#with such a big fandom comes a lot of opinions

[saintsenara]

why do people portray walburga and her relationship with sirius in such an exaggerated way? like torture??? i get that we don't have a lot of information about what went down, but its such an extreme choice

thank you very much for the ask, anon!

unsurprisingly, the answer to this is under the cut, because it comes with a trigger warning for discussions of physical and sexual abuse.

my interpretation of things is that it's a really interesting bleed-through into fandom of two real-world views a lot of people have:

firstly, that it's uniquely horrifying when a woman who is also a mother is cruel to children [or, indeed, when she's anything other than completely self-sacrificing and nurturing].

grimmauld place is a dozen different gothic literature tropes in a trenchcoat, and the text hammers that home with absolutely no subtlety whatsoever. it is walburga in the portrait - haunting sirius, serving as a physical manifestation of the rot of blood purity, making grimmauld place seem as much of a prison as azkaban - rather than orion because the reader wouldn't find it anywhere near as disgusting or frightening to see a man in that role, and the narrative meaning intended by the portrait therefore wouldn't come over as clearly.

[the subtext to walburga's character - that the portrait and the house are liminal spaces between life and death, a hint at the extraordinary grief she carries which will be revealed in deathly hallows - would also be interpreted very differently by the reader if they belonged to orion. walburga's grief - for both sirius and regulus - is inextricable from what the series thinks is "true" about motherhood and womanhood.]

and this - i think - is why, even though sirius does talk about the emotional abuse he experienced coming from both of his parents, the fandom is laser-focused on walburga. she's a bigger presence textually and she's a bigger presence textually entirely because she exists in defiance of deep-rooted societal opinions about how mothers should act.

[which we also see in the fandom's responses to petunia versus vernon and molly versus arthur...]

the second real-world view which bleeds through into the fandom's treatment of sirius' childhood is one which lots of people hold and which therefore has major, major repercussions for people in abusive households and relationships: the idea that abuse which isn't physically extreme [or, in the case of children, but much less often adults, sexual] isn't "as bad" as abuse which is.

and part of this is that the social norms we live by treat extreme physical abuse [and child sexual abuse] as objectively wrong, but treat abuse which doesn't meet this threshold of extremity much more subjectively.

a parent who beats their child so badly that they almost die will inspire outrage from all quarters. a parent who hits their child with a belt once across the backs of the legs as punishment for misbehaviour, but claims this is a form of reasonable physical discipline which doesn't cause their child any lasting harm, will find plenty of people willing to defend them as well as plenty of people willing to condemn.

and - of course - societal prejudices connected to things like gender, race, class, and so on play a big part in these splitting of opinions. a man who rapes his five-year-old child will be - in public, at least - unambiguously regarded as a criminal by everyone in a community. a man who rapes his female partner will find plenty of people willing to argue that it's her duty to provide him with sex and he was merely requiring her to fulfil that duty. a man who rapes his male partner will find plenty of people willing to say that gay men are all hypersexual and the victim loved it.

this subjectivity of response is also one of the reasons why emotional abuse, financial abuse, coercive control, stalking, and other forms of non-physical abuse still aren't taken as seriously as they should be. there's a widespread perception - and not just among police - that they're not dangerous in and of themselves.

from the fandom perspective, then, it seems to me that the writing of abusive situations often focuses on extreme physical violence as a way of authors offering "proof" to their readers that they take the fact that the character was abused seriously.

there is a worry - i think - in many authors' minds that if they wrote walburga never laying a hand on sirius, they would be accused of claiming his childhood was normal, his experience was fine, his parents' treatment of him was justified, or that he shouldn't be thought of as someone who was abused.

but - of course - something it's crucial for us to do in real life is be alert to just how complex and individual abuse is, and how poor our pre-conceived notions about what it is and what it isn't tend to be. i think the same is true in fandom, and it's why i think portrayals of non-physical abuse which take that abuse as bad enough are so important.

[needfantasticstories]

No need to post if you don’t want to, but wanted to say I really like this point. I’ve spent hours combing books and lore to try to get things right because you never know who will point out it’s wrong. For something that’s a hobby, that’s often too much work for casual fans/writers.

And personally, I like having my own takes on the character vs sticking to canon or the comic

I'll go ahead and preach to the choir, lol.

Your art has made me THINK. Has made me incorporate new ideas. It's been an absolute joy to watch you develop your Wing Bois AU and the thought behind the process and the JOY you're getting out of it is CONTAGIOUS and I feel like that's part of the fun, part of the point.

So yeah, I'll try and make sure I'm more considerate with tags, and once again MAD respect to all content makers and sharers. Let's PLAY!

More nonessential jabbering below the cut:

LU became more fun when I started to create my own fics rather than get mad about running out of ones to read. I learned fast that I have unusual tastes (specific flavors of angst) and that I wasn't alone, and that reading and collaborating with other authors is hella fun and teaches me a ton.

We all know how hard it is to "get into" this fandom. But that's supposed to be FUN, not a test. It's a million Easter Eggs we get to hunt. And we are SO SPOILED with a glut of content! It's AMAZING! (and with challenges like whump/fluff, or course there will be shorthand for characters and dumbing things down/glossing over and ignoring some dynamics and facts because we've only got a month and we need to write 28-31 fics! I only got halfway through)

I love squishy Hyrule as much as a good feral-enough-to-bite-a-man's-fingers-off Hyrule. Mine will eventually shove pottery shards into an enemies eyes when he's run out of other weapons, and then he'll cry in Legend's arms because I like it when he's both! And you can justify so much! Like what if he becomes squishy because he's gotten comfortable with having so many others who can help him chill for a change, and he discovers when he's relaxed for more than a few hours, for the first time, he is deep down kind of squishy and affectionate! Or that he hates it! It's fun to explore them. Each character version is a new dungeon to examine. Familiar isn't bad, nor is new. I love traumatized, I love not traumatized.

I'm guilty of having preferences, but heck, I've learned to embrace some of the angles I didn't like at first because I learned new details, or an author introduced a justification I could buy into and I loved it. I never would have shipped Rav and Legend, but I'm glad for all those who did so now I can enjoy MORE ships, depending on my mood or the direction of the story. And sometimes we make these boys a bit weaker than they are in their games because they're so stinking powerful, and we need them to question themselves.

[lornasaurusrex]

I miss you Lorna… this is such a mess

This is an old message and I had several other similar messages, but I miss you guys and hope you’re all doing well!! I’m sorry to see nothing has improved.

I saw I was kindly mentioned by @awesomefringey and some other commenters the other day, so just wanted to log in and say hello and log back out for a few more months. 💕

Sending so so much love to all of you. Take care of yourselves and each other, please.

The video is still on YT.

[thevegetablewhichnoonedaresname]

tonight I go to bed grateful not to be in my bnha phase right now

[coredrill]

koyanagi based

[fairy-writes]

Hi!! I saw that you write for Arcane and had a really cute idea for Vander. I don’t really see a lot of fics where you get to see Vander’s reactions to the reader either playing with the kids or comforting them, so I thought a fic centered around that might be cute? (I think also having a bit of slow burn would be sweet, like both Vander and the reader like each other but don’t do anything about it until getting a little push from the kids because they ship).

ONE LITTLE PUSH

Reblogs and Comments are greatly appreciated!!

__________________________________________________________________________

Fandom(s): Arcane: League of Legends

Pairing(s): Vander x Reader

Word Count: 1.9k

Genre(s)/Tag(s): Gender Neutral!Reader, Bit of a Slowburn, Fluff, Getting Together, Reader is Smaller than Vander (but who isn’t?), Sibling Bickering

Notes: VANDER MY FAVORITE

(No, but seriously, contrary to popular belief, he’s my 1st favorite over Viktor)

JUST IN TIME (kind of) FOR SEASON TWO, LETS GOOOOO

__________________________________________________________________________

Vander wasn’t quite sure why you stuck around for so long. 

In fact, he wasn’t sure why you stuck around in the first place. 

But… As Vander watches you with the kids. His kids. He begins to understand why. 

You were kind, unyieldingly so. Even as Mylo grew to start picking on Powder, even as they fought, you were kind and patient and offered them the unending gentle love they all so craved. 

The love he couldn’t afford to give them because who could be gentle in the Undercity? Especially in the depths of the Lanes?

You could. 

Vander was in the middle of pouring a drink when Powder tumbled into The Last Drop. She was covered in bruises and dust from something. Or someone. She barely met his gaze as she clambered to her feet and all but sprinted into the back where they all slept. Vander looked through the multitude of customers and spotted you. 

You had obviously seen Powder go bolting, worry twisting your face as you glanced toward the bar and met his stare. You arched an eyebrow, and he shrugged. You rolled your eyes and sighed before smiling in jest and getting up from where you had been tinkering with the jukebox. 

Vander finally manages to get away from his chatty clients and makes his way back into the back room nearly fifteen minutes later. 

Only to pause by the door. 

“—ylo hates me! He does, I swear!” Powder cries, and you hush her gently, dabbing what looks to be some of the antiseptic you have lying around on her cuts and bruises. Disinfectant was hard to come by, especially in the Lanes, but you were seemingly magic in the sense that you always knew who to talk to to get some. It seems you had worked your magic yet again. 

“Did Mylo say that he hates you?” You ask gently, whispering a quiet “sorry” under your breath as she flinched with the sting of the antiseptic. 

Powder pauses, thinking what had to be her earlier conversation over, 

“Well… No…” She mumbles, and you hum, 

“Can I give you my honest opinion?” You ask, and she stills, looking up at you with wide eyes before nodding. 

“Aren’t you always honest with us?” She asks. You chuckle at that. 

“I suppose I am. But I don’t think Mylo hates you. Does he find you a bit annoying? Maybe. But every big brother thinks that about their younger siblings. I know mine did.” You say, and Powder mulls your words over and over and over in her mind. 

She always did overthink things. 

“I didn't know you had a big brother.” She says eventually, and you let out a loud laugh at that. 

“You are a silly girl for focusing on that. But yes, I came from a big family. And guess what? I was the baby of the family. Just. Like. You.” You say, emphasizing your words with a pinch to her side. Powder squeals with laughter and wriggles away to escape your dastardly tickling. 

Vander hangs his head with a huff and a smile before turning to head back to the bar counter. He can hear your conversation continue as Powder escapes your grasp.

“Now, where did you get all these bruises from?”

“Um�� Vi taught me parkour from Topside down…”

“Powder! You’re like seven!”

“Seven and a half! And she said I was ready!”

Ever since you began to stick around, you had become something of a parent figure to the four little children Vander had come into care for. 

To Vi and Powder especially. 

So when Mylo burst into The Last Drop with the words of a fistfight on his tongue, you were the first one out the door. 

Vander was close behind. 

Mylo led you and Vander deep into the Undercity. In fact, it was so far into the Undercity that Vander was worried they were getting into some dark territory. 

Like… Really dark territory. 

But soon enough, the sounds of a fight were heard, and soon after, you were deep in the throng of a multi-person fistfight. Everyone paused for a second when they saw you and then stopped altogether when they spotted Vander not far behind. 

You began to pull people off and shoved them out of the way. You did this again and again, ducking under a few stray punches until you managed to unearth Vi. 

She wasn’t looking too hot. 

Her face was bruised and swollen, and the fifteen-year-old spat out a wad of blood as she bared her bloody teeth and prepared to fight again. 

At least until she saw you. 

It was as if the tension had been released from her shoulders. 

She all but slumped into your grasp, and you stumbled back a step with the sudden weight. Vander yanked the last person away from you both and scooped up his adoptive daughter. She leaned her head into the crook of his neck and was obviously fighting back tears. 

Mylo was hunched over, hands on his knees, and wheezed from all the sprinting. 

“Vi? Violet, can you hear me?” You said as soon as you all returned to The Last Drop, and Vander set her down on the couch. Powder and Claggor had been found a block away, fighting off more thugs from whoever sent them after the literal children. 

He would've pummeled them to a pulp if Vander hadn’t hung up his gauntlets years before. 

Vi’s head lolled from side to side, and you shone a pocket flashlight into her eyes, watching as her pupils dilated and contracted. You were experienced at this, taking care of people, even more so than he thought. 

Were you a doctor deep in your past? 

As Vander thought about it, he realized he didn’t know practically anything about you. Your past, your likes, dislikes, he knew you were good with machines and medicine and that you came from a big family. But that was it. 

And that hurt his heart. 

You ended up ushering everyone out of the room while you worked on caring for Vi. Vander closed the bar early and was in the middle of putting chairs on tables when you emerged. Powder, Mylo, and Claggor dropped what they were doing. They scampered to your side, a chorus of “How’s Vi?” erupting from the kids. You offered them a tired smile and patted their heads. 

“She’ll be okay. She’s resting right now. You can go in and see her if you’re quiet.”

And then it was the two of you. 

Vander set the final chair on top of the table and meandered his way over where you were sitting at the bar, head in your hands. 

You looked tired. 

“Is she really okay?” He asked, and you grunted, rubbing at your temples. 

“She has a broken nose, fractured left arm, some bruised ribs, and a concussion. Which, all things considered, she’s very lucky. It could’ve been a lot worse.” You say, and he sighs, 

“Did she say why she got into the fight?” He replied, and you shrug, 

“She was protecting Powder. Then, more people started showing up until it was an all-out brawl. That’s when we stepped in.” You say, and his shoulders sag. 

Vi was going to be okay. 

“I don’t think I’ve ever said it. But thank you. For everything you’ve done. Taking care of them and all that.” He says, and you just hum. 

“You guys gave me a home after everything. I’m just repaying my debt. Well… that and I love those kids.” You say, and he arches an eyebrow,

“After everything?” He inquires, and you glance up sharply as if not realizing what you had said. 

Eventually, your gaze casts downward, and you run a hand over your head and through your hair. 

“I was a doctor in Piltover before the rebellion. I was caught trying to help the Undercity before they were officially citizens and cast out.” You say, and his arched eyebrow raises even higher. 

“A doctor? Were you any good?” You bark out a dry laugh at that,

“One of the best!” Your voice cracks as you speak, and he feels his heart splinter into pieces. 

Vander should’ve known that Claggor and Mylo were up to something when they came in with sneaky grins on their faces. 

The Last Drop was all but desolate. It was the wee hours of the morning before the people of the Undercity awoke to begin their day. But the door was unlocked, and the kids were allowed to run in and out as they pleased. 

Which they had been doing a lot in the last hour or so. 

“Vander!” Mylor clamored for his adopted father’s attention, waving an excited hand as he scampered up to the counter. Claggor hung behind, ever the stoic young man. But there was mischief in their eyes and curling the corners of their mouths. 

Vander slung the rag he used to wipe the counters down over his shoulder and leaned on the bar counter. 

“What did you do now?” He teased, and Mylo all but squawked. 

“When have I ever done anything?!” Vander just stared, 

“Do you really want me to answer that?” He asked, and Claggor snickered at Mylo’s deflated expression. Mylo quickly spun on a heel and jabbed a finger at his adopted brother, 

“Not a word outta you, Claggor!” He snapped before spinning back as something dawned on him.

“You gotta come with us!” He demanded, and Vander glanced between the two of them. 

“Why?” He asked, and Mylo let out an exaggerated groan.

“No questions! Just come on!” He grabbed Vander’s hand and tried tugging him around the counter and toward the front door. 

Vander relented, locking the door behind him as he followed the two boys. 

Only to realize very quickly what was actually going on. 

His first tip-off was hearing Powder and Vi’s voices, yours mixed in as you asked where you were going, why they were taking you, and what they were doing. 

Vi answered no questions. Powder just chirped excitedly. “You’ll see! You’ll see!”

The six of you met in the middle of the street, Powder dragging you by your hand as you followed behind patiently. You glanced up from listening to Powder, and your gazes met. Vander felt his heart skip a beat as he took in your appearance. There wasn’t anything particularly new, but you looked like you had cleaned up some. Your hair was pinned neatly back, and your clothes looked ironed. 

You looked… Really nice.

“Vander? What’s going on?” You asked, and Vi nudged you with her good arm. Her fractured left one was still healing carefully under your care. 

“We’re setting you two up.” She teased, and you stared dumbly. 

“Setting us up how?” You asked, and now it was Powder’s turn to blurt out an answer, 

“On a date!” 

Before the two of you could react, all four kids all but disappeared around the corner in a cloud of dust. Leaving you facing Vander and utterly alone. 

It was safe to say he was panicking just a little bit. 

“Vander? Do you have any idea what they meant?” You asked gently, and he scrubbed a hand down his face. 

“My guess is they want us to go on a date.” He said, fully prepared to hear rejection. Because who would want to go on a date with him? A middle-aged man with a stained past. His lungs twisted as he heard you take a step closer. 

A smaller hand slipped into his, and he looked down from where he had been staring at Topside. 

Your eyes were lit up, not with disgust at the proposition he was proposing. 

But they were filled with hope for the future this relationship would bring. 

[raven-at-the-writing-desk]

🎉 Thank You for 10k+ Followers!! 🎉

A big thank you goes out to @cozymochi for this beautiful celebratory commissioned artwork for this major milestone ✨ It really captures the scope of all the content that had been put out in the last 4+ years—both in terms of official Twst materials and on this blog! I think it’s very fitting that we hit this milestone in the month of Halloween too (I just held off on posting this til the month after); it’s Twst’s biggest holiday of the year, so it’s twice the cause for celebration!!

A lot has happened over the course of my time in this fandom. I’ve written many things of course, but I��ve also had many other exciting opportunities! I’ve been interviewed for a paper, met many cool people from all over the world, attended Twst meetups + events, collaborated with other talented creators, received kind gifts, contributed to various fandom projects, and finished telling the origins of my Twst OC. This blog has been with me through a lot of major changes and difficult hurdles in my life too—it’s really been an anchor for me, a comforting and safe space for me to be creative or analytical whenever I want to be.

When I first started this blog as a very casual hobby in summer of 2020, I never even considered that it would balloon to this extent. It still doesn’t feel totally real to me 😭 I don’t usually fixate on numbers (they make me anxious), but looking back on it, 10k is a LOT, and 4 years is a long time. To put that in perspective, if we were in Twisted Wonderland for 4 years then all of the students we’ve come to know and love would have graduated by now. That’s crazy to me. We’ve come so far as a group.

I feel that a large part of fandom is the community that comes with it. I would have found it so challenging to stick with Twst had I not had so many great people keeping me engaged with it. I’d now like to take a moment to thank those folks. Keeping in line with the idea of “4 years”, think of these as little messages scrawled in a yearbook. I also have a blog event planned to celebrate! More on that later.

Please note that I’ve used pseudonyms for most of the following people, as I’d like to respect their privacy (I’m very private myself) + not all of them are comfortable with being explicitly named or tagged to a large crowd. You’ll know who you are if you see yourself on here.

Without further ado:

MSS — Thank you for being the first Twst space I felt truly a part of. It’s still the place I consider my fandom “home” beyond this blog.

April — Thank you for making MSS as a place for us to share! We’re tsunderes in solidarity.

Drinking Knight — The banners wouldn’t exist without your help. Thanks for getting the ball rolling on those; I’d like to think that I’m a little more confident in designing new ones myself now, but you were the start of it all. Your endless enthusiasm for the most insane otome boys, drinks, and bullying (positive) others is truly an inspiration.

Q. Opinionated — Can’t count the number of times you ran tech support for me 💀 Thanks so much for being patient and willing to laugh at a stupid situation. I WILL grip you (escape is not an option) 🤲

Dad with his Printer — Why are you so cheeky My unofficial proofreader and fact checker. Still treasure the teeny J word and coffin magnets you sent, and, even more valuable than those, the bad dad jokes/puns advice and wisdom you give. Wishing you luck on your art adventure.

A. Cider — An unexpected friend I met very late into the fandom and happened to run into irl by total coincidence. Funny how life works. Your shitposts are great, and I appreciate having a like-minded person to talk with about the J words and story critiques. I’d also like to thank you for the many little doodles you’ve made; I know you’re very busy and have a wife to tend to at home but I appreciate that you still make time for friends.

Hana — Extroverted pink-haired magical girl representation. Your bubbly love for Disney, Diasomnia, singing, and (yes) angst lights up the entire room. Maybe you’re not too confident with yourself are right now, but I know you’ll find your way.

Swan — For being quick on the uptake and giving me the heads up about various things! We may not talk much one-on-one, but I’m thinking of you and enjoy seeing you pitch into the conversation. You’re still banned for L*ona posting though/j

Ly — My secret French twin/j Thanks for being my cultural + equine advisor and a voice of (salty) reason. Never shut up about your hyperfixations! You’re a real one.

Oys — Enabler + encourager of my Yan!Sil delusions. Sorry for making your blood pressure spike every time we talk about our food takes. But hey, at least we get a good laugh out of it :))

Mac and Bean — For being my inspirations. Bean, you have such atmospheric writing. I hope my writing style can be just as magical as yours. Mac, it was your blog that first got me into starting my own Twst writing. You never stop being so, so funny also I blame you 120% for the L*ona rot.

Peaches and Cream — To my local Twst friends, thanks for keeping me company even through the hard times. Peaches, happy to be your local Twst dealer anytime. Cream, thanks for hooking me up with new books.

Salt and Flora — I don’t know where you vanished to, but the sea brought you back to me on its tides. I’m so happy we could meet again. Salt, you’re so talented at crochet and design work; get your coin 😂 Flora, you’re the sweetest person ever. Literally cottagecore personified, even in your art.

Piano — We don’t always see eye to eye, but thank you for being my serial debater and showing me new perspectives. Your open-minded theories and analyses are such fun. And, of course, it’s always hilarious to think about how we accidentally (?) swapped oshis 🤡 You’re a star.

The Anklebiter — For having the most unhinged jokes and ideas. Seriously, THE most unhinged. I never do any of the crazy things you suggest but I’m always really entertained from just hearing them.

Te, Mi, and Ro — Thanks for organizing local events and giving me an excuse to touch grass. It’s a lot of hard work and you guys manage to pull it off every time! Mi, I was flattered to have you reach out to me to help a little with the Tweel cupsleeve event. Happy to help anytime! Te, I remember you were cosplaying as Kalim when we first met and I kept thinking about how perfectly suited you are for the role. You were very friendly and made such an effort to include everyone in the event even when I was Idia-ing in the corner. To this day, you continue to spontaneously introduce me to new people 😂 Thanks for getting me put of my comfort zone. Ro, I didn’t think we’d meet again like this. Small world! You’re learning and improving the big events. Here’s hoping to many more!

Vic — For being Ace Trappola when very few others would. It’s refreshing to have someone tell it like it is. I wish I could be as bold and as honest as you are sometimes. You have such a big heart when it comes to the characters you love; it makes me want to adore them like you do too 🫶

Kana — For being so sweet and patient. You helped me through so many rough patches and have also contributed a lot to the look of the blog. It’s so fun gushing with you about magical girls and pretty boys, sharing our favorite shows and movies… I feel as though I’ve made a lifelong friend.

Zari — Thank you for charms and art book, big fan of your stuff 😭 So honored to have worked with you on projects too. I hope to see a lot more of your Yuu and other OCs around, I love following them ^^

Lala — You understand, encourage, and validate my weird tastes in fictional men 💕 Really admire your sense of fashion and stylish nails too. Whenever I have my shrimp apron on, I think of you.

Arisu — No longer in the Twst fandom but integral in the earliest days. Wherever you are now, I wish you nothing but happiness.

P-san — You’re a lifesaver!! Thank you so much for helping me find cute little outfits and accessories for my plushies… They are forever grateful to be properly clothed.

V, Fa, Fe, Ray, Rea, Sonny, Glimmer Group, and Incognito Crew — Thanks for being so supportive of my hyperfixation on Disney villain anime boys, even if you guys have NO clue what I’m rambling about half of the time. To V specifically 🫵 I am NOT a cat boy kisser

Mango — I didn’t know I wanted you in my life until you showed up uninvited one day and chewed your way into my heart.

Azul Ashengrotto — For being the character that first convinced me into giving this game a shot. The Little Mermaid was something I always held so dear to me, so it almost seems like destiny that you’d be the one to drag me down into Twst. You’ll always hold a special place in my heart for that, even if my feelings have changed since then.

Rook Hunt — For being there when I needed to laugh a little. It’s scary to glance over my shoulder sometimes, but you make it easier to smile as I look back.

Rollo Flamme — For letting me know that having negative feelings is normal and human, even if we don’t always cope with them in the healthiest of ways. Let’s reflect and be better together!

Leona Kingscholar — For showing me that change and personal growth is, in fact, possible. Th-This doesn’t mean I like you or anything though, so get off your high horse—

Jade Leech — For taking my hand and guiding me back on the path when I got lost in the dark. Whatever crimes you may commit in your free time, I forgive you/j

Miss Raven Crowley — The little black bird who could, the blog muse. I made you on a whim and look at where you are now… You went from a background character to the main character of your own story. So proud of you, my child 😭

Asset compilers, fan artists, fanfic writers, fan translators, cosplayers, merch makers, editors, plushie pic takers, video essayists, theorizers, etc. — You’re all so important to keeping the fandom alive, especially during periods of official content drought. It wouldn’t be feasible for me to list out all of the content creators I enjoy (chjsbsksks and it honestly might be awkward since I haven’t directly interacted with most of them), but I hope that this message still reaches you and finds you well. Keep doing your thing; I love seeing the work you put out ^^

Anyone and everyone that I’ve ever commissioned and/or received fan works from — I appreciate that you took time and energy out of your day to create something for me. There’s so much talent in the Twst fandom and I’m honored that you would dedicate some of that to a silly little birb.

You, the Readers — For supporting this blog and and what I do here! You’re an important part of my journey too.

Thank you!! Here’s to a future unknown and a page unwritten.

- The Writing Raven

[msflora-lynn]

Rating the fanbase of every Primarch & their legions.

This is my opinion, I love all of you ㅤ♡ྀི ₊

Lion'El Johnson & Dark Angels fans (8/10): I like the fanarts they make, also 100 points for portraying Lion like a rouge kitty cat sometimes. Oh I also like how the Lion fans are embracing the 'our primarch is obviously neurodivergent and we love him for it'

Fulgrim & E.Children fans (10/10): This part of the group always produce the best fanart?? Or at least a lot of artworks for E.Children in general. Though browsing his fanart must be done with caution cause 20% chance I might see schlongous or booty.

Perturabo & I.W fans (8/10): I'm sorry about your favorite character. Not many of them are around though :( But so far their fanart production have been solid. I like how they kinda just chill and embrace the 'neurodivergent manchild' persona for Bo and makes no attempt to refute it.

Jaghatai Khan & W.Scars fans (8/10): Surprisingly not many of them. I'm kinda bummed out about it since I like this character. Though his fanarts are mostly adorable! They're always chill, I'm happy to see them on my feed -`♡´-

Leman Russ & S.W fans (7/10): I would rate it 8/10 but I hate stimky wolf grrrr so -1 point (msflora found dead in fenris more at news 6). Anyways fanart-wise, they're so good!! I like how they always draw Leman like a scrunkly lil guy. I also love to read their fanfictions.

Rogal Dorn & I.Fists fans (6/10): WHERE ARE YOU PEOPLE?! I CAN'T FIND YOU!! I RATE IT LOW BECAUSE I'M SCRAPING THE GROUND FOR ROGAL DORN CONTENT! But in all seriousness, loving how they embrace the 'fortify' meme. I don't like the weird Black Templar larpers from twitter, but that's just a 1% of the fanbase

Konrad Curze & Night Lord fans (8/10): Your fanfictions scares me, most of the hashtags are nowhere written in the bible, but I read them all so who am I to judge. I love how this side of the fandom just embrace the 'we are bad and disturbing and creepy' schtick and go ball. I blame this side of the fandom for making me love Jago Sevatar tho.

Sanguinius & Blood Angels fans (10/10): Insane artworks from this side of the fandom, always impress me. A lot of vampire and angelic stuff, I love you guys. Sorry about your primarch tho.

Ferrus Manus & I.H fans (all six of them) (7/10): I'm sorry about your primarch, I'm sorry he get crumbs in the lore. I rate it low because I'm scraping for any IH/Ferrus content here....

Angron & World Eaters fans (8/10): Loving the contents you guys made here! A lot of red, so many red, oh god. I'm sorry about the sinking ship of Argel Tal x Kharn though.

Roboute Guilliman & Ultramarine fans (9/10): Spoiled, well-fed, their favorite guys have insane plot armor and I'm jealous >:(. Keep the bulky half-naked Rob fanarts coming tho I have them all liked & downloaded.

Mortarion & D.Guards fans (6/10): I do not like Nurgle stuff so I rarely go there... But my god most fanfictions yall made for Mortarion x reader is heartbreaking. Rating it low because I get scared of some fanarts they make, but pre-heresy Mortarion is kinda baddddddd👅

Magnus the Red & Thousand Sons fans (100 Tzaangors/10): We are so cool and awesome, not a biased rating. In all seriousness we Tsons fans r eating GOOODDD this year (thx SM2). Though we suffer from a disease called 'inconsistent writing of our favorite primarch's power levels' and it's not getting better.

Horus & L.Wolves fans (9/10): Guys I understand, Horus is big daddy, a father, he's an icon, you guys made it clear with the abundant of breeding tags in your fanfics. Sorry that the way he's corrupted into chaos is kinda bootycheeks tho :( Wishing they explore more into his corruption.

Lorgar & WB fans (Where Are You Guys/10): While being small, they make the best artworks for Lorgar. Questionable fanfic tags, but I love yall regardless. They kinda eats with all the Word Bearer fanarts tho I've seen. Sadly, Erebus is from here and everyone hates him.

Vulkan & Salamander fans (8/10): I would like to pet them. In all seriousness I'm happy to see the majority of Vulkan fanarts are created with African features in mind ♥︎!! Everyone from this fanbase are cute and sweet!!

Corvus Corax & RG fans (Birds/10): I love all the raven aesthetics often seen in their fanworks. Corvus having wings is so cool, and often I see amazing OCs spawning from this legion.

Alpharius Omegon & A.L fans (What are you guys doing/10): I can't find much about them but I fw with the entire 'we dont know what our primarch is doing so we just ball it'. BUT HEY CONGRATS ON YOUR PRIMARCH COMING BACK!!!

:3 And I love all of you... Thank you for reading this nonsense of a post.

[olderthannetfic]

I always see people reminiscing about the Good Ole Days and about how antis are a new thing but. . .is that really true? Or am I just being autistic and taking things too literally, and they just mean it's way more of a common debate now than it used to be before, and that the landscape of shipwank has changed?

Idk, it's like I constantly hear about fandom wank and shipwars and censorship from decades ago, and yes I know "shipping/doxxing/censorship has always existed" can co exist with "antis are new" but I think there's still a bit of a comprehension gap on my end.

am i just dumb? What am I missing here? FWIW - I do feel like the context of "anti" has definitely changed. Back in early 2010s tumblr (I cannot speak of other website/platforms) I remember that tagging something as #Anti Donkey Kong didn't mean you think DK is an evil abusive monster and that everyone who likes him/mains him is also an evil abusive monster and that Nintendo is pushing the evil abusive monster agenda. #Anti Donkey Kong would just be character bashing, wank, letting out your grievances about how ugly DK is, etc, but it was really just a tag used for your own personal opinions (and for DK fans to filter out). Whereas now #Anti Donkey Kong would mean please go die and delete all your accounts if you support DK.

So I definitely know that "anti" has a way more intense definition now than it used to - but for some reason I find it a bit hard to grasp just how new this whole anti thing even is in the firstplace. It honestly makes me sad that I've never seen a pre-anti internet, assuming there really was a time before antis.

--

Antis are new. Specifically, the "Conservative Protestantism in a gay hat" thing that that one tumblr post pointed out is new.

We had doxxing in the past. We had masses of shipwank. We also had "How dare you write that m/m ship. It's bad!"

The key is that the "Your m/m ship is bad" crowd used to openly be conservative Christian homophobes who objected to homosexuality itself. Nowadays, they're queer 20-somethings who like m/m ships but object to gay sex.

It's the anti-kink, anti-fantasy brigade coming from "our side" instead of the outside, essentially. It's respectability politics about "Sempai will love me if I just sanitize The Community and kick out the icky weirdos". It's personal disgust masquerading as morality where once it would have been masquerading as intellectual superiority.

It's a product of queerness being more public and tolerated overall. In the past, a lot of spaces devoted to m/m shipping had to be aggressively in favor of contentious fiction because the existence of anything m/m was itself contentious. There was plenty of "Well, my gay best friend said ___ is unrealistic, and my slash is good, unlike that of you plebes!" There was much less "Fujoshi means fetishizer".

Of course, I'm comparing the 90s internet to now or the mid 00s Livejournal fandom to Tumblr of this past decade. It really depends on whether Ye Olden Times was five years ago or twenty five.

The modern use of the term 'anti' did indeed grow out of the old habit of tagging your hate. As the default cultural mode shifted from "My NOTP is dumb" to "My NOTP is problematic", the usage changed. At some point, antis started getting offended by their self-applied term and pretending that the other side inflicted it on them. This is revisionism. Fiction-is-not-reality had some writeups with citations in the past.

The big shifts were happening around 2012-2016. The long slide into puritywankers being everywhere has only continued since then, but that's where the tipping point seems to have been. TikTok exacerbates this nonsense, and there are clearly plenty of people who are anti-queer and only weaponizing clueless queer youth.

The big shift is that liking m/m used to weed out most of the worst people, and now it attracts lots of them who will not fucking go away because they like the same ship, just the hand-holdy, no dicks can touch ever version.

They spend their time bleating about how AO3 should have been built for them and how anti-censorship activism doesn't matter... because they've grown up in a fandom world dominated by AO3, which shelters them from the reality that the "Ewww, all m/m sucks!" crowd is everywhere on other sites to this day.

That's probably why the shift is when it is. Certain aspects of mainstream queer acceptance were on the rise just as AO3 was getting big. But at the same time, the world is shit and everyone has anxiety they self-medicate through rage and security theater around sniffing out The Bad People.

[nthspecialll]

The fandom glorifies Arthur Morgan

Now I am not talking about about low honor, I play high honor and got it as the top at the end of every damn playthrough but my Arthur, as it is the cannon Arthur, is not a good guy. I am not going to talk about all of the murder, robbing and stuff he does, because we are majorly aware of it, I am talking his sexism, casual ignorance and disrespecfulness.

I quite often see people say that Arthur Morgan is a woman lover, and he definitely is, he is better than a lot of men from that time (which isn't hard), but he would not hold up in modern times, because he is not from modern times.

Generally speaking, Arthur Morgan is a man who believes in gender roles, he believes in the idea of "a man being a man" and "a woman being a woman." He has opinions about what a woman should do and what a man should do.

I think the biggest hint at this is his relationship with Sadie, because while he accepts her running with the boys he doesn't seem entirely happy about it. "You got a pair of pants and all of a sudden you think you're Landon Ricketts?" "You want to ruuuunnnn with the men?" and also "can Ms Grimshaw spare you?" when the girls asks if they can come to Valentine with him.

Talking of that quest, when he runs off to get Jimmy Brooks he puts Uncle, a lazy old bastard, in charge of getting the girls home even though they are more than capable of doing it themselves as they are healthy young women who knows how to handle horses.

In several antagonize lines against women performers (which are just as cannon as his greet lines) he shouts things like "That isn't very ladylike!" or "Go back to the kitchen" and "go make someone supper."

People keep saying Arthur would "treat them right" and he would, to an extent, he would care for you, he would be nice to you, but he would force those gender roles. He does have a belief women are somehow "softer" and that he as a person with a provider gene should do more of the harsh work.

So now we covered that, lets talk about the racism, or as I probably should rather call it, ignorance, because it is very commonly know Arthur does not judge by the color of skin.

The first one is that Arthur uses the whites-only saloon in Rhodes. Tilly mentions it to Arthur that they don't allow people of color into it, and yet he still supports it, it isn't a big thing but it is something of notice.

Secondly, when he talks to Eagle Flies where he "sets him in his place" Arthur, honey, you are so wrong here. Eagle Flies is being chased by the government for the mere fact that he exists with a different culture, you are being chased because you murdered so many folks, you can run across the sea and live a good life, they are fucked regardless.

When we first arrive in Lemoyne, Lenny and Arthur talks about the Lemoyne Raiders about racism and Arthur says "These boys got a manner about them but I haven't particularly noticed," Arthur of course you wouldn't, you are a tall, muscular, white man with sun kissed hair and blue eyes, you are the poster boy for eugenics.

Lastly, which will also bring me to the third point, the casual disrespect:

Arthur causally calling Javier a slur on the boat for no reason, did you really need that one-liner so badly? That goes for a lot of times in the game such as: "are you secretly normal" "what a lunatic" "we should find a better story for that scar" "But you continue to irritate me, I will kill you and make my appologies to the lady" "stick around and you might die for her as well" "oh I didn't know I was talking to a lady." All those were a slight bit disrespectful, enough to be able to annoy the majority of us if he said it to us, and they were also unnecessary.

He is also canonically chronically late, most notably we can hear Sean saying "that man will be late to his own funeral," and when you go around antagonizing characters in camp they are not surprised at all, rather they go "back at it again huh?"

All of this is just to sum up, Arthur is a pretty bad man (also counting in all the illegal stuff) and we tend to glorify him and forget some of these things, partly is also because Rockstar are amazing at hiding them, at making them seem natural, and they are because this is a historically accurate game! It is set in 1899 and this is a man from 1899 he is going to be casually sexist and disrespectful, and again, considering that he is from 1899 he is a decent guy because the majority of folk would be like Micah, not Arthur.

I definitely love Arthur, and I love Arthur exactly because the point of his character is him not being a saint but a human. His redemption is choosing to do good where he can, but even so, this is a man in 1899 and he is going to have a 1899 mindset. If you want to play a game that is set in the past but don't have that type of accuracy it is not Red Dead you want to play.

Also here is an Arthur pic as a thank you for reading all of that. I love him.

[trashfangirlsworld]

Hello! I've been inactive due to the current events in the mcyt community, but I've been keeping up with the qsmp admin situation and I thought I'd share some opinions because the amount of doomposting I've seen the last few weeks has been more than I've seen in any fandom in a while and I feel like it's reached the point where people really need to chill the fuck out because they're not thinking straight and actively not helping. Everything I'm gonna say is based on stuff I've seen on both tumblr and twitter.

they should not promote/release merch! : one of the things that baffles me the most tbh; how do you expect any employee to be payed then? Merch is so far the only big source of income for the server besides q's own cc salary or whatever income they get through the official qsmp channel on twitch and youtube (which I don't think is a lot). "I get that they said they have no funds, but still it doesn't feel right"... sorry but at this point I don't know what to tell you, do you expect them to pull money out of their asses? You can't demand that they stop making merch and then complain that they can't afford the twitter admins at the same time. If you don't feel comfortable buying anything from them it's fine obviously, but if your reason for it is that you're helping the admins then I have bad news for you. I have seen people propose that quackity sets up a patreon, and while I think it would be a good idea, I understand why he's not doing it, since with the merch he can at least give something back to the people that choose to support his project instead of people just giving him money for free, especially with what's happening now. Also with how much hate he's been receiving simply for the merch I can't imagine that a patreon would be recieved well.

we don't know if the money is going to the admins/ they should not use pomme's likeness! : the money is definitely going to go to the employees and admins because otherwise the server would not last. And as much as I understand people feeling protective over pomme's admin, quackity studios is very much allowed to sell merch of the character because it is not the likeness of the admin, it's a minecraft model made by the people that work there. Would you have rathered they skip her character entirely? Do you really think that would have been okay?. Also correct me if I'm wrong, but I've seen posts and tweets saying that pomme's admin has been confirmed to come back with the other eggs whenever it happens by pierre, who talked with her admin.

the admins of the update accounts got fired, it means they want to fire everyone, they aren't making things better! : it sucks that the updates accounts had to end and I feel bad for every twitter admin that clearly cared a lot about the project, but unfortunately it had to happen if there simply isn't enough money to pay them adequately like they deserved and ultimately the update accounts were not essential to keep the project going, so it makes sense that they were let go unfortunately. This is not gonna be the case for the egg admins because if they got fired (which they didn't), the server would basically end. Just because a cc does not know when they will be back does not mean it's not gonna happen. Just because tubbo randomly said that he's not sure if they will be back does not mean they were fired; tubbo is normally not a reliable source of information, even less so when he's been live nonstop for the past 20 days, which is prior to everything happening. If you genuinely didn't expect a reduction in non essential staff considering everything, then you have unreasonable expectations on how this stuff goes. As I write this, I'm seeing people saying that "they would understand this decision if q had set up a patreon to pay the admins", and once again I don't understand how people don't realize why quackity might not be keen on the idea of having his fans pay his own employees for his own project instead of, you know, doing it himself; and, again, do not fool yourself into thinking it would be recieved well. That being said, it's fair to criticize how everything was communicated to the admins, but I'll get to this in more detail later.

quackity should not have uninstalled social media, he's trying to avoid everything! : he's not avoiding anything, he's been off social media for a while now, which is why it took him that long to remove wilbur from the server. He has every right to not want to look at social media, as his focus should be on restructuring his server instead of doomscrolling on twitter because people think he needs to see how much people dislike him. The only people that he should talk to are those that have important information to tell him, like josè with the document. He explicitly said on stream where to contact him if you have helpful information and I'm sure that despite multiple well liked posts saying not to spam his email, people are definitely doing it anyway, which is probably gonna slow the whole thing down even more. I hope josè's document is able to be seen with pierre's help as well.

quackity studios is not communicating with their employees and leaving them in the dark and that's not okay : I agree with this. i think a huge chunk of doomposting lately has been due the lack of communication not with the audience, but with the admins, and they deserve to know what is happening behind the scenes more then us since this is about their current or future job.... that being said, I do kind of understand why they're being so secretive and shutting everyone out, and that's due to all the "leaks" that have been spread online. I understand the anger but I really wish some people would realize that discussing leaked bts lore stuff in ccs discord servers does not help the situation at all and instead makes it seem like they're only doing this to rile up the fandom against quackity studios by using the lore of people's fav characters.

At the end of the day, I think people just aren't used to dealing with a situation that does not have a clear cut solution and someone to clearly hate, so the result is this doomposting and the over aggressiveness toward anything related to the project. Personally, I haven't witnessed anything that made me lose faith in the qsmp like some people have been saying, as every change that we've seen so far coincides with what quackity said on stream a while ago. I only wish things were communicated properly to the admins clearly, as they're the ones most affected, so I hope that's resolved soon. Ultimately quackity is singlehandedly restructuring the server from basically zero, has had to fire people that were misusing money and power and, depending on what josè's document said, is probably gonna have to fire some more. This is not an easy process, nor a quick one, you're not gonna hear about sunshine and rainbows for a while and doomposting about everything you hear because you expected quick change is useless. Think before you speak, have a clear head and most importantly have empathy.

[dduane]

Hi! I'd love to hear ur take on the whole Spirk Canon discussion going on right now as someone who's written licensed Trek books. Like besides the whole "did Unification 765874 make spirk canon" thing, is it even fair to talk about spirk being canon or not? What would it take for spirk to "be canon"? It strikes me as a very fandom-y (positive) way to interact with media, which is funny since k/s invented fandom culture. But at the same time ur Supernatural comparison was right on the money and paramount has been VERY weird about addressing their relationship in nutrek. What are ur thoughts??

First of all: Despite the excitement of any given moment, people need to be careful about mistaking anything I reblog without further-amplifying comment, on any subject, as necessarily implying agreement or approval. Lots of times I reblog things just to direct attention to them (and sometimes because I think they're funny).

"ur Supernatural comparison" was not mine. It was somebody else's. I reblogged it to direct attention to it. (And maybe I thought it was funny.)

...Also, wut iz dis "nutrek" u speak of? When you've been working in this universe for long enough, with the necessary perspective to look up and down the length of it without idiosyncratically-added heat... then all Trek is Trek. The spectrum along which its varying species all coexist is ever more complexly and interestingly braided than it once was, sure. But that's all. I've got enough on my plate at the moment not to have time to waste trying to force different aspects of Trek into cage fights with each other.

And: "Paramount"? Who is that, exactly? At the pointy end, all corporations are made up of people. Which ones are we talking about? Which production entities? Which creative teams? Which execs, working under whose supervising auspices, and when? Working with whose (character/worldview/policy) decisions, and for how long?

None of this stuff is simple to work out, and it's not helpful to try to come at it as if it's necessarily going to be easy to tease out who's doing what to whom. Briefly: it's normal for it to look weird. But don’t mistake a Big Corporate Monolith for something actually monolithic.

Also, for the moment, ffs, let's all just step away from the business of defining what K/S and/or Spirk actually involves. Enough ink and electrons have been spilled over this whole spectrum of character relationship since the 1960s, and frankly, life's too short. Definitely too short to be trying to resolve it all in terms of something that dropped...when? About this time last night, or the night before? :) Jeeeez, people. Take a breath or three and let things settle.

So I don't think anybody needs to be hearing my deep cogitations about the new short film right now... because there aren't any. No question, Unification's beautiful to look at—and I've told Dave Blass he did nice work, about which i don't think there can be any possible doubt. (Not to mention the high-end technical aspects dealt with so seamlessly in such a small tight package, which have left my jaw on the floor.) The Giacchino score's also quite lovely, but that also is more or less a given.

As for everything else: I decline to spew opinion all over the joint until I've had a chance to assimilate what I've seen, and actually acquire a useful opinion from somewhere or other. Meanwhile, y'all just keep doing what you're all doing, and I'll go make some more tea. :)

[voices-in-dark-violets-head]

"Be Yourself", says the Furry Fandom.

And yet, as with many things in life, it's far easier said than done.

I've found that 'being myself' can take a lot of bravery, but I want to tell you why it's so, so important.

Storytime!

At Eurofurence this year, I ran the e621 Gameshow for the third year in a row. And for the third year in a row, we were over capacity. As in, security-comes-in-to-tell-people-to-leave levels of over capacity (Which, my dear sympathies once again with those who had to go!)

We had a crowd that was there for an hour and a half of weird furry porn. Who cheered for horsecock. Who delighted in Falco Lombardi macro art. A hundred people - a quarter of the room - gleefully admitted to being into vore.

The atmosphere was electric, and I hadn't even needed my e-stim kit. This was a crowd who rejoiced in the adult side of the fandom!

And then I asked them - how many people had a fetish they'd be nervous admitting to?

A third of the room raised their hands.

In a room that had been laughing moments earlier about the amount of Mufasa/Simba porn, or getting a 100% success rate on guessing popular cock shapes, 1/3 of them weren't confident in revealing those same parts of themselves.

I don't think this is rare.

I've had folks ask me if I get hate for the kind of art I draw (not really much at all, by the way). But worse, I get people telling me - they wish they could draw what they want, write the characters they love… but they fear what others might say.

I've had commissioners remain anonymous, for fear of people knowing what they're into. Known artists start up alt accounts, so that they can draw a kink without their friends knowing. Writers wringing their hands over possible reactions to their stories.

And I would love to tell you it's all just fear - but truth is, it isn't.

Because it ain't just the big patron sites that are swinging the axe on the 'too weird'. Our own sites - our communities - sharpen their restrictions. Whole kinks, loving and accepted, are now 'too far'.

We're fearing the gaze from the outside. We're hearing their derision. And that can scare us, cause us to hide not just ourselves, but those around us. "What if they think that I'm into that? What would they say? I need to prove I'm not!"

We all crave love and acceptance. And in a fandom formed in rejection from society, don't we just hold such ideals even more tightly? So much so that the very idea of this same community throwing us out - for being ourselves? Of course it's terrifying.

But it turns out, even us outcasts, outsiders… we can all hold prejudices. We all have the ability to draw lines, and give too little thought to what that means. We can so easily turn our own opinions, our fear of what others think of us, into rules that hurt and exclude.

And therein lies the issue. "Be yourself", says the fandom, without stopping to consider how treacherous, how thorned that path can be. To be yourself, sometimes, is to suffer the disgust of those who would tell you to do it in the first place.

But… I'm missing something.

Thing is, this fandom isn't based on any one thing. We're not just here because Zootopia was a kinda cool movie, or Twokinds is pretty sexy, or StarFox looks good when he's fifteen stories tall.

We follow no one IP, no webcomic, no TV show. We follow only one thing:

Ourselves.

WE make the fandom we live in. We're dozens of sexualities, a hundred meetups and conventions, a thousand discord servers and Telegram channels, a million pictures and stories and alt-accounts and roleplays…

We decide what we are.

Aren't we the haven of the weird? The questioning of sexualities? The taboo, even incomprehensible kinks? We joke about vore, knots, gratuitous foot fetishists, but isn't that what makes this place home? Isn't every artist drawing obvious kink art following a beautiful legacy?

We are the monsterfuckers. The maw-obsessed, the paw-sluts, the musk-lovers (er, not that one). With every fetish we draw, every kink we commission, every smut-filled story and problematic character and taboo-laden roleplay…

We're the fandom, making ourselves.

Through being myself, through art and stories and chats and servers, I've found new communities. New friends. New ways to think, new art to enjoy. I've found love, deeper than I ever thought possible.

I've found myself.

And I've been told that through my artwork, stories, friend groups, I've helped people do the same. They've found the words to describe what's been inside them this whole time.

They've found they're not alone.

It's one of the sweetest and most delightful things I've heard.

Yes, it takes bravery to be yourself. You risk being misperceived, either accidentally or wilfully. You risk hurt. You risk confusion. But it's nothing you haven't done before. And in its wake, you will find yourself.

Do not let other people dictate who you are.

Do not let other people dictate who you are.

So when I say to keep furry weird, this is what I mean. Find that part of yourself that yearns to be free, and make this fandom the place for it.

Be yourself. Be so amazingly yourself that your very existence is an act of rebellion.

And Keep. Furry. Weird.

[thisisadonaldduckblognow]

all the rise boys get done dirty on characterization by fandom in different ways i think. (not ALL the time every fanwork etc etc these are just like, trends i tend to notice?) every fandom suffers from losing character nuance.

- leo i’ve talked about plenty on this blog, how some of his canon traits (genuine belief in his skill and cockiness, capacity for joy, his manipulativeness whether for good or ill) seem to get watered down or wiped off the board and supplemented with generic sad boy. his struggles with purpose and identity and not wanting to fail somehow morph into “he hates and completely holds no value for himself”

- donnie’s canon personality gets blurred out and largely replaced with whatever list of Neurodivergent Traits. and i think there’s such a fine line to walk between exploring a character that’s been word of god confirmed as on the spectrum and overwriting what’s canonically there. it’s a hard needle to thread. it also feels like a lot of his canon emotiveness gets left off the table for some reason. bc he does have his moments of flat/deadpan delivery, but a lot of the time he’s honestly very emotive. he has the passion of a theatre kid and the vindictiveness of... also a theatre kid. and the mind of a scientist.

- raph loses so much of his rowdy teen boy energy it’s kind of wild? like interpretations sand off that he’s also impulsive and can be reckless and dumb and LOVES fighting and roughhousing and isn’t the most eloquent person. suddenly there’s this pitch perfect soft boy big bro who would never hurt a fly and always says the exact right supportive thing and singlehandedly raised his 3 brothers (which simultaneously sands off all the nuance of splinter’s issues emotionally connecting with his sons and how that affected all of them). and like i LOVE raph, he’s so full of love and care and anxiety, he clearly has learned to put a lot of work into being aware of his strength and size. but there’s a difference you know?

- mikey is like. where raph gets overparentified by fanon, mikey gets over “family therapist”-ed IMO. the impulsiveness, the goofiness, the powerful emotions including a VERY powerful temper, the flat-out dumb teen boy choices... they get ignored. suddenly there’s this only very sweet and earnest boy who has read a hundred psychology books and runs group family therapy weekly or something. he is crying in his room bc leo and raph are arguing about something. which is so. he IS very sweet and can be very earnest and is full of love! he HAS come in with his opinions and unsolicited advice a couple of times and life coached for the greater good. but there’s a difference between what he does in canon and the role he gets in fanon.

[nohaijiachi]

Why I Think The Fandom Has Been Doing Aziraphale Dirty Ever Since Season 1 And It's Only Gotten Worse With Season 2 And It's Killing Me Inside

Before we get into the subject matter of the title let me preface a couple of things:

1- All that will follow is, big surprise, my opinion and my interpretation of this character. Do I think I am The One And Only Who Gets The Blorbo Right and that my ideas are 100% the way the author(s) intended to convey the character? No.

More likely than not the way I see Aziraphale could be intensely different from the way Authorman sees him, or Actorman sees him, and I don't think that my interpretation is necessarily any more correct than anybody's else.

That said, if I also did not think that I am, in fact, correct on a certain level, I wouldn't have bothered forming such a thought out opinion of Aziraphale in the first place, nor would be sitting here, writing this post that I can already tell is going to be entirely too long and might probably ruffle some feathers.

So I'll be writing the rest of this post with the caveat that I while I do think my interpretation correct, I'm also not trying to change anybody's mind nor to discredit anybody's else interpretation of Aziraphale. We can sit here in the sandpit and hold different opinions and still be able to build sandcastles together, it really isn't that deep at the end of the day; I can assure you, I'm not here to fight nor cause fights with this one.

2- With the above point, comes also the fact that I won't bother continuously saying "In my opinion" for the rest of this post. You already know that. So, if something will come across as a bit caustic, do know that it is very much tongue in cheek and I am poking a bit of fun at general fannish habits that I am also very much quote-unquoute 'guilty' of having partaken into, and will partake into again plenty of times in the future, I'm sure.

So, with that: Here's Why I Think The Fandom Has Been Doing Aziraphale Dirty Ever Since Season 1 And It's Only Gotten Worse With Season 2 And It's Killing Me Inside

A large part of the people comprising this fandom prefers Crowley. There, I said it.

This fandom's preference blatantly skews toward Crowley. Can we admit that openly? Let's admit that openly.

To be clear, this isn't meant to be an accusation or recrimination or any other -ation you can think of, I am merely stating matter-of-factly a phenomena I've observed in the last four years.

It is also not a wrong nor bad thing in any way, shape or form. I adore Crowley myself. I love them both so much it's unreal.

But I started with that because I think it is very much a symptom of the fact that a lot of people don't get Aziraphale.

I remember back with S1 there had been plenty of times when I found myself reading discussions and opinion exchanges about Aziraphale and Crowley, their dynamics, all the things that went unsaid behind the things that were said, and found myself genuinely surprised by seeing how some people interpreted certain moments wildly different from how I personally saw them.

I look back at that and I think "Oh, sweet summer child". Nothing could have prepared me from the onslaught of takes about Aziraphale that make me go "Good lord, what???" in the wake of S2, and the infamous Last Fifteen.

Now because I don't want to be pointing fingers at specific things and risk upsetting somebody more than I already am by being open in admitting that, guys, yes, some of the takes y'all have been sharing make me go "Yikes(tm)", I'll move on the interesting part and what I would actually love to discuss, aka cracking Aziraphale's head open and see what that actual fuck is going on in there.

Another preface: Because this duo is intrinsically linked and woven together it is downright impossible to only focus on Aziraphale without also mentioning Crowley, so... Let me circle back to our fav demon bae for a sec, here.

I think the reason why it seems that a larger part of the fandom favors Crowley is because I feel like Crowley is a much easier character to grasp. He is very open in his thoughts and feelings, at any given moment us, the audience, have a much easier time watching a scene and sort of ruminating in the back of our heads about Crowley's motivations for saying the things he says and doing the things he does.

That isn't to say Crowley is a less complex character than Aziraphale. They are very much equally complex and multifaceted individuals with their strengths and weaknesses, their issues and the way they each cope with them, how differently they approach their existence and so on and so forth.

But whereas Crowley as a character presents itself with a certain dynamism and a far more outward openness about his complexity, Aziraphale does the exact opposite; we can say Aziraphale is downright hermetic about it.

For us, the audience, he presents a challenge that requires a good deal of thought being put into him to see over the facade he presents at a more superficial level; he requires time and effort to fully dismantle him in our minds to try and see what makes him thick (other than his thighs), and thus I think it is entirely natural that more people latch on the far easier to identify-with, and relate-to, Crowley.

And that is the inevitable consequence of everything that makes Aziraphale... Well, Aziraphale.

So, where to start? Let's try and jot down what Aziraphale truly is at his core.

He is a contradiction.

This man-shaped being is a walking contradiction, constantly existing in a state of being coated in three thousand layers of misdirection and obfuscation and double thinking.

Why is that? Well. He's an angel.

Aziraphale loves being an angel. It is a tenet of his entire existence and something he cherishes. He wants, so very much, to be his ideal of what a good angel is: An entity who is kind and loving and understanding and forgiving.

Of course us, the audience, know that is utter bullshit, because we know angels can be individuals just as complex as the humans Aziraphale loves so much, with all their inherent flaws and capability for cruelty. And, on a certain level, Aziraphale knows that too.

So there we have it, one element of contradiction: Aziraphale wants to think that angels are always Good and Righteous and Never Wrong; Aziraphale knows that angels aren't, in fact, always Good and Righteous and, by god, can they make plenty of mistakes, too.

What else? How about Aziraphale sitting there, being in love with a demon, fully knowing that at the end of the day demons really ain't that different from angels, and also desperately hanging onto the concept of Good vs Bad.

And he sits there, existing with these two contrasting idea equally taking space in his mind, neither side ever capable of taking over the other.

What else do we have? Aziraphale loves God and wants so hard to believe in Her love for humanity and Her ineffable plan, and Aziraphale also time and again does things that very blatantly go against Her will, lies to Her face, and Doubts. He Doubts, a lot, and that requires the capital letter because those Doubts are what spur him in going against everything he's ever told to believe in order to do the right thing.

Aziraphale's very existence is a constant push-and-pull of things he wants to believe and things he knows are real; things he's told to do and things he wants to do. That's how we get "My side" and "there's a bit of good in you" and "you are the bad guys".

And nothing he's lived through has managed to break him out of this unhealthy way of existing quite yet; that's why he acts the way we see him act in the Edinburgh flashback in S2, or at the start of S1 when Crowley has to ease Aziraphale into the idea of trying to stop Armageddon with the usual song and dance of "temptation" and "plausible deniability" and "you'd be thwarting me", even though from the start we can tell there's a little part of Aziraphale who is clearly not at ease with the idea of the end of the world, and once he's been given 'permission' by Crowley nudging him, he is all the way in with the whole saving the world business, not take-backsies.

Both the moments I mentioned here are very important for different reasons, but of the two is very much the Edinburgh flashback that gets a lot more flack by the fandom and is blatantly misunderstood, which I think is the inevitable consequence of that minisode immediately following the glorious, beautiful, heartbreaking piece of art that is the "A companion to owls" minisode.

I've seen a lot of people lamenting that Aziraphale acts obnoxiously in the Edinburgh flashback and, yeah. He does. But I feel like the fact that we are seeing this after watching Aziraphale struggle his way through saving Job's children, even being willing to go to Hell for it, is a though act to follow and probably soured Edinburgh-Aziraphale for a lot of people, made them think that the character had regressed instead of progressing.

But, see, the way he acts is wholly congruous with who Aziraphale is and has always been and keeps being up to the very end of S2. Yes, even after what he does for Job's children.

If you get down to it, Aziraphale had been ready to give up and let the children die, in episode 2. For a brief moment, after Crowley told him he 'longed to destroy the blameless children', Aziraphale was walking away, having tried all he thought he could try to do to stop this senseless act. That was until Crowley tested him by making the crows bleat, cuing Aziraphale to the fact that his impression of Crowley wasn't wrong, and the he could count on him to do the right thing.

To be clear, I don't want to undermine Aziraphale's action by only giving the credit to Crowley but... It is, also, only thanks to Crowley cajoling him and giving him the right excuses, that Aziraphale feels safe in doing what he's always wanted to do all along.

He'd wanted to save Job's children, and thought he couldn't until Crowley threw him that hell of a lifesaver. He wanted to save the world and thought he couldn't until Crowley nudged him on the path of plausible deniability.

He wanted to save Elspeth's eternal soul, blinding himself to the hardships she'd have to endure in her not-eternal life, and was smacked right in the face by the reality of human suffering multiple times.

The way Aziraphale acts in that flashback can't be a regression, because there never was a progression in the first place: He'd always walked the line between Heaven's and God's will and his own, personal morality and sense of justice.

By all means, if we look at Uz-Aziraphale and modern-day-Aziraphale at the start of S1, his reticence about the whole saving the world business should, by all means, appear as a regression as well. You mean to tell me that he'd been ready to become a demon for the sake of three mortal children, and then suddenly a handful of thousands years later when faced with the prospect of the whole world going up in flames he'd just be all like "Heaven will triumph over Hell and it will be all rather lovely"? Like, fuck off, Aziraphale, you lying double-thinker, you (/pos)

Aziraphale constantly exist while being at war with himself. Circumstances have allowed him to rebel the will of Heaven and God more or less safely time and again, but he never quite managed to break free entirely. He'd always ended up being reeled back in, being fed the party lines, being made to feel shame for his independent thinking, until it all becomes too much and he is forced to step back from that freedom he'd been inches away from grasping.

Back and forth, back and forth, never stopping.

And all of this, all of what he is, makes it so hard for us, the audience, to truly see him. To truly grasp him. To truly watch any given scene with him and figure out what he might be thinking or feeling.

To understand Aziraphale is to understand what he is not saying when he says something, which is a good deal harder to do than it is to understand and relate to a character like Crowley, who very much revel in saying exactly whatever the heck he thinks whenever he damn well pleases.

All those layers of obfuscation and misdirection and double thinking that Aziraphale coats himself in are as much an armor that makes it harder for the audience to understand him as they are his very own downfall because, good lord, if you exist like that, if you exist forced to keep things hidden from yourself, well... It's inevitable that at some point you are going to stumble into pitfalls of your own making.

And I love him for it.

So, there? I hope I managed to explain something with this post, and that it wasn't just the rambling of someone who spends way too much time thinking about her blorbos. To be clear, I don't think people who haven't spent as much time as me trying to dissect and better understand Aziraphale's character are like, dumber than me or anything. It's just that this pair of angelic-demonic blorbos take too much real estate in my mind, lol.

Feel free to let me know your opinion and if you think I am wildly off mark and my Take Is Bad. I might answer, I might not, it all depends on time and my mood ◝(ᵔᵕᵔ)◜

[thankskenpenders]

Help me out here: Why is there so much Ian Flynn hate going around lately? I thought everyone loved that he was contributing to the games. Now suddenly they aren't. I guess that's par for the course for this series but I don't get it. He isn't perfect but I like what he's done. Am I a weirdo?

Ian Flynn has always had a lot of fans, but any creator putting their work out there is going to have detractors as well. That's just the nature of being an artist. To some extent, it's no big deal. He's not a perfect writer. Nobody is! I consider myself a fan of his work, but I've criticized plenty of individual writing decisions from him on here.

But Ian doesn't just have critics. He has his own obsessive hatedom. And the specific nature of Ian's hatedom is... interesting.

A decade ago, Ian was only the guy writing for Archie Sonic, meaning any debates over his work were quarantined within that tiny niche of the larger Sonic fandom. Only people who kept up with the comics month to month had any real reason to have an opinion on the guy, which means we're talking about merely thousands of fans as opposed to millions.

Within that group, he had some haters. You had the people who were mad about story changes made during his run, particularly things like ancillary characters getting killed off (although over the years we've learned that most of those were editorial mandates from Mike Pellerito). You had the people mad that Ian didn't push their favorite ship, with feuding SonAmy and Sonally fans claiming that he was CLEARLY biased towards one or the other. You had the people who just really, really liked one of the previous writers way more - usually Penders, as hard as that may be to believe today. That sort of thing. Pretty normal comic fandom type stuff. Again, it comes with the territory.

Unfortunately, many of those haters only got worse over time, morphing into reactionaries who constantly try to incite Comicsgate type culture war bullshit.

There are people still mad at Ian for making Sally bi and pairing her with Nicole instead of Sonic in the later Archie comics. There have been elaborate MS Paint red string conspiracy boards explaining how people like Ian and Jon Gray have apparently been destroying the franchise from the inside for years by Making Sonic Woke. (Jon gets dragged into this because people are still mad about him drawing The Slap 20 years later. Yes, really!!) There was an unhinged change.org petition trying to get Ian fired, specifically from people who were mad that the Freedom Fighters aren't in the IDW comics. There was even a very sad little fan campaign from these people trying to get Sega to move the Sonic comic license away from IDW and over to Udon, because they thought Udon would bring Sally and Bunnie back and also make them sexy again. There's a lot of this.

(Unfortunately, Penders has also exacerbated this by gossiping about Ian on Twitter and giving these fans ammo, but that's a whole 'nother discussion.)

The thing is, for years, people who only played the games or watched the cartoons had no reason to pay attention to any of this. Now, though, Ian isn't just writing for some weird spinoff comics that only the super nerds read. Now he's writing comics that are canon to the games, and ALSO some of the games themselves, and ALSO consulting on other tie-in media like Sonic Prime, and ALSO writing the official Sonic encyclopedia, and ALSO serving as part of the new Sonic Lore Team at Sega. And on top of all this, he's got an increasingly popular podcast where he fields questions about his work on all of these things, which serves as one of the fandom's main windows into creative decisions being made behind the scenes.

As a fan of Ian's work, it's been really cool to see him rise in prominence. But the dark side of this is that his obsessive haters from the Archie days now have WAY more of a potential audience of their own. Now, every Sonic fan has to have an opinion on Ian. What this frequently means is that you'll have the Comicsgate types taking things Ian writes or says out of context, attempting to get more of the general fandom to yell at the guy.

Unfortunately, there are a wide variety of Sonic fans who take the bait:

You've got hardcore fans who disliked basically any recent piece of Sonic media and are looking for someone to blame.

You've got the people who are concerned about the sanctity of Sonic's canon, who shoot the messenger any time Ian mentions a new retcon from Sonic Team on the podcast - or any time he even mentions the THOUGHT of changing anything about the canon, as we saw recently with the Sol Dimension nonsense.

You've got people who romanticize some sort of mythical artistic vision that Sega of Japan supposedly has (or had) for the franchise. To many of these fans, American contributors like Ian just don't "get" the heart of the series and are trying to turn Sonic into something different. (This "heart of the series" tends to be some mix of Japanese instruction manual lore, the cinematics from Sonic CD, the OVA, and/or the games written by Shiro Maekawa, depending on what Sonic media the fan in question grew up with.)

You've got fans of specific characters or ships who pin the blame for how their faves are depicted entirely on Ian - most vocally fans of Shadow, even though the root problem is that Sonic Team hasn't known what to do with Shadow since 2006. At best this stops at regular old criticism, but at its worst this devolves into claims that Ian has an agenda against certain characters.

You've got fans annoyed by a perceived over-emphasis on comic-original characters in the IDW comics, ignoring the obvious facts that these characters exist because the game cast is so tightly controlled by Sega, and also, you know, that people just like the IDW characters and want more stories about them.

You've got a LOT of discourse over IDW's Sonic being a hero who tries to give his enemies second chances, as if half of Sonic's closest friends aren't already former villains and rivals. Honestly this is very transparently just reheated Steven Universe discourse lmao

You'll also see people who just think they could do Ian's job better. They can't believe that THIS GUY is the American fan working on all these Sonic projects, when clearly THEY understand the characters and lore and themes SO much better than this charlatan.

All it takes is for someone in one of these categories to be unhappy about some recent piece of Sonic media, and for them to come across an out of context quote or comic panel that rubs them the wrong way, and suddenly the leftist Zoomer Sonic fans will join the latest dogpile on Ian alongside the reactionary Comicsgate types who are mad at him for Making Sonic Woke.

In general, when fandoms get upset, they tend to want a scapegoat. A person or two to point a finger at and go "THAT's who ruined the thing I love!" This tends to be based less on reality and more on which contributors are the most visible online. You'll sometimes see teenage and adult fans of children's cartoons single out a storyboarder who's particularly vocal on Twitter, blame them for every story decision they don't like, and harass them off the platform out of a sense of retribution for their favorite ship or whatever. Failing that, fans might choose to blame every nitpick, down to individual lines of dialogue and frames of animation, on a showrunner, just because that's the name they associate with the show. And unfortunately, when it comes to Sonic, Ian is now arguably the most prolific and outspoken contributor on the English speaking internet, and therefore a common scapegoat.

Some of the things I've seen Ian blamed for are truly wild. A lot of people have claimed for YEARS that he's just lying about the existence of creative guidelines and restrictions from Sega - or, as fans call them, The Mandates - even though they're just an inherent aspect of working on a licensed property. Others claim that The Mandates are real, but somehow Ian's fault. A vocal minority of fans have convinced themselves that Ian is the sole reason the Freedom Fighters don't exist in the IDW comics, even though Ian says he's been pushing to bring them back since day one.

Sometimes you'll see people say he ruined shit he didn't even work on. A few weeks ago on Twitter I saw someone claim that Ian had written a rejected script for Sonic Forces in which Tails died. I could not find a source for this for the life of me. As far as I can tell, the rumor seems to have been born from an alleged leaked script for Forces with margin notes from Aaron Webber that criticized the way Tails was written, and also an old tweet where Aaron joked that Tails would die in an upcoming episode of Sonic Mania Adventures. These merged into "Aaron Webber criticized a draft of the Forces script in which Tails died." How'd Ian get dragged into this? Who fucking knows!

It's all just a big game of telephone. All it takes is some asshole to make something up about Ian on Twitter or YouTube or a DeviantArt journal or some forum, and at least a couple people will believe it, and then it gets repeated as fact. Again, this used to be contained by the niche nature of the Archie Sonic fandom, but now there are WAY more people who are receptive to this shit.

It's just sad to me that Ian tries to be so open and honest about his work, to try to explain the rationale for certain things, to keep fans looped in on the direction the franchise is headed, and this just gives the Flynnspiracy types more quotes to take out of context and try to paint him as the devil. If it sounds like I'm being overly defensive and dismissing his critics, man... some of the things I've seen people say directly to him are just unbelievable. People will send paragraphs-long angry screeds in to his podcast that completely tear him apart, and he has to sit there and be like "Well, that's your opinion, and you're entitled to it." People literally pay for special guest interview episodes where they just rapid fire complaints about his writing at him directly to his face. I don't know how he does it. I would snap.

All of this over Sonic the fucking Hedgehog of all things.

I don't know how to wrap this up. Engaging with fandoms online is very tiring, which is why I tend not to do it. Things like this are too common. I guess, just... remember that making art collaboratively is a complicated thing. The people involved are generally trying their best given the circumstances, but they're only human. They make mistakes. But please treat them like humans. Criticism and dogpiling are not the same thing.