#will probably have some level of time jump

[taffywabbit]

oops i accidentally wrote a review for zelda II: the adventure of link

(originally posted to Cohost on Feb 22, 2024. you can ignore this if you want, i just wanted it archived somewhere before that site disappears)

Finally beat Zelda II for the first time last night (I forced myself to finish it before starting Splatoon 3's Side Order DLC, because I knew if I didn't push through to the end of the Great Palace THIS time then it'd be years before I tried beating it again. This is probably my 4th or 5th attempt at this point). Not that this is a particularly hot take by most people's standards, but I don't think it's all that good, at least from a gameplay standpoint.

I don't regret playing it though, because I think I'm finally able to put my finger on the stuff I actually disliked about it vs the stuff that was honestly fine, or even (very rarely) actually good? I'm kinda fascinated by it, honestly. Sequels where they immediately screw around with the first game's formula (to mixed results) are neat! FE Gaiden is another example that comes to mind (hey they should give Zelda II the Shadows of Valentia treatment, that could be really cool actually).

Obviously Zelda II has a reputation for being kind of a rough experience. It's an NES game, and NES games are often susceptible to being frustrating, buggy, hard to control, or overly punishing. Sometimes, all of the above! And for what it's worth, the original Legend of Zelda was a tough and sometimes very cryptic experience as well. But I feel like the two games are challenging in drastically different ways, and I think TLoZ ended up being the formula that was retained in the long term primarily because its method of challenging the player overall did a better job of inspiring curiosity and exploration. Despite narratively being a direct sequel (with a really badass story premise that is unfortunately not really conveyed at all in-game) Zelda II took a different approach to nearly every element of the original's gameplay, which is a pretty bold move I suppose. Whether or not it succeeds at anything is fairly subjective, but it's undeniably had a lasting impact on the series, as well as the people who grew up with it (and then they went on to make some really excellent mid-2000's flash games inspired by it that I frankly enjoyed a lot more than this... and also a weirdly solid licensed Adventure Time game on the 3DS? I should go back and play that sometime, it's really fun).

Where to start with this...? Uhhh, the EXP-based leveling system where you choose what stats to put your points into is interesting! It creates a risk-and-reward system for fighting enemies instead of avoiding them, whereas in most other Zelda games besides BotW/TotK, the only reward for killing monsters is "they are no longer bothering you while you solve puzzles, and also sometimes they drop rupees/hearts/ammo". It also introduces a bit more player choice in what areas you'd like to get stronger in first, which is cool! I just wish it actually mattered in a way that let you feel powerful for even a moment. Instead, leveling Life (which is functionally just defense) is never enough to actually make you feel like you can afford to take a hit - the expectation seems to be that leveling Attack, Life, and Magic is something you do purely to keep up with how badly every single thing in this game wants to stomp you into the ground and soak up a million hits and waste all your magic. You CAN skip out on leveling one stat to prioritize another, or even try to evade tough combat situations entirely, but if you aren't leveled enough and in the exact things the game expects you to be WHEN it expects you to be, you'll immediately bump into some new asshole who jumps out of nowhere and can cut you down in 2-3 hits. Leveling doesn't make you tangibly stronger, it merely keeps the game barely playable.

This actually ends up being the core problem I have with Zelda II's design, far more than just the combat being clunky and overly punishing or the levels being visually samey and super hard to navigate. In most Zelda games (and also in a lot of other RPGs!), you get a better sword or a new power or item, and it opens up exciting new options for both exploration and combat. In Zelda II, you level up or earn a new item/spell, it's useful for maybe 20-30 minutes, and then it's immediately nullified. Wow, you got the Fire spell! Now you can finally deal with Tektites and Basilisks (which are immune to all other attacks) on the way to the next area! Well, I hope you had fun with that, because Fire doesn't work on most things you run into afterwards.

Easily the biggest game-changer is when you unlock the Downward Thrust sword technique, and finally have another option for combat besides just crouch-hopping and poking monsters with a dull butter knife. It's satisfying to use, it looks cool (by this game's standards), and it even has some utility for crossing hazards or defending yourself against swooping enemies! Cool! Unfortunately, they don't let you play around with that for long either, before nearly every enemy you see starts rolling up with helmets or shells that make them immune to attacks from above, and you never really get anything like that again (the Upward Thrust exists later, but it's far more situational and frankly not very fun or intuitive to use). Rather than feeling like you're being given tools to overcome challenges and stay above the difficulty curve, it feels like you're constantly just slightly underequipped for everything (even if you grind to earn extra stat levels) and any edge you're given is swiftly taken away from you. (Except the Reflect spell, which is ALWAYS a banger after you get it because it makes your shield Actually Do Its Damn Job after nearly every enemy starts shooting projectiles you can't block. Good work, Reflect spell.)

I feel like I grew up hearing plenty of people talk about the overall difficulty of Zelda II, though most of the complaints about its puzzles were surface-level jabs about the short cryptic NPC text, and none of that prepared me for just how ridiculously obtuse its mandatory puzzles/secrets can be. I genuinely have no idea how anyone would EVER find the Life spell - pretty much your ONLY source of healing outside of towns, since there are no hearts to pick up in this game - without some kind of guide. I was FURIOUS when I finally looked up where to find that lady's mirror and discovered that you have to walk into one of the houses, go over to the table that looks EXACTLY like every other table in every other house in the entirety of Hyrule, crouch, and press B, and you'll just pull the mirror out of nowhere. This type of interaction does not exist ANYWHERE else in the game and there's no in-game hint to indicate that you should try this. Absolutely maddening.

This and its predecessor are both games that seemingly expect you to have the physical manual on hand to help you find secrets, but at least in the first game, the way the game was designed was consistent enough that you COULD feasibly find your way to the end of it without a guide. Bombable walls in dungeons always being located in the center, things like that. It had rules and it could generally be trusted to follow them. Zelda II, in comparison, has a final level (the Great Palace) in which there are numerous rooms that look IDENTICAL and if you make one wrong turn you can go through the entire [very difficult and dangerous] dungeon on a path parallel to the one you need to be on, only to hit a dead end and be able to see the spot you're supposed to be reaching on the other side of a wall. Except you would also never KNOW you need to get there, because it looks like another dead end full of monsters but there's actually a completely invisible hole somewhere in the floor over there that drops you into the hallway leading towards the final boss. Also there is no map. TLoZ had a map. I don't know why this game doesn't have a map. Possibly because if you try to look up maps online, most of the dungeons feature non-Euclidean spaces? Idk, even a Super Metroid-style grid map would've done wonders here.

The combat is... fine? I truly don't understand how anyone thinks it's GREAT though. Zelda II is kind of like a version of Castlevania where you don't have a whip and instead have to stab everything at extremely short range, and also sometimes enemies have shields so you have to crouch sometimes to stop them from blocking you. It feels tense and high-stakes but only because, as I mentioned earlier, you really cannot afford to take stray hits in this game. Most enemies chew through your health at an alarming rate, even with the Shield spell active, and there's almost no way to replenish it unless you use a Life spell (which costs a huge chunk of your magic, possibly softlocking you if you end up in a place that requires other spells to progress). I got better at the combat over the course of my playthrough, but I never felt like I got good at it - most of my victories against strong enemies felt like pure luck and there were rarely consistent strategies for success. All of this combined with the fact that Zelda II has limited lives (and I mean LIMITED - there are only six 1-UPs in the entire game, which can each only be collected once) and getting a Game Over anywhere outside of the final palace will send you all the way back to the starting area, and it makes for an incredibly stressful experience. Even making use of savestates to lighten the fear of death can only do so much to improve it.

Overall, I think that Zelda II is a game that has a lot of really promising ideas, but then just absolutely flops when it comes to the execution. I didn't have a better way of organizing these but here are a few examples of elements I DID particularly like, even if they didn't always stick the landing:

I like the idea of the RPG leveling system in theory, but wish it was more empowering in practice and actually let the player make meaningful choices instead of just being required to survive. Choosing to hold off on a Life upgrade and instead save up just a little longer to boost your Attack feels awesome, until you time one of your inputs wrong and get destroyed. In a game with better-tuned difficulty and combat, this system would be great!

I REALLY like that Zelda II introduced a magic system to the series! I think it's cool as hell to have Link learning and casting spells to protect himself, solve puzzles, and exploit enemy weaknesses, instead of relying purely on items. (It's honestly weird to think that a system I associate so strongly with classic Zelda gameplay has only actually showed up in 4 of the games?? I guess you could consider the runes/hand abilities in BotW/TotK to be kind of like modern spells, or the slowly-refilling energy gauge in ALBW to be the most recent iteration of a Magic Meter, but both are highly debatable. Anyways I just think they should let Link shapeshift into a fairy again, that was cool.) But most of the spells in this are fairly situational and your access to magic refills is so limited that you rarely have the freedom to experiment with the spells' secondary functions (hey did you know the Spell spell turns most enemy types into slimes? that's wild. I wish I'd known that sooner).

The overworld functioning like a traditional JRPG, with top-down exploration broken up by semi-random enemy encounters, was something I honestly didn't hate. It's a little weird for Zelda, sure, but I could see it working well to support other systems in a more polished game. Overworld encounters that switch you into a type of gameplay other than turn-based JRPG combat are something I've always been fascinated by!

Anyways, weird game! I'm glad I finally got closure so I could figure out how I personally feel about it, independent of whatever the random youtubers I watched as a teenager thought. And now I never have to play it again :)

[ropebunnykant]

I've seen a lot of ppl frustrated at Kant/the Captain for meeting up outside the bar, but my take on it was that was a deliberate power play by CC (not that I don't think he's inept enough to do so out of sheer stupidity!) - Kant had clearly been ignoring his calls, as implied by his convo with Style and explictly seen in his convo with Bison (and when he says he's sick of his 'customer' flip-flopping and doesn't want to talk to him anymore, that's obviously a declaration of intent vis a vis continuing his relationship with the police), and what do cops do when their informants aren't co-operating? They pile on the pressure. And one way to do so is to turn up in front of their informants in public spaces, because they are happy to use the threat of blowing their cover as leverage - talk to us, or else we'll make sure everyone sees/knows what you are. Wouldn't surprise me if they had someone tracking Kant and CC sent him a message along the lines of 'either you come out or we come in.' Look at Kant's body language - he doesn't want to be there, he's frustrated, he's on edge, but at this point he's also visibly exhausted and probably on some level thinking slightly self-destructively - if he gets caught then at least it'll be over, at least CC can't use him anymore, at least he doesn't have to tell Bison himself and see with his own eyes what the truth does to him.

I know fandom in general is sympathetic to the ACAB sentiment, but I'm getting the feeling ppl don't fully appreciate just how fucked up the dynamic between a handler and an informant can be at the best of times, let alone when the handler is corrupt or at the very least abusing their position! I've seen (valid) accusations of grooming levelled against Lilly, but it's not something that only happens to children - all it takes is a significant power differential and someone who is at risk. And we've seen CC using the classic combo of praise and pressure - he switches from flattering Kant ('I know you can do this', 'you certainly lived up to my expectations') to threatening him (which goes beyond the initial outright blackmail - when he says stuff like 'you think they'll let you live once we arrest them?', that is a threat, that is him saying to Kant: we won't protect you - you quit now, you're on your own).

I really appreciated your tags on the height as power play thing, because that jumped out at me when I watched that scene, and it was so sad seeing Kant desperately trying to wrest back the upper hand and suddenly looking so much younger and more vulnerable as soon as CC stood up. And I admit we're veering into fanon rather than canon now, but it just makes me even more curious about his timeline - how old he was when he got caught? Did CC start off as a sort of quasi-father figure? Is that how he reeled him in? Did it begin, not with blackmail, but with manipulating Kant into wanting his approval? Perhaps my most burning question, however, is: what if this isn't even the first time he's been used as a honeytrap?? And I know it's most likely just First being incaptable of not having ridiculous chemistry with every single man who so much as breathes in his vicinity (let's face it, there's a reason the top three 'ghost ship' pairings on that poll are all First-based! But isn't it also because of the potential Kant brings as a character - the potential backstory tween him and Style/CC, the potential hate-sex with Fadel...), rather than anything deliberate but...the *vibes*! If you lean into that side of things and headcanon that yes, Kant did in fact fuck that cop, then phew, there is SO much to unpack there!

This is why I don't get viewers sleeping on Kant - imo he's the most interesting character! There are so many layers! Out of the main four, we probably know the least about him, and part of that is because we can't even trust that what we've ostensibly learned is even true! That whole riddle wrapped in a mystery inside an enigma thing? That's him! And not even because he's that complicated a person deep down - most of the meta I've read here has, I reckon it'll turn out, already nailed it. It's just that a combo of the tricksy and subtle way he's been written/played and the narrative role he's been given requires us to do some of the legwork ourselves (by which I apparently mean, you know, actually paying attention and caring??) to determine what in his words/actions/feelings/face is authentic and what's not, and when, and why, etc (heaven forbid we have to read between the lines!). Maybe some more casual viewers aren't used to that in their bls, and I totally get that ppl go into shows for different reasons and some just want the light entertainment/aesthetic appreciation of it all and aren't interested in deep dives and 10,000 word analyses, and that's absolutely their prerogative! We've all been there! But equally, you don't then get to complain about the writing/acting/characterisation when, by choice, you've skipped/missed/misinterpreted what's being put onscreen (disclaimer: I'm not saying no criticism allowed - there's things I'd have tweaked - just not when it's unfounded cos it's based on viewer indifference/ignorance). I don't want to use the term 'spoon-feeding', it feels ungenerous, and yet...!

Eek, this got away from me. Long story short: don't underestimate the lengths CC will go to just to keep Kant dancing to his tune, including risking his cover by showing up outside his favourite bar!

first of all, thank you for such a long ask, i love getting things like this in my inbox and be prepared for an equally long essay of my own shskdhd i will put it under a cut since your ask in itself is pretty long, but i agree with everything you said basically

i feel like every complaint i hear about kant just leaves me so very baffled. like at a certain point, you’re just coming up with reasons to be mad at him. and like i really wish that people would just fess up to the fact that they just don’t like him. that fundamentally something about him annoys them and that’s okay! you don’t need to like every character, but it pisses me off when people try to justify their dislike of anything by pulling reasons out of their ass. and like, okay, i understand that i obviously over analyze the shit out media i enjoy, and there are a lot people that don’t do that and watch with their brain turned off or just don’t put all the little things together. and that’s fine, but if you’re gonna complain about things at least make sure you’re complaining accurately. like some people didn’t even realize that christ was a cop until ep6 and apparently thought kant was doing it all for money?? when in their FIRST scene together, it is made explicitly clear that not only is christ a cop, but that kant is being blackmailed into this in order to keep his brother in his custody. you may not personally agree with everything he does, you may disagree how much of a choice he has in everything he does, but that does not change his motivations or the power that christ holds over him - and if you don’t realize at least those things, it’s not even a matter of media literacy, you are just not paying attention! or you’re skipping scenes and like, im not telling you how to enjoy shows, if you wanna skip scenes go ahead! but you can’t then complain about things that aren’t actually happening just because you tried to piece together what happened in the scenes you skipped 💀

and this complaint is especially silly because not only does kant explicitly emphasize that he’s been avoiding the captain and therefore we can assume the captain showed up to put pressure on him, but i feel like it’s been made pretty obvious that he doesn’t really have a choice in the meet up spots regardless? like they either meet at the police station/christ’s office, or he shows up in places that kant already is to talk to him, like the pool or the bar. so, i feel like getting mad at kant for that is so stupid? especially considering even IF meeting at the bar had been kant’s decision… he didn’t know bison was gonna show up?? he thought bison was in hiding and it’s his friend’s bar, so it’s a perfectly reasonable place for him to be and to be willing to meet up with the captain like?? he could not have predicted bison showing up after disappearing for a week post-failed murder attempt. like be serious.

when it comes to the acab aspect, i think trying to dive into people’s actual beliefs on that is a can of worms that will not end well shskdhd but in the very least, looking at it from a media perspective, i think in general people expect us to be supposed to root for the cops. like whether or not what you personally believe, the general sentiment in most media is that the cops are the good guys - because that’s the way we’re trained to believe that in society at large, so more often than not, it’s assumed that the cops in most shows are the good guys.

however, when you walk into a show like the heart killers, where 3/4 of our main protagonists are criminals (two murders and a former car thief) and the genre is explicitly a romcom, you have to also understand that the cops in a show like that are not gonna be the good guys! and i think in general, you have to be willing to understand that your personal morals and beliefs are not going to line up with the things these characters are doing. this is a show about assassins! if you’re going to try and argue for who’s morally in the right or who’s the most fucked up one, maybe this isn’t the show for you. and that’s okay!

all that to say you SHOULD be suspicious of the captain and his intentions - you should not trust him as some morally good figure because he’s been explicitly shown to be blackmailing and manipulating kant in all of this! he is a villain, explicitly so. and while i know we don’t have an exact age for when kant’s parents died and he had to start raising babe or for when he got caught, it’s very safe to assume this has been a long time thing. kant says their dad died young, babe says that kant raised him, so kant had to have been young when he had to start taking care of babe, and i’m assuming also pretty young when he got caught for his car thefts. so, it would not at all shock me if the captain saw a young, college-aged kant, who’d just lost his father and was desperately trying to keep himself and his pre-teen brother afloat, and saw an opportunity to put on the mentor role and mold this kid into what he wanted and needed. i think the lilly comparison makes perfect sense - because we’ve already been shown time and time again the similarities between the captain and lilly and the ways they manipulate kant, bison, and fadel. this being another way theyre similar would be no shock to me.

nor would it be a shock if the captain also made the relationship sexual at some point and kant having daddy issues and therefore being into it makes perfect sense as well shskdhd like you said i think it’s a combo of first having insane chemistry with everyone but also just kant’s character making these dynamics interesting - which is why first was the perfect casting choice they could have made shskdhd kant’s character in general is exceptionally fascinating to me, but i feel like i’ve made that pretty obvious with all my kant posting, and i don’t get how anyone can just write him off or view him as being one dimensional in anyway when he has SO MANY layers to him. he’s incredibly complex and that’s what i adore about him.

[quirekey]

Can you do headcanons for TFOne Bee x Cybertronian Femme!Reader, that is a musician whose personality is the opposite of Bee's?

AWW THIS IS ADORABLE!! Elegant-musician reader :D I love this idea sm

[ BUMBLEBEE ] x [ FEMME!READER ]

[ bumblebee x cybertronian!femme!musician!reader ]

[ I’m gonna be so real, I put a hella lot of effort in this ]

READER INTRO

You were a famous and talented multi-instrument player who was known for being mysterious and elegant. Your music was soothing and soft which also reflected your personality. Most of the time, you played a Cybertronian instrument that represented a harp. You never smiled too much nor did you express strong emotions. Iacon did not flourish in the arts and musical area and you're one of the only Cybertronians in Iacon that actually make this topic thrive. You invent new instruments and play magical songs on the streets to show others that you are doing this for a meaningful reason.

( Yes I’m doing this now, it may make for some good reader OCs )

HEADCANONS

[ Bumblebee isn’t stuck at SUB-LEVEL 50, but is merely very bad at his current position as a miner. ]

- The way Bumblebee found out about your existence when he saw many posters alongside a wall full of famous Iacon celebrities. While most of them were either racers, scientists or a high-guard, you stood out. You looked so graceful in your poster, calming colours surrounding your frame and some light text. This was how his love for you started.

- You often play your infamous harp on pretty popular streets. Cybertronians love to come by and greet you, encouraging you to continue your personal pathway to spread music. Bumblebee would be jumping and cheering for you while everybody is politely listening. You may be a bit annoyed but he’s a little adorable too.

- When Bumblebee decided to actually talk to you, he was surprisingly very outgoing. The conversation went off-track, it went from your popularity to how important energon is. You liked his little personality so you guys gained contacts.

- Ever since you guys got into contact, you would bring him around to less busy streets in case it doesn’t work out. If it is an empty day, you would bring a simpler version of your harp and give it to Bumblebee, showing him how to strum and create melodies. Bee has definitely broken many strings but it's merely because he isn’t paitent enough.

- Fans recognised you hanging out with this ‘Yellow, bulky guy’ and due to the population, rumours spread fast. Many cybertronians thought you guys were just two best friends but many others thought it was more than that. The crowd is persuasive and you slowly did gain feelings for the yellow goofball. You hated it but you have to accept the truth.

- The rumours only made you two closer. The way you two would laugh about how ‘strange and stupid’ these theories were and that it will probably never happen. This did hurt you and your chances to be with him.

- Bee is a pretty impulsive and carefree bot, so when he suddenly confessed to you mid-conversation, you were both surprised and not. Surprised that he would actually like somebot like you but not surprised that he just blurted something massive out of nowhere. You said you liked him back and that’s when something special started, it was opposites attracting.

- You two decided to date in secret since there were some strange cybertronians making theories about you and Bee. This was obviously wrong and made you uncomfortable, but Bee was able to help you out, only seeing the fun side of it. He said a lot of points like ‘More people will support us!’ Or ‘We may get free gifts.’. This helped you out when Bumblebee showed PDA.

- When you and Bee started dating, oh how ecstatic he was. He kept praising everything about you, turning into a silly gentleman and just being a cute sparkmate. When Bee told Orion Pax and D16, the two were starstruck. Literally an absolutely famous musician is dating a bot who could barely mine? That seemed unimaginable to D16, Orion was pretty proud of the little bot.

- You two would go out together every time instead of empty days ever since you guys started dating. Bumblebee would hold back from showing romantic affection and tries his best to make it seem platonic if he does. Sometimes, there are many Cybertronians asking for your signature or are just taking up your attention and this gets to Bumblebee’s nerves fast. He wants your attention, he should get them. If this is the case, he would just pull you away and hug you. Lucky for him, you wouldn’t stop him nor did you stop giving your fans some attention.

[benkyoutobentou]

2025 First Quarter Goals

This year, I'm switching up the way I make my goals for one very large reason: I'm moving to Japan! Instead of thinking about time in terms of 2024 moving over to 2025, I've been thinking about it more in terms of pre-Japan and in-Japan. However, this works out great since I'll be moving a quarter of the way into the year. Therefore, instead of making goals for the entire year, I have some goals that I want to accomplish before I move to Japan, or first quarter goals for 2025.

Read three Japanese novels. I had a goal last ear to read a Japanese novel each month which I completely bombed. I especially fell off when I started working towards moving abroad, because I wanted to get my physical tbr down fast, which meant I was neglecting my Japanese books even more than usual. I really want to make sure my Japanese is in tip top shape for moving there, which means buckling down and actually reading a novel a month this time.

Complete three TV series in Japanese. This is essentially the same goal as before, but with listening as my focus. Listening has always been my weakest skill and, although it's certainly improved recently, I'd really like to have to expend less effort on listening when I get to Japan. This is also one of the main reasons why I'm attending a language school instead of jumping directly into the senmongakkou that I want to go to afterwards. I also want to focus on series set in the Kansai region, since that's where I'll be.

Complete three levels on my kanji app. No I don't use WaniKani, yes it's because I'm too cheap. Right now, this is the easiest way for me to practice vocabulary and I don't want to let that go to the wayside.

Keep going to my local Japanese language meetup. I think this will be an easy goal to keep, as I haven't been able to go with the holidays recently and I'm missing speaking Japanese! These meetups will be my main way to practice speaking before I get to Japan, and as a mini goal, I'd like to speak more Japanese in these meetings instead of falling back on English.

Keep up with my Chinese. Although this is a significantly less tangible goal than my others, one thing that I found online was that there are a lot of Chinese language/culture meetups in the area of where I'll be in Japan and I'd really like to go to one while I'm there! So, I want to keep chugging away, even if it's a little more slow going than my Japanese progress.

And just because our lives can't revolve around one thing all the time, Finish three crochet projects. It's important to keep up other hobbies and I've been loving crochet recently! Next year, just to make sure I'm still crocheting, I'd like to finish at least one project each month, regardless of how big or small it is. One white whale crochet project I have an idea for is a shogi board blanket. I probably will not get to it this year.

皆さん、明けましておめでとうございます！As we all think about what we accomplished this year and what we want to accomplish next year, remember not to overextend yourself. Humans need variety, so don't beat yourself up if you find yourself attracted to other hobbies and interests- lean into it! Interests ebb and flow and it will come back if it is meant to be.

[sersi]

as a connoisseur of scrappy fictional men suffering, it is such a tragedy that, after being denied the experience of witnessing teenage ezra struggle through being alone in an unfamiliar galaxy surrounded by his enemies, we have now also been denied the experience of witnessing adult ezra struggle through making his journey home alone and surrounded by his enemies 🤡

[orcelito]

I do find it so funny that I will graduate college days away from my birthday. Like my birthday is literally in between the end of the semester ("graduation") and commencement

It really will be like a joint graduation & birthday party for me lmao

[quietwingsinthesky]

i have been thinking about that ‘give your oc a kink’ post for days. because i think even would have a thing for hypnosis. yes, yes, for character reasons of overwhelming feelings of impending failure that make the idea of having the ability to choose anything at all be taken out of their hands look extremely appealing. but also because it would be so fucking funny in the worse timeline. imagine you get stuck in time hell with a guy whose whole thing is hypnotizing people, and u hate him. u hate him so. so much.

[pepprs]

i am now a cookie run kingdom girl. 🙈😭

[eyivibyemi]

✧ I won’t really write descriptions for these, but see original post tags for explanation/commentary on the song snippet ✧

[elytrafemme]

it’s so strange how many people think i am like an open book about my life? because i feel like that mostly comes from me telling people extremely mild (imo) information and them taking it as a large confession. and like yes i have vaguely alluded to some heavier stuff but it’s like. i don’t know i wish people didn’t go around thinking oh mare doesn’t shut up about her trauma when it’s like the vast majority of events in my life i have never been able to fully tell anyone who wasn’t my therapist and likely never will be able to do that again.

[skitskatdacat63]

I randomly looked thru all my random sketches/unfinished wip files and I'm just mentally shaking past Catie like "WHY DIDNT YOU FINISH THESE!?"

[ruins-of-gods]

Something that I think Warhammer 40,000 storytellers miss sometimes is the sheer scale of their setting. I mean, don't get me wrong - I love the big, dramatic clashes, the characters you can buy in mini form and their convoluted, interwoven lore, the dramatic combats against unstoppable foes across a thousand ruined worlds. But that's the top of the setting, as it were - the most powerful beings in the universe, all fighting for supremacy. And at ground level, the level of the ordinary person, are so many other stories.

Did you know that a Lunar-class void cruiser has a crew of 95,000? Nearly a hundred thousand people, aboard a spaceship five kilometers long. A city, flying through outer space to wage war. Many of those people are proper trained soldiers, fresh from some academy or veterans of long, grueling campaigns, and many more are pressed into service, begrudgingly laying their lives at their Emperor's feet. But, unless the ship is currently actively involved in a really bloody campaign, most of those people were born aboard that ship. Most of their parents were born aboard it. And their grandparents. And their great-grandparents. Lineages stretching back centuries, so far that the original soldier who came aboard has been forgotten. A lot of those people probably know, on some level, that they're aboard a ship flying through space - but a lot of them probably don't, and I guarantee you almost none of them understand what that means. This ship is their world. To look out the window means madness so often that they avoid it - not that windows are readily available anyway. Most of them probably barely even understand that they're fighting. All they know is that when the readouts on their analog instruments display like so, when they hurry to obey the blared orders through the klaxon, the Emperor is pleased with them. They were born into that world. When they were children they did smaller tasks the adults couldn't. Their entire existence was winding metal corridors, laid out according to some archaic design, any logic that might dictate their layout long since degraded after millennia of ignorant maintenance, lit only by emergency lights that have long since become the default. They learned how to read an angle readout or how to relay an order perfectly the way another child might learn history or math. When they grew up, their service was flawless, born of pride and ignorance, and when they grew old and died, their legacy was remembered until it was forgotten. Many were killed in battle, but who cares? They gave their lives to the Emperor - a name whose meaning they don't understand, but whose importance they believe in wholeheartedly, all but synonymous with the commanding officers up above.

Sometimes, the klaxons sound a specific command, and every person on board who understands what it means feels a deep, awful dread as they run to their battle stations. They don't know what a warp jump is. They don't understand they're going from one place to another by the fastest way available. All they know is that, for a time, the ship dips into hell. The corridors go wrong. Things and people might not be where or what they were before. Daemons stalk the halls, and must be killed by any who can hold a lasgun. The overcrowded berths, the little nooks that families find for themselves - they are not private anymore. They are not safe. Things drift through the shift that do not care about the laws of physics, but that delight in killing and torturing human beings. Vast energies shake the ship and tear parts of it away - their home, their world, their existence, the biggest thing they can imagine, assaulted by something bigger. Is it the Emperor's punishment for failure? Is this what battle is? What's going on? They don't know, and no one who does can be bothered to tell them. The dread of those who have seen this before is even worse, because they don't know how long it will be. It might be just a few hours. It might be days, or weeks, or months, or years, or decades. It might be centuries, as the captain of the ship goes hunting daemons deep in the warp - the officers live that long, after all, and have little care for those who don't. There will be people born in hell, who spend their entire lives fighting from the day they can stand, and who die in hell, as old age and need catch up to them and they curl up in a corner to perish. To them, it isn't even hell. It's just the world. The world is death and pain and cruelty, an infinite metal box through which monsters stalk, and sometimes you must run to a battle station and do as you're ordered to do. And sometimes, as they reach forty or fifty or even a ripe old sixty, the ship drops out of the Warp, and, for the final years of their life, they are granted a life of relatively safe service better than anything they ever hoped to dream of.

Those are the kinds of stories I want to see more of. Super-soldiers fighting each other is cool, yes, but I want to see this universe explored. I want stories from the perspective of those that keep the Imperium going, or the aeldar, or the tyranids, or anyone, really. There's just so much potential in this setting. It deserves it.

[foxstens]

i gotta say i fucking love rain world's controls

[mywritersmind]

GO OUT WITH ME - LN4

summary : Lando doesn’t beg. But when it comes to y/n, he can’t help it.

listen up : nothing big to note! just cuteness

word count : 945

⋆｡‧˚⋆

“Go out with me.” He says for the third time today, watching me swipe on my strawberry lip gloss. I pocket the bottle into my jeans pocket, crossing my arms over my black vest. I look to Lando who’s behind me in his papaya suit.

“Could you please stop bothering my friend?” Oscar says, sitting on a stool in his own driver's room.

“I will if she says yes.” He looks at me with big blue eyes, smiling. Too bad I have to crush his dreams.

“No.” I shrug and look back to my childhood best friend.

“Why are you even here, Lan?” Oscar leans his head back against the wall.

“What do you mean? I love hanging out with my bestie!” He stands, messing with Oscar’s hair. I laugh a bit and his face lights up, “Go out with me.”

“Goodbye Lando!” Oscar pushes him out the door and slams it in his face. “You know he will stop if you ask him, right?”

I look at my manicure, sighing, “Yeah, I know.”

⋆｡‧˚⋆

Lando won. I go to a race to watch Oscar and everywhere I turn, Landos face is being projected onto some screen. I was there in Miami and now I'm here in the Netherlands.

I’m leaving the paddock when I literally run into the man. I told you he’s everywhere!

He’s smiling like I've never seen before, sweaty and laughing before he looks up at me, “Shit, Y/n! I’m sorry.”

“No problem.” I shake my head, “Congrats, by the way.” He bites his lip, his suit unzipped and water bottle in hand.

“Thanks! You must be a good luck charm.” he winks and I'm thoroughly reminded how attractive he is. I won’t go out with him but that doesn’t mean I can’t appreciate him.

“You going out to celebrate?” He’s walking with me through the hall.

“Nah I want fast food and a movie.” He shakes his head, a curl falling onto his forehead. “Join me?”

“Bye, Norris.” I walk out the door.

I can practically hear the smile in his sweet accent, “See you later, Y/l/n.”

⋆｡‧˚⋆

I knock on Oscar’s door repeatedly, “Open up, Idiot!”

No reply.

My stupid best friend hasn’t responded to me all night, we had plans for me to cheer him up after his crappy race but he’s totally ditching me!

“That’s my room.” I freeze when he speaks. The British accent is one that I will not confuse with Oscars.

I slowly turn to Lando, “Oh.”

“Any reason you’ve come for a visit?” He holds a bucket of ice and a dutch chocolate bar. “Change your mind about the date?”

I pull my lips into a thin line, “No! I’m looking for Oscar.”

He walks closer to me, “We switched rooms. He's a level down.”

“Shit.” I roll my eyes, “You think he’s asleep?”

“Definitely. Seemed wiped after today.” He shrugs and eyes the bag I'm holding.

I was supposed to cheer him up after a crappy race, I bought all the Australian treats I could find, “Great.” I sigh. ”He’s leaving tomorrow morning so now I’m stuck with all these snacks.”

“Snacks?” Lando almost laughs, “Poor you, stuck with food.”

“Australian snacks! We were supposed to watch ‘How to lose a guy in ten days’ and he was supposed to complain about it!” I frown, I don’t get to see Oscar often even though he’s just come from break, I barely saw him.

Lando unlocks his room, “I’m sorry. I’d invite you in but I'm assuming you’d say no.”

“Lando Norris… Are you giving up?”

His head shoots up when I say it, “No! I’m respecting your wishes.” He opens the door and walks in, clearly waiting for me to make my decision.

I push past him and jump the snacks onto his bed, “Oscar told me you don’t like tim tams.”

⋆｡‧˚⋆

An hour later I find myself watching Oscar and I’s movie with Lando. He’s actually really funny, and genuinely thinks this movie is hilarious.

I’m caught looking at him, “Everything okay?”

I nod slowly, pretending like I wasn’t just examining his face, “Can I ask you something?” He nods, “If I said yes… to a proper date- what would you do?”

He smiles, “Probably jump for joy, if i’m being honest.”

I roll my eyes.

“You know I don’t just ask you out on some whim right?“ He’s being serious. “I like you. I want to get to know you more.” He says it so casually but I can tell he’s nervous.

I can’t breathe, “More than just Oscar's friend?”

Lando shakes his head, toying with a candy in his hand, “You’ve always been more than Oscar's friend.”

“Then, yes.” I’m certain this time.

“Yes?”

“Yes i’ll go out with you.”

He blinks.

“You better not be joking.”

“I’m not!” I laugh and he puts his head into his hands, “Lando!”

“I knew you’d come around!” He points at me before pausing again, “This isn’t some pity thing, right? Just because I’m alone after I won doesn’t mean I’m all sad or something!”

“Lando.” I try but he keeps going.

“I did win, after all! And I don’t want you to say yes because of that either because it’s cool and all but I am more than a win also I swear I have other friends besides Os-”

“Lando!” I laugh and grab his face. He stops speaking, “I want to go out with you. Because you’re you.”

I can feel his heart beating, “That’s good.”

“Very good.” I agree. His smile hits me once more and I match it, “You’re cute.”

“I think I'm dreaming.”

note : race was TOUGHHH today😭 had to write smt happy to cope. loved it for charles tho can’t lie! hope you enjoy!

[mysicklove]

Summary: Going to the fair with older brother Sukuna and toddler Yuuji was bound to cause some sort of trouble. But it was the tiger plushies' fault, not yours!

cw: fem! reader, curse words, sukuna almost hits someone with a ball, sukuna gives bad advice, sukuna threatens ppl, mentions of kidnapping, metaphors that dont make any sense

wc: 4.1k

a/n: i will post the prequel to all of this next! but I thought this was a silly way to show more dynamics between reader n sukuna! hope u guys like it <3

big brother au masterlist + taglist

It was Yuuji’s idea to go to the annual fair. You thought it was a great idea – it was an opportunity to get Yuuji out of the house, and the idea of seeing the toddler giggling on the children’s rides sent you off to your computer and buying three tickets. 

Sukuna was not very fond of the idea, but you could have guessed that. He preferred to go to the fair with just you, but if Yuuji heard, he would probably throw a mini tantrum, and that would just be more work for Sukuna. So alas, it ended up being you three (as it usually was).

Yuuji was beyond excited when the three of you arrived, and Sukuna grips at the boy’s hood, sparing you a glance and rolling his eyes. “We need to get him a leash.”

You grin at him, scoffing but jumping slightly when an older boy shoves past him, making the toddler stumble backward. You grab Sukuna’s hand before he tries to yell at the other child and then pull Yuuji close to you. “There,” you sigh, successfully holding onto both of the brothers, “We all stick together. Don't get separated from us, Yuuji.”

“No running away!” he chirps, and you smile, nodding at him. Immediately Yuuji is distracted by all the flashing lights, and Sukuna has to hold onto the back of his hood to prevent him from accidentally wandering away. Sukuna claims the boy is just dying to get kidnapped, while you blame it on the toddler’s curiosity.

You guys make your way to the children’s side of the park, having to cover Yuuji’s eyes a multitude of times so that he doesn’t see the other rollercoasters. He was still talking about how excited he was to go on the rollercoaster that goes upside down a whopping three times – a rollercoaster boys of the age of four are not allowed to go on. Telling him would probably make him cry, so distractions worked better. Luckily, there were enough lights and stuffed animals around that pointing to something while you scurry past the rollercoasters distract Yuuji for long enough.

The first ride you guys made around to had an influx of people, but they all did, so the three of you stood in line listening to Sukuna’s complaints. Yuuji talked to the little girl who was also waiting in line just in front of him. Sukuna glares at you, listening to the children shriek and feeling the multitude of bodies pressed near him. “We are going home after this one.”

“No, we aren’t. Lighten up!” You try to encourage, rubbing his arm, and trying to ignore his displeased expression. “We are at the fair – look how much fun Yuuji is having.”

He glances at the boy, who, like always, is in the other child's personal space. He was clinging onto the girl’s arm and jumping up and down in excitement while the young girl looked overwhelmed. Sukuna pulls the boy’s hood, causing Yuuji to come tumbling backward. The boy, in return, merely cocks his head to the side, confused as to what he did wrong.

“Keep doing shit like that, and no girls are ever going to like you,” Sukuna reprimands, letting go of the red hood. 

Yuuji frowns, still confused, and you step in, immediately crouching down to his level. “Remember what we talked about? Personal space, Yuuji. You got to give your friend some space to breathe, sweetheart.”

The boy nods, looking at the concrete floor – even if your tone is nice, no child likes to be scolded. But Sukuna just pushes him back over to the girl, ignoring the way he trips and falls, but immediately gets back up. The two children go back to their conversation, but this time Yuuji holds onto Sukuna’s leg so that he doesn’t accidentally get too close.

Sukuna turns his attention back toward you. “Do you think they will take him in?” His head tilts to the parents of the girl.

You roll your eyes but smile. “Uh-huh, and if they did, who would you use as an excuse to go on your favorite ride, the Kiddie Coaster”

“The more you speak, the more you tempt me to just leave you both here,” Sukuna says, but there was no real threat to his words. He leans back on the metal bar handles. “Ah, how peaceful life would be without the brat spouting bullshit. Just the empty house and I, what a dream.”

You lean back on the adjacent metal, crossing your legs and sighing whimsically. “Ah, I can see it now,” you start, and Sukuna raises his eyebrow. “You are gone, and me, Yuuji, and Choso are traveling the world together. What a beautiful lifestyle without hearing any complaints.”

“Ah, and then I hunt you three down and lock you up so that you three can never have fun without me. And I live happily ever after, still alone.” 

You wonder what the couple behind you are thinking, considering they are probably close enough to hear whatever you guys are saying. But ridiculous conversations like these were common for the two of you. They never had real meaning behind the teasing words, especially since when the three of you began to load up on the small rollercoaster, Sukuna very quickly forced his lips onto yours and gives you a cocky grin before loading up next to Yuuji. And that was all the reassurance you needed – sadly, you dont get the last word, this time at least.

You two didn’t even try to sit next to each other, knowing that either way, Yuuji would demand to be placed in between you two. The boy was grinning like a madman, kicking his feet out and wishing that the ride would start sooner. Just before the ride started, Sukuna had made a teasing remark that the boy wasn’t strapped in properly, and could possibly fall out. You were lucky Yuuji was in such a great mood because the second you shut that ridiculous idea down, he immediately went back to giggling with excitement.

And a minute and a half later, the ride was over, and the toddler had more energy than before. He was practically buzzing with excitement, jumping up and down and reenacting how fast the rollercoaster was going with his hands and mouth sound effects.

You nod the entire time, smiling while the toddler babbles on about how much fun the rollercoaster was. It was adorable to watch, to say the least, and you were excited to take him on the next one. 

Sukuna was not excited to stand in line next to children again. He grabs you by the wrist and drags you over to where the fair games are located. Yuuji grabs onto your own shirt and continues to talk to you while the two of you are basically getting pulled into an unknown location. 

Eventually, Yuuji found himself in awe at the giant tiger stuffed animal that hung from the top of one of the tents. He was pointing to it and squealing for Sukuna to get it for him, and at first, Sukuna rolled his eyes and immediately said no, but then he also saw you staring at it. He taps your shoulder with his, rough enough to snap you out of your thoughts. “You really want the stuffed animal? That shit is for babies.”

“You are a pretty shitty boyfriend,” you sigh, not really taking what he said to heart, but still Sukuna immediately denies it. You ignore him and pet the child’s pink hair. “It’s for Yuuji.”

“I’ll win you the stuffed animal.”

“Win Yuuji the stuffed animal.”

“Tiger! Tiger! Tiger!”

Sukuna narrows his eyes at the two of you and then turns back over to the man hosting the game. He hands him some cash and mumbles, “If you scam me, I’ll kill you.” but the music paired with the abundance of people talking made it too loud for the worker to hear his threat. 

The man hands him three balls, and the goal is to knock down a stack of metal cans. Easy enough, but this was a fair game, so there was bound to be some sort of trick to it. A trick that Sukuna does not know.

You and Yuuji stand a couple of feet behind him, cheering him on. Yuuji was now being held by you, sitting on your hip and pumping his fists in the air at the mere idea of owning the giant plush. 

But, as you suspected, Sukuna did not win. He had managed to knock down two cups, and the last ball went flying past the man’s nose when he tried to taunt Sukuna. You could have guessed that would happen. 

This time, you are the one to drag Sukuna because if you didn’t, surely that poor worker would have a broken nose by now. It was their job to taunt people, a part of the fun, but your boyfriend’s temper did not stand for that.

Yuuji was surprisingly fine with it – of course, he did look a little sad about losing the opportunity of owning the tiger, but in the next moment he was fawning over how strong his brother was. He was gripping onto Sukuna’s pants, while the man was borderline glaring at everyone that walks by. “So cool, Kuna! You threw so fast!”

You have to hold back a laugh the entirety of it because only Sukuna would be genuinely upset over losing a fair game. But you remain quiet and let Yuuji continue to babble on to his older brother. 

Finally, after some time, Sukuna does look at his younger brother. He turns to him and grabs at his little shoulders. “This is a learning opportunity, so listen up, little brat,” he starts, and you furrow your eyebrows. Yuuji immediately perks up, ready to absorb anything his idol says. “Never trust anything. Life is a scam, and people are always trying to fuck you over.”

“Okay, yeah, so no. Yuuji–”

“Everybody is trying to steal your tiger.” Sukuna talks louder than you, and at this point, Yuuji’s eyes are wide as saucers. “Dont trust anyone or anything. Understand?”

Yuuji nods, not understanding anything that his brother is saying but trying to appease him. You pinch the bridge of your nose, also knowing that the boy is too young to understand anything. “That’s horrible advice. You are going to give him trust issues. And what’s with the tiger?”

“It’s a metaphor.”

You stare incredulously at your boyfriend. “Metaphor for what? That’s the worst metaphor I have ever heard.”

Sukuna shrugs. “Metaphor for life. Maybe you aren’t smart enough to keep up with my intellectual comparisons.” He holds a teasing smile, waiting for your own bite back.

“I dont want my tiger stolen!” Yuuji pipes up, and you spare him a glance, shaking your head and reassuring him that his tiger plush, which he does not own, will not be stolen from him. Sukuna continues to taunt him, and the two of you begin to bicker back and forth. Not with harmful intent, simply mindlessly arguing over something stupid such as a tiger plushie and the definition of metaphors.

Yuuji doesn’t say anything, head whipping back and forth to try and keep up with the conversation that he barely understands. But, eventually, after a minute of listening, he grows bored with the lack of attention on him, so he raises his hand and says, “I need to go potty!”

Sukuna groans, knowing that you will now be preoccupied with the boy again and has successfully lost your attention to a toddler. But you ignore the man and pick the boy up again, slightly frowning at him. “You need to go to the bathroom?”

“Uh-huh!”

Sukuna makes a show of how annoyed he is, but he also needs to go, so he doesn't complain too much. The three of you walk over to the moveable trailers that house the restrooms, with Yuuji holding your hand behind you as he points to every tiger stuffed animal you guys see on the way. 

When the three of you arrive, you nod at Sukuna before walking yourself and Yuuji over to the women’s restroom. The boy always came with you, being too young to go into the males alone. 

But Sukuna loves to make a show, so the second the two of you start walking in the opposite direction from him, he says, “Brat, where do you think you are going?”

Yuuji turns to him, still holding onto your hand, now with his head cocked to the side. “Potty?

Sukuna grabs onto the boy’s hood and starts pulling him away from you. “You are a man. You go to the men’s bathroom. Let’s go.”

The toddler was not considered a man under any circumstances, so you raise your eyebrows at Sukuna. It only meant that he was now the one to help Yuuji. So, you shrug, wave him goodbye, and say, “Good luck!” before you turn back to the women’s restroom. 

Yuuji seems to look concerned as he was dragged away from you, considering he always goes with you to the bathroom, but he quickly grabs onto Sukuna’s pants, knowing that he may be left behind if he doesn’t. 

And so the two of them went on with their business.  The toddler nearly runs out of the bathroom, excited to go on the rides once again, but Sukuna barks a command for the kid to stay close, causing the boy to whine, but grab onto Sukuna again. The two of them wait for you in front of the women’s restroom. 

Five minutes go by, and you are still not out. It took a long time, considering that the two of them took longer than usual because Sukuna sucks at helping the kid. But, Sukuna knows better than to complain; it could be “girl” problems like you often say.

Ten minutes go by, and now Sukuna is tapping his feet against the pavement while Yuuji presses his face to Sukuna’s side, fingers inside his mouth from nerves. “Brother, where is she?”

Sukuna ignores the boy, and calls your phone. He hears the annoying sound of your ringtone come from his back pocket, and he tilts his head back and groans. Of course, you would leave your phone with him in this situation. Yuuji blinks at him, confused as to what is happening. But then, Sukuna takes a step forward to an elderly woman approaching the bathroom, describes your appearance, and tells her your name so that she can help look for you in the restroom.

Two minutes go by, and the woman comes out and shakes her head. You weren’t in there. Sukuna’s eyes widen, before he tears himself from the wall with a sigh. He mumbles out, “If your ass goes missing, I am going to kill you.” and Yuuji’s own eyes widen at the prospect.

“Y/N m-missing?”

Sukuna grabs onto the boy’s wrist and begins to drag him away from the bathroom. “Not for long. Dont be useless. Keep your eyes open for her.”

And so, the two of them began to walk around the park for you. Yuuji had whined out that Sukuna was walking too fast and was holding onto his wrist too tightly, but it was just due to the stress of the situation. So, without letting the boy prepare himself, Sukuna reaches down and snatches him up, placing him onto his side. “Dont get used to it. Your ass is just too slow. Keep looking.”

Yuuji just nods, frowning and resting his head on Sukuna’s shoulder. If this were any other circumstance Yuuji would be buzzing with excitement, loving being held in general, paired with being close to Sukuna. But you were missing, and Sukuna was incredibly tense, so Yuuji didn’t feel comforted at all.

They had been walking for ten minutes, and at this point, you were missing for almost twenty-five minutes. Sukuna was cursing under his breath, scanning the fair that housed so many people and was successfully blinding him from you. It was getting dark at this point too.

Sukuna hears sniffles in his ear, and he quickly turns to his brother, hissing out, “Dont you dare cry right now.” The last thing he needed was sobbing in his ear. 

Yuuji grabs onto Sukuna’s shirt and shakes his head, trying to hold back the tears. “W-Wont cry. Won’t. Where is Y/N? Brother, I want Y/N.”

The elder, in return, grabs the back of his hair and presses the boy’s face into his neck. He holds him there while Yuuji squeezes his eyes shut and latches on tighter to the man, feeling slightly better now that he is pressed close to his brother. “I am going to find her. Just focus on not crying; I dont want snot on my neck, little pest.”

Sukuna begins to rewalk his steps, heading back to the bathroom. He was glaring at everyone who walked by that looked concerned for the toddler who was holding back tears. Sukuna just holds the boy tighter and continues to scan the crowd to no avail.

The entirety of it, Yuuji is mumbling out, “No crying. No crying. No crying.” while tears slip down his cheeks. He also tries to look for you, but the second he pulls away from the man’s skin, he seems to want to cry even more with the lack of security. So the boy remains placed in Sukuna’s neck, mumbling out to himself while Sukuna ignores him and continues to search. The hand hasn’t left the back of Yuuji’s hair.

But, at last the two of them make it back to the bathrooms where you originally were supposed to be. Sukuna spots a figure sitting on the curb, looking equally as stressed as the two of them felt, but with two stuffed animals in their hands. He lets out a deep breath, relief washing over him and his rapidly beating heart.

Yuuji turns his head to the side when Sukuna pauses, and immediately the boy’s eyes widen. His finger points to you, and he lets out an “ah!” sound. The boy begins to stir in his hold, trying to squirm away so that he can run over to you himself. But Sukuna doesn’t dare let him go, and he skylines straight toward your mopey figure.

The high-pitched sound of your name snaps you out of your thoughts, and before you can even process completely who it is, you are engulfed in a hug. The familiar scent of your boyfriend surrounds you, and you are pinned to his chest, nearly suffocating from the force of it.

Yuuji switches from Sukuna and on to you, squeezing you at an unreasonable force for someone of the age of four. He was sobbing into your shoulder while Sukuna’s hand gripped the back of your neck. But after a long moment, Sukuna pulls away and glares at you. “You idiot. Dumbass. Where the fuck did you go? Are you trying to get kidnapped? Look at what you did to the kid. Are you trying to piss me off?”

He continues to insult and curse at you, demanding an explanation. He was worried about you and this was the way he was expressing it to you. You have to simultaneously comfort the two brothers, who seemed to be a mess without you. Yuuji had you in a death hold, and you had to try to sush his cries, questioning why he was chanting, “Dont cry. Dont cry,” while nearly hyperventilating from tears. Sukuna’s hand grips your shoulder, and he is still scolding you, but every once in a while, would stop himself and force his lips onto yours for a second before pulling away and cursing at you.

Sukuna demanded you explain yourself, and so you sighed and told him the story. You didn’t need to go to the bathroom, and you saw a smaller tiger plushie at a game stand down the line. So, you headed over to the booth, wanting to surprise Yuuji with the tiger. But you continued to lose and eventually got completely absorbed into the game. You did not even know the time had passed and that your phone was not with you, having put it in Sukuna’s pocket last ride. But, after about fifteen minutes, you won not only one but two tiger plushies. When you walked back to the bathrooms, they were gone. And so you waited for them, hoping they would come back soon.

You must have came back right when they left to find you – an unlucky turn of events. Sukuna simply shakes his head at your explanation and then leans forward to rest his forehead on your shoulder. “I am going to put a tracker on you.”

You try to lighten up the mood, petting both his and Yuuji’s hair, who is finally beginning to calm down. “It won’t work if I leave my phone with you.”

“I wouldn’t put it on your phone,” Sukuna remarks, grabbing your hand and grinning at you. 

You dont have a clue what that means, so you just shake your head with a sigh. Yuuji’s eyelids are growing heavy from all the walking, the crying fit he had, and the fact that he didnt have his nap today. He leans onto your shoulder and begins to doze off, even with all of the noises.

The two tiger plushies remain on the curb. You sigh and pick them up, holding onto Yuuji’s for later, and giving Sukuna the other one. He gives you an unamused glance. “Why would I want a toy? I am a grown man.”

“Because I won it for you and to prove that not everyone is trying to steal your tiger. ” You quote, referring back to his ridiculous metaphor from before, that holds no meaning.

He chuckles, shaking his head. “It doesn’t really work.”

“Hm?”

“The metaphor. Doesn’t make any sense.”

You raise your eyebrows, surprised he admitted defeat. He must have been in a good mood since he had found you. “Yeah, I know. You failed English three out of the four years of high school. No wonder you dont know how to use metaphors.”

He pauses for a moment, thinking, and then shrugs and doesn’t say anything. You call it a win for you. The two of you exit the park, now that Yuuji was asleep and Sukuna could not be any happier to leave. You probably won’t be returning to the fair for a couple years, knowing him.

When you get home, you tuck Yuuji into bed – he was already completely out, drool coating his chin. You place the tiger stuffed animal next to him, excited to see his reaction to it in the morning.

And you were right – he did have a reaction, way too early in the morning. At 6 AM, the door of you and Sukuna’s shared room flies open, and toddler squeals fill the air. He jumps on your bed with the stuffed animal in his hands and chants, “Tiger! Tiger! Tiger!” while the two of you groan out.

Sukuna, in his half-awake state, grabs onto the boy’s ankle, sending him tumbling onto the bed when he tries to jump. But the boy merely giggles, and this time Sukuna steals the stuffed animal, places it under him, and goes back to sleep. 

You are awoken with two mini hands placed on your face and the sight of Yuuji pouting. The first thing you hear that morning is, “Kuna stole my tiger!” 

A second later, two tiger plushies are being chucked at the boy. The boy falls back again with an “umph!” from the force of the throw, and the bed rumbles from Sukuna’s laughs. 

“If only you used that aim on the fair game,” you mumble, eyes still closed and trying to snuggle into your pillow.

“Just didn’t have the right target.” You hide a smile, not wanting to give Sukuna the satisfaction of making you laugh by insulting Yuuji.

Yuujis giggles echo in the room, and you blink at the boy. He was sitting on Sukuna’s chest now and shoving his stuffed animals in his brother’s face. “Two tigers! Two tigers!”

Sukuna groans out, shaking his head and wishing desperately that he was sleeping. “Your tigers are about to be headless in a minute if you dont stop talking.”

Yuuji shakes his head and pushes the plushies into Sukuna’s neck. “Tigers say, grrrrrrrrr! Wake up Kuna, grrrrrrr!” 

The tigers somehow mysteriously go missing three hours later. You could only hope that their heads were still intact – knowing Sukuna, they probably were not. 

[d1stalker]

The Feeling's Mutual | Part One

[Logan Howlett x Mutant!Reader]

Summary: If somebody told you a week ago that you were a mutant, being stalked, and would be teaming up with an annoying, grumbly bastard, you probably would have laughed in their face. Too bad that was last week, because here you are, in that very situation, wondering how in the world things escalated so quickly.

PART TWO PART THREE FINAL PART

Warnings: fem!reader, canon-level violence, reluctant alliance, bickering, not exactly enemies-to-lovers but they don't rly get along, it's gonna be a slow burn y'all WC: 5.7k - MASTERLIST - A/N: If you saw me post this earlier, no you didn't 🤫 i added more hehe

You’ve never been so confused in your entire life.

It all started last week—when you were walking to the grocery store. Just an ordinary day, nothing special about it. You had a list in your hand, some cash in your pocket, and thoughts of what to cook for dinner running through your mind. The route you took had you winding down the usual streets of your neighbourhood, and that’s when you noticed him.

Something about him was different, but you couldn’t quite place your finger on what it was that made you think that. Perhaps it was the way his eyes followed you, stalking you, like a predator its prey.

At first, you thought it might be a coincidence. Maybe he was just another person going about his day, heading in the same direction as you. People share paths all the time; there was no reason to suspect anything sinister, right? But as you continued walking, a nagging feeling in the pit of your stomach told you something was off. You decided to test it, making a sudden turn down a side street, one you usually never take.

The street was quieter, less foot traffic, and the late afternoon shadows were starting to stretch across the pavement. You glanced over your shoulder, and there he was, still a few steps behind, his gaze remaining locked onto you with a focus that sent a shiver down your spine. Quickening your pace, you felt an almost paralyzing fear.

This wasn’t just a shared route. 

The more you turned, the more you weaved through unfamiliar streets, the more persistent he became. He never faltered, never hesitated, always keeping just close enough to let you know he was there.

Finally, you reached the store, breathing in short, panicked gasps, your eyes flitting around. You ducked inside, hiding the fluorescent lights and bustling aisles. You tried to calm yourself, telling yourself it was nothing, that you were being paranoid. After all, what were the odds? Maybe he’d walk past, maybe he wasn’t even following you. You spent longer than usual picking up items you didn’t need, giving him time to disappear. 

But when you walked back outside, bags in hand, you saw him again. He wasn’t right at the door, but still, close enough—across the street, half-hidden in the shadow of another building, watching. His eyes locked with yours once more, and you froze, the plastic handles of the grocery bags digging into your palms as your grip tightened in fear. He didn’t move, didn’t smile or sneer, just stood there, silent.

You rushed home, not even bothering to see if he was tracking you down, too scared to find out the answer. Your mind was racing with a million thoughts. Who was he? What did he want? You didn’t sleep much that night, jumping at every creak and groan the apartment made, the image of that man’s cold stare burned into your mind.

The next day, you told yourself it was nothing, a one-time thing, just some creep who had too much time on his hands. A pervert, possibly. 

But happened again. A different man this time, but with the same unnerving intensity. He followed you the same way, mute and relentless, through the streets, to the store, and back home.

Then the day after that, and that, and that. They didn’t approach you directly, just followed, watched, waited. It was like a game, one that you didn’t know the rules to, and the stakes felt like they were getting higher and higher and more time passed. Whenever you stepped outside, you felt their eyes on you, felt their presence lurking just out of sight. It was terrifying.

The fear gnawed at you, growing with each passing day, until it became impossible to ignore. You started taking different routes, avoiding your usual stores, changing your routine as much as you could. Still, no matter what you did, they always found you.

Soon it changed—no longer just silent stalking. One night, as you were walking home, one of the men stepped out from the shadows and blocked your path. His presence was oppressive, the way he stood there, so still, so certain of his power over you. You had no idea what he wanted, but you knew it whatever it was, it wasn’t good.

“Why are you following me?” you demanded, trying to muster up all the courage you could, voice shaking slightly despite your attempt to sound strong.

“Because we were told to,” the man said, his voice cold and emotionless. There was no malice, no pleasure in his words, just a chilling matter-of-factness. “You’re coming with us.”

Panic surged through you, a primal instinct to run, to fight, to do anything but comply. You refused to show it, refused to give him the satisfaction of seeing your fear. 

“I’m not going anywhere with you,” you spat back, hoping your defiance would be enough to make him reconsider.

His eyes narrowed, a dangerous glint flashing in them, and before you could react, he lunged at you, his fist swinging with brutal intent. Time seemed to slow as you saw the blow coming, your mind racing, but your body moving almost on instinct. You raised your arms to defend yourself, bracing for the crushing impact that would follow.

You couldn’t explain what happened next. When his fist connected with your arm, the force that should have sent you to the ground, left you unscathed. Instead, it was the man who staggered back, a look of shock and pain twisting his features. He clutched his hand, wincing as if he had struck something far harder than just flesh and bone.

You stared at him, bewildered, before glancing down at your own arm in disbelief. There was no pain, no bruise, nothing to indicate that you’d just been hit. It was as if his attack had bounced off of you, like you were made of steel.

Had you really just blocked that hit? And why did it feel like… nothing?

Before you could process what had happened, before the realization could fully take root, another man appeared out of nowhere, moving with a speed that blurred the edges of his form. Mutant. He was faster than the first, more determined, and this time, you felt your heart stop as he came at you from behind, his hands outstretched to grab you.

But something in you reacted faster than your fear. You twisted out of his grip with lightning speed, with movements so fluid and precise, it was as if your body knew exactly what to do, even if your brain was struggling to keep up. You sidestepped his attack, narrowly avoiding his grasp, and found yourself behind him, safe for the moment.

“What the hell?” you muttered under your breath, your heart pounding in your chest. How did you move like that? How had you known where to go, how to dodge?

There was no time to dwell on it. The fight intensified in an instant, the two men coming at you one after another, relentless in their assault. They weren’t holding back, and suddenly neither were you. You moved like a force of nature, dodging their attacks, striking back when you could. Each punch you threw landed with a power that surprised even you. You watched in stunned disbelief as one of the men crumpled to the ground after a single blow, his eyes rolling back as if he’d been hit by a truck.

You are not a gym regular. In fact, you hadn’t worked out in weeks. You weren’t strong, not like this. So how was it possible that your punches were so devastating, that each one seemed to carry a weight far beyond what you’d ever imagined?

Then, with a flick of his wrist, the first mutant, conjured a ball of fire in his hand, the flames crackling and roaring, craving something to burn. He hurled it at you, the fireball spinning through the air with only one target in mind. 

You barely had time to scream as the flames engulfed your arm, the searing heat burning through your skin. The pain was unbearable, a white-hot agony that made you gasp and stumble back. You expected to see your skin blackened, blistered, ruined.

And it was.

For a minute. 

To your shock—or horror—you looked down, breath catching in your throat as you watched the burn heal right before your eyes. The charred skin knitted back together in seconds, smooth and unblemished, as if nothing had happened at all.

What the fuck? 

It was in that moment that the truth hit you, like a thunderclap in your mind. You weren’t just an ordinary person caught in a nightmare. You were a mutant, with powers that had only now revealed themselves, right when you needed them most.

The men kept coming, but now you fought with a new understanding. Each punch, each dodge, each rapid movement felt more controlled, more intentional, your gym class self-defence courses coming in clutch. You were strong, faster than you’d ever been, and you could heal—regenerate from injuries that would have left others incapacitated.

Finally, the two men laid groaning on the ground, defeated. You stood there, panting, your mind spinning as you tried to make sense of it all. Super strength, super speed, regeneration… these powers, they were yours. And they had just saved your life.

But as the adrenaline began to fade, confusion set in. What did these men want with you? Why had they gone to such lengths to provoke you? To make you discover what you were capable of? 

All you knew was that one thing was clear: this was far from over. Whoever had sent these men wouldn’t stop here. They knew what you were now, and that meant they’d come after you again. You weren’t just an ordinary person anymore. You were something else, something powerful. And that put a target on your back. 

Whatever was coming next, you needed to be ready.

----

That’s how you found yourself here, one week later, crouched on the apartment rooftop, the cold wind nipping at your exposed skin. The dark streets below are eerily silent, save for the distant hum of traffic. You sense them before you see them—another group of male mutants, closing in on your position. You grip the hilt of your knife tighter, feeling the now-familiar twinge of anger and frustration settle in your chest. This is the fifth group tonight. They’ve been hunting you in groups for days now, their numbers increasing as each one goes by, and you’re tired of it. 

You’ve started to get used to your new powers—testing your limits, pushing yourself harder with each confrontation. What started as simple self-defence, a punch here, a dodge there, has escalated into something far more lethal.

You didn’t want to kill, didn’t want to by use your sharpest kitchen knife (your only kitchen knife) as a weapon, but as the attacks became more violent, you found yourself with little to no choice. 

These mutants weren’t holding back, and neither could you.

Within a week, you went from the most average person in the world to what some people might call a vigilante—except you're really only trying to save your own skin.

Leaping off the roof, you land silently behind them. The speed at which you move is almost dizzying, your body a blur as you close the distance in the blink of an eye. 

“Looking for someone?” you call out sarcastically.

They turn, eyes widening in surprise, but you’re already moving. Your blade sings through the air, striking true, as you move like a shadow, taking them down one by one. It’s not easy—these guys are tough—but you’ve become tougher. With each strike, you can feel your strength surging, far beyond what should be possible. One of the mutants tries to block you, creating a forcefield, but you grab the edges before it can fully form, and break through it, the temporary pain vanishing as quick as it came. A solid kick to his face, and he crumples to the ground, unconscious before he even realizes it.

“Is this what you wanted?!” you shout, your voice echoing through the empty street as the last attacker falls to the ground, groaning in pain. “Is this what you came for?!”

The answer doesn’t come from them. Rather, it comes from a low growl behind you. 

You whirl around, heart racing, and there he is—Logan Howlett—the Wolverine himself. The man you’ve read about in every article, every piece of mutant-related news you could get your hands on since discovering your own abilities. He’s infamous, pretty much a legend, and the stories about him are as terrifying as they are fascinating.

Standing there with that scowl on his face, he looks every bit the dangerous figure you’ve imagined. His eyes are blank, calculating, and you can feel the weight of his gaze as it sizes you up. There’s a tension in the air, thick and suffocating, as he takes a step closer.

“So, you’re the one causing all this trouble,” Logan states gruffly, irritation coating his tongue. He unsheathes his claws, the adamantium glimmering under the streetlights. The sound is unmistakable, and it sends shivers down your spine. “Heard you’ve been killin’ off mutants left and right.”

You narrow your eyes, instinctively stepping back into a defensive stance. Your heart is pounding, but you can't show any weakness. 

“Funny, I thought the same about you, Wolverine. What’s the matter? Run out of bad guys to play hero with?”

Without warning, he charges at you, claws outstretched, but you’re ready. You dart to the side, your speed giving you an edge as his claws slice through the air where you’d been standing, making a woosh sound. You counter with a swift kick to his ribs, putting your enhanced strength into the blow. He grunts, stumbling slightly, but quickly regains his balance. The momentary advantage you gained is gone as he storms toward you once more.

You meet his attacks head-on, your blade clashing with his claws in a shower of sparks. The force of each impact reverberates through your arms, but you hold your ground, refusing to back down. His attacks are ferocious, a whirlwind of claws and fury. He's fast, but you’re faster, dodging and weaving with a precision that keeps you just out of reach.

“Look, sweetheart,” he growls between strikes, his frustration evident. “You can make this easy or hard. I don’t care which, but I’m not lettin’ you hurt anyone else.”

You scoff, rolling your eyes as you deflect another swipe of his claws. “Oh, please. You think I’m the bad guy here? These jerks have been coming after me for days. I’m just defending myself.”

Logan doesn’t look convinced, and that pisses you off more than anything. “Right. And I’m supposed to believe you, why? You’re leavin’ a trail of bodies behind you.”

You narrow your eyes, feeling the anger boil over. “Because I’m not the one who started this! They did! But of course, you wouldn’t know that, would you? You just show up, swinging your claws around like you’re the big savior.”

“You got a mouth on you, don’t ya?” He retorts, snarling as he charges at you again, faster this time. You barely have time to block his attack, the force of his blow sending you skidding back several feet. But you dig your heels in, refusing to give an inch as he continues plows forward. Your speed kicks in, allowing you to duck under his next swing and land a punch to his jaw.

He staggers, but quickly recovers, swiping at you with renewed fury. You're a bit sloppy compared to him, not as much of a seasoned fighter. His claws swipe at your arm, cutting deep and drawing blood, but the wound heals almost instantly, the skin closing up as if it had never been cut. You see the flicker of surprise in his eyes, but it doesn’t slow him down. He lunges again, becoming a blur of motion as he ups the ante.

You parry with your knife, but this time, you’re on the offensive. You launch a rapid series of attacks, your speed and strength managing to drive him back. In the rush of movement, you're able to see an opening, grasping his shoulder and shoving him hard, sending him crashing into a nearby wall. The impact is enough to crack the brick, but Logan just shakes it off, pushing himself back to his feet.

“Gotta say,” you huff, panting slightly from the exertion, “I’m a little disappointed. I expected more from the you, after all I’ve heard.”

Logan grunts, clearly fed up with the banter. “I'm done talking.”

He lunges at you again, and this time, it’s a battle of wills as much as it is of skill. You don't back down, your knife clashing with his claws in a series of rapid, brutal strikes. The alleyway becomes a blur of movement, metal against metal, strength against strength. Each time his claws find their mark, your regenerative abilities kick in, healing the wounds almost as quickly as they’re made. 

And for a moment, you wonder if you’ll have to kill him too, just to survive. But then something shifts. Maybe it’s the way your attacks grow weaker, less lethal. Or maybe it’s the way Logan’s eyes narrow in realization when he notices your hesitance.

“Wait a damn minute,” Logan says, stepping back just out of your reach, wiping his mouth, then spitting on the ground. He’s breathing hard, just like you. “You’re holdin’ back.”

He pauses, his eyes narrowing as they flick down to the knife you’ve been holding, and then back up to you. His expression shifts, a mix of disbelief and exasperation crossing his face. “And is that a kitchen knife?”

You glance down at the knife in your hand, realizing how absurd it must look in the middle of this intense fight. It’s not exactly standard combat gear, but it’s all you had when this started. You can’t help the smirk that pulls at your lips as you meet his gaze again.

“It gets the job done,” you quip, shrugging slightly.

He shakes his head, clearly not impressed. “You’re something else, you know that?”

“I'm choosing to take that as a compliment,” The sarcasm is practically oozing off of you.

He eyes you warily, his posture still tense. “You’re not makin’ this easy, you know. You got me here thinkin’ you’re some crazed mutant killer, but you’re just a girl wavin’ around a kitchen knife like you’re in a bad horror movie.”

You cross your arms. “Well, I didn’t exactly have time to hit up a weapons store. Besides, I didn’t ask for any of this. These guys came after me first.”

Logan studies you. “So you say. But you’re killing dozens of mutants. Doesn’t exactly scream ‘innocent.’”

“Trust me, if I had a choice, I wouldn’t be doing this–fighting… killing–at all. Hell, I didn’t even know I was a mutant until some guy swung his fist at me a week ago.” You meet his gaze, challenging him. “And what about you? You’re not exactly known for playing nice.”

He snorts. “Yeah, well, most of my casualties are from the missions I go on, so I'd say it's justified.”

Your eyes narrow, catching the implication in his words. “Oh, am I your mission now? How long have you been tracking me?”

Logan’s expression doesn’t change, but there’s a slight shift in his posture, a subtle acknowledgment that you’ve hit on something. “Long enough to know you’re not just some innocent bystander caught up in the wrong place at the wrong time.”

“So, what? You’ve been watching me, waiting for me to screw up so you could take me down?” you demand, the frustration clear in your voice.

“Something like that,” he replies gruffly, “But from what I’ve seen, you’re more reactive than proactive," he looks you up and down. "I can’t seem figure out if you’re the real threat here, or just someone caught in the middle of a bigger mess.”

You let out a slow breath, trying to calm the fiery anger rising within you. “I told you, I didn’t start this. They did. I’m just trying to survive.”

He doesn’t respond immediately, teeth grinding as he considers your words. You can see the gears turning in his head, trying to piece together whether you’re telling the truth or just playing him. He takes a step closer, his claws still out but not as threatening as before.

Finally, he asks, “You got a name?”

You roll your eyes, exasperated. “No shit I have a name.”

Logan huffs, unimpressed by your attitude. “Well, if you’re not gonna tell me, I’m just gonna have to call you somethin’… How 'bout Knifey?”

You stare at him, half-expecting him to crack a smile, but he’s dead serious. “Knifey? Really?”

Logan shrugs, a smirk tugging at the corner of his lips as he eyes your weapon of choice again. “Fits, don’t you think?”

“Fine. I’ll tell you my name, alright? Anything but Knifey.” You say, trying not to laugh at the absurdity of it all.

“... Gotta say, Knifey sounds a little better”

“Shut the fuck up, Wolverine”

“It’s Logan, actually.”

You release a deep sigh. “I know, and I don’t care. I’m telling you I am not the one you need to be going after.”

Logan scoffs, crossing his arms. “I’ve been around a long time. Seen my fair share of people who think they’re doin’ the right thing and end up doin’ a hell of a lot of damage. So, forgive me if I’m a little skeptical.”

“You would know a lot about that, wouldn’t you?” The words come out of your mouth before you had time to think about them, and you regret it immediately. You can see the mutant in front of you’s face darken to a degree bordering murderous, and you think you’ve crossed a line you can’t come back from. Whatever playful banter existed before this is gone.

“Careful,” He growls menacingly, “You don’t know what you’re talkin’ about.”

You swallow hard. The Wolverine is infamous for a reason, and you just poked at the beast beneath the surface. You briefly consider backing down, but your pride refuses to let you.

“Maybe I don’t,” you admit, “But I do know what it’s like to be hunted, to have no choice but to fight back. So yeah, maybe we’re more alike than you think.”

Logan’s glare softens just a fraction, and he lets out a long, frustrated breath. “You really don’t know when to shut up, do ya?”

“Not when I’m trying to make a point,” you retort.

He doesn’t respond immediately, just stares at you, as if he’s trying to decide whether to continue this conversation or end it with his claws. Ultimately, he shakes his head, the anger in his eyes dimming, replaced by something more akin to weary resignation.

“Fine,” he mutters. “Maybe you’re not the one I should be takin’ down. Doesn’t mean I’m gonna start trustin’ you.”

“I wouldn’t expect you to,” you reply, feeling a bit of relief that the situation isn’t about to escalate into another fight. “But I swear, there’s someone else out there pulling the strings. And I’m not sticking around to be their puppet.”

He nods slowly, crossing his arms again. “We’ll find out who’s behind this, but I’m callin’ the shots. You step outta line, and we’re gonna have a problem.”

You smirk, a little of your bravado returning. “I’ll try not to disappoint you, Logan.”

You can tell he doesn't appreciate your attitude, but he lets it slide. “Let’s get one thing straight. This ain’t a partnership. I’m doin’ this to figure out what the hell’s goin’ on, not because I like you.”

“Trust me, the feeling’s mutual,” you shoot back, though there’s no real heat behind your words.

Logan turns abruptly, not even bothering to beckon you with him.

It makes you roll your eyes but you fall in step beside him anyway, knowing that despite the rocky start, this uneasy alliance might be the only thing keeping you alive. 

“…So… where exactly are we going?”

He sends you a sidelong glance. "Who said I’m takin’ you anywhere?"

You throw your hands up, exasperated. "Well, if you don’t, these mutants are going to keep hunting me, and I’m going to keep killing them…” you shoot him a look, batting your eyelashes innocently. “You wouldn't want that, would you?"

“Fuck off”

"Well, too late for that now."

He grumbles something under his breath that you don’t quite catch, but it sounds a lot like cursing his bad luck.

"We’re headin’ to my place. It’s the safest spot right now."

----

Turn’s out, it’s not really his place. Or at least, it’s what you’d thought it’d be. It’s more of an abandoned warehouse that he just decided to seek refuge in one day, doing the bare minimum to make it feel at the very least, home-y. The heavy metal doors creak open, revealing a chaotic interior cluttered with garbage, old newspapers, and a few scattered items. In the corner, a single bed and a sagging couch that look like they’ve definitely seen better days.

Your nose wrinkles in disgust as you take in the mess. "Seriously?" you mutter, your voice tinged with disbelief. "This is where you've been hiding out? It looks like a tornado hit a thrift store."

Logan, who had been trailing behind you, lets out a low grunt as he shuffles past, not bothering to respond to your jab. His heavy footsteps echo in the otherwise silent space, the sound bouncing off the bare, cold walls. He heads straight for a small, battered table that looks like it's one sharp nudge away from collapsing. On it lies a worn notebook, its pages yellowed and curling at the edges, evidence of extensive use. Without a word, he picks it up and starts flipping through the pages, his expression unreadable.

Your curiosity gets the better of you, and you step closer, peering over his shoulder. "What's this?" you ask, reaching out to take the notebook from him. He hesitates for a brief moment before relinquishing it into your hands. As you flip through the pages, your eyes widen in shock. The notes are detailed, almost obsessively so, listing the names of various mutants, their abilities, and the exact locations where their bodies were found. 

"Oh, great," you say with a sarcastic, half-hearted laugh. "You've been keeping tabs on me. What kind of creepy stalker are you?”

He rolls his eyes and snatches the notebook back, his voice dripping with irritation. "I wasn’t exactly tracking you. I was trying to track whoever’s been killing all those damn mutants."

Logan’s jaw tightens as you just continue to stare, and he lets out an exasperated sigh. "And don’t act all innocent. I needed to know who was causing all the chaos."

Scoffing, you continue to look through the notebook, stopping when you come across a particularly detailed entry. "Wow... 26 kills? Not too shabby for an amateur mutant, huh?"

“Is your mouth unable to stay shut?” he questions, though you know better than to answer that. 

The notebook flops back onto the table with a casual flick of your wrist. "Hey, don’t be mad just because I’m doing a better job than you expected."

He crosses his arms over his chest, his muscles straining against the fabric of his shirt. "I’m not mad," he snaps. "I’m annoyed that you’re making light of this. It’s not exactly a high score to brag about."

"Oh, come on. You’re the one who turned this place into a shrine to my success” you smirk.

"It’s not a shrine," Logan growls, his patience wearing thin. "It’s a record. If you’d been paying more attention to what’s going on, you’d know that."

The playfulness fades from your face as his words hit home. He’s right, but you’re not about to admit it. Instead, you deflect. "Yeah, and if you’d bothered to talk to me instead of playing detective, maybe we’d have figured this out sooner."

"You think you’re the only one who’s had a rough time? This whole situation is a mess, and we’re both caught in it." His eyes narrow.

You cross your arms, mirroring his defensive posture. "You didn’t have to get involved, you know. Unless...what if you’re the bad guy here?" you challenge, raising an eyebrow in suspicion. "Using all these mutants to lure me into your dungeon under the pretense of trying to ‘stop’ me?"

His response is immediate. "I’m way too lazy to think of doing all that."

You can’t help but believe him, especially given the state of the warehouse. He clearly lacks the energy—or the interest—to tidy up his living space, let alone mastermind a complex plot. You let out a sigh and walk over to the sagging couch in the corner. The fabric is threadbare, and the springs groan in protest as you flop down onto it.

"Fine, fine... I trust you," you concede, though your tone is far from serious. "Did you notice anything specific amongst these mutants?"

"Yeah, I’ve noticed somethin’,” Logan says, dragging a hand down his face, now looking more tired than ever. “They’re all pretty low-key. Not exactly top-tier in the mutant rankings. Never caused any trouble before, yadda yadda. If anything, they’re usually on the weaker side."

You furrow your brows, intrigued. "So they’re not a serious threat."

"Exactly," Logan confirms with a nod. "It’s weird. These mutants aren’t the type to just go around being fuckin’ annoying like they have been. Someone—or something—must be pushing them into this."

"You think they’re all being controlled somehow?" you muse, the pieces slowly falling into place. "And that’s why they’re suddenly acting out of character?"

"Seems like it," He replies, rubbing his temples. "Must be powerful if they’re all falling in line like this. We’re going to have to dig deeper to find the source of it.

He moves to sit next to you on the couch, the worn fabric sinking even further under his weight. "Tell me everything you know," Logan says quietly, his voice a tinge softer now, almost coaxing. "Everything that’s happened to you."

You sigh and lean back against the couch, staring up at the ceiling as you start to recount your experience. "It all began about a week ago. Just a normal day, I was walking to the grocery store, then I noticed this guy following me. At first, I thought it was a coincidence. But no matter where I went, he was always a few steps behind."

His attention sharpens, his gaze locking onto yours. "And?"

"It started as just stalking," you continue, your voice growing quieter as the memories flood back. "Nothing violent. But then, it started happening with different people. Each time, they were more persistent, more intimidating. It became clear that something was off."

You can feel Logan’s gaze burning into you, his concern evident in the way he leans closer, listening intently. "Eventually, they started getting aggressive," you say. "One night, one of them blocked my path and tried to grab me. I managed to fight him off, but when he hit me, it didn’t hurt. I mean, it should have, he looked pretty strong, but my arm felt fine. That’s when I realized I had powers—some form of super strength, super speed, and healing abilities."

"And you figured that out just from fighting them off?" he questions, somewhat impressed.

You nod, rubbing your arms as if to ward off a lingering chill. "Yeah. I didn’t really have a choice. They kept coming, and I had to use whatever I had to protect myself—including my damn kitchen knife. The more I fought, the more I understood what I could do.”

Logan pauses, his expression unreadable as he processes everything you’ve said. The dim light from the single bulb casts long shadows across the room, emphasizing the lines of fatigue etched into his face. Finally, he stands up, his movements slow and deliberate. "So, here’s the plan," he starts, his voice rough and tired. "We need to figure out exactly where these mutants are coming from. There’s gotta be a main location where they’re getting their orders or some central hub for this control."

You hum in agreement, though a part of you is reluctant to jump back into action so soon. "Alright, so how do we start tracking that down?"

His lips press into a thin line as he thinks it over. "We’ll stake out the rooftops. From up there, we can get a clear view of their movements and see if they’re converging somewhere specific. Maybe spot a pattern."

You stretch, stifling a yawn as you glance around the shabby room. "Okay, but are we doing that tonight? I’m pretty beat."

“Seriously? You want to put this off?" he accuses, face twisting in irritation.

"I’m up for it, but I’d be more effective if I’m not running on fumes. Plus, you look pretty tired yourself," you shrug. 

He lets out a frustrated sigh, running a hand through his hair. "Fine. We’ll do it tomorrow."

A small smile tugs at the corner of your lips as you sense his reluctance to agree. "So you agree with me," you state, not really feeling any real pride, but just wanting to push his buttons.

Logan grumbles under his breath as he starts to clear a space on the threadbare couch, which creaks loudly under even the slightest pressure. "Do you ever shut up? I’m letting you crash in my bed, aren’t I?"

You chuckle softly, watching him arrange a tattered blanket on the couch with exaggerated care. "Yeah, yeah, okay. Goodnight, old man."

"Watch it, Knifey," he mutters, settling onto the couch with a groan as the springs protest under his weight.

You roll your eyes at his choice of nickname, and with a sigh, you make your way over to the bed, which is small and far from luxurious, but it’s better than nothing. The mattress dips slightly as you climb in, and the covers are thin, barely providing any warmth. Still, exhaustion pulls at you, and you barely have time to think about what the covers smell like before sleep overtakes you.

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