#urgh a music war
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Sometimes at the end of a year, I'll post stills from ten of my favorite movies that I saw for the first time that year. This year, those movies have something else in common: none of them are currently available to stream or rent online in the US. I rented almost all of these on disc from Scarecrow Video, the world's largest publicly-available video archive. They're in the midst of an important fundraising campaign - please consider renting from them, becoming a member, or donating what you can!
The Heiress (1949, USA, director William Wyler): A suitor (Montgomery Clift!) encourages a rich young woman (Olivia de Havilland!) to assert her independence from her father, but can she trust his motives? Classical Hollywood rarely got more psychologically insightful than in this tense but gorgeous melodrama. On Blu-ray from Criterion.
Wait Till the Sun Shines, Nellie (1952, USA, dir. Henry King): A young husband is happy to put down small-town roots while his wife dreams of the city. David Lynch says that this was the first movie he ever saw, and you can feel its influence on his work. Wholesome Americana as a force of perpetual destruction to those who dream of anything else. On DVD-R from Fox Archive.
They Shoot Horses, Don't They? (1969, USA, dir. Sydney Pollack): Hm, I'm realizing there may be some recurring themes in these, maybe a little bit of cynicism about "capitalism" and "America" and so on. Desperate Depression-era contestants join a nightmarish dance contest for the prospect of guaranteed meals and a cash prize. One of the key films of the New Hollywood movement and a highlight of Jane Fonda's career! On Blu-ray from Kino Lorber.
Wicked, Wicked (1973, USA, dir. Richard L. Bare): Okay time for something fun! A cheesy, gimmicky, thoroughly enjoyable psycho-horror shown almost entirely in split-screen "DuoVision". The film makes genuinely interesting and varied use of its core gimmick , but even without it the lurid twists would be a blast to watch. There's even an atrocious but catchy theme song! On DVD-R from Warner Archive.
Man of Marble (1977, Poland, dir. Andrzej Wajda): A driven young documentary filmmaker seeks out the true story of a bricklayer who had been lauded as a proletarian hero decades before. For another change of pace, we have some cynicism about communism instead of capitalism! Agnieszka the filmmaker is one of my favorite characters of the year, because she possesses every admirable trait: a rock-steady moral vision, a fearless investigatory instinct, and a world-class ability to lounge around and sit in odd positions. On DVD from Vanguard. (I saw this through my university library, but Scarecrow has it too!)
The Driver (1978, USA, dir. Walter Hill): A cool-guy-does-cool-car-crimes movie so stripped-down that none of the characters have names or even change outfits. Ryan O'Neal and Isabelle Adjani are as pretty and blank as you could possibly hope for. The car chases rock. It turns out you can strip this whole genre down to just the chassis and it's still immensely satisfying. On Blu-ray from Imprint.
Urgh! A Music War (1982, UK, dir. Derek Burbidge): Punk and new-wave concert footage from some of the greatest acts of the era! And plenty of other people too! Inherently inconsistent, starts and ends rough but there's a stretch in the middle that's nonstop fire. If you don't know and love Klaus Nomi, you need him in your life. If you haven't watched The Cramps' performance from this, you have no idea how low a pair of leather pants can ride or how salaciously a man can treat a microphone, and you need that in your life too. Plus Devo, XTC, OMD, The Go-Gos, Gary Numan (in an adorable little Star Wars car!) - all aces. On DVD-R from Warner Archive.
To Live and Die in LA (1985, USA, dir. William Friedkin): A vital companion piece to Friedkin's landmark The French Connection, with 80s LA sheen replacing 70s NY grit but the dark heart of copdom left completely unchanged. Willem Dafoe is unforgettable as the artist/counterfeiter antagonist. (Fun fact: the counterfeit money used in the film made its way into actual circulation, which earned Friedkin a visit from the Secret Service. He told them to come back with a warrant and they never did. And that's how the greats do it!) On Blu-ray from Kino Lorber, but 4K UHD is also available!
Twilight (1990, Hungary, dir. György Fehér): You know how people who don't watch a lot of international art films think they're all slow, grim, ambiguous black-and-white slogs through Eastern European despair? Well, that's what this is and it rules. It's shot like nothing I've seen before, full of subtle, misty grays, and the plot is about some detectives failing to catch a child murderer. You know if that sounds like your jam or not, and if it does, you're in for a great bad time. On Blu-ray from Arbelos.
I'm a Cyborg, but That's OK (2006, South Korea, dir. Park Chan-wook): "Taking mental illness seriously" doesn't have to mean being dour or even realist. Park Chan-wook is of course one of the best filmmakers in the world, but he's especially good at nailing tricky, ambiguous tones. I'm thinking of the triumphantly salacious end of The Handmaiden, the tragicomic ending of Thirst, the cathartic but sorrowful but etc etc climax of Lady Vengeance - anyway, this movie lives in that realm all the way through. On Blu-ray from Tartan (I think).
#movies#film#year in review#the heiress#olivia de havilland#wait till the sun shines nellie#david lynch#they shoot horses don't they?#jane fonda#wicked wicked#man of marble#the driver#isabelle adjani#ryan o'neal#klaus nomi#urgh a music war#willem dafoe#to live and die in l.a.#twilight 1990#i'm a cyborg but that's ok#park chan wook#walter hill#william friedkin#gyorgy feher#andrzej wajda#sydney pollack#william wyler#henry king#richard l bare#derek burbidge
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Urgh! A Music War (1981)
After over a decade of avoiding the evil conveniences of streaming music on Spotify, I have finally given up. I’ve been enjoying the exploitative service for a full year now, contributing fractions of pennies to my favorite artists and turning my head when Belly’s “Delete Spotify” profile-pic message appears while their songs play. As proof of this shame, I’ll share my Spotify Wrapped data for…
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The movie theater I’m sitting in rn is playing a sparks music video as part of the pre show. Big Russell.
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Joan Jett & The Blackhearts - Bad Reputation
#Joan Jett & The Blackhearts#Urgh! A Music War#Bad Reputation#URGH! A Music War#Format:#2 x Vinyl#LP#Album#Terre Haute Pressing#Country:#US#Released:#1981#Genre:#Electronic#Rock#Reggae#Stage & Screen#Style:#New Wave#Psychobilly#Punk#Synth-pop#Soundtrack
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1981
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Julien "Grindsnatch" Hechtlinger
A member of NYC shock punk band The Mad. She was also a guitarist with the Cramps in 1980, and she is featured in the video shot for Urgh! A Music War, using the name Julien Grindsnatch, or sometimes Julien Griensnatch.
Julien Grindsnatch, with Lux Interior, Poison Ivy Rorshach and Nick Knox in 1980. Photo by Marie Triller, New York Rocker.
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#the cramps#nick knox#poison ivy rorschach#lux interior#julien grindsnatch#urgh! a music war#tear it up#punkabilly#psychobilly#Youtube
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(via John Cooper Clarke - Health Fanatic (Urgh! A Music War) 1981)
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i love staroba.....
#yes this is an edit of the last one#starlo's right arm looks a bit weird but idc#can SOMEONE find me a good audio visualiser video creating software#i want to put this music i arranged for staroba with the first image i posted before#and on the last note it switched to this one of them kissing#urgh#love & war
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Hmm. Reminds me strongly of The Cramps in 1980 and the black legging-things Lux Interior was almost wearing… XD
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What do the Constructicons like to watch in their free time.
Veeery self-indulgent, but if you follow me you aren't a stranger to that.
A little fan continuity fun fact: Cybertron does not have the types of audiovisual, written, and artistic media Earth has. The forms of entertainment that existed before the war were: theatre(telling histories of Cybertronian myths), traditional Quintessonian Orchestras, and Gladiatorial matches. As such, when coming in contact with Earth media, the Constructicons took a bit of time to learn about the concept of "fiction", because why would humans waste resources and time to tell untrue stories that have nothing to do with their practiced religion and cults? Nowadays they can more or less distinguish it, but they still find the concept silly, especially with sci-fi movies, which they avoid watching like the plague.
Scrapper: Discovered old human movies and never looked back. He enjoys movies from the 20th century, his favorite types of movies being screwball comedies and he's beginning to enjoy musicals too. His favorite movies at the moment are Hello, Dolly! (1969) and Grease (1978). The rest of the Constructicons do not see the appeal of watching humans execute their mating rituals in convoluted and unrealistic ways.
Scavenger: Doesn't like movies. Fortunately, he discovered documentaries. He's absolutely entranced by the concept of well-explained videos lecturing the audience about something, he'll watch just about anything, but his absolute favorite ones are nature-focused ones and the "How Is It Made" one. The Constructicons don't mind his tastes, but they do not care about biographical documentaries.
Long Haul: He doesn't like human media at all, like, why would he be interested in what the organics that inhabit the planet they're trying to conquer like to watch? It's probably not even worth his time... That's what he thought before he fell into the reality television pipeline; he's definitely embarrassed about this and considers it his worst guilty pleasure (he doesn't even like using the word "pleasure".) It's completely stupid media and a waste of time, but he can't help but keep watching to see his favorite contestant (urgh) push through. His favorite Reality Show is Big Brother (girl, your taste... Is awful.) The other Constructicons know he's embarrassed so they don't comment on it, though Scrapper likes to indulge him a bit and ask about his opinion at any given moment (he'll say it doesn't matter, but will start to defend a controversial contestant as if his life depends on it.)
Hook: You think Hook would waste his precious time watching HUMAN-MADE MEDIA?! That would be completely idiotic, his genius brain is too advanced to be entertained by such nonsense! Don't even make such baseless assumptions about him again!
...
He likes dramas... Medical dramas. I guess the fact that he doesn't know about human anatomy manages to grip him, but he pretends he isn't invested in the personal lives of the characters.
Bonecrusher: He's a very simple guy, a good action movie is enough to keep him interested. I do think he doesn't show outward emotions about what he's watching, preferring to shrug and say it's fine instead of saying he truly enjoys something. One of the ways you can know if Bonecrusher enjoyed a movie is that he'll want to watch it time and time again. His favorite movies are Kill Bill (2003) and Pulp Fiction (1994) (no, he doesn't know anything about this "Tarantino" guy.)
Mixmaster: Worst. Taste. Ever. (according to the other Constructicons.) This guy likes spoof movies from the 2000s and slapstick movies from the 1960s, you never know what you're getting with him, but he has a frightening ability to accurately choose the worst, unfunniest, and cheapest comedies ever. Looking at the bright side, the Constructicons can spend an hour pointing out how stupid and badly made the movie is, Mixmaster does, in fact, join in and honestly, he doesn't even care about movies that much.
Honourable mention:
Devastator: One day, the Constructicons tried to give live sports a try. They watched plenty of different American games that were airing at the moment but didn't get the appeal. However, SOMEHOW, the practices must've stuck hard into their subconscious, as Devastator developed the worst habit ever: adopting incorrect sports lexicon in his vocabulary and using his gun as a bat and/or golf club as a joke. It never stops being embarrassing when someone asks them about this.
#transformers#maccadam#constructicons#fan continuity#talkingtalkingtalking#it's been a long time since I made a good old long ass headcanon post
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War of the Rohirrim SPoilers
I really liked this movie. I hated Hama's death. And Haleth's. Urgh. I knew it was gonna happen by simple inference, but dang it!
Music was awesome!
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Redraw of one of my (many) favorite Sluggo pictures! :D
Sorry for the cropped pic lol, anyways it’s from Urgh! A Music War :]
#oingo boingo#sam sluggo phipps#sam ‘sluggo’ phipps#sam phipps#sluggo phipps#sluggo#sluggo oingo boingo#<- trying to cover aalllll the sluggo tags#anyways how the hell did you guys get actual quotation marks in ur tags????#best i can do is#sam ‘‘sluggo’’ phipps#with apostrophes lol#my art
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