#with all the nuance!!!!!

[usertoxicyaoi]

anyway people on mdl, and even just general bl watchers that dont watch jbls for whatever reason, will always make me feel a little ... bewildered. they will say things like "japan only makes slice of life/food centered/cute/puppy love bls and thats it" (when i can eaaaasily list off so many darker themed jbls but ok ig yall arent looking and when you do, suddenly its ~too dark~? but ok.). they call segasaki and ritsu and kijima "red flags" and okay yeah *hand waves* whatever, they are. and good for them that they are!!! gooood. see? japan doesnt just make fluffy. but yall couldn't even handle them! whilst in the same breath saying that japan doesnt produce more of these kinda characters and more spicier stories (and they do but yall arent loooking!!!) and when they do and when they start showing the sliiiightest bit of obsessive possesive behaviour, they're squirming uncomfortable in their seats!!! people couldn't even stomach shows like taikan yohou. taikan yohou. and thats like. my favourite show of all time and its not even That Bad yall. ohmygod. but oh no! "oh poor yoh!!! whatever will he do now!!!! trapped in segasaki's enclosure!!!! i don't like this power imbalance beteeen them!!!!" when THAT IS THE WHOLE POINT, my friend!!!!! and yoh enjoooooys that and when he doesnt he says it out loud that he doesnt!!!

so! people couldn't even stomach taikan yohou. god knows WHAT they will say about happy of the end and love is like a poison that will be coming out soon! and never mind even going near sei no gekiyaku or koi kogare utae bc if they thought taikan yohou was "~dark~" when it barely even touched the surface! then sei no gekiyaku and koi kogare utae? will have their heads Gone, spiralling, trying desperately to find a light switch and some bleach to erase their memory!!!!

[asturlavi]

a hell of your own making

[valtsv]

are we still doing this because i have a late submission

[meticulousmaker]

another random thing that stands out to me rewatching Steven Universe as an adult:

throughout the show there's this clear Vibe that Steven has inherited some big magical destiny, right? and it makes sense narratively: he's the son of Rose Quartz, leader of the rebellion, now being raised by her friends who were the last remaining survivors of an interstellar war. he's like a human child in most ways, except he has magical powers that start to become more obvious as he's getting older. no one like him has ever existed before. it's a big deal. raising him and figuring out how he's going to grow is its own unique challenge, because nobody knows what to expect. so of course there's this magical destiny vibe, given all that.

What's interesting to me, though, is that this magical destiny is in no way literally, physically present in the story, it's just something everyone kinda feels. Like, there's not some ancient prophecy about a half-gem, half-human savior. He's not the Chosen One in any literal sense, he just happens to give off Chosen One vibes. And I say that's interesting because it means that the fact he was kinda raised with this Chosen One vibe is completely a decision everyone around him made, for better or for worse. And the show is aware of this, because the weight of Rose's legacy and everyone's expectations of him is a constant theme, and as Garnet, Amethyst, and Pearl all grow and develop, they also realize the downsides of them putting those expectations on a child. Like, Steven spends his whole childhood being told about how great Rose was, and how because he's inherited her gem he will probably inherit her powers - and that's not necessarily a bad thing. Imagine how awful things could have been if Steven had no exposure to the Gems and no knowledge of what they were or how they worked, and then his powers started coming in? It was hard enough even when he was surrounded by the most qualified Gem Experts on Earth. But being primed for all of this "you're going to have your mother's magical powers" stuff put a heavy weight on his shoulders, and then the fact that nobody else quite knew how his abilities worked meant he was constantly faced with the adults in his life looking to him with concern because they didn't know what was happening with him. That's gotta leave an impression on a kid - and, well, throughout the show and especially in SU Future we definitely see that it does.

I like the way the show handles the pressure that's put on him, and the fact that everyone is just... trying their best in a completely unprecedented situation. Nobody knows what to do or how to raise this kid, and that inevitably causes problems but everyone is trying. And Steven can feel that everyone is trying without knowing what to do and he just wants to help and not be a burden and none of his caretakers have said that he's a burden but he can feel everyone's confusion and concern and the expectations he's not living up to and he cares so much, about everyone, about everything. He's in an extremely unique position that grants him opportunities to help that nobody else has, and he feels like he's failing everyone if he can't fulfill that, and in the end it never should have been his job to fix things but somebody had to try. Somebody had to try, and he was one of the only people with the ability to stop the Diamonds, stop the war, stop the lies, stop his world and everyone on it from being destroyed... and he was just a kid.

[i-eat-mass-blog]

people are mad at chappell roan because she pointed that the "lesser than too evils" party and still in fact very evil and we shouldn't let them continue to be evil just because of the other party is more evil

[tobiasdrake]

My understanding of evil, age 0-10: MY NAME IS SMOG SMOKESLY AND I RUN THE POLLUTION FACTORY, IT PRODUCES POLLUTION!!! MUWAHAHAHAHAHAHA!!!

My understanding of evil, in my teens: You can't really boil things down to good and evil. People are complicated. Everyone is the hero of their own story, and someone who seems evil to you is actually doing their best from their own perspective. If you could walk a mile in their shoes, you'd understand. There is no such thing as evil.

My understanding of evil, in my twenties: Look, it's basically just tribalism. We are all necessarily thrust into competition with one another. There are always going to be winners and losers. Whining about evil is just being upset that you lost the game.

My understanding of evil, in my thirties: MY NAME IS SMOG SMOKESLY AND I RUN THE POLLUTION FACTORY, IT PRODUCES POLLUTION!!! MUWAHAHAHAHAHAHA!!!

[mithrun-house-of-kerensil]

Lately, I've been thinking about Mithrun and the ways he is dehumanized in canon.

Before I get started, we know that elven society is incredibly afraid of death and illness. This is obvious in how they look down on the short lived races and see them as weak and childlike. We also know that Mithrun himself had ableist views toward his brother and these values did not leave him once he, himself, became disabled. He is a product of the society that raised him, but I also think how Mithrun is currently being treated contributes to his view of himself.

Mithrun has had three different caretaking groups over the years. The first are the ones his brother hired for him. From what we can see, they did the job, but we can understand that they did not know what to do with him. No one had ever recovered from having their desires eaten so the focus was less on rehabilitation and more on keeping him alive.

Later we see Milsiril take an interest in him because of his desire to return to the dungeon. Since she did not bother to visit him for decades after finding him, we can assume that there is an ulterior motive here. Timeline-wise, this was when the majority of the canaries had just been wiped out. They needed more men, and Mithrun is set up to be the perfect single-focused soldier.

Honestly, we can assume that Milsiril doesn't really care about him or see him as a person. Mithrun is just a new project for her to play with. We can see this in how she's focused on superficial level concerns like the fact that he doesn't look nice and wanting him to be overly grateful toward her. She also talks about him like he's not in the room and can't hear her. This is a dehumanizing trait shared by many characters when talking about Mithrun.

When he finally does recover enough to return to the canaries, the military does not make any effort to accommodate his needs. We know the canaries are understaffed and the ethics are already bad, but they really did not even try to care about Mithrun's safety at all.

Entrusting a criminal with his care was questionable at best, especially when Cithis immediately took the opportunity to abuse her power over him and no one stopped her.

While acknowledging the light-hearted nature of the manga, it's uncomfortable that Mithrun was treated like a child and an animal by Cithis for her amusement. Regardless of her 'learning to respect him' later, the point is that Mithrun was taken advantage of and degraded because she believed he couldn't say no. No one bothered to do anything about this until Pattadol yelled at her.

Truly his treatment is summarized well by Milsiril here. Mithrun is extremely vulnerable to being abused by those taking care of him because he won't advocate for himself. He has one desire so he won't fight for himself in any other way.

It is obvious that Mithrun was not treated well by his caretakers and this has resulted in him identifying his needs through a disconnected and frankly, infantilizing lens.

I understand that it may have been a translator's decision, but I always thought it was interesting that Mithrun says that he's "not sleepy" which is a childish term. Otherwise, he speaks like everyone else, if not rather posh.

This, followed by the fact that he is responsive to Kabru treating him like a literal infant to get him to eat, paints a clear picture of the fact that Mithrun is not unfamiliar with being treated like this. He responds to it because he's used to it and has no desire to argue with being treated this way. When we consider the fact that the chapter started with Milsiril treating an older child Kabru in the same way, it is likely that she also did the same thing to Mithrun when he was under her care.

In these panels, we see that Mithrun does not believe that he can sleep without magical assistance, even though it is immediately refuted when Kabru takes the time to bundle him up and help him relax. Not only does he fully believe he can't sleep without external assistance, but he states directly that there is no point in him getting comfortable.

As Kabru observes, Mithrun's inability to recognize his needs applies to needs such as hunger and exhaustion, but it obviously also applies to emotional needs. Kabru just wanting to feed him something delicious and not wanting him to give up on life is the most consideration someone has given Mithrun in years.

The relationship they form over the course of a single week is enough to shape Mithrun's behaviour completely. Mithrun ignores Cithis's demand in favour of asking Kabru's opinion. It is Kabru's hand Mithrun takes to pull him out of his defeated state. It is Kabru Mithrun confessed his true desire to.

Do you realize how depressing that is? All it took was the new perspectives from Kabru and Senshi to make him consider the fact that he should keep living despite no longer needing to fulfill his duty. Being treated well could have helped Mithrun much sooner and this shift in the way he sees himself contributes to his recovery going forward.

TLDR: Mithrun has no desire to be respected, but why does that make people feel comfortable acting like he doesn't deserve it? Someone not caring about being treated well doesn't give you permission to treat them poorly. This feels like a playschool-level consent lesson: just because he's not saying no to a humiliating or degrading act doesn't mean it's a yes and therefore okay to do. Acknowledging this is the bare minimum of treating him as a person.

[erebus0dora]

something something a chat i am in discussing the loneliness of Armand who needs someone to define him and see him, so

"...it was ghastly and awful and loathsome, and beautiful all at the same time."

and yeah i kinda just want to give ppl hugs with anything i do and talk to them in hushed tones, so there you go

[canisalbus]

I kidnapped ur long-nosed cat for a sec

.

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[macaro-mochi]

Come watch dungeon meshi we have a (seemingly) typical white autistic man who doesn't understand social norms, an autistic man of colour who overcompensates for social deficits by being too good at social norms (while still struggling socially), and we even have the "grew up autistic but also Asian so I have a very good understanding of cultural and social norms but I still struggle socially" variety of autistic man.

[dapper-lil-arts]

I'm not the kind of person that's like "Here let me fix the canon" usually but like holy crap gen 5 implied a lot of messed up shit about our hero Twilight Sparkle lmao

[inkskinned]

before you know about women, you hear that you do not need to love the man, just that you need to love him through his manhood. which is to say you have seen the future painted in lamb's blood over your eyes - how your mother shoots you a look about your father's inability to cook right. how your aunt holds her wineglass and says i'm gonna kill em. men, right! how your best friend bickers with her boyfriend, how she says i can't help it. i come back to him.

you learn: men are gonna cheat. men aren't going to listen when you're talking, because you're nagging. men think emotions are stupid. they think your life is vapid and your hobbies are embarrassing. men will slam things, but that's because men are allowed to be angry. if you get loud, you're hysterical. if a man gets loud - well, men are animals, men are dogs, men can't control their hands or their eyes or their bodies. they're going to make a snide comment about you in the locker room, about your body, about how you're so fucking annoying. you're going to give him kids, and he will give you the money for the kids, and you're going to be running the house 24/7 - but he gets to relax after a long day, because his job is stressful. the man is on stage, and is a comedian, and says "women!"

and you are supposed to love that. you are supposed to love men through how horrible they are to you - because that's what women do. that's what good women do. wife material. your father even told you once - it'll make sense when you're older. it was like staring down a very lonely tunnel.

it feels like something's caught in your throat, but it's all you know, so. it's okay that you see sex as a necessary tool, a sort of okay-enough ritual to keep him happy, even though he doesn't seem to care about happiness as-applied-to you. it is relationship upkeep. it is kissing him and smiling even though he didn't brush his teeth. it is getting on your knees and looking up and holding back a sigh because he barely holds you as you panic through the night. it's not like the sex is bad and you do like feeling wanted. and besides! he's a man! like... they're another species. you'll never be able to actually communicate, right. he isn't listening.

you just don't get it. you don't feel that sense of i'm gonna climb him like a tree. mostly it just feels fucking exhausting. you play the part perfectly. you smile and nod and are "effortlessly" charming. and it's fine! it's alright! you even love him, if you're looking. you could have good life, and a good family, and perfectly happy.

in the late night you google: am i broken. you google i'm not attracted to my husband. you google i get turned on by books but not by him. you google how to get better in bed.

the first time he yells at you, it almost feels like blankness. like - of course this is happening. this is always how it was going to end up. men get angry, and they yell, and you sit there in silence.

you mention it to your friend - just the once - while you're drunk. she shrugs and says it's like that with me too, i just try to forget and move on. men are always gonna hear what they want to. pick your battles and say sorry even though he's in the wrong. you play solitaire online for a month. you go to your therapist appointment and preach about how you're both so in love.

after all, you have a future to want. nobody lied about it - how many instagram posts say marriage is hard. say real love takes work. say we fight like cats and dogs but the best part is that we always make up. how many of your friends say happy anniversary to the best and worst thing to ever happen to me. if you really loved him - loved yourself too - you'd accept that men are just different from you.

the first time she kisses you, it's on a dare at a party. something large and terrifying whips through your body. you wake up sweating from dreams where her mouth is encrusted with pearls and you pick them off one by one with your teeth. fuck. you sit at the computer and your almost-finished game of sim city. you think about your potential perfect life and your potential future family. you google am i gay quiz with your little hands shaking.

you delete each letter slowly. you don't need to love him. you just need to keep going.

[disco-troy]

I don't feel like people have a nuanced enough view of Kory what she thinks about killing. She's not blindly wanting to murder criminals, nor is she delighted by the actions of murder. She sees murder as a necessity because of her upbringing in the middle of an existential war, and also as a way to regain autonomy on her life. Autonomy is a key theme in many of the people Kory chooses to kill.

The idea of autonomy over the body and her life is extremely important to Kory. This makes sense, Kory spends six years in slavery, her life not her own, and grew up knowing her planet could lose its own autonomy and freedom at any time.

When she was a slave, the few times that she was able to control her life in those times. Her first kill was her kill of what would become her last master, starting the chain of domino that would result in her freedom.

Note her words: "His very touch sickened me". It wasn't just about her imprisonment or her anger, but about her body, her autonomy. She couldn't handle being touched like that anymore, and killed knowing that it would solve nothing, knowing that it would lead to more punishment for her later down the line.

Her next kill allowed her to escape, securing her freedom and her own autonomy.

To escape she must pretend Kory has completely given in to her captors. That she is fine, even happy with the Gordonian touching her. But by doing this she is bringing him close, giving him the illusion of control over herself to secure her own freedom.

She is pretending to be a slave, while affirming to herself that she is still a soldier.

In this way we can see a dichotomy that has ruled Kory's life until now. On one side, you have succumbing to subjugation, which involved a loss of bodily autonomy. On the other side you had her claiming her freedom and her autonomy which comes with the need to kill or be destroyed.

In addition to this, you need to think of the context of Kory's upbringing. Of course Kory is used to killing her enemies. She grew up in a climate of fear in which there was a real possibility of total annihilation. Millions of her people died in the war that eventually lead her to being sold as a slave.

She grew up during a society that could have been destroyed in war, where everyday killing was not a questions but an existential threat. Killing and war was literally the only way for her people to conserve their autonomy.

This disconnect between Dick/Donna and Kory is not because Kory is an alien, but because the Titans are living in a world where they are superheroes and Kory is living in a world where she is a solider. Would a Kory that didn't kill even been able to come out alive from war? From her enslavement? To her its about her autonomy and her independence, she doesn't have the luxury of morals, of thought, of choice.

Later we see Kory not change, but shift. She realizes that killing will never be easier for her again.

This makes sense! her interpretation of killing has changed a lot because she's been exposed to a new environment. On earth she is not facing a literal war, she has real power, she has backup, she doesn't have to fight every second for her freedom and autonomy.

I think this is demonstrated in an incredibly narrative compelling way in Titans (1999) when Kory kills to give another character autonomy over her own body; Adaline Kane. Adaline is about to die, but her blood can still be harvested for Vandal Savage's experiments. She begs for death, instead of living that fate.

Kory gives it to her.

(much like Slade gave Joey in Titans Hunt but this post only has the space for one parallel right now)

When it comes to protecting the greater good, and especially when it comes to bodily autonomy Kory is not only willing to kill, but sees it as her duty.

She's never stopped being a soldier, she's never stopped being the Tamaranian who was forced to kill and see her people die to preserve her home, but more than that, she never stopped being the little girl for whom killing was her only way of reclaiming her autonomy.

[arcanegifs]

ARCANE LEAGUE OF LEGENDS: 2x01 - “Heavy is the Crown”

[hamletthedane]

Love that Oppenheimer is a deeply disturbing horror movie about a man forced to accept that he is, in a person, the representative manifestation of mankind’s evil in committing one of the greatest horrors of human history - LITERALLY acting as the modern Prometheus, tormented by his sins for the remainder of time. Knowing that he will never be pitied and his actions will forever be utterly unforgivable because the blood of genocide and the potential of total human annihilation will eternally drip from his hands.

But also the simultaneous indictment by the film that to blame a single person for the Manhattan Project is to refuse to accept your own capacity for great evil if the ends ever seem to justify the means, and the culpability of every member of a species that lets itself create something so unspeakably terrible.

Hate that twitter’s take on such a nuanced and brilliantly handled examination of those issues is “movie bad because protagonist not evil enough.”