#wicked wicked

[chaptertwo-thepacnw]

wicked, wicked |1973|

[goryhorroor]

quentin tarantino’s favorite horror movies

[sesiondemadrugada]

Wicked, Wicked (Richard L. Bare, 1973).

[hotelelectrico]

Sometimes at the end of a year, I'll post stills from ten of my favorite movies that I saw for the first time that year. This year, those movies have something else in common: none of them are currently available to stream or rent online in the US. I rented almost all of these on disc from Scarecrow Video, the world's largest publicly-available video archive. They're in the midst of an important fundraising campaign - please consider renting from them, becoming a member, or donating what you can!

The Heiress (1949, USA, director William Wyler): A suitor (Montgomery Clift!) encourages a rich young woman (Olivia de Havilland!) to assert her independence from her father, but can she trust his motives? Classical Hollywood rarely got more psychologically insightful than in this tense but gorgeous melodrama. On Blu-ray from Criterion.

Wait Till the Sun Shines, Nellie (1952, USA, dir. Henry King): A young husband is happy to put down small-town roots while his wife dreams of the city. David Lynch says that this was the first movie he ever saw, and you can feel its influence on his work. Wholesome Americana as a force of perpetual destruction to those who dream of anything else. On DVD-R from Fox Archive.

They Shoot Horses, Don't They? (1969, USA, dir. Sydney Pollack): Hm, I'm realizing there may be some recurring themes in these, maybe a little bit of cynicism about "capitalism" and "America" and so on. Desperate Depression-era contestants join a nightmarish dance contest for the prospect of guaranteed meals and a cash prize. One of the key films of the New Hollywood movement and a highlight of Jane Fonda's career! On Blu-ray from Kino Lorber.

Wicked, Wicked (1973, USA, dir. Richard L. Bare): Okay time for something fun! A cheesy, gimmicky, thoroughly enjoyable psycho-horror shown almost entirely in split-screen "DuoVision". The film makes genuinely interesting and varied use of its core gimmick , but even without it the lurid twists would be a blast to watch. There's even an atrocious but catchy theme song! On DVD-R from Warner Archive.

Man of Marble (1977, Poland, dir. Andrzej Wajda): A driven young documentary filmmaker seeks out the true story of a bricklayer who had been lauded as a proletarian hero decades before. For another change of pace, we have some cynicism about communism instead of capitalism! Agnieszka the filmmaker is one of my favorite characters of the year, because she possesses every admirable trait: a rock-steady moral vision, a fearless investigatory instinct, and a world-class ability to lounge around and sit in odd positions. On DVD from Vanguard. (I saw this through my university library, but Scarecrow has it too!)

The Driver (1978, USA, dir. Walter Hill): A cool-guy-does-cool-car-crimes movie so stripped-down that none of the characters have names or even change outfits. Ryan O'Neal and Isabelle Adjani are as pretty and blank as you could possibly hope for. The car chases rock. It turns out you can strip this whole genre down to just the chassis and it's still immensely satisfying. On Blu-ray from Imprint.

Urgh! A Music War (1982, UK, dir. Derek Burbidge): Punk and new-wave concert footage from some of the greatest acts of the era! And plenty of other people too! Inherently inconsistent, starts and ends rough but there's a stretch in the middle that's nonstop fire. If you don't know and love Klaus Nomi, you need him in your life. If you haven't watched The Cramps' performance from this, you have no idea how low a pair of leather pants can ride or how salaciously a man can treat a microphone, and you need that in your life too. Plus Devo, XTC, OMD, The Go-Gos, Gary Numan (in an adorable little Star Wars car!) - all aces. On DVD-R from Warner Archive.

To Live and Die in LA (1985, USA, dir. William Friedkin): A vital companion piece to Friedkin's landmark The French Connection, with 80s LA sheen replacing 70s NY grit but the dark heart of copdom left completely unchanged. Willem Dafoe is unforgettable as the artist/counterfeiter antagonist. (Fun fact: the counterfeit money used in the film made its way into actual circulation, which earned Friedkin a visit from the Secret Service. He told them to come back with a warrant and they never did. And that's how the greats do it!) On Blu-ray from Kino Lorber, but 4K UHD is also available!

Twilight (1990, Hungary, dir. György Fehér): You know how people who don't watch a lot of international art films think they're all slow, grim, ambiguous black-and-white slogs through Eastern European despair? Well, that's what this is and it rules. It's shot like nothing I've seen before, full of subtle, misty grays, and the plot is about some detectives failing to catch a child murderer. You know if that sounds like your jam or not, and if it does, you're in for a great bad time. On Blu-ray from Arbelos.

I'm a Cyborg, but That's OK (2006, South Korea, dir. Park Chan-wook): "Taking mental illness seriously" doesn't have to mean being dour or even realist. Park Chan-wook is of course one of the best filmmakers in the world, but he's especially good at nailing tricky, ambiguous tones. I'm thinking of the triumphantly salacious end of The Handmaiden, the tragicomic ending of Thirst, the cathartic but sorrowful but etc etc climax of Lady Vengeance - anyway, this movie lives in that realm all the way through. On Blu-ray from Tartan (I think).

[ozu-teapot]

Wicked, Wicked | Richard L. Bare | 1973

[mysdrymmumbles]

I got careless

the culprits are unrepentant

[mostly-funnytwittertweets]

[victusinveritas]

Dogs have had many jobs throughout history, in this case: Revenge.

[letthehatersbark]

The funniest one star review of Wicked I've seen so far

[grrwoof-woof]

"but the text never explicitly stated it!!!" hey, so that's actually what they tried to teach you in those english classes you barely passed 😁

[oceanicpride]

Wicked dolls by Mattel have the wrong website of the film printed on the packaging which directs you to an adult film website.

[chaptertwo-thepacnw]

wicked, wicked |1973|

[angelicughart]

ur gonna be popular

[drop-of-infinity]

I don’t think we talk enough about how the entirety of Wicked is built on the irony of No One Mourns the Wicked. The musical exists because Glinda feels the need to tell Elphaba’s story, because she is in mourning and entirely alone in that. Glinda’s love is what creates the musical because no one mourns Elphaba except her, and that is an incredibly lonely place to be. She’s just lost two of the most important people to her, and all she’s trying to do is make someone, anyone else see how important they were.

[musashi]

hunting down this post to find that OP turned of reblogs has me heartbroken.

it's time.