#why do they Say these things to me. i can't Handle it
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willowsnook · 2 days ago
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Wouldn't have it any other way
rye with salami, ranch, and mikes way please and thank you! (idk if i did that right, i've never done this before)
jack hughes x reporter!reader
she isn’t you
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Working as a reporter covering the NHL was a childhood dream of yours that came true. You worked your ass off in college, having internships each summer which led to an opportunity at ESPN that turned full-time after you graduated. You were ecstatic when they moved you to New Jersey to cover the Devils. It had been six months and so far you had gotten along well with all the players…well except one.
“Ya we got whacked two games in a row, so the last thing you want to do is stand and talk in front of you guys,” Jack Hughes told the small group of reporters crowding his locker, you included. You rolled your eyes which didn’t go unnoticed.
“Something to say, sweetheart?,” he said, eyes honing in on you.
You felt your cheeks flush with anger at his condescending tone. "It's our job to ask questions, Hughes. If you can't handle that, maybe you should find a new career."
The locker room fell silent, all eyes darting between you and Jack. His jaw clenched, eyes narrowing as he stepped closer.
"And maybe you should find a new team to cover if you can't handle a little attitude," he shot back.
The tension was palpable. You'd butted heads with Jack since day one, his arrogance rubbing you the wrong way. But this felt different, more charged.
"I can handle you," you replied, holding his gaze. "Question is, can you handle the heat when you're not performing on the ice?"
A collective intake of breath from the other reporters. Jack's eyes flashed dangerously.
"That's enough," the Devils’ PR manager said, ushering the reporters out of the locker room. You shot Jack one last glare as you followed the rest of the pool out. You knew you were going to get your ass chewed by your boss but you couldn’t help it. Jack was infuriating.
Unfortunately, your phone rang the second you were out of the arena and you listened to your boss rant at you. The moment was apparently already blowing up on social media and it was not a good look for you or Jack really. Half of the internet said you were too young to be in your job and wildly unprofessional while the other half defended you, calling Jack a dick who needs to respect women. There was another weird fan side of hockey twitter that were now actively shipping the two of you together, claiming it could be a perfect enemies-to-lovers story.
—————————————————————-
Headphones in, you watched workers out the window as they loaded luggage onto your plane. New Jersey to Vancouver was a long flight so you had splurged, upgrading yourself to first class to try maybe and get some actual sleep. The seat next to you was still empty and as the time ticked by you grew more hopeful that it would remain that way but nothing good lasts forever.
“You have got to be fucking kidding me,” a voice called out next to you and you looked up to meet the eyes of none other than Jack Hughes.
Your heart sank as Jack glared down at you, his tall frame looming over your seat. Of all the people to be stuck next to for a cross-country flight, it had to be him.
“Why aren’t you flying with the team?” You questioned.
“I overslept and missed the flight,” he muttered and you snorted.
Jack huffed as he stowed his carry-on and slid into the seat beside you. The tension was thick enough to cut with a knife. You both sat rigidly, avoiding eye contact as the rest of the passengers boarded.
As the plane began to move, you couldn't help but sneak a glance at Jack. His jaw was clenched, hands gripping the armrests tightly. Was he... nervous?
"You okay there, Hughes? Not scared of flying, are you?" you teased, unable to resist.
He shot you a withering look. "I'm fine.”
But as the plane started to take off his breathing grew more rapid and you started to get concerned. You hit a bit of turbulence trying to level out, and Jack’s hand moved towards yours, gripping it tightly.
“Sorry,” he rasped, but you kept your hand in his, caressing his skin softly with your thumb.
“It’s okay,” you murmured. “Just try and breathe.”
“I’m trying,” he snapped and you rolled his eyes. “I need you to distract me.”
“How?”
“Just tell me something about you I don’t know,” he asked looking over at you pleadingly.
“Hockey isn’t my favorite sport,” you said instantly. It felt like your dirty secret being a hockey reporter, but it was the truth.
Jack let out a strained chuckle, “oh yeah, what is?”
“Football,” you replied and he nodded at you to keep going. “I fell in love with it when I was just a kid watching Brett Farve. Him leaving the Packers was my first real heartbreak in life. I like college football more now and while I love the atmosphere of hockey, there is nothing like a Saturday night home game in the palace. The lights illuminating the fields, the smell of popocorn and hotdogs, the fight song playing in the background, and everyone knows that $20 beer tastes better watching your favorite team. What’s more romantic than that?”
If Jack didn’t have the history he had with you, he thought he might have fell in love with you right then and there. His grip on your hand loosened slightly as he listened to you speak, his breathing becoming more even. He found himself captivated by the passion in your voice as you described your love for football.
"I never would have guessed," he said softly, a hint of a smile on his face. "You always seemed so... intense about hockey."
You shrugged, feeling a bit vulnerable having shared something so personal. "It's my job. I take it seriously."
"Maybe too seriously sometimes," Jack muttered, but there was no real bite to his words.
The plane leveled out and you both realized you were still holding hands. You quickly pulled away, clearing your throat awkwardly.
"Thanks," Jack said, avoiding your gaze. "For, you know... helping me through that."
You nodded, unsure how to respond. This was the most civil conversation you'd ever had with Jack Hughes, and it felt weird. The rest of the flight went by without a spectacle; you were happy to catch some shut-eye, and woke up as you were about to land, Jack nudging you awake. He grabbed your bag for you, and you followed him off the plane, stopping when he turned to face you.
“Back to our regularly scheduled business of hating each other,” he said with a smirk, and you laughed.
“I wouldn’t have it any other way Hughes,” you shot back before heading off.
—————————————————————————
After a long call with your boss the next day, you were very irritated. Since the Devils were playing the Canucks, he wanted a short fluff piece about the Hughes brothers reuniting.
“It won’t be that bad,” Luke said after you tracked him down to tell him about the assignment. “You love me, and Quinn will love you.”
“I’m not worried about you two,” you told him with a look. “I’m worried about your other brother, who makes me want to jump off a cliff.”
“You’re dramatic,” he said, crossing his arms and you huffed. “We are all getting dinner tonight; just come with us. It’ll be a good chance to see us all off the ice.”
Later that night, you find yourself in the lobby with Luke, waiting on his brothers. Dressed down and out of your business wear, you felt more like yourself in a cute white sweater and jeans. Jack stepped out of the elevator and you immediately crossed your arms, already not in a good mood seeing him.
“Why is she here?” He asked Luke, completely ignoring you.
“She is writing a piece on the three of us, so I thought it would be nice to let her see the non-hockey side of things,” Luke explained and Jack groaned. Quinn stuck out his hand to introduce himself, and you smiled warmly at the oldest brother.
“So you’re the one who has little Jack by the balls?” He teased and Jack shoved him while you laughed.
You and Jack didn’t say a word to each other on the way to the restaurant and you luckily ended up being diagonal from him. It was a steakhouse but you weren’t that into steak so you opted for a grilled chicken salad with no tomatoes of course. Remembering that you were here for work, you kept quiet just observing the brothers.
"Remember when Jack tried to dye his hair blonde and it turned orange instead?" Quinn chuckled, earning a glare from Jack.
"Hey, at least I didn't cry when mom cut my mullet," Jack shot back, causing Luke to nearly spit out his drink.
You couldn't help but smile, seeing this different side of Jack. He was more relaxed, his guard down as he joked with his brothers. You caught yourself staring at him a few times, noticing how his eyes crinkled when he laughed.
The waiter soon returned with your food and you sighed as you watched your salad be placed in front of you with the tomatoes you had asked to be left out. You were never one to send something back, so you accepted your fate and unrolled your silverware.
“Everything look good?” The waiter asked. You nodded absentmindedly as Jack opened his mouth.
“She asked for no tomatoes,” he said, pointing to your salad. Your head snapped up and the waiter began to apologize.
“Oh it’s okay,” you said, trying to wave him off but Jack gave you a stern look that made you sit back.
“Don’t like tomatoes?” He mused. “Kind of childish, don’t you think?”
“You literally ordered a lemonade,” you shot back and his eyes narrowed at you.
“What’s wrong with that?”
“It’s every kid’s favorite drink,” you retorted.
Jack scoffed, leaning back in his chair with a smirk. “Oh, I’m sorry, Miss Sophisticated Palette. Let me guess, you’re a black coffee type, right? So edgy.”
You rolled your eyes, taking a sip of your soda. “At least I don’t need a sugar rush to get through lunch.”
“And yet, here you are, drowning in soda. Classy.”
You gestured to his plate with a smug smile. “Says the guy who’s been avoiding the broccoli on his plate like it owes him money.”
Jack’s smirk faltered, and he glanced down at the offending vegetable. “It’s not avoidance. I’m saving the best for last.”
“Sure you are. Must be why it’s still untouched and getting cold.”
“You know, you’re a lot braver with your words when I don’t have a hockey stick in my hands.”
You shot him a fake, sweet smile. “And you’re a lot more tolerable when you keep your mouth shut.”
Quinn and Luke were thoroughly entertained as they observed the back-and-forth banter between you.
“You see what I have to deal with?” Luke said, looking at Quinn once you and Jack had finally stopped.
“Jack finally met his match,” he commented, prompting an eye roll from the mentioned brother.
The rest of the dinner passed with a mix of tension and grudging amusement between you and Jack, while Quinn and Luke kept the conversation flowing. As you all left the restaurant, you couldn't help but feel a twinge of regret at how quickly you and Jack fell back into your antagonistic pattern.
"So, got enough material for your fluff piece?" Jack asked sarcastically as you walked back to the hotel.
You sighed, "Probably. Though I'm not sure how to write about the Hughes brothers' dynamic without mentioning how insufferable one of them is."
Jack chuckled, surprising you. "Just make sure to mention how charming and handsome that one is too."
You rolled your eyes but couldn't suppress a small smile. "In your dreams, Hughes."
As you reached the hotel, Luke and Quinn said their goodbyes, leaving you and Jack alone in the lobby. An awkward silence lingering in the air between you.
“I’ll see you tomorrow, yeah?” He asked and you gave him a weird look, trying to figure out his angle.
“Where else would I be? I’m always front row waiting for you to mess up,” you joked and he gave you a playful frown.
“Very funny,” he said before bidding you goodbye and going up to his room. Things felt different between the two of you tonight, and you weren’t sure how you felt about it.
———————————————————————-
The Devils beat the Canucks handily and you found yourself with a couple of other reporters waiting for Jack, who had scored, and a new girl that you didn’t recognize.
“Hi Jack,” the girl called out as he got settled and he looked at her amused. She looked like a puck bunny who had snuck in; beach blonde hair, fake spray tan, low cut top, you knew the type. Jesus, what had gotten into you, you thought, trying to shake off your cattiness.
“Hey, haven’t seen you around before,” he commented and she giggled. Literally giggled in response. The other reporters were amused but you kept your lips in a firm line.
“You were so great out there; it’s so impressive how hard you work,” she said and he smiled awkwardly thanking her. “Do you ever get scared when the puck comes at you?"
You couldn’t help but snort out loud when she asked that and Jack looked amused at you.
Jack’s gaze lingered on you for a moment, his smirk growing wider before he turned back to the blonde with a practiced ease.
"So," he said, leaning casually against the bench, "you’re new to the media scrum, huh? They usually send someone more…" He glanced at you briefly, the corner of his mouth twitching. "Experienced."
The girl giggled again, tucking a strand of hair behind her ear. "Oh, well, I’m just filling in today. I guess I got lucky getting to talk to you."
"Guess I got lucky too," he said smoothly, his tone playful. "Usually, I’m stuck with—" He cut himself off, letting his eyes flick to you with mock innocence. "Well, people who don’t seem to enjoy the job as much as you do."
Your jaw tightened, but you kept your face neutral, scribbling something completely irrelevant in your notebook to avoid giving him the satisfaction of a reaction.
"So," the blonde continued, practically glowing under his attention, "what’s it like to be so focused all the time? You’re just so… intense on the ice."
Jack chuckled, shaking his head. "Takes a lot of practice. But I don’t think I’m half as intense as you just now."
Her eyes widened, and she laughed, her cheeks turning a shade pinker. "Oh my God, stop! I’m just trying to do my job."
"And you’re doing it very well," he replied, his voice low and charming.
You shut your notebook loudly, drawing Jack’s attention as you stormed out of the locker room, your cheeks flushed with anger and... something else you didn't want to acknowledge. You made it halfway down the hall before you heard footsteps behind you.
"Hey!" Jack's voice called out. "Where are you going?"
You spun around, glaring at him. "Away from that circus. I have actual work to do."
He jogged up to you, a mix of confusion and amusement on his face. "What's your problem? Jealous?"
"Jealous?" You scoffed, crossing your arms. "Of what? Your ability to charm airheads?"
Jack's eyebrows shot up. "Wow, that's pretty harsh. What happened to journalistic integrity?"
"What happened to professionalism?" You shot back. "Or do you always flirt with reporters during interviews?"
His expression shifted, a knowing smirk appearing on his face.
“You are jealous,” he said confidently and you were about to argue back but he grabbed a door handle behind you, yanking the door open and pulling you in it. It was a smaller equipment closet, but you didn’t have much time to look around before Jack had you tight against his body.
“She isn’t you sweetheart,” he said as your body flushed against his.
Your breath caught in your throat as Jack's words sank in. The closet suddenly felt much smaller, the air thick with tension. You could feel the heat radiating off his body, his chest rising and falling against yours.
"What are you doing, Hughes?" you managed to whisper, your voice betraying your conflicted emotions.
His eyes searched yours, intense and unreadable. "Something I've wanted to do for a long time," he murmured before closing the distance between you.
His lips crashed against yours, hungry and insistent. For a moment, you were too shocked to respond. But then, as if a switch had been flipped, you found yourself kissing him back with equal fervor. Your hands tangled in his hair as his arms tightened around your waist, pulling you impossibly closer.
The kiss was everything you never knew you wanted - passionate, electrifying, and months of frustration bubbling over. His hands moved under your shirt and up your back as his touch burned your skin. Resting your head back against the wall, he took advantage, latching on to your neck, sucking harshly.
“More,” you gasped. “I need more.”
He pulled your shirt over your head and you unclasped your bra, letting it fall to the floor. His eyes glazed over, looking at your chest and you smirked before tugging at his shirt. He lifted it off and you admired his toned body, tracing your finger down his abs. His breath hitched as he watched you and you smirked seeing the bulge against his sweats get bigger.
Jack's eyes darkened as he watched your finger trail down his abs. In one swift motion, he lifted you up, pressing you against the wall as your legs wrapped around his waist. His lips found yours again in a searing kiss as his hips ground against you, eliciting a soft moan from your throat.
"God, you drive me crazy," he breathed against your neck, nipping and sucking at the sensitive skin.
Your hands roamed his broad shoulders and back, relishing the feeling of his muscles flexing under your touch. Jack's mouth moved lower, trailing hot kisses down your collarbone to your breasts. You arched into him as he took a nipple into his mouth, swirling his tongue around the sensitive bud.
"Jack," you gasped, your fingers tangling in his hair. He looked up at you, a mix of lust and something softer. “I need you in me.”
“Let me savor this sweetheart,” he pouted and you shook your head.
“Not the time or place,” you argued back and he sighed. Pulling down his pants, you spit into your hand before bringing it to his cock, pumping a few times, causing him to hiss. Shimmying out of your pants, you let him lift you against the wall, angling himself at your entrance.
“Are you sure about this?” He asked.
“Just this once,” you said and he rolled his eyes.
“We’ll see,” he replied and you started to argue back but he pushed in and your head fell forward onto his shoulder.
Jack began to move, thrusting into you with a steady rhythm. You clung to his shoulders, biting back moans as he hit just the right spot with each stroke. The closet filled with the sounds of your heavy breathing and the slap of skin on skin.
"God, you feel amazing," Jack groaned, his pace increasing. You wrapped your legs tighter around him, urging him deeper.
"Harder," you demanded, nails digging into his back. He complied, slamming into you with renewed vigor.
The tension that had been building between you for months was finally finding release. Every thrust, every touch was electric. You couldn't get enough of him.
"I'm close," you panted, feeling the familiar tightening in your core. Jack slipped a hand between your bodies, his thumb finding your clit.
"Come for me, sweetheart," he urged and you cried out, his hand coming up to muffle the noise. Riding out your orgasm, you were clenching hard around him and he grunted as he kept up the pace, pounding into you.
As your walls continued to contract around him, Jack couldn't hold back any longer. He buried his face in your neck, groaning out your name as he spilled into you.
For a few moments, all that could be heard was your heavy breathing as you both came down from the intense high. Jack leaned his forehead against yours, his breath hot against your skin. You both took a few minutes to catch your breath before Jack slowly pulled out of you. You winced slightly and Jack gave you a concerned look. He handed you your clothes and you quickly put them back on, refusing to look at him.
“Y/n,” he said softly and you finally looked over at him. His face was flushed, hair all over the place, but the look he was giving you made you want to take your clothes right back off.
“This was just two people blowing off steam, nothing more,” you said and he grinned widely.
“Oh, so you won’t mind if I hook up with that other girl next time instead?” He asked and you frowned before quickly morphing into a neutral expression but Jack had already caught it.
“Ugh,” you exclaimed before opening the door slowly, peeking out before you walked out. Jack was right behind you and you thought the coast was clear until you walked right into Quinn and Luke. You froze and felt Jack still behind you as he saw his brothers.
“What were you two doing?” Luke asked, a knowing smirk on his face.
“We were just talking,” you defended, not meeting his eyes.
“Oh yeah? In the supply closet?” Quinn teased.
“It was quieter than the locker room,” Jack said.
“Didn’t sound that quiet,” Quinn shot back.
Your face burned with embarrassment as Quinn's words sank in. You couldn't bring yourself to look at Jack or his brothers, wishing the ground would open up and swallow you whole.
"I... I have to go," you mumbled, pushing past Luke and Quinn without meeting their eyes. You practically ran down the hallway, desperate to distance yourself and the Hughes brothers as much as possible.
Once safely in your hotel room, you collapsed onto the bed, burying your face in your hands. What had you done? Hooking up with Jack Hughes in a supply closet was bad enough, but getting caught by his brothers? Your career could be over if word got out.
Your phone buzzed with a text. Hesitantly, you checked it, half-expecting it to be Jack. Instead, it was from Luke:
"Don't worry, your secret's safe with us. But you might want to figure your shit out with Jack ;)”
You groaned, turning over, trying not to think about what happened in the closet or what it meant for you and Jack.
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deadpanwalking · 17 hours ago
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Every time my neighbours blast their selection of really bad music from 10 pm to 5 am I become a war criminal in my mind. Maybe in the future tumblr will have a feature that allows someone like op to judge me at the Thought Hague.
Man, if my neighbors blasted their selection of really good music at 2AM, I'd still be thinking shit that would land me in the gallows next to you at Crimethink Nuremberg.
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dark-raven-666 · 2 days ago
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For the homicipher men falling in love you made..may I ask if you will make a part 2 was really getting all giddy seeing your post but then mr.hood wasn't there 😭 man deserves some love too
Homicipher x reader (gn) headcanons.
How they love p 2
Warnings: Mr Hugeface is toxic
✧༺♥༻✧✧༺♥༻✧✧༺♥༻✧
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Mr. Hood
When he first met you he felt like needed to protect you, like you were a tiny creature that was so helpless and needed him.
He never expected you to come back and thank him each time.
"Thanking me? Why? "
It seems that no one there is kind or even grateful, he's never been thanked. It feels nice, warm.
Then you do it again, and again, and again.
He expected you to leave, use his help and never come back, but you did.
As the rest he never realizes what love is bit he feels protective of you.
Mr Crawling is too weak and Mr machete runs away. He's the only one capable of protecting you
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Mr. Machete
Now this guy can't handle weaklings or kind soft people, sorry not sorry.
If you can't keep up with him and fight why would he bother with you?
Now let's say you can fight. He's intrigued. Very intrigued.
It takes you very long time even land a hot on him but when you do.. His heart goes doki doki and he immediately respects you (loves you)
He will demand to fight again and each time you win he will be bashful instead of upset.
Wow you got a hit on THE Mr machete.
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Mr. Silvair
You're a human in the ghost realm so you've already got his attention.
He wants to research you and push you to your limits.
He does ask for consent to work on you but if you get violet you're ending up like Mr chopped.
He has clear boundaries and needs you to understand that he is stronger than you. You're the subject, he's the researcher.
Now if you get through all of that he'll be kind enough to give you anesthesia when researching.
One day you wake up with an actual heart on your bedside table. That's his gratitude. Never mention it again or he'll never love you again.
From then on he considers you two lovers and will sometimes give you small smiles as he works and teach you stuff.
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Mr. Hugeface.
Tiny human, so fun, so cute.
Literally incapable of love only obsession.
If you're kind enough to obey him and be his little doll. Be obedient in your room maybe he'll get you a few gifts, a book or two.
He's so childish and will throw a tantrum if his doll is not perfect. How dare you have messy hair!?
Will get you clothes and style your hair like you're a Barbie.
That's your life now eternally. You're a doll. And perfect dolls are always pretty and happy.
All throughout toxic.
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Mr. Stitch
This man is perfect for maladaptive daydreamers.
You met him when he took you from Mr Crawling, well kidnapped you, but when you get in that bus, you travel in the abyss with him.
Ever since then, that became you two's favorite hobby. To get on the bus, share stories, cuddle a bit, he will Yap to no end and tell you of his adventures and how he plans to take you on many!
He shows love by making you little things, like old cloth you found? It's a dress now. He isn't called Mr stitch for no reason.
You were heitamt at first but then the world of daydreams and the abyss with no stress takes you like a dream.
You love him just as much.
He thinks you're a fun person who treats him well and laughs with him.
Most of your time is spent giggling at his jokes and he likes that.
No matter where or when he picks you up, when he does you're going to adventure.
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anxious-lee · 2 days ago
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|| Ridiculous Problems Require Ridiculous Solutions ||
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A/N: me going to sleep at night knowing i write OOC tickles for serious media: 😴😴😴
Summary: Jayce refuses to get some sleep, but Viktor might have a way to convince him.
Word count: 1292
---
It's easier to scold someone else's lack of self-care than it is to work on your own.
When Viktor neglects his sleep, Jayce knows exactly what to say every time. "You can't keep overworking your body like this. Sooner or later, you're going to shut down."
But when Jayce neglects his sleep, he finds new ways to rationalize his decision thanks to his sleep-deprived daze. He pretends like he can't see Viktor staring ironically at him from down the table.
Okay, so maybe he was being a bit of a hypocrite. But these were special circumstances! They were expected to present a new Hextech device to the council in a few days, and they were running behind schedule. Jayce had tried to speed things along by putting in a few more hours at his station, but what was supposed to be "a few hours" turned into the entire night.
Viktor, as Jayce expected, was none too pleased. He insisted that they had already done more than was even necessary, and that any more modifications could have been dealt with in the morning. He even had the nerve to parrot Jayce's own lecture back to him.
"If you keep this up, sooner or later your body will shut down."
"Why does that sound so familiar?" Jayce groaned sarcastically. Regardless of his ill-advised choices, this machine still needed finishing, and that was what he was going to do.
He couldn't quite remember getting up out of his chair and making his way over to the toolbox, as the world seemed to blur around him, but a curmudgeonly voice brought him back to the present.
"Jayce, please, what you've done is good enough. Go home and get some sleep."
"Viktor, I'm fine, I'm really fine. I can still work."
"What is it you're reaching for right now?"
Jayce blinked down at where his hand was grabbing... thin air. Dazed, he spun around until he found the tool box on complete opposite end of the table.
Viktor gestured emphatically at the box. "You see? You're not thinking clearly," His voice changed suddenly into a compassionate, almost pleading tone. "You've gone too long without sleep. I'll handle the preparations today, you can go home."
"Vik, I can't just drop this now okay? I'm so close now. I mean think about it, what's more important right now: the amount of sleep I get, or proving our value to the council?"
"I cannot believe you're asking me this" said Viktor, sounding more exhausted than his partner in that moment.
Ignoring him, Jayce staggered to where the toolbox actually was, and grabbed a wrench.
Unfortunately for him, Viktor was not willing to let this go. He gripped Jayce by the arm clutching the wrench.
"Jayce, put it down. I don't want to need to use force." Although it was certainly a threat, they both knew implicitly that Viktor wasn't very cross with Jayce at all. But dammit, he would go to bed.
Jayce chuckled. "Not happening, Vik."
"Ehhhh fine. If that's the way it has to be" Viktor said, with something akin to a smirk in his voice. A smirk that usually meant trouble for Jayce.
A hand suddenly began squeezing up Jayce's side, making the scientist bark in a choke of laughter. It wasn't often that Viktor opted to play dirty like this; only when the situation desperately called for it. He was nothing if not a determined man.
Laughing freely, Jayce remained where he stood. At a new ninety-degree angle, sure, but still standing. If Viktor wanted to take this up a notch, then so would he. He'll laugh until his sides split open, but he is not losing this fight.
"Viktor, whahat the hehehelll!" He giggled.
"I have asked you several times to take a break, but if you want to go about this like a child, then I will treat you like one" Viktor teased.
Jayce could hear the smugness in his voice.
"I'm noHOt givihing IN!"
"How unfortunate for you."
The hand at Jayce's side was now climbing it's way up to his arm. Jayce twisted around every which way he could to try and stall its arrival, but to little success. He would rather die than admit it, but he truly couldn't help giggling even if it wasn't involuntary. The sensation, sparkling its way through his nerves like lightning through tree branches, was just so funny. It was pleasant, in the most unbearable way. He couldn't fully wrap his head around it, and he didn't have time to, because Viktor was still clawing into his armpit.
Jayce wasn't going to take this lying down. He started to pull away from his partner, hoping that Viktor wouldn't persist that much. Maybe moving away would be all it took for this tickly spell to be broken.
But to no such luck. Viktor could see his plan to move before he enacted it. Quick as a flash, he gripped Jayce's arm with his free hand, now effectively pinning him to his side.
"And where do you think you're going?" Viktor asked.
"Lehet mehehe gohoho!"
"You know what it is I want Jayce. I'll keep tickling until you go to bed."
"You cahan't brihihibe me into being healthyhyhyhy!"
"Bribe?"
Oh, fuck.
"Is this a bribe then?" came the voice above him. His voice was like a warm spotlight, exposing him with the softest touch. It was the same tone he got when something truly fascinated him; when his object of study surprised him and heightened his sense of curiosity even more.
Jayce's eyes had shut tight as soon as he realized what he had said, too mortified to dare a look. The tickling had stopped. Of course it did. Why would Viktor keep going after hearing him say something that stupid? He didn't even think it, it just slipped out! But he couldn't say that he was mistaken. Because he was having fun. Goofing off, having Viktor be close to him, playing with him-
Viktor had been quiet for a total of three whole seconds, but to Jayce, it may as well have been twenty. Then came Viktor's voice.
"Well, in that case-" he said, a little too giddy for Jayce's liking.
"Wait, Viktor, I didn't mean it like-"
A hand latched onto his other side, simultaneously pulling him in like an awkward side-hug. The other hand had surrendered the grip on his arm in favor of scratching at his belly. The frantic giggles that left his mouth were not helping to ease the embarrassment of the situation.
"How about this for a deal?" Viktor smiled, a gentle and adoring look in his eyes that Jayce could not appreciate, as his eyes were still clamped shut. "We go home, get relaxed, and I tickle you senseless until you're worn out. Sound fair?"
What didn't sound fair was how flirty he sounded. Jayce's face burned red, and he knew he couldn't hide it. He buried his face into Viktor's chest.
"I'll take that as a yes."
And with that, the tickling stopped. Only for this moment. Viktor's hands now cradled his husband's face, pulling it out from his chest and against his forehead.
"You make me so stupidly weak" he said, pressing a kiss to his nose.
"Which one of us has been laughing themselves stupid for the past five minutes?"
That got a giggle out of Viktor. With a final poke in the side, he grabbed his cane and turned toward the door, with Jayce grabbing their coats behind them.
"You don't think anyone heard us, do you?" Jayce asked nervously.
"Don't worry, Sky's not here today."
From behind the closed door, Sky took that as a sign to leave quickly, and she did so without a sound.
---
I swear I am actually going to write lee!viktor soon trust
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decepti-thots · 2 days ago
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☕ ~ trans woman whirl?
I love trans Whirl headcanons but I think I love them for totally different reasons than I usually see, tbh? That is- I think a lot of the time the fandom just goes 'oh! Girl Holoform Spotted! now this character is girl, and we can say character is trans girl because in the comic they are called he/him' and tbh I find that attitude as fandom often implements it annoying for a couple reasons; one, it often feels like a kind of 'if character Looks Like Girl, well, character Is Girl' deal which tbh feels kinda shallow to me ngl, and two, it (and similar under-expanded upon headcanons) not infrequently seems to be a way for the fandom as a whole to justify the general lack of content for the very explicitly canon trans characters by instead being like 'all the material we make for these characters not treated as such in canon proves that we definitely love trans characters. don't think about how lug or anode or arcee don't get that same attention, or that this content only offhandedly actually deals with transness 90% of the time', you know? Bit mean, but I can't help but feel that's a repeated tendency in the fandom, tbh. I would feel less like this if the fanon trans headcanons did not just vaguely go 'oh. also ig they are trans, how nice' with no follow up and instead actually treated these characters as having opinions about being trans, but in too many cases they unfortunately... don't. (And no, them being robots is not an excuse. Anode has opinions on this. Arcee has opinions on this, a lot of them!) But we're here to talk about Whirl, and I want to talk about why I do love trans Whirl, so.
I love trans Whirl for reasons far outside of that, and I think taking that approach to the idea does it a disservice tbqh. Specifically I like trans Whirl for the same reason I like reading Verity as trans, because it adds to Whirl's character arc about being denied agency over identity and clawing it back on purpose in a way where the trans reading feels especially resonant and like it genuinely adds to the overall subtext of her arc. Whirl's entire character is one where the violent removal of agency in her life is so much a focus it changes the course of history; Whirl refusing to let the functionists that ruined her life win is why Elegant Chaos plays out as it does. Whirl is a character whose entire sense of self as a person with the ability to make any choices at all was viciously ripped away from her, and in turn a character whose response to that is to make her ability to choose exactly what she does so utterly undeniable that even if you hate her, even if you think she's repulsive, even if you want to throttle her, you cannot pretend she is not in control. In that specific context, adding in the idea that she would choose her own gender, in defiance of a Cybertronian culture that implicitly treats gender as an alien unwelcome influence, so she can have what she wants- that rules. There's also such a line to be drawn there between Arcee's arc and Whirl, I think, that is so great. That's where I see why it is so good. Being seen as just a gun to be aimed that everyone professes distaste for but still wants to stick around and do dirty work, but you insist upon your interiority being seen as just that; your interiority. And all the things the people who want to do to you which you hate being what you embrace. It's fantastic. I simply prefer that as an angle through which to view the ideas than like... haha well Whirl's holoform is Girl With Guns how funny. You know?
And one of her most "humanising" moments is when she extends that to someone else. I'm thinking of when she tells Tailgate that Cyclonus was lying about his injuries; that part where Cyclonus is trying to protect Tailgate in a way that is ultimately toxic for them both. Sure, everyone else agrees that the best way to handle this is to lie for your own good so you don't make a decision people don't want you to. But that's not fucking fair, and who gets to decide what's "your own good"? Viewing that in light of a Whirl who is not just vaguely a woman but specifically linking that to the way Whirl's rigidly defined role under a functionist heel ruined her sense of identity, because they know what's best for you whether you like it or not- damn, that is COMPELLING. And I find that just. So much more compelling than what fandom so often does with the idea. Whirl, above all else, knows how important demanding agency is. I think that makes Whirl a character ripe for a reading as trans, and I love that for her so much. she'll grab you by the throat and make you acknowledge her. and she's right every step of the way, no matter how much you want to look away. i love her.
tl;dr WHIRL TRANS WOMAN GOOD. LOVE IT. no really i just, it's so good.
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sloanesallow · 3 days ago
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Mama's Potatoes
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Sebastian doesn't know how to cook. Good thing the Niffler does. Sebastian Sallow x F!MC (Siobhan Sloane) Tags: Domestic life, Peter the Niffler, pregnancy, potatoes. 1.8k words A/N: I wrote this while grieving the loss of my cat, Peter. Sloane's Niffler has always been named after him, so this was just another way for me to honor him. Thank you for reading. He loved potatoes, too. [Ao3] | [Wattpad] | [Tumblr Masterlist]
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Sebastian doesn't know what he's doing.
It's a rare feeling. He's not stupid—he wouldn't be the youngest curse-breaker at the Ministry if he were—and usually knows how to handle a daunting situation. Crazed Inferi, dangerous artifacts, unusual hexes, you name it. But this...this is a new level of difficulty.
He's been standing in the kitchen since sunrise, flipping through old cookbooks and Sloane's recipe journals, looking for something—anything—within his skillset. Despite his wife's numerous demonstrations and seemingly limitless patience, he has never quite gotten the hang of cooking. If his father-in-law were there, he'd scold Sebastian. What self-respecting man can't cook for his pregnant, bedridden wife?
He hates this, hates that he isn't good at something so simple.
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It should, in theory, be akin to potions, which he excels at. But alchemy isn't the same as cuisine—you can't just throw everything in a pot and hope for the best—not if you want it to taste good. Cooking is science, not magic, regardless of how easy Sloane makes it look. Maybe that's why she's so good at it, because she insists on doing it without spells. She's a natural, and Sebastian...
Well, it's a good thing he provides in other ways.
With the birth of their child imminent, however, she's resigned to the bed, on strict orders from the nurses at St. Mungos to keep off her feet. This leaves Sebastian in charge of the meals, which he knows are lackluster, even if Sloane never complains. If they were still in London, he'd pop out and grab something from the local shops, or hire one of the house elves in their old building as a cook. But they moved to the countryside in preparation for Little Sallow's arrival, settling down where he'll need to be self-sufficient.
What he wants is to prepare something hearty and healthy, something warm to lift her spirits before the baby comes. Sebastian allows himself five more minutes of wallowing in self-pity before opening another worn journal, hoping he'll see something he's helped Sloane make before. These recipes aren't in her familiar script, but he quickly finds something promising—Beef Stew.
Except...half the instructions are in Irish.
Sebastian grumbles to himself—just another thing he hasn't mastered. He's learned a few languages in his lifetime, largely due to the thirst for knowledge and travel associated with his work, but Irish isn't one of them. And while his wife is of Irish descent, she speaks it so infrequently that he never caught on.
"This must be her mum's," he says aloud, discouraged. He continues to read over the old parchment and the idea of surprising Sloane with one of her mother's recipes is too enticing to shake.
Sebastian is nothing if not ambitious.
The best-case scenario is that he manages to cook a delicious meal. Worst case, he blows up their kitchen. It wouldn't be the first time.
Emboldened, he gets to work, rolling up his sleeves and clearing off the counter so he has space to prep. Instructions in hand, he grabs everything he needs—or thinks he needs—pots and pans and cutlery, and lights the stove with the flick of his wand. Before he can do anything else, it is yanked out of his hand and he whirls around to find Peter, Sloane's beloved Niffler, already stashing the wand away in his pouch.
"Merp!"
"Hey!" Sebastian shouts before clenching his jaw, glancing toward the hallway that leads to where Sloane is still sleeping. He looks back at Peter in annoyance. The two tolerate each other, but mostly bicker about who Sloane loves more. "Give that back, Peter. I need it—"
"Merp!" he interrupts, batting Sebastian's hand away when he tries to touch his fur.
Sebastian sighs, pinching the bridge of his nose. "I don't have time for this."
Peter makes a series of noises that sound very much like the Niffler is mocking him as he stares at the tattered journal in Sebastian's hands.
"What?" he sarcastically laughs. "Are you going to help me?"
For a Niffler, Peter is incredibly expressive, furrowing his brow and blinking his beady little eyes. "Merp."
Sebastian can't believe he's about to have a Niffler be his sous-chef. "Fine."
"It's beef stew, at least I hope it is," he continues, reading over the recipe again. "Sloane must have it memorized because I've never seen her use this."
Peter chitters.
"Right," he mumbles, moving to the cold box where they keep their perishables. "At least this is in English. Two pounds of roast, cut into small cubes."
Sebastian places the parchment-wrapped meat on the counter before scratching at his chin. "One point of...what is...prátaí?" He frowns, reluctantly looking at Peter for guidance.
The Niffler huffs and carefully scales down the side of the counter before scurrying toward the garden door. He pushed through the little flap Sloane installed, poking his head back in a moment later to glare.
"MERP!"
Sebastian follows after the little beast until they are in the middle of Sloane's vegetable garden. There's a little bit of everything, and even though they have the space (and magic) to grow whatever her heart desires, she's kept a modest size. Peter digs at the soft soil, right beneath a small plot marker that reads Mama's Potatoes.
"Oh," Sebastian hums, feeling dumber than before. He grabs a nearby basket before crouching down to take the unearthed potatoes from Peter. "Since when do you know Irish?"
"Merp," Peter answers, as if to say 'I'm smarter than you, Sallow'.
The Niffler continues to roam the garden, bringing Sebastian the vegetables and herbs he needs for the meal. When the basket is full, the two head back inside where Peter monitors the prep work with an intimidating aura that rivals Papa Sloane.
Sebastian follows the instructions the best he can, relying on memory and Peter's so-called translations. He tenses every time routinely grabs his wrist to correct his movements, wondering if he should hand over the knife to let Peter cut the vegetables but figures. Then again, the last thing he needs right now is a knife-wielding Niffler.
He cooks the meat in a hot skillet until the cut pieces are lightly browned, before moving on to the vegetables—sauteing the diced onion, garlic, rosemary, and bay leaves until they are soft. Peter pushes over the bottle of red wine, and Sebastian carefully pours the liquid into the pan, stirring until Peter gestures to add the beef broth. Once everything is combined, he adds back in the meat and secures the lid before placing it into the hot oven.
"Should be ready in..." he reads over Mama Sloane's instructions.
"Merp," Peter chirps, tapping the counter three times.
"Three hours," Sebastian nods.
He takes some time to tidy up and quietly sneaks down the hall to see his wife still fast asleep. Too nervous to leave the food unattended again, he makes himself comfortable on the floor in front of the oven and starts counting the minutes as they pass by. Peter joins him for a little while but eventually disappears, only returning when it's time to add in the rest of the vegetables.
An hour later, Sebastian holds his breath, protective mitts trembling as he pulls the steaming pot from the oven. He prays to Merlin, and maybe a few other deities, before slowly lifting the lid to inspect the final product. Peter climbs back onto the counter to peer inside, his bill opening slightly as he sniffs the air.
"Want some?" Sebastian quips, scooping a hefty portion into a bowl.
Peter shakes his tiny head. "Merp."
"Thanks for the vote of confidence," Sebastian mutters, taking a bite for himself. It's not bad, though he isn't sure if that means it's good, either. It certainly tastes just about the same as when Sloane makes it, but doubt swirls in his mind. "I hope she likes it."
If he hoped for some semblance of encouragement from Peter, he doesn't receive it. Instead, the Niffler huffs and leaps from the counter before scampering away. Sebastian reminds himself to find the little troublemaker later so he can get his wand back. Good thing Peter can't perform magic—right?
Sebastian places the bowl onto a tray, along with a spoon and a cloth napkin. He tears off some bread from the loaf he (barely managed) to bake the day before and runs back out to the garden to pluck a few flowers for good measure. After steadying his nerves the best he can, he ventures back down the hall to the bedroom.
Sloane is awake now, reclining in their bed, eyes closed as she smooths her hands across her rounded belly. She glances up as Sebastian crosses the threshold, surprise lighting up her expression when she spots the tray in his hands.
"You cooked?" she asks, struggling to sit up. Sebastian quickly sets the food down on the nightstand so he can help her, softly laughing at the way she's too focused on the steam rising from the bowl to cooperate. She sniffs the air. "Is that...my mother's stew?"
He falters when he notices the shine of tears in her eyes, making sure she's comfortably leaning against the pile of pillows. Her emotions have been heightened, to put it mildly, throughout the pregnancy, but he still didn't anticipate tears.
"Hey, hey," he coos, brushing back her hair and swiping his thumbs across her cheeks. "It's alright, sweetheart. I just wanted to make sure you don't starve."
"Well I am starving," she whines and he holds back his amusement, kissing away her pout.
"Here," he says, making sure Sloane has a good handle on the bowl before leaning back. "I uhh...hope it turned out right."
Sloane takes a moment to take in the aromas, smiling at him with glossy eyes as she stirs the bowl. "Thank you."
Sebastian can't respond, not when he's still terrified that he's done something wrong. He watches her, unblinking, as she finally takes a taste. As soon as the spoon is in her mouth, her eyes go wide and she goes still. He panics, leaning forward to grasp her shoulders and tug the spoon from her hand and mouth.
"Sloane? What is it—oh fuck—" he curses, heart racing, clumsily placing the food back on the tray before fussing over her again. "Did I poison you? Are you dying?"
Sloane snaps out of the trance to shake her head, her mouth twitching into a shaky smile. She grabs one of Sebastian's hands and presses it to her enlarged abdomen. His chest tightens for a completely different reason when she finally speaks.
"I think the baby's coming."
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Reblogs, comments and likes are appreciated. 💛
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wannabanauthor · 1 day ago
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What should happen to BuckTommy in Season 8b
Eddie's thinking about moving to Texas, right?
Well, he has to pack, and he calls his two favorite buff men to help him pack and load all his stuff.
Tommy did not know Buck was going to be there, and vice versa.
They stare awkwardly at each other before noticing that most of Eddie's stuff is already packed.
Cheeky bastard.
He locks them both in his house with the parting, "Figure it the fuck out, then I'll unlock the doors."
Buck and Tommy are more than able to break down the door if necessary, but that wouldn't be a nice thing to do to their best friend's house.
They try to out-wait Eddie, but several hours pass with no communication from him.
Buck is doing his best to not look or talk to Tommy, but all the doors are locked, including the bedrooms, so he's stuck in the living room.
The kitchen doesn't have any baking/cooking ingredients, just prepared food in the fridge.
Buck is without his coping mechanism, and at some point he breaks down crying in the kitchen.
Tommy wants to comfort him, but he knows he's the reason Buck is like this, so he feels stuck and doesn't know what to do.
He hands Buck a tissue and some water, but Buck turns around and ignores him, trying to hide his sobs.
Tommy goes back to the living room and sits on the floor.
"Why?" he hears Buck say.
He gets back up and goes into the kitchen.
"Why what?" Tommy asks.
"Why did you give me a second chance just to break my heart six months later? Why didn't you tell me that you only saw us as a temporary thing? Why did you even give me hope that we could be something more?" Evan asks, in between sobs.
"Evan, I'm so-"
"It's Buck. You don't get to call me Evan anymore."
"I'm sorry."
Buck stops crying and looks at Tommy. There's anger and heartbreak written all over his face.
"Fuck you, you don't get to be sorry," Buck says.
"But I am. I didn't plan any of it. It just happened. You asked me to move in, and I panicked. I've been hurt before, and I knew I couldn't survive it if I moved in and then lost you."
Buck scoffed, but out of irony, not amusement.
Tommy stepped closer to him, and Buck remained where he was, almost as if he was sizing Tommy up.
"You kept putting me on this pedestal, and I knew one day you'd see me for who I am and leave," Tommy says.
"Is that what you think of me? Out of the two of us, you're the one who has left me, twice," Buck points out, and Tommy winces at that.
"You're very impulsive, and we hadn't even broached that topic before. I thought I was okay with you setting the pace, but I guess I wasn't. I thought it was in our best interest to end things now then later when it would hurt more."
Tommy pauses for a moment and looks at Buck. Really looks at him. His own heart breaks when he picks up on the little details of how Buck had been handling the breakup, The flour under his fingernails, his stubble, his longer curls, the bags under his eyes, the fidgeting with what's ever in reach, currently tissues being torn into little bits.
Tommy knows in his heart that he practically broke the man he loves, and it makes him feel even worse. There is still a part of him that wants to run, but he can't run again. Not after seeing Evan like this.
"I'm scared, Evan," Tommy confesses.
Buck's head snaps up in surprise, and he squints his eyes as if he doesn't trust Tommy.
Tommy feels the panic rise within him, but continues his train of thought. "Evan, I love you. But i'm terrified that one day you'll get tired of me and find someone else. It's happened before, and-"
"I'm not him. I'm me. From the first moment we met, I knew that I wanted to be with you. I didn't understand it at first because it felt so different from my past. I mean, you're not the first guy I've had a crush on. At all," Evan says.
Tommy clears his throat uncomfortably. He'd rather not think about Evan's past crushes.
"We spent nearly every free moment we've had together," Evan says. "I thought we were ready to move to the next step."
"I wasn't ready, and I'm sorry for not telling you sooner. I should have stayed and talked it out, but it felt like the room was closing in on me, and I needed to leave."
"And you left, then ignored me for weeks," Evan says. "I felt like I was going insane and imagined our whole relationship."
Tommy steps into Evan's space and uses two fingers to lift Evan's chin. "You are the best thing that's ever happened to me, Evan. I love you so much, and I'm terrified because it's never felt like this before."
Evan gives an amused chuckle. "I guess it was my turn to see you at your worst."
Tommy cups Evan's cheeks. "I am so sorry, for everything. I feel like I don't deserve a second chance, but I'm still ask-"
Evan cuts him off with a kiss.
Tommy relaxes and kisses him back. It feels like coming home after a long day of work to the arms of his partner. He never wants that feeling to leave.
"I love you too, asshole," Evan whispers against Tommy's lips.
They both chuckle at that.
"Where do we go from here?" Evan asks.
"Couple's counseling. I want us to work. I want us to be forever," Tommy says and gives Evan the tenderest kiss.
"That works," Evan replies between kisses.
They don't stop kissing or holding each other until they're nearly out of breath.
"Finally!" they hear from outside and jump.
Eddie's standing outside with his phone in hand, and on the screen is a live camera feed showing.
"Now, let's get something to eat," Tommy says and kisses Evan again. He was going to kill and thank Eddie, but for now, he's happy just to be with Evan again.
He looks into Evan's eyes and knows that this is it for him. Evan's the one.
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aidansplaguewind · 3 days ago
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Hi @andreabaideas ! We don't know each other but I follow @mzannthropy and I just wanted to say I agree with everything you said about expressing one's opinions and not caring what others think of it. And yes, especially women. I'm a very opinionated woman and as a result I've been called so many awful things by men. I just don't understand why they can't handle us having a voice. I don't understand what's going on in the US right now and why men are so offended by women in power. I mean, don't get me wrong, I can explain it in ways like they're deeply insecure and their masculinity is incredibly fragile, and they're afraid women no longer need men for anything (including sex) and that, especially, terrifies them. But even knowing all of that, I still just don't understand it. So what if a woman doesn't need you, isn't it enough that one WANTS you? But I think the problem lies there. It means they actually have to TRY to get a woman to want them because the days of women having to get married to survive are mostly gone. And now they have to try to be better people, they have to try to hold an intelligent conversation, they have to try to have varied interests and hobbies etc. And frankly I think most men are lazy when you look at that way and they don't want to put forth the effort to earn our interest and desire.
Anywho...
@mzannthropy I think we discussed this before, about how when I first got into Sam earlier this year I noticed immediately that there was a lot of appreciation and attention on his roles on The Hunger Games, Daisy Jones, and ME Before You. I'm wondering though if these are, in fact, people that I would consider fairweather fans. Not used by exact definition but its the closest I can think of to describe it. It's people who only like a celebrity for like one or two roles and are more in love with the character than the actor. Usually those fans don't stick around once the fixation on said character wears off.
I admit, I'm not as huge a fan of Sam as you or @jesstasticvoyage are, because my heart will always belong to Aidan Gillen, but I do consider myself a genuine fan. I just enjoy watching Sam work. He's extremely talented, unbelievably so. I will also admit that he's a far better actor than Aidan. I can't really put into words what he brings to the screen. A passion for what he does, obviously, but more than that. He's simply fantastic. One of my favorite performances of his is Oswald Mosley in Peaky Blinders. He's despicable but Sam is such a pleasure to watch in that performance. As good looking as he is, he did so well, I still hated his guts as Oswald.
Billy Dunne is also a favorite, even though I know you have a lot of not great opinions on DJATS. I didn't read the book so I have nothing to compare it to, so I did enjoy it very much. I was just baffled at what all he did to achieve that performance. The weight loss, yes, and learning to play an instrument, learning to SING well, recording an entire album. That's dedication. And when he's on screen I 100% believe he is Billy Dunne.
I also really liked him in Their Finest. Devastated by the ending but I loved watching it. His performance in The Corrupted is notable as well because that character just seems so not like real life Sam but he pulled it off completely.
Anyway, I'm getting off my point, which was that I personally think if you only like an actor in one role, you can't really say you're a REAL fan of that actor. A fan of the character, sure, but how can one be a fan of the actor if they only like them in one thing? Or even just two things? Especially if you look at the characters in question. They're these McDreamy type characters written and cast to get the attention of young women and teenage girls. I don't want to sound like a gatekeeper but if you only like one role then you're a fan of the character.
Omg, I just made this post so long. Imma shut up now. I really do have too many opinions sometimes 😅
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Sam Claflin and Holliday Grainger in ‘Any Human Heart’ (2010)  
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annaphoenix1994 · 2 days ago
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Everlasting Lover
Previous Chapter - Masterlist - Next Chapter
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»»-------¤-------««
The drive back to Kiera's house was quiet. Lawson was the only one sober enough to get us back safely. If it were up to me, I would've driven, but I wasn't confident in getting everyone back in one piece as I truly had no idea where the fuck I'd be going. 
Roughly a half-hour later, the truck began rumbling as it transitioned onto the gravel driveway leading to the ranch, the lights from the main lodge catching my attention. I still yet waited to meet her parents, but that was a terrifying thought to me because by what Kiera had told me, her father was a hard man to please. 
Lawson parked the truck outside Kiera's house, tossing the keys to me as we helped Kiera get out of the passenger seat. She slung her purse over her shoulder as it was clear she was tipsy, but still aware of her surroundings. "Thanks, kid," she said to Lawson, taking the keys from me and putting them in her purse. "I may need to head out somewhere." She said to him, referring to making a sudden trip. 
"Not tonight, you're not." 
"Sun-fucker!" 
"What?" 
"You heard what I said." 
"You're right, I heard what you said, but I don't understand what the fuck that means." 
"Fun-sucker," She corrected, removing her vape pen from her Carhartt shirt pocket, taking a long drag. "That's what I meant to say." 
I shook my head with a smirk at her slurring speech, "Fucking hell, let's get you inside." 
"I know where I'm going." She said, nearly stumbling on one of the larger gravels in her driveway. 
"You sure about that?" I chuckled. "You're about to fall over, love." 
"Nope. Got two feet under me." 
"Two left feet." 
Both Lawson and Frankie began laughing, "Well, just make sure she doesn't kill herself. We're gonna head back down to the bunkhouse." 
"I can hear you, asshat." Kiera scoffed at her cousin, taking another long drag from the vape pen, embracing the feeling of an incoming nicotine high. It wasn't a good combination: liquor, beer, an empty stomach, and nicotine with an ounce of adrenaline. "I'm sorry, Simon. I just have a headache. I drank too much." 
"You're not telling me anything new," I smirked. "I'm sure it took the edge off. Now you can sleep it off." 
"Aye, Captain." 
"Lieutenant." 
"Right, sorry. I guess you're still in military mode." 
"I never come out of it, Officer." I replied, knowing she didn't like to be acknowledged as an officer unless she was on duty, just like I didn't like to be called anything other than Lieutenant when it came to titles. 
She rolled her eyes playfully, pulling out her keys from her purse to unlock the front door, snickering as she felt along the wall for the light switch as the faint blue light from her vape pen engaging with another puff gave her enough light to see where she was putting her hand. "Okay, I'm going to bed." 
"I was hoping you would," I shook my head. "Do you need anything?" 
"A million fuckin' bucks and another vape." 
"Give me that," I said, watching her take another drag from it. "That's the fifth time in two minutes you've taken a drag off of that bloody thing. Give it a rest." 
"You referred to it as a pacifier," She scoffed, frowning as I took it from her grasp. "I need it."
"What you need is to go to bed. Sleep off all that liquor that you clearly can't take." I poked, loving her reaction, especially when she arched her brows at me as if I offended her. Fuck, she was so cute. 
"I beg your damn pardon?" 
"You heard that, didn't you?" 
"Loud and fucking clear, Lieutenant. I can handle my liquor." 
"Yeah, it shows." 
"I can't with you." 
"No, you can't, that's why you're going to bed." 
"Oh, I can, I'll go get more right now if it means proving a point." 
"I'll pour it out." 
"You wouldn't dare." 
I raised his brows at her. In truth, I didn't know where she kept the whiskey, but I knew I could easily toy with her in this state, and I was taking advantage of it. I liked winding her up. It was a release for me as I couldn't recall thinking about anything military-wise while poking at her. "You clearly don't know me, then." 
"And you clearly don't know me." 
"You're right, I don't, but what I do know is that you can't handle your liquor. What happened to Adderall when I asked you back at the base why you could drink a lot and not seem drunk?"
She scoffed, "Such a jackass. And I'm out." 
"You're going to take the biscuit, love." 
"Who the fuck started talking about biscuits?" She furrowed her brows and opened her arms. 
"It means you're starting to push your luck, darling." 
"Well, now I'm hungry for biscuits." 
"Go to bed," I breathed a laugh. "I'll go get you a water." 
"Aren't you a gentleman." 
"Don't get used to it." I poked, although I was lying. I wanted her to get used to me taking care of her, because I could see myself tending to her for the rest of my life. I wanted this, yet I felt stupid because I was thinking about these things way too early. 
How does that saying go? When you know, you know? Or something like that?
I watched her walk towards her bedroom, leaving the door open as she set down her purse before turning the corner that led to her bathroom. I then searched the kitchen for a bottle of water, finding one in the fridge before hearing gagging sounds. Bloody fucking hell. 
I walked into her bedroom, which was definitely uncharted territory for me, but I didn't care. She sat on the wood floor of her bathroom, hunched over the toilet as the night's activities took their toll on her. "Least you waited until you got home." I commented, daring to step in and take a seat on the side of her bathtub. 
"Yeah, I'm just trained to throw up on command." She scoffed, and I could see that she was fighting the urge to throw up again. The smell was sour and mostly liquid - looking more like stomach bile. 
"Rough combination, love, but I'll have to give it to you - you took it like a bloke."
"Simon, speak fucking English." She sighed. 
I chuckled, shaking my head, "Sorry, let me translate for you: you took it like a champ. That better?" I asked, standing up to then get a cloth from the closet before dampening it in the sink and offering it to her.
"No, because I hate feeling like this." 
"Then don't try to have a drink-off with some stranger at a bar with whiskey after you've already had four glasses and a cocktail. It'll fuck you up every time." 
"If anyone took it like a champ, it's you. You haven't shown one sign of being drunk." 
"Because I know when to stop myself." I replied, making the move to pull her hair behind her shoulders, holding it for her before she regurgitated again, seeing it coming far before she even felt it.
"You don't have to be here at my whim. It's my fault. I don't want you to see me like this-"
"Let it all out. You'll feel better." I said, ignoring her statement. 
I wanted to be there. 
She relaxed after the next round of unmerciful bile, sitting down completely on the floor as she reached up to flush the empty remains of her stomach. I moved to sit on the edge of the bathtub, watching her skin flush to white. I then handed her another cloth, watching her press it against her forehead. "Thanks." 
"Don't mention it. Here," I added, picking up the water bottle from the floor. "Don't drink it too fast or you'll be here all night." 
"Thanks for the tip." 
I breathed a chuckle, keeping my gaze on her as she looked to be searching for something. "What're you looking for?" 
"My nic-stick." 
"What in the bloody hell is that?" 
"You'd call it a Ciggie." She retorted, using my British slang against me by mocking a British accent.
I then patted the pocket of my jeans, "I don't think so. You're cut off." 
She scoffed, "It's mine. I paid for it." 
"You sure are paying the price for it right now, huh?" 
"God, I can't stand you." 
"You can't. That's why you're sitting." 
"Simon, I swear to God, if you don't shut up, I'll hit you right where it hurts." She warned, shaking her head as she noticed that I was sitting with my knees apart as it was a comfortable position for me. Manspreading, is the common term for it, but it was just comfortable. 
"Big words," I mocked, standing to my feet and offering my hand to her. She hesitated before grabbing it. "Let's go to bed." 
She tilted her head, "Wait, are-are you insinuating on going to bed with...me?" 
"I meant it as in getting you to bed."  
"Oh, well, I mean, if you wanted to, I got a nice King-sized bed in there..." She trailed off in a goofy tone, looking around playfully as if she were asking, but not asking directly. 
"I'll keep you up." I replied, not giving her a direct answer, hoping my warning of keeping her awake was enough. I wanted nothing more than to wrap my body around hers, to hold her throughout the night while I was her primary source of warmth while resting my nose against her head. God, I wanted that so bad. 
"I doubt that. I sleep like a rock." 
"Rocks don't sleep?" 
"It's a metaphor, Simon. Christ." 
"You still didn't answer my question." She cocked her head at me. 
"I don't know. I- you'll be awake all night." 
"Yes or no, Simon. Thought you were simpler than that." 
Take your fucking shot, Simon. Take it. Embrace her and protect her from her dreams. All you'll be doing is sleeping. There's no harm in that.
"Are you sure that's what you want?" 
A brief pause. 
"Yes." 
"I'll meet you there." I said, ensuring she made it back into the bedroom before I did, watching her sit on the bed as I walked by, sure that the smell of my cologne lingering in the room. 
When I returned in a change of clothes, she played on her phone, the TikTok app being her kryptonite as it distracted her from her brief sickness. She giggled at one of the many funny videos, watching me walk around the bed and sit on the edge. "Now you're hyper." I commented. 
"No. I feel better, though, but my head hurts. Now's the time to hand me back my nic-stick."
"Not a chance. You're cut off."
She rolled her eyes playfully before setting her phone aside and turning off the lamp, leaving us in complete darkness. "Good-damn-night." 
The bed rumbled from the chuckle that was stuck in my throat. I hoped that she was seeing that I was beginning to open up to her, and I hoped that she saw that I was only poking and prodding at her just to get a reaction, not to piss her off. 
I lay as stiff as a board on the bed, one arm draped over my stomach and the other folded behind my bed, my body laying over the comforter, listening to her steady breathing as she was slowly falling asleep. I knew I wouldn't fall asleep any time soon, and I was glad that I managed to bring her iPod along with me to drown out the silence. I looked over at her, reassuring myself that she was comfortable and breathing before sifting through her playlists. Living on the Sand by Colter Wall playing through the headphones I had found in the drawer of my loaned room. I then looked up at the ceiling, listening to each lyric as I imagined the song was about me. 
♪Keep that gun locked away, locked away, boy; Well, you know you're an angry young man; Going in town with six rounds you're sure to be Hell-bound; That house you've got is built on the sand...♪
I then began to wonder where Kiera's mind would go when she listened to this type of music, wondering how her energy matched with the genre. Perhaps it was the heavy strums of Colter's guitar, or Tyler Childers' raspy Appalachian voice, or Whiskey Myers' guttural lyrics - I liked it all, but it all held a darkness to it that held a lot of meaning and emotion. 
As the song ended, I kept his gaze on the rotating ceiling fan as a soft strum of a guitar played on the next song - Everlasting Lover by 49 Winchester began playing. I haven't heard the song before, but I certainly was going to listen to it. 
It enticed me as much as she did. 
♪Everlasting lover; Oh, how I owe you my gratitude; You were the first to make me feel like I ain't just some dude; Everlasting lover, baby, you've got the kindest eyes; And when mine are red and I look half dead you can't even realize; When I get stoned and feel rejected; weary from the road and half beaten down; you come off of your throne and I feel protected; Oh, and even from the bottom of the bottle I know you won't let me drown...♪
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people will just casually say things like “of course it matters! it’s important to you” and then I’ll think about that for hours on end
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bumblingbabooshka · 1 month ago
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I hate when Chakotay is watered down to be Janeway's yes man because their disagreements are actually very interesting. [A lot of rambling analysis of this debate in particular below]
Chakotay in Parallax is very interesting in that he has to navigate a lot of different dynamics. Balance a lot of plates while being watched keenly by everyone around him. Immediately preceding this scene we see him ask B'Elanna for her opinion on the bridge - both as a chance to show her knowledge in his bid to make her chief engineer (because she wouldn't get a chance to otherwise as Janeway has clearly indicated that at this point she views B'Elanna as a troublemaker who won't be considered for the position) and because he just thinks she's a better engineer than Carey and wants the best possible chance of them succeeding. Janeway sees this as unacceptable. Carey is the chief engineer and so he should be called and Chakotay NOT asking for his opinion is an insult to Carey, Janeway, and might make the crew doubt Chakotay (and by extension the Maquis') loyalty to the Starfleet crew.
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At this point it seems that to Janeway integration ["They're not your people"] means the path of least resistance, specifically tailored towards the Starfleet crew. She wants Chakotay by her side to keep the Maquis crew calm but also seems unwilling to consider them for important positions aboard the ship. Though she says that the Maquis are not Chakotay's people, not his crew, she certainly doesn't seem to consider them hers [Compare this to later instances where she stresses 'our' crew, here she simply says they aren't Chakotay's: Whose crew are they? Are they crew at all?]. This less leaves the impression of "We need to be a cohesive team" and more "You're not in charge here." She essentially accuses Chakotay of playing favorites. In her mind Chakotay's actions are not conducive to integrating the crews which would (again, in her mind) mean the Maquis being docile and accepting, obedient and content - not making trouble for the Starfleet crew. Chakotay counters Janeway's accusation with one of his own: That he IS trying to integrate them into the crew but her not allowing the Maquis any opportunity to prove themselves or succeed, not showing any trust in any of them (except, implicitly at this point, him) is making things difficult. At this point the Maquis crew are ready to mutiny on his word at any time. He knows this for a fact. Aside from that looming threat (the threat being that tensions are high and if nothing changes and they remain high there might be a mutiny even without his word) - Chakotay knows these people and trusts them. Though Starfleet and Janeway think of the Maquis as a violent bunch of criminal terrorists, Chakotay and a good number of the Maquis joined because they believed in the cause they were fighting for. These are people Chakotay knows WILL fight fiercely for what they believe in and conversely, AGAINST what they perceive as injustice. Even if they're not in the majority - they're used to picking fights which seem impossible to win. At this point Janeway admits that she ISN'T making it easy for Chakotay to integrate the Maquis - specifically talking about practical concerns; how she doesn't feel she can let Maquis crew have roles of importance on the ship because they lack the ability to hold them. "They don't have the discipline, they don't have the training," - asserting that they just aren't prepared for any such roles and it doesn't have to do with them being Maquis specifically. Ostensibly, she's treating them as she might treat anyone unqualified for the job.
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Chakotay maintains that some of them, like B'Elanna, have the ability to be trained - challenging her point by saying that IF they're trained there's no reason for any Maquis member NOT to be given a more prominent role on the ship. He isn't suggesting they just unqualified people important jobs. If the problem is that they aren't trained, let's train them. These people have the ability to succeed if you give them the tools they need and a fair chance, he insists. Janeway then switches gears and her argument becomes not "The Maquis are untrained so they can't be given those jobs" but "The Maquis crew are unworthy of those jobs when compared to Starfleet personnel" saying that it'll cause insult and upset among the Starfleet crew if any member of the Maquis were to be promoted above them. Again, her idea of integration is based more on Maquis subservience to the Starfleet crew than it is the two crews working together. (Not that I believe she looks at it that way, it's just where her 'path of least resistance' leads) - though she accuses Chakotay of being too focused on "his" crew, she is admitting here that she believes her real crew are the Starfleet officers aboard, not the Maquis. She also admits here that the system she wishes to maintain (and is asking Chakotay to enforce) is one where there will ostensibly never be any chance of a Maquis crew member being promoted because no Maquis crew member will ever be more qualified, more worthy, than a member of Starfleet. We can see how it'd be difficult for Chakotay to convince his crew to remain calm under these circumstances. There's also Tuvok's behavior toward him at the beginning of the episode where the Vulcan nearly goes over Chakotay's head and when he doesn't do so (as Chakotay reminds him that HE'S the superior officer, the First Officer in fact,) Tuvok acts as if him backing down (partially) and conceding (partially) to Chakotay's authority is a favor to Chakotay.
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Tuvok in this conversation is downright insubordinate to Chakotay. Despite Chakotay being the first officer, he doesn't take what he says seriously, argues that his own opinion on what should be done should be followed rather than Chakotay's, lectures the first officer about his conduct, and then almost seems to threaten him with a report. In Starfleet's rigidly hierarchical rules, acting like this to a superior officer (ESPECIALLY the first officer) wouldn't be tolerated and Tuvok knows this perfectly well. He isn't a rebellious character and clearly in other episodes adheres to these Starfleet hierarchies and codes of conduct very strictly. He values them highly. But Chakotay, a Maquis, shouldn't be First Officer. Why should he be given respect for a title he didn't earn? [Affirming Janeway's argument about how Starfleet officers won't be eager to follow a Maquis senior officer] Even though Chakotay tells Tuvok off for it ["I don't have to explain myself to you"] he doesn't threaten to put Tuvok on report or explicitly mention his insubordination. It's unclear if this is Chakotay's personality or if he just doesn't feel he CAN do that. Tuvok is one of the three most senior officers aboard and very close to Janeway. Chakotay has to think of the optics of any situation at all times - we see seconds after this conversation that rumors have already started swirling around B'Elanna being relegated to quarters that've fanned the flames of mutiny. Though we know Tuvok has personal reasons for behaving the way he does toward Chakotay (which he later admits), I really don't think it'd be out of the ordinary for this to be how most Starfleet personnel would treat the Maquis if they weren't outright hostile: Like they're only pretend crewmen. To a lesser extent we even see this with Janeway: In the following staff meeting, she clearly doesn't consider B'Elanna a viable option when Chakotay brings her up and almost ignores the suggestion entirely.
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It also, again, leaves Chakotay in an impossible position. If he doesn't protect and fight for the Maquis crew, they won't ever be considered a true part of the crew and dissatisfaction will likely spread among them. Dissatisfaction which the Starfleet crew will then use to further label the Maquis as insubordinate, uncontrollable, unfit. Not to mention that if he doesn't advocate for them, he might lose their trust. However, if he DOES try to help the Maquis crew advance the Starfleet crew will view this as 'favoritism' and will further distrust him, won't respect the people he puts forth as worthy. Janeway seems to be intent on not advocating for any of the Maquis crew and also seems unwilling to ask that the Starfleet crew grant leniency. She implies that the Maquis crew need to learn to get in line and keep quiet and it seems almost like [we must remember the optics] she has Chakotay as the only Maquis in a position of power to facilitate that. Chakotay recognizes and pushes against that, saying that he won't just be her token Maquis - there only so she can point to him and say "See? We don't discriminate against the Maquis here." effectively a tool used to shut down any arguments of unfair treatment and a tool to quell the Maquis if any talk of mutiny DOES arise. In this model, Janeway can just tell Chakotay to calm them down and they'll listen because they trust him. She also doesn't have to really listen to anything he says: A token First Officer has no authority; his words don't hold weight. [Chakotay isn't Maquis anymore, they aren't his crew anymore - ok. What is he then? What are they? Nothing, without respect.] This plan seems untenable, as much as Janeway frames it as sensible: "I can't make it easy, Commander. Surely you can understand that," and alternatives as impossible "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" - in the long run, how would this be sustainable? In any power structure, you cannot expect a group of people you're unwilling to grant trust or agency to obediently follow you forever. This proposed form of 'integration' in which the Maquis are kept on the bottom rung and told intermittently to stay there quietly by the only one of them granted permission to stand at the top would never be sustainable - especially with a group like the Maquis who again, were founded on the belief that its members should fight against inequity and are already on the verge of mutiny.
I specifically find the statement "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" to be interesting because personally I'd say that being forced together for the rest of almost everyone's natural life is a pretty good reason to ask people to adapt and Janeway does understand this but only applies it to the Maquis - the Maquis are the ones who have to adapt, not Starfleet. The only thing the Starfleet crew have to do is tolerate their presence on board.
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At this point Janeway again claims that if Chakotay can show her a 'qualified' Maquis candidate she'll consider them. I believe this is true but we already know that Janeway's standards for qualification will likely not fit the vast majority of the Maquis and Chakotay ignores the claim in favor of putting forth B'Elanna again, firmly. Janeway predictably dismisses her as unqualified and Chakotay disagrees, arguing that he knows her. He's worked with her. He KNOWS that B'Elanna can excel at the job even if she doesn't meet Starfleet/Janeway's qualifications. He doesn't value those qualifications over what he's observed about her - just as he didn't value Carey's title over what he knew about the gap between his and B'Elanna's abilities. Then, Chakotay switches gears. He admits that Janeway's right - he does view the Maquis as his crew but that's because Janeway (almost self admittingly) doesn't and if he doesn't, who will they have? [What kind of captain, kind of man, would he be?] "You're going to have to give them more authority if you want their loyalty." "Theirs or yours, Commander?" Janeway frames Chakotay's words pointing out the flaws in this plan which I outlined earlier, as almost a threat (if she doesn't have Chakotay's loyalty it'll most definitely mean mutiny). Chakotay asserts that it wasn't a threat, he's only trying to help by telling her how the Maquis crew will react to what she's telling him. "I'm sorry you can't see that" - not an apology for what he said but that she isn't willing to budge, not willing to listen to him and acknowledge that she might be as biased towards her crew as he is towards his. Chakotay is trying his best to acclimate his crew but if Janeway isn't willing to do the same, to talk to her people as he's talking to his, then this will not end well and that isn't a threat. It's just the reality of the situation. He then asks permission to leave, showing he is willing to observe Starfleet protocol (just as when he asked permission to speak freely), and Janeway lets him go, exhaling at the intensity of their debate when alone in her ready room.
#J/C is not interesting to me when they're strifelessly playing house or Chakotay is her lovesick yesman who'll do whatever she says#Kathryn Janeway#Chakotay#I really wish they'd kept up this kind of tension between the crews and used Tuvok/Janeway/Tuvok as like a microcosm of that tension#it'd be so good!!#Tuvok#<- he's there too#chara analysis#star trek voyager#st voy#Is this the only episode they call the ship 'The Voyager' ??#Also hearing Harry call Tom 'Mr Paris' is funny - early seasons voyager you have my heart early seasons voy supremacy#ANYWAY - that's beside the point#I do like how the maquis v starfleet tension is handled in this episode#I love how we see everyone start working together and relationships begin to form#How once B'Elanna shows her stuff Janeway is almost immediately intrigued and excited & how B'Elanna feeds off that excitement#The Doctor: -annoyed annoyed complaining complaining snarky comment- ugh I can't believe I have to help with something STUPID#Kes: You're very sensitive aren't you~? /gen /pos#The Doctor: ???? um ..... haha. idk. anyway I'm glad I could help :)#'how can we be seeing a reflection of something that we hadn't even done yet?' Voyager I love you MWAH#Tom Janeway B'Elanna: -temporal mechanics- / Harry: .... so how do we get out???#SUUCKS that in later seasons B'Elanna & Chakotay's relationship isn't focused on anymore but I mean. Every poc is pushed aside in later#seasons. But here you can see how much Chakotay believes in her and wants her to succeed!!! No wonder she likes him so much#He was probably one of the first people to really believe in her and SHOW IT and now Janeway's doing the same thing <3#My above post may paint Janeway somewhat negatively but it's only in the 'character flaws and being wrong about things means you have#a chance to grow' way - as soon as B'Elanna shows her potential Janeway wants to encourage it#God B'Elanna's so pretty#I forgot Seska was on the bridge!#'many of your teachers thought you had the potential to be an outstanding officer' SOMEONE SHOULD HAVETOLD HEEEER!!!!!!!!#WHY DID NO ONE TELL HEEER!!!!!
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arcane-ish · 10 hours ago
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I don't think that "we were interested in those characters (ie [my guess] Caitlyn, Jinx, Warwick, Viktor)" implies "we don't think Vi is interesting".
My suspicion is more that they saw it "Vi got her turn and now we also want to do those other characters".
Take Silco for example. My guess is that they enjoyed writing him, but they felt that his story came to a natural and so they killed him and didn't feature him a ton in season 2. They had gotten what they wanted out of him. Silco fans clearly felt very differently. But in the end, it is their call to make.
Writers will always make decisions about who gets screentime and hero moments and badass lines. Them making Vi the character with the most focus in season 1 in itself is a favoritism choice because from an IP point of view, all these charactres are pre-existing and there is no practical reason to make Vi the point of view character of season 1 when in game is is equal to Caitlyn and to Ekko and to Viktor and to Bliktzcrank and to Camille and to 100 characters that didn't make it into the show.
They chose her because they like her (favoritism) and because they had potential. But they also like other charactres and see potential in other stories.
. If Vi is not interesting for you to explain to us more then why did you make us attached to her?
I find that an approach I can't get behind. The same logic could be used by the Silco fans to argue "you made us love Silco now you HAVE to make season 2 completely about him". What if fans have decided they have attached to Heimerdinger or to I dunno, the SevikaxSalo pairing and now the writers OWE them. (also worth nothing, it seems season 2 was written in 2019? before Arcane ever aired to the general public)
In the end to some extent it is normal that the writers want to make you care about all the characters, but they will make calls about what to focus on.
Don't get me wrong, I DEEPLY dislike many of their decisions. I for example DEEPLY think that doing the whole Viktor glorious evolution stuff and making it the main threat of Act 3 was a strategic mistake.
But at the same time, reading/listening to the interviews I understand that it's a story he really wanted to tell and it's one the artists put tons of creative effort in and some fans are into it and others (like me) aren't.
In the end, they get to have artistic freedom. (and I'm glad that he's at least smart enough to want to step away and have the next stories handled by other people)
they made her a dumbass character who only understands fighting,
That's not the vibe I got from season 2. I see a lot of traces of Vi having good instincts about people (ie following Singed, Remi's people). Act 1 seemed to be about the moral instincts vis a vis Cait.
Amanda Overton did an interview from which I got "We wanted to explore who Vi is if you take everything away from her/we see Vi's fundamental trait as being a protector and we wanted to explore who she is if she no longer has anybody to protect". To which I say ... okay... but it feels like the answer you came up with is something like "a shellshocked self destructive traumatized husk"?
I genuinely don't think that it's that much of a problem that they made Vi so heavily about physical fighting... it's that they did that and THEN made her fighting pretty useless? I wrote a lenthy analysis of the finale battle and I genuinely think that if Vi had gotten to be more heroic and successful, even just in a pure physical sense we would have walked away feeling a lot better about Vi. At least superficial satisfaction for "she's a figther and being a fighter is important and valuable and essential to this world".
Caitlyn and Ekko do heroic moves in the battle because of their smarts and their iron hard determination. Jinx and Jayce do heroic moves by reaching out to the baddie and doing heroic sacrifice. And what does Vi do?
I think it's one thing that let's say Vi fans wanted deep hurt-comfort exploration of Vi's trauma. I would say that was always unlikely to happen (I feel the same way when I see people the bemoan that the show wasn't about Zaun crushing Piltover in the dirt of Mel fans saying they wish the show had been only about schemes and politics and not action fighting). But imo they failed Vi even within the story they gave her.
I genuinely think Vi's story would have "rolled off the tongue" better if she had been down there with Caitlyn fighting back to back against Ambessa instead of Mel. Or if it had been her instead of Ekko smashing Viktor's mask.
Of it the show ended up on Vi finding the evidence that Jinx might still alive and not Caitlyn. (signalling = oh, Vi smart)
Or if the show had ended on episode 8. If it would have felt that the conclusion of her story is "okay, if you strip her of everthing, then Vi will choose life, symbolized by her having sex with Caitlyn". But instead we have:
1.) a whole episode where Vi does barely anything except watch in horror as other people die (after we already had that sort of in the Act 2 finale too)
2.) the looming idea that Jinx might be alive and okay ... so how would Vi feel about that? It leaves her story feeling unfinished in a particularly unsatifying way
(I compare that to Ekko for example, Ekko is strictly speaking in the same situation where if Jinx faked her death he doesn't know and his ending is very mornful and bittersweet-to-bitter. But I think it works better because his theme that arc was the whole "leaping forward while leaving something behind", so I personally walk away with a slighty better feeling for Ekko, like he would understand. But of course he also got "wins". He smashes Viktor's mask. He talks Jinx out of suicide. He is just a supporting character (outside of maybe episode 7), but you can still feel good about his character).
Vi was not devoid of good character moments. Her standing up to Cait at the end of Act 1 was an important moment. Her trusting Jinx and about Vanderwick was an important moment. The problem is that Act 3 doesn't manage to tie to together in a way that is satisfying.
"Dirt under your nails" isn't without merit. I guess it's supposed to signal to us, that no matter what you take away from Vi (original family, Jinx, Vanderwick) she will keep on fighting? But it just feels kind of meh, especially with how ill fitting she was in the big action finale.
I'm afraid the same writers will be writing the next shows.
They won't. For one supposedly the Noxus show has been in the works for a year while Arcane was still being finished. And Christian Linke had talked explicitly about how he wanted to find new people to tell those other stories. That they think of the new shows as representing the regions and him and Alex were the right people for Piltover and Zaun but they need to find somebody else for Noxus for example.
I wouldn't rule out that he might do another show (he has mentioned somewhere that he would like to maybe do more with the more whimsical parts of the IP, but to be honest, other parts of statement sound like they were pretty exhausted [and that was before the criticism over the finale was in] )
My guess is the Noxus thing will have a different creative team with their own priorities. (that said this approach with a multi character focus might by a likely side effect of League and of how League is structured).
For what it's worth, I don't think you and I ware even that much in disagreement about the flaws of season 2. i just don't think that switching Vi to supporting was necessary impossible to pull off. I think there's plenty of ways that could have been done and still have left her with a story that makes the fans feel reasonably good about it.
(for what it's worth, I think Warwick's story was also extremely messy and similarly jumbled as Vi's even thought that was one of the new stories they wanted to tell. Or the Commander Caitlyn story was introduced with so much pomp in Act 1, I wouldn't say it was completely fumbled [it ends with Caitlyn's badass sacrifice of her eye], but I would argue it still wasn't as emotionally resonant as it could have been, this is my read of Jinx's ending btw and why I think it is meant to be uplifting by the writers [mileage may vary])
Vi season 2
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Saying this about Vi, considering the fact that fundamentally the very basis of the show is about the relationship between her and Jinx is INSANE. The description for the show literally tells the audience it’s a story about two sisters and because the writers grew uninterested with one of them, they sidelined her.
I’m happy she got her happy ending, and i do believe that her writing remained consistent, my biggest issue with Vi this season was that she did feel sidelined, THAT was very obvious. I love her as a character outside of her relationship with Jinx and Caitlyn, however we didn’t get to see that this season.
Regardless if the ending stayed the same, Jinx and Vi barely interacting in the last act felt off. It’s really disappointing to see that one of the shows main and most important characters get sidelined in favour of others
anyway yeah there’s my rant bc seeing this shit on twitter has been pissing me off
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when I want to write something self indulgent to give me all the angsty and cuddly hurt/comfort feels but I can't because I end up feeling guilty because I'm seeking after feels that I feel in an inappropriate place because my mom told me one time when I was 15 that I shouldn't search that out or it's probably sexual sin but it confuses me because ALL the feels happen that way for me even if it's entirely platonic and nonsexual and so I don't know if it's okay to want to write to that because apparently all pleasure of any sort, even over platonic stories, is sexual or comes with a possibly probably sexual feeling and I also am having a hard time figuring out what's genuine conviction from God and what's just my anxiety/OCD/perfectionism/fear of failure
#like I feel like it's conviction. but also when I analyze it... I'm not doing anything sexual??? the stories I'm writing are#ENTIRELY platonic#it's like. found family feels.#but then why do I feel so guilty/convicted over it and feel better/less guilty when I stop writing anything feelsy#like... I guess I'm only allowed to write plot and can't ever write hugs and hurt/comfort anymore#my mom keeps saying I should journal all this instead of venting it at everybody and honestly maybe she's right#idk how to handle this but also I feel like if I just find a holding pattern where I can strike a healthy balance of lile#like* what is correct and healthy for me to enjoy#then the anxiety over it might pass? I don't want to avoid conviction though but like. why am I convicted over#writing a story where someone who's been treated like a monster finds a family who loves them#like.. is it because I'm seeking out whatever that feeling in my lower belly/groin is????#but that's like... so tied up in enjoyment and hurt/comfort to me that idk if I'm ACTUALLY looking for that#or if this is just what I write#and idk if that even is sinful in any way at all!!!#and why can't I just get over this? like I keep going in circles with it and it's so frustrating#idk this is totally tmi I just got hit with this awful feeling after work today and the only thing I can pinpoint it to#is this specific thing I've been writing. but even though yeah I've been getting feelsy with it... it's PLATONIC#ENTIRELY COMPLETELY NONSEXUAL. so like... is it that pleasure feeling that's the thing I'm being convicted over??#probably. bc that's the only thing that eases the feeling of conviction/anxiety/guilt#and also probably no one is reading all these tags lol sorry guys I'll go away now
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collieii · 1 year ago
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i'm sure it's been said but i do love how trimax handles wolfwoods death. i've seen so many stories that have characters die and they just go away after. i'm really used to stories where the other characters aren't allowed to grieve, the story keeps going and it feels like the other characters aren't really affected or get over it really easily. but in trimax wolfwoods death is so important. we see other characters grieving him. vash protecting the orphanage, expanding his power when he really shouldn't, because it was wolfwood's home, even though wolfwood is already gone. he gets an actual burial. vash and livio eating their way through the grief, which is more comedic but still shows us how important he was to the two of them, sets up how in many ways they're fighting in his memory.
even after he's gone he's still present in the story in such a strong way. we can see how he's affected the other characters, even when they don't explicitly mention him it's obvious that they're thinking about him. what he did when he was alive, and his death itself, are so important to the story even after he's not there. not just in a really abstract "this is someone we lost" way (though there are a lot of times his death and sacrifice motivate vash and livio to fight harder!) he's present in the finale in a material way to livio, who uses his serums to help fight against elendira, which ofc also ties into the way wolfwoods choice to ally with vash and fight against knives gave livio strength to do the same. wolfwood showed him that there are things worth fighting for, things worth protecting. that your body is a weapon, but you can choose what to do with it, use it for something meaningful.
and the way vash kills legato in order to save livio? vash outright says that he did it to protect what wolfwood fought for, sacrificed his life for. it's tied to the ongoing arc between vash and wolfwood, their conflict over the necessity of killing others. wolfwood pushed vash into having an understanding of his views when he was alive, demonstrating the necessity of that violence. simultaneously, vash inspired wolfwood to follow his path, a kinder one. vash remembers what wolfwood said to him, and his death gives those words added poignancy. wolfwood well and truly sacrificed everything to protect what he loved and fight for what he believed in. how can vash let that go to waste? he sacrifices something just as meaningful to himself, and he pulls the trigger. it brings him closer to wolfwood in a way he never was before. he understands now, fundamentally, what motivates people, motivated wolfwood, to act as he did when he took lives. there are so many other ways wolfwood is present in the story after his death i can't talk about all of them but it makes me so crazy
#trigun#trigun maximum#nicholas d. wolfwood#not to say that there aren't lots of stories that handle character death well bc there are!#i am by no means an expert in media but in my experience esp with like#action anime in particular it can be p common for important characters to die and then their death is just not processed at all#i know that stories have to keep things moving but it feels so weird when characters don't grieve or even cry at least a little!#like that was a person that you knew! are you not affected in any way!#it can feel so dehumanizing to me imo when characters bounce back so quickly after someone they knew died like c'mon#at least to me anyways#that's why i love the scene where vash cries after ww dies in 98 too. maybe i just don't consume enough media where characters die#but i was really surprised that they included that! surprised and pleased. it felt like such a human thing for him to do#to try and pretend everything is ok but he just can't ignore the fact that ww is dead and it just hits him#right there in the street in the middle of the day. and there's not anything he can do but cry. ugh#.lieii#trigun analysis#trigun livio#vash the stampede#trigun meta#.lieii txt#honestly i haven't read the finale arc in a while so i don't want to talk too in depth about it#but it is really excellent how present he is. without being present#talking about trimax is so hard bc there's so much. so many themes#me when a story has themes: GRAAH#like every post i make this is rambling and doesn't have much of a point but do you get what i'm saying#come to collieii hq where you get an essay in the post and another much worse essay in the tags#trimax spoilers
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sysig · 3 days ago
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Smooth cover (Patreon)
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#Doodles#Pokemon#Firebland#Silverstreakshipping#Kabu#Larry#The previous post about Larry doing things because he feels like it - I mean Once He's At That Point sure but before that lol#Confessions are hard! Honesty is hard! Vulnerability is hard!! Some things are easier than baring one's whole heart all at once!#Even if they were mutually falling in love with each other - which is a very cute idea to me hehe <3 - to say it first! Ah#Larry's handling it great as you can tell lol#No pinch of desperate want no no it's all fine he's totally undetectable lol flying Well under the radar#Forces himself to un-red-face once observed haha - but did Kabu notice before it fully went away??? (Yes) (Lol)#Still struggling with drawing Kabu agh he's cute why!! Difficult!!#I am pleased with how cute their sitting chibis are in the first one tho haha#Larry sitting so polite and Kabu a bit spread out - differences in comfort and how they hold themselves ah#And yet Larry's the one who uses ''ore'' huh haha ♪#They're both cute#I do love Larry's cover of staring at Kabu as basically being another way of saying ''I can't keep my eyes off you'' lol#You're so subtle Larry he'll never notice#I am also endlessly entertained by polite characters swearing haha such an immature silliness but I like it!#Kabu just enjoying the compliment while Larry is Suffering™ lol just hang in there Larry it'll all work out#I couldn't decide at first which of the first panel to go with but smol convinced me the open desperation was funnier lol#But I still like the edit! Enjoy Larry being fully ❤️💕💖💞💗 at Kabu hehe
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nightlark100 · 22 hours ago
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Consequences (Pt 8)
Thank you for everyone who voted on what the next part should be :)
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After they got Grace situated at the Lauter house, which Steph fortunately still had access to after a lot of hours spent with her father's lawyer Gary, Peter headed back to his apartment. Ted and Charlotte's on again off again relationship was currently going through an on again phase so he knew his brother likely wouldn't be there. In fact, he probably wouldn't be around much until Charlotte decided once again to try and focus on working things out with her husband and the whole cycle started again. Still, it meant that, as long as Peter sent texts to check in, he would be left to his own devices. In the past he would have stayed with Richie, and more recently with Steph (she wasn't handling the empty house too well. Even if her father and her hadn't been close, she was still used to his presence), but he needed some time to try and sort his head out. He felt bad for leaving Steph alone with an emotionally distraught Grace but with everything that had happened, he was at his limit.
So he went home.
He ate a chocolate bar and then took a shower, mentally sorting through his DVDs to pick one he could happily doze off to. He knew that the Lords in Black would want an answer from him at some point but he was pretty sure they couldn't just appear without being summoned. Well... hoped.
Unfortunately, the same rules didn't apply to Wiley, as he found out when he left the bathroom. The man was perched on the foot of his bed, the picture of ease.
"Gah!" Peter tried to cover his chest while also holding onto the towel around his waist. "What are you doing here?"
"Thought I'd pop in and say hello."
"Hello. Goodbye."
"Now there's no need to be rude Petey."
"Don't call me that." Wiley only chuckled in response, his green eyes fixed on Peter as the boy gathered his clothes and headed back towards the bathroom. Peter paused in the doorway. “You'll stay in here until I'm done?”
“Don't you trust me to behave myself?”
“Would you trust you?” Wiley laughed and inclined his head in agreement. Peter slipped back into the bathroom, locking the door behind him. Even though he was fairly certain it wouldn't inhibit his uninvited guest in anyway, it made him feel a little bit safer at least.
Once he was dressed in sweatpants and one of Ted's old tees, he reluctantly returned to his bedroom. Wiley was in the exact spot he'd been left in and as Peter tentatively approached, the man stretched, eyes slitted. There was something strangely feline about his movements, and Peter was reminded of a trip to the zoo he'd once gone on. The jungle cats, the graceful strength that they exuded in every languid movement. And just like a jungle cat, Peter was positive Wiley could tear him apart if he wanted to.
“Feeling a little less… vulnerable?” He asked, raking his gaze over Peter and patting the spot beside him on the bed.
“Can't say I do…” Peter muttered, taking the offered seat. “Is this about that… offer?”
“Smart boy”
“I'm still not entirely sure about… well, everything. I'm not making a decision if I don't know the details of what I'm agreeing to.”
“Ask your questions. Let's see if I can assuage some of your doubts.”
"Why us? Why drag Steph and me into this?”
“Partly punishment. They don't take kindly to people trying to cheat them. And while that was mainly Grace's fault, you two are still a bit of a sore spot.”
“But why can't Grace be the prophet?”
“Well for one thing, I think people are more likely to listen to Miss Lauter than they are Miss Chasity. Just better marketing. And for another…” he smirked to himself. “I'm not sure how long little Gracie will be around for once the baby is born.”
“What…why?”
“That child has a little bit of all of them in it. Including the great devourer. Nibblenephim. Do the math.” He snapped his teeth in a mock bite. Peter felt bile rise in his throat and had to take a few minutes to push back the desire to vomit. “Now that little tidbit? That stays between us. No point in scaring the little lady.”
Peter wanted to protest but he could tell by the look in Wiley's eyes it wouldn't do any good.
“What's the difference between what they want Steph to do and what they want me to do?”
“They want Stephanie to be their prophet. They want you to be their disciple. A prophet is the mouth. A disciple is more like the hands. Or at least that's the way it is on the surface. The true difference is want. Deep down all the prophets want one thing, a thing that they crave but can never quite grasp. For some it's love. For others it's adoration. For your little Steph-A-nie it's belonging. Family. Prophets are all about temptation and desire, it draws them in and sinks hooks deep into their soul. A disciple, well that's something very special. A disciple can want, yes, but it's all secondary. They get to witness the raw power of the lords… they bask in their majesty… and crave its presence.” His voice had grown hushed as he spoke and a hand snaked up Peter's arm, brushing over his shoulder and coming to rest on the curve of his neck. “Every beat of their heart is granted to them by the lords. Every second they are not reduced to atoms is a delight and a mercy. A disciple is beyond life and death, beyond earthly desires. They are merely an extension of something greater. Stripped down to the raw clay and remade by the hands of Gods.” His hand grasped the back of Peter's neck, drawing the boy closer so their foreheads rested against one another. “You will see. You'll have everything you could desire and you'll want none of it.”
“You're insane.” Peter whispered.
The effect was immediate. The hand, once firm but gentle on the back of his neck, grasped at his flesh painfully and he was tugged backwards. With a shove, Peter found himself lying on his back on the floor with Wiley standing over him. Before he had a chance to scramble back to his feet Wiley had knelt down, resting one knee on Peter's chest.
“You really don't wanna wanna wanna wanna wanna fuck with me Petey.” He pressed down, his knee digging in and cutting off the boy's oxygen. “I was a colonel in another life”
Peter pushed weakly at the man's leg but the movement only prompted him to catch both wrists in one hand and hold them still.
“You should be grateful for this opportunity. Without it, you'd spend the rest of eternity in the bastard box enduring your worst nightmares, fears and memories over and over again. You'd go mad before the first cycle was over. Instead you could be part of something so much bigger than yourself…” Wiley moved so he was straddling Peter instead of kneeling on him. Peter sucked in a grateful desperate breath as Wiley fisted his free hand in the boy's hair, pulling up so that Peter was forced to awkwardly arch his back. “All you gotta do is open yourself up to their love…”
“Get off me!”
To his surprise, Wiley did as he asked but instead of fully releasing him, Peter found himself trapped with his back against the man's denim clad chest. One hand still grasped his hair, positioning his head on Wiley's shoulder, while the other arm was wrapped tight around his waist to keep him still.
“Do you see him?” Wiley's voice was soft and husky, his breath warm against Peter's ear.
“Do you see him?”
The room seemed to throb around him, fading into a pulsating blackness that grew with each beat of his heart.
“Do you see him?”
Peter felt like he was drifting in a cold empty seat and despite his fear of the other man, he found himself clinging to the arm at his waist. It was the only thing that felt real, that existed in the strange emptiness that was seeping in.
“Do you see him?”
In the darkness two brilliant spotlights appeared and Peter found himself under the gaze of something monstrous and ancient.
He saw.
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Me: Wiley, behave yourself
Wiley: proceeds to punt Pete across the room and climb all over him
Consequences (pt1)
In which the Lords in Black aren't fully satisfied with Grace's sacrifice (or, the pitfalls of an abstinence only sex education)
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She hadn't wanted to kill them, Grace thought numbly as she stared down at her dirt streaked hands, unable to shake the image of her latest victims from her mind. Yes, she believed that the behaviour she'd witnessed from the young couple, drunk and making out in the park, was dirty and perverse but she didn't want to kill them. And yet when she had gotten near, it was as though she was seized by a terrible hunger and she just couldn't stop herself.
She slipped to the ground, resting her head against the side of her bed and felt tears burning her eyes. It had been a few months since everything with Max... since she had given in to the primal temptations and sacrificed her chastity to send him to hell. She should feel... something. Relief? But her insides felt like they were rotting. She'd done so many terrible things and she didn't even have her unwavering faith to fall back on anymore, not after what she'd seen in the school gym. She didn't know if the colourful figures had been demons or if they truly were gods but it felt like jagged claws had slashed apart the fabric of her soul, leaving jagged doubts behind. Doubts and hunger.
At first she'd been able to ignore it but it had gotten stronger. It would rise in waves, crescendoing down onto her when they peaked and leaving her scrabbling for purchase as her mind crumbled.
Even the brief moments of peace she usually got between the waves had been lost to her now as she found herself battling daily with nausea, sometimes barely making it from her bed to the bathroom in time. She had tried to hide it as best she could but she knew her parents were concerned, had heard them whispering while she lingered in doorways. If it continued much longer they'd want to take her to the doctor, but she knew medicine couldn't help her. Her soul was sick, that was the cause. She would just have to pray harder. Maybe she could ask Stephie and Petey for help? Surely her friends would agree to pray with her when they saw how bad things had gotten.
Struggling to her feet, feeling her stomach twist painfully as she did so, she retrieved her phone from her bedside and sent Steph a text asking to meet up.
Her friends would help. They had to.
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