#will in the basket

[instantcaramel]

Professional German football club Holstein Kiel playing hide and seek at training camp is so AFC Richmond coded I can‘t

[bethfuller]

i love dropping my pen putting my glasses on my desk and rubbing my face like an exhausted divorced academic in the 1980s who is greying and sexily tousled and has been up for hours digging through the yellowed pages of old obscure treatises about etruscan pots

[goldensunset]

did you know? if you do your laundry you can get your clothes back

[autoneurotic]

wanted all my horses in one basket, as it were

[nootshell]

Kiseki no Sedai but make it Jujutsu Kaisen (lol please don't bully me)

[jadenvargen]

reread furuba ERM sue me #straightlove

[goryhorroor]

“horror movies of the 1980s exist at the glorious watershed when special visual effects finally catch up with the gory imaginings of horror fans and movie makers. technical advances in special effects (animatronics, liquid and foam latex) meant the human frame could be distorted to grotesque new dimensions on screen. 1980s horror movies delivered the full colour close-up, look-no-strings-attached, special effect in a way that previous practitioners of the art could only dream about. everything lurking in the shadows in older horror movies was now dragged into the garish light of day. the monsters were finally out of the closet.”

[emilylovescookies]

tohru honda… the shoujo girl of my dreams 🐱🎀💕

[bittersweetresilience]

@duckbunny on wanting to live

companion weave

[moodboard-d]

[pusheen]

[suslucicek]

[vintagehomecollection]

Natural light helps to create a comfortable work environment. The large window permits ample sunlight and, with the light-colored paint on the walls, creates a comfortable work environment.

A Portfolio of Home Office Ideas, 1998

[plumbum-art]

Apparently there seems to be a certain popular demand of snakes in baskets. So here is a small sequel to my previous comic. How did our heroes got home from their adventure?

[lowcountry-gothic]

Corey Alston (Mount Pleasant, SC)

“​​My name is Corey Alston. I'm a fifth generation Sweetgrass Basket Weaver. I currently run the family business in the Charleston City Market. Sweetgrass Basket Weaving has been a major part of the Gullah Geechee Culture dating back to days of Enslavement. This coastal art form has been recognized as South Carolina State Handcraft and has been known to be kept alive the longest along Sweetgrass Basket Makers HWY of South Carolina. This skill is one of the rare arts of our country that is founded nowhere else in America. Gullah Sweetgrass Baskets are a national treasure.

“​​Being chosen as one of the artisans of Mt. Pleasant does not only bring awareness to my skill set and my culture as a Gullah Geechee representative, but in collaboration with Acres of Ancestry raises awareness of the unjustifiable treatment that Black and minority farmers have endured. The more that this topic is brought to the forefront, the more that our nation's leaders will see that treating white farmers one way and then treating Black farmers another way will not be accepted. I applaud Acres of Ancestry for working tirelessly on making sure that everyone understands what our elder farmers are going through.

“​​These two Sweetgrass Baskets are called ‘Poppa’ and ‘Big Momma.’ It took six months to complete ‘Big Momma’ and four months to complete ‘Poppa.’ They both measure 36 inches tall.”

​​—Corey Alston, fifth generation basket weaver and cultural preservationist from Mount Pleasant, SC, Artisan Statement