#why did tom hanks do this

[bandofbrothers2001]

Dick Winters & Lewis Nixon BAND OF BROTHERS | Pt. 1: Currahee

[stil-yr-sand]

i feel a sort of moral dilemma consuming BoB fan content because on one hand i am really just thinking of it as a tv show and lkke yeah all this shipping anf stuff is so real and jokes and whatnot but on the other hand i feel kinda idk icky? because they werw real people. and like i know the show isnt 100% accurate but its stil based off of real peoples trauma and experiences so i fond it difficult to separate it from its source

how do other people feel ablut this? im curious on how people navigate this kinda sensation subject (?)

[raylangivins]

one thing masters of the air has that BoB and the pacific don't have is that their most married pairing did in fact get homophobic microaggressions directed at them in one episode. like, textually.

[johnbottoms]

callum turner arrived on the set of mota each day to film a gay romance

[thomas-mvller]

Conspiracy theory: twitter (yess twitter) algorithm benefits and boosts far right accounts because how the fuck can you explain that every time something is tt the very first 100 tweets you see of it come from far right cunts?

[foldingfittedsheets]

The mattress company I worked for previously holds the record for my most overt macroaggressions to date. The company is in a somewhat better state now after changing hands but eight or so years ago I had some deeply heinous shit said to me.

Like a coworker who came up to me and spat out, “Why are dykes always wearing their keys on their belts?”

I stared at her in outrage and said, “My girlfriend wears her keys like that.”

“Well is your girlfriend a dyke?”

I reported it to my manager- a man who had once referred to trans people as “it’s”- but somehow, shockingly, nothing got done.

There were several extremely devout men in the stores nearby and one who I worked with in my store. He was called Keith and looked like a Tom Hanks ripoff. Name not redacted cause fuck him.

I loathed Keith from the second or third day of our acquaintance when he said, “You know I just respect the hell out of you, but I can’t abide by your choices.” Meaning, gosh you’d just be wonderful if you were in fact a different person who wasn’t gay.

Keith’s homophobia however turned out to be the most warranted I’ve ever heard when his backstory finally unlocked. You see, Keith was divorced. He’d met his ex-wife at church and they’d been married several years when one day he came home to find her sucking and fucking it up nasty style with her best friend in the middle of the living room.

When he accused her of cheating on him she scoffed and said that what she was doing wasn’t sex, because in fact, two women were incapable of having sex with each other. This seems like it could have been a solid argument based on Keith’s belief systems, but he did in fact think it was cheating.

They divorced. His ex-wife moved in with her best friend without an ounce of introspection and they attend church together regularly while she maintains that they’re just friends despite going to pound town on the regular.

[thenightshadowqueen]

Death for a Dollar watchthrough thoughts

Holy shit, this was unhinged. I loved it so much. (That’s too many italics, but I don’t care.) I’m kind of speechless; the number of times I actually covered my mouth in shock (usually because of Sam, but Tom was insane in this one, too) was staggering. I adore this play.

Anyway, I’m going to get into my actual thoughts instead of just rambling.

Just to start, ‘Death for a Dollar’ is a great title, so kudos to whoever came up with that

Oh my god, Hank and Gareth 2.0!!!!

“You don’t know what he did for this place.” “That—Tell me!” This is off to a strong start

“Where was your showmanship?” I love it when they work mini games of Change into the plays

Mr. Twilliger is an incredible name

“This is me being the bartender, getting the stories out of the customers, so they reveal things, and then they want to drink more because they’re reliving their trauma.” I mean, it’s a valid tactic to get more money; yay, capitalism! (sarcasm)

AJ forcing Tom to be musical… Caesar and Juliet, anyone?

I love that Luke knows off the top of his head how many keys a piano has (I’m honestly not surprised)

Is Sam’s hair a little longer than normal? Because it looks really good

“I got three keys, three teeth, three toes. I’ve been through a lot.” I love Tony the piano player (who was also referred to as Bill once)

“My mind can take an awful lot; there’s not a lot in there” I love him, actually

“You ain’t trying to seduce him!” “But I get bigger tips when I do!” Sam

Can I just thank whoever edited this for giving us that little shot of Tom laughing? Because I love it when we get to see him actually laugh.

I love Mrs. Prostitute (and I love Tom for including positive representation of sex work)

“This is what feminism looks like” West End Big Boys flashbacks

“My mum is crazy” SAM

Also I think my favourite thing about the microphones is that we can hear them laughing so much more clearly (brought to you by Luke, on this occasion)

I adore Sam’s weird little harmonica thing he does in western-genre pieces

Ooh, younger versions of characters being played by different actors; I don’t think we’ve seen that before

I love Sam being confused and Tom’s response being to start clapping

I love Sam being annoyed and retaliating at AJ with a bald joke

“I told my daddy that I was real fast with a pistol, and that maybe I could go and work in law enforcement, but he wouldn’t have it.” “No! No son is going to go work for the government!” AJ trying to paint his father as the villain and Sam trying his very best to make the audience like him… This is gorgeous

“Telling a man if he’s allowed to own people or not” okay, never mind, I take that back

I don’t know why Sam picked the Watson-clown voice, but I’m glad he did (also I love that the voice made Luke break)

“Many Fingers Pussy” Jesus Christ, Tom

“They thought I had the devil in me” god damn it, now I feel bad for Bill

Sam is so good at playing wide-eyed innocent characters

“God, I wish they had that law in America in the modern day” I wish I had enough faith in people’s judgement to wish that

“I didn’t know you could do magic” I love it when Sam causes trouble

I can never see a reference to a one-man band like that and not think of Mary Poppins

“I can’t wait to hear those four white boys do those accents” oh dear

Luke speaking Spanish!!!

You know what, that vaguely Mexican accent could have been a hell of a lot worse, so well done, Sam

“So you can work on a farm, or you can jerk people off” oh my god, Sam

“He offered me a job” and then AJ realising what it sounded like and walking it way back

Tom entering the scene and waiting for a moment to join in and then Sam just throwing him in without warning is amazing

“I work here jerking people off” Tom

“She said she helps people el secrete-o” SAM

“Hand stuff Jesus is okay with” Sam

I don’t know why the fact that Tom knows little bits of Spanish brings me so much joy, but it does

Holy shit, Luke speaking Spanish with an American accent might be my new favourite thing

I love Maria, the bank robber/prostitute

You know what, I get Bill; the little, slightly mosquitoy “yeah”s are alluring

Half-kiss!!!

“A beautiful flower turns to a crooked leaf” I fucking adore AJ’s weird little sayings

“It’s a well-known expression” and then the advert with the merch saying ‘more well-known expressions’

“Something went worse than wrong. It went really wrong.” Gorgeous.

Sam’s slip oh my god

I know I already said Sam’s hair looks good, but Sam’s hair looks really good

I already said it but I will never be over Luke’s Spanish-in-an-American-accent. Never.

“I’ll keep my hands moist for you” it seems like Tom like using the word moist (the moisturiser fairy comes to mind)

I love audience participation

I’m sorry, as someone who struggles with mental math, that quick multiplication from Luke was impressive

“Got a lot of spunk in you, have you?” I love Tom using his English degree to make dirty jokes (obviously this doesn’t require an English degree; I just mean that it’s a wordplay joke)

I love Sam making sure to bring the story full-circle, with Tony losing his teeth and toes

Jesus, Tom

“Have we invented the electric chair yet?” I looked it up, and it looks like it was invented in the 1880’s, so not quite, but it wasn’t nearly so far off as I thought it might be

“I’ma travelling electric chair salesman” … honestly, I’m not even surprised at this point

Tom is right; this is really dark

I don’t think Sam knows how electric chairs work (affectionate)

Okay who the fuck let Sam wink like that

“Well, I guess that’s the end of the Shoot from the Hip show” I love when they get meta

“What could go wrong with giving a southern American teenager a pair of guns? I’ve got school tomorrow!” Holy fucking shit; may I present Sam Russell, the king of risky jokes

“…when we faked my death…” I love Tom so much

“I think this is the first time we’ve used the principle of the unreliable narrator” I actually love this so much; this is such a cool concept, especially for an improv show

Tom is unhinged in this one and I love it

I love this so much

I already made as post saying this, but it bears repeating: this is BUS levels of insane

[rei-ismyname]

Let's talk R-LDS

R-LDS or Resurrection-Linked Degenerative Sickness was alluded to in X-Men #4 and the Infinity Comics before being named in X-Men #7. We're told that Magneto has it and it's directly caused by Krakoan resurrection/The Five, kinda.

Here's Beast doing some alluding.

In the panels above, we learn that Hank McCoy is the only one working on the problem - the problem being Magneto's loss of his powers and his body breaking down rapidly - his very chromosomes unraveling. He seems quite sure that it could happen to 'any of us' though the lack of quarantine suggests it's not contagious.

The next bit of information we receive is from Magneto and Scott in conversation, reflecting on The Iron Night. They took down a wild sentinel that was attacking the town and Mags lost control over his powers immediately after, requiring Scott to knock him out for safety's sake. Scott is no scientist, and while Magneto is a genius polymath autodidact (with plenty of experience in genetics) it's not a character trait that's seen focus lately. Thus, I'm assuming they're discussing it as amateurs and as patient zero in Magneto's case.

Magneto confidently names the condition for the first time as well as using an acronym for it, suggesting it's confirmed to exist, he's had a positive diagnosis, and they're using the term enough to require shorthand. He even spells out the subtext for us - it was a hidden flaw in Krakoan resurrection. I'll come back to that notion. Scott says 'we don't know that for sure,' implying that R-LDS is just a theory or speculation, which Mags doesn't directly refute. Instead he lays out the worst case scenario. They can't both be right here, so what's the deal? Magneto's symptoms are obviously confirmed, but how did they get from there to here?

If Magneto is the first and only person affected by his condition, why are he and Beast so sure about its providence and everyone being in danger? How could they possibly link it to Krakoan resurrection? I'm no scientist but I do know that there's only so much you can conclude from a single data point. Magneto was indeed only resurrected by the Five once, but he died again after that on Arakko (X-Men Red #7). The body he's in came out of a portal from Overspace in Adam Brashear's underwater base (Resurrection of Magneto #3.) His body suffering a condition borne of something that happened to a different body doesn't make sense. Considering he's the only person to return to life that way AND the only one allegedly with R-LDS, that would be the place to start for Beast's sciencing.

There he is, good as new.

Word of God

In a recent AIPT interview, Tom Brevoort removed any ambiguity and just straight up confirmed it. With the caveat that his recent X-history knowledge seems pretty poor, he is the de jure ultimate authority on the matter. I don't agree with that, and not just because I don't respect him as a creator. This habit of on-panel ambiguity and editorialising in interviews is vexing.

It's especially vexing when he contradicts himself. He counterpoints his own information with some of what I just pointed out, but the fact that they've made a list of who was and wasn't resurrected suggests R-LDS is a plot point they're committed to. I have to wonder why he bothered giving a detailed answer to this question if it's 'yes,' then 'maybe', then 'it will definitely be a thing you'll see as we progress.' Saying all of that and then ending with 'we know very little so far' really makes me wonder what he's thinking. Tom Brevoort could have given his usual cagey answer about not wanting to spoil anything, but he didn't here. I'm saving most of my Brevoort-specific criticism for a separate piece, but this glib and irreverent tone is typical of his commentary - even managing a light jab at Jordan D White.

Frankly, I think it's a graceless and cynical development. There are so many character beats, mistakes, and conflicts to use from the First Krakoan Age that choosing to create R-LDS feels like a shot at the core of hopefulness and creativity that blew our socks off in 2019.

HoxPoX

House of X/Powers of X was hopeful and magical. After a decade plus of endless misery and genocides, dull stories and bizarre characterisation, for once mutants got a W. The ability to use mutants working together to right the horrendous wrongs they'd suffered was central to that - the power of community and cooperation. What they built wasn't perfect but The Five was something they got right.

What would possess someone to take the cornerstone of the greatest X-Men story of all time (don't @ me) and try to tear it down? Remember, when the dust settled we ended up in Moira X life 10E. In 10A, the original Krakoan experiment, the mutants won! They thrived and protected what was theirs against Dominions. It took a literal apex AI God existing outside of space and time directly opposing them to fail. Enigma, on the back foot, sent Omega Sentinel through time to start ORCHIS years early and ensure Krakoa's collapse. Am I to believe 'no, sorry. That was a dead end?'

Haven't we been here before?

We've had mutants suffer from the Legacy Virus and M-Pox already, and I might even be missing other examples of nebulous diseases that threatened to wipe out all mutants. Obviously it's the prerogative of the X-Office to use whatever plot points they want, but do we really have to do this again? There are plenty of ways to sideline Magneto as a combatant that don't require repackaging old storylines. We've even had Hank McCoy decades behind the curve desperately trying to catch up before - in All-New All-Different X-Men.

Small World

Defenders-era Hank McCoy might be the worst possible 616 scientist to tackle this problem. He's literally decades behind the science curve and doesn't have the experience in dealing with anything like this. He's not the same guy that worked on M-Pox or the Legacy Virus. He never set foot on Krakoa and has never met any of the Five. We don't know how much data was recorded or kept from The Five but Beast may not have access to it.

Why isn't he talking to Cecilia Reyes, Forge, Jean Grey, Reed Richards, Doctor Strange, Adam Brashear, Healer, Doctor Nemesis? Even doctor dickhead that extorted Storm has the ability to instantly diagnose anyone. It makes the world feel tiny, and when you're following an era of interconnectedness that's just so disappointing. Portraying him as supremely concerned about 'all of us being ticking time bombs' rings hollow if he's working on it solo. Hank McCoy has always had a sense of arrogance where his scientific ability is concerned but not to this degree. Look at the guy! He's hating the stress he's under.

Sins of Sinister and the White Hot Room

I have to wonder if the implications of linking Magneto's illness to The Five's resurrection have been fully considered. The Sins of Sinister timeline ran for a millennium with the Five resurrecting on an industrial scale. Rasputin IV would have noticed, or the Quiet Council. The mutants left behind in the White Hot Room in RotPox spent 15 years bringing back ALL the dead mutants. That's 16 million, minimum. 15 years is less than a thousand but it's still longer than the First Krakoan Age, several times over. Nobody noticed anything? Elixir, member of the Five and Omega biokinetic, with his unlimited mastery of DNA didn't notice anything? Destiny didn't see mutants falling apart? Sounds dubious as hell to me.

Towards the end of the era many humans were resurrected too. 5% of the Five's work was set aside for bringing back poor children etc through the Phoenix Foundation. Steve Rogers was resurrected into his current body on Judgement Day. I am extremely skeptical that this has been considered, and in Steve's case whether the X-Office can even use him.

Conclusion

Magneto's physical degradation has been swift. Here he is in Uncanny X-Men #700, implied to be at most 6 months before X-Men #1. I think I've demonstrated that the concept is nonsensical and to reiterate, I think it's a terrible narrative choice. If I'm being generous, it'll be interesting to see if they can explain R-LDS in a way that makes sense - if they can do something new and interesting with a tired concept. There's only been one issue since it was introduced, so perhaps I'm jumping the gun on breaking it down. Let's check back in 6 months.

What do you think of R-LDS? Do you think my reasoning is sound? As always, I'd love to hear what other fans think.

[martian-astro10]

I'm a human being who feels a lot of different emotions, and I like to express that, a lot of my posts might be contradictory, but that's because I AM contradictory. I know this post feels very "out of nowhere" but a lot of people have been messaging me about how biased I am and how negative my d9 posts are, how I only say positive stuff about some placements and completely negative about others, how I've said stuff like "your upbringing matters a lot" but then still Post absolute observations, I'm so glad that the people who messaged me felt comfortable enough to message me in the first place and were so kind with their opinions and criticisms, i really appreciate it.

2nd, okay....listen....Anne Hathaway's d9 SUCKS, she's happily married. Tom hanks d9 also sucks, he's happily married (he cheated on his first wife BUT second time's the charm). Victorian Beckham's d9 is amazing, but I don't think she has a good marriage, this man did not defend her AT ALL, because he was too busy cheating on her and playing the victim, i know that people love them, I don't. I would never ever want to have a marriage like theirs. Sarah Michelle and Freddie Prinze, both of them have what I would call the "worst" d9 chart ever, their 7th lord is not well placed, dk is fucked and their marriage is AMAZING, I love them. There are so many examples like these.

Bro, take me for example, I've seen this "Mars in 1st house women are likely to be in abusive relationships" and do I respect the person who made this observation? 100%. Am I absolutely and completely sure that it's never gonna happen to me? Yes. I have rahu in 1st and ketu in 7th, you'll never hear/see anything good about this, but am I worried about what this means for my marriage? HELL NAH. I KNOW I'm a good judge of character, my mom would never force me to get married, I have plenty of time to choose a good guy. And if I ever get married to the wrong person i know my sister and my mom are ALWAYS gonna have my back, and that they're gonna save me. So WHY SHOULD I BE WORRIED?? WHYYYY

Every placement has it's good and bad, and if it's bothering you all so much, I'll make a post where I write only good things about those placements that I've previously written only bad things about. Please don't let astrology dictate your life 😭 please. I really had no idea how seriously some people would take those observations, to the point of fainting from stress. GOD, now I feel super bad, I'm sorry again.

[obessedwithfictionalmen]

Co-Stars pt.8

Callum Turner X Actress! Reader

Summary: A bad joke is made about Y/n and Callum won't stand for it.

Warning: Joe Koy/ Swearing/ use of Y/n/ mention of being naked

Word count: 1.1k

Yn's outfit:

Award season was going well, she won an Emmy and now she was nominated for a Golden Globes for Best Performance by a Female Action in a Drama series. Unlike the Emmy’s, she was now nominated as if she was a main character, and it was amazing. The cast walked on the red carpet, again, getting yelled at by photographers. ‘’Good luck tonight, Y/n, I hope you win!’’ one yelled. It made the woman smile. ‘’Boys how does it feel to work with this amazing woman’’ without saying a word, they all start to kneel, to pay their respect to her. ‘’Oh my god’’ Y/n laughs. She takes a pose for the photographers and the boys get up. ‘’I love you guys’’ she says to her co-stars.

They didn’t know who the presenter was, so Y/n had to google him, but at the same time, Florence Pugh came to the table and asked for a photo with her. Her phone was towards the camera, her google research was exposed. But the ceremony started, Y/n was nervous, she was against really good actress, like Emma Stone and Bella Ramsey. ‘’Now Master of the Air was amazing! But I didn’t get why each time we saw Y/n on screen, we saw her naked, I mean, was the only purpose of her character, being naked? You’re playing in a series about WW2, not Sex Education’’ that was supposed to be a joke, but no one laughed. Y/n was looking at the presenter with a death stare before taking a sip of his drink. Joe nervously laughed. ‘’Sorry about that’’ he continued his speech but when he ‘apologized’ the camera went on Y/n and Callum. ‘’You better be sorry, asshole’’ Callum mumbled. He hid his mouth when he insulted him, but he didn’t understand why he thought making this joke was supposed to be fun. ‘’He clearly didn’t watch the hole show’’ Austin said to Y/n, which made her smile.

‘’And the winner is…’’ her heart was going to burst out of her chest. ‘’Y/n Y/l/n for her role in Master of the Air’’ She got up her chair, kissed Callum, hugged Austin and Antony, took off her shoes and made her way to the stage. She hugged Meryl Streep, she was presenting the award, when Y/n got to Joe, she didn’t hug him. She took the statue and came closer to the mic. ‘’Oh my god, wow, thank you so much. That’s amazing!’’ her voice cracked from the emotions. The crowd cheered for her. ‘’This series means so much to me, my wonderful co-stars, I love you so much. I don’t want to say the same thing as my other speech, because I did more than being naked in every scene, so I won awards, and people actually know who I am.’’ The crowd laughed at the comeback for the woman. Joe faked laugh and looked at the ground. ‘’To all the people out there, that are scared to pursue their dreams, don’t give up. You can do it, dreams come true! I got men kneeling for me, I won awards, and I got made fun of on national television! Thank you and good night!’’ she said, making the crowd laugh again. Callum was so proud of his girl; she stood up for herself and she did it the funniest way possible.

‘’The Golden Globe for the best drama Television Series goes to…’’ Drew Barrymore opened the envelope, the cast all held hands, silently praying. ‘’Master of the Air!’’ she exclaimed, stomping around in excitement. The cast got up, followed by Tom Hanks, Steven Spielberg and Gary Goetzman. When they all got on stage, the trophy was handed to Gary. Callum and Y/n held hands; it was special to be on stage together. ‘’Wow! Thank you so much, this is amazing! This T.V show is, I think, really important to understand history and its darker parts. I’m going to stop talking or I’ll take all the time’’ Gary laughed. The mic was given to Tom Hanks. ‘’Like Gary said, this series is the third, we did Band of Brothers and The Pacific, but Master of the Air is the last and to see it getting so much recognition fills my heart with joy’’ he said, tears in his eyes. Steven stepped forward to talk. ‘’Thank you to everyone that made this project happen, to our beautiful cast, thank you for accepting to follow our crazy idea, love you all’’ he blew kiss to us. Austin stepped forward. ‘’Thank you so much. This type of series, uh, I think, needs to be done so the next generation can understand what really went down. Thank you so much!’’ Y/n smiled; Callum stepped forward. ‘’And finally, thank you to everyone that really watched the show and saw that Y/n wasn’t always naked!’’ that made the cast laugh. A Y/n face palmed, but she was happy to see that the joke wasn’t forgotten and that the guys didn’t like it. ‘’Yeah! Y/n is amazing!’’ Barry quickly said. The woman laughed as they all left stage. Backstage, they all hugged, even the directors joined in. ‘’I’m so proud of all of you.’’ Tom Hanks said.

‘’So, Y/n, a picture came out, can you explain what you were googling’’ the journalist asked, making the woman laugh. ‘’Uh, I didn’t know who Joe Koy was, so I looked him up’’ she simply said. ‘’About the joke he made, your co-stars became protective, what does it mean for you?’’ she was tired of this question, each interview station, they asked that question. ‘’Personally, I thought it was low, I mean, it wasn’t the fact that she was naked that made her win an Emmy and a Golden Globe, so yeah. But I think he learned his lesson’’ Callum answered. Y/n smiled and leaned her head against him. ‘’Thank you, good night’’ the journalist said. They could finally leave this place. Y/n has her statue in her hand, it was really beautiful. ‘’It’s going to fit perfectly beside my Emmy award’’ she said in the limousine. Making her co-star giggle. ‘’Like we told you before, we got your back, we weren’t going to let him disrespect you like that’’ Anthony said. Y/n thanked him as they made their way to the after party.

[pastlivesandpurplepuppets]

Actor Matthew Settle, having personally auditioned with Tom Hanks for a number of leading roles, won the part by delivering steely performances of key scenes. During the casting process, Hanks branded Speirs “a dark character.” Settle unequivocally embraced this categorization as filming commenced in England.

[...]Ron conveyed to Dick. “This TV business is all smoke and mirrors anyway. They can put my nametag on some guy and pretend it is Sparky. They are faking the combat scenes with a stand-in playing Sparky, so why not finish it up that way? I am just not up to the hassle and pressure of an interview. This is not what you want to hear, but I want to be candid about my situation.” Few were more disappointed in Speirs’s decision than Matthew Settle. Many of his fellow actors forged enriching relationships with the veterans they portrayed. Settle was denied this luxury. “It seemed as though he wanted to shy away from the whole process of Band of Brothers,” Settle later noted of Speirs. “He wasn’t quite sure in what light it would leave him.” Because filmmakers lacked Speirs’s direct input regarding his more controversial traits, they “presented the idea to the audience and let them decide whether or not he had killed prisoners and perhaps his own men,” said Settle. “I think that was tastefully done. But perhaps that was why he wasn’t open to being spoken to.”

The absence of Settle’s mysterious character in episode one of Band of Brothers permitted the actor to discover his character in other ways. While the rest of the cast shot the series introduction in England, Settle retraced Speirs’s steps across Europe on an odyssey of his own. He visited France, toured museums, and sought out sites where Speirs had fought. Settle ventured into the Bois Jacques, discovered Easy Company’s foxholes, and was warned to watch out for live ordnance as he did so. At Foy—where Speirs embarked on his iconic run—the actor traversed the wide field and was amazed to see dwellings in town that still bore scars of battle. He ventured all the way to the Eagle’s Nest in Germany. “It made it really come to life for me,” Settle said of the journey. “I’m very happy that I was able to do that.”

Deprived of the ability to converse with Speirs, Settle searched for perspectives on leadership in battle. In addition to reading several Ambrose books, he leaned on Captain Dale Dye—the film’s technical advisor who himself was a decorated combat veteran. “You gotta help me find this guy,” Settle implored to Dye. “Who is he? What’s his tone?” The subsequent coaching greatly benefited his performance: “I had a natural finality that served his character well.” On film, Speirs was stern, direct, and honest. Settle relished interpreting the Speirs mystique—a colorful balance of bravery and secrets. He naturally considers the Speirs scene at Foy his favorite of the miniseries.

[...]A 1,000-person tent was erected on site for a gala and the screening of a ninety-minute compilation of Band of Brothers scenes. Amid all the activities, Matthew Settle finally conversed with his character in the flesh. “When I actually met Speirs, he seemed like he was stoic and quiet and passive,” Settle recalled. “He definitely seemed like a person that may have been hurt once or twice in his life.” The actor’s observations of Speirs during the debut itself were even more affecting. “I sat next to him and Winters as they watched the invasion on screen together,” said Settle. “I honestly just watched the two of them. I couldn’t help myself…. It was powerful. They were reliving it.”

Settle regretted that his interactions with Ron were so fleeting. “I never really got into any deep conversations because Speirs was always very hesitant to talk about anything deeper than just the weather. A lot of the vets would approach him and he would say, ‘Which war?’ I don’t know if he was pretending not to remember them or what.” Speirs’s question was likely an earnest effort to distinguish those who served under him at different stages of his career. Self-consciousness of his hearing loss further precluded him from active conversation.

~ Jared Frederick & Erik Dorr

[feralgodmothers]

I think I cracked it you guys. A part of why Elvis (2022) has such a hold on me (and why you should watch it too if you haven’t already).

The first time I watched it, I didn’t really have any expectations - I wasn’t a fan of Elvis, because my mother hated him, and I grew up without any real exposure to him or his music. I also wasn’t a fan of Baz Luhrmann, because I found his directing style to be too over-the-top, chaotic, and truthfully - obnoxious. So neither of those two big names attached to it were a draw-in for me. And on top of that, I didn’t know Tom Hanks was in it, and I didn’t know who Austin Butler was - not to mention there’s been an abundance of music biopics lately. The only thing that captured my attention was how accurately the trailer portrayed the fangirl spirit. I was like ‘Yeah, that’s exactly what it’s like. I can relate to that’, lol. So with that being the only thing that held my interest, I put it on and just shrugged and thought ‘Who knows, this might be fun’.

I was completely blown away.

I had seen a few clips of Elvis prior to this at some point in my life, so I had just enough reference in my memory to go on while I watched Austin do his thing, and he nailed it. It took no time at all for you to feel like you were actually watching Elvis Presley, not just some guy playing him. Austin Butler was flawless - he’s received a tremendous amount of praise for his performance, and quite frankly - I don’t think there could ever be enough praise for what he was able to accomplish here. It is one of the best performances of all time, and that is no exaggeration. It was so exciting - the amount of movie magic (that’s been sorely lacking from films lately) was on full display here, and it gave me new life. I felt a real connection to a completely different era in our history, a connection to a whole other generation of people/fans, and to a music legend that I knew almost nothing about, and who pop culture had twisted into some mythical caricature of himself. This film accomplishes so much, and I was caught up in a whirlwind of something truly eye-opening and magical. The main takeaway I had from my first time viewing was pure excitement and adrenaline, from just being transported somewhere else entirely, both emotionally and spiritually, and from unlearning some misconceptions I had about Elvis Presley. And, as a bonus, I now had a new celebrity crush in Austin Butler (and we all know - stumbling across someone new to thirst over will always be a profound part of the fangirl experience, lol).

The second time I watched it, I was going in still riding that high that I felt - and I was ready to immerse myself into full, thirsty fangirl mode. And obviously I did thirst - but by the end of the film, I was so incredibly emotional. I cried so much, and felt so sad. Of course, I felt sad by the end the first time I watched it too - Elvis died tragically early, and the way the movie highlighted his final performance was so effectively heartbreaking and moving. But I think the more positive feelings I had experienced before had prevented me from sinking too low into my feelings. But by that second viewing, man… the dam just broke, and I was legitimately mourning this man. I’m not kidding when I say this is probably the best biopic I’ve ever seen, and possibly one of the best movies period that I’ve ever seen. I cannot express strongly enough how much it truly resonates with me.

Anyway, my whole point in saying that I cracked it, I say as a fangirl through-and-through - I think the two biggest impacts that can ignite a fangirl’s spirit into a full, dazzling and glorious blaze is: thirst and heartbreak. And this movie provided both of those things in spades. It’s so beautiful to watch - Austin’s beautiful, the storytelling is beautiful, the cinematography is beautiful, the care, dedication, and craft is beautiful. To me, it is absolutely perfect, and it has completely taken over my mind, heart, and soul. I cannot recommend this film highly enough. It is everything to me right now, and the more people who are willing to give it a chance and enjoy it, the better.

[cupidbedsy]

▷ the christmas movie debacle ; the film effect

➪ summary: on christmas eve, molly, gabe, and will cuddle on the couch to watch a movie only for molly to find out her boyfriends put on her least favorite christmas movie

➪ warnings: molly wishing that gabe burns himself (playfully), molly hates the polar express movie

➪ word count: 0.9k

➪ file type: 12 days of au's: christmas edition (the film effect) blurb

➪ cupid's notes: welcome to the first day of my 12 day's of au's: christmas edition! i hope you guys are excited for the upcoming days, but here is some will, molly, and gabe for the first day! the ending is a bit wack but that's okay

© cupidbedsy ; do not copy, repost, or translate my work and designs on any other website or here

Molly flopped down on the couch in between her boyfriends, bringing the blanket up around her as she did so. It was late on Christmas Eve, Will had just gotten back from Vancouver earlier that day, and all the three wanted to do was cuddle and watch an abundance of Christmas movies. 

She reached over, freeing her arms from the confines of the blanket and grabbing a handful of popcorn from the bucket that sat in Gabe’s lap, “What’re we watching?”

“The Polar Express.”

The two boys could feel their girlfriend tense from between them, eyebrows furrowing as they turned to look at her. Will frowned as he saw the look on her face, “What’s wrong, baby?”

“We are not fucking watching that movie.”

Gabe choked on his water, coughing as a result. Will reached over to pat his back, eyes still locked onto Molly’s face, “And why is that?”

Molly looked between them, eyes widening, “You guys don’t seriously like that movie do you?”

“‘Course I do! It’s a classic!” Gabe exclaimed, letting out another cough.

“It’s not the worst Christmas movie I’ve seen.” 

She huffed, crossing her arms, “No no no. I cannot with you two, I can’t believe you like it. It’s fucking creepy as hell.”

Gabe raised an eyebrow, settling back against the couch, facing her, “And why don’t you like this movie, besides it being creepy.”

“Oh, Gabe don’t-”

“They make the main character not believe in Santa, bro literally has articles and pictures and shit saying that Santa isn’t real… which yes Gabe, I do know the point of the movie is to get him to believe but shut up. The parents know about the train and willingly let their kids get on it. If the kids also know about it, why doesn’t the main kid know about it? Also, even if the parents didn’t know about it, wouldn’t they have woken up from the rumbling?”

Gabe went to interrupt her but was quickly silenced when she held up her hand, “Back to the kids getting on the train thing, didn’t their parents ever teach them stranger danger? The little yellow kid is just- well he’s fucking annoying, can’t stand him. Why don’t they have seatbelts? It’s like they are actively trying to kill the kids, between that and letting the girl drive and going up on the top of the train while it’s actively moving.

“Also, why doesn’t the kid hold on to the ticket for the girl, like he has to just go across and give it to her? Why wasn’t the conductor making sure the kid got through the creepy-ass cart full of creepy-ass dolls? Why don’t they have fucking names?”

Her boyfriends stared at her, eyes wide, Will’s in amusement and fondness and Gabe’s in bewilderment, “That is quite literally the whole point of the movie, Molls. Magic.”

“The Santa Clause movies have magic and you don’t see me complaining about it, do you? There are only two good things about The Polar Express, and it’s the songs and Tom Hanks. Which that’s another thing, why does he play like five characters?”

He placed a hand to his chest, scoffing as he stood up, “I can’t deal with you. I’m making hot chocolate.”

“I hope you burn yourself!”

Will groaned, throwing his head back in annoyance, “Gabe sit your ass back down, I will go make the hot chocolate and you two will figure this,” he gestured to the TV as she shoved his remote into their hands, “out.”

“Don’t forget the whipped cream!”

“I know, baby. I know.”

The two watched as Will walked off to the kitchen, practically hearing him roll his eyes again. When he was out of sight, the two exchanged looks before she huffed, “I still hate that movie.”

“Fine. What do you want to watch?”

She gave him a grin and he sighed, “Fine we’ll watch Elf, but this is the last time.”

Molly kissed his cheek, snuggling into his side. He looked down at her, his face softening, “You’re lucky you’re cute.”

ﾟ+*:୨୧:*﹤

Molly fell asleep just over halfway into the movie, laid across Will and Gabe with her head in the former’s, a blanket pulled around her tightly. The three empty mugs sat on the coffee table, the empty bowl that was filled with popcorn next to them, and Will Ferrell’s voice was softly coming out of the speakers.

Will’s fingers threaded through Molly’s hair, leaning his head on Gabe’s shoulder as best as he could, his other hand entwining with his. Will glanced over at the time, smiling once he realized what time it was. He shifted his head, leaning up to press a kiss to Gabe’s jaw, “Merry Christmas baby.”

Gabe’s eyes flickered toward him, smiling, “Merry Christmas to you too, handsome.”

They heard a grumble from beneath them, looking down to see Molly staring at them, messy hair and all, “Don’t forget about me.”

Both of them chuckled, Gabe bringing her hand up to kiss it, “Merry Christmas, princess.”

“Merry Christmas, weird movie man.”

He rolled his eyes, slapping her thigh lightly as she giggled. Will leaned down to kiss her head, saying his own version of ‘Merry Christmas’ to her, to which she replied with the same thing, burying her head into his stomach, and going back to sleep quickly.

꒰ THE FILM EFFECT TAGLIST ꒱

@winterbarnesblog @delilaahh9 @digitalhughes-jpg @rowdyluv @fantillisgirl

THE FILM EFFECT MASTERLIST ; AU'S ; 12 DAYS OF AU'S

TAGLIST ; NHL MASTERLIST ; NAVIGATION

[talenlee]

do you have any thoughts on how (if at all) the Toy Story films impacted how children play with their toys?

Yeah, quite a bit.

Toy Story is a 1995 animated feature film by Pixar Studios, distributed by Disney, that serves as one of those iconic examples of early 3d Animation that ‘holds up’ over time by people who haven’t gone back and looked at any of the humans in it. With the voice talents of Tom Hanks and Tim Toolman, it follows the narrative of a pull-string cowboy doll competing with a kung-fu action grip spaceman toy for the attention of their gigantically towering owner, whom they must never allow to know that they live, breath, and know his name.

For kids!

Look, classic yada yada, groundbreaking yada yada, wholesome yada yada. I actually got to see this one while inside a controlled christian media bubble, and if tomorrow I found out all copies of it had been deleted I would react like that ‘oh no, anyway,’ meme. It is not a movie for which I have an enormous amount of affection. I don’t want to talk to you about the narrative, though, not of Wilson’s Best Friend negotiating with the Last Man Standing about which of them will be more validated by an actual literal child and the ontological questions of why aren’t the parts of Mr Potato Head independently alive?

I want to talk to you about the humans of Toy Story. Specifically, about Andy, and Sid, and the weird world they live in, and the weird world they’ve created.

Andy’s a weird kid.

Andy’s a weird kid, in this specific case, because of the toys he loves.

Andy’s collection of toys features a lot of things that were, for want of better phrasing, are old. Plastic army men, Mr Potato Head, metal slinky dogs. In 1995, none of that stuff looked like the heavily branded, overmerchandised toys I was used to. Kid didn’t own any legos? No rainbow vomit coloured plastic slinky?

Sure, my collection had some old toys in it. That was because I was poor, and we got a lot of toys from the Salvation Army story or second hand from the throwouts in the church charity bins.

Thing is, as toys, Woody and Buzz aren’t really like the toys I was interested in during the 1990s. Cowboys weren’t cool. Cowboys were old. Cowboys were shown on TV in largely black and white. Cowboys were always about being sour and mad and long periods of nothing happening and nobody did a single kick flip and there weren’t any ninjas. Buzz Lightyear looked extremely embarrassing, and not like the kids’ toys of the time. He didn’t transform, he was big and chunky and not an action figure. Lords knows he wasn’t going to stand up to either GI Joe or Action Man. The scale was all fucked up, he clearly cost a lot, and we never saw signs of playsets or vehicles in the movie.

Though I say that, and you know what he did look a lot like, size wise? GI Joe. Not my GI Joe, from the 1990s, which were the size of my thumbs and cost five dollars so you could army-build. Original GI Joe, from the 1960s, which was a much taller toy, literally a foot tall. You know, like how tall Buzz Lightyear is.

My point is: Buzz Lightyear is not a 90s toy. He was a toy that looked like a boomer’s toys. Andy, a child created to fit in 1995, in a large expensive home with lots of toys, has lots of old toys. Andy has toys that speak to growing up in the sixties, with one toy that’s meant to be a toy of the 90s that’s still kinda not.

But now those toys are iconic kids’ toys, now, because Toy Story became a classic, and people who saw it as kids had kids and shared it with their kids. That is, the parents saw Toy Story and went ‘oh that’s fine for my kids,’ then those kids passed on Toy Story to their kids, and so on and now thanks to it being interdimensional meme cryptid’s extended tentacles into our reality, Woody and Buzz are now iconic kid’s toys that rely on being this sort of post-packaged boomer nostalgia.

That’s the wildest thing. The combination of Andy’s wealth and diversity of toys (why do you have a ceramic Bo Peep statue?)  creates this weird impression of Andy being somehow a child with vintage toys that represent taste thirty years older than him. If Andy was poor and isolated it’d make a ton of sense for him to have all these old toys and none of the newest, coolest toys, like Sid has.

I’ve written about Sid in the past, in part because I think he’s the only character in the entire universe I have any real fondness for.

Well okay, maybe Rex.

Anyway, Sid’s poor? Like, his house, next door to Andy’s, is grungy and grimy and there’s a question about how Andy’s house is so nice and clean and fancy and Sid’s is basically a hell dungeon, but in hindsight it’s kind of hard to look at it and not see it as classic Disney Fisher King stuff. You know, the way that when Scar ruled Pride Rock, there was a drought, and the second Scar was replaced by Simba, there was rain. In this case, Sid, being bad, has a house that’s full of Badness, and Andy, being a good kid, has a good house.

But Sid is signalled as being poor. Everything in the house is grungy and secondhand, and he’s constantly playing with toys that have been discarded or lost, and he modifies them. Sid is curious and creative and yes, destructive, and he’s destructive of things that, as far as he knows until the movie decides to massively traumatise him, are just toys.

Like, think about that. Sid damages and messes with toys but he uses that to make other toys, to make things he plays with. His play is seem as scary and traumatising, because… what? Because he violates the ‘proper’ image of the toy. The toy that is not properly preserved, the toy that is torn in pieces and put together again is seen as somehow violated because it is no longer’ right.’ The implication there unstated is that toys are ‘right’ when they are sold to you, and when you change them from that product, they are ‘wrong.’

Sid’s sin is making his own toys, and he is punished by the avatar of a multinational company that will sell you toys that are right.

There’s this fun story beat, where in Toy Story 3, you find that Sid is now a garbage collector. You can see him wearing the same shirt, and dancing happily as he collects trash. In the garbage dump in that movie, you’ll find there are also no toys, which creates the strange question of how things get that way. A story that explains this, a story I like, is that Sid, with the skills he has with toys, took the job as a garbage collector to rescue these tiny sentient creatures from humanity discarding them and is running some sort of toy game preserve in his home. After all, he is, as far as we know, the only human aware that toys are alive.

And he’s the asshole, not the seeming adults who traumatise a kid for playing with toys. Sid, after all, doesn’t play nice.

Source.

[pieheda]

So, I realized only after watching the Todd In The Shadows video AND the hbomberguy video that I, too, have caught James Somerton just making shit up.

I’m not going to cite actual video titles because he changes them all the time anyway so why bother, but he has one that’s about Angels in America and Rent. This is my jam, I’m a theater gay, so I watched them - and immediately felt like the main thesis would fail an English 101 class. The thesis was “people have the misperception that Rent was made before Angels in America, and why is that?” which is not a thing that people believe, actually. At least, not people who know how google works and can just look up release dates. I found myself thinking that maybe he and some friends were surprised at this, and he decided it was a widely held misperception. But I kept watching the video, and when talking about how popular Rent was when it premiered on Broadway, he said that it was taboo to even mention AIDS at the time.

That is completely untrue. I was an adult in 1996 when Rent was released on Broadway, and AIDS was no longer a taboo subject in the US. There is plenty of data out there to support this, but I think it’s particularly compelling that in 1993, the movie Philadelphia, about a man suing his employers for firing him upon learning that he has HIV, was an enormous box office hit. It won Tom Hanks and Bruce Springsteen both Oscars, for Best Actor and Best Original Song. The Oscars aren’t very daring, perhaps you’ve heard. They aren’t big on giving out awards for things that everyone is terrified to talk about.

In another video that is cited by Todd in the Shadows, I realized that I had ALSO caught James making shit up in that one. When I watched the video for Red, White, and Royal Blue, James said that all these straight women wanted gay romance without sex and I laughed and said “they most definitely do not want that”, because I’m a fan girl and I’ve seen AO3. No research needed to debunk that, most if not all women who knowingly consume gay romance absolutely want there to be some fucking. The only person who would complain about that would be some exceptionally clueless homophobe who accidentally stumbled into this movie.

Both of those things, when I saw them, made me shake my head and say “that’s just not true.” I even commented on the Rent video.

What I did not do is think hard about what exactly is going on here. My opinion of Somerton went down with each of those discoveries, but it wasn’t very high to begin with; I never have liked his presentation style, because of how often he talks down to the people he’s discussing or to his audience. But frankly, there’s a lot of content out there that plays free and loose with the facts or starts with a bad premise (“people have this misperception” with no evidence of that isn’t far off from “Marvel fans on twitter hate this movie!” followed by only 5 tweets cited in the article). I just accept that people lie on the internet, I didn’t expect better. I didn’t stop to consider that gays really should do better, particularly we should not lie to one another about gay culture and history, and ESPECIALLY not when claiming to be doing what we do for the purpose of uplifting gays. I didn’t google to see if there were other issues with him, because if I had I would have learned about him getting into it with Jessie Gender and wouldn’t have given him a view ever again.

We’ve reached such a garbage state that I overlooked that. Seeing everything he’s done all lined up in these two videos had a real impact on me. Todd is absolutely right that it’s abominable to add to all the misinformation in the world, and hbomberguy is right that it’s particularly egregious for James to rob from gay writers who don’t have the funds and attention that James does. But it’s especially bad to just make shit up about gay history and the current state of gay acceptance, particularly when James constantly had the perspective that it’s always bad and gay men always have it the worst. Most likely the “everyone hates gays like me especially” was a calculated choice to create an attitude of persecution within his fandom so that they would accuse anyone calling him out of homophobia. But misinformation about acceptance is ALSO harmful to our community. It’s harmful to go around believing that people are out to get you when they aren’t. The cost of damaged mental health is ALSO important.

And he coldly exploited that because there’s a stupid fucking app that is tailor made for grifters to make cash hand over fist by confirming their audience’s worst fears and creating new anxieties in them. It’s absolutely ghoulish.

[aziraphales-library]

Heya!

I've read a LOT of GO fics in my time, but I can't remember if I've seen crossovers/AUs of the following movies with Aziraphale/Crowley, can you help please?

So my favourite rom coms of all time are the following, and I'd love GO versions (if they don't exist I may have to write them)!

French Kiss (Meg Ryan and Kevin Kline)

You've Got Mail (Meg Ryan and Tom Hanks)

When Harry Met Sally (Meg Ryan and Billy Crystal)

Runaway Bride (Julia Roberts and Richard Gere)

Never Been Kissed (Drew Barrymore)

I won't bother asking about Pretty Woman because I've read so many versions with either of them in either role lmaooo (and I have loved Every. Single. One.)

Or basically any late 80s/early 90s rom coms with Meg Ryan (except Sleepless in Seattle because I find it incredibly boring) or Julia Roberts!

Thank you so much for everything you do! You've helped me discover so many amazing fics and writers and it is much appreciated!!! 💖💖😇😎

Hello there!

Did you know there is a whole collection from the Good Omens Rom-Com Event that was run a couple years ago? You might find what you're looking for there! (Some of the fics are unfinished so keep that in mind)

We have previously recommended a bunch of You've Got Mail/She Loves Me fics HERE, so check those out.

As for the other ones you've asked about:

French Kiss AU:

A Bit of Crumpet by Fyre [E]

With a handsome, successful fiance and a respectable home in Manhattan, Aziraphale Fell thought his life was more than adequate. He never expected to be jilted in a long-distance telephone call and so he sets out for England to find out exactly what's going on and gets a lot more than he bargained for.

When Harry Met Sally AU:

it had to be you by curtaincall [M]

“What I’m saying,” said Aziraphale, looking fixedly ahead, “and please don’t take this as a personal insult in any way, is that an angel and a demon can’t be friends.”

“Why not?”

“Because,” said Aziraphale, firmly. “It’s against the order of things. You’re supposed to tempt. I’m supposed to thwart. We can’t go being friends.”

*

A canon-divergent AU inspired by When Harry Met Sally.

I don't know of any fics with your two last wishes but there is also:

Notting Hill AU:

Soho by Lurlur [E]

Aziraphale lives a quiet kind of life, running a quiet specialist bookshop in one of the liveliest districts of London. He's content with his lot, happy with his friends, tolerant of his probably-human housemate, living vicariously through the gossip pages.

One day, a chance encounter with Anthony Crowley, lead singer of wildly successful rock band The Demons, threatens to turn his whole world upside down.

Music and Lyrics AU:

pop! goes my heart by attheborder [E], WIP

When has-been musician Anthony Crowley is recruited by pop singer Anathema Device to write a song for her new record, he jumps on the chance to resuscitate his career with a hit. There's only one problem: he can't write lyrics to save his life.

But a chance meeting with a stranger by the name of Aziraphale, with a poetic streak that's a perfect fit for the song, changes everything for Crowley. Together, they'll create something beautiful, fight the forces of the music industry, and perhaps even find a way back into love...

A Music and Lyrics AU for the GO Rom Com Event, complete with all-new original songs written and recorded by the author!

Kate & Leopold AU:

Until by Nadzieja [T]

“I don’t want to go home.” Half-asleep Aziraphale murmurs into his ear and Crowley's heart clenches. His grip tightens reflexively around the warm soft body in his arms, around the smell of old books and sandalwood.

“Then don’t.” He’s trying not to sound like he's pleading, but his throat is tight and his voice hoarse.

*

Crowley lives his average life, working in a high-end advertising company at London that pays just enough to get him a room in a shared accommodation. That's just his luck that he ends up living with a literal witch. One day she brings home an even more eccentric man that has a taste for 19th century fashion, as if Crowley didn't have enough things to worry about. Little he knows that the man will turn his world upside down. Literally. And that's just the beginning of his problems.

~Mod N