stitching.

Nothing except an almost empty room that didn’t feel empty enough.

That’s it. Ms. Abby had officially used up all her pity points, you were leaving. You opened the door, a tad more aggressively than what was perhaps called for, but Ms. Abby was nowhere to be seen in the hallway.

For how annoyed you were with her at this point, you found that you missed her company as you walked down the hallway, nothing distracting you from the odd sounds of the house that seemed to have increased. It felt as if the floor beneath your feet moved and rumbled slightly, the velvety carpets uneven and bumpy, as if walking on something breathing, something living.

You wished that Ms. Abby had given you the floor plans, as you struggled to remember how to return to the foyer through the hallways and occasional rooms you had to cross seemed to hold no real rhythm and didn’t feel as if it obeyed any rules about directions.

At one point you could have sworn you turned back, only to be in another room than where you had emerged from originally. Finally, after what felt like an eternity, you found the foyer again. Even in your rush to find the door, your eyes were drawn to the painting, though you continued to rush by it. In your haste, it almost looked as if the painting’s colors were smudged.

You attempted to open the door but found it didn’t budge. It was an odd choice to lock the door, but you were certain that was the reason, it had to be. A locked door was no issue from the inside, but even after hearing the click of the lock, the door didn’t budge when you attempted to open it.

You attempted to kick, pry, tear, and even throw your body weight at the door, but with no luck.

Settling in the foyer after your final attempt at prying the front door open, you huffed, out of breath. You laid on the stairs, trying to settle your heart and pulse, when your eyes landed on the painting again.

…You rubbed your eyes and sat up, thinking what you had seen was owed to your tiredness and the upside-down angle, but no. The painting really did look smudged. Like someone had blurred colors and borders together, the hair’s vibrant color having lost its radiance.

And the mouth, it was oddly smudged between the lips, that it almost gave the impression of a mouth being pried open.

…

No, that was silly, you were being silly. The painting was smudged out, which was already creepy enough on its own, or rather, the house was already creepy enough on its own – your mind was just working overtime and was making up new things to get scared over.

“Well brain, if you like overtime, I guess I’ll have to put you to use and think of an escape. But you don’t have a union, so it’s unpaid hours for you, I’m afraid.”

If the front door was a bust, then you’d find a window. You struggled to recall any windows on the ground floor, but surely there had to be some. Or… That’s right! The kitchen, it had a glass door. You never got around to seeing the kitchen, having mainly been shown the upstairs so far, but you recalled Ms. Abby mentioning it back when she had given her pitch for why you should show up.

You hadn’t been on the left side of the house, at least not on the ground floor, so you figured that was a good direction to begin, in your search for the kitchen. You opened the door, urgency in your steps, only to find you weren’t in an unfamiliar room.

Instead, you were back in the empty master bedroom, which somehow felt much more crammed than any of the other rooms. But… That didn’t make sense. The master bedroom was upstairs, you had fought through a confusing hallway to find the foyer, so this… this didn’t make sense at all.

The air felt oppressive in the room as if your heart would be forced to a halt from the sheer weight of it, like a physical presence. This time you were sure that the walls were closer than they had been before. A bed table had been added next to the bed, and the part of you still delusional enough to hope thought maybe it meant that Ms. Abby was still around. As if this was an elaborate prank.

You tried to swallow despite how dry your mouth felt, your heart hammering painfully against your chest. This was ridiculous. You slammed the door open again, the door shaking on its hinges. Beyond the door, it revealed a hallway, but even if the hallway was confusing, you had been through it twice by now, you could do this, you could find the kitchen or a ground-floor window.

Hurrying along the hallway, it felt as if the floor and walls shifted and moved. Were you dizzy, or was this actually happening? The restrictive air of the master bedroom followed you, as you dragged yourself through.

“Huh?” you furrowed your eyebrows when you opened one of the doors. You were sure this was the one you had gone through before, but the room behind was unfamiliar. Cold dread filled you as a horrible thought crossed your mind.

No, no, no. You ran to the next door but behind it was another unfamiliar room. Were the layout… Changing? Your hand trembled as you tried to open a third door, and you felt like crying when all it revealed was the master bedroom again.

A lamp now stood on top of the bed table. Were new things going to be added each time you returned to the room? You thought back to the cramped bedrooms Ms. Abby had so cheerfully shown off. You weren’t sure what to make of it but felt sick all the same.

“I don’t have time for this.” You had to snap yourself out of it. You could spiral and panic later, but for now, you needed to get out. So, turning on your heel, you returned to the hallway. You’d go through each door that didn’t lead to the master bedroom, hoping to somehow find your way downstairs.

You almost cheered audibly when you finally saw the staircase, rushing to it. Once again, as you passed it, your eyes were drawn to the painting.

The painting no longer looked the same as before, the person it had been long erased by smudged and changing lines. You couldn’t tell what it was changing into but felt your heart race with familiarity all the same.

The mouth was a gaping hole by now, outstretched awkwardly. You thought it might have been a smile, but it looked much more like a pained grimace to you.

You only took this as further encouragement to get out of there.

When you failed to find anything of use, you realized there was one room that you seemed to always find. So, as counterintuitive as it seemed, you walked upstairs again, and as confusing as the changing layout was, it didn’t take you long to find it.

You saw the familiar bed, the bed table, the lamp, and the newly added clock on the wall (which didn’t seem to be working) and closed your eyes for a moment. You took a deep breath. And then you decisively walked in to grab the lamp, shivering a bit as you brushed against a much-too-warm wall.

If you couldn’t find the kitchen or a window on the ground floor, then fuck it, you’d find one up here. Whatever broken bones or bruises you’d get from the fall, you’d accept. Finding a window upstairs proved much more doable, as one would line the walls every now and then.

You threw the lamp against the window and braced yourself for impact.

But nothing happened.

The lamp fell to the floor with a hollow thud. When you opened your eyes, you found not a single scratch on the window. So, you tried again. And again. You tried punching the window, earning nothing but a stinging fist.

Yet you continued. At some point, it became more of a tantrum, an expression of your desperation colored in violence, than an attempt to escape. Hitting the window, kicking the wall. “Why-“ you hated this house. You hated it. Hated, hated, hated it. You just wanted to leave. Your ears rang, whether it was from your headache, or the way the house’s groans and creaks had grown in severity, you didn’t know, didn’t care, couldn’t care.

Already unsteady on your feet, your final kick caused you to lose balance entirely.

Stumbling and falling onto the floor, without realizing it, you found yourself by the stairs, and face to face with the painting. Your blood ran cold as you stared into your own lifeless eyes staring down at you from above.

 

Quiet had fallen over the house like a blanket, only the slow rumble throughout the house bellied any activity. In the heart of the house rested a painting, donning a toothy smile and a certain glint in their eyes.

A satisfied Ms. Abby removed the “For Sale” sign out front and drove away with a hum.

[miraclemaya]

jacking off onto my soul gem to make my soul feel weird and sticky