#winnie wonka

[lorsulia]

my comrades after the legacy day! since they are both "royals", then actually winnie - will take the role of the next willy wonka, and rahal - the next aladdin

[ohbutwheresyourheart]

it's sweet like saccharine what I do to have you sitting here next to me looking at you makes me wanna gouge out my eyes bloody surprise like cherry pie, will you be mine?

this might get a little messy, I'm sure heads rolling for the one I adore this may become a little brutal if I'm honest but it's any-anything for you my dear, I promise

she looks just like a god baby, call me catholic she fucks just like a god cuff it up, I'm yours can't find a single flaw I think she's holographic keep stringing me along I need no religion

[incorrect-catcf-quotes]

Why did I ever invite that boy to lunch?  Why, oh, why, oh, why?

Willy Wonka

[nonsensology]

This was supposed to just be a rough sketch, but then I started getting really invested in it.

I hadn't initially intended to include so many picture book characters, but the nostalgia was overwhelming. Does anyone remember the animated short films produced by Weston Woods? My local library used to have a bunch of them on the Scholastic VHS tapes from the late 90s. (I know some shorts were released on the Children's Circle VHS tapes back in the 80s (🎶 Come on along! Come on along! Join the caravan!), and some were packaged in Sammy's Story Shop in 2008.)

Characters:

Max, from Where the Wild Things Are, written and illustrated by Maurice Sendak

Peter, from The Snowy Day, written and illustrated by Ezra Jack Keats

Brother Bear and Sister Bear, from The Berenstain Bears series, written and illustrated by Stan and Jan Berenstain

Pooh and Piglet, from the Winnie-the-Pooh books, by A. A. Milne, illustrated by E. H. Shepard

Owen, from Owen, written and illustrated by Kevin Henkes.

Mouse, from If You Give a Mouse a Cookie, by Laura Joffe Numeroff, illustrated by Felicia Bond

Louis, from The Trumpet of the Swan, by E. B. White

Mr. Toad, from The Wind in the Willows, by Kenneth Grahame, based on the illustrations by E. H. Shepard

Mr. Tumnus, from The Chronicles of Narnia series, by C. S. Lewis

Pippi and Mr. Nilsson, from the Pippi Longstocking books, by Astrid Lindgren

Willy Wonka, from Charlie and the Chocolate Factory, by Roald Dahl, based on the illustrations by Quentin Blake

Matilda, from Matilda, by Roald Dahl, based on the illustrations by Quentin Blake (with an homage to the Mara Wilson movie)

Peter Pan and Tinker Bell, from Peter Pan, by J. M. Barrie

Merlin and Archimedes, from The Sword in the Stone, by T. H. White, based on the illustrations by Dennis Nolan

Pinocchio, from Pinocchio, by Carlo Collodi, based on the illustrations by Enrico Mazzanti

Alice, White Rabbit, and Cheshire Cat, from Alice's Adventures in Wonderland, by Lewis Carroll, illustrated by John Tenniel

Rupert Bear, from the Rupert stories, created by Mary Tourtel and continued by Alfred Bestall, John Harrold, Stuart Trotter, and others.

Arthur Read, from the Arthur series, written and illustrated by Marc Brown

Tin Woodman and Scarecrow, from the Land of Oz series, by L. Frank Baum, based on the illustrations by W. W. Denslow and John R. Neill

The Cat in the Hat, from The Cat in the Hat, written and illustrated by Dr. Seuss

a frog on a flying lily pad, from Tuesday, written and illustrated by David Wiesner

Charlotte, from Charlotte's Web, by E. B. White

[fryingpan1234567]

shows and movies that are the same flavor, inexplicably

🍒cherry limeade🥤

Heartbreak High

Boo, Bitch

Do Revenge

Mean Girls (2024)

🍬saltwater taffy🍥

Mean Girls (2004)

Legally Blonde

Clueless

Mamma Mia

🍫dark chocolate and cinnamon🌰

13 Reasons Why

I Am Not Okay With This

Moxie

Ginny and Georgia

🍪graham crackers and molasses🥃

X

Texas Chainsaw Massacre (2020)

☕️burnt black coffee🫘

It Follows

The Bye Bye Man

The Candyman

🍋‍🟩lime and honey🍯

Umbrella Academy

A Series of Unfortunate Events

Enola Holmes

Dead Boy Detectives

🍮white chocolate w coffee center🫘

Young Royals

Tiny Pretty Things

First Kill

🥯everything bagels w cream cheese🧈

Work It

Feel the Beat

the Kissing Booth trilogy

Dash & Lily

Dumplin’

Pitch Perfect

Red White & Royal Blue

Senior Year

🍓strawberries🍭

Heartstopper

the To All The Boys I’ve Loved Before trilogy

The Prom

🍒zero sugar cherry coke🥤

Black Phone

Stranger Things

the Fear Street trilogy

IT (chapters 1 and 2)

Scary Stories to Tell in the Dark

🥂champagne and buffalo sauce (don’t ask)🥡

The Adam Project

Red Notice

every Fast and Furious movie after the fifth one

Uncharted

Free Guy

🍬bubblegum lollipop🍭

Zombieland

Army of the Dead

Warm Bodies

Deadpool

Birds of Prey

Suicide Squad (2021)

Violent Night

🍯butterscotch and hot chocolate☕️

Harry Potter

Wonka

Mary Poppins

Magic Schoolbus

Winnie the Pooh

Paddington

Slumberland

Narnia

[shhtickerbook]

Hello! May I please request art of little!Willy Wonka all snuggled up in a sage green blanket and cuddling a baby Winnie the Pooh plushie?

I absolutely loved drawing this one! pacifier vers under the cut :)

[standard-human]

hey rhys frake, i think we can do something magical here-

AI work can't be copyrighted therefore the unknown belongs to us all

[saveme-storybrooke-potc]

I really want to see Willy Wonka turned into a horror movie.

like i don't think this is a hot take (i know some people don't like this for some reason) BUT listen, I was looking at the BTS from the squirrel scene in Burton's version of CATCF and I just now really want to see this movie as a horror movie where the kids don't come out alive.

I know there was a fanfic online once where the kids die and there were some guys on youtube a few years ago making a horror version of the movie but what if we really got an adaptation?

I know it might be (but not really) difficult because the author despised Gene Wilder's version of the movie but we got Timmy in Wonka.

and I was also thinking since we got that weird ass Winnie the Pooh slasher why not a movie where the kids all meet their fate?

anyways thank you for listening to me not even rant about my childhood movie.

[anadiasmount]

Ok now what do yall find attractive in jude😂

Hes literally not handsome at all, he looks like winny wonka

Like WTF

willy wonky is insane and CRAZYYY 😭😭 how can you NOT find that man attractive?? HIS LOOKS?? HIS SMILE?? PERSONALITY??? HIS DRIVEN MINDSET?? THE WAY HE IS AROUND HIS FAMILY AND FRIENDS?? HIS EYES?? LIKE HELLO?? literally not a single bad word from this man… 😔🤭

this is a jude safe space, no banter or hate allowed 😔🤞🏻i mean, hey, i get everyone has their preference but jude is attractive and sexy no one can deny this… 🧏🏻‍♀️

[starteas]

there are character inspirations of your lumi and the great galaxy characters?

Lumi: Kirby (Kirby), Lumas (Super Mario Galaxy), Tinkerbell (Peter Pan), Stitch (Lilo and Stitch), Yotsuba (Yotsuba&!)

Siona: Twilight Sparkle, Lilo (Lilo and Stitch), Fox Mulder (The X Files), Blossom (The Powerpuff Girls), Velma Dinkley (Scooby-Doo), Connie (Steven Universe) Peridot (Steven Universe)

Davin: Fluttershy & Applejack (MLP: Friendship is Magic) Piglet (Winnie-the-Pooh) Shaggy Rogers (Scooby-Doo)

Felicity: Princess Morbucks (The Powerpuff Girls) Veruca Salt (Willy Wonka & the Chocolate Factory), Amy Rose (Sonic the Hedgehog), Heather Chandler (Heathers)

Holden: Calvin (Calvin and Hobbes) Bart Simpson (The Simpsons), Holden Caulfield (Catcher in the Rye), Roo (Winnie-the-Pooh), Brick (The Powerpuff Girls)

Mika: Rabbit (Winnie-the-Pooh), Owl (Winnie-the-Pooh), Choromatsu Matsuno (Osomatsu-san) Chilchuck Tims (Delicious in Dungeon)

Elios: Princess Celestia (MLP: Friendship is Magic), Rose Quartz (Steven Universe)

Hala: Pearl (Steven Universe), Blue Diamond (Steven Universe)

Aries: Pearl (Steven Universe)

Void: The Nowhere King (Centaurworld), my own fear of the dark

[lorsulia]

through the woods winnie!!

i had a lot of trouble figuring out how to combine sweets and the forest theme. i came to the conclusion that strawberries with chocolate/whipped cream was the best option, and ta-da! lazy, quick, but since i don't have time - how it turned out

[little-pup-pip]

I’d like to know what you have in your inbox to see if one of my requests came through, if that’s ok.

Sure!! Requests I'm working on include (in order from newest to oldest):

Wonka

Baby vulture

Frogs

Mushrooms

Golden retriever

German shepherd

Rain world

Dark academia

Border Collie

Smash hit

Crying child (fnaf)

Agent smith

Blue moon jellyfish

Dinosaurs

Katamari

Enjolras (les mis)

Rolfe de wolfe

Hatsune Miku

Aquarium

Bugbo

Welcome home

Slime rancher

Fnaf puppet

CosMc's

Kamen Rider

Tally hall

All engines go

V from devil may cry

Spinel

Autumn

Cater diamond

Venom

Spiderman

Old cartoons

Rockabilly

Lilia vanrouge

The joker

Felix Lee

Jing yuan

Charles Xavier

Dipper pines

Toki wartooth

Naoto shiragane

Project sekai

Kitoto

Wild West

Late 17th century

Pink kitty

Fox petre

Ciel phantomhive

Minecraft

Astral Express

Lucifer (obey me)

Minecraft again

Sees behind trees

Allay (Minecraft I think)

Ghosts

Sam from Sam and Max

Grunge

Kanga (Winnie the Pooh)

Sun and bunnies

Pinkmas

Bats

Otter petre

Green and coyotes

Spinosaurus

Tecchou (bsd)

Water pokemon

Hamtaro

Siphonophores

Skelanimals

Barbara (genshin impact)

Loki

Rockruff (pokemon)

Tasmanian devil

Pillow featherbed (lalaloopsy)

Sirena von boo (Monster high)

Spamton

Spinosaurus again

Lop eared bunnies

Pastel Christmas

Yume-nikki

Daxter (jak and daxter)

Madness combat

James Sunderland

Blue and silver Christmas

Shirokuma (Danganronpa)

IDW comic

Abbey abominable

[adarkrainbow]

Long ask. Bear with me, please.

I'm still thinking about what counts or not as a fairy tale.

To be honest, I think the only pre-requisites for something to become a fairy tale in pop culture is for it to be a popular fantasy children's story in public domain. And kinda look like a fairy tale, too.

In your opinion, which work would be considered a fairy tale if it weren't for copyright?

Let me give, my examples

C.S. Lewis' Narnia books, especially the first one, The Lion, the Witch, and the Wardrobe. If Alice in Wonderland and Wizard of Oz are considered fairy tales, especially in crossovers, Narnia should be too as it shares many themes, plot points, and character archetypes.

Charlie and the Chocolate Factory. It literally uses all fairy tale archetypes and cliches under the sun, even if it ditches magic for extremely soft sci-fi. Willy Wonka is like Frau Holle or that fairy godmother from Toads and Diamonds, the four brat children are like those siblings and step-siblings who are always magically punished, and even as a child I knew Charlie Bucket was Cinderella but with no focus on romance. He's the youngest sibling that always is magically rewarded.

It is quite funny because I had the idea to make a post about this subject specifically! But since you asked I'll drop some elements of my planned posts here - it can be a good introduction!

Now if you ask me, "fairytale" can't be everything and anything, but that's probably because I come from France where "fairytales" are literaly a literary genre first, and then a category of folktales and legend, and we have specific categorizations different from other countries (again, the merveilleux/fantastique divide for example which determines the French approach to supernatural and fantasy, but is absent from English literature if I am not mistaken).

I... personally do not believe any "popular children story" would be a fairytale. Else that would make the first Harry Potter books a fairytale, or the Winnie the Pooh stories a fairytale or Despicable Me or the recent musical Troll movies fairytales. I think the inherent decision to make something "for children" fairytale like is bad because, again, fairytales were not originally meant for children and thus should not be limited to a child audience.

From my point of view, a fairytale needs to be either a folktale that hold itself in a specific format that makes it separate from legends and myths (the type of local folkloric stories told by old storytellers to children in the countryside for example - but with a clear plot, clear characters, and beginning and ends, separating it from vague legends ; and with a minimum religious element, to separate it from myths for example). I do not like to think of Greek myths as "Greek fairytales". For example, to take an example of the folkloric fairytales of France vs the legends: we have in Bretagne the belief in "les lavandières de nuit", "the night washer-women", ghostly, otherwordly apparitions of women washing clothes at night, and you should never help them else you'll end up dead or with your arms broken. If someone simply tells you what I told you above "It is said there are ghostly women who wash linen at night...", this is more of a "legend", like ghost stories, or "Oh, this is a fairy mound haunted by fairies!" or "It is said a monster lives in this cave". But if you actually tell the story of a specific peasant boy with a specific name, who due to specific reasons ends up meeting these women, and either escapes or falls to their fate, we already are closer to the folktale and thus the "fairytale of Bretagne". But this is all obvious, as these kind of fairytale-folktales were those collected by Grimm and Jacobs and Moe and others...

And then you have literary fairytales, which are stories meant to evoke or imitate the folktales described above, and can derive in many ways (be more "literary") but still identify or present themselves or link themselves to these folktales. These are the Perrault and d'Aulnoy and Andersen fairytales for example. This category can be pushed further with what we call in French "contes détournés" - you could call them "fractured fairytales" to take back a common English term, that is to say all the parodies and rewrites and deformations of fairytales, sometimes for humoristic effects, other times not. Modernization and expansion of fairytales are part of that, so to speak. But we stay in a domain where the story is presented or follows the code and format of fairytales, while also explicitely avoiding, pointing out or reversing the common tropes and rules.

But where the Narnia books and the Dahl books enter, we reach a domain that is not fully fairytale but rather a crossroad between three genres deeply intertwined. "Fairy tales" (or rather "modern fairytales") ; "Fairytale-Fantasy" and "Children fantasy".

Children fantasy is basically any modern children story (by modern I mean deliberately fictional and written as fiction) that involves magic and the supernatural. And these stories can be influenced by fairytales, since it is something children are very aware about, but not always. Peter Pan, just like the Oz books, are "children fantasy" - a form of fantasy for children primarily, or rather a form of children stories that step into the fantasy realm. Pinocchio is one of the oldest "children fantasy", as in a work primarily aimed at children, but with magical and fantastical elements in it.

"Fairytale-fantasy" however is a term usually given to a subgenre of fantasy works that, instead of taking inspiration from epic sagas (epic fantasy) or horror works (dark fantasy) or other things ; takes inspiration from fairytales and folktales. The same way Tolkien was the father of "epic fantasy" he was also the father of "fairytale fantasy" through his Hobbit novel, and also other works (his Tom Bombadil poems, his Farmer Gilles of Ham novel).

The thing is that "children fantasy" and "fairytale fantasy" are deeply interconnected since both can draw source from fairytales and folktales to build entirely new stories. As a result there is a frequent overlap. The Oz books belong as much to "children fantasy" (one of the biggest success in terms of magical series of children-book) as "fairytale fantasy" (they were a pure deconstruction of typical fairytales, explicitely playing with fairytale codes, and later becoming an "American fairytale" classic). The Narnia books are also part of this crossroad, as they are "children fantasy" (they are a traditional fantasy story with epic tones, but for children and teenagers), while also being "fairytale fantasy" (taking inspiration and paying homage to several fairytales and folktales). They all belong to this category of works which are not fairytales per se (since they are not of folkloric origins, nor were they meant to be faithful rewrites or perfect pastiches of traditional folkloric fairytales), but definitively works of fiction based upon fairytales, inspired by fairytales, and mant to take fairytales into the "next step" of the world of fiction.

The main difference between "children fantasy" and "fairytale fantasy" would be as such. Children fantasy, while sometimes inspired by fairytales, is not always tied to fairytales and can be completely fairytale free. For example many of Roald Dahl stories do pay homage to fairytales and are inspired by his fairytales (his witches in The Witches, his giants in THE BFG, Wonka and his factory, the Giant Peach, etc...), he is part of the "writers of modern fairytales". But you have also lot of children stories with magic that do not involve any fairytale reference. Children fantasy can be inspired and allied by fairytales, but is not defined by them.

On the opposite side, "fairytale fantasy" is defined by fairytales - but not by age. Yes some of the most famous "fairytale fantasy" works are for children: the Oz books or the Narnia books. But just as many are for adults and definitively not for children. Neil Gaiman wrote a Coraline for children, but his Stardust is definitively for adults. The movie "Legend", while one of the most iconic fairytale-fantasies, is for adults.

So, I think the real way to point out what a fairytale is, is to look at the format and intentions of the author and of the work, to see if it fits the literary fairytales of old. There needs to be a conscious emulation, pastiche or imitation of traditional fairytales, there needs to be something that make it feel like a fairytale, and not like a story inspired by fairytales. But honestly... this is deep down really, really hard to draw a line as it mostly comes to personal definitions and appreciations. The genre of fairytales is vast and blurry, as it covers traditional European folktales and a specific short literary genre first, but was then expanded to cover other literary works and non-European folktales - and so the lines are... muddled.

I do not hesitate to say that "Over the Garden Wall" is actually a modern fairytale, as seeing the show made me literaly feel again the same kind of feeling I had when I first discovered fairytales. But I can understand why people would consider it "fairytale fantasy" rather than a "modern fairytale" because it was made with the intent of it being a children show and fantasy show first and foremost. Dahl stories are definitively "modern fairytales" - but the fact they are set in "modern day" and a grounded reality where the supernatural is not supposed to exist can disqualify them from being traditional fairytales ; or the humor and parody and play with the fairytale codes can also create a distanciating humor that make them fairytale subversions or pastiches or parodies rather than fairytales. Pinocchio has everything that fits a literary fairytale - but its format also evokes old "story-cycles" like the Reynard adventures or Gargantua ones, and its lack of simplicity and uniformity, or rather its long, flowing nature can also disqualify it from being a fairytale and rather make it a fairytale-inspired fantasy....

Honestly the narrowest definition you can have of "fairytale" is: printed works that explicitely designate themselves as such, from collected folktales (Grimm) to literary fiction written to emulate and imitate them (Andersen). This is the most narrow definition you can have. But then, one can expand to include all folktales that inspired fairytales ; or on the other side, one can push into the literary direction, to include stories that do not have the fairytale format, but that were so heavily inspired and shaped after fairytales, and gained such a popular influence and widespread presence, that they became "modern fairytales". But then this also opens the door to questions such as "What is a myth?" or "What about literary myths?" (like Faust or Don Juan or Frankenstein, all those famous "literary myths" as we call them in French).

As you can see by this convoluted answer, it is not a clear-cut question and nobody can truly answer it. Everybody will have a different opinion, and there is no real limit. The question mostly defines in how the work label itself. Perrault and Grimm and Andersen works called themselves fairytales, so there is no doubt about it. But take Neil Gaiman's Stardust - an iconic of fairytale fantasy, and yet Gaiman refers to it as a "romance in Faerie", evoking more the genre of fantastical and supernatural romances (medieval-meaning of the sense) like "The Well at World's End" and others - and the work is also very inspired by fantasy fae stories with a vague proto-urban fantasy feel to it, like "Lug-in-Mist". Same thing with the movie "Legend" which is definitively inspired by fairytales and a fairytale-fantasy, but was sold as a "fantasy movie" or even "heroic fantasy" movie first and foremost. Meanwhile the Oz books were intended by Baum to be a "modern, American fairytale" - even though their novel format and their franchise nature removes the idea they can become as "traditional" as the folktales he meant to imitate...

I'll stop there for now, but long story short: It's complicated, and when in doubt, don't hesitate to refer to intermediary terms like "children fantasy" or "fairytale fantasy", which clearly evoke modern fictional works and can highlight a difference with classic literary fairytales or folkloric fairytales, without rejecting the idea these "modern fairytales" aren't fairytales in their own right.

[asquishyboi]

A Timeline of my Feedism

This is inspired by @heavy--feels post!

3-4 years old: I was obsessed with Winnie the Pooh and when he gets stuck in that hole for eating lots of honey. My parents would find me climbing through side table legs and small chair legs to try to recreate it XD Another thing I really liked was the illustrations for the nursery rhyme 'Jack Spratt ate no fat'. It had him and his very very fat wife (looking back she would be considered an ssbbw, she was around 500lbs) illustrated really cutely. To calm me down my parents used to get out that nursery rhyme book because it helped me somehow!

5-7 years old: Started getting annoyed that in Scooby Doo Shaggy never keeps his full round belly. Also I really liked the scenes in Horrid Henry when he kept wanting to go have burgers and for a good six months I kept imagining him getting fat from eating there every day. I really enjoyed the 70s Willy Wonka and used to dream about being Augustus Gloop and of course I wouldn't be silly enough to fall in the chocolate river, I would just live in the garden getting fat off the edible sweetie plants :p I also really loved this comic strip in a beano I think where this football guy got really fat inbetween seasons and he got housebound I think?

8-10 years old: I was full on obsessed with making sims fat, I also got sad there was a limit to how big they got because it wasn't big enough for me! There was also this episode of a bbc show about spies where there were these addictive sausages and everyone got really fat, I got such weird feelings about that episode and it stayed on my mind for YEARS. Strangely the scene from Matilda actually made me upset and now I know its because I'm really turned off by force feeding.

11-14 years old: My obsession with fattening the sims continued! I also found deviantart for the first time and didn't know what to make of the feedist art I ended up stumbling upon. It made me happy sometimes and other times incredibly uncomfortable. I also wrote my first feedist story at about 12, it was about a sumo wrestler (I know nothing about sumo wrestling and it was very badly written) who got fat enough to wrestle the loch ness monster? What a weird imagination I have XD

15-17 years old: At age fifteen I figured out I was both on the ace spectrum and transgender. I would lay awake at night wishing I could be, what I now know to be, a bear. I planned to come out as transmasc at college at age 16 (UK college is vocational and 16 upwards) but I was bullied for being masculine and chubby and my depression responses are loss of appetite so I lost a lot of weight.

18-22 years old: I was in a high control relationship that was subtly abusive and controlling. My partner worked out before I properly did that I was into feedism and explained it to be what I now know to be death feedism which I don't enjoy (another part of my system almost likes it though). This confused me. But because of my dissociative disorder I was happy for a while in this relationship and put a lot of weight on. Around age 20 I worked out what feedism was properly and intentionally gained without letting my partner know that was what I was doing. I also discovered for sure I was demi/greysexual and I had to privately imagine being fed to orgasm. My partner would admonish me if I expressed anything remotely feedism related, even when I didn't know at all what it was. My partner left me and cheated on me for someone who was newly 18 when we were both 22 and my original weight when we met.

22-24 years old: I got into my first true feedist relationship with a wonderful kiwi guy however due to my first relationship's abuse I was constantly having flashbacks and breaking down so I ended the relationship. Despite that, he sent me money when my parents began to abuse me and starve me for my weight. Sadly he has now passed away at the end of 2023. During our relationship we wrote stories about feedism together or suggested ideas to one another. We dreamt of winning the lottery and getting fat together. He wanted to get to 600lbs+. Oh fuck I'm realising while writing this how much the world is missing now he's gone. He would have been a beautiful 600lbs, 700lbs.

25 years old-present day (26): Being pressured and physically made to lose weight meant that I was in and out of the feedist community as I felt and still do feel isolated and excluded for losing weight and not being fat enough. A lot of that was imagined exclusion though not real. Now I'm experimental with polyamory and in a relationship with a sub who is open to anything. They call me their prince and wait on me in our scenes and it feels amazing! Its actually in person! Still it's not their thing so if anyone else wants to serve this prince....

[bayster]

fuck winnie the pooh horror movies, i want willy wonka horror, properly murdering people using the factory like saw traps

The core appeal of Willy Wonka is that he's a nigh-omnipotent maniac who uses his near limitless powers over reality to trick shitty people into killing themselves. You can't make him the protagonist of a whimsical coming of age tale - you have to treat him like Jason Voorhees, or Dracula, or any other horror icon. Give him some new victims and new interesting kills and set him loose, that's all audiences want.

[ad-lucem-et-amor]

Movies to Watch - Sweetheart ed. (updated) 10 Things I Hate About You (1999) Brother Bear (2003) Sleeping Beauty (1959) Wish (2023) Wonka (2023) Christmas with the Chosen: The Messengers (2023) A Christmas Story (1983) Journey to the Center of the Earth (2008) Live Action Lady & The Tramp (2019) Frozen 2 (2019) Tarzan (1999) George of the Jungle (1997) Divergent (2014) Looney Tunes Back In Action (2003) Jimmy Neutron Boy Genius (2001) Sponge Bob Squarepants Movie (2004) Who Framed Roger Rabbit (1988) Movies We've Watched So Far Lady and the Tramp (1955) The Greatest Showman (2017) Christopher Robin (2018) Up (2009) Elemental (2023) The Book of Life (2014) Winnie the Pooh (2011)