#with different sorts of vampire powers
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this is how it feels hearing about mage the ascension lore
#interstellar wizard alliances#WoD#World of Darkness#it's kind of insane going from like. Vampire. where like - sure there's magic and ghosts but mostly it's just. different kinds of vampire#with different sorts of vampire powers#then to werewolf where you start dealing with like. pantheons of cosmic spirits and orbital reflection-worlds and shit#and then you learn about the steampunk wizards fighting conspiracy-scientists in space wars around jupiter#hawk.txt#Youtube
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really fascinated by some of the gender and ethnicity stuff going on in laszlo and nadjas relationship because the show is very aware of it but im unable say anything intelligent about it
#laszlo is still very much a white guy from 19th century britain. which affects their relationship#but nadja is still in control bc shes centuries older and his maker. so a lot of his ideas about how she needs protection#or how her culture is backwards etc is tampered down by that. which is sort of the heterosexual womans dream#that whenever their partner says smth misogynistic they can just throw him across the street and he'll get over it#idk! its interesting how the power dynamic of vampirism worked in their favor. if laszlo was her maker the situation would be very different#og post
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One of the main things I dislike about book 2 Lestat vs book 1 Lestat is it just takes away a lot of the interesting mystery about his character in the first book to have him definitively answer everything like: "oh actually I WAS hiding a bunch of secrets of the vampire universe and rules and hierarchy and history from you the entire time, and actually I WAS also filthy rich secretly the entire time due to a treasure left to me by my maker and didn't actually need you for your money at all, and also I wasn't a bit insecure about my lower class upbringing and poorer education and trying to compensate for that by being both showy and secretive about myself I was actually a noble, and also I CAN do a bunch of other vampire things that I never taught you to do or did in front of you even though we lived together in the same house as a family for like 70 years, and yes I DO hate following rules and doing what I'm told and keeping secrets but I did it because Marius said your fragile minds couldn't handle the truth if I DID tell you anything else, and also I DIDN'T want any revenge on Claudia or blame her for attempting to murder me or think I maybe should undo what I did by making her one bit, I was just being forced by the even EVILLER vampire to have her condemned to death, and also almost everything questionable or problematic or cruel that I did within the first book was either a lie told by Louis or secretly actually a kind and heroic thing I did because I cared about someone other than myself, IN FACT I SECRETLY THE ENTIRE TIME HAD A STRICT MORAL CODE I WAS FOLLOWING every time I casually killed an innocent npc in the first book, and whenever you watched on in horror at my cruelty and toying with my victims I was actually only killing scummy evildoers and Louis was just too dumb and romanticizing of humans to ever see it etc..." like FINE WHATEVER, I GUESS hahaha but I actually kind of liked you better when you were a bit meaner and a bit petty and a bit imperfect and a bit lame
#also he gets so powerful so quickly that its just like too much to me kinda#ANYWAYS i feel like this is maybe an unpopular opinion but idk#its hard to articulate exactly what i mean but it sort of undermines a lot of the stuff i like about the first book as a standalone tale#even though theres def stuff i like about the continuing lore and worldbuilding in the rest of the series as well#like i think louis is too hard on book one lestat sometimes because louis is always looking at and judging things from a human pov#and Lestat is like looking at things from a totally different one himself#and as the reader that made me feel like lestat was maybe a bit more valid and less awful than Louis was constantly making him out to be?#and i feel like even louis eventually reaches some of those kinds of conclusions himself later on#when he doesnt really find the answers that he seeks#like oh maybe he was just kind of a sad pathetic dude in his own way and i was trying to force him to have all the answers in an unfair way#or holding him to human morals and standards that no longer apply the same to us now#which only works if lestat as a character didnt actually have all the answers hahahaha#or wasnt also holding himself to those human moral standards#do ya know what i mean...#interview with the vampire spoilers#the vampire lestat spoilers#vampire chronicles spoilers#p#vmpcs
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scrolling ao3 and saw a vtm/batfam crossover and suddenly im completely normal
#Shitpost#You don't understand this is better than a usual vampire au#THEY COULD BE A COTERIE. AND ALL. DIFFERENT CLANS#and like. If the Robins were turned as kids then they never grow up#aka bruce still has an adoption problem#also this like. Idea of like. 1. Upholding the masquerade (they must be anarchs??)#and 2. Using Batman and Robin to help them maintain their humanity and combat The Beast though#3. Like if they arent supposed to use their powers#idk man im like. Thinking#i read the words 'brujah jason todd' and suddenly went insane#ALSO torador dick grayson 10000%#You know bruce is a ventrue. also i think alfred would be his sire#alfred is like. ex camarilla just trying to have a peaceful life#Not sure what damian should be. Whatever Ras is probably. Ras is probably like. A primogen or CLOSE to being one.#so hes probably feelng The Torpor or whatever its called. The calling. Thing.#i sort of like the idea of Ras/Talia/Damian as gangrel i think#tim. Hmmmm. ventrue is too easy so hes got to be something else#Not sure how he wouldve been turned atm.#ok Tremere would be so good tho#Cass.... I want to say a very funky malk. Or a nostaferatu?#Steph im not sure.#Lol realizing that Damian is probably the most powerful of the family because hes probably like 5th gen???#like. Actually making Ras a primogen feels op so like. Cain-Primogen-RasSire-Ras-Talia-Damian#Thats considered 5th gen iirc because Cain is 0?#meanwhile like. Alfred could be like 8th ish#making Bruce 9th. And everyone else would be in the teens#oh maybe steph is a thinblood
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I think I was doing something kind of interesting with vampires in CCGCCL/ABFHMM and I miss working on it
#MR is fun but it's not doing anything innovative when it comes to vampire lore or symbolism#can't really put into words rn what I'm trying to do with it in ABFHMM#but instead of vampirism being your classic Alienation from Humanity like in MR#ABFHMM sort of says 'what if vampirism actually made you more connected'#'when it gives you the power to change another person's life will you use that selfishly or selflessly?'#but most importantly: 'do you even understand the difference?'#and it's that last part that's most key#now I'm sure this has been done before and I'm not saying i *invented* anything here#but it's a take i don't see as often#again: particularly the last part#particularly characters who think they're doing the selfless thing or are trying to or have convinced themselves they are#but the reality is that they're struggling to contextualize their power and the way it changes their connections to people#and that leads to mistakes
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AITA for divorcing my vampire husband because he lied to me about his human job?
I (542 vampire) and my husband (260 vampire) have been together for a little over two centuries. There’s a saying in the vampiric community that it takes a century for a tryst to become an enduring partnership and another century to become soulmates. I thought that was true and that Matthew (using his real name because fuck you, Matthew) and I would be together forever…until this week.
First, let me explain a few things to the mortals here. I don’t mean that negatively – I came here specifically to get the opinion of those with a finite lifespan. However, I want to be fair to Matthew as much as possible and some of his decisions are very immortal-minded.
Both Matthew and I are vampires who have chosen to forsake some of our powers in exchange for the ability to daywalk. We made the transition together on our 100th anniversary almost 115 years ago. It wasn’t an easy transition for me. I was very dependent on human blood and I spent the first twenty years in almost constant sleep as my body adjusted to running off of less lunar magic and more solar magic.
It really felt like I was losing everything. My body got physically weaker and my powers began to disappear one by one. It felt like every time I woke, another part of me was missing. One day I could turn into a wolf, the next I could barely turn into a vapor. I could command a legion of undying servants, and then I could barely convince the mailman he didn’t see me levitate down from the second floor.
Matthew, however, took to daywalking like a werewolf to a sheep farm. He barely seemed to feel the pain of losing his power, maybe because he was so much younger than me. Whatever the case, he was out all the time once he stabilized. He would be gone for days sometimes and when he came back it was with fantastic stories about the humans’ new inventions or the new structures being built in whatever town we were in.
I’m not saying I regret transitioning. Just that Matthew and I had very different experiences. It felt like he barely changed at all while my entire being got rewritten. Being immortal makes you comfortable in your own skin. I never doubted myself or my power after I turned 100. But becoming a daywalker made me feel like I was being born as a human again. It was humiliating and vulnerable. I have to admit there were times I resented how easily Matthew did it. I blamed him for not supporting me like I thought he should. I would daydream about draining a human in front of him, showing him what I thought of his fascination with them. I had all sorts of vile and vengeful thoughts. I’m not proud of the person I was and now I’m grateful Matthew wasn’t there to see the lows I sunk to.
Despite all my awful thoughts, I didn’t quit. I don’t know why, but I didn’t. I stuck with it and, day by day, things got easier.
After 26 years I began to stabilize. The benefits of being a daywalker slowly blossomed before me. Now I can say that I am completely happy with my daywalker status and all the changes it’s brought.
I am the most mentally stable I have been since my Turning in 1482. It’s like I’m awake. The fits of rage that used to consume me for months at a time have completely disappeared. I don’t experience the same level of obsession I used to which has freed up a lot of my time that I used to spend stalking my victims.
However, that drastic of a change would be challenging in any relationship. Matthew and I ended up together because of my obsessive nature. Our relationship became strained when that part of me went dormant. He expected me to follow his immersion into the human world just as I had followed him in his revenge quest against his Master. He expected me to support him wholeheartedly and with everything I was. He wanted sacrifices from me that I used to not even flinch at before making. But something was just…different. We wanted different things. I wanted different things.
Matthew was obsessed with being the perfect human. He craved full immersion. He still makes it a point to get a human job every twenty years or so. Me? I’m happy to live off our investments and some mild mind control while enjoying the art and theater community the humans have evolved.
It got bad. Some years, we spent like ghosts in our own house, drifting by each other without a glance. Other years, it was like we were spies behind enemy lines. He would do whatever he could to thwart me and I would go out of my way to ridicule him. Our vitriol poisoned the earth. Matthew didn’t speak to me for a full decade when that poison killed off an entire town.
About twenty years ago, it all came to a head. We had a serious sit-down talk about our relationship. It wasn’t easy. What they say about teaching an old dog new tricks is sometimes true. Matthew wanted me to be as involved with the humans as he was. He wanted me to care about them like he did. I wanted him to travel with me like we used to and not just hop from town to neighboring town (which he did to maintain a human identity with references so he could keep working). When it became clear that we were at an impasse, I brought up the idea of separation.
Separating in the vampiric world isn’t easy. There are a lot of alliances and blood oaths to be considered. Over the two centuries we spent together, we became known as a unit to a number of supernatural entities that we maintain an uneasy truce with. Separating would mean creating new oaths and alliances with the same individuals. And there was no guarantee that those individuals would make new pacts with both of you. A LOT of vampire couples end up in blood feuds while separating. Neither of us wanted that.
There was also, of course, the emotional side of things. While a lot of immortals tend to only feel muted emotions (especially vampires as old as me), Daywalking had made both of us more sensitive than we’d been before. We were both attached to the memories we shared and neither of us could imagine life without the other. After 200 years together, it felt like Matthew was my right arm, and I his. When I brought up separation, we both felt it like we were discussing an amputation.
After about a year of talking, we finally reached an agreement. We didn’t want to separate, and so we would compromise. I wouldn’t interfere with any of Matthew’s human jobs for the 15-17 years if he could hold them without arousing suspicion. In exchange, he would take a year off to go traveling with me before finding another town for us to live in. In between my trips, he would go to plays and galas with me to enjoy human artistry at least once a month.
Maybe our deal was in his favor. At the time, it felt practical and fair. A year of traveling wouldn’t undo Matthew’s string of connections. We would still see each other frequently by going on dates that I liked. Matthew would get to stay immersed in the human world at the level he wanted, and I could stay within my comfort zone.
Which brings me to my current problem.
We are currently at the start of one of Matthew’s work cycles. He’s been everything from a fireman to a politician to a subway worker to a barista. He craves knowledge and connection to a terrifying degree. If it weren’t for how we move every 20 years and he goes without protest, I’d call it obsession.
This cycle, Matthew told me he was going to be a teacher. I was hesitant. While the humans have become more tolerant and less violent over the years, that doesn’t mean they will tolerate us near their young. Enough humans know about vampires that staking in the modern era is a real possibility. Matthew could incite an angry mob against us or, heaven forbid, get a vampire hunter on our tail. I have yet to be shot, but I hear that they have silver bullets that hurt like Hell.
When I voiced my protests, Matthew reminded me about our agreement. He said that I wouldn’t interfere with his jobs and he’d go to all the plays I liked. He even pointed out that, as a teacher, he could get us into high school plays and expositions. I was uneasy, but agreements are penultimate to immortals. I silenced my objections and let him get a job as a science teacher at a local high school.
When Michael has had jobs in the past, I’ve never really paid attention. One time he was a state senator for ten years and I never even heard him speak. I didn’t consider it worth my time to hear whatever his facsimile of a human would say. Real humanity is in the art they create, not in the parody Michael enacts.
But this one…I couldn’t ignore this one. Maybe it was because I was still uneasy about his proximity to human young or maybe I could sense his lies even at the beginning. Whatever the case, I watched him.
The first thing I noticed was the hours. He would go to work early and would often come home when it was time for us to sleep. When I asked him about it, he said that he wasn’t used to grading and that he had underestimated what it took to put a good lesson plan together. I visited some online forums and that’s apparently reasonable for first year teachers.
He would also sometimes go in on the weekends. He missed one of our dates because there was a “grading emergency” that needed his immediate attention. Something about a student’s test getting lost and then found and he needed to input their grade before the deadline which was on Saturday. Humans like silly rules like that so I didn’t even look that one up. I just reminded him that he couldn’t miss our dates again or else he was breaking our deal. He apologized and said it wouldn’t happen again.
Then about three months into his new job, the phone calls started. We have a private room in our house for when we need to talk without any visitors overhearing. Michael moved all his school supplies in there, saying that he needed a silent space to concentrate on his grading. Whenever he got a call, he would never answer it in front of me. Instead, he’d say “Sorry, work” and just go into his office.
I also noticed that he didn’t dress very professionally. Human fashion changes quickly so it didn’t register at first. A sweatshirt here and there slipped past me, and also the Gucci slides. When he started wearing baggy jeans and jerseys to work, I noticed. I may not be up to date on all the newest fashions, but I do go to classy events. I know what a slob looks like and it didn’t sit right with me that he was wearing that to school. When I asked him about it, he always had an excuse. “This is what everyone wears” and “It’s a theme day” or, bafflingly, “It’s spirit week!”
I tried to leave it alone. The reason we have stayed together for so long is because of our agreement to not interfere in each other’s lives. But between his hours, the phone calls, and his appearance, something didn’t add up.
Then, last Thursday, he missed another one of our dates. We were supposed to go to the Nutcracker together. Even though I prefer matinees (when the cast is fresh), I agreed to get us tickets for the evening show so that he wouldn’t have to leave work early. When he wasn’t there at 7pm, I called him and he didn’t answer. Then, when I called him again, his phone was switched off.
I was furious. I spend nearly two decades in these tiny towns so he can live his human fantasy and he can’t even show up for one two hour show? It was the first time since becoming a daywalker that I felt that angry. I was scared about what I might do, so I made myself go home to wait for him.
Only, he never came home that night. At 3am, he sent me a text apologizing and promising to make up our date on Saturday. But the Nutcracker was only playing until Friday and that would be too little, too late. To be honest, it already was. I texted him that and he never responded.
He never ended up coming home last weekend. I texted and called him probably a dozen times and he never responded. I got angrier and angrier as the days dragged by. Did he think I was someone to be taken lightly? Did he not realize that the fragile agreement between us was all that was keeping us from separation?
Yesterday (Monday), I couldn’t take it anymore. If he wasn’t going to come home or respond to my messages, then I would go to him. If he was so obsessed with this new job that he would ignore me for it, then I knew exactly where to find him.
I arrived at his school at 10am. I researched enough to know how to go to the office and sign myself in. I asked the office assistant which room Mr. Duetto was in.
The lovely young woman looked confused. “I’m sorry, but I can’t give that information out to anyone but family,” she said.
“I am his only family,” I said.
She clicked a few more keys and looked more confused. “His paperwork only shows his mother, Delilah Duetto.”
That’s right. His mother. But I still didn’t understand then.
“That’s me,” I said.
“You are not the mother of 17-year-old.”
“I’m his wife,” I said.
She was upset by that. I won’t bore you with every detail, but I had to alter her memories so she wouldn’t call the police. I may not look like someone who has a teenager, but I also don’t look like a teenager. I ended up having to alter her memories so she wouldn’t call human CPS on an apparent adult swearing she was married to a minor.
I went home and broke into his office. There weren’t any lesson plans. There were no graded papers. There were syllabus from different classes, homework with his name on it, and a few polaroids taped to the bottom of his desk of him at a party with children.
Human children. I don’t honestly know which is worse.
(EDIT: I know the child part is the worst part. I misspoke because of my anger. It’s not the humans’ fault that my husband is a pervert.)
I broke into his laptop and used that to check his text messages. He’s been texting like a high schooler. He’s been to parties with them, listened to their problems and even fabricated a few of his own. He’s caught in some sort of weird love triangle where a freshman girl likes him but his “best friend” likes her. He has texted both of them about it, promising his “bro” that nothing is happening and then turning around and leading this girl-child on.
Some choice quotes: I should know better than to get close with you. You and I come from very different worlds
To which she replied, lol maybe we should let our worlds collide
!!!!
I find the entire situation disgusting. Matthew is several centuries older than them and he definitely knows better. He’s literally wearing the sheep’s fleece amongst the flock. He has no business forming relationships with human children and even less pretending to be one of them. He’s not a baby. He is over two centuries old!
What is he doing flirting with a child? It’s vile and disgusting and I was set to kill him for it.
I confronted him about it when he came home last night. I told him that he was sick and dangerous and if he loved humans then he needed to stop immediately. I told him we either left town today or I would make sure he never set foot back in that school in a way he really wouldn’t like.
He threw a huge tantrum over my invading his privacy. He shouted at me that I had broken my promise to never interfere in his job. He called me controlling and crazy.
I told him he was the crazy one for chatting up a child. He told me he wasn’t, she was just his friend. I asked him to read their texts out loud if he was being so friendly. I also pointed out that there was no way a 260-year-old vampire is a child’s friend.
He told me I was a hypocrite because I basically cradle robbed him (we’re almost 300 years apart.) He said if anyone was disgusting, it was me for taking advantage of him.
I pointed out that he wasn’t a child, he was over 60 and had already been a vampire for four decades. He argued that that was basically being a child in vampire terms.
I was so angry at that point that the house was shaking. I told him if he felt that way, then we could get divorced right then and there. That that was what I wanted to do anyway because I couldn’t be married to a pedophile.
He asked me if I was seriously going to start a blood feud over him immersing himself in human society. I said no, I’m starting a blood feud because he’s become every predatory stereotype humans have of vampires.
He called me a hypocrite again and told me he was leaving. He said not to call him unless I was ready to apologize. I told him that the next time he sees me, he’d better run before I showed him the real difference between us. And it wasn’t just 300 years.
When I calmed down, doubt started creeping in. From an immortal perspective, what he’s doing isn’t really wrong. I hate to say it, but most immortals don’t view human lives as significant. I know a few vampires who would say that divorcing because he’s playing with his food is idiotic.
Plus, there’s the agreement to consider. During our fight, Matthew pointed out that being a student is a job to humans. So therefore I didn’t have the right to interfere. A big part of me thinks that’s bullshit, but a small part of me wonders if he’s maybe right about that?
I also have to ask myself why this even bothers me. I’m the one in the relationship that is aloof from humans. I’m the one that’s always saying we are from different worlds (Yeah, he stole that from me) and for good reason.
But over the years, I’ve become fond of humans. No immortal makes art like them. I may not remember my time as a mortal, but there are works that give me a sense of nostalgia. Sometimes I think I can remember being a child myself, standing in a field like in Monet painting, staring at the wheatstacks and waiting for the miller to come.
The thought of Matthew playing with them makes me sick. It’s like even after all the years of him living amongst them, he thinks of them as props in his twisted play. It’s even worse that he’s doing this to children.
I can’t help but think something went really wrong with my husband when I wasn’t looking. At the very least, I’m planning on divorcing him. But would I be the asshole if I killed him too?
Separating from him will be violent and messy. There will likely be human casualties. But I don’t see any other way. So, I ask.
AITA for divorcing my husband for lying to me about his human job?
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Thanks for reading! I loved answering some of the responses I got when I first posted this over on my Patreon (X)!
These collaborative story telling pieces are the highlight of my week. Next week's story is about a witch who wants to know if she should attend her high school reunion even though she's responsible for stripping two former classmates of their magic...
Please check that out here (X) if you''d like early access! Otherwise I'll see y'all next week :)
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lilith through the houses
hii, it has been a while since i have made a post on here; hope everyone is doing well. i wanted to dive into a post about lilith, i see a lot of people who are curious about lilith and how it manifests in their charts. lilith represents many things; rebellion, dark feminine, jealousy, envy, and sense of freedom/power.
lilith in 1st - blessing & a curse. you have a sultry-esque to you, can appear a bit intimidating and off-putting from some sort of intensity; unintentionally. you have habits to always appeal to other people, you have a need to feel approved by others and rejection has always been a hard concept for you. you might have been bullied from women who were jealous of you when you were younger, or often left out on purpose because you seemed "untrusting," people often would read you wrong because they were too afraid to approach you. luckily for you though, you can pick up on these things right away. you have gifts for discernment and are good at blending into your environments nowadays. you are much harder to crack while you age, and that is because you have worked on your confidence & beauty through time- nobody can get under your skin as much as you do.
lilith in 2nd - loves to feel different. you love doing things that go against the standards. while everyone else was stressing over financial issues, housing, and overall structure, you had other plans. you preferred to feel free-spirited with your spending, and always found a way to attract money whether you worked for it or not. others despised you, thought you had it easy, or thought you let yourself go. you have a tendency to let others go, not in a bad way, but in a way that if there's anything stopping you from obtaining something, you will cut ties. you hold onto things that can be used to prove others wrong, probably still clings to photos, messages, etc. hates giving up easily. points out hypocricy on others a lot. you typically hate any form of control over you, not a fan of commands or orders, dislikes an overly organized environment. you like feeling accompanied in your habits. you always play your cards well.
lilith in 3rd - says it how it is always. you notice people usually love you or hate you there's no in between. sometimes attracts people who are two-faced, or always downplaying their achievements. you will really see the ugly side from people because of the way you can easily trigger them. felt held back from a young age to express certain thoughts, always likes to interject, say the things that others do not want to. has a serious tone, usually sounding mature and easily believable. you love pushing the boundaries with society and taking the lead. you are one of one, and you might notice some people have humored you a lot because they don't take you serious enough. people usually never let your past go, or they want to have a say in your reputation. to you though, any attention is good attention.
lilith in 4th - family matters. usually mother or prominent female figure forcing you to follow a path you don't want to. lots of household turmoil's, probably the ones to break a generational trauma, feeling suffocated by family and close ones. you have a hard time with making long-lasting friends and relationships out of fear of being abused emotionally somehow. easy for you to feel drained by others, feels and moves better alone. might have family members who are jealous of you or leave you behind because they cannot stand to see you succeed. maybe you felt that you hadn't been caught up as much as other kids growing up, late learner & way too self-dependent. you are strong in the sense that you take care of yourself better than others have. your pain has taught you how to provide a safe space for other people.
lilith in 5th - felt like you had a lot of energy vampires around you, anytime you wanted to feel fun-spirited you always had some people trying to void that. you are actually very easygoing, attract attention very easily, and people really admire your fierceness. however you fall short depending on the people you surround yourself with. you need uplifting beings around you, those who match your energy very well. you can always decipher who fits for you and who doesn't. you have a tendency to push away your intuition and gut feelings, you like giving chances and the ability for people to restart with you, however you realize it is a waste of time. lot of people will cling to you to try and analyze you, study you. relationships or friendships have used you to try to get the upperhand. people steal your ideas. tired of feeling bad for being yourself. you hope to remain light hearted and unravel new interests that give you a chance to understand yourself a bit more.
lilith in 6th - usually gets bullied because they are healthier than others. i know that sounds kiddish, but im serious. you know how to work twice as hard to get to where you want to be, whether that is career wise or health wise. you experience a lot of significant changes with your appearance, and you will have people trying to tear you down and invalidate your efforts. can deal with people speaking badly about your body, wishing to have your body, or lusting over your body. can have jealous co workers, outside peers, or in general you will notice that as soon as you want to change, many people do not like this. people have this preset notion of you and hate to acknowledge that you are in a better position than you used to be. you like doing things on your own schedule, you are known to being very picky, but as long as it is convenient for you, you do not mind. you're not a heavy complainer, instead you observe a lot and make do with whatever you got.
lilith in 7th - dealt with narcissists a lot of your life, has a fainted image of love and relationships. you guys love to reject other people lol, rightfully so though, most of the time you guys will have people trying to spin back to you. you are unforgettable to the ones you have had close bonds with, specifically with the other gender. can lead to men/women hating you so they can try to get over you. you love being able to try new things in relationships, switching it up is super important to you, and you love a 50/50, good give and take. if someone is too simple with you or doesn't seem as risk take-y as you, you kind of repel that. you crave to be unconditionally loved by someone that loves you in the right conditions. loves speaking out on things you find abnormal. you don't have many standards, which is why you have a lot of experience with the dating realm; however you only feel safe to settle once you see the imperfections in your partner. you hate anything superficial. you feel you can only trust those who are as damaged as you are.
lilith in 8th - feelings of powerlessness, inability to change, or endless karmaic cycles. you have been through harsh times with your inner self, and it has depleted a lot of your confidence. you are naturally more "darker or deeper" than others, you like reading between the lines and that is your superpower. you pick up on the things that most people slip. you have a strong aura of sensual energy whenever you do come together with a partner. seductive and manipulative at times, if you feel that you do not get what you want, you have a way to really make shit break out. lot of internal chaos with trying to figure yourself out. you have a strong admiration for the occult, and it is very known off of you. people often feel jealous that you know more than them, or that you are with-holding information, or that your energy is the most magnetic thing about you. you want to be able to explore everything that nobody wants to. it brings you peace to look from within more than on the out.
lilith in 9th - felt that higher purpose was always a challenge to try to figure out, religiously could have dealt with a traumatizing incident, or felt disconnected. turned against morals at one point and never looked back really. hates feeling narrow-minded, opened to new possibilities, hates certainty because things are so variable. people jealous that you can etach easily, and that you can expand onto bigger and better things. could been troubled in school for minor or major things, free will is a thing you love to test a lot. could have a lot of enemies from different backgrounds and countries, feel easily attacked for thinking differently than others. you notice how your mentality is far more different than others; you tend to be more receptive and optimistic, while other people could be more sensitive and reserved to their own thoughts. you dislike people with the inability to be free thinking as you are. you have a hard time connecting with others because of this, you feel only you can truly understand yourself. you can get frustrated easily and silenced due to it.
lilith in 10th - could feel scrutinized by authority figures in their lives, you might have a father who is controlling or somebody who is a male figure that will try to steer you from your goals. you have tried to make a lot of jobs work, however none feel too important to you. sometimes you feel that work industry can even be useless, simply because it doesn't bring you the satisfaction you want. you can even feel afraid to tap into your power in front of others, maybe seen as too shy or timid to go after what you really want. you sought more attention to what others would think rather than what you think of yourself. attracts jealousy through their jobs and careers anyway, some people find you "too this, too that" to the things you want to accomplish. you put up many facades and fake smiles to people because you feel that a lot of what you do is on display or talked about anyway. people honestly really love to throw some confusion your way, or doubt. you might really like a career that is extremely perplexing or doesn't require much at all.
lilith in 11th - felt weird from everyone else. you learned a lot of harsh lessons when you were younger, matured fast and enjoyed life much later. socially, well liked and easily applauded by others, which means that you also do have folks who have been envious of your abilities to drive the masses. you are unique and set trends. people follow you around or follow you online just to keep up with your aesthetic, it is like you are a hidden gem that prefers to be hidden. you've probably dealt with people trying to get close to you to steal from you or get with your other friends or even partners. you are naturally independent and sometimes too isolating. the feeling of needing nobody can stem from the fact that not many people surrounded themselves with you when you were younger. you socially blend in very well and use it to your advantage, as a lot of people will behave like "kiss-asses" to you. might have also dealt with fallouts with friends that have blamed you regardless of if you were guilty or not. they switch-up just as easy as they befriend you. it is undoubtedly hard to connect with some others.
lilith in 12th - spiritually been at war with yourself for a while, felt like there wasn't a place for you to confide without being shunned. hard time making sense of feelings that actually are justified to feel. others expected you to be strong and to bottle up a lot of your feelings, there was a lack of fulfillment also in teenage years due to the isolation you have went through. felt like you weren't good enough to go through with your ideas, fantasies, and goals. some part of you feels resentment towards yourself, as you learned that you were so hard on yourself when all you needed was to just experience life for what it was. always searching for something deeper. prone to nightmares or visions that have made you cautious, traumatizing experiences that nobody knows about or that has happened that was hidden from you or forgotten. sometimes you feel you don't even know what you are fighting for. you have a unique ability to contact your spiritual guides, manifesting comes easy for you once you work on this burden. you can bring out such strong changes in yourself and are capable of ending your "hellish" loops. people can feel envious of you for your trauma, and i know that sounds off, but you have been through a lot and others will try to act like they understand or can relate when they in fact do not. beware of people who pretend to be in the same boat as you. some will secretly just not like you, plain and simple.
thank you for reading this all through, if i was accurate or off, let me know i would love to see some of your input. there's so much more i can say about each and if you want me to elaborate i will! i know i have put more for some of these and less for others, regardless, i am open to your inputs, thank u <3
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Vampires are a very composed and prideful sort of monster and your Vampire bf is no different.
He is the picture of perfection and sophistication in all public regards. His posture is so straight you’d swear he was statue. His language is smooth and charming to the point where he could convince an orc he was actually a troll. At society events he is the one to talk to with a row of awaiting guests lined up down the halls. Always with you standing right by his side. While he keeps you close, aching to have you near, he’s always respectful in his acts around you.
As leader of his coven he has to be.
But he’s not like that when he’s alone with you. No, never. When you’re the only one around he finally feels free to be completely himself. Not having to put on a show for everyone while also maintaining all his responsibilities. In the quiet of your chambers he can simply be your mate. As you are his mate. His eternal love. And this affects him deeper than he realizes. He has more of a soft spot for you than even he can admit to himself at times.
Particularly when your Vampire bf drinks your blood. He swears he’s not addicted to it. To the flavors that dance and mingle amongst the copper tang, to the thick warmth that mimics your tender embrace as it coats his throat, to the spark of adrenaline akin to lightning that shoots through his body as your blood pumps through his veins. No, definitely not addicted…
Yet just one drop of your life force has him falling to his knees, whining and whimpering as he nuzzles into your stomach. But it’s important to know that he doesn’t beg— he never begs for it. That is one thing your Vampire bf always says for certain (denies). He definitely doesn’t beg.
Not even as he’s pounding into you from behind, the glide of his cock along your walls making your head spin. His face in your neck, inhaling deeply as he soaks up your scent. So you must mishear him every time he takes you whispering, “P-please, my heart. You know I need all of you. Jus’ wanna consume you, darling, please.”
Of course your neck is bared for him before either of you can utter another word. Yet you cry out as your Vampire bf’s hips jolt, slamming against that spot along your gummy walls at just the mere sight of the slope of your neck.
His fangs sink into your flesh with a quiet squelch that mirrors the wet noise echoing throughout the room as your hips meet with each thrust. Mirroring moans leaving you as you both melt into each other. Your powerful Vampire bf turning into a puddle of arousal at a single drop of your blood.
Loud whines fall past your bf’s lips and vibrate into your neck. You moan, head rolling back. The ecstasy of your bf sucking your blood meeting the intensity of his cock rutting into your pussy just right. Vampire bf rubs against you, desperate to touch every inch of your skin. His hands scouring and groping every soft bit of flesh he can get his hands on. Nuzzling impossibly deeper into your neck as he turns into a whimpering mess of senseless limbs.
All these sensations crash into each other, overwhelming you in the best possible way. They send you flying higher and higher until your orgasm washes over you and you’re mewling as you arch back into your Vampire bf. Your touch and the clenching of your cunt sends your bf into his own orgasm, both of you weakly riding out the waves of euphoria in each other’s arms.
His tongue laps at any remaining blood trickling out as his fangs release you. He brings you into his arms, his form surrounding and curling around you as you lay on the bed. His body hypertensive to touch but he nuzzles into you anyway, seeking more of your warmth.
You hold onto him tightly, swearing that nothing is better than when your sophisticated and proper bf morphs into a total mess. And only ever for you.
#monster fucker#terato#monster fuqqer#monster fudger#monster lust#monster lover#monster romance#monster fluff#monster fic#monster imagine#monster#monster bf#monster boyfriend#vampire bf#vampire fucker#vampire smut#vampire lover#vampire fiction#vampire boyfriend#vampire#vampire fangs#vampire romance#vampire x reader#vampire x human#vampire x you#reader x vampire#human x vampire#monster x reader#monster x human#monster x y/n
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„Astarion ending as the Vampire Ascendant is the correct ending for him, because it is what he wants.”
That is a claim I’ve been seeing pop up more and more often these days. And I think it’s both a very bold and a very odd claim to make.
But first things first: Hello, I’m a licensed social worker! So far, I’ve worked with children, refugees and youths with behavioural issues stemming from bullying and or abuse.
Please be aware that I will be mentioning different kinds of abuse, coping mechanisms, and victim/abuser relationships. If any of this is difficult for you, don’t force yourself through it. My jabbering about a traumatised vampire is not worth your wellbeing, not ever.
I will, however try to stick to Astarion and not use other examples. If, in any case, I do use a non-Astarion example, I’ll add a warning beforehand so that you can skip the part. And I’ll make it clear what will be discussed in the next bit, so that you have a chance to skip it entirely.
This is an effort to make this as accessible as possible for everyone that wants to indulge on a mad woman’s rambling – and I know there’s a few people that like this sort of stuff!
And, uh, there's obviously spoilers for all three acts. Serious spoilers, even.
Before I can get into the whole ‘why Astarion didn’t really want to ascend,’ we need to understand him a little more. And to understand this pretty boy’s brain, we first need to understand the gist of what we’re talking about when we throw around the word ‘abuse.’
“Abuse” is when someone is treated with cruelty, violence, or neglect – often to bad effect – on a regular basis. Repetitively. Check’s out for Astarion, I’d say, but we all knew that already. I mean, if one thing was obvious, it was this.
1. Astarions Abuse
Next we need to look at what kind of abuse Astarion faced over his long years of torment, seeing as different types of abuse will have different effects on the victim.
Not that that is anything we have to worry about with him – Astarion won the abuse lottery, to put it bluntly. In a horrible game of fate, he got everything. He himself indirectly mentions all the types of abuse he faced, albeit never using the correct terms.
The first we properly notice – fitting, seeing as it is often the most obvious form of abuse – is the physical abuse. Astarions scars are probably the biggest tell Larian could shove down our throats, only underlined by Astarion’s tale about the night itself. About how Cazador ‘misspelled something’ every time he flinched or screamed and had to do ‘many corrections. On top of this, Cazador locked Astarion up for months on end and tortured him – or had him tortured – on a regular basis both as a rite and as a punishment.
Next up, we have the fact that Astarion was forced to basically prostitute himself repeatedly. This is what we call sexual exploitation.
“I spent two hundred years using my body to lure pretty things back for my Master.” – Act 2
Two hundred years is a long time, filled with great many people. Now, we don’t know how many of those people actually tapped into the sexual exploitation and how many he could just lure back with other means, but the fact that it happened a lot is undeniable.
Next we have a form of abuse that we often disregard in adults: Neglect. It sounds odd, I know, saying that a fully grown adult was neglected. They can care for themselves, can they not?
Well. Yes and no.
Adult neglect is proceeded by the condition that one adult has to lean on another adult to fulfil their needs for whatever reason. This could be anything, from disability to income-based issues.
Seeing as Astarion had absolutely nothing, while Cazador had everything, we can assume this was the case. Cazador had the house, the money, the power. Astarion owns but one pair of clothes, assumedly, that he has fixes over and over again. Fair to say, that’s pretty neglectful. (And it’s one more reason to shower the guy in pretty armour and camp clothes. Go ham, people.)
Last we have the form of abuse we actually get to witness later in the game – emotional abuse.
Once again, it’s undeniable that this happened. Especially since we’re all seeing it in the flesh upon meeting Cazador in his crypt.
“Have you no respect for yourself?”
“I strove for perfection in all things. Even those as imperfect as you.”
“A pity you amounted to so little, despite my efforts.”
“A pathetic little boy who never amounted to anything.”
All Act 3, Crypt
Here we have just a few examples of things Cazador throws in his face. It’s like reading a textbook on emotional abuse, this one (and it’s definitely a reason to throw hands).
Blaming the victim, keeping their sense of self and their self-worth as tiny as possible to make them cower and flee. A true classic.
This pretty much shows that Astarion suffered all forms of abuse we commonly see and it is implied – once again by Astarion himself – that at least a few of those instances were ritualistic.
Now, what does that mean exactly? Well, I fear I need to use a real example here, so please skip the next paragraph.
Ritualistic doesn’t refer to a proper ritual – it can, but that’s mostly a thing for those in a cult. So, we’re not necessarily talking about a ‘Vampire Ascendent Ritual’. A husband, beating his wife every evening after his third bottle of beer is also called ritual abuse. It happens regularly. It is part of a routine. Both parties know what will happen.
I can’t find the exact quote, so I’m working of my memory here, but at one point he said that when Cazador invited him to eat and he said yes, he would be served a putrid rat. If he said no, he’d be beaten.
The way it was phrased made it clear that it happened more than once and that Astarion clearly knew what would happen. So, this can be classified as ritualistic abuse.
2. A Note on Conditioning and Compliance
By default, abuse victims are conditioned to behave a certain way or in a certain fashion. This is a natural response to avoid further abuse.
In Astarion, the thing we see most often is his inherent need to please. Not literally, he doesn’t mind being an arsehole. But he initially feels the need to follow Tav’s orders, even if they go against his own wishes.
This can be clearly seen in the conversation with Araj Oblodra. Astarion very clearly doesn’t want to bite her. He doesn’t. But he will do so, if Tav tells him to. This behaviour is not conscious – he doesn’t know why he does it, he just does – and it is to be expected. This is how he kept himself save for two centuries, so of course he will fall back into his usual pattern when the pressure is high.
This goes hand in hand with the fact that most abuse victims don’t fight. Maybe initially, but not after long term abuse. Especially not after two fucking centuries.
This is true in Astarion – offered by his ‘siblings’ during act 3 and unhappily acquiesced by the man himself. Astarion stopped fighting and, once again implied, cowered, and did as he was told in order to survive.
3. The Astarion we know and love
Obviously, all that abuse does have an impact on our vampire boyfriend. He shows various common signs of abuse and just like with the forms of abuse, Astarion raked every coping mechanism he could find. (Not really, but it feels like it.) It’s also important to note that nearly all of the following things happen inwardly. Astarion is not one of the victims, that tries to rationalise and minimise the actions of his abuser. Quite the opposite, actually.
I’ll note from the beginning, that rationalisation will not be covered in this bit, as most examples will be important later on. But he definitely does it.
One of his biggest skills is to hide every ounce of fear or hurt behind sarcasm and snarky theatrics. He doesn’t seem to hide his anger much, though, so that’s something! Our boy is cool with anger, not so much with being afraid.
“Ahahaha, now that you mention it….I might have done…that.” – Act 3, regarding the Gur children
“The thing that will decide my fate forever more? Yeees, it’s been on my miiiind. Why?” – Act 2, regarding the Ritual
And there’s many more instances that prove this. Honestly, half his dialogue is sarcasm, so it would really be too long to get into and we all know what I mean, right? We have alltalked to the guy before. It’s obvious that he’s sarcastic to a fault.
This goes hand in hand with his penchant for defensiveness. I would personally state that he’s simply not really good with guilt. When talking about fear, he usually just opts for sarcasm or avoids the topic completely, but guilt especially has his defences going up. This is also when he’s most likely to shove all the blame off to Cazador.
“Don’t look at me like that. Cazadors orders.” – Act 3, Crypt
“I just did what I had to!” – Act 3, Crypt
And don’t get me wrong, he does that anyway. And with good reason. Astarion didn’t have a choice for the most part, but he’s still easy to shove things off.
This kind of connects to his penchant for denial.
Astarion doesn’t really like to talk about most things. He firmly believes he is an ‘action’ sort of person that just does instead of plans, which invertedly just means he’s great at pushing the thinking stuff away. He also likes to get rid of stuff, so that he doesn’t need to face it ever again.
“I never want to see these little scraps of misery again. The world doesn’t need to know my shame.” – Act 3, about the children
And yes, this partly rings true. He’s probably ashamed and doesn’t want anyone to know what he’s done. But it’s also very clear that he himself simply doesn’t want to face his own actions, something that is just underlined by his extreme willingness to red rid of the other spawn.
As mentioned by Astarion himself, he’s big on manipulation. I mean, I don’t think there is much explaining necessary. The guy is willing to do a whole lot in order to get what he desires – which mostly revolves around safety and survival, to be honest – and he’s not really shy about it either. And that’s despite the fact that he doesn’t really like intimacy – especially in form of sex.
It’s not a secret that Astarion is not big on sex and anything surrounding it. This goes far enough for people to consider him either ace or ace coded.
A claim that, personally, I’m not super in line with.
Now, it’s not entirely wrong and if this is your head cannon I’m surely not going to stand in your way – but on a larger spectrum, I think he’s more traumatised than ace. And while those go hand in hand sometimes, it’s a bit difficult for the ace community if you attach traumatised characters to them because it can fuel a whole lot of stigma that is honestly neither needed nor wanted. But I digress!
If it comes to his own behaviour, he’s great at minimising his mistakes. Honestly, he’s a master of minimisation. A very obvious and famous example would be:
“’Killed’ feels like a…strong word. Not many corpses have your vigour.” – Act 1, after killing Tav
Astarion. You literally sucked poor Tav dry and left them flopping around, cold, and dead. Killed is exactly the right word and we all know it.
“Quite the deviation from my usual routine. Capture, not lure. I didn’t bring them in with sweet rolls or anything.” – Act 3, Gur Children
This is another attempt at minimising what he did, if a bit less obvious because at this point there isn’t much he can say. But at least he didn’t sexualise the gur children, right? They’re still spawn but whoo, at least that didn’t happen.
The next point would be dissociation, which is extremely common in abuse victims – of all forms of abuse.
Astarion himself mentioned certain moments that could be classified as dissociation over course of the story, which is probably the coping mechanism I personally expected the most.
The pale elf has a penchant for violence, but he’s not entirely shameless or abhorrently vile, which gets clearer the more the story progresses. So, two hundred years of forced prostitution, torture and doing whatever other horrible things? Yeah, I’d be more surprised if he didn’t dissociate.
Examples of that would be:
“A moment of disgust to push myself through and then I could’ve carried on, just like before.” – Act 2, after Araj
“I felt nothing the moment I handed them over.” – Act 3, Gur Children
“Did you enjoy it? It felt like you weren’t fully there.” – Act 1, Tav after Sex
The latter is generally more of an assumption than actual prove, but with context it does make sense.
The last common sign of abuse we find in our boyfriend would be his low self-worth. It’s a consistent trait that stays over the course of all three acts, noticeable in many different conversations.
We can see it in his reaction to wanting to break up before finishing his story. We can see it in his genuine surprise when Tav picks him over any of the other characters. We see it in his insecurity whenever Tav asks to sleep with another character. He’s fine with it, but he still worries their decision to sleep with someone else is based on something he did.
It eases up ever so slightly after Cazador is dead, but even then he’s still struggling which is once again perfectly illustrated if you try to break up with him.
“Oh shit. I- Did I do something wrong?”
That is the first thing he asks and I think it speaks for itself. He genuinely doesn’t believe he has much to offer and for Astarion, it’s likely that Astarion will always be the problem.
4. "Oh, I tried them all none of them answered.”
Another big thing that’s important to note, is that Astarion was never saved. No one came to save him from Cazador. There was no darling boy on a white steed riding into that castle to rescue him and princess carry him away. Not even the gods answered his desperate calls.
So, he never received any kindness or luck. To him, the world seems as cruel and horrid as before because he didn’t have the chance to experience goodness in two centuries.
But worse than that, he didn’t even get to save himself. Astarion didn’t stand up to Cazador, he didn’t run out of his own might.
He was beaten to near death and ‘saved’ by Cazador, who would become his abuser.
He tried to save someone and, in turn, was locked up and starved for an entire year.
He was abducted by mind flayers, i.e., saved from Cazador, only to end up tadpoled and on the cusp of getting a fancy, squiddy beard.
Anything that’s good, any kindness, any selfless action…it all came with a ginormous price tag.
5. Over the Course of the Story
Astarions behaviour changes a whole lot over the course of three acts – which is important once we talk about his quests climax – so let’s review what we’re working with!
Act 1 Astarion is guarded as fuck. The man has walls around him that are so high, even the gods can touch them.
A lot of his behaviour in act 1 revolves around staying save and staying liked. He lies, manipulates, and flutters his lashes in order to get what he wants and needs. Instead of asking, like Wyll, Karlach and Gale do, Astarion uses all he has to offer to get by. He is still very much in survival mode and tries to weasel his way through an unfamiliar situation with familiar methods.
On top of that, and most notably, he’s absolutely not fond of kindness or selflessness.
#I saved a child and now my boyfriend is mad
Here, we are most likely to gain disapproval for doing the decent thing – unless you sent him outside for a minute whenever you’re being a good person.
And I’d assume that this is because of two things.
First: The very traditional ‘Why not me?’
As I mentioned before, Astarion wasn’t saved. He hasn’t experienced kindness in a very long time so seeing that the world is literally filled with kind people is hurtful. Why didn’t anyone save him? Why was he left to his own devices for so long? Why should he care about others when it’s so clear that no one ever cared about him? No, dead to all of them. If he didn’t get it, neither will they.
“And what am I owed? What about the injustices I suffered? Am I not entitled to anything?” – Act 3, Crypt
“I was in the prime of my life when I was turned. Everything was taken from me too.” – Act 3, Crypt
And secondly is the fact that, as I mentioned, goodness always has a price. And it’s one most people won’t be willing to pay. That’s how his life has been, so why would theirs be different?
This is precisely why Astarion may disapprove of kind actions, but he mostly neither approves nor disapproves if Tav asks for payment. That’s just how the world works.
Once you venture out into act 2, after getting to know him a whole lot more, he starts to mellow a bit – if only towards Tav.
“He’s afraid, so afraid, of everyone but you, who she should fear the most.” – Sceleritas about Astarion
His approval is a lot easier to gain – or at least keep! – and he tends to approve of some more proper actions. He doesn’t throw a fit if you promise to find Mol, he approves of Tav being kind to His Majesty, of saving Aylin and he even approves of Durge apologising to Isobel after threatening to rip her to pieces.
He's slowly starting to open up, allowing Tav to see some parts of him he previously kept hidden. He accepts their offer to help, if hesitantly and, by god, the man starts experimenting with boundaries.
The social worker in me is shedding tears at this. It’s my favourite thing to see in my clients and it’s no different here. Yay to saying no!
Of course, it’s still a bit hit or miss. If Tav urges him to bite Araj, for example, he will only to later notice that he didn’t fucking have to. He recognises this on his own and he calls Tav out on it. Just like he calls them out on not helping him with his Orthon quest.
Good job, chap. Good fucking job.
And the growth-train won’t stop going even as we reach act 3.
In act 3, there’s not many things he disapproves as of right now – those he does, mostly have to do with how Tav treats him and not with anyone else. In fact, he’s more likely to approve good behaviour now, like giving Yenna food or money.
And yes, we need to consider that this could simply be because he gets used to Tav’s behaviour and just learns to roll with it. But it’s also highly likely that he notices that there’s truly good people around. At least one person. And that person is not only good, no, they’re in the process of helping him break free once and for all.
They’re helping him save himself.
By act 3, he has learned that he can absolutely say his piece where Tav is concerned and he’s more likely to disagree with them on certain things. It’s seen during a lot of small dialogue that he’s no longer terribly afraid to be honest with them, willing to listen and talk and he’ll ask for help if he needs it.
“I can do this. But I need your help.” – Act 3, Crypt
Something that can be viewed both positively and negatively is that he’s definitely loyal to a fault. He will stick by Tav’s side, no matter what.
“I really hoped we could avoid being pawns for a dark god, but here we are, I suppose. I’m with you, my dear, wherever this might lead.” – Act 3, After Jaheira confronts durge
As I said, this can be both positive and negative. On one count, it’s a recipe for disaster, seeing as he could be waltzing into a really bad situation for Tav alone.
But on the other side…this is a man who only cared about himself because that is the only person he could afford to care about. He needed to survive. He now has enough room to breathe and the capacity to care for someone else and I’d be inclined to count that as a good thing.
6. The Crypt
All the progress he made in act 2 and 3 is nearly tossed into the wind as soon as the crew enters Cazadors castle.
It’s not an immediate thing, of course.
At first, Astarion tries to stay light and simple and he hides behind flippant tones and relaxed faces. The way he recounts this is almost comically disinterested and the façade is actually quite good.
It’s start’s cracking after we meet Godie, one of the people who tortured him on more than one account, but he mostly manages to remain as upbeat as one can honestly expect for the first half of the journey.
All that, however, is done for the very moment we meet Sebastian. His mask not only slips, no, it full on shatters and there’s none of his apparent lightness left.
Which, of course it does.
The man is suddenly faced with years and years and years of victims. Innocent, unlucky people he lured back to his master over two centuries. People he liked, people he pitied.
“It’s sickening, seeing them again.”
It’s basically a room filled with guilt, exclusively for Astarion. And, as we mentioned before…Astarion is not great with guilt.
The guilt, however, is not where it ends.
No, he’s also faced with reflections of his own past. The spawn pose as reminders of what he did, sure, but also as reminders of what he was.
Weak, desperate, hungry.
There’s an abundance of images of his worst moments, reflected back at him in the thousands. It’s probably like staring into a funhouse mirror, but instead of seeing yourself in a funky way he just sees everything he so desperately doesn’t want to be.
“It should be [who I am]! I don’t want to be like them. They’re pathetic, horrible…”
He’s forcefully made aware of how darn weak he can be, which claws at all the wounds he’s barely had time to close. Something, he of course won’t admit if asked.
“THEY DO NOT [remind me of myself]. That weakness in me is dead, IT’S DEAD. I have a higher purpose.”
The high pressure of the moment brings out all of his act 1 traits in but a few moments. You can pretty much watch how he starts to shut down mid conversation, one of his old walls snapping back into place to remove himself from the situation.
Thing is though, walls usually become a bit brittle after disuse. Especially when talking to a person you don’t usually want to wall out.
Or, in his case, when talking to Tav.
After meeting Sebastian, Astarion shows extreme reactions to Tav nudging any of his weak spots. His reaction varies on whatever choice you make, but it ranges from aggression to defensiveness, to denial and even to downright begging Tav.
“Don’t hate me. I just did what I had to. I swear I did what I had to.”
This probably the most shocking out of all of them, since that is not something we got to witness before. The begging is likely a mixture of intense fear of losing Tav, his low self-esteem and pre-Tav behaviour, since we can assume that Cazador made him beg more than once.
Another old coat he puts back on would also be the least surprising of them all.
Manipulation.
He falls right back into it, using Tav’s affection to get what he want if we trigger the right action.
“If they die and I ascend, I won't have to rely on the parasite to walk in the sun. I'll be free. Truly completely free. Isn't that what you want?”
This, to me, was probably the biggest tell that Astarion was back in survival mode. He’s panicking, for fucks sake, and who can blame the guy? He’s back. He’s about to face down his abuser.
Of course he’s fucking panicking.
Panic leads to an increased craving for safety and, in his case, power. This is why he clings to Tav, why he begs them to love him still. And this is why he jumps head first into the rationalisation pool.
“I will need to sacrifice them all if I want to perform the ritual. - [You can save them.] – What’s the point? They're as good as dead! I thought they were dead. If they are unleashed, they will cause incredible carnage. […] They must die. Better they serve a purpose.”
Another textbook example.
They must die anyway. They’re basically dead. No need to save them now. They’re dangerous, I’m doing the right thing by sacrificing them. I already thought they were dead, so it’s not changing anything for me. They’re a lost cause and I deserve all this power. I deserve it, because I suffered and nothing will change if they die.
So, seeing as we already spoke about his usual behaviour in act 3 – behaviour he showed after we allowed him to breathe and be himself for a while – I think we can fairly easily conclude he’s not thinking straight.
Astarion is right back in survival mode, where all that matters is he himself. If it weren’t for the seven thousand spawns, he might have moved through this more gracefully, but seeing those tipped the scales and Astarion is absolutely losing it.
Remember that for the last section, per favore.
7. The Ascension
“Astarion wants to ascend and Tav manipulates him into doing what they want.”
That is basically the essence of what people often claim and I can’t help but shake my head at such a blatant disregard of everything he has become. This is completely ignoring the change and growth he has gone through over the course of their journey.
Astarion wants to be free. He wants to be safe. That does not mean he wants to ascend.
And the claim that Tav manipulates him into doing anything is even more baffling. We are all aware that Tav is not manipulative by nature, yes? That is entirely on you. You decide who your Tav is.
And then let’s remember: Astarion is panicked. He’s afraid and he’s not thinking straight. His abuser is on his knees before him and he still feels so weak. And there’s seven thousand spawns that need handling.
Astarion is very much not okay right now.
In fact, reading his thoughts just proves this theory.
“You can see the fear in his eyes but also the hunger. The thick smell of blood in the air and the promise of power being so close is intoxicating to him. All he can see is the power of the ritual and the freedom that power brings. The freedom to do anything. To be anything.”
Tav, however, has none of those problems. They can actually see beyond the current situation and they are fully aware what the consequences are. Astarion is not. As we previously established, Astarion is a doer. Not a thinker. He didn’t think this through, not at all.
The only thing Tav is doing – the persuasion roll – is reminding him of the very real consequences he is facing. The consequences he hasn’t thought about before.
"I know you think this will set you free, but it won't. This power will trap you, just like it trapped Cazador."
And that is the kindest thing Tav could do in this situation. They’re not bodily dragging him away from Cazador. They’re not even telling him to not do it. They’re just offering him the truth. He can do with that information whatever he desires.
“Astarion cries when he doesn’t ascend, that just shows that it was the wrong choice.”
A hare-brained point that I thankfully have only seen once so far.
That crying? That is healthy crying.
That is him, crumbling under the stress that suddenly dissipates. That is him mourning two hundred years of torment. That’s him letting out feelings he hasn’t been able to for centuries.
And, for the love of god, try to put yourself in his shoes.
Two hundred years of torment, ended in but a moment.
Astarion was abused and tortured for so long, afraid for so long only to see his tormentor die just like that.
Cazador died within a moment and all Astarion needed was a darn blade. Of course he fucking cries.
Seeing how pathetic a being the very core of your life’s misery actually is hurts. It hurts like hell because not only are you finally free – free! – no, you’re faced with the fact that this pile of nothing, the thing that’s bleeding out right in front of you…this was what tortured for so long.
This thing hurt you so much. That guy took everything from you, everything you once were, and broke it again and again and again over years.
You were so scared of this thing.
And yet he has the gall and the gumption to die just like that.
It was so easy.
And yet you suffered for so long.
8. Evil Playthrough?
An evil playthrough is really a different setting altogether.
All of this, as you can probably tell, is really only applicable on a good playthrough. Realistically speaking. I’m not sure how the game mechanics handle it.
On an evil path, Astarion never really gets to experience kindness and goodness. Evil Tav will just prove him right in his believe that the world is a vile and cold place, meaning that he realistically would be more inclined to actually want to ascend.
9. Final Conclusion
I think all of this should be enough to make it clear that no, ascended Astarion is not the best ending for the guy. In fact, it is probably the worst. Because it’s just him, running away. He’s running into a lonely and cold state of being, where cruelty and power lord over everything else and he’s running because he’s terrified of being hurt again. He’s running despite desperately wanting to stop running.
“I'll spend the rest of my life running watching the shadows, never feeling safe…no, this has to happen. Here and now.”
And, the worst part is: Nothing about Astarion is left after he ascends. Even his tone of speaking gradually changes, his theatrics fading. He’s slowly losing himself, until there’s nothing but an evil caricature left.
So, in the end, ascension will have proven him right.
That version of him is dead.
#baldur's gate 3#baldurs gate 3#baldur's gate#baldurs gate#bg3#astarion#the dark urge#tav#astarion romance#astarion ancunin#astarion and tav#bg3 act 1#bg3 act 2#bg3 act 3#act 3#act 2#act 1#araj oblodra
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Brain is creating story in this AU so I wanted to ask some questions because I really like how you portray the characters (feel free to ignore this)
1: how would the team react to meeting another dragon hybrid? Would it be better or worse if they DIDN'T challenge his leadership?
2: I very vaguely remember you saying that there weren't angels or demons because that gets into religion, so what would the closet, or the thing that got mistaken as, for a demon? (Since the angels were harpys if I remember correctly)
3: are there other undead type monsters like what Ghost is? Do the vampires count as undead?
The way that dragons work in the Monster!AU is that they tend to set up shop someplace and establish their own territory and hoard. This can differ in size and scope - some dragon hybrids call their house their territory, and their hoard their card collection for instance. It can be very mundane. In Price's situation, his territory extends beyond his base and into his 'district' (which is why Alejandro and Rudy have to ask for his permission to conduct military action on his turf). His hoard is the 141. If another dragon hybrid were to pass through this area, Price would be polite but would essentially ask them to 'keep it moving' so to speak. Don't get comfortable here or with my hoard, they're mine - that kinda sentiment.
Imps, probably. They're horned and have barbed tails, and in older times spent their lives terrorising mortals. However, they're not demons, and technically are a classification of fae.
Ghost isn't undead, actually! In the Monster!AU, wraiths are humans who have come extremely close to death, but are so motivated by vengeance that they come back from the edge. Death clings to them, and they're always in a sort of limbo state of matter, which is why people liken them to ghosts or spirits, but technically they're not undead. Vampires aren't either - they're a monster-typing that goes way back and began from a handful of powerful sires that were always vampires. Maybe it's a silly line to still hold in such a fantastical made-up universe, but I like keeping the seriousness of death intact in the Monster!AU. It makes things mean a bit more when characters get injured.
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I can't recall if you take requests but.. The boys with a vampire lover? If you haven't already.. Been thinking about this for awhile, I just had to ask. And if you don't, Then I apologize for asking.
Vampire Lover!
Tags: mostly fluff, monsterxhuman, mention of blood (you’re a vampire duhhhh)
Incl: Satoru, Suguru, Sukuna, Choso, Nanami
An: Hi! My requests are open :) No need to apologize! Thank you for the idea <3 I hope this is what you meant btw this is the best I could come up with.. 😭
SATORU
Satoru would definitely be the type to beg you to bite him. You would always deny him and tell him that it’d be wrong for you to feed on him since he’s your boyfriend, but he gets all giddy at the idea of you biting him and drinking from him.
He always makes excuses for why you can’t attend events or different clan meetings if they’re during the day. You’re constantly known for having some sort of sickness that Satoru randomly came up with.
He’s very inquisitive: constantly asking you if people smell different based off their blood types, which blood type is the sweetest etc.
He also has the money to fund all consensual giving of blood to feed you for years on out. You never have to worry about going hungry or having to hunt for food. Another reason why you refuse to drink from him.
Satoru would at first be happy with his humanity. He doesn’t want immortality or to never age. He doesn’t want any more power than he already had. Though, when you randomly bring up to him that you’ll outlive him, he’s suddenly questioning whether being a human is for him or not.
The thought of you going on to live without him for as many years as this earth stands drives him wild. He starts doing a lot of research, and he begins to ask you if you’ve thought about turning him. He’s definitely willing to give up his humanity if it means being by your side.
SUGURU
Suguru insists you drink from him to prevent harm from anyone else. At least, that’s what he tells you. In reality, he loves how much you rely on him. He adores each time you crawl up into his lap and gingerly kiss on his neck, obviously hoping to feed on him.
He’ll always tell you, “Go ahead, baby. Take what you need,” as he brushes his hair back from his neck. His hands would gently caress your back and bottom as you drank from his neck.
He’d never stop you either, even if you took a bit too much from him because that’s when you’re extra doting on him. You’re super apologetic and tend to him like he’s some frail being. It’s the only time in his life that he’s looked at as weak, and he doesn’t mind it, especially not when your apologizing with kisses and bringing him anything he could possibly ask for.
Suguru lies to his found-family that you have a rare skin condition, and you can’t be in the sun at all. He makes sure everyone accepts you into their little group, and he even introduces you to his followers. You expressed fear about being around that many humans, but he loves to watch as you nervously make your way across the room, introducing yourself to everyone. He knows you’ll be itching to feed as soon as everyone’s gone.
Suguru wants to be by your side for forever, but he knows that if you turn him, then you can’t feed on him anymore. He’s stuck in a dilemma of choosing which is more important to him. His humanity isn’t even part of the equation as he gave that up a long time ago.
SUKUNA
Sukuna would be the type to laugh at you for needing blood as substance to keep you alive. He would mock and bully you saying things like, “Look at the worthless creature who’s really no better than a mere mortal.”
He’d tempt you by various means, sometimes even “accidentally” slicing his finger open so you could smell the blood that still somehow pulsed through his veins. Once you finally pled enough for his liking, he’d finally allow you to have a taste.
For the King of Curses, he has some of the sweetest tasting blood that you’ve ever had the pleasure of indulging. Though, he won’t let you drink from him often, instead he gifts you human sacrifices. He thinks of it as a courting present.
When he’s not being a little asshole towards you, he does enjoy lying in bed with you while you theorize about what the future holds for you two. He’d gently pet your hair and tell you not to worry your head about such foolish things.
Everyone in his inner circle already knows about what you are. If they’re fine with being associated with the literal incarnation of evil, then they should be completely okay with a vampire at his side.
He doesn’t have to give up his humanity to be with you for all eternity because he doesn’t have any humanity to begin with. You’re not even sure what would happen if you tried to turn him, but you’re not too keen on finding out.
CHOSO
Choso would be like Satoru in the sense that he’s constantly making sure that you’re fed. Given his blood manipulation cursed technique, he can feed you quite easily through various different means. Though he rather prefers when you bite him.
He relates to you on a deeper level, understanding what it’s like to be not quite human. He sympathizes with your struggles and tries to reassure that some humans will accept you for who you are.
Knowing that you can’t go out in the sunlight, Choso finds so many date ideas and things to do at night. You never feel like you’re missing out on anything because this man will make it happen, no matter what it is.
Only Choso and Yuji know you’re a vampire. He knows he said that humans will accept you, but he also knows some will try to hunt you down, and he’s not willing to take the risk.
Choso doesn’t have to give up his humanity to live forever with you, but he does wonder what would happen to him if he was half-curse and half-vampire. He’d become fixed on the idea, but you’d have to politely remind him that if he turned, his cursed technique would basically become useless.
NANAMI
Nanami would be such a cautious lover to a vampire, not because he’s scared of you. He loves you. He’s just worried about everyone else being around you.
He’d let you feed on him, but he brings around small blood bags for you to enjoy at all times! He even gets jazzy with it and makes you fun little drinks with the blood (while trying not to throw up because it probably repulses him). Nevertheless, the drinks always turn out good.
He holds an umbrella for you constantly if you insist on going out during the day time. If anyone asks why you need an umbrella, he snaps at them to mind their own business.
Nanami would tell no one that you’re a vampire. He doesn’t want anyone potentially leaking that information and bringing you into harm’s way. He prefers that he’s the only one who knows.
Unfortunately, I don’t see Nanami giving up his humanity to be with you forever, and you agree with him. He grows old beside you while you remain the same, and you give him the most fulfilling life possible.
#jjk#jjk fanfic#jujutsu kaisen#fanfic#drabble#gojo satoru#jjk gojo#jjk nanami#nanami x reader#jjk satoru#jjk suguru#getou suguru x reader#jjk sukuna#sukuna x reader#jjk x reader#vampire reader#jjk drabbles#gojo x reader#jjk choso#choso x reader
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The Tour | w.a
Wednesday Addams X Fem reader
"People are like plants: it’s not the amount of light they receive, but the kind that determines if they bloom." - Anonymous
“I don’t want to do it, Enid,” Wednesday hisses through gritted teeth, casting a cold look at the blonde in front of her.
“It was my turn last year! Can’t you do me this favor just this once?” Enid responds, her tone a mix of sweetness and desperation, her eyes pleading with her roommate.
I decide to look away, letting my attention wander around the room’s decor. I had just arrived at Nevermore Academy, and the headmistress had assured me that someone would show me around. But it seems she had asked the wrong people.
I was born with two powers: super hearing and the ability to read minds. The latter I try to avoid as much as possible; it feels like invading people’s privacy. But with super hearing, there’s no way to turn it off. All I can do is try to distract myself by focusing on something that captures my attention.
One of the main reasons I avoid using my powers is the discomfort of hearing what people think and say about you. Discovering what others are hiding can be devastating, and...
Oh, look. There’s a hand walking by itself.
I raise an eyebrow in confusion, but a slight smile escapes me at the unusual sight.
“Is something amusing you?” Wednesday Addams asks with a hint of venom in her voice. I look up, my cheeks flushing with embarrassment as her dark eyes lock onto mine with a chilling intensity.
Her body is rigid, her posture upright, and her head held high with an unshakable pride.
As soon as I meet her gaze, a strange sensation crosses my mind. Then, a phrase materializes in my thoughts: I don’t like this girl. The feeling of discomfort replaces my initial embarrassment.
Enough, Y/N, I think to myself. Stop reading thoughts.
“Sorry, she’s just like that...” Enid interjects with a nervous smile, shooting a sidelong glance at her friend.
“No, it’s fine,” I quickly reply, trying to mask my discomfort as I set my suitcase on the floor.
Wednesday huffs with a hint of annoyance and gracefully walks over to her desk. She grabs the bag that was on the chair and, before leaving the room, gives me one last look that makes me wish I could disappear. Then, without a word, she steps out of Ophelia Hall.
“I think you should follow her,” Enid suggests with a small smile.
I give her a small wave, almost as a thank you, and hurry to exit, trying to keep up with the small but surprisingly fast Wednesday Addams.
Wednesday walks ahead of me, her steps light but purposeful, as I try to match her pace. She doesn’t look back or check if I’m following, but her silence is a clear signal that she expects me to keep up.
Wednesday stops in front of a large wrought-iron gate that leads to a circular outdoor space. In the center stands an old and somewhat eerie fountain, with five paths branching off in different directions, forming a sort of pentagon.
“Welcome to the Pentagram,” she says in her usual flat, unenthusiastic tone. “This is the heart of Nevermore Academy. From here, you can access all the main areas of the school... and encounter the different ‘categories’ of students.”
I stop beside her, observing the area. There’s a strange energy in the air, as if something darker lurks beneath the seemingly tranquil surroundings.
Wednesday turns slowly to face me, her dark eyes boring into mine with an intensity that makes it hard to look away. “Here at Nevermore, we’re not all the same,” she explains, gesturing vaguely towards the paths around the fountain. “There are vampires, of course. They’re not as charming as in the movies, but they consider themselves quite superior.”
She indicates one of the paths with a slight nod of her head. “Then there are werewolves... Enid is an example. Unlike vampires, at least werewolves have a sense of loyalty, though their pack mentality can be... irritating.”
Continuing, she shifts her gaze to another path. “Mermaids,” she says, with a note of slight disdain in her voice. “They’re natural manipulators. They can control minds with their voices, but they’re very appearance-conscious. Never trust a mermaid. They have a talent for deception.”
She takes a brief pause and then gestures towards another corner of the courtyard. “And then there are the Gorgons. Not exactly Medusas, but if they look you in the eye without their special glasses, you turn to stone. Literally.”
I watch her closely, trying to discern if there’s a hint of irony in her tone, but her face remains impassive.
“Finally, there are those who don’t fit into any specific category,” she concludes, looking up at the dark sky above us. “The anomalies. People like me.”
“What do you mean by ‘anomalies’?” I ask, intrigued.
Wednesday stops and turns to face me, her black eyes shining with an intensity that makes it difficult to look away. “Anomalies,” she begins, “are people who don’t fit into the predefined groups of Nevermore. They don’t fall into common categories like vampires, werewolves, or mermaids. They are... different in ways that our classification can’t always explain.”
She looks at me with an expression that suggests how little she understands my curiosity. “They are individuals who possess unusual abilities or characteristics that defy the usual labels. Some may have strange powers, while others simply don’t conform to expectations.”
Her words leave me with a sense of wonder and a touch of unease. “So, students who don’t belong to any of the main groups are considered anomalies?”
“Exactly,” Wednesday confirms.
I remain silent for a moment, reflecting on what she has said. “Then I suppose I belong to this group.”
Wednesday gazes at me with attentive eyes. There’s a subtle shift in her expression, as if my question has finally piqued her interest. “What powers do you have?” she asks, her voice softer, almost interrogative.
My heart beats a little faster. I’ve never liked talking about my powers, but I can’t avoid this conversation. “I can... hear thoughts. And I have super hearing. Though I try to avoid using telepathy, out of respect for others’ privacy.”
As soon as I say this, I notice a slight stiffening in Wednesday’s shoulders. Instinctively and somewhat awkwardly, she raises her hands, bringing them near her head as if to build an invisible barrier around her mind for protection. The gesture is oddly endearing, a contrast to her usual unflappable demeanor.
“Are you reading my thoughts right now?” she asks, with a calm exterior, but her guard is clearly up.
“No!” I reply quickly, also raising my hands as if to demonstrate my innocence. “I never do it intentionally... unless it’s an emergency. I really do respect other people’s boundaries.”
Wednesday watches me for a long moment, scrutinizing every detail of my face as if trying to decide whether to trust my answer. Then, slowly, she lowers her hands, although she still seems cautious.
“It’s... an annoying power,” she comments finally. “It’s not very common here. Nevermore students tend to be very protective of their secrets.”
I lower my gaze, feeling embarrassed. “I know. That’s why I try not to use it.”
Wednesday gives a small nod of approval and, without adding anything else, turns and begins walking towards one of the paths in the Pentagram. After a few steps, she stops and looks back at me.
“Are you going to stand there staring all day, or do you plan on following me?” she asks in her flat tone. “The tour isn’t over.”
I take a deep breath and hurry to follow her. It seems that Nevermore still has many secrets to reveal... and Wednesday has no intention of slowing down for anyone.
Wednesday continues to lead me through the corridors of Nevermore, passing by groups of students chatting or hurrying to their destinations. She doesn’t seem to notice anyone around her, walking with a decisive and assured stride, expecting me to follow without question.
After navigating various narrow passages and dark staircases, we finally arrive at a pair of imposing dark wooden doors. Wednesday opens them without hesitation, revealing a vast hall filled with towering shelves brimming with books that seem as ancient as the school itself. The soft light adds an almost mystical touch to the environment.
“This is Nevermore's library,” Wednesday says in her usual flat tone. “A place many students use as an excuse for making out in hidden corridors or, worse, for reading poorly-written romance novels.”
I can’t help but smile slightly. “That’s not really my genre,” I reply, admiring the massive collection of books. “I prefer something more... stimulating. Like mystery or horror.”
Wednesday stops abruptly and turns toward me, with a slightly curious expression. Her dark eyes scrutinize me as if trying to determine whether I’m serious or just trying to impress her.
“Interesting,” she murmurs with a faint smile.
She gestures for me to follow as she makes her way through the library and heads toward the exit.
“So,” she begins in a measured tone, “if you prefer mystery and horror, who are your favorite authors? I hope you don’t just name the usual clichés.”
I sense that she’s testing me, seeing if I truly have an authentic knowledge of those genres. I think for a moment and then answer confidently. “Shirley Jackson, for example. Few manage to capture the hidden horror in everyday banality like she does.”
For a moment, I see something change in Wednesday’s expression. It’s uncommon to see her surprised, but it seems that the name I just mentioned has struck a chord with her. Her lips curl slightly into a barely perceptible smile.
“Shirley Jackson,” she repeats, as if savoring the name. “Finally, someone with good taste. We Have Always Lived in the Castle is a masterpiece of unease and despair.”
I can’t help but feel a bit satisfied for having passed her test. Wednesday continues to observe me for a few more seconds, then turns and resumes walking. Although she doesn’t say anything, there’s a new dynamic between us, a sort of mutual respect that wasn’t there before.
“Follow me,” she says finally. “There’s still much more to see.”
Wednesday continues to lead me through the school with her determined stride, guiding me down a long corridor that leads outside. We cross the courtyard and head toward a separate building, surrounded by climbing plants and well-tended shrubs.
“This is the greenhouse,” Wednesday says as we open the glass door. Inside, the greenhouse is a tangle of exotic plants, some with an unsettling appearance, with flowers in unnatural colors and leaves that seem to move on their own. “Here, the rarest and most poisonous plants are cultivated. Mortality biology, as I prefer to call it.”
As we observe a plant with leaves that shift slightly as we pass, Wednesday turns to me. “The greenhouse is managed by Professor Thornhill. Many people like to spend time here, but only a few truly understand the lethal potential of what grows here.”
I nod, a little intrigued and a little unsettled. The air is thick with intense scents, some sweet, others sharp, but all decidedly... strange.
Wednesday doesn’t linger longer than necessary. “Let’s go,” she says, quickly exiting as if the greenhouse is just one of many stops of the day.
After a few minutes of walking in silence, we arrive at the Nevermore gymnasium. We enter, and the atmosphere changes dramatically. The room is vast and well-lit, with walls adorned with ancient swords and shields, and fencing equipment neatly arranged. Some students are engaged in intense fencing sessions, maneuvering their swords with extraordinary skill, while others are working out with exercises that combine agility and strength in almost supernatural ways.
“The gym,” Wednesday says with a tone that reveals her disinterest. “Here many seek to refine their combat and fencing skills. It’s a place of competition and discipline. Personally, I prefer to exercise the mind rather than the body. However, if you like the idea of facing others in duels and tests of strength, this is the place.”
I watch the students training fervently, their swords glinting under the fluorescent lights, and the fluid and precise movements of their techniques. It seems like a dynamic and competitive environment, very different from the other areas of the school.
Wednesday continues to walk, passing by the ongoing training. “It’s not my ideal environment, but every corner of Nevermore has its purpose,” she adds, casting a distracted glance at the room. “Don’t worry if it doesn’t seem like your kind of place. Many students feel at home here, but there are others who prefer different spaces to express their abilities.”
Although this part of the school is vibrant and full of energy, it’s not the kind of place where I would feel comfortable. But, as Wednesday says, every place has its role, and Nevermore seems to have a spot for every type of person.
Wednesday gestures for me to follow her again, and we head toward another room. As we enter, the smell of food immediately hits us. The large space is crowded with students talking among themselves as they line up to get food or sit at long tables.
“The cafeteria,” Wednesday comments, observing the environment with an almost disgusted air. “Where the common people eat and socialize. If you’re lucky, you might find a quiet corner. But don’t expect much in terms of culinary quality.”
I can’t help but chuckle at her comment. The chaotic atmosphere of the cafeteria makes me feel a bit uncomfortable, but at least it’s warmer compared to the greenhouse and gym.
“We won’t stay here,” Wednesday says quickly, leading me out again. We move toward a quieter, more serene part of the school.
Wednesday guides me down the corridors of Nevermore, her pace steady and unyielding. “So, you’ve seen almost everything,” she says, breaking a silence that had only been interrupted by our footsteps. “If you have any other questions, now’s the time.”
Taking advantage of her openness, I ask, “I’ve noticed that everyone wears the purple uniform except for you. Why?”
Wednesday raises an eyebrow and gives me a scrutinizing look. “The purple uniforms are standard for all students at Nevermore. They represent a sense of belonging and uniformity. However, my black attire is a personal choice.”
Her answer seems a bit cryptic, so I continue probing. “But is there a specific reason you wear black? It’s not a rule, is it?”
Wednesday smiles slightly, an expression that could be interpreted as a kind of personal satisfaction. “Black is a manifestation of my style and preferences. It’s not so much a rebellion against norms as it is a statement of individuality.”
“I see,” I say, reflecting on her comment. “So it’s a conscious choice that reflects your personality.”
“Exactly,” Wednesday replies with a tone suggesting that the conversation might be closing there.
“Do you know where your room is?” Wednesday asks, raising her gaze with an impatient question.
I raise an eyebrow and reply with a subtle smile, “It’s practically yours.”
Wednesday looks at me with intensity, as if evaluating my answer. “I know, but I have to go somewhere else, and I’m not sure if you know how to get there.”
“I can find it,” I say calmly. “Thanks for the tour.”
As I look at her, I notice her eyes fixate on me with a penetrating intensity. I take a moment to observe her closely. Her figure is petite and slender, but she exudes a presence that fills the space around her. Her black hair is neatly styled in two braids that fall down her back. Her pale face is dotted with subtle freckles that seem to peek timidly above her nose and on her cheeks. These small details add an unexpected dimension to her austere beauty.
Her dark eyes are like two deep wells reflecting an eerie light, and her thin, well-groomed eyebrows accentuate her detached expression. She wears the black school uniform, which fits perfectly with her elegant figure and stern demeanor. Her movements are fluid and measured, imparting an aura of control and authority.
In her mind, I catch the thought: I don’t know if she’s reading, but this girl is really interesting. My cheeks involuntarily flush.
Wednesday, noticing my embarrassment, tilts her head slightly to the side and adds with a faint smile, She’s cute when she blushes
I try to look away and calm the redness on my face, feeling a mix of embarrassment and curiosity. “Again, thanks for the tour,” I say, trying to keep my composure.
Wednesday gives a nod of approval and resumes walking, leaving me with thoughts about her words and the impression of how Nevermore can be both fascinating and enigmatic.
#jenna ortega x reader#jenna ortega#jenna ortega x you#jenna ortega x y/n#jenna ortega x fem!reader#wednesday addams x reader#wednesday x you#miércoles addams#wednesday addams x you#jenna marie ortega#jenna ortega imagine#tour#wednesday x y/n#x y/n#y/n
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Disabilities and Monsters in Eureka: Investigative Urban Fantasy
Through a discussion with @vixensdungeon (great blog to follow for TTRPG stuff by the way) it came to our attention that some of our more jokey and memey posts and reblogs may have given some people a slightly skewed idea of what Eureka, and particularly the “urban fantasy” parts of Eureka are really about, and its tone. We like to joke around about it, and the “cute monster girl” angle really sells on tumblr.com, but actually playing these types of characters in Eureka is not exactly a power fantasy. They eat people, and often eat them alive. If you find that cute, funny, and/or sexy, well, Eureka is still probably just the game you’re looking for, but that isn’t the main thing. Eureka uses the fact that many of these characters necessarily subsist off the flesh and/or blood of other people as a loose metaphor for mental and physical disability.
Imagine you need something that everyone else has but you don’t. If you don’t have it regularly, you will literally start to waste away. The only way to obtain this thing is to take it from another human being, who also needs it, and others will deny that you need it, and abhor that you need it. It’s not uncommon for people, even “progressive” people, to say something along the lines of “they need to all be killed for the good of society,” even if they don’t realize that’s what they’re saying. You didn’t choose to be this way. This is the reality of monsters in Eureka, and many people in real life.
And then even when you have that thing you need, for now, there are many facets of society that you just can’t participate in because your condition makes them impossible for you, like if a vampire wanted to take a run on a sunny beach. Monsters in Eureka will be challenged by their supernatural weaknesses at every turn, while hiding their abhorrent needs from society and even the rest of the party, and asking why they have to be this way. Finding clever ways to get around and circumvent their weaknesses is a core part of the gameplay of monster PCs in Eureka. Imagine you and your friends want or need to go somewhere, but that somewhere is on the other side of a river. The river has a well maintained bridge. For everyone else but you, a vampire who can’t cross running water, getting across the river is the simplest task in the world, so much so that no one would even consider it a task, but for you, it’s a challenge, and for gameplay, it’s a puzzle.
It isn’t totally hopeless, as many of the jokes and fan comics show (those aren’t just memes, they’re only showing one side of the coin and not the other). Monsters who accept, or even embrace and celebrate their monsterhood, can and do exist canonically, alongside monsters who can’t bear to do what they do. In some cases, these may be the same monster on different days.
I’m going to conclude this post by posting two excerpts from the rules text itself.
Disabilities are Disabling
So why don’t disabilities grant any advantage? It isn’t too uncommon for RPGs to have some sort of “flaw” system, where during character creation you can give your character “flaws” or some kind of penalty, and usually get that balanced out by being able to add extra bonuses elsewhere. Sometimes, these “flaws” may take the form of disabilities.
One particular high-profile indie TTRPG takes this beyond just character creation, and makes it so that if a PC receives a “scar” in combat that reduces their physical stats, their mental stats automatically go up by an equivalent amount, and proudly imply that to make any mechanic which results in permanent consequences or makes disabilities disabling is ableist. We think you can probably tell what we think of that from this sentence alone, and we don’t need to elaborate too much.
We do think, in the abstract, “flaw” systems in character creation are not a bad idea. They allow for more varied options during character creation, while preserving game balance between the PCs.
But in real life, people aren’t balanced. The events that left me injured and disabled didn’t make me smarter or better in any way - if anything, they probably made me dumber, considering the severity of the concussion! Some things happened to me, and now I’m worse. There’s no upside, I just have to keep going, trying harder with a less efficient body, and relying more on others in situations where I am no longer capable of perfect self-sufficiency.
A disabled person is, by definition, less able to perform important daily tasks than the average person. To deny this is to deny that they need help, and to deny that they need help is to enable a refusal to help. This is the perspective from which Eureka’s Grievous Wounds mechanic was written.
When a character is reduced to 1 HP (which by design can result from a single hit from many weapons) they may become incapacitated or they may take a Grievous Wound, which is a permanent injury with no stat benefits. Grievous Wounds don’t have to result from combat, they can also be given to a character during character creation, but not as a trade-off for an extra bonus.
“But then doesn’t my character just have worse stats than the rest of the party?” Yes, haven’t you been reading this? There is no benefit, except for the opportunity to play a disabled character in an TTRPG. This character will probably have to be more reliant on the rest of the party to get by in various situations. Is that a bad thing?
Monsters Essay
All investigators in Eureka: Investigative Urban Fantasy are regular people. They can also be a monster, like a blood-sucking vampire or a broom-riding witch. Importantly, this works because despite their unique nature, monsters are still regular people. You can read more about this in Chapter 8, but the setting of Eureka does not have a conspiracy or “masquerade” hiding supernatural people from normal society. Though they are still largely unknown to modern science, they exist within normal society - and a lot of them eat people.
The default assumption in RPGs has been that monsters are just evil by nature, doing evil for evil’s sake. RPGs that seek to subvert this expectation often instead make monsters misunderstood and wrongfully persecuted, but harmless. Eureka takes a wholly different approach.
There are five playable types of monsters in the rulebook right now, and it’ll be seven if we hit all the stretch goals, but for simplicity’s sake this discussion of themes will just focus on the vampire. Despite them applying in different ways, the same overall themes apply to nearly every monster, so if you get the themes for the vampire, you’ll get the gist of what Eureka is doing with its playable monsters in general.
Mundane investigators have to keep themselves going by eating food and sleeping (see p.XX “Composure” for more information). Well, vampires can’t operate the same way. They don’t sleep, and normal food might be tasty for them as long as it isn’t too heavily seasoned, but it doesn’t do anything for them nutritionally. Their main way to keep themselves functioning is fresh living human blood, straight from the source. To do what mundane PCs do normally by just eating and sleeping, vampires have to take from another, whether either of them are happy with this arrangement or not. They do not, of course, literally have to, and a player is not forced to make their vampire PC drink blood, just like you reading this in real life don’t literally have to eat food. You do eat food if you want to live in any degree of comfort or happiness, and vampires do drink blood or they eventually become unable to effectively do anything.
This is numerically, mechanically incentivized and not simply a rule that says something like “this character is a vampire and therefore they must drink blood once every session,” to demonstrate that the circumstances a person faces drive their behavior. In America, there is a tendency to think of criminality and harm done to others as resulting from intrinsic evil, but people do not just wake up one day and decide “I think I’ll go down the criminal life path.” Their circumstances have barred them from the opportunities that would have given them other options.
People need food; food costs money; money requires work; work requires getting hired; but getting hired requires a nearby job opening, an education, an impressive resume, nice clothes, charisma, consistent transportation, and so on. For people without other options, crime becomes the only method left to meet their basic needs. Would you rather take what you need from other people, or go without what you need? There are people who don’t have the luxury of a third option. Failure to meet the needs of even a small number of people in a society has high potential to harm the entire society, not just those individuals whose needs are unmet.
As their basic need for blood becomes more and more difficult to ignore, a vampire is going to encounter much the same dilemma. There is really no “legal” or “harmless” way for them to get their needs met, even if they do have resources. Society just isn’t set up for that. And no, your kink is not the solution to this, trying to suggest every vampire just find willing participants who are turned on by vampires or being bitten is suggesting sex work. It’s one step removed from telling a girl she should just get an OnlyFans the minute she turns 18, or that women should just marry a rich man and be a housewife that gets their needs taken care of in exchange for sex and housekeeping. Being forced into such a dynamic isn’t ethical or harmless for the vampire or for their “clients.”
“Oh well, then the vampire should just eat bad people!” You mean those same bad people we just described above? Who gets to decide which people are “bad people?” Who gets to decide that the punishment is assault or death?
Playable monsters in Eureka are dangerous, harmful people. They were set up to be.
Society not being set up in a way that allows monsters to make ethical choices brings us to the next theme: monstrousness as disability, and monsters as “takers.”
Vampires have to take from others a valuable resource that everyone needs to live, and the extraction of which is excruciatingly painful and debilitating. No one knows what happens to blood after a vampire drinks it, it’s just gone. Vampires are open wounds through which blood pours out of the universe.
This is a special need, something they have to take but cannot give back. Their special needs make them literally a drain on society and the people around them. In the modern world, there is a tendency to feel that people must justify their right to life, that they must pay for the privilege of existing in society. This leads people to consider “takers” (people who take much more than they give back, such as disabled people) as something that needs to be pruned away for the betterment of everyone else. Even many so-called “progressives,” while they claim not to agree with pruning “useless eaters,” still hold the unexamined belief that people must justify their existence. To reconcile these two incompatible ideas, they instead simply deny that disabled people take more resources than most people, and are capable of giving back less. This sentiment is perfectly illustrated by the aforementioned game’s insistence that disabilities are never a net reduction of a character’s stats.
Vampires and other playable monsters are inarguably “takers,” but in positioning them as protagonists right alongside mundane protagonists, Eureka puts you in their shoes, and forces you to acknowledge their inner lives and reckon with their circumstances. You have to acknowledge two things: first, that they are dangerous, that they are harmful, that they take more than they give - and second, that they are people. Because they are people, Eureka asserts that they have inherent value, a right to exist, and a right to do what they need to do to exist. (We also acknowledge that their potential victims have a right to do what they need to do to exist and defend themselves, but that is a separate discussion.)
One final point to touch on is mental illness. Mental illness is a disability, one pretty comparable to physical disability in a lot of ways, so all of the above points can apply to this metaphor as well, but there are a few unique comparisons to make here.
It’s not the most efficient, but there are a couple of loopholes deliberately left in the rules that allow vampires to sometimes sporadically restore Composure (and thus their ability to function) without drinking blood. Eureka! moments and Comfort checks from fellow investigators can restore Composure.
When writing the rules, we came to a dilemma where we weren’t sure if it was thematically appropriate for monsters to be able to regain Composure in these ways (since it could lessen their reliance on causing harm), but ultimately we decided that yes, they can.
People with mental illnesses may have the potential to be harmful and dangerous, but all the information we have access to has shown that mentally ill people with robust support structures and control over their own lives are much less likely to enact harm, whether through physical violence, relational violence, or violence against the self. This is why we kept that rule in for playable monsters. Being able to accomplish their goals, and having friends who are there for them, makes that person less likely to cause unnecessary harm.
Vampires are especially great for demonstrating this because they’re immortal and they always come back when “killed.” They can’t be exterminated, they aren’t going away, there will always be problem people in society, no matter how utopian or “progressive.” Vampires are a never-ending curse, who will always be a problem whether they like it or not. The question is how you will grapple with their inevitable presence in society and how you will treat them, not how you will get rid of them.
Eureka is as much a study of the characters themselves as it is the mystery being solved by the characters. It is a game about harsh realities, but it is ultimately compassionate. It argues through its own gameplay that yes, people do have circumstances which drive their behavior, people do have special needs that are beyond their ability to reciprocate, many of those people do cause harm or inconvenience to others, and all of them are still valuable.
Elegantly designed and thoroughly playtested, Eureka represents the culmination of three years of near-daily work from our team, as well as a lot of our own money. If you’re just now reading this and learning about Eureka for the first time, you missed the crowdfunding window unfortunately, but you can still check out the public beta on itch.io to learn more about what Eureka: Investigative Urban Fantasy actually is, as that is where we have all the fancy art assets, the animated trailer, links to video reviews by podcasts and youtubers, etc.!
You can also follow updates on our Kickstarter page where we post regular updates on the status of our progress finishing the game and getting it ready for final release.
Beta Copies through the Patreon
If you want more, you can download regularly updated playable beta versions of Eureka: Investigative Urban Fantasy earlier, plus extra content such as adventure modules by subscribing to our Patreon at the $5 tier or higher. Subscribing to our patreon also grants you access to our patreon discord server where you can talk to us directly and offer valuable feedback on our progress and projects.
The A.N.I.M. TTRPG Book Club
If you would like to meet the A.N.I.M. team and even have a chance to play Eureka with us, you can join the A.N.I.M. TTRPG Book Club discord server. It’s also just a great place to talk and discuss TTRPGs, so there is no schedule obligation, but the main purpose of it is to nominate, vote on, then read, discuss, and play different indie TTRPGs. We put playgroups together based on scheduling compatibility, so it’s all extremely flexible. This is a free discord server, separate from our patreon exclusive one. https://discord.gg/7jdP8FBPes
Other Stuff
We also have a ko-fi and merchandise if you just wanna give us more money for any reason.
We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.
#indie ttrpgs#ableism#indie ttrpg#disability#ttrpg tumblr#disabled#ttrpg#disability rights#rpg#disabilties#ttrpgs#disablity aid#tabletop#monster girls#monster girl#monster boy#monsters#indie game#indie games#rpgs#free rpg#eureka#eureka: investigative urban fantasy
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@lyinoptimist On why Louis is a better character with a richer story because of the way they brought race into the show:
[captioned: I agree with his Interview with the Vampire take, and it's not just that I care more that they're black, it's that I care more that they are black in a world where the creators know that they are black and write the story accordingly.
I remember when they cast Jacob Anderson to play Louis in this story a couple years ago and people were confused and nervous and a little bit angry as to why they cast this black man to play a character, who at least in the original story was a plantation owner that owned slaves & let them go I think eventually, but still it's like "what is this choice that you're making?" and the creators were like "no, no we know what we did".
And so now Louis like owns a brothel instead, and it's like Creole and like down in Louisiana 1920s, and you're like, "Oh, that's a pretty solid adaptational choice."
And I think ultimately the decision makes Louis look a lot more relatable, and also makes the story a lot more relatable because at least it would be harder for me to recommend this story if old Louis was the one I was telling you was in this really great show. It's like, "yeah... but he owned slaves...", you know what I mean?
It's just one of the things where it's not something I have to get into with other black fans who are really into like fantasy stuff who maybe don't want to engage in that sort of like problematic content.
Beyond Louis and Claudia being black and then Armand being like South Asian, it also gives us a really interesting look into different readings of the text now that the characters playing it are adapted in this way. This happens a lot in season one remember... like, because Lestat makes both Louis and Claudia he can no longer read their minds, but Louis and Claudia can still read each other's minds. And so in this kind of familial dynamic they've established for themselves, Louis and Claudia have this literal telepathic understanding that Lestat will just never be privy to and you can kind of read into that. It's like a metaphor for their relationship being with two black people in the household and then moving through the world and understanding the world in a way that is just different from Lestat. There's an underlying racial anxiety to Louis and Lestat's relationship that makes it, you know, more complex and like more fun to watch.
Season two there's less of it, but you have things like racialized trauma being used as the backbone for the trauma that the characters are experiencing to both highlight how horrific the things they're going through actually are.
Like Armand and his like, being sexually abused as a child in that specific way very much has the connotation of like, this happened to him because he was a vulnerable brown child and this very powerful white vampire came--presumably, i don't know who they're gonna cast but i was reading into it--came by and did this to him. And it's like, okay yeah, that complicates that dynamic a bit more.
Same thing with the execution that happens to Louis, Claudia, and Madeline at the very end of the season which is very reminiscent of, like-- Claudia even calls it a stoning but I would also argue that there's, like, elements of, like lynching to it, right?
Like, it's very horrific in a very relatable way to Black people, which I think it's drawing upon that but it's not necessarily like glorifying it in that way in order to like make the point that it wants about like, the tragedy that these characters are going through and I think it just makes the story that much richer and allows for a lot more interesting new perspectives because these characters are people of color now and that's what you can do with a good adaptation and like, these creators they understand that. ]
#louis de pointe du lac#claudia de pointe du lac#interview with the vampire#tv: interview with the vampire#iwtv meta#iwtv#***#tiktok#captioned
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One thing that really fascinates me about interview with the vampire (the show) is this sort of tension between power and powerlessness in all of the characters. Because it doesn't present becoming a vampire as something that just gives you power and magically makes you completely detached from all human concerns and struggles.
And that seems to be something Lestat does very much want to believe, and he's in enough of a position of privilege that he's able to convince himself it's true, and it's a fundamental area where he just cannot understand Louis because Louis CAN'T pretend even if he wants to. (And of course Lestat cannot ACTUALLY separate himself from "human troubles" the way he likes to think he can, he just has an easier time pretending than most). Because as much as becoming a vampire grants these characters supernatural power it doesn't just magically take away the very tangible human ways that they were previously vulnerable or powerless.
Becoming a vampire doesn't negate Louis' struggles with racism; in some ways it amplifies them with how he is alienated from his own family and community; his closest connection becomes Lestat. He loses his economic independence and becomes socially dependent on Lestat in a way he wasn't to anyone as a human because in some ways becoming a vampire made him MORE vulnerable, despite granting him physical strength/speed/etc. The promise of freedom in vampirism Lestat presents to Louis (that I do think he does genuinely mean, but "freedom" means very different things to Louis than it does to Lestat) is never fulfilled.
Likewise Claudia learns the hard way with Bruce and later with the coven that she may be a vampire but the world still looks at her and sees a vulnerable young black girl and that will always put her in danger.
Claudia rescues Madeleine then turns her into a vampire, but rather than protect her from future harm the "crime" of turning her becomes the very thing that gets her killed by yet another angry mob.
And 514 years as a vampire will never be enough for Armand to truly trust or believe in his own power. Because the first 200 or so years of his life he was literally never once allowed any agency at all over his own identity or his own body (child slave sold to a brothel, sold to an abusive master, captured and violently indoctrinated into a vampire cult for centuries). No amount of material strength and power is going to undo the psychological effects of that. (And I know some people like to read his frequently passive demeanor as simply manipulation and a way of catching people off guard (because how could someone so old and powerful possibly feel a genuine sense of fear/vulnerability/etc 🙄) but to me that's an incredibly disingenuous reading of him. But that's a different rant for another time!). Being a vampire does not save him from being horrifically abused, nor does it save him from the lasting emotional effects of that abuse.
And I think there's something interesting to be said about the way that, in order to survive safely, they have to feed on the most vulnerable members of society (people undesirable and therefore least likely to arouse suspicion) in order to go unnoticed. If they want to live they have to prey on those vulnerable in possibly the same ways they themselves once were (and in many ways still are).
There's a frequent argument I dislike that we shouldn't be viewing any of these characters through too human of a lense because they're literal monsters (to be honest it's an argument I see most often made when people simply don't want to talk about the show's complex depiction of racism/misogyny/abuse/etc and used to dismiss those as issues "too human" to be relevant to a story about a bunch of monsters with a supposedly alien sense of morality), but I think the show itself makes a huge argument that for these characters there is no escaping or separating themselves from the very human struggles and vulnerabilities that marked them before they ever became vampires. It's like a sort deconstructed power fantasy.
#interview with the vampire#louis de pointe du lac#armand iwtv#claudia iwtv#lestat de lioncourt#madeleine eparvier
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Loved the vampire story you did. Do you think you could do something about werewolves? I feel like they would like big beefy guys a lot.
Werewolves, while just as interesting and hot as vampires, are actually a lot more complicated than vampires. This is because, just as classic vampires existed long ago and evolved into something different, so did werewolves, but as werewolves evolved they converged into two different species. Each thrived in a different way, taking a different trait of lycanthropy to the absolute extreme. The first descendant of werewolves is a creature I’ve actually talked about before: Alphas.
I only learned this recently, but Alphas originate from werewolves. It makes sense in a strange way. Werewolves, unlike real wolves, do have the dominance hierarchy that is often associated with wolves. That's part of why people thought wolves had ‘alphas’ and ‘betas’ for such a long time, because werewolves actually do work like that. All werewolves have that sort of animalistic dominance, though only the strongest could keep the others in line and lead the pack to a successful hunt. As time went on the descendants of these pack leaders became even more dominant, to the point that they became the beefy reality altering Alphas we see today. They don’t seem to have many of the wolf-like traits their ancestors did, mainly because they were eventually able to use their powers over reality to discard and hide these so that they could better blend in with humans. Why dominate a small pack in the woods when you can dominate an entire city, all from the comfort of a badass penthouse apartment?
While I’ve talked a lot of Alphas before, I haven’t mentioned the other descendants of werewolves yet, the Beasts. While Alphas have evolved to exceed in dominance, Beast have evolved to exceed in being absolutely animalistic. While Beast are closer to werewolves than Alphas, there are a number of notable differences between Beast and traditional werewolves. Instead of transforming every full moon, they are transformed every night, and instead of transforming into literally wolf-like beasts, Beast transforms into… Well, men. Every night a Beast will transform from a normal, average human like you and I, into a muscular, hairy, wild beast of a man. It doesn’t matter who they are during the day, how young or old or even what gender. During the night they’re animalistic men only concerned with spreading their seed and growing their pack. See, just like traditional werewolves, Beast can spread their curse to others, not through bites but through sex.
Beast may sound a little threatening, but really they’re just muscular hairy men who want to fuck. You probably wouldn’t be able to tell them apart from a regular guy in a nightclub, since the only real indicators of a beast is a hatred of silver and a more animalistic demeanor. But it’s easy to avoid being turned by a Beast. Just don’t have sex with a Beast. Or at least don’t have sex with a beast who is not wearing a condom.
I’d actually recommend having sex with a Beast in general. They’re excellent lovers, and if you’re able to get one to see you as a member of its ‘pack’ then they’re some of the most loyal, loving people around. Just don’t get too caught up in the heat of the moment, and you’ll have an amazing time.
#muscle growth tf#muscle tf#jock tf#jock transformation#jockification#alpha with a capital a#halloween tf
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