#with the violence & action & torture etc etc

[t-lostinworlds]

hmm, the other day i was contemplating how much angst i could put into this fic. now i'm wondering how graphic i should take the themes, violence, and gore in it.

[radfemsiren]

🤍A basic rundown of my beliefs as a radical feminist 🤍

(I don’t represent every radical feminist, but these are usually the standard opinions you’ll find of many radfems. Hate or disagree with them, that’s fine! But know the truth of who I am and what I stand for beforehand)

- there are 2 sexes, the male sex is oppressing the female sex

- femicide, rape, child sex abuse, hijab laws, female genital mutilation, domestic labor, trafficking, war crimes, revenge porn, prostitution… women and girls around the world are being exploited, tortured, and killed because of this oppression, and it must end.

- female oppression is sex based oppression, meaning a woman can’t just identify out of her oppression (for example hijab laws)

- sex is biological and an immutable truth, gender is a social construct

- gender should be done away with because gender roles are male supremacist and result in women and girls being stereotyped, dehumanized, barred from education, safety, bodily autonomy, etc.

- defining women with anything other than biology is misogynistic and relies on stereotypes

- the biological differences between men and women must be acknowledged in order to effectively end patriarchal oppression

- radical feminism is getting to the root of female oppression (radical -> root)

- misandry is not real and is just an extension of misogyny (for example, “men are told not to cry!” Yes because women are seen as inferior and any trait associated with us is seen as degrading/emasculating for men. This is why there is no female equivalent to emasculation.)

- all current religions are patriarchal and made by men to exploit and control women

- access to abortion is a human right and should never be threatened, women are the creators of life and deserve to gatekeep it, as well as exercise full autonomy over our own bodies

- Using sexist gender roles to define yourself is giving these misogynistic stereotypes power (wearing makeup or dresses doesn’t make anyone less or more of a woman, this is misogyny)

- the beauty industry is patriarchal and exploits women, our bodies and our money

- sex work is not work, it’s always exploitation (consent can not be bought)

- the porn industry is patriarchal and relies on trafficking, coercion, and rape to function. It also conditions its watchers to be aroused by violence against women, and results in more real life consequences for women and girls

- women’s spaces and institutions must be protected. Women’s safety is more important than catering to male feelings

- marriage is a patriarchal institution made to exploit the domestic labor of women for her entire life

- BDSM/kink are patriarchal and only center the pleasure and well being of men.

- hookup culture is patriarchal and the risk to reward is not worth it for women to engage in it

- gender ideology is patriarchal and is a direct hindrance to female liberation (we can’t define ourselves or our oppressors, we can’t create spaces away from our oppressors, we can’t create laws and policy based on these definitions, people who are gender non conforming are pressured to alter their bodies to conform to a rigid standard and become lifelong medical patients, etc)

- choice feminism and liberal feminism caters to conforming to patriarchal standards and institutions, and refuses to examine why women make choices under patriarchy

- women of color face oppression on the axis of our sex and race, men of color only face oppression on the axis of their race

- non white patriarchal institutions must be criticized: a mullah is just as dangerous to the liberation of women as a pastor is

- women should decenter the men in their lives just as men have done with women. That means prioritizing us! Engaging in women’s media, art, stories, fostering female communities and support networks, uplifting and empowering their sisters around the world

- being a radical feminist means consistently taking radical action, big or small, we all can do it! Go support a female artist, go donate menstrual products to a shelter, go tell off a man when you see him making a woman uncomfortable. We all can make a difference!

…My feminism focuses on criticism of Islam and middle eastern patriarchy, but there are radfems with many focuses/passions… some in eco feminism, some on uplifting Romani women, black women, neurodivergent women, women with disabilities, prostituted women… some are passionate about women’s sports, women’s art, women’s writing, women’s history, lesbian and bisexual women’s stories… everyone has their passion on here, so before you come to attack, just check out my blog and click around at the different profiles on this corner of the internet…. maybe we might not be the terrible witches you thought us to be. Or maybe we are, but witches are awesome so who cares lol

[indecisive-capricorn]

Headcanons to Dating Yandere Tom Riddle:

WARNINGS: MDNI! Yandere, stalking, implied dubcon, mentions of sex, violence, mentions of blood, mentions of breeding, mentions of wife, mentions of marriage, etc.

SUMMARY: A chance to experience what dating Tom Riddle is like, even when it's against your will to do just that.

AUTHOR'S NOTE: So, this headcanons leans more into dating Yandere Tom Riddle but technically, even without the yandere and dark part, he will do questionably dark things for his partner. I'm planning to make other headcanons that goes into details about that specific situation. For example, a "Headcanons to Dark Tom Riddle x Pregnant Wife Reader"

MASTERLIST & REQUESTS: Before you go, have a glass of wine or better yet, recommend a good bottle. any kind of message is always a delight.

It doesn't matter where you come from, alright? Although it's important for Tom to have an excellent muggle free reputation, Tom has his ways to make sure any history you have with muggles are erased. No one knows your precise history because of it either, but according to their Dark Lord, you were a witch from a fine family in France. While that might have been true, what they didn't know was how you were actually a rebel and fought against him for a time until he kidnapped you.

You left him with no choice! He was infatuated with you due to your strength and infamous beauty. Tom kept on sending you gifts, invitations to balls even and attempted to bait you to become Dumbledore's spy in order to get closer to you. However, you rejected all his gifts and invitations, burning them into the fireplace as soon as they arrived.

You were intelligent enough to know about his plan, but as evil and cruel as Tom was, he was also a genius.

When Tom kidnapped you, you had screamed all the curses in the world at him, refusing for him to even touch you. However, it silenced down when you saw several death eaters pointing their wands to the necks of your little sister and other family members.

You were a rebel and if Tom tried to take you with the threat of hurting your family, he knew you would continue to reject him. After all, actions speak louder than words, and as the death eaters began to torture your family, you finally got on your knees and pleaded for him to stop. Tom was more than pleased with your actions, but to ensure that you will stay true to your promise, he demanded a kiss from you, which you reluctantly gave in the form of a peck on the lips.

Though Tom had spared your family, he will make sure you never see them again. One way or another, no matter how many times you plead and beg to see them, he will rip you away from your family for the sole reason so that your focus would not waver from him. Yeah, he's that possessive of you.

Speaking of being possessive, Tom from the beginning of the relationship will always make sure you are covered in the finest silk and most rarest yet stunning jewellery. You might try to refuse them at first, but you don't quite get it. All of the fine dresses, luxurious clothes and expensive jewellery that he had picked out for you was also his way to tell others that you're his, that you're his possession. Try to refuse it and he will punish you.

There are various of punishments Tom can give you. It depends on what you have done that made him measure how severe the punishment should go, but it also depended on his mood. If Tom was only lightly jealous, he'll most likely just leave marks on you like hickeys and bruises. However, if Tom was severely jealous.. then prepare yourself. Tom had once fucked you in front of two of your old friends whom he had taken as prisoner as a way to humiliate you after you had tried to communicate with them in their cells. Just don't defy him, okay? It won't end up good for you.

Other than that though, Tom will take care of you. He feeds you well, pampers you and even shower you with affection from time to time, which you always try to refuse. Tom tries to spend some time with you whenever he has the time, even with the ongoing war. Tom doesn't usually allow you to be out of the manor, but with his company, he allows you to wander around the garden and as much as you hate his company, a bit of fresh air will certainly do you good after being stuck inside for a long time.

However, with all that, he expects you to do your duties as well. You both might not be married yet, but Tom already views you as his wife, the only thing lacking is a wedding ring between your fingers and a ceremony. It will happen sooner than later. But due to it, you became the lady of the manor is your job to make sure that everything was going well in your 'home', telling the servants on what they must do to keep the cleanliness of the house.

And oh, on that note, you're not able to ask for them to help you escape. You learnt that the hard way because the day after you had tried to ask them, all of their tongues had disappeared, unable to speak properly anymore.

Tom desires to flaunt you to the public after making your relationship with him 'official'. However, he will only start bringing you to balls after he was sure that you will behave and Tom might just make a potion to help with that. He considers it as one of the duties you have to perform as his partner. But oh my, you do look ravishing in that tight dress he picked out for you.

At times during the night, you found Tom rubbing your stomach, eyes full of desire, as he thought fondly of children. He had been unsure of starting a family before. Of course Tom needed an heir, but he didn't think he would ever find himself wanting more children until he met you. It didn't matter if you didn't want children. Sooner or later, before or after marriage, you will be swollen with his child. And what better way to ensure an heir than start now?

[literaryvein-reblogs]

Writing Notes: Pain & Violence

REFERENCES (Types of Physical Pain; Levels of Pain; Showing vs. Telling Pain; Physical vs. Emotional Pain; Tips for Writing about Pain; Consequences; Limitations of Agony; Types of Violence in Writing; Tips for Writing Violent Scenes; Research; Killers & Criminals; Ethical Portrayal; Other Notes)

Types of Physical Pain Choosing the Right Word

Commonly understood descriptors can be useful when writing about pain.

Semino references the 1971 McGill Pain Questionnaire and summarizes author Ronald Melzack’s categorization as follows:

​Physical damage via insertion of pointed object - stinging, pricking, boring, drilling, penetrating

Physical damage via the application of sharp objects - sharp, cutting, lacerating, stabbing, lancinating, piercing

Physical damage via pulling/tearing - tugging, pulling, wrenching, drawing, squeezing, tearing

​Physical damage via the application of pressure/weight - pinching, pressing, crushing, tight, heavy

Malevolent animate agent whose actions may cause physical damage - punishing, cruel, vicious, torturing, gnawing, killing

High/low temperatures - hot, burning, scalding, searing; cool, cold, freezing

Meanings to do with movement - beating, pounding, jumping, shooting

​Emotional or affective dimensions - ​wretched and annoying

Other words for "pain"

Levels of Character Pain

A character’s pain isn’t a one-size-fits-all prescription. When you’re writing pain in a story, it’s important to consider the types of experiences your characters may have.

LOW / MILD

Your character feels this pain but does not bother them too much.

Use words like sting, stiffness, pinch, etc.

Mild pain might include:

A tension headache

A dull sciatic ache

A small flesh wound

MEDIUM / MODERATE

This kind of pain is disturbing enough that it creates a problem for your character (e.g., inability to concentrate during an exam).

Use words like throb, ache, hurt, etc.

Moderate pain might include:

Non-life threatening injuries

Migraine headaches

Severe pain partly healed

HIGH / SEVERE

This goes for pain that is so bad it makes your character abandon whatever they were doing.

Use words like anguish, throes, torturous, etc.

Severe pain might include:

Injuries that are life-threatening

Violent injuries concentrated in one place

EXTREME PAIN

Completely immobilizes your character; keeps them focused on it and treating it.

Use words like racking, ripping, harrowing, etc.

Take Note:

Metaphors will have their place on this scale.

But avoid using more than one level of pain.

Example: if you like “punishing”, don’t combine it with “ripping” in one metaphor.

Showing vs. Telling Pain

Avoiding “telling” things to your reader as much as possible allows them to experience sensations—positive and negative—right beside your characters.

This helps them feel more engaged with the story.

Example

Telling: "His toes hurt."

Showing: "He leaned on his heels to keep his weight off his raw toes."

Physical vs. Emotional Pain

Your characters will probably experience both physical suffering and emotional distress at some point during your story.

The brain often processes emotional and physical pain in very similar ways. Example:

Anxiety and heartache can lead to sharp chest and muscle pain, rawness in the throat, and difficulty breathing.

This isn’t just an illusory sensation; in extreme cases, emotional pain can lead to a real heart attack—this is called stress cardiomyopathy, or “broken heart syndrome.”

When you’re writing about difficult emotions, consider the ways they might manifest in your characters’ bodies.

Physical pain has an adverse effect on our emotional state. Examples:

Think about the emotional reactions your characters might have to physical suffering.

If our bodies are damaged, we’ll probably be in a bad mood and may have trouble concentrating or remembering things.

Exploring the mental and emotional effects of physical pain can help you “show, not tell” the full scope of your character’s hurt.

Writing Tips: Your Characters' Pain

Turn your character’s pain into an obstacle.

Give the pain its own arc. Example: If your character was hurt in a bar fight, they will feel the effects long after.

Pain is not constant. There will be moments when it feels horrific and moments where it feels more manageable.

Some characters may even experience a “phantom pain,” which is where the body psychosomatically remembers an injury even after it’s healed.

Treat your characters as human. If your characters’ injuries aren’t having a real, measurable impact, they become nothing more than costumes.

Your characters need to have limits. Otherwise, there's nothing at stake:

This is true even for characters that aren’t technically human, or human in the way we understand—such as mythical creatures or superheroes. Their limitations may be different than ours, but they will still have a breaking point.

Find the right words. Every good story has at least one scene where a character is hurt—whether that’s physically, emotionally, or some blend of the two. When you learn how to write pain convincingly and authentically, you make your story feel that much more immersive and intimate to the reader.

Be careful not to mention the pain too frequently. A good range is to bring up the pain from once each chapter to once each scene.

Questions to consider:

How has this character experienced pain before?

How long does it take for them to recover?

What's at stake?

The Pain's Consequences

Think about how you might show physical and emotional reactions rather than telling the pain. Examples:

If your character’s pain is crushing, you might express this by showing him struggling for breath; if it’s gnawing, you might have him bent and holding his belly.

What if instead of being told that the character is in agony, we learn that he doubles over, falls to his knees, vomits, or blanches?

Perhaps he experiences a white-out, or loses control of his bowels.

What about the sounds he makes … or those he doesn’t because he’s rendered voiceless?

How does the pain move and what does it look like?

Some of these reactions may be brutal, but the injury & consequent pain are themselves brutal and needn’t be shied away from.

Emotional reactions can help with the writing of physical pain:

How does your character feel when that hammer hits his elbow? Depressed, frightened, vulnerable, hopeless, despairing, humiliated, angry?

The Limitations of Agony

There’s nothing wrong with escapist writing that allows for agony tolerance & superhero-like brilliance if that’s your intention & your reader’s expectation.

If you’re aiming for authenticity and grit, though, be mindful of pain thresholds, especially what’s possible when your character’s in agony.

Agony, drawn realistically, can make us doubt the protagonist’s ability to make it. Why is that interesting?

Which is best? Whether you choose to leave your character's hurt to the reader's imagination, tell it through using commonly understood descriptors, or show it through reaction and environment will depend on your style, genre and intention.

Notes: For "showing-it-all" violence

Provide stage direction and choreography but avoid repetition.

Play with narrative distance (using thoughts and free indirect speech).

Experiment with commas and conjunctions (asyndetic and polysyndetic constructions) for rhythmic effect and to introduce tension.

Alter sentence length and evaluate the impact on pace.

Don’t forget the environment – will glimpses of it enrich a reader’s experience of the violence?

Notes: For "reporting-after-the-fact" violence

Focus on outcomes. Even if we haven’t followed the violence as it occurred, what are the after-effects? Think bodily injury, emotional trauma, and damage to the environment (though consider genre).

Use dialogue to explore the violence through other characters’ perceptions of and responses to it. Might you introduce contrasting emotions to unveil character traits?

Keep it short. While a show-it-all fight scene might fall over one or two pages, trust your reader to do more of the work in this case. Give them nudges that enable them to join the dots.

Note: If your scenes of violence include weapons or specialist fighting techniques, do your research. Some of your readers will know their guns and martial arts.

Other words for "hitting"

Writing Tips: Violent Scenes

Know your audience. The writer always has a higher tolerance for violence than the average reader, so if you are wondering if a scene is too much, ask your agent, editor, writing group colleague, or a beta reader for a second opinion.

Write the scene 2 different ways. When approaching a scene with violence, write it both with and without graphic descriptions. (Side note: This also works with sex scenes.) Let the two scenes sit for a while, then go back and read both. Which scene feels smarter? Which has greater resonance?

Make violence matter. Some authors write about ordinary people in extraordinary situations, and those situations may be unpleasant. But don't forget these are ordinary people, and as such violence isn't a common occurrence in their lives. So when you do write a violent scene, make it matter. Aim for the reader to say, "What if this happened to me?" If you've spent enough time developing your characters properly, when the time comes that you need to plunge them into a kill-or-be-killed fight, the reader's empathy levels will be soaring. On the other hand, if your main character gets into fights every chapter and always comes out winning, your reader will quickly grow tired. Keep in mind: Less is more. (Another side note: The same can be said of profanity).

Other words for "fighting"

TIP: Use Location & Setting as a Character

Bring your story to life by giving your location a "personality":

Is the city dark and grimy, a decaying relic riddled with vice and corruption?

Does the chocolate-box village give a misleading picture of what lies beneath?

Does the suburban street promise security but deliver death?

What does the location look like, smell like, sound like, feel like?

And how does this affect the characters?

What are its key features? Buildings, weather, volcanoes, darkness.

Who lives in this place?

Create an atmosphere in which your crime happens and that your characters inhabit.

What is their relationship to it?

Are they desperate to leave?

Or does it promise the life they always wanted?

Are they able to leave if they wanted?

TIP: Avoid Cliches

Unpredictability is more important in crime than many other genres.

A thriller would be less thrilling if you knew the outcome, and clichés make books more predictable. Consider avoiding the following cliches:

Heroes with drink/drug problems

Obsessions with particular types of music

Gender stereotypes such as the prim and proper female character who eventually caves to the male protagonist’s charms

Genius crime-solver who is rubbish with humans (the maverick loner)

The wacky, funny sidekick who can’t stand the sight of blood

Similar again, the brilliant serial killer

Cops from broken families

Murderer monologues (they describe exactly why they did it)

Some personal link between the detective and the murderer

The partner who has to have everything explained to them

The hard-ass police chief

Car chases and shoot outs

The estranged wife/daughter/parent

The young female they underestimated

(Middle-aged) men who are irresistible to (young) women.

Some elements will be hard to avoid, so, if you do want to include something that has been used frequently, ensure you can bring something new to it.

Do Your Research for example:

The limits of forensics

How DNA works… and doesn’t

How the legal system works, from warrants and arrests through to trials and sentencing

How the police works, from ranks and departments to internal politics and procedures

The crime scene. How do the police work a crime scene, from clothes and equipment to who gets access?

What happens to bodies when they’re cut, shot and killed?

How do murderers think? There are many types of murder and so there are many types of murderer. How does yours think? What’s their motivation and is it realistic?

Most of us can use a mobile phone, but do you understand how various computer hacks work? Or how certain technologies are used to find and track criminals?

Killers & Criminals

What makes a compelling killer?

One we hate and fear.

One that makes us want them locked up, killed or met with revenge.

Here are some tips:

Make the killer powerful in some way

Make their crimes make sense to them

Show their motivation (though not always at the beginning).

Your killer will not be your hero, but we enjoy complex and conflicted criminals.

Why does your criminal do what they do?

While not necessarily justifying their crimes, show the reader what drives them – complex criminals compelled by things in their own unpleasant past.

It is interesting to note that ‘baddies’ often see themselves as the good guys.

What is their motivation and why does it make sense to them? Do they have an internal struggle?

What emotions drive their actions?

Other words for: Decompose ⚜ Wilt

How do we ethically portray violence in crime fiction?

Perhaps one answer is that we write what we think is necessary and then make sure that we also write the consequences.

Maybe we just try to be human, aware of other humans, their experiences and their emotions.

Sources: 1 2 3 4 5 6 7 8 ⚜ More: Writing Notes & References ⚜ 100 Sensory Words Wounds ⚜ Injuries ⚜ Poison ⚜ Fight Scenes Part 1 2 ⚜ Pain ⚜ Dystopia

[reikiajakoiranruohoja]

I don't think any series of games has ever portrayed letting go of revenge and growth as paramount to living as Project Moon's games. Because in all of them (Lobotomy Corporation, Library of Ruina, Limbus Company), the way to get the best ending is to go through the characters' issues and find peace for them. What makes this stand out from many other games where the golden ending is everyone working together, is that going through these issues is not easy nor is the end result always happy. But it is necessary if the characters want to move on.

For example, Roland and Angela both have very solid reasons for their non-Best Ending actions. Angela is sick being treated as a tool and lesser, especially after the torture that was Lob Corp. And Roland lost everything dear to him because of Angela's actions, after he had just gotten to open up to someone. Library of Ruina doesn't deny that both have their reasons, it instead asks both if reaching that goal truly is worth it and if it would make the characters happy? And, is making others suffer what you suffered truly justified? In the best ending, both Angela and Roland find that they have more to live for and other ways to express themselves than violence. In Limbus Company, each Sinner must wrestle with their issues and let go of something harmful. Ishmael letting go of her revenge, Don letting go of her father's delusions, etc.

[youremyheaven]

The Ugliness of Venus

every planet is associated with certain key themes but being under that planetary influence means to experience its very opposite. the extremes of anything is a meeting point for its opposite.

venus is the planet associated with love, beauty, harmony etc therefore it is unsurprising that venusian influence also subjects one to cruelty, ugliness, disharmony, violence and malevolence.

TW: this post will contain mentions of sexual harassment, rape, violence, murder, massacre, genocide, death, suicide among other things so please beware!!!

in my observations I have often found that Venusian natives are often cruel, callous, ugly (i mean this to refer to their actions/behaviour and not just unconventional appearance because "beauty" is a sum of appearance and traits- what we call Venusian refinement) hurtful, jealous and utterly lacking the charisma and hospitality for which Venus is known.

it is disturbing to think of how soooo many well known and notorious sex offenders have HEAVY Venusian influence in their charts. think of any celebrity who has had a sex scandal and they usually have Venusian placements. it's intriguing that no other planet shows up as much (in my personal observations).

Why is Venus so brutal, cruel and embracing of the darkness/ugliness of humanity?

All 3 Venus nakshatras, Bharani, Purvaphalguni & Purvashada are Ugra (meaning cruel or brutal, this is a 7 category classification in vedic astrology) nakshatras.

Ugra naks are known to be action-oriented go-getters and people who are very self-motivated and determined. Any quality can manifest in good or bad ways, so the shadow aspect of this determination and motivation is often ruthlessness, callousness, selfishness and arrogance.

This is also the reason why Venusian naks suffer. Venus seeks refinement, so an individual who does not filter out their own darkness but instead indulges in it, is inviting wrath. More than any other planet, Venus punishes its natives quite harshly and publicly. So many people who have been known to be horrible people, have been exposed, shamed and punished publicly have Venus influence.

Venus energy must be handled with care. Since Venus is love, it has a quality where it loves blindly, completely and without judgement but discretion and judgement are necessary in life. It is not good to be absolutely consumed by someone or something without considering the good and evil inherent in it. This makes Venus natives prone to evil simply because they don't see it as such. They think of it as the depths of their understanding of love, beauty and harmony. Beauty in its extreme however is grotesque, its ugliness, its frightening. Think of all those IG models who have the same face, there is a blandness to their cartoonish perfection to their proportions, it fails to evoke feeling, it fails to be memorable because true beauty is distinct and flawed, its intensity, depth and exaggerated proportions because Venus is not mild or lukewarm, it like to go overboard. Think of Angelina Jolie, her big forehead, large cheekbones, strong jaw, big protruding eyes, its a face that calls attention to itself, its not simple or readily accessible, its the opposite of the IG face where beauty is reduced to ordinary everyday blandness. True beauty is individuality.

Venusian natives are often preoccupied with good and evil, the holy and demonic, heaven and hell, this emanates from a deep understanding of contradictions and the need for their existence. Opposites are an illusion, everything is one. Goodness in its extreme is evil and the extremes of evil touches upon goodness.

So now I'll discuss certain specific examples:

Mao Zedong- Purvashada Rising

He was responsible for the deaths of close to 40 million people who died due to starvation, forced labour and others executed by the state due to their opposition of its policies.

Saddam Hussein- Bharani Sun, Venus in Revati (exalted)

Him and his party used violence, killing, torture, execution, arbitrary arrest, unlawful detention, enforced disappearance, and various forms of repression to control the population. Kurdish people were systematically persecuted and massacred using tear gas.

Hussein was publicly executed for committing crimes against humanity.

Hitler- Purvashada stellium (Moon, Jupiter and Ketu), Mercury and Venus in Bharani

I need not elaborate on who Hitler was and what he did bc we're all very familiar with him but yeah he was a Venusian. He died by suicide.

Stalin- Purvashada Mercury Amatyakaraka

I do not wish to elaborate on Soviet war crimes but Stalin had millions of people die, from starvation, torture, indentured labour etc

R Kelly- Purvashada Sun & Mercury

He is a pedophile and convicted sex offender

Marilyn Manson- Purvashada Sun

He's been accused of assault and rape on more than one occasion.

Idi Amin- Purvashada Sun

Idi Amin was popularly known as "The Butcher of Uganda." Amin overthrew an elected government in Uganda with a military coup, using lessons from the British colonial army. He declared himself president and ruled ruthlessly from 1971-1979. Once in power, Amin started mass executions of the Acholi and Lango tribes. In 1972 Amin forced 80,000 Asians to leave the country, which caused the economic collapse of the country since many were business owners. It’s estimated that through his rule, Amin killed at least 300,000 civilians.

Elon Musk- Purvaphalguni Moon

Sexual misconduct charges, labour law violations, treating his employees like trash and being an insufferable asshole on Twitter among other things. Nobody makes $100 billion without exploiting 100s of millions of people.

Jimmy Saville- Purvaphalguni Moon, Mars in Bharani amatyakaraka and Ketu in Purvashada

He was a pedophile who abused numerous children over the span of 50yrs

Peter Townshend- Purvaphalguni Jupiter & Rising, Ketu in Purvashada

He was found trying to access child porn sites

Chris Brown- Bharani Sun & Moon

He's abused several women, most famously, Rihanna

Here's some examples of people who have risen to prominence by playing ruthless people.

Kathy Bates- Mars in Purvaphalguni amatyakaraka

She is best remembered for playing the psychotic nurse in Misery

Anthony Hopkins- Purvashada Sun

He is best known for playing serial killer Hannibal Lecter in Silence of the Lambs

I know this is a very polarising topic and to any Venusians reading this, I sincerely do not wish to spread hate or cause harm, I am only trying to point out some of the things I have noticed. Does this mean every other Venusian you encounter is a serial killer in disguise? No Are all Venusians bad people? Also no. I thought it would be interesting to shed some light on the darker side of Venus which is seldom addressed if at all. Please do not take any of these observations too seriously and do not use astrology as a tool to propagate hatred towards yourself or others.

[wordsvomit101]

... Lucifer is how Christian Gray believed he is/jk

We already know Lucifer to be THAT guy but this is just a new whole layer and when combine with some info about him and his brothers, we got a pretty interesting case of why he might has a kink for dacryphilia, or how he might, 'allegedly', be a lowkey sadist (not surprising but still give me a gasp when I think about it).

The original source is here, credits to @shyanimeboi and their friend: https://x.com/shyanimeboi/status/1795183592961655077/video/3\

Warnings: Mentions of torture (info from chapter 5 in canon story), 1ncest, sexual content, and some depiction of violence. MNDI

I noticed how he been switching his way of addressing MC from Solomon, to Adam, and to Eve, throughout his chats. And it either a spontaneous things where he group the 3 humans he know the most together and just address MC with them on a whims or it could be something more personal.

The type of unicorn he is talking about is most commonly known in the western folklore, where unicorns are fierce and hostile, and become docile only in the presence of virgins. While occasionally fiction writers have invoked the principle that men can be virgins also (see, e.g. Poul Anderson’s “Honeymouth”), usually, “virgin” implies “girls or women,” and therefore only women who have never had intercourse can tame a unicorn, but it could be also for those that are utterly pure (of heart if not of mind).

So it pretty much confirm it, Lucifer either get freaky in the 0rgy they got going on in Heaven or he get freaky with his brothers, which is weird but compared that to the torture camps and experimental labs on devil children, the possiblities of unhinged millenia old angels banging each others is something I expected but wholely not interested in opening that can of worm.

I would call myself the weird one when I think of some 50 Shades of Gray when I look at this image since in the chat Lucifer seem like a Disney princess:

This part set apart Lucifer and his brothers in a subtle but clear way because unlike how Gabriel and Michael would get into a fight on whether who would get to kill a devil, how Michael would easily commit genocide on an entire race of dragons, and how Raphael would eat his fellow angels for breakfast, lunch, and dinner. Lucifer can form a bond with another creature, who would be killed by the trio if he were to show the same attitude as he did with Lucifer. This also reflected how he became Gamigin and Jjok's brother. His normal open-minded aspect is so jarring that when compared to his brothers it stands out like a neon light.

And how he prefers action over words is probably what got him to care for Gamigin, Jjok, and the devils. Devils are honest by nature, and their feelings are worn on their sleeves, with a few exceptions (Leviathan, Orias, etc.), up until now, we rarely see a devil that doesn't commit to their promises or declarations (Satan does bring Minhyeok back from death, Mammon does own Hell's economy, Leviathan live his life perfectly every day for his friends, etc.), in some cases they might really lose limbs or even die for it (in Leraye's event, he broke pieces of his horn to turn them into bullets to protect the city). In a way, he also values genuine actions as proof of one’s character, loyalty, and intentions. Gamigin took him in when Lucifer was a fallen angel and nursed him back to health despite the danger of getting the devil's ire and how much Lucifer rejected his help (and was rude about it too), he persisted and he was consistent in his kindness. Jjok is scared of him, at first, but he still continues to visit and talk to him almost every day while he is in bed, and even begs Satan to not take his "family" away (I will cry again god-).

It also might be an instinct as an angel if he were to compare them to his love for God and how he might find it hard to correct his brothers' mania, where their only purpose in life is to love and worship God, no matter how terrible they become for him. This principle reflects a certain integrity and consistency in him. He expects others to demonstrate their worth through their actions and probably enjoys them trusting him, and he likely holds himself to the same standard (ie, how he becomes a devil and declares to protect Hell, feels guilty for the atrocities his brothers and Heaven have done, how he didn't shut it down and was a part of the problem, etc).

The horse from Hell he is talking about is probably a bicorn (a not very well-known folklore two-horned creature that is a fan of depraved people) or kelpie (a shape-changing aquatic spirit of Scottish legend known for tricking people into riding on them for some malevolent purpose) or just savage beasts of war that need no rider, the counterparts to the unicorn. So his methods of training the unicorn won't work on them.

Now to get back to my point on the switching of the address from Solomon, to Adam, and to Eve. It is just a theory but it could mean something like this:

"Daughter of Solomon": Used to express a personal or significant connection between them, possibly based on MC's predecessor's wisdom and who is known to be king of peace and someone who is loved by God and the devils.

"Daughter of Adam": Highlights common humanity (Adam represents humanity as the first human created according to biblical texts) while pointing out unique or odd characteristics.

"Daughter of Eve": Emphasizes femininity or human traits related to curiosity (Eve is tempted by the serpent to eat the forbidden fruit from the Tree of the Knowledge) or innocence (Genesis 2:25 states that "Adam and his wife were both naked, and they felt no shame," indicating their complete innocence and lack of self-consciousness or worldly concerns, which explain the "You are runaway, or have no sense of crisis").

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Um, chile anyway so-

Lucifer has that brat-taming, bondage, and dacryphilia things going on... So be proud and bratty y'all-

[writers-potion]

Aight I just remembered what I was gonna ask. I think It'll be my second ask because I do remember I submitted the same question I wanna ask months ago HAHA

Okay so, I'm writing a story that explores a lot of subjects, one of them is morality

So... How do you make a fictional religion feel "real" in a sense? Like I know there'll be shrines, temples, and stuff but I need to know more than just that.

Take your time and thank you! ✨

Writing Realistic Fictional Religion

Hi! Thank you for the question :)

Please refer to my posts about writing hateful gods and writing deities for stuff about writing gods! I'll talk more about writing religion in general here.

Religious Hierarchy

Think about how you'd want your religion to be structured:

Polytheism: the belief in many gods.

Monotheism: the belief in a single, all-powerful god.

Atheism: the belief in no gods. A belief in nothing is stil a belief.

Are there tiers of gods? (Gods above Gods)?

Is there a "Mother God" or "Father God" that must be worshipped over everything else?

How are religious leaders selected and trained?

What kind of actions (celibacy, vegetarianism) do the believers need to do in order to be a faithful person? Is there a consequence when they don't do this?

Religious Texts

The most important question a religious text should aim to answer is: where did the world (and therefore, us) come from?

Here are some story patterns you can use:

Creatio Ex Nihilo: God creates the world from nothing

Creation from Chaos: God introduced order into a chaotic world

Primal Couple: The first "couple" gives birth to the world

World Parent: A god sacrifices (a part) of their body to construct the world's elements.

Emergence: Before the current world, there existed another world. After a period of time is over, a new world emerges.

Earth-Diver: A deity sends over a person/animal, etc. to construct a world out of the barren land they've created.

This "Origin Story" will dicate the basic values that your religion thinks is the most important.

Religious Practices

You have the freedom to invent your own religious practices. When you are trying to invent one, consider:

The weather. Is the Sun in your world so blazing that all religious festivals are only held during the night?

What can you not do in the name of religion? Are you not allowed to have stuffed animals in your bed? Not eat blue stuff?

Who are the people that work the most during festivals/worship ceremonies? Are slaves exploited to prepare the feast? Are the women the only ones that works while the men sing? Are animals tortured or exploited in the process?

Sacrifices. What/when/how do you offer sacrifices?

You can also think about:

Who determines the kind of religious practices the other people have to follow?

Are the reliigous practice discriminatory and if yes, who do they benefit?

Religious Locations

Historically, religious lands have had the power to have its own rules and be protected. which will provide a good

One Location vs. Many: Is there a shrine in every home/street, or is everyone required to report to the city square every Saturday?

The Ruler's Castle: Sometimes, the king is considered to be the "son of god" and the palace is therefore the most sacred place.

One Unreachable Location: It can also be that in order to be ruly faithful, you need to visit a place that is so unreachable that people die trying.

A Moving Location: Does the god choose their new home every year?

A Constructable Location: If you draw a circle in bone ash, does the patch of land inside it become holy and no ghost can enter it? What if you lack faith and the circle construction doesn't work at a time you need it the most?

Question of Morality and Religion

While many religions preach equality and kindnes, it has been used to justify conflict and discriminate those who do not believe in it.

Does the deity promote such violence? Or is it the bad leaders?

Is the deity uncritical towards such behavior? Or do they actively step in?

Is the God falliable? Like the modern-day presidents, is the god's survival/power somehow dependent on the believers? Is that why they stay silent even when bad things are being done in their name?

Does the god favor rich people?

─── ･ ｡ﾟ☆: *.☽ .* . ───

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[s-aint-elmo]

*twirling my hair* do you have some good yuri manga recs?

(lying on my stomach and kicking my feet) i'm SO glad you asked!

to preface this i'll be excluding better-known yuri or yuri that's recently gotten its flowers (whether thru virality or adaptations) (e.g. in love with the villainess, love bullet, bloom into you, etc. etc.) and will instead be recc'ing works i don't often encounter in the wild. some will be more well-known than others, but all of these i've enjoyed and would encourage others to check out! under the cut because. this got. so long. i heart yuri <3

multi-chapter

the princess of sylph (ongoing; self-publishing): plot-heavy fantasy yuri between a bereaved princess with the aura of a thousand sad hamsters and a persistent nun whose silliness conceals a deep well of trauma. gushed about it plenty here. i recommend starting with the serialized version, the proceeding to the twitter version + extras. cw: blood, violence, dismemberment (nothing too graphic, more standard monster-fighting fare).

i love amy (completed): school loner strikes an unlikely friendship with the girl known (and feared) for her violent tendencies and single-minded obsession with the school prince. cute but striking and skilled art with a surprisingly nuanced handling of trauma and neurodivergence. cw: attempted child murder, animal death (non-graphic). there are also depictions of standard yandere fare (kidnapping, torture basements) but they're always presented comedically.

i see you, aizawa-san! (ongoing): girl who steadfastly pretends not to see ghosts meets one she just can't seem to ignore: a deceased classmate and former j-pop idol, who has taken to haunting their classroom. ft. art that harkens back to classic shoujo and a supernatural mystery centred on the relationship between the two leads--that one of them can't seem to remember. cw: blood, body horror.

school zone girls (on hiatus): slice of life yuri comedy ft. a massive interconnected web of girls spanning at least three schools. it juggles gut-busting comedy with genuine heartfelt moments of character growth and connection and expresses it all through a solid, dynamic art style. the sprawling cast also makes for incredible outsider pov moments that lets us really appreciate how far some characters have gotten. this genuinely motivated me to revamp how i approached ensemble casts for my ocs.

brides of iberis (completed): wedding planner unenthusiastic about her engagement falls in love with a bride she's taken as a client. bittersweet but deeply loving; and so compassionate to each and every character, even the men the female leads have relationships with. cw: infidelity.

destroy it all and love me in hell! (ongoing): model student finds her miserable, tightly controlled life unraveling after being blackmailed by the class truant into indulging her ugliest impulses. toxic yuri extravaganza eleganza between two girls desperate for escape and the catharsis of fucking! shit! up!!! also hits that sweet sweet "love triangle as a conflict of ideals" beat. cw: blackmail, coercion, bullying, violence, emotional abuse, physical abuse, verbal abuse, adult/minor relationship.

yuri is forbidden for the yuri otaku (completed): passionate himejoshi enrolls in an all-girls private school to observe class s yuri in action, but never to engage in it herself--at least, until a misunderstanding wins her the resident gyaru's heart. a surprisingly poignant exploration of being queer in a repressive society and experiencing your queerness through the safety of unobtainable fantasy.

the superstar idol crushes on me today too (ongoing): failed idol-slash-middling radio personality finds an unwanted superfan in the country's biggest superstar. explores the merit of pursuing your artistic passions in the face of repeated failure, and what makes an emotional anchor in the fraught seas of showbiz. they are also just so so funny. what if i emphatically declare you my rival in show business but you've been in love with me since you saw me in a cooking show as a child actor and you take any excuse to spend time with me and have my attention with blinding enthusiasm

normality and monsters (ongoing): outcast weirdo witnesses the class idol devour their homeroom teacher in one bite and begs to be trained in the art of appearing normal. the art is snappy and charismatic, the monster design is properly grotesque, and the friendship of convenience between the two leads teeters between overcoming the monster's nature and just being a prelude to the monster acquiring a new meatsuit. cw: blood, gore, death, body horror.

a monster wants to eat me (ongoing): suicidal girl meets carnivore mermaid who promises to eat her if she develops a desire to live. it's been a while since i read this one, but the monster designs are once again sick as fuck and the drama of being cared for by a creature that finds you tantalizing is sooo juicy. cw: suicidal ideation, blood, gore, violence, body horror.

liar satsuki can see death (completed): high schooler who can see corpses before the death occurs strives to save as many lives as possible despite being branded a liar by the entire student body. this and ryouko's other manga, a walk to death, are pretty banging declarations on the value of living ironically (or maybe aptly) wrapped in so much death. blanket cw for blood, gore and death bc i tell you every mini-arc somebody dies in a fun new way and we'd be here all day if we listed them out.

anthology:

i'm the villainess but i'm being captured by the heroine?!: an anthology featuring heroines of otome games swerving hard and sweeping the villainess off her feet. i am such a sucker for villainess yuri. mean women forever. my favourite chapters are vol. 1 ch.1 and vol. 2 chs. 1 and 4.

honourable mentions:

my idol sits the next desk over! (completed): loner idol otaku ends up deskmates with her oshi and between jealous sabotage from a rival stan and the herculean task of acting normal around your fave, lands herself in the first and closest friend group of her life. one girl does explicitly have romantic feelings for another girl, but i bumped it down here because it isn't explored to the extent it could have been. it felt like it was setting up a slow burn only to end abruptly. do not recommend if you want a love story, do recommend if you want lonely people forging deep and enduring bonds of friendship.

the one within the villainess (ongoing): the villainess of an otome game reawakens for her condemnation and sets off on a path of vengeance for the sake of the beloved transmigrator who's occupied her body for years. it's ostensibly het, but to hear the way that the villainess speaks of her transmigrator, the first person to love her wholeheartedly and wish for her happiness and so inadvertently prevent her from becoming the hollow bitter woman she originally grew into...... like. that is yuri. like what if i knew your life in its entirety and loved you for it and i found myself in the position to give you the happiness i always wished for you to have. what if we wrote fix-it fic for each other on the fabric of the universe. what if we never even had a conversation but we knew each other the best and loved each other most. and we were both girls. do you understand why i'm insane about them. cw: blood, gore, violence.

[yanderes-galore]

Hear me out- Yandere concept for DBD Entity with Killer! Darling. Maybe expect being isolating like towards survivor darling, it’s more of a sadistic yandere? Where it wants to make darling the perfect killer. Every little mistake is met with cruel punishment. The Entity tortures unwilling killers at the end of the day. I think this might spice some things up :) Just a lil idea

Oh YEAH—! I heard The Entity tortures Killers who aren't compliant to its orders. I'll write some small ideas for this, sure!

Yandere! The Entity with Killer! Darling

Pairing: Dubious

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Sadism, Manipulation, Torture, Isolation, Psychological trauma, Violence, Blood, Murder, Dubious intentions.

I agree that The Entity would react differently between a survivor and a killer obsession.

It has been known to torture and inflict trauma on those who do not comply to its control.

Other killers, such as Evan/The Trapper are theorized to be unwilling killers for The Entity to toy with.

The Entity, at the end of the day, enjoys suffering.

It likes to see survivors and killers alike suffer.

The idea of The Entity tormenting a killer obsession to make them 'perfect' seems like an interesting idea.

It's fully capable of making you bend to its will.

The Entity knows your past, your motives... your trauma especially.

It monitors your every action, forcing you to keep it pleased.

If you displease The Entity... It will be sure to correct such behavior.

Most killers, including you, are usually made killers due to their past.

Maybe they've been sadistic from the start... or maybe they were pushed to murder.

The Entity is drawn to people and monsters like this.

To make this worse, maybe you were a similar case to The Trapper, Wraith, Hillbilly, etc...

You were someone forced to kill in fear of getting hurt anymore than you already were.

Which lands you in hot water once The Entity discovers you.

The Entity is a cruel being, that much is known to everyone.

Many wish to study it, maybe even worship it...

But many just want to flee from it.

That's what you wish you could do.

Instead, The Entity takes sadistic pleasure in making you a tool for torment.

Some killers find pleasure in hunting survivors down.

Not you.

The Entity has ways of messing with your mind.

Perhaps it makes you hallucinate?

You can't tell what's real... meaning you take your frustration out on anything that moves.

If you still don't do well, The Entity punishes you.

You're forced to feel pain until you learn to please it.

To escape the pain, you listen.

You do everything it says, you do your best to be a killer.

It's a cycle of pain... One that morphs you into the perfect killer.

Poor you is heavily manipulated and tormented by a being you can't quite grasp.

All you know is dark black claws... sharp claws that tear at your skin.

You don't know its intentions.

Pretty soon you don't even care.

Eventually you're molded into a weapon.

You barely recall who you once were.

All you know is what you are now.

All you know is you need to escape the pain.

So, you do.

You kill because it demands it.

You don't worship it, you don't praise it.

You are simply meant to be used by it.

You are for its entertainment.

Once you realize that, The Entity is pleased.

[unbidden-yidden-deactivated20240]

There are two related things I've noticed coming from the left that I really want people to examine deeply in themselves, because it's a major problem that I see happening over and over again. The whole I/P issue is the most currently salient example, but it is one of many.

1. There's this tendency towards retributive justice, wherein the solutions proposed fail to take into account whether the proposed punishment is at all proportional to the alleged crime, but rather is just treated as the natural consequence of that action.

2. This same principle is also extended backwards in time and used to excuse violence post hoc that they might not have chosen as an ideal punishment but have nevertheless decided was deserved because that person [allegedly] did something bad.

Both betray an underlying punitive or retributive justice mentality, where the goal is not restoration or reconciliation + accountability, but rather punishment. (There are some interesting religious and cultural aspects to this I could get into but don't want to derail this post.)

This untethering of crime to punishment in terms of (a) due process, (b) proportionality of punishment to the crime, and (c) a failure to consider restorative justice, reconciliation, and teshuva processes instead of retribution leads to monstrous and morally bankrupt results.

Put another (blunter, crasser) way: the left's longstanding hard-on for vigilante violence is a critical failure that undermines the entire movement.

You cannot base your politics on humanism, compassion, and due process out one side of your mouth and then cheer on vigilante violence, cruel and unusual punishment, and mob mentality out the other. It doesn't work like that.

Now I understand that sometimes armed resistance is necessary. People living under authoritarian and inhumane conditions may, out of necessity, turn to guerrilla warfare and unofficial armed resistance in self-defense. But even that has limits. When leftists fantasize about death by curb stomping or slitting someone's throat as a good thing, they are imagining this happening to armed fascists, Nazis, white supremacists, or possibly other categories of irredeemable people such as domestic abusers who maim or kill their partner &/or children, pedophiles, human traffickers, etc.

What they aren't imagining is the other side of that coin, which is the alt-righter who murdered Heather Heyer with his car, abortion clinic bombers, violent Q-anoners or terrorists. Each of those people also believe in the justice of their actions and their entitlement to act as arresting officer, judge, jury, and executioner.

"But those people are wrong!"

So? Why do you get to decide that for everyone? What about the people who think YOU are wrong?

There's a reason courts and due process exist. It's the same reason why "free speech" protects the speech you hate, why freedom of the press protects that rag whose opinions you hate, and why free exercise of religion protects shitty religious groups you wish to see gone. It's because we live in a society and you aren't the arbiter of justice for everyone. If you give in to that mentality, you will inevitably end up in a "might makes right" society, which never ends well, particularly for marginalized people.

If you wouldn't accept l'chatchila a certain punishment being administrated by a court of law without outcry and protest for human rights abuses, then don't cheer it on b'dievad. Either rape is unacceptable or it's not. Either torture is unjustifiable or it isn't. Either maiming is an acceptable punishment for certain crimes or it isn't. You either support the death penalty by certain methods (beheading, burned alive, strangled, hacked apart, stoning, hanging, etc.) or you don't. Collective punishment is either acceptable or it isn't. Vicarious punishment is either acceptable or it isn't.

All of those things are either human rights abuses, or they aren't. All of them fall outside even the rules that might permit self-defense or guerrilla warfare or other uprisings of the oppressed.

Due process is the same - either you believe in due process and the right to a fair and timely trial, or you don't. The moment you support one extrajudicial punitive killing, you have opened the door to the justification of murder, provided the killer has sufficient justification.

It's true that the rules of armed conflict and war are different, but that they exist at all is relevant here too. The reason they exist is to minimize suffering during an event that is guaranteed to cause great suffering. It's the same reason why the laws of self-defense are different than the laws of intentional murder.

The truth is that in order to live in a just and civilized society, there must be specific rules that govern the administration of conflict resolution and harm. These rules must be enforced consistently and equally, and the decider of fact must have reasonable access to the evidence that exists. The state or any court of law or other tribunal must render its decision in the most impartial way possible, even for the worst, most obviously guilty people. Even those that commit heinous crimes must be given those same rights. Without those safeguards, you create the opportunity for bad faith actors to label their undesirable groups or individuals as whatever category people find so despicable that they fall out of being considered human and lose their claim to human rights protections. It must therefore be impossible to forfeit your right to due process and freedom from vigilantes and mobs.

[cherrybomb107]

One more thing about the difference between Caitlyn’s actions and Jinx’s. As I’ve said before, comparing their actions is disingenuous imo, for the simple fact that Caitlyn is an oppressor, and Jinx is oppressed. That’s not to say that victims of systemic oppression are incapable of violence, just that the violence they are capable of is fundamentally different to that of their oppressor, and therefore cannot be compared. But the difference in reaction to Caitlyn’s actions vs the reaction to Jinx’s is what I wanna talk about.

Caitlyn is an authoritarian dictator. She gassed Zaunites, co-signed martial law, hit her partner, unlawfully arrested people, and almost killed a child just to get to Jinx. Yet large swathes of the fandom brush off or downplay these atrocities because of “grief”. Of course grief is a reason for doing things and acting out of character, but it does not excuse anything. Especially because, as not just a Piltie but a Kiramman, Caitlyn’s allowed to be much more destructive in her “grief”. She gets to take out her pain and anguish on an entire city, but other characters are not afforded that privilege? Why is that?

Jinx meanwhile makes all of her weapons by hand. She only kills enforcers, Firelights, Councilors, and goons who attack her. I’m not going to defend her actions here(as I’ve made many posts here explaining my thoughts and feelings on them). But I will say that it’s interesting that the violence Jinx is responsible for is enough to make her a “psycho” and a “terrorist” but if you point out how Caitlyn’s actions literally make her a dictator and how “grief” doesn’t excuse anything, you’ll be crucified by the fandom. Why? Because both in the show and in real life, the feelings of the privileged are legitimized, while the actions of the under privileged are demonized and pathologized.

It’s the same story with women and misogyny. Men are not “crazy” or “emotional” for perpetuating patriarchy and punishing women for the crime of existing. Men get to make “jokes” about how much they hate women. How they want to rape, kill, and harm them. Then they actually go out and do it! And this is not called the results of misogyny, oh no! It’s simply a “male loneliness epidemic”. Men have spent centuries subjugating women to horrible things I can’t even describe without tearing up. But they are still thought of as the more “logical” and “reasonable” gender. However, when women react to this institutional sexism, they get labeled instead of listened to. “Crazy”, “hysterical”, “delusional”, “emotional”, “hormonal”, “pmsing”, “doing too much” etc. Women don’t get to lash out and fight back against a system that sees them as subhuman. But men are allowed to set that system up and benefit from it.

Same thing with slavery. Slave owners were not “crazy”, “insane”, or “cruel” for not only owning human beings but mentally, physically, emotionally, financially, and sexually abusing and torturing my people. Yet enslaved people who would do anything to be free were labeled “drapetomanic”. Called crazy because they didn’t want to be enslaved. The oppressor’s feelings are always more valid and justified than the oppressed, no matter what they do.

The Black Panther Party were called “terrorists” for arming themselves both with guns and with books, and preparing to fight back against a system that didn’t see them as human beings. The government made multiple plans on how to disrupt their movement and destroy it from the inside out. Why is the US government not commonly called a terrorist organization? Why does a kid who steals candy from a store, or a mother who steals formula for her child get labeled a “criminal” or a “thief”, but the government is allowed to steal thousands of dollars from us, pump poison into our food, water, air, push propaganda at every turn, brutalize our people, and destroy our communities with no consequences?

Because the privileged are always justified both in their feelings and actions, no matter how heinous. That’s why the Black Panthers were “criminals” and “terrorists” while the government was just “trying to restore order”. That’s why men get to kidnap, rape, murder, beat, and oppress women but a woman making jokes about the male suicide rate is a “bitch” or a “feminazi”. That’s why Jinx is a “terrorist” and a “psycho” but Caitlyn is a “complex female character” who’s “grieving.

This also points to something else: individuality as yet another privilege. Despite overwhelming evidence that men commit majority of violent crimes, when women express hesitation about being around men, it gets brushed off as “not all men”. When Black people express wariness about cops it gets brushed off as “a few bad apples”. When in reality it is an issue with policing as an institution. Yet when a woman does something bad, it’s “These bitches can’t be trusted.” “All women are the same.” “All women want blah blah blah.” Women don’t get to be thought of as individuals. When one woman does something, it reflects on women as a whole. When a Black person does something, all Black people are “criminals” or “thugs.” We don’t get to be individuals.

Same thing with Caitlyn and Piltover as a whole. It’s “not all Pilties” and “we’re people, just like you” when the heat is on them. But when Caitlyn lost her mom, it was “those animals”. “I see how easy it is to hate them”. Councilor Salo referred to Zaunites as “demons”. And when Caitlyn asked Vi to be an enforcer, she said “We can show them that not everyone in Zaun supports Jinx.” Huh? What type of sense does that make? Caitlyn had been conducting her off the book’s investigation into the Undercity’s violence since season one, yet she still didn’t even know who was behind it all, or who Jinx was! Now, it’s “we have to show them that not everyone in Zaun supports Jinx”? Where would she even get the idea that people in Zaun would support Jinx in the first place?

She says this in the first episode of season two. Why would all of Zaun be responsible for Jinx’s actions? Why would all of Zaun be supporting Jinx at this point in time? See what I mean about individuality? When Pilties like Marcus cause harm, it’s “one bad apple”. Yet when Jinx justifiably tries to fight back against her oppressors, all of Zaun is put on the hook, whether they support her or not. It doesn’t matter. Just being a Zaunite means you support Jinx, and you need to be brought to “justice”. Whether you actually did anything wrong or not is irrelevant. By virtue of your identity you are guilty until proven innocent, while Pilties are innocent until proven guilty. And even then, they get a slap on the wrist when proven guilty.

Oppressed people will always be demonized and vilified in the court of public opinion in real life, and that absolutely affects how people consume fiction. Jinx’s actions are blown out of proportion (people think she’s killed dozens/hundreds of people when that’s simply not the case) while Caitlyn was “manipulated by Ambessa” and she “didn’t even do anything that bad”. One of these characters has the money, power, and institution backing her to make a city suffer. The other character has scraps at best. But only one of these characters will ever be thought of as a “monster”.

TL;DR The fandom’s reception to Caitlyn’s actions highlights a larger issue irl in that oppressors get let off the hook, while oppressed people get held to different, and sometimes even impossible standards

[jackoshadows]

It's annoying how proactive female protagonists in Asoiaf are often labelled and seen as 'impulsive' by fandom in general. That's never a thing with the male characters. Female characters who get things done, who have agency and want to help people are very often characterized by fandom as wrongly and emotionally reacting to seeing injustice or even when they are engaged in policy making.

Arya is seen as impulsive for stepping in to help Mycah from a sadistic bully. Dany is labelled impulsive for not taking an economics course and reading Karl Marx’s Critique of Political Economy before freeing slaves. One popular post framed Arya and Catelyn as being similar because they apparently run around biting people.

Recall that Catelyn was one of Robb's most important campaign advisers, conducted the diplomatic negotiations for him, wanted less war and more of a peaceful resolution to the conflict and wanted to exchange hostages. And yet this fandom constantly frames the Arya/Cat parallels as them being impulsive and violent.

By the way, Arya does have parallels to Catelyn in terms of their proactiveness in maneuvering in a chauvinistic man's world, their loyalty to family and duty and doing what needs to be done. Fandom, however, always approach the Arya/Cat parallels negatively - as a form of critique of both female characters.

Do these characters have moments where they impulsively react in emotional situations? Yes, like pretty much ALL the characters do in the series. And yet these labels are singularly applied only to the female protagonists.

Arya for example is often careful, analytical and intelligent in her actions. When she escapes KL she carefully considers each step - where to go, where the guards would be, how the guards look, where the guards would search etc. - before planning her move. That's how she was able to outwit the adults like Cersei sending Lannister guards in disguise to catch Arya in enemy territory.

The same is true when Arya escapes Harenhall, where she strategizes, draws up a plan, identifies what she needs and where it is, collects everything and then gives the older boys - Gendry and Hot Pie - instructions on what to do

And then there is the way Arya and Dany are often characterized as violent in a way the male characters never are, when Planetos is a violent, medieval, feudal, grim dark fantasy setting.

To proactively get things done in a violent, patriarchal, chauvinistic world, one often has to engage in violence. Ned, Robert, Stannis, Jon, Robb, Tyrion, Jaime, Theon, Northern lords, NW brothers, KG have all killed people. Arya has to kill a guard to escape her captivity where the most horrible atrocities - including rape and torture - are especially committed on the female prisoners. No one is going to help her, she has to do it herself. And yet because of her gender, she gets condemned as 'violent', 'psychopathic', 'forever damaged', 'should feel guilty and bad about what she did' etc.

As ruler, Daenerys engages in the same medieval, feudal practices that other rules do - we are first introduced to the series' presumable hero Ned Stark, with him chopping off a man's head for desertion. And yet she is seen as violent and tyrannical in a way none of the male rulers are.

I still come across these jokes about Jon Snow counting beets ignoring his chosen one destiny when Daenerys also has an administrative arc in ADwD! Where are all the comments/jokes about Dany's problems with food, trying to grow food, trying to trade for food when she has encountered chosen one prophecy and yet stays behind in Essos doing the same thing Jon Snow is, except ten times harder because Meereen is a city state.

Especially jarring when all of GRRM's comments about ruling focuses on administration and specifically mentions Daenerys story in ADwD again and again. Like this for ex:

“I guess there is an element of fantasy readers that don’t want to see that. I find that fascinating. Seeing someone like Dany actually trying to deal with the vestments of being a queen and getting factions and guilds and [managing the] economy. They burnt all the fields [in Meereen]. They’ve got nothing to import any more. They’re not getting any money. I find this stuff interesting. And fortunately, enough of my readers who love the books do as well.” - GRRM

Dany, Tyrion and Jon's leadership arcs (In ADwD and ACoK) have parallels in that they are mostly of an administrative nature, dealing with money and food, making marriage alliances and unpopular decisions, with characters secretly undermining them. Jon's arc ends with mutineers assassinating him, Dany's arc ends with slavers trying to assassinate her and her fleeing on Drogon and Tyrion's arc ends with the Battle of Blackwater, Tywin coming back and Tyrion losing his power and position. No matter how well they did or didn't do as leaders, there was always someone in the shadows plotting against them, taking them down.

To single out the lead female characters alone as being impulsive and violent for being proactive and doing what needs to be done in order to survive in a violent, patriarchal world is misogyny at it's finest.

[theodorecanaryhood]

The ticking time bomb

Jason Todd x male! Reader

Warnings: violence, homophobia, sex and swearing

Everyone has a story and not every story is the same, in fact some or most stories can be similar, but details are varied for every person.

In all honesty, anyone who says they grew up with the ‘perfect life’ is full of shit, at least that was Jason’s POV to that.

He grew up in a toxic home with his dad Willis Todd, his gun and drug dealer grandmother, Faye, Jason had no idea who his birth mother was until he was 14, to which by this point he was living on the streets.

Scared, helpless, alone and desperate to stay alive in Crime Alley, Jason attempted to steal the wheels off the Batmobile. Batman caught him though, but instead of grilling the young teen, Batman convinced Jason to go into care - also, highly convenient, Bruce Wayne just shows up and adopts Jason out of the blue.

Not too much time later, Jason is the second Robin. Angry at the world for his upbringing and problems, he becomes a little too much for himself. Getting captured and tortured, eventually murdered by the Joker.

Tragic, really tragic.

Jason came back a different person after his resurrection, even meaner and angrier than before. Which just played into Jason’s psychopathic tendencies, along with his constant role as the victim.

That was before, Jason likes to think of himself a changed man. But how much can one person really change? That’s the real question.

‘Fuck’ Jason moaned out as he held his hard meat in his hand, wrapping his fingers around the base.

Jason had been tense and stressed AF lately and needed some release, typically as a single man, he only knew one way to do it.

Jason stared at his phone as he watched the video of the woman get bent over, the man in the video slid himself in with ease as she called out in pleasure.

Jason had a hard time focusing his full attention on the woman, he kept saying to himself in his head that the video was boring, she’s too loud etc…then he just lost interest and felt himself not hard anymore.

Scrolling through the hub Jason wanted something a little more interesting, typing into the search bar for ‘blowjob’ videos.

Hitting a video out of nowhere Jason found himself instantly hard again, jerking himself till he was empty of his seed and stress.

See, most people know early on who they are and who they’re attracted to. But, Jason was taken too young to ever have time to figure out. Also, due to his ‘manly’ father, Jason always told himself he had to be ‘normal’.

Scenes from Jason’s childhood popped into his head, his dad Willis had a guy on the floor beaten and bloodied, hitting him over and over.

‘Fucking fag, don’t show your face here again’ Willis boomed, hate crime was not uncommon.

Willis Todd was known to beat up any man or woman, did not hold back even more if they were gay, or not white.

Jason hated Willis for what he did and what he exposed Jason too. Hated it so much he felt sick, no literally Jason was going to vomit.

Shoving his head down the toilet he vomited hard as he felt the agony come to bay, Jason had watched in memory as he beat himself off to two men having sex. Enjoying it so much, Jason came. Really hard, and liked it.

It had happened before in a time similar to this, as Jason recalled he couldn’t focus on the woman in the porn video, so focused his attention to the guy. His sweaty abs, his biceps and the moans. He loved it, and Jason hated that he loved it.

Jason cried to himself as he came to realisation that he is, in fact, exactly what his father Willis hates. He’s gay.

Willis Todd was long in prison by this point and Jason is a grown man with his own life, but he couldn’t help himself but revert his mental state back to the 8 year old, that saw his Father in action.

‘Fucking queer’ Willis screamed as he bashed the man around the head, the baseball bat hitting the spots that could do some serious damage, if not kill.

‘Fuck’ Jason muttered to himself, looking back at his phone to see the video still up, and watching it again.

Jason liked it, he really liked it and didn’t want to accept that he did.

Some time went by, Jason had been dealing with his own problems, but he couldn’t deny that he was feeling isolated. His pain and deep homophobia was battling together.

‘Hey, what can I get you?’ You asked from behind the bar, Jason sitting down in front of you.

‘Can I just get a Corona please?’ Jason asked, a little shy as he stared at you. You smiled and nodded.

Jason hadn’t played scenes in his head so much in a long time, though he did like that it distracted him from the trauma of his death.

‘You look lost, something bothering you?’ You asked as Jason sipped his beer.

‘You ever just start to rethink your life? Like, the lessons your parents taught you were wrong but, you almost always fail to think different’ he asked, you nodded a little with a slight shrug.

‘I guess, but then my parents always told me to be myself and love everyone the same’

Jason smiled, for what felt like the first time in centuries. He actually showed teeth too, feeling himself blush Jason quickly straightened his face.

Jason kept coming to the same bar and always being served by the same bartender, though it was clear he didn’t come for the service or the drinks, he came because he slowly accepted, Jason began to get acceptance from himself.

After months, Jason was finally able to find courage to ask for your number, to talk to you when you weren’t serving him.

Hanging out a few times, Jason felt an attraction but never said anything. He hadn’t had a real friend since he was a kid and didn’t want to ruin it.

‘So, you been watching it? Season 5 is way better, it gets really dark’ you bubbled in excitement, Jason was binge watching a series on Netflix you’d suggested.

Jason just enjoyed the company, he also really enjoyed that he was watching new things.

Jason also found himself jacking off a lot more to gay porn, but this time he was picturing himself with you. Moaning out your name. Coming hard as he smiled.

Was it your h/c hair that pulled him in? Was it your voice? Your face? Or was it simply that Jason hadn’t touched a man his whole life? Probably all of it, but you’d never let on who you were into. Men or women? Both? Neither?

‘We really should hang out more, maybe go catch a movie or something’ you said as you walked to Jason’s door, leaving another hang out session.

Jason nodded as he smirked a little, getting the door for you.

‘I’d really like that y/n’ Jason replied as you leant in and gave Jason a hug goodbye.

It was the first time you’d hugged him and Jason shot right up, if you catch the drift, realising he 100% was into you.

‘Take care buddy’ you waved as you left, Jason awkwardly covered his crotch area with his hand as he shut the door.

‘Crap’ he mumbled to himself, feeling the need for yet another release as he stood hard in his pants.

As time went on Jason felt he needed to just be truthful, tell you the truth.

‘It’s been bothering me for so long, I haven’t said anything cause I didn’t want to make you feel uncomfortable or anything, but’ Jason began, you sitting opposite him at the table in Jason’s dining room.

‘What is it?’ You ask, concerned as Jason stopped himself, looking to the ground. Fidgeting with his sweater sleeve.

‘I like you a lot y/n’ Jason admitted, you smiled as you looked in Jason’s eyes.

‘I like you too’

Jason looked back as deep into your eyes as you did his, not hesitating anymore.

‘No, y/n I really like you, I mean I like you more than a friend’ Jason shyly told you the truth, you sighed and looked down to the floor.

Jason instantly regretted his decision and was aware he wouldn’t be able to take it back. You looked back up, placing your hand on Jason’s.

‘Took you long enough to admit it’ you chuckled, Jason looked confused.

‘What?’ He asked in shock.

‘I mean, you check me out a lot, you always try to cover your crotch when I come near you’ you smiled, Jason smiled softly.

Jason thought it sweet how you noticed it all but never said anything, as not to embarrass him. Jason also felt an overwhelming urge to touch you.

Jason leant in while placing his hand on your face, kissing your lips softly. You smiled into the kiss and pulled him in deeper.

Jason had mental flashes of his father, Willis, and froze for a second before abruptly pulling away. Making you pull away too in apology.

‘I’m sorry, I’m really sorry’ you urged as you held a hand out, Jason shook his head.

‘It’s fine y/n, it’s not you, I’m just not ready for…’ Jason tried to explain.

You understood of course, everyone has their demons. And Jason definitely had a fair share of them.

However, he still felt shameful about himself and couldn’t admit the truth. Not himself. Not completely.

Jason watched the same videos again of two men going at each other, bareback. Jason felt so much pleasure being released as he spilled on himself.

‘Y/n’ Jason whispered to himself, feeling the warmth as he pictured your face. Then felt the nausea return once again.

Jason couldn’t do it anymore, he couldn’t keep denying himself. Especially, as you began to notice that Jason was avoiding you.

Jason texted you to come over as he poured some shots down, bucking up his courage.

‘Hey’ you smiled as Jason let you in, him smiling at you and giving you a side hug.

‘Thanks for coming y/n’ Jason said as he handed you a beer from the fridge.

You both sat on the couch in the living room as Jason tried to voice a way to express how he feels, why he has been trying to make himself distant from you.

‘I was starting to think you weren’t interested anymore’ you broke the silence.

‘No, I do really like you still, it’s just, I’m not ready’ Jason took your hand in his, intertwining his fingers with yours.

‘Not ready for what? A relationship?’

Jason heard his dad again calling out homophobic slurs, his mind drifted to a different night he could remember. Willis had beat up a 16 year old boy, and his boyfriend. Jason stood and watched. Not knowing what to do.

‘Jason? What’s going on?’ You asked, bringing Jason back.

‘I grew up in a really bad environment, my dad beat up a few guys because they were gay. He did other stuff too. I could never accept myself since then’ Jason admitted, you took a slight grip on his hand.

You smiled with empathy as Jason she’d a tear from his eye, he was scared of what would happen to him.

‘It was a long time ago Jason, you’re a better person. Nothing bad will happen if you say it’ you wiped the tear away with your thumb as Jason took a breath.

‘I’m gay, y/n, I like you and I want to take you out, as a date’ Jason sighed as you smiled a little.

You leant in and kissed Jason as he pulled you in tighter. For the first time, Jason was enjoying this kiss as he just thought about you, being there with him.

Jason was so hard and could feel you were too through your pants, he rolled over and sat on the couch with you sitting on his lap.

‘Oh, Jason’ you gasped as Jason began to lift your shirt over your head. Him lifting his off too.

‘Fuck, I want you so bad’ Jason growled as he sunk his teeth into your neck and collarbone.

You threw your head back as you slid off Jason and removed the rest of your clothes, Jason doing the same.

Jason sat back down while you sat on Jason lap, gasping when you saw Jason dick that was at least 11 inches.

The two of you made out more as Jason gripped your ass cheeks, biting you all over. Sure enough to leave a mark.

‘You sure?’ You asked sweetly as Jason nodded, pulling you in for another kiss.

You slid down again as this time to you went on your knees and began to kiss, lick and suck Jason’s length. Which stood right up, exposed for you.

Jason had been in these situations before, he’d had sex before…many times. But, he never did it with men. He could never get that far. Denying himself so hard.

Saying that, Jason had never experienced a blowjob like this before. He had read about the differences between getting blowjobs from men compared to women.

Apparently, it’s better from men due to men knowing what they like to get from oral. Jason didn’t know if it was true, but he guessed it must be as this was the best he’d ever experienced.

‘I’m gonna come if you keep doing that’ Jason chuckled as you looked up at him.

‘Is that so bad?’ You laughed, as you crawled back up Jason’s seated form.

You slid down Jason’s big, hard shaft and gasped at the sudden pressure. Breathing deeply as Jason filled you up.

‘You’re so fucking hot’ Jason breathed out as he began with a rhythm that worked for you both, you gripping the back of the couch.

‘Oh God, Jason’ you called out as you arched your back, while meeting Jason’s rhythm.

It was minutes of bliss as Jason sped up and slammed into you, you moaning in the pleasure.

Jason placed both his hands on your waist as you rode on his dick, you jerking yourself while Jason grunted beneath you. His hard dick filling every part of you.

‘Fuck, Jason’ you almost screamed as you shot your seed out all over Jason’s stomach.

‘Shit’ Jason smiled, still holding your waist as you breathed out in bliss.

Jason lifted his hips up in an unbelievable way that your pleasure hadn’t come to a close, Jason grunted and threw his head back as he felt the start of the big finish.

‘Y/n, I’m coming, I’m coming’ Jason called as he began to hit into you slowly as he emptied himself.

You both panted put in satisfaction as you moved over and sat next to Jason. Your naked bodies, sweat sticking to the couch and each other, you both smiled as you sat in silence.

Jason took your hand in his again as he turned his head to kiss you, which you accepted with no hesitation.

You rested your head on Jason’s shoulder as he began to internally scream in happiness, Jason could finally accept himself. And, he had you.

[halcyone-of-the-sea]

All Multi-Part Works Masterpost

CULT OF VAGABONDS || Status: Ongoing || Expected ~25 to 26 Chapters

PAIRING: Kyle 'Gaz' Garrick x F!Reader

OVERALL WARNINGS: Familial trauma, PTSD, anxiety, trauma responses, angst, character deaths, gore & violence, kidnappings, interrogations, self-deprecating thoughts and actions, addictions, eventual smut, etc. (More specific warnings will be listed in every chapter)(18+).

RAVISHING ALLURE || Status: Ongoing || Expected 21 Chapters

PAIRING: Nikto x F!Reader

OVERALL WARNINGS: Stalking, intense gore, smut, dark themes such as: obsession, paranoia, and misogyny, beauty standards in the modeling (reader's) career, violence, weapons, mental illness, etc. (More specific warnings in every chapter)(18+).

ONE FOR SORROW || Status: Not Started || Undetermined

PAIRING: Simon 'Ghost' Riley x F!Reader (Codename: Magpie)

OVERALL WARNINGS: Undetermined

VIOLENT DOGS: ENTROPY || Status: Not Started || Expected ~16 Chapters

PAIRING: David 'Hesh' Walker x F!Reader (Codename: Fenris)

OVERALL WARNINGS: Intense descriptions of torture, gore, violence, mental health struggles such as: hallucinations, PTSD episodes, paranoia, anxiety, disassociation, memory loss, etc. (Specific warnings will be stated in every chapter & series is 18+)

ANOTHER WORD FOR PROTECTION || Status: Always Ongoing || No Set Chapter Limit

PAIRING: Simon 'Ghost' Riley & Niece!Reader

OVERALL WARNINGS: Talks about death, murder, Simon's comic backstory & the themes that they carry with them, abductions, tense situations, etc. (Specific warnings stated/implied in each work)

UNTITLED KEEGAN SERIES || No Status || No Chapter Estimate

[sodamors]

hantengu clones pet au headcanons

DEAD DOVE DO NOT EAT. read at your own risk. this is bad.

background

> in the present, humans are no longer the prey of demons. the further development of high-concentration of wisteria poisons, as well as the integration of tranquilliser bullets, has gained humans the upper hand.

> wisteria weakens the demons, disallowing their use of their blood demon art, if the poison is concentrated enough.

> muzan has gone dormant, and the demons he’s made are left to their own devices.

> most demons often surrender themselves to be captured, and sometimes domesticated.

clones

> the main body was hunted down, and then cut, so the clones formed. However, they were overwhelmed before they could form Zohakuten.

> they no longer look *exactly* the same, since they’ve been treated differently.

> They had been separated upon capture, then shipped to all sorts of places. Here’s what happened to them.

tw.

once again, DEAD DOVE DO NOT EAT. read at your own risk. this is real bad.

graphic depictions of violence, torture, starvation, nsfw, mental and physical abuse, experimentation, absolutely inhumane acts, no comfort whatsoever

sekido • graphic depictions of violence.

> for his aggressiveness, Sekido was brought to an underground fighting ring, where rich people place bets on their favourite demons.

> he’s lost many rounds, resulting in beatings and whips, from angered betters who lost money from trusting his agression. They would pay the guards to starve him as punishment, and he would hunger for weeks on end.

> sometimes, before a fight, the betters will starve him again, but not for too long. This is so that he would become more aggressive for food, and that he’ll try to eat his opponent.

> Sekido’s body still has muscle, albeit little fat. his skin is covered in countless scars; bite marks, burns, whipping, stabs, etc. All of them are half-healed, his malnutrition disallowing his recovery.

> he no longer has his kimono, since all “clothing” are taken away from the demons. It is imposed that they deserve no covering, since their only purpose is to fight.

> because of his aggression, he is forced to wear a muzzle off-arena. It’s tight and bites into his skin, causing a terrible rash around his cheeks and neck.

> Sekido’s left leg is broken, the knee shattered and the ankle twisted at an grotesque angle. Since he’s not one of the top fighters, he is given no medical attention, and is left to feel a constant ache.

> he rarely fights anymore, and is left in his cell to remain in agony.

> but he’s more of a ‘safety net’ for betters, since he cannot die. The main body remains unharmed, so Sekido has no choice but to endure and live through all that happens to him.

~ Sekido greatly regrets speaking harshly to his counterparts, because in the end, he cared about them. He missed them all; Karaku, Aizetsu, Urogi. he just wants to see them again.

~ he hates himself for being so weak, wishing he found a way to heal faster. But it is never possible with an empty stomach.

~ Sekido hates sleeping, since it’s a form of weakness and vulnerability. But he’s become so weak and starved that he has no choice, and when he does sleep, all he sees are his brothers.

~ He often sleep talks their names, and is prodded and sometimes beaten by guards to make him stay silent.

karaku • nsfw.

> Karaku was originally brought to another underground fighting ring, but one of the betters found him cute, and bought him.

> but since then, he’s been majorly neglected by that better, who was an impulsive buyer and only played with him for a day.

> he was resold to one of the buyer’s friends, who placed him in an exotic sex house. People go there to fuck with animals and stuff. demons were of the same level of animals, so Karaku was a ‘perfect fit’.

> he’s often tied down in compromising positions, allowing for patrons to use him however they want. Sometimes they inject him with aphrodisiacs, so his body would react better to their actions.

> they feed him considerably well, making sure that he stays good-looking. The food is often raw pork mixed with blood. Karaku eats it all up because he’a often tired after long, excruciating hours of twisted people using his body for fun.

> he often has a muzzle, since his sharp teeth are a hazard to patrons. The muzzle can be swapped out for all sorts of gags and whatnot. His nails are clipped and often he wears gloves to prevent patrons from getting scratched by him. He has a shock collar that activates either when he disobeys an order, or when a patron uses it to fulfil their twisted desires.

> he feels a constant, dull pain in his abdomen, because unbeknownst to the house owners, his insides had gotten ruptured by one overly-excited patron. Karaku needs human flesh to heal better, but since he’s just given pork, the healing process isn’t going well.

> whenever he’s used, he would whimper and hiss because of the pain, but patrons just assume it’s because of the stimulation, and continue ramming directly into the spot that hurts him so much.

~ he constantly wishes for everything to end, for someone to find the main body and just kill it.

~ he hates that he feels this way, since he knows he’s supposed to be the manifestation of pleasure, and that he should be feeling good, right?

~ Karaku has given up almost completely, often laying motionless when left alone, showing no signs of trying to escape.

~ his body is maintained by the owners and not him, and they punish him (shock collar) whenever he doesn’t eat.

~ Karaku often thinks about how life was before all of this agony, and wonders where his counterparts are now. He wants so badly to get back to them, and for all of this to end.

~ at night, he would sometimes cry because he misses them so much. But he keeps his cries quiet because he doesn’t want to be punished for making noise.

aizetsu • experimentation.

> unlike the rest, Aizetsu wasn’t sold anywhere (underground fighting, sex shop, etc). the original captors kept him, but sold the rest to fund their activities.

> his captors are in a scientific organisation, and he is one of their test subjects. His register number is 412G and he is kept in their more reinforced rooms.

> they have the main hantengu body, and understand that as long as it is unharmed, Aizetsu should regenerate.

> they experiment on him often, since his special case allows him not to die.

> they develop concentrated wisteria poison and inject it into him to witness the effects, and how long it takes in theory for a demon to fight it.

> whenever this happens, aizetsu cries and tries to huddle in the corner of the lab, because all the wisteria does is burn.

> his insides light on fire and his intestines feel as if they’re rupturing all at once. He screams, twisting and contorting himself, trying to find salvation from the pain but to no avail.

> the burning can last for days on end, as they inject higher and higher concentrations of wisteria. Aizetsu wails and shivers as the scientists show no mercy when handling him, using machinery to hold him in place when necessary.

> they don’t use anaesthesia because they ‘need to see the true effects’.

> Aizetsu is only fed water, and other nutrients are injected into him every morning, afternoon and evening. He also has a exercise routine, but he barely follows instructions, and remains shivering in the corner.

> aizetsu is extremely shifty, sobbing whenever someone tries to get close.

> sometimes, they use Aizetsu for psychological experimentation-

> leaving him starved for days on end, then seeing if he would eat, even if it means getting electrocuted when approaching the food.

> depriving him of breathing for several minutes, until he was barely conscious, and then ringing a bell. They will then see if ringing the bell independently will cause him to go dizzy.

> etc.

> Aizetsu often bites his nails from anxiety, so much that his fingers sometimes bleed.

> scientists ensure there are no sharp objects nearby, otherwise Aizetsu would try to cut himself.

~ Aizetsu never stops crying.

~ he horribly misses his counterparts, no matter ‘how annoying’ they were in the past. Day by day, he wishes he never scrutinised them when they were around. They were the only family he knew, and now they’re gone.

~ he has a horrible feeling that they’re experiencing things like he is, and maybe even worse. He often throws up at the thought, and is reprimanded by the scientists.

urogi • broken.

> urogi had been sold to a collector of sorts.

> the collector in question actually only wanted his wings and talons, so after purchase, requested for Urogi to be declawed and his wings amputated.

> in the waiting for the declawing/dewinging appointment, urogi thought that his owner cared about him, and was content with the care he didn’t know was only temporary.

> Urogi would fluff up in excitement whenever he saw food or the owner themselves.

> when the day came, urogi was obedient and friendly, thinking that he would be fine.

> but terror hit him when they strapped him down to the operating table, and took out the knives and tools they were going to use on him.

> it was an excruciating five hours-

> his wings were slowly removed, and he screamed and cried and tried to tell them to stop, but they put a shock collar on him to shut him up. The operators were unaffected since they wore rubber gloves.

> he had no choice but to silently endure the pain, soft whines of agony escaping him time to time. The blade dug into his precious, beloved wings, and soon enough, he found tears streaming down his face.

> and then his position changed. Since the owner did not care for him and only his wings and claws, the operators could do anything with the rest. They placed him on his back, sending sharp, violent pains throughout his body, the open wounds of his wing-bases pressed on the table.

> and his arms were strapped above his head, and bright lights shown on his face.

> he screamed again, causing another shock through his neck, and to follow that up, he felt a sharp piercing red feeling at his knuckles.

> his talons were pried off his fingers, from their very bases, at his knuckles. They tore of the surrounding skin bit by bit, forcing whine after whimper out of him, ignoring all forms of pleading.

> his remaining body, robbed of all of his prized features, was left in the warehouse of the collector.

> chained up to a pole, he softly squeaks at any shadow that moves, hoping and praying for rescue.

> stuck starving to death, but since the main body was unharmed, but he would never die.

~ urogi simply waits until his counterparts would come get him.

~ whenever they fought, they had his back, didn’t they? Wouldn’t they help him now?

~ why weren’t they coming? Did they forget him?

~ and the horrible realisation, that they were maybe captured too, dawned upon him, and his heart screamed in terror and denial.