#why are fanarts treated her like she need to be protected from him and how shuro is predatory towards her

[clione16]

me looking up shuro's tag and seeing fan depictions of him

[forfluxsake]

a personal slash solitary blog where i publish my doodles, have hobbies, and do anything typical of the average person

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before i write anything else, i’m promoting my utmv (undertale multiverse) server. JOIN PARTYCHROMA TODAY! FOREVER LINK: https://discord.gg/sATaZ8WZDh

if you aren’t sensitive to bold text, fonts, weird symbols, and eyestrainy gradient rainbow themes, join partychroma. it’s a neverending party for people who’re into undertale or deltarune aus and the like. it’s quiet for the time being, which is why i’m hoping people find this post

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…a better, less half-hearted advertisement can be found on disboard. hope to see you there!

about me

if you’re wondering who i am, hi

i’m flux.

i am a male and i use he/him/she/her pronouns. that’s all you need to know to respect my existence. if you have any questions direct them to the asks feature i just enabled

what do i like doing? doodling, writing, listening to some funky tunes; learning… i’m not picky about creative activities, but i do tend to procrastinate. my hyperfixations are seasonal and i suffer from being unable to let go of past phases. the list of my interests is infinite. if you care, i enjoy a variety of indie rpgs, object shows, args slash creepypastas, webcomics, and television shows.

cartoon series pique my interest the most.

boundaries

(be my friend)

i’m a minor. this much information is self explanatory as to how you should approach me. obviously don’t interact with me if you are a nsfw age-restricted page, but also don’t attempt to send me weird asks

i don’t talk about politics.

i think being friends with me requires a lot of patience. sure, you may friend me on my discord, o5fo, but understand that i’m terrible at one on one conversation. if you don’t get straight to the point, i will most likely not respond.

preferably keep contact with me through our shared communities or mutual servers and not direct messages.

if i’ve crossed a line, i encourage people to express their discomfort. nothing is gained from radio silence. (it’s not like i’m not anxious as well LOL don’t be shy to contact me [on dis] if it’s important)

what to expect

this blog is sfw, though it’s prone to having violent and dangerous content, mostly because i’ve drawn a fair amount of works with blood or upsetting themes. be wary of who you follow, always, and take steps to protect yourself online. take advantage of the filter tool to block tags that trigger you.

i will occasionally open art requests. but i won’t do too many at a time.

i might touch on some uncomfortable topics while i’m maintaining this nostalgia-seeking blog, especially about past controversies in the communities i was in since i was a child. and depending on the post, i will treat the flaws in said communities seriously or jokingly. please do not take it the wrong way if i redraw those memories.

assume everything i say is light-hearted for the sake of everybody; spare yourself the trouble of thinking i’m trying to invalidate people’s experiences. i never want to come off that way

fanart. expect a handful of art in general. uncolored/whiteboard doodles are abundant. i have ocs- but i’m anything but organized.

that’s a wrap

i wasn’t prepared to end this post

[opinated-user]

SPOILERS for Across The Spider-Verse below, specifically the ending of it, people who have not seen the movie keep scrolling

It's really funny that Lily thinks people wouldn't like Hunter if he was black because fandom has lost their collective minds over Universe 42 Miles Morales aka The Prowler. There's redemption fic, there's fic shipping him with all kinds of people, there's reader x miles 42, there's cosplay, there's angsty fic where people sympathize with him, there's roleplaying blogs, fan made merch, fanart, fan edits, "Miles G. Morales needs a hug" is an AO3 tag, there's fic for him in multiple languages and the movie hasn't even been out for that long, he's got fan-made playlists...

Lily took over a decade to write one black character but that reluctance to sympathize with black people is far, FAR from a universal trait. Most people, upon seeing how dead inside alternate universe Miles is after losing his dad, instantly sympathized with him because it's so obvious that loss has just broken him. The flat affect, the thousand-yard stare, the refusal to empathize with others - this kid is very clearly not coping with loss well. Fandom response has been almost totally positive and caring. He's a teenage boy so adult fans are very "this poor kid" and teenagers are very "you don't understand, he's making bad choices but he's not a bad/irredeemable person". I have rarely seen people this united in wanting a character to be alright but even people who aren't super into him have said that they don't want him to die or get hurt in Beyond The Spider-Verse because, much as he presents a threat to our hero, he's a victim or circumstances and a product of his environment.

Even people who don't want him to have a redemption arc really applaud the ATSV team for writing a black villain with the same complexity, full backstory and depth as they do black heroes. Even people who want to see Spider-Man Miles kick Prowler Miles' ass do not dislike the angsty teen on the wrong side. Being black is not an automatically disliked or unlikeable trait.

Her saying "if Hunter was black, you'd dislike him" is not just wrong, it's the actual opposite of what we're seeing in fandom right now. When handed an angsty black boy we all instantly decided we wanted to protect him even as we gushed over how cool he is.

Lily's statement is projection. It says a lot more about her than it does about fandom, because she says that as if sympathizing with a black character is a rare thing in her mind.

And yeah, Lily, that is rare... for you. The rest of us aren't racist like that.

and you know why that is... simply put, because the spiderverse is a well written movie. it's a movie that treat it's characters with a lot of care and sympathy, so we as the audience can sympathize with them. being able to do that with most of the cast as black characters is not only to be expected, but just the norm. people like complex characters that aren't just one single note. LO literally can't understand that when she wants characters to be like that, she's in the minority. more people will always prefer a character that goes through arcs (both positive and negative), that evolves, that changes, than one that remains static. she absolutely can't grapple with that fact. i already explained before that there would be other issues, thematically speaking, if hunter was black so it was actually a good thing that he isn't and how much better those themes are represented by having Luz to be black too. but if the only difference of him was his race, literally nothing else about how he is written and treated by the narrative, the fandom would love him just the same. the only difference is that LO would then go out of her way to try to argue about how much better the show would be if he were a underage lesbian too. her misconceptions about fandom is what happens when you only have an skewed notion about fandom racism from a singular black person. by only learning through stitch and not any of the other black fans that have spoken about the subject, LO has come out with the idea that fandom is all inherently racist all the time and black characters (because we know she doesn't care about any other race) never receive any kind of attention, ever. so the best way to combat racism... is just to dislike white characters harder. which i hope i don't have to explain how useless that is. if the questions are, does fandom racism exist? have black character being treated unfairly compared with white ones? has fandom gone out of their way to treat not only characters, but also non white cast members, in cruel ways that didn't deserve at all? all of that is yes and that has been ignored for way too long. we also ignored for way too long how many times this racism came from the canon itself, by sidelining POC character with great potential (Finn, Poe and even Rose are example of this) or never given them a chance to shine at all. but things are getting better, precisely because of works like the spiderverse, and because black characters are being put at the front and center for more diverse stories that people are connecting to. this, this is how you actually combat fandom racism.

and all LO has to say is how much she hates this movie tried to be too artistic.

[anime-simp-0]

what i think each MHA 1A student would do in a quirkless society

midoriya: nurse. oh my god i saw a fanart of nurse deku forever ago and it was fine asf. but anyways. i think he would still have the desire to help people and save them, but not wanna go running head first into buildings. so, he decides to use his head and hands instead. i could also see emt since it’s still a little dangerous for his adrenaline junkie ass without almost burning alive.

bakugo: i can’t explain why but quirkless AU bakugo to me is always a firefighter 🤷. i think he is a junkie when it comes to danger and saving people is just engrained in him so, even without a quirk, he would still wanna do something whether military or police service.

todoroki: i’m gonna say family business. but he runs it the exact opposite of his old man just to piss him off.

kirishima: public service of some kind. i’m stuck between police officer or a firefighter cuz i could see both. on one hand, i could see him running head fire into fires with bakugo being each others partners and saving each other left and right since he’s the only one that can put up with him. but i can also see him as the police officer of an area. like the one that everyone loves and treats with respect. so much so that even the gangsters and drug dealers are like “hey sir, how’s your day been” because kiri wasn’t disrespect even when arresting them.

denki: i'm gonna say electronical engineer. he might act stupid but he managed to pass the UA written exam just like the other members of UA so clearly there is a brain up there. Having said that, electronics were something he always thought were cool and he started messing around with them as a kid and it stuck.

sero: i feel like he would LEGALLY sell marijuana. like he would have a license to and would sell edible snacks as well as marijuana straight. he just gives me hippie-ish "the world is less shitty when your high" vibes so he sells good quality weed so people get blissed.

iida: i think his family business would be something tech based instead of heroing. i still think they would make bank from it tho. and the family business would make him feel obligated to follow it.

aoyama: model. enough said.

uraraka: probably join the family construction company “temporarily” but then always come up with an excuse to why she needs to stay. “well, __ is gonna be on a 1 week vacation so, i’ll put in my notice after they’re back” “well, now it’s close to *insert holiday* so i better stay and help get the projects done faster” and on and on.

momo: design. whether fashion, interior design, architecture. something with design tho. she likes being able to create things from scratch. enjoys watching what she can turn things into.

jirou: musician. specifically vocalist and guitarist for a indie rock / alternative rock band.

ojiro: i feel like he would totally have a therapy office where you talk about your feelings while doing yoga 😂. his reason is it helps align your body and your mind.

tsu: i feel like she would be one of those people that study plants and creatures in their native habitats. but she would exclusively work with ponds, rivers and streams and has a deep love and interest/fascination with frogs.

mina: model. i think she would start as a model for a fitness brand and would gradually move over to being a diverse model as her career grows.

hagakure: kindergarden teacher for some reason. i can't explain why. it just seems right in my brain.

satou: baker. like come on.

tokoyami: musician. specifically guitarist for a rock / metal band. it just… fits.

koda: something to do with animals. whether that’s working at a zoo or traveling the world studying animals.

shouji: cop. he's really good at spacial awareness and protecting his partners. plus he has really fast reflexes.

mineta: he died <3

[theskyexists]

gundam ep 18, 19 20

didnt want to watch more gundam bc i was so pissed and i didnt think that the writers/narrative were going to treat what they had miorine do to suletta with enough weight.

i start episode 6 after waiting to let myself calm down.good call on my part. but

why the fuk does miorine feel beholden to prospera when prospera didnt do shit lol

miorine’sover the top anger is no longer adorable. it’s just childish and annoying. a sign of her being stupidly out of her depth. the politics are also so ridiculous. is shin sei now miorine’s subsidiary? when did that happen? WHAT IS OWNERSHIP EVEN IN THIS UNIVERSE. DID MIORINE INHERIT SHARES?????????

this was the ONLY way it could go yeah for suletta to think that i guess. but damn im glad i waited

‘ive no intention of fighting you you saved my life’BUT i will insult your friend.

what an idiot. starting to dislike how this is all about literal children

are we punching miorine. we doing this?

so martin got hurt by a mob and they’re like hey why dont u stay behind to protect the base from the mob. lol

miorine never rescinded earth house’s rights to the ship with which they can just dump suletta at her place? ????? god its so japanese

fuck. chuchu is NOT punching miorine? ‘talking things out’? what the fuck. why are we getting all these fun lil group dynamics after something so shit. why are they still working for gundarm at all. ‘WHEN the bullies come back, dont try anything crazy’  literally leaving the hurt member for the bullies to kill iguess. what the fuck

how is this elan so good at fighting he can stop a terrorist pilot witch from stabbing him in the eye

‘i did not expect him to team up with peil’ why the fuck ever not

wow that went fast. suletta didn’t even fight for aerial. god. the most doormat to ever doormat. not even AERIAL. did prospera arrange for suletta to find aerial because eri wanted to see her?

what the fuck dude i mean. why.... WHY.

ok so why didnt eri ever do this before though like - could have talked to her in this mindspace all along. ok so...uh. they dont need the key which is suletta anymore. and...wait. so there were a lot of children. but surely not so many. what with the timeline. but hold on. and score eight, thats when eri doesn’t need a pilot. you’re telling me there was no way of tweaking the software or hardware for the AI inside to take control of the suit. beyond a score 8 datastorm. why the fuck is eri being so nasty to suletta. i thought she cared about her

what the fuck. literally like. what the fck. why would eri do this to her right after miorine did this to her. what even goes on in their minds

simply ejects her into the vacuum of space with limited air supply. ok.....? i mean. and aerial cannot be steered by herself either we were just told so they’re both just in space i guess.

prospera and eri literally just told her: actually use you were also just a cog in a machine that we were using and we dont need anymore bye

???????????????????????????????????why the fuck would eri do that

‘suletta deserves to live freely’

are you fuckign serious. are you fucking serious. really. you’re fucking serious. you are telling me that. prospera and eri care about suletta as well but they just lied to her again and told her they don’t just to let her ‘live freely’.. all these people are completely insane and psychopaths and completely unforgivable. completely fucking insane and unforgivable. the writers just made it worse. i CANNOT forgive this. i literally cannot.

if suletta does not go apeshit i will kill somebody and that somebody will be the whole writing team

-----

ep 19

let me just say that i saw some ‘oh we all good now’ fanart and i am absolutely not about it. jezus christ.

wow they really skimped on the animation for miorine

suletta is going further and further into a depression spiral and earth house is jus like: hmmm sucks . and the people who love her are like: lol bye better off without us! fuck yoU!!!

this rando side character from a mid-level company who for some reason does the counselling at the school (???)  or hijacks it is like a total ......like. player. reallyjust playing around . its great

what IS benerit group’s jurisdiction? is miorine ever gonna see the terrible circumstances that her friends came from? too bad Nika and Chuchu aren’t along to point out: yeah i worked here as a nine year old 12 hours a day lol

who the hell is miorine negotiating with? and why is she going if she doesnt speak for the group. what can she even promise

this spacian and not-elan and nika have been in thisroom for what. a week? and somehow elan is capable of holding her TWICE. how theFUCK is he not dead. his superior male strength apparently. hate this part. its boring. it’s sexist. it’s stupid. but i guess its nice that theyre doing a fucked up emotional bond between the shitty spacian and the shitty earthian bc they’re both gundam pawns

miorine thinks she can get some goodwill for developing prosthetic limbs....(which by all accounts ALREADY EXIST LOL LOOK AT PROSPERA). wow that went surprisingly well. goodthing the guy’s a doctor. and recognised she means well. might be a way to change things etc.

general guy surely must have been responsible for the 1500 earthians disappeared and tortured huh....

god i cant stand the earth house-suletta dynamics. everybody is so annoying. suletta for being her same old self and earth house peeps for being like: oh but just have a meal with us we’re friends :):):):) shut the fuck up

it’s like these writers have never experienced grief at all

oh she just gotta have a nice soup and a cry and a meal with friends. shut the fuckup

‘even when you know it’s not the right way, sometimes it’s the only thing you can do’

uh. no. what? martin didn’t have to sell nika out just bc he was sure she was a terrorist. miorine and eri and prospera didnt have to stab suletta in all the worst places just to ‘set her free’. that like saying: oh i killed a couple of people but eh, meh, eh, so what?i just fucked around abit and now we’re finding out. so it goes!

seriously this kid actually reveals all this shit to guel??? lol!!!!what an idiot!!! these people almost killed you!!! guel doesnt even care enough to get a you a spot in the academy (’you should ask somebody else’WHO GUEL. WHO IS HE GONNA MEET)

this story went far off the rails

this kid just sold out his people’s best chance of becomign indpeendent and free from benerit group. what idiot adult never told this complete dumbass to keep his fucking mouth shut.

prospera. what the FUCK. how is THIS necessary for anything? Eri. Why are you doing this also. Im looking at all the fanart thats like ooooo we all good after ep 22 we a happy family.

Suletta is a psycho. Prospera is a way worse psycho. Miorine is a bitch. Guel is a total bastard. Even Eri is a total psycho.

oh ok it was an excuse to leave miorine behind with no guards at all. LOL. the guards all left and prospera was like byeeeeeeee

the high council (?) (who the fuck are they then) have been funding the earthian ochs earth corporation gundams....ok thats one mystery solved. so why did prospera attack the gundams there. and was there an implications that there are multiple sophies and noreas or were they simply associated in teh system. but also what. they corrupted GUND principles? you care about those prospera?

Miorine seriously has no direct control over her men or gundams? why is she so......DUMB. i know shes only seventeenbut like.

‘oh we didnt give orders’ that is no excuse. check your lines of command. get your goddamn intel directly. there are like three fucking robot pilots. you can speak to them DIRECTLY. now they’re blowing up shit because theyre getting shot at. soldiers and cops are such cowards. oh ill just laserblast everybody. instead of idk. listening to ORDERS and simply evading

‘guel, you’ve defiled her’

what. lol. shaddiq maybe you should have helped her. idk. always being such a stupid dick

‘prospera mercury was onto us.’ ok so he knows that shes destroyed the stored gundams.

aerial did NOT do the only thing she could. in fact, she could have just said: suletta, our mother is a total pschyo, shes going to fuck everyone over just so i can live again. you shouldnt be part of that. with her actual voice

literally.what is this japanese fucking bullshit. it’s like they literally have different neural pathways. like LITERALLY. every anime has this to some extent. where there’s these contrived mantras based on idiotic non-communciation. as though it is impossible to be truthful or straightforward about anything. its better to stab someone than be straightforward.

really hate the tempo, the futility, and most of all the heart of the emotional conflict. it’s fake. it’s extreme. there’s no payoff. and in the end it is unrelated to any of the earthian suffering. 

i predict: suletta is not going to go apeshit

chuchu did not punch miorine and will not

prospera and  eri will also not get any comeuppance

‘its all my fault. i did this’

uh yeah. because you didn’t prepare. you didn’t consider that everybody had their fingers on the triggers. you didnt control your soldiers. YOUR SOLDIERS. just let the commander fly off. didn’t intervene in communication. didn’t tell  the commander that THOSE robots also needed to be disarmed. yeah. people died because you’re an idiot. fuck you

AND MIORINE IS THE ONLY MORALLY INTELLIGENT CHARACTER IN THE WHOLE DAMN SHOW. THE ONLY ONE IN THE ENTIRE SHOW!!!!!!!!! EVERYBODY ELSE IS EITHER EXTREMELY DUMB SELFISH OR MORALLY CORRUPT. UNFORTUNATELY SHE’S ALSO AN IDIOT.

-----

ep 20

shaddiq is angry at guel for no reason. guel is angry at shaddiq for important reasons like he accidentally killed his dad at the plant quetta incident that shaddiq orchestrated

what is this ‘comedy’ low-stakes shit between martin and these two leftover student council idiots

‘our mobile suit wrecked havoc while we claim to be a  medical company’ maybe shouldnt have a mobile suit. ‘even lilique is angry’ WHY AREN’T THEY.

why is earth house so completely apathetic? Miorine kicked suletta to the curb like its nothing. they didnt much care. Miorine seems to have attacked a major Earth city. they dont much care. fucking hell dude lol

he really thinks guel (who is definitely a dumbass) was the one to taint miorine’s name and soul? he KNOWS prospera was behind it. jezus christ. can they just kill  each other already. fucking hell. how did the writing tank likethis.

shaddiq deliberaely wants to have the school demolished....

wow those cathedra guys are terrabad at responding to attacks and protecting civilians

how does shaddiq knowthat. right bc he has connections with. ok its a way to freak him out but cmong guel. SHADDIQ SET THAT UP ACCUSE HIM OF THAT RIGHT NOW. didnt

the weird thing about the gundam fights is why their conversations are always boosted from enemy to enemry to the entire fuckign public

comms just said: dont get involved leave it to security

house jeturk instantly sends out a student. who almost got killed last time. didnt even lift campus restrictions. SURELY thats a single fucking switch

Burion House doesnt have a single pilot with them in the bunker ?

chuchu really going for Nika right now? Martin the rat stopping her and asking Nika to help out? after ratting her out? my god

Nika: ‘this is all my fault’ what the ever living fuck are you talking about. what arrogance

shaddiq was hoping guel would protect miorine from all this shit but he didn’t i mean fair enough. guel is such a fail-man

shaddiq is for sure not. and his idea is pretty good. too bad he keeps having people murdered left and right. if he’d simply ordered his people in dawn of the fold to help miorine out but noooo

ah he wanted spacian losses at asticassia to poke the league....but....then why was he running for president. and also. surely he hasn’t been able to transfer many of the assets yet. just grassley’s

i like how norea’s grief is fuckin realhere alright

wow elan doing his: i hold your arms so you cant hit me move here again. even works in mobile suit form. lol

yap. norea too. i mean. who can care about suletta or miorine or fuckin guel when sophie and norea be imploding right here. the war oprhans, the exploited unprivileged drafted children.they’re mercilessly mowed down by the ‘good guys’ cathedra. who’ve been doing that shit for twenty years.

I HATE earth house lol

i also hate suletta. dont like her shounen shit anymore which isnt shounen shit anymore. thats because all of this is just so.....who cares.who cares. truly who cares.

thing is. this show really likes to do dramatic moments but all the dramaticmoments this past season have not been satisfying. they have been really frustrating narratively. shaddiq and prospera and miorine and the league all fucking shit up. miorine really SHOULD have chosen shaddiq it turns out. they might have actually made a good pair, if shaddiq had been truthful at all

suletta isnt gonna do shit about earth. she really doesnt give a fuck. miorine is too stupid to do anything about it. guel ABSOLUTELY is. and everybody else is infinitely dumb

to be honest, why did prospera destory earth ochs gundams when it destroyed miorine’s chances of becoming president. unless she didnt need quiet zero after all. but then why bother with her AT ALL

[princesssszzzz]

Baela should have her own personal motivations and political goals. She should have a scene with Rhaenys about the succession of Driftmark and a scene with Daemon about her potentially being Queen. Her and Jace should have a scene talking about their future “marriage”. I honestly think she should go to winterfell with Jace. Rhaena should want to chill away from the chaos and violence. She should want to start a family because she wants to be a mother while she’s caring for her baby dragon. Because of the events of the dance, she’s forced to be involved and manipulative to survive. She’s clearly an afterthought and seen as domestic help by the people on Dragonstone so her having a behavior shift to protect herself when she sent off to live with strangers and finally treated like a Valyrian princess will be interesting.

There’s post demanding people not have a problem with how the girls are treated by everyone except for Rheanys (and Jace w/ Baela) who are the only 2 I’ve seen more than once go out of their way for the twins. These post are followed up with “Daemon should be a great stepdad and do X, Y, and Z for Harwins sons! Rhaenys will be a great grandmother after she includes the boys!” If how he treats his daughters is acceptable, why does he need to go out of his way for someone else’s sons? Almost like people want him to act like a father, just not to his girls. It’s not cute or wholesome to depict them as yes men zombies with no consideration for themselves. They are not nannies to other people’s kids or servants. I’m sure it hasn’t gone unnoticed to many also that every fanart with this “family” has the girls nowhere near Daemon who’s always in the middle while the girls are on the outside looking in. Or they depict the girls hugging each other while everyone else is separate from them and Daemon hugging a 3rd daughter who’s not even alive. The people pretending to care about Baela and Rhaena are actually sick.

[shinidamachu]

I need some Inuyasha as a great father (more like DILF, amirite?) headcanons, can you help me out?

I'm here to serve!

• It isn’t until they’re happily married for at least one or two years that the possibility of children are brought up.

• At first, they took that time to relearn each other, enjoy their company and make the honeymoon phase last a little long. They did spend three years apart, after all. There’s so much time to make up for, so many catching up to do before they’d even think to throw a kid into the mix. Plus, being a modern woman, Kagome would know how to avoid pregnancy the best her new circumstances allowed and how important that time alone is for a newly-married couple.

• They never actually had the child talk because Kagome just assumed that’s where their relationship would naturally lead to, given her motherly tendencies and Inuyasha’s history of ultimately giving her everything she wants. For his part, Inuyasha knew she wanted to be a mother someday and he'd be lying if he said he never indulged the fantasy of fathering her children. However, he has serious trouble wrapping his mind around the idea that, in reality, Kagome would still be up for it if he were to be the father. He could never dare to ask of her more than she has already given him. Be that as it may, it was not a big deal because it was not a dealbreaker. Nothing was.

• But with time, Kagome would have noticed how good Inuyasha is with Hisui and the Mirsan twins. How his relationship with Shippo had developed from a sibling banter to a makeshift paternal relationship. How people like Shiori and Bunza would look up to him like he was some kind of movie hero. How every kid in the village seemed to adore him despite his grumpy demeanor.

• And Inuyasha would have noticed the way Kagome would look at him whenever he so much as interacted with a child, the way her smell would spike significantly.

• She, of course, was the one to make the first move, jumping him one night, after they had spend the whole day stuck with babysitting the Mirsan children and popping the question.

• Inuyasha was relutant. There was a part of him that was adamant on making her happy and even believed having babies would make him happy too. On the other hand, he was terrified. Terrified of how her body would react to childbirth, of if her spiritual powers would accept his demonic energy. But mostly, about what would happen once the baby was born. The last thing he wanted was for Kagome to go through everything his mother had to go through. Or for another kid to face the same prejudice he did. Besides, he grew up with no father figure whose steps he could follow. He didn’t know how to be a father.

• Kagome assures him that they won’t have a baby until they’re both ready and on the same page, that they have time and that Inuyasha will be a great father.

• Inuyasha believes her.

• Then it is him felling some type of way whenever he sees Kagome around kids. And something deep inside desperately wishes to find out what would their children look like, what would it be like to hold and take care of someone born from their love.

• Finally, he caves.

• Inuyasha wants a big family, considering how lonely his childhood was. Kagome finds it pivotal for their first-born to have a sibling, since she had Sota and their relationship was one of the most important things in her life. That’s why they’d have two children minimum, preferably a boy and a girl. However, giving how dangerous and uncomfortable childbirth can be, especially without the perks the modern era provides, I don’t think they’d have more than three.

• Naturally, Inuyasha relies on Miroku for advice and the latter is more helpful than not. Except for the times Inuyasha asks or says something that makes it way too easy for Miroku to mess with him. Like the time he told Inuyasha that if he doesn’t get Kagome whatever food she craves while pregnant, the baby will be born looking exactly like that food. And Inuyasha believed him.

• And if you thought Inuyasha was protective of Kagome before... oh boy! He’d be almost overbearing, but Kagome would see it as endearing. Most of the time. Sometimes, though, a woman has got to have her privacy. He also becomes more attentive, more gentle, sweeter.

• After their first child is born, Inuyasha gets a makeover of sorts. He’s always borrowing the Fire Rat to Kagome and the baby anyway, so he figured it’d be more practical to just pass the clothes on to them already and get something new for himself.

• It’s white.

• Inuyasha becomes taller, stronger. And often lets Kagome experiment with his hair with braids, top nots... and ponytails.

• Old Myoga is the first one to notice the resemblance. And it’s true. He’s the spitting image of Toga. Former enemies and allies often mistaken him for Toga and Kagome thinks the look on their (and Inuyasha’s) face is hilarious.

• Sesshoumaru does not care for it (I stole this one from @heavenin--hell).

• Inuyasha hates his human nights even more because now his vulnerability also means he might not be able to protect his family as he usually would (Together Changed by @goshinote and @lostinfantasyworlds inspired this one). Plus, the black hair and lack of dog ears confuses the baby, who cries and fusses for a good while until realizing it is, in fact, Inuyasha holding them (this one I saw in an adorable fanart I can’t find).

• But since he needs way less sleeping than humans and he spends the New Moons up anyway, Inuyasha gets a lot of quality time with their infant at night, which allows Kagome to actually get a good night sleep unless the baby is hungry.

• The Beads of Subjugation get dooled and chewed on. A lot.

• A little contest takes place between Kagome and Inuyasha about what the first word of their first child would be, with Kagome going for “dada” and Inuyasha going for “mama.”

• Kagome wins.

• Inuyasha’s fighting style changes. He still says some snarky remarks, but now it’s more to push his opponent‘s buttons down so they would get sloppy than anything else. After all, he has a child to think about and provide for now. He doesn’t have the luxury of gambling with his life anymore. He has a home to come back to and therefore won’t be taking any chances (credit to @born-for-eachother for this one).

• And so he becomes more lethal on the battle field. Pragmatic. Objective. Calculating. Decisive. Cold blooded. Much like... Sesshomaru.

• He had never been more offended on his life than the day Sango pointed this out to him.

• When the kids grow up a bit, Inuyasha and Kagome start to tell them bedtime stories, with the PG version of the story about how the met and defeated Naraku being their favorite.

• Kagome tries to be a reliable and calm narrator while Inuyasha exaggerates the events and the voices, almost always breaking objects of their house in the process.

• After hearing one too many times about the Beads of Subjugation, their child tries to “sit” Inuyasha. Of course it doesn’t work, but he still makes a big deal out of throwing himself on the ground every time they say the word just to hear them laugh.

• The first actual toy Inuyasha buys them is a ball, just like the one he had as a kid, at the same time accomplishing a childhood wish through them and ensuring that they would always have someone to play with.

• Kagome is more protective of their physical state while Inuyasha is more protective of their emotional one (see Fist Fight by @omgitscharlie)

• Inuyasha goes to Totosai and asks him to make a weapon out of one of his fangs to each of their children once they get old enough for it. Not necessarily a sword, just something of their choice and that better fits their personality.

• He would be a just father, doing his best to show no favoritism, treat his children equally and make sure no one felt overlooked or unloved.

• But truth be told, if one of their babies turn out to be a daughter, he would definitelly let her get away with almost anything, no matter how much of a gremlin she is. Daddy’s little girl would have him wrapped around her tiny fingers.

• Life never treated Inuyasha kindly. From a very young age, it was kill or be killed. It wouldn't be too far off for him to think the exact same thing could happen with his kids, therefore he tries to prepare them, to tough them up so they can take it.

• And I believe this sentiment would be significantly amplified with a son, because it would involve the whole “suck it up”, “men don’t cry” and “man of the house” aspect of it. The “it is your duty to protect your mother and sister when I’m gone” too, especially because he couldn’t protect Izayoi himself.

• It’s “tough love”, but it’s love nonetheless. And in the right dose, which I believe Inuyasha manages to nail, it can be very important for one’s development and growth.

• But it’s hard to imagine him being as tough with a daughter. Probably because he sees so much of Kagome on her that the mere idea of seeing her cry simply breaks him.

• Kagome would actually have to step in when it comes to disciplining and saying “no”, because he simply wouldn’t have it in him to do so.

There’s actually a really nice post by @keichanz I reblogged a while ago discussing precisely that, but I can’t find it to save my life (should I start to properly tag my reblogs? No, it’s a lot of work and I’m right not to).

Anyway, that’s all I got for now.

Peace out.

[alemonyoyo]

What do you think of the main's siblings ships like,

Tricia (Craig's)/Karen (Kenny's) and Shelly/Kevin M.

I personally find them really cute based off the content I've seen so far

Tricia x Karen:

Tricia and Karen is a ship I have seen some content of, and it is interesting to me. I have a feeling that the underlying reason people ship it is because both Tricia and Karen with the “younger sister” role and people like to have a ship for every character (dw me too I get it). But I also can see the argument that Tricia, being a descendent of the oh so stoic and badass Craig Tucker would be a protective force over Karen when Kenny is away. I can see how this could be a reason to ship them, but I personally need to care about a character before I can ship them with someone. And I don’t know anything about Tricia, and I find Karen really annoying so-...

Kevlly:

Kevin x Shelly. Kevin x Shelly. Kevlly, if you will.

Same with Tricia and Karen, I need to really care and be invested in a character to ship them. Ships for me are a way to get invested into characters I already love, and to be honest, I feel nothing for Kevin and Shelly- Which is totally fine because they hardly get ANY screen time The only time I have ever felt anything for Shelly was seeing her tiny and hilarious interaction with her email boyfriend Amir, as well as her adorable relationship with Larry Feegan- However, me enjoying both of these reactions make me believe that the reason why I ever give an ounce of shits for Shelly is because I want to see her in a healthy relationship after the pedophilic trainwreck that was Skyler, and, if Kevin Mccormick is going to be the one to give that to her, I can’t be one to complain!

I can imagine Kevin helping Shelly get over her frustrations of having a younger sibling (Kevin having 2 so he is experienced in dealing with gremlins). I can imagine Stan noticing a change, Shelly treating him slightly better ever since she got with Kevin. 

I also don’t think that Kevin or Shelly would prevent each others blatant anger, but, rather, come up with outlets and more constructive ways to blurt out all of their negative emotions. What I mean by this (because I’m doing a shit job at explaining it) is kinda reminiscient of that one scene in Sex Education where two character (Adam and Ola) both share their anger and an abandoned bus, both participating in smashing glassware, dishes and vases as a way to let out their anger. One of the characters (Ola) introduces this way of stress relief to the other (Adam) and they grow closer from this experience. I literally just imagine Kevlly as this interaction, both helping eachother discover outlets for their frustration, whether it be smashin dishes at an abandoned bus or otherwise! I think interactions like this would be cute :)

The fanart for these two ships (especially the first I spoke about) is adorable.

 @songofassandfire makes literally gorgeous and adorable art for Kevlly so if you like the ship and don't follow them then you simply must- like what are you doing go now!!!!!!!

[lilover131]

Syaoran and Kaito Analysis

So I’ve mentioned recently in a recent fanart and in my analysis of chapter 55, but I have noticed quite a few similarities between Syaoran and Kaito, and upon some observations, I have some theories, particularly in regards to how Kaito views Syaoran. I decided to delve into that a bit, so see under the cut for more! Warning: It’s long. I wrote a lot. >.<

 I have a lot to cover, so I thought it might be best to outline in the most simple way possible some things we already know about Kaito.

 ·         He was born gifted with incredible magic. His parentage is unknown and he was “alone for as long as he could remember”.

·         It’s unclear where Kaito originated from, but it seems he spent a majority of his life in England.

·         He has moon based magic and has a wide variety of talents, but specializes in time magic. It’s unclear if he already had a skill with time magic or if this was obtained after he met Momo. It seems implied that he made a magical contract with her and maybe gained his time abilities from this. But we do know he has the ability to fly, to locate objects, teleport, to talk to animals, and to make something vanish in a mere moment.  

·         He is also talented in housekeeping skills, such as sewing, cooking, etc.

·         He used to be very cold hearted and preferred spending time alone. Kaito changed considerably in personality at some point in his life. It is uncertain exactly what caused this change, but it seems likely that Akiho’s mother was the catalyst for this.

·         He is part of a very powerful group of magicians called as we know it ‘The Association’ and is revered as one of its most powerful with the title ‘D’. He recently betrayed them and left, taking Akiho with him.

·         He protects and seems to care for Akiho

·         He is preparing for an event labeled as “that time” and needs Sakura to create a specific card.

·         He is putting himself in extreme physical danger for his goals, seemingly for Akiho’s sake.

·         He has been noted as always smiling to ‘hide his pain’.

 So when I look at all of these facts about Kaito, I noticed something interesting. Syaoran too could be described by almost all of these things. You might think “Wait a minute Chrissy! Kaito and Syaoran are nothing alike!”, but please hear me out.

Syaoran too was born gifted with incredible magic. He also draws his power from the moon (a connection that has already been pointed out by CLAMP) and has a knack for household skills as well, being very independent from a young age. Like Kaito, he was cold hearted in his earlier years, preferred to be alone (according to Meiling in the original 90’s anime in episode 43), and had a drastic change in personality later on, particularly after meeting Sakura. Syaoran is part of a very powerful group of magicians as well, the Li clan, and is one of the strongest within it and destined to be the next leader. Similarly, Syaoran too is preparing for some kind of event, a future seen by his mother, and is doing everything to prevent this, even if it causes him physical harm (as we’ve seen with him struggling to conjure the Sakura cards). In order to keep Sakura in the dark as to not worry her, he has been using a smile to ‘hide his pain’.

Now you may be wondering “Okay, so they have a few things in common, but they are still completely different!”. And you would be right. They are two completely different people after all, but try to think of them as two sides of the same coin. This beckons another question: How did two people who are so similar turn out so differently?

This is really where their differences in personality shine through, but part of it I believe is due to their backgrounds as well. For example, Kaito was picked up by the Association at a young age due to his skills with magic and was taken in to “use that magical power to accomplish their own tasks”. Based on their record of not having a great reputation, according to Eriol, and their treatment of Akiho by assisting her Clan in turning her into a magical device, it seems likely that Kaito was not treated kindly by anyone in the Association. In fact, he was probably left alone nearly all of the time unless his strengths were needed, and took care of himself in the remainder of that time. He was surrounded by people but still completely alone, and he preferred to be this way. This cold background of his really prevented him from being able to open up his heart to anyone. But he does seem to be much different around Akiho.

Syaoran, on the other hand, was surrounded by loving and caring family members. Although he preferred to be alone in his earlier years, he wasn’t actually alone at all. His mother was protective of him (like cutting his hair until he was strong enough to protect himself from things like scissors near his neck), and his sisters adored him and undoubtedly showered him with love at every opportunity. But even with that love from them, he was still somewhat cold hearted (though not as much as Kaito) until he met Sakura.

Their backgrounds do differ from each other, but I think the biggest difference in them of all is how they handle their feelings. When Syaoran first started to realize his feelings for Sakura, he struggled quite a bit and was in a great amount of denial, even physically running away at times when confronted with them. It was when he finally came to terms with his heart and confessed his feelings to Sakura that he underwent a great change and became the Syaoran we know today.

So what about Kaito?

Well, Kaito I believe is in that same stage of denial where he is refusing to come to terms with his feelings, whatever those may be. It’s clear that he cares about Akiho, but when she or Momo try to have a serious discussion with him or get him to talk about those feelings, he goes out of his way to change the subject (or once with Momo, actually fled at the first opportunity, which is just like Syaoran used to do!). It is something he is clearly uncomfortable with, and I think that is because it is unfamiliar territory for him. He is used to not feeling anything at all, so having to actually think about his feelings and reasons for doing things is unbearably frightening. He can handle any magical opponent any day (except Sakura of course), but being open and honest about his feelings? That’s another battle entirely that he doesn’t know how to handle without his magic to use as a crutch.

Momo mentioned in chapter 39 how Kaito had made a great deal of changes, all so that Akiho could live comfortably and pleaded internally “peer deep inside your heart. And don’t avert your eyes”. This was said again in chapter 51 when she stated “I implore you Yuna D. Kaito. Listen…to your heart”.

In the very next chapter, it is none other than Syaoran who has a discussion with Sakura about how his mother had told him “If you possess great magic power…when you feel pounding and stirring in your chest…you shouldn’t ignore it. You need to listen to your intuition. I think that goes for everyone, magic or no magic. I don’t think anyone should turn a blind eye to their own heart”. We also know that in that same conversation with his mother, thanks to the mini chapter provided with the special edition of volume 9, that Yelan said to him then “If there’s something you want to accomplish, then training with your spells is surely important, but...more than anything else, you have to face your heart”. She went on to tell him how important it was to listen to his heart and that “If you lie to yourself, you will sadden the person who loves you so dearly”. 

And that, my friends, is the major reason for Syaoran and Kaito being so different despite their many similarities. One listens to his heart while the other adamantly turns away from it. This leads me to my next topic (thank you for anyone who has read this long into it. I appreciate it!), and that is in regards to Kaito’s feelings about Syaoran.

I have noticed that Kaito in general tends to act quite differently in regards to Syaoran than he does anyone else. It starts at the very first time they met, when they made their introductions. Despite working so diligently to keep himself hidden from Akiho and Sakura, he did the complete opposite with Syaoran. He had to have known that being able to sense his magic and being given his name and title, that Syaoran would go and research who he was. He wanted Syaoran in particular to know who he was, which I believe is also why he allowed him to speak with Eriol initially. I say allowed, because we know he clearly had the potential to cut off communications at any point in time, and he only stepped in to shut this down when Eriol started talking to the others (Kero and Yue). He clearly wanted to control what information people knew about him, and Eriol crossed a line. He also put spells on Syaoran that would not allow him to communicate with others about him, so again showing he wanted him to know about him, but not to be able to tell anyone else about him, especially Sakura.

Another occasion I found intriguing was chapter 34 in the scene with the pool. Kaito stopped time, but for some reason, allowed Syaoran to move freely as well. Why is this? He could have easily frozen Syaoran too, but he made a conscious decision to allow Syaoran to move.

Then we come to perhaps the most telling scene so far, which is the battle he and Syaoran had in chapter 41 and 42. In a moment where he could have easily stopped time and rewound so that Syaoran never approached him, he instead decided to have a full discussion with him and even go as far as to engage in battle with him in stopped time. In this ‘discussion’, he stated several facts that he knew about Syaoran, who was pointedly not responding to them and seemed solely focused on Sakura. Some of the details about him were probably common knowledge to the magical world, but some of them seemed oddly personal, such as him being a ‘diligent student’, as if to show he had been watching him for quite some time.

Something about the interaction was different than others. It was as if he was observing Syaoran in that moment to see how he would react to hearing certain things. He then mentioned after seeing Syaoran use the Sakura cards how rewriting a contract once written takes a toll on even the strongest magician and he said “Is this all…for Sakura too?”. I think what he was trying to say here is that he recognizes the efforts he’s making for Sakura and may even feel a connection to him because of his own efforts for his own wish.

In chapter 42, continuing on with this conversation, Kaito seemed ready to turn back time the moment he realized they were no longer alone and that Sakura was able to move, but he still had more to say. Syaoran reacted to Sakura calling out for him, and it was at this moment that Kaito said “You certainly are honest, aren’t you? One look at your face, and I know exactly what you’re thinking” (even Eriol made several comments about Syaoran’s honesty in the original series). Once again, he’s showing here that he’s observing Syaoran, but why? For what reason does he bring this up? I think he says this because it is something so foreign to him and fascinates him. Kaito is so used to hiding his feelings and being unable to express them, but Syaoran is the complete opposite in the fact that he can so easily show his feelings and it is not his nature to conceal them. Kaito followed this by bringing up that Syaoran had suppressed that honesty when he came to Japan, which we know was through his fake smiles (something he is all too familiar with). Yue also said to Syaoran in chapter 27 that he had been hiding behind a smile and ordinarily was much more unrestrained in how he expressed his emotions, no matter what that emotion may be.

I wonder if Kaito said this because he wondered “how is it that he’s able to be so honest?” or maybe he was trying to show that he understood his reasons for hiding behind a smile, pointing out the similarities between them; that they were not so different despite having different goals. Kaito’s next comment in particular is probably what caught my attention the most. He divulged the detail about how Syaoran suppressed his honesty particularly to try and prevent the future that his mother saw. Even Syaoran seemed surprised by this, and he had good reason to be! This was likely a very personal moment, one he hasn’t even told Sakura about yet, and this implies that he might have been there when this particular moment happened. It makes sense too, considering Akiho had stated in her very first appearance that she was in Hong Kong just before coming to Japan, meaning she and Kaito were certainly there at the same time Syaoran was, at least for a brief time. This means he probably saw all the effort he was putting in for Sakura’s sake and maybe this resonated with him. I think maybe he also saw how his older sisters, even though they had no magic of their own, are treated with respect in the Li clan, unlike Akiho with her own. Kaito has only ever known a world where those who are strong are used and those who are weak are deemed worthless (like Akiho), but yet Syaoran lives in a world where both live harmoniously. Sakura’s world in Tomoeda is the same as well and filled with kindness, far different from any other experience Kaito has had, and this must have been quite the culture shock! But more importantly, Syaoran and Sakura have all the things that he and Akiho never had.

Another interesting thing to note here is that Kaito was supposedly expelled from the association about a year ago due to stealing a powerful magical instrument that was forbidden to be taken (which we now know to be Akiho herself). And guess what else happened about a year ago? About a year ago, Syaoran went back to Hong Kong to handle his ‘important things’. Coincidence? Well, famously CLAMP series often say there is no such thing as coincidence...only hitsuzen. 

Just as he is about to send another attack at Syaoran, he talks about how he and Syaoran both do not have the power of divination, but that “it is for the strong to decide…what the future holds in store for us all”. I think what he meant here is “Neither of us know how this is going to turn out, but the both of us are working hard for our own goals, so may the best man win”. However, before he could go any further, Sakura used TRANSFER to switch places, and he is both surprised by this, but quite quickly decides to end things and rewind time at this moment, indicating that he had not really wanted to engage with Sakura at all at this point in time. He had even stated at the beginning of chapter 42 that he had intended to keep her frozen and only have Syaoran able to move, meaning this whole situation had only been kept going for this long so that he could talk to Syaoran.

After rewinding time and talking to Akiho later that evening, he mentioned how Parent’s day was “quite illuminating”. This could have been said about his newfound knowledge of Fujitaka, but I also believe he learned quite a bit from Syaoran as well.

Now we finally get to the more recent chapters, like 54 and 55. While sitting together at the botanical garden, Kaito puts yet another spell on Syaoran to force him to smile against his will to avoid any suspicion. I feel like this was not just to keep the peace but also somewhat of a way to toy with and tease Syaoran. What better way to get under the skin of someone so honest and open with their feelings than to force them to hide these under a smile unwillingly? I think this was the mischievous side of Kaito showing and almost like a big brother teasing a little brother, but unfortunately for him, he pushed things too far with this, and not only did Sakura notice something was wrong, but this allowed the spell to be broken, and Syaoran wasted absolutely zero time saying the things he had been suppressed in saying before.

Cue to chapter 55, our most recent chapter. Sakura has managed to keep herself from being frozen in time, and she starts off with a few basic questions. The first one was if he knew about her being able to use cards. Kaito answered simply “Yes”. But when asked about if he knew about Syaoran, he gave two very specific details about him, particularly that he knew he was a gifted sorcerer and that he was the next head of the Li clan”. He could have just answered yes, the same way he responded in regards to Sakura, but instead he seems to have wanted Sakura to know in that moment that he knows a lot of information about Syaoran and not just that he can use magic. The two then exchange meaningful looks, and it’s right after this that she looks over to Syaoran and Akiho, looking almost worried. Now, it’s not clear what they were both thinking in this moment, and it’s possible that I am overthinking this one, but I find it fascinating that his answer was so detailed here, and I don’t feel like that was for nothing. Ohkawa has always been very thoughtful about the words she writes in her scripts, and I think this is no exception.

Anyways, I feel like we’ll get more definitive answers in the future, but I’m incredibly intrigued to see if there are any further and more concrete connections between them. I feel like CLAMP has done quite a bit to point out similarities between the two, and it should be a wild ride from here on out!!

[bookofmirth]

And Rhysand did a lot of shitty things to Feyre while believing they were mates before it was confirmed, but it was done to protect her so I guess that makes it okay. And Rowan and Aelin may have been in a bad place, but that still doesn’t excuse their actions toward one another and how it’s just brushed away because they were both hurting all the time. By that logic, shouldn’t Tamlin be forgiven then? He was in a bad place after Under The Mountain as was Feyre, but neither one of them bothered to communicate that to each other. He genuinely thought he was protecting her, the way he did when he sent away in ACOTAR, except this time he trying to ensure she wouldn’t show up in the dangerous place she shouldn’t have been like in ACOTAR. (I’m not excusing Tamlin, by the way. He’s a terrible romantic interest and has been since the first book, I’m just giving perspective for why I don’t understand your post.)

I don't think that they were trying to excuse their actions to one another, though. They moved past those things, through a lot of work and learning about each other. At least that's true for rowaelin - with feysand, I don't think that Feyre ever saw those actions as harmful once they had passed. She never puts thought into him hurting her arm or drugging her because by the time we get to chapter 54 and his confession, she's completely sympathetic to his experience, knowing that she was his mate and watching her nearly marry someone else, etc. The drugging thing is something that I know the fandom has debated since it happened, and there is no good reason for it other than if Feyre accepts it, then the reader is supposed to follow her lead. However...

If we, as readers, don't find their forgiveness of each other realistic, then sjm has failed on that level, at least for those readers.

When I first started stalking tumblr for rowaelin fanart, there was a LOT of anti rowaelin discourse for the same reasons that you are stating. And now, there is anti feysand discourse, maybe because of him hiding the pregnancy from her? I refuse to accept acosf Rhysand as the same person as acomaf Rhysand. Him not telling her about that is so ooc and counter to literally everything he stood for to that point, that I just... cannot fucking deal with that. And it does have the same "I'm doing this for your own good" rational, which makes it gross. This is why I, and a lot of people I've spoken with, really really really would love to have a scene where she rips him a new asshole.

I lost my train of thought!

The thing with Tamlin is that he might not have intended to be manipulative or abusive, but he still was. There doesn't have to be intent behind it. I don't know if any abuser thinks consciously to themselves: "I'm going to manipulate and gaslight and abuse the fuck out of my partner, and then say it's just because I worry about them!" But the impact of his actions were still harmful, either way.

And the thing is, Feyre did forgive Tamlin! At the end of acowar he helps save Rhys's life, and he tells her to be happy. She wishes him the same in a note, and moves on. Personally, I don't think that calling Tamlin abusive in acotar/maf means we don't forgive him because 1) he literally was abusive then, and 2) he's not real and doesn't need our forgiveness.

@aelin-godkiller added on to the other post about rowaelin and how there is a difference between people who have a responsibility towards each other (like a romantic partner or family member) and people who don't. At the time that Rowan and Aelin were treating each other that way, they had no close ties to one another, no trust to abuse, no mutual understanding of caring. It's not an excuse, just an important distinction between where they started, and where they ended up.

I do understand why people might see this thoughtless aggression as a positive (I mean who wouldn't want someone to rip the world apart to defend you?) but these arguments tend to be to support a specific ship, and go something like:

1) Azriel went "feral" when Elain was taken (ignoring the fact that he wasn't "feral" at all until Nesta said he would die, and he wasn't the first person to notice her missing or to volunteer to get her back) and he wanted to "protect" her from the trove despite the fact that she openly voiced her desire to help in front of him and fought with her sisters over it, which again he witnessed, therefore "mate behavior". And then that is compared with...

2) the fact that Lucien actually respects Elain's wishes by leaving Greysen alive and gives her space to work things out means he doesn't care, so they must not be mates because he doesn't lose his shit and completely ignore what she wants. Lucien doesn't do things that go against Elain's wishes, so... that means he doesn't actually care enough? What the fuck???

That argument is so fucked up imho!!!! Disrespecting someone's wishes isn't romantic! Respecting someone's wishes enough that you back away is actually caring! Trying to paint it the other way around is troubling to me! And it's not accurate when we have so many examples in the series of dudes who do back down, or do support their mate when asked to. It's not nearly as black and white as that.

Sorry this response got long, there's a lot to unpack 😂 I think what it comes down to is that the mating bond is one type of magic, but the way that each character reacts to it is different because they have different personalities! And their relationships with their mates are different. I hate the phrase "mate behavior" because it paints all of the characters, especially the dudes, with the same exact broad brush. There is no one "mate behavior".

[stitch1830]

CHARACTER DESCRIPTION: KANTO

So this is a character description for the character Kanto that @precious-metal-girl and I created for AUs where he is in a loving and committed relationship with Toph Beifong. Part of this is to help me keep track of all of his features and personality traits, and if others are looking to write about Kanto but aren't sure about how to describe him, feel free to pick and choose characteristics that meet your AU needs! This will (hopefully) be a living document where characteristics are added and changed over time. If you are curious about our AUs or want to know about a particular trait/personality, feel free to ask us questions!

......

Born: ~88/89 AG (summer)

Residence: Republic City

Hair Color: Black

Eye Color: Green

Element: Earthbending/Metalbending

Occupation: Deputy for the Republic City Police Department, Metalbender Division

Nicknames: Hotshot, Dep (short for Deputy), Slick, Botany Boy, Pretty Boy, Metalbrain, Metalhead, Rockhead, K, My Rock

Relationship: Toph Beifong

Background:

Kanto grew up near one of the Fire Nation colonies close to what is Republic City today (part of the reason why his name has FN influence). His father took many different jobs and tried to avoid fighting in the war as long as possible so he could stay with his family, while his mother was a seamstress for the town. Often, he would help his mother sew clothes, and because of that he was pretty crafty and good with his hands. He lost his parents at age 7; old enough to remember them and his childhood, but all the memories are pretty blurry.

What he does remember is that his family was pretty poor, but they always had something to laugh about.

He loved learning new skills with his dad, and had his mom read the same two books they had every single night. And one thing he always remembers is eating together as a family.

His parents died either in an accident for rebelling against a FN rule (maybe the FN wanted to take Kanto away for being an earthbender), or from protecting Kanto in general.

Kanto was always pretty feisty as a boy, pushing people’s buttons and egging people on. It only got worse when his parents died because he pushed buttons out of anger now.

He also had a lot of friends, but after, he didn’t talk to anyone for a while because he ran away. Most of his fighting skills were learned while on the run, he never got any formal training until he went to the metalbending academy (maybe 17 or 18? Toph managed a different part of the academy so she didn’t know him. That or he went to a different academy branch entirely).

One thing he remembers is that he was happiest with his family, so he cherishes the idea of a happy family unit, and he constantly searched for something that made him feel close to that happiness.

Personality:

The first impression people get of Kanto is that he is a no-good, arrogant, bad boy. He acts as if he’s the coolest person in town and always has something sassy to say in response. More than half of the words that come out of Kanto’s mouth are flirtatious and sarcastic, a combination that initially drives Toph Beifong crazy.

But in reality, Kanto is an extremely loyal man who’s rather selfless, putting himself in harm’s way so no one else has to. His initial personality is a front to protect himself so that he doesn’t befriend anyone too much, because he knows what it’s like to love people and lose them. He hated how he felt when he was orphaned and never wanted to feel that way again.

When his facade finally cracks with Toph and she sees the real him, he’s actually… a dork.

He’s got a very goofy personality, he gets excited about little things, and his passions do not necessarily align with his looks and his first impression. When he loves people, he does so with his full heart, but again, he’s hesitant to do so with many… His family are essentially the only ones that see him this way.

Looks:

Kanto is most certainly a hunk. He’s got a similar skin complexion to Toph, thick and wavy (borderline curly) black hair (Toph loves playing with it), broad chest and shoulders (a fit and toned body overall), a mischievous, slightly crooked grin (left corner turns up higher than the right) that makes all the women of RC swoon, a crooked nose from being punched in the face one too many times, and classic earthbender green eyes. He’s also pretty tall, that’s where Lin gets her height from, well over a head taller than Toph And despite being an earthbender, his hands and fingers are actually rather long and nimble. Some popular fanart interpretations of Kanto can be found here and here and here and here and here.

Interests:

Kanto likes flowers, he often brings new ones home (especially when he’s with Toph) so he can teach her about its qualities and so they have a nice and natural floral scent in their home. He’s obsessed with pro bending like Toph, and often will attend matches with her. Astronomy and biology are also interests of his. Toph and Kanto also have a cool rock collection, both are trying to best each other to find the coolest one. Kanto reads science fiction novels to Toph in their downtime and he’ll play the guitar or pipa.

Fears:

Kanto is afraid of bugs, he doesn’t care for large fires that can get out of control, and big animals make him nervous at first contact. When Lin’s in the picture, he freaks out when there are too many sharp corners in one place. He’s always afraid she’s gonna fall and hit her head. Kanto also doesn’t like those rip tides or currents in oceans/large bodies of water.

Some of his deeper level fears include losing his family. He cannot stand the idea of losing Lin or Toph, especially if the reason they are missing or gone is because of him. He’s lost his family before, and he’ll be damned if he loses them again.

Flaws:

A lot of his flaws stem from his stubbornness and confidence. He’s arrogant, overconfident, prideful, and impatient. He knows he’s good at his job and he’s not afraid to talk about his skills and talents, and unless he’s working specifically with Toph, he assumes he’s the best for the job.

He’s flirty, sarcastic, reckless, and a bit of a slob (just his home, he keeps a clean appearance). Kanto’s constantly ragging on coworkers, has comments for days, and it’s rare for him to speak in a serious tone while on the job. Just doesn’t happen.

He’s protective, reckless, a troublemaker, skeptical, and vengeful. When he actually finds love and has a family, he is extremely protective, to the point where if criminals threaten his family, he’s not afraid to take the law into his own hands to eradicate the problem. One of these would be his fatal flaw, maybe vengeful? His vengeful tendency could be from a need to retaliate to protect his family from a threat, and that ultimately may take him down.

His flaws mainly seem to come from his overconfident front that he gives to the world. He doesn’t let too many in, or, he lets people in, but they don’t see the real him. Kanto doesn’t trust people right away, but it’s easy to get along with everyone if you just have this confident and charismatic face on. But his ‘face’ seeped into his actual personality, so there are times when he shouldn’t blurt out the first stupid comment in his head, but he does.

Gaang First Impressions:

Aang: He’s always extremely happy and excited to meet new partners, so he was thrilled to meet Kanto. They definitely don’t see eye-to-eye on a lot of things, but Aang is great at being friends with everyone despite the differences, so there’s no animosity.

Katara: She’s skeptical at first, because Kanto acts like a douche and has a bad boy persona. Katara just doesn’t want to see Toph get hurt, so she interrogates the man a bit (a lot), but even though the things he says concern her, he’s a gentleman to Toph, very attentive to her needs. So, maybe he’s not so bad… Later on, she knows the bad boy look was all a facade and that Kanto is a sweetheart, and she grows to really like Kanto.

Zuko: He gives Kanto a very cold shoulder at first. He’s very protective of Toph because he thinks of her as a little sister. So, he crosses his arms, glares a bit, and Kanto glares back because that’s what he does at first. But then, they start going on double dates, and Zuko and Kanto turn out to have a lot more in common than they realize. They’re buddies now!

Sokka: Sokka’s attitude really depends on ship preference with him, but in most HC’s, he’s Toph’s best friend, so he would also be distant with Kanto. He wouldn’t like how cocky he is, or that he’s super tall and talented at many things… he’s not a fan. However, Toph is always super happy around Kanto, he makes her laugh, and no one is allowed to insult Toph without an ass whooping from both Kanto and Toph, so, he warms up to the guy. He’s been seen buying Kanto a beer after a long day of work as a truce, and he often goes to Kanto if he needs police paper signed and expedited (Kanto does the same with Sokka, it evens out).

Suki: Suki is pretty chill about it all. She’s pretty perceptive about personalities and whatnot, and she can detect a bit of a bad boy mask. So, she treats the introduction casually and is super cordial with Kanto. They never become best friends or anything, but she was one of his first “allies” in the Gaang, and for that he is forever grateful.

Other Facts:

His mannerisms are that he walks with a slow swagger. Often the slowest of the group, he takes his time whenever he walks places. But don’t let that fool you—he can sprint really fast. He leans back in almost all of his chairs, sometimes he leans too far back. Kanto was a notorious manspreader when he would sit down, but since being with Toph, she put a stop to that instantly. When he’s restless, he bounces his leg a lot, and usually only stops if Toph reminds him (usually a hand to his leg to calm him down). Kanto also runs his hand through his hair a ton to either push it off his face, or just on instinct. He fidgets with his hands, too, Toph does as well. Usually, the two will hold hands or play with each other’s fingers to ‘remedy’ their nervous tick. In extremely stressful situations (like an AU where Lin is kidnapped), Kanto usually throws up and doesn’t sleep at all.

Kanto’s voice is a mix of a rural and city accent, once Republic City becomes prominent. He uses slang in his speech often and mainly uses city words (he picked up a lot of city lingo when interacting with criminals and undercover work back in the day). There are a few words and phrases from his childhood that he uses that scream ‘rural kid’ and that is mainly when the distinction in his accent and speech is picked up. His voice is smooth and deep when he casually talks. When he yells, it becomes a bit gravelly and husky sounding. Oddly enough, when he whispers, the same thing happens.

Kanto smells like the earth or something with a forestry scent (cedar comes to mind). He wears cologne, and the scents he usually goes for are ones that smell like earth, wood, or resin. Kanto likes wearing cologne, but he can’t put too much on, otherwise it bothers Toph’s nose, and he typically checks to see which ones Toph likes, and he’ll purchase that cologne again because he knows she likes the smell. He naturally smells a bit like metal and dirt and a bit of smoke (he was a casual smoker before he had Lin). All these scents are not prominent, but by the end of the day, these are the scents that can usually be detected.

Some of his pet peeves include fake apologies, when people kick or shake the chair he is sitting in, any slightly insulting remark toward Toph, close talkers, people that interrupt frequently, and those that correct his grammar.

Kanto canonically only has one daughter, Lin. In this AU, he’s a loving and committed father who emphasizes putting his family first and protecting them. He doted and hovered over Toph while she was pregnant, cried tears of joy when Lin was born, and is very attentive and caring toward Lin. He’s the one that soothes her when she cries out at night, he’ll get up in the morning with her so Toph can sleep in, and when he comes home from work, he smothers her in kisses and gives her raspberries on the belly (affectionate). Even as a baby, Lin was a Daddy’s girl and Kanto spoiled her as much as possible.

In the relatively canon compliant AU, Kanto dies when Lin is about 6 months old. He left for work, had a run-in with a bloodbender (or an accident on the job), and never returned home. On the day of his death, Kanto planned on proposing to Toph, but never got the chance.

Lin knew about her father growing up, but he wasn’t talked about often because it is a touchy subject for Toph (and for most that knew him well). On her 13th birthday, Lin receives the engagement ring on a necklace, along with a handwritten letter from Kanto.

There are many AUs and headcanons related to where he lives, but those are very fluid and change all the time!

[fictionalnormalcy]

One of my favorite things about the HTTYD franchise is how well they showed the protective bond between Hiccup and Toothless. Proving without a shadow of a doubt that they would sacrifice their lives for each other.

The first instance I can think of them trying to protect one another was when Toothless heard Hiccup’s scream from the Dragon Arena all the way to the cove when the Monstrous Nightmare went rogue. He escaped the cove for the first time without need of the tail, his single motivation to go save Hiccup. And even after he’d gotten the Nightmare to back down and Vikings started entering the arena and heading toward him and Hiccup, he didn’t back down. I think of that scene, where he batted aside every Viking that came toward him in attempt of attack. Ignoring Hiccup’s cries to leave while he could. What I’m inclined to believe, is that Toothless wasn’t doing it for his own defense. He had come to the arena seeing that Hiccup was about to be attacked by the Nightmare. And with the Vikings also coming toward them, it didn’t dawn on him that they assessed him, the dragon, as a threat. He thought they were additional threats against Hiccup.

Then there were other instances as well. In Riders of Berk where Hiccup tells Alvin, “I’ll die before I talk.” in the episode Family Matters Pt. 2. Later in Race to the Edge, episode Enemy of my Enemy, where Hiccup is willing to take a brand to the neck, or face (wouldn’t have been kid friendly had it happened), to keep Toothless’ location secret. Coincidentally he even says the same line as he did in RoB in this episode as well. Another in HTTYD 2 where Valka is slowly approaching and the two of them are backing up, Hiccup’s hand on Toothless’ back and Toothless’ tail slowly coiling around Hiccup.

However, I’ve now started thinking there was a moment that came before all of these. Even before the arena. All right so HTTYD 1. The scene where Astrid discovers how Hiccup truly got better in dragon training.

I started analyzing this scene because of a fanart I saw where Hiccup hadn’t managed to stop Toothless from attacking Astrid, and it got me thinking.

Hiccup’s distracted when he enters the cove, already with a bag packed and the harness on his torso. He tells Toothless they’re taking a vacation, and it’s the sound of Astrid running a rock across the blade of her ax that makes him realize there’s someone else there, other than a Night Fury. She starts interrogating him, grabbing him and pushing him around. She throws him to the ground, hearing branches snapping in the distance. Stepping on Hiccup to see what was over there. He tries to distract her, and she twists his arm and lets him fall to the ground. Letting the edge of the handle of the ax pound into his stomach, hears a screech, and sees Toothless racing toward the two of them. She shouts for Hiccup to run, and instead Hiccup throws the both of them to the ground, barely pushing the ax away and holding his hands upward to keep the dragon at bay.

Imma backtrack here. Astrid must have found out beforehand that Hiccup made his way to the cove after their lessons. We did see that she tried following him but he wound up disappearing. She must’ve eventually seen him coming out of the cove and figured that was where he went, but she never saw the Night Fury there. Then comes the last lesson, and Hiccup is chosen over Astrid to kill the Monstrous Nightmare. She decides to confront him, and knowing he would go to the cove, made her way down there while Hiccup gathered his things to run away. There she lay in wait until Hiccup inevitably showed up.

Toothless must have noticed she was there. Saw that she was armed. It seems rather illogical to me that Astrid arrived only moments before Hiccup, and plopped herself on that rock so she’d look intimidating once he finally noticed her. I mean, Toothless has keen senses. He was able to tell when Hiccup was watching him, the moment a bird set flight, he would’ve been able to tell that someone besides the little brown-haired human had entered his temporary home. But why he didn’t attack the moment he could see she had a weapon? She wasn’t presenting herself as a threat. Might’ve chosen a spot and not moved. Different from Hiccup since he began to approach Toothless those months prior, holding a fish out but carrying a hidden dagger that he didn’t intend to use.

Toothless stayed out of sight, so he wouldn’t give her a reason to raise a weapon toward him. Maybe he also thought that Hiccup had brought company and would soon be along. Because he didn’t come out into the open, until Hiccup’s voice let him know he’d arrived. From Toothless’ point of view, he saw this: “All right bud, let’s pack up, we’re taking a little vacation, forever.” He comes out of his spot, starting to head toward the two of them. Seeing the blonde girl jump down from the rock, having startled Hiccup. He’s trying to evade her, but she continues to approach, interrogating him. Then lays a hand on Hiccup and lifts him into the air. Toothless jumps down from his hiding spot, and the blonde turns her head in his direction, not able to see him. Starting to head to where she heard the song, and Hiccup rushing to intercept. Then the blonde twists his arm, and lets him fall to the ground. Kicking him and then letting her weapon hit him.

Toothless came to see Astrid wasn’t a friendly, and came with intent of hurting Hiccup. He couldn’t let that happen, and the moment he knows Astrid’s spotted him she sends Hiccup down to the ground once again. That’s when he came charging toward her and Hiccup, and he would take down the threat who had hurt the human he had become so close to. And he wasn’t given the chance.

Hiccup managed to rise from the ground before Astrid could swing her weapon, keeping Toothless from being hurt in his charge, and threw her weapon before holding his hands upward, keeping Toothless at bay as he continued trying to get at Astrid. Hiccup telling Toothless and Astrid simultaneously, “It’s okay, it’s okay”. He had to tell Toothless she wasn’t a threat so he wouldn’t continue trying to attack her. But even after they’d both calmed down somewhat, Toothless growls at Astrid. Sure she was no longer a threat, but he clearly didn’t like how she treated Hiccup.

That protective instinct was there from that moment. Toothless couldn’t have known why Astrid was there, out of sheer jealously and a small drive for revenge. Hiccup just knew he’d been caught, and didn’t want Astrid to find out about Toothless. Toothless saw it as someone coming to attack him and he was coming to his defense. Like, “You’ll pay for having hurt my human!” In that same instant, Hiccup didn’t want Astrid to be killed because Toothless had seen her as a threat.

Like I said, it’s my favorite element of the franchise.

[vampiremeerkat]

This is not a request just a question: Have you ever thought of doing art on the Disney version of hades & persephone? I know in the hercules show they never had her show up (and from what I read they were going to change her to being hades & demeter's daughter, and they were in a custody battle). I guess they had a hard time trying to work her in. Though I'm sure you could've made the story of the two work, evil guys & sweet gals is something you're good at writing.

I have not, I don't think I've ever drawn Hercules fanart. Maybe a few sketches attempting Meg back in early high school. Why make Persephone his daughter. There are multiple Greek characters argued to be his offspring, they could've gone with any of them. Though Hades wished to marry one of the incest children of his incestuously conceived brother, because triple incest is even cooler, I wouldn't deviate too much from Persephone's initial role as his love interest. I think their monogamous relationship, especially in contrast with how that whore Zeus lived his life, is the one element that drives people to put the two names together in the first place. But well, daughter or wife, scrapping Persephone was for the best. Hercules is about Hercules, not Hades and his family life. Anyway, you're probably not even asking me how I'd make it work in the original movie, rather as a stand-alone story. Not that you explicitly asked anything at all. I'd cut Persephone off from Zeus and his sister wife, and make her a mortal woman, one described to be flawless and pure of heart and mind. The kind of person any god would love to have as a sacrifice. Having that said, her soul is unknowingly sold to Hades by her father to save his deathly ill wife. While minding her own business, she's suddenly dragged into the underworld and told the news. Having learned from Meg, Hades no longer sees the benefit of keeping feeble, grieving humans around as servants and contemplates kicking her down the soul pit right away, but the differences between Persephone and Meg are quickly picked up on. Unlike Meg, Persephone hasn't given him one resentful look, and her silent defeatist mentality has him take pity on the foo'. And she's hypotizingly beautiful, that helps, why not. Anyway, Hades "cheers her up" by letting her be his replacement Meg, opposed to an immobilized spirit in a gooey lake, but he finds himself increasingly unwilling to give her chores -mainly those that are bound to humiliate her or risk her safety. She's too honest and not bold enough, you can't send her to swoon a giant centaur. The fact Hades even cares is the dilemma; he never had to contemplate whether something was inappropriate with the headstrong Meg, though he excuses his reluctance as not wanting the jobs to be half-assed. He feels charmed by Persephone's patience and tolerance for him, which is more than what anyone's ever graced him with. She shows understanding for his discontentedness and feels for the way he's being treated by humans and gods, since no one likes death, after all. One of her biggest compliments to him would be the fact how comedic and animated he is for a god of death, which would make the underworld a surprisingly fun place if he'd allow the dead to fade away whilst experiencing the same joy he brings her. Hades is perplexed to learn he brought her joy this entire time, since he was set on being her intimidating boss. Throughout the story, Hades still has his eyes on Hercules, who's claimed -and has continued to be- the one thing that prevents a successful future for him. The oracles give him a new, vague prediction that introduces the existence of a star, which has to keep on shining if he wants the guarantee he'll receive a gratifying life. Hades keeps his sights on the night time sky in order to protect this supposedly fragile star when it shows up. Meanwhile, Persephone's mother is looking for a way to find and save her daughter, which ironically worsens her health. She dies during her strenuous journey, and when her soul enters the underworld, Hades recognizes her and has to make the decision whether to spare this woman a second time, or to admit her time ran out months ago. While he's thinking it over, Persephone shows up, but doesn't make her presence known. Hades sends the soul back to the land of the living, and the spying Persephone becomes instantly smitten by him over it. She never tells him she watched him do this, though, and there isn't much else she says or does to express her changed feelings, since she was already being nice to him and doesn't know how to take the next step. As for the main conflict.. I guess it would be the other gods learning Hades has a human girl for a slave, since he proudly "shows her off" by having her wait for him outside the borders of whatever divine area he's visiting. Perhaps he mentions her as well, but then it was believed he was talking about a goddess. Hercules feels most offended and plans to save Persephone, and since Hades already has beef with him, sees no problem in trying to kill him for barging into his domain again. He sends everything he has Hercules' way, but he perseveres. When Hercules makes it clear to have come for Persephone, Hades calls him a womanizer, because yo, and contemplates using her as a bargaining chip/trap. This would involve killing Persephone in order to kill him. Hercules expresses willingness to take dangerous risks if it entails saving a life, making it appealing for Hades to go through with it, but he can't, because Persephone is his girl. Hercules sees his chance and beats him to a pulp, but Persephone intervenes and exclaims not to be in danger. He's a bit skeptical over her acceptance of the villain, but chooses to believe her and withdraws. Hades learns she's the prophesied star he needed to spare, or some sappy shait. As for the ending, it's made clear it's not healthy for mortal beings to live in the underworld, so she and Hades agree to do (mostly) scheduled visitations. He fires her from being his servant and she reunites with her mother and remorseful father. I'll give the original mythology a little twist; where Spring and Summer-like days are the moments she's staying with Hades, while colder days signal her return home, caused by Hades' stage 3 depression. Not that it matters much, I suppose, Hades should be able to visit her as well, but I imagine the man is busy.

[saintprivateer]

I understand the ideas behind the zemenipearls post but can we not just have a nice fictional world? It’s not like the Kerch are made out to be a great nation of saintly people, it’s all fantasy for a reason. I won’t get started on their posts about my girl Nina and my dude Nikolai 😒

Okay... there’s a lot of ground to cover here so boot up cowhand I wrote a LOT

No matter how unlike-this-world a fantasy universe seems, it was still crafted by a real human who IS a part of this world. And humans put their own beliefs and experiences into their stories as the foundation for how ideal/ not-ideal they want the au to be. We use the environment around us as a stepping stone for our stories, and this DOUBLES if the author is saying “This World Is Not Like Ours At All”. The question authors answer of “What exactly is this au not like?” Rounds back to the place we are trying to distance ourselves from, because that is what this au is “not like.” And most often, authors craft these fantasy universes and bring the reader into a whole new world only to go back to a REAL theme of “This World Is Actually More Like Yours Than You Think.” Because that’s usually the entire point. We like fantasy because we want to see our nature mirrored in worlds unlike ours. We love that people can fly and cast spells, but we REALLY love when they’re as human as us in behavior/interests/ actions.

All that’s to say: you can’t actually write a racism-free world if you’ve never experienced a racism-free world. The ideals we want to portray will still be flawed and not 100% ideal, because the notion we have OF this ideal is fundamentally flawed. ESPECIALLY if we are still unlearning our own fallacies to these ideals. Grishaverse has anti-blackness threaded in the pages because there is anti-blackness on Earth and anti-black fallacies in the ideals Leigh Bardugo has internalized (like any other white person). If we can acknowledge the argument that meanings can be found in stories/art whether it was intended or not, then we have to acknowledge Leigh Bardugo wrote in her own prejudice or anti-black ideals into the grishaverse, whether intended or not. She wanted to write a story removed from the racism we know, and that in of itself isn’t a bad thing to imagine. But she still wrote tropes actively harmful to the minorities they represent.

“Why do you have to look for patterns that aren’t there and nitpick on characters? Why does everything have to be about race? Isn’t it enough that our heroes are TRYING to be good?”

When people say this, they usually mean “Why are you putting this in my face? We (the group not affected) were all doing fine until you decided to be grumpy about something, and I don’t want my ideals soiled by your criticisms.”

Imagine seeing the person who’s supposed to represent you and your identity be repeatedly trashed, ignored, dumbed down, dismissed, killed off, etc etc in canon and in the fandom, and when you finally get the courage to bring it up, the entirety of people not affected silence and threaten you for rocking their boat. You really can’t imagine how that actually feels unless you’ve felt it. When you write off the consistently abusive treatment of a community of people in a book as an inconvenient—and thus invalid— topic that “ruins” the characters or plots you want to root for, you’re acknowledging the privilege you have in being able to look the other way when these patterns have been brought to your attention.

There’s a lot you might not catch when you aren’t a part of the communities affected. If someone is gracious enough to extend their emotional and intellectual labor to point it out to you despite the all the gaslighting and harassment they face, the LEAST you can do is have an open mind and release the defenses and previous ideals you’ve cultivated for the characters you love. Black fans don’t owe it to you to spell it out, but they sometimes do! Despite how white fans treat them in return.

You said “it’s not like the Kerch are made out to be a nation of great saintly people.” Great! So we agree everyone should be praised and criticized accordingly? And when it’s pointed out that a character exhibits bigotry we can acknowledge that as a part of the environment they’ve lived in and thus a trait of themselves?

You can enjoy any universe or the characters that come with it in full capacity, and no one is asking you to discard stories entirely because of the mistakes. Nikolai meant and means a lot to me because of the ideals that I crafted in my head from 16 up. He’s a comfort character! He was my vision of a masc-presenting adventurer who got by with wit and charm and aesthetics. The people who love him see something of themselves in him, or someone they love. But he’s still a product of his environment. Just because I don’t want that to be true doesn’t make it untrue. Ravka is fantasy Russia but .*•*~more idealistic*.~*. This doesn’t take away the fact that the foundation is...still Russia. He’s still a privileged white king thats actively oppressing minorities in the story by upholding the kingship as it is, and if he continues the path he’s on, he’s not much better than his heritage. I love Nina to death but she’s still the jarhead kid in your algebra class ready to fight anyone who says her country merits basic criticism. The kingdom of Ravka would need to be entirely dismantled and recreated. Nikolai might seem more progressive than the kings before him, but he’s got a lot to be reprimanded for, and rebuilding can’t even start until he acknowledges and unlearns that. Which...he hasn’t, not fully, and there’s no written proof of him doing so as of now.

Before I made myself research more I got just as defensive of him and others. I’m sure I’ll get defensive over another story and have to relearn everything all over again. It’s a process and you have to check yourself all the time. But it’s a step towards the ideals we want to actually live in. If I want to imagine Nikolai a better man, I have to start from the scraps I’m given.

So yes!! You’re allowed to draw up your own themes and ideals from the stories and reimagine the characters to fit a narrative that makes your heart happy. But it won’t change the reality of the canon universe. Zemenipearls enjoyed the grishaverse so much she made a fan account for it, participates in fan-led events that celebrate the characters (and sometimes leads those events herself), commissions artists to make fanart, and has ongoing works that delve into the expansive universe that better represents her and what she wants for black characters in fantasy. And she STILL gets shit for imploring a conversation about what we all want to ignore away. Why would she put so much energy into this if she didn’t care or believe in this story too? If you also care about grishaverse that much, shouldn’t we be willing to uplift and reimagine by starting where the work needs it most?

Okay I’ve said a LOT SORRY HHHHH BUT TO WRAP UP: Ignoring a fictional character’s faults or repercussions is one thing, and I’m not about to waste energy on making people hold characters in a book accountable. We all see how people treat the Darkling.

But when you participate in or ignore the bullying and threatening that happens to REAL people, when people JUSTIFY that shit as if it merits denying a person their humanity, THATS the actual harm being done. (Not saying you’ve done that, but the mindset I’m seeing here is what feeds into that compliance.)

If we have the energy to protect and coddle our fictional white boys and let them burn the sandbox down, I KNOW we have energy to respect and protect black fans who have just as much say in how they see the story or how they reimagine it. If you have the energy to accept/tolerate the stuff alarkling fans promote, I KNOW you have the energy to put your pride away and acknowledge fallacies in your own ideals for characters. And regardless!!! of whether you “agree” with the criticisms or not, does that mean the person who spoke up about the issue deserves to be harassed?

I’m gonna ask the white ya majority reading this to be humble and open your hearts up to change the way you do for fictional edgy white dudes. Y’all have the SPIRIT but then it funnels into the WRONG IDEAS!!! PLEASE use your heads you’d be unstoppable if you used your privilege to amplify the ones who need amplifying. I promise Cardan BlackBerry and Alesksxxander Marigold aren’t gonna be disappointed in you 😔🙏

[yandere-wishes]

Disney villains as Yanderes

These are yandere headcanons for Genderbent! Cruella de Ville, Genderbent! Ursula, Genderbent! Maleficent, Shan Yu, Hades, Humann!Scar and Human! Shere Khan. Also, try to imagine them the way they look in fanart rather than the Disney movies I find that helps a lot

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Cruella de Ville

Cruella is just the most sadistic yandere you'll ever meet, his treatment of his darling is only slightly better than his treatment of those poor pups. He keeps her chained up in his room, forcing her to wear the most decorative monochrome collar with the heaviest iron leash, limiting the poor darling's movement. 

But his tournament is just beginning. For some sick, demented reason Cruella just loves to humiliate his "little puppy". He'll make you eat and drink from a bowl on the ground, make you sit at his feet begging to his attention if you want something. It's disgracing, soul-crushing even, but for him it's power! It shows that he controls all aspects of your meaningless life. It's the ultimate proof that YOU BELONG TO HIM. 

"Little puppy what is it that you want?..."

There are days -few and scattered- where the wicked man can be almost called nice. He won't start treating you like a human being but more like the favorite pet instead of some runt. On these sacred days, he'll have you sit on his lap as he sketches out a new design, sometimes even drawing a cute dress or skirt for you to wear. On days where he's feeling generous, days where you've proved that you are indeed his sweet little pet. Cruella will take you to the outside world, a place your memory can just barely recall. The two of you will spend the day shopping through the luxury boutiques. The black and white-haired man will make you try on everything that catches his eye, he may be cruel but he's not unreasonable he always wants his cute puppy to look their best. 

"...You better be ready to beg for it."

Ursula 

Ursula is so so manipulative to the point where talking to him becomes an exhausting task. He's so good with words, twisted every single word until it better serves him. At the end of any conversation, you're left bewildered, trying to retrace your words to find just how you got here. 

The sea witch had no need to kidnap his beloved darling all he had to do was speak. Through radiating words, he promises you all that your heart desires. He promises a straight forward easy contract but instead, you're given nothing but misery, locked away forever in his somber cave. 

"You poor unfortunate soul tell me...."

Even if you do try and escape, Urusal will just send his lackeys to retrieve you, they are even given the pleasure of "toying" with you a bit. Leaving little nibble marks along your arms, drawing a bit of blood along the way but never anything too devastating no that pleasure is left for Urusal and Urusal alone.

The Cecelia's punishments are harsh, they aren't exactly painful...it's more the gut wrenching feeling of guilt and fear that Urusal is able to install in you that makes them particularly fearsome. No matter what you are being punished for, the end is always the same. Somehow cruel heartless Urusal is always the innocent victims while you are the ungrateful, conniving leech that is never satisfied. Poor Urusal just gives and gives wishing only a loving companion in return but what do you do? You run away! Throw a tantrum breaking some of his rare potions just because he was looking out for your safety and wouldn't let you go out. He should chop off your tail! Leave you on land to shrivel up and die!... Oh but he just can't bear losing his little lover! Maybe just for once, he'll just lock you up in a cage made from megalodon teeth, a tiny punishment for your huge crime!

"...Tell me what it is your heart desires?"

Maleficent 

The dark fae is a rather caring protective, who is very lucid about the predicament of his relationship with his darling. He knows that they don't love him, he knows that he stole them away from their old life, he knows. But he's just so good at justifying his actions! He took you from the company of those humans because they are all corrupt! They hurt all that is pure in this world! It's just better if he keeps you locked up in his castle far away from those monsters!

Now unlike the majority of the Disney Villian, Maleficent isn't cruel or sadistic. The only reason he kidnapped his darling is to keep them safe! Why would he do anything that could jeopardize their happiness and safety! No, no Maleficent would never find amusement in your pain, never lay a hand on you cause you latched out. If ever the need arises where he had to punish you, then he'll lock you up in the dungeons. A couple of days alone in darkness will have you behaving like the sweet innocent lover that he wants!

"I love you (y/n)..." 

At some point, after a great deal of time has passed from your kidnapping, Maleficent will grant you the freedom to roam around the castle. There is still the lingering rule for his darling to never step foot outside even when Maleficent is with them. But that -along with most things- is just a countermeasure to keep them safe! 

".....No power on earth can change that!"

All in all, Maleficent is one of the better yandere to have, he's caring to the point where he seals every door and windows so nothing dangerous can get in, he's overprotective to the point of following you around everywhere, he's loving to the point where he's willing to submerge you in endless darkness just so you see his perspective! Yes! All so very loving! And very soon you will see it that way too.

Hades 

The god of the underworld is a very bizarre mix, he's possessive, so very possessive that he probably killed you himself! Just so you could never leave him! But at the same time, he's very delusional, seeing your murder as less of a crime and more of a romantic gesture akin to marriage. 

Hades' love for his darling is so sick and twisted that some may not even call it love! It's just pure mania! One minute the fiery god is cooing at you, complimenting how gorgeous you look in the black toga he got you. The next he's screaming, hair burning a staking red as he yells about how quiet and cold you're being! How you don't love him as much as he loves! Truth is Hades' doesn't want your love exactly, better yet he doesn't know what love is. He just wants you to be as obsessed with him as he is with you! 

"Look (y/n) this whole relationship this is easy!...." 

Hades' punishments are also very fierce. The lord of the dead gets offended quickly! The slightest offense can drive him into a mad rage!

 He'll do practically anything to teach his darling a lesson, from burning them to disembodying them and then stitching them back together. The idea of inflicting pain is just so enjoyable to him! The thought that he has full control over how you feel! Oh, how he loves "playing" with you controlling your every move.

Eventually, Hades' darling will get so used to his temperamental moods and sadistic behavior that they just end up not caring. He's going to burn your right arm until it's limb? Okay, cool is that before or after your date to Skopelos? Oh, he's threatening to feed you to Cerberus? That's fine just don't forget I want Tomatokeftedes for dinner. Not much really fazes you at this point.

"You just got to make me the center of your world and ba-bing ba-boom we're an official couple!" 

Scar

it's always blood and guts with him 

always screams of agony and frustration 

always his word above all else 

always him

Scar is one of the worst yanderes, cause he can make pain feel like nostalgic, welcoming even. With only a few sugar-laced words he can turn your own mind against you. He's cruel and calculating never permitting you to do the smallest thing for yourself. If you want something you have bat your eyes and beg real nicely so he'll consider ordering someone to do it for you. It's such a rare, practically precious accurate if Scar ever decides to do anything even remotely nice for you. If ever he fetches you your or dress you or even toss you a gift. You will have to treasure those moments. 

" Be prepared (y/n)..."

Everything is a quid pro quo with him, the black-haired man never does anything out of the kindness of his heart. He makes you thank him for the simplest of things like letting you eat, or giving you a bed to sleep in. 

Despite how horribly Scar treats his darling he still expects them to love him unconditionally. He wants to be the only thing his darling thinks. In a rather twisted way, he really does try to prove that he loves you, even if it's though scratch marks that are just a little too deep to be considered "scratched" or love bites that draw too much blood. He does love you, you know he does!...or maybe it's all just a mind game. 

"....For I shall always remain your king!"

Shan Yu 

Shan Yu borders somewhere between protective and obsessive. he knows his darling can protect herself, they're strong, capable, but the truth of the matter is he doesn't want them to! He wants you to depend on him, to make him feel wanted. It's very likely that his darling is a soldier in his army (from what I've heard women from the Hun tribes could join the army) which permits him to start a "casual affair with them. It's nothing at first, a passe time between fleeting moments of peace. But it turns dark quickly when he notices them "flirting" with some other soldiers, touching them, smiling at them, things she should only be doing with him!

He doesn't so much kidnap his darling as "claim" them either through a straightforward declaration to his tropes or through "love marks" that he leaves over their body. It's a sudden kind of thing, one moment is preparing for battle-ready to strike down anyone that stands in their way the next they are being dragged to Shan Yu's tent and being told they aren't permitted to fight anymore!

"I tire of your arrogance, (y/n)..."

Shan Yu isn't exactly cruel per se...he's just a tad bit aggressive. He takes every tiny disobedience as a sign of rebellion! And he's more than willing to strangle the resistance out of you. He hates to punish you, hates to see you in any form of pain but how else is he going to get you to be his trusty loving darling?!

At some point, he'll let his darling on the battlefield, only for battles he knows for certain that his team will win. Shan Yu adores the way his darling gracefully swings their blade at anything in sight! Cutting enemies with practiced elegance and wearing their blood like a dress made from the finest silk.

"....You belong to me why can't you just accept that?"

Shere Khan

(Fun fact his name translates to "Lion King" in Persian. Shere being the direct translation of lion and Khan being a prefix (such as majesty) to a king or ruler. )  

Shere Khan is a complex yandere and can't really be nailed to a specific "type" he's protective of his darling, willing to kill anyone that so much as looks at them wrong. On the other hand, he himself adores tormenting his darling. Sometimes it's just flirting, making them flustered, other times it's raking his claw-like nails over every inch of their body until they're a bloody mess. Then there's just how obsessed he is with his darling, how they infiltrate his mind every second of every day. Even when the poor man is asleep all they can think of his lover.  

The important thing to remember about Shere Khan is that he doesn't mean any malice, he doesn't do what he does out of spite or hatred but rather for both love and "fun", he's a bit like a puppy that doesn't understand that biting his harmful and instead sees it as a game. "hurting" his lover is just claiming them, heck Khan will be thrilled if his darling left their own marks on his body.  

"No matter how fast you run..."  

Khan is a rather cold lover, never really showing you much of his emotions, he's secretive, quiet. But he makes up for that with the gift that he buys his darling. Khan insists that his darling always dresses in the most lavish, flowing dresses. They must always look their best, after all, he deserves only the best.  

There are times when he'll be nicer towards his darling taking them out for walks or maybe even cuddling with them. He does love the feeling of warmth that his darling radiates. His favorite thing to do his lay down in the sun with his arms wrapped tightly around his lover and just drift off to sleep.  

"..I Will always find you!"

[skrivarmelodi]

Now AOT is over...

So, I read the final chapter of Attack On Titan and there are a lot of thoughts and feelings. But overall I'm pleased with the whole story and the ending. I trusted Isayama and he didn't disappoint me.

There are certain things I'd like to go into detail about Levi, Ymir, Mikasa, Eren etc and certain moments during the story.

So if anyone cares here we go. (warning, this got long and contains spoilers for chapter 139 and obviouisly the whole story!)

First, Ymir Fritz, Eren, and Mikasa.

The more we got to know Ymir, the more we knew about her circumstances and how it all started, the more I asked myself, why she doesn’t simply stop all of the misery, if she can and, obviously, has the power to do so (chapter 122).

I thought, perhaps, because she loves King Fritz so much, after all, she sacrificed herself in order to protect him (which I didn’t like at all, because he was a shitty person). But then I wasn't sure if Isayama would use 'love' in such a way. He did and it's nothing new but it's something we can all understand. Love is good, but it can also be something bad, something toxic, and Ymir was most likely a slave of her own feelings because she didn't know better. Her life was miserable until she got the power to become a Titan and gave birth to the daughters of the king. But as you can see, at the beginning of chapter 122 she watches a couple getting married and that was what she wanted too. To be loved. This was the love she knew and the love she protected and believed that was true love (most likely) because she didn't know a different kind of love.

When Eren told her, that she can decide and asked her to give him the power he needs, it didn’t sit well with me. I guess because I never connected Eren to have any romantic feelings (though I guessed so much when it comes to Mikasa and he simply wanted to be cool or something). But AOT in itself doesn’t display love in the way we usually see, that became very clear to me with each new chapter. And love is not the first thing that comes to my mind when I think about AOT.

Now about Eren.

Oh boy, look at that. When Eren slowly became the villain I liked the idea but at the same time I was questioning it. It simply made no sense to me why he would want to kill everyone and yet care so deeply about his friends. Also, Isayama is not that sort of person to let his characters act out of character. Whatever the characters I agreed with it because that was how Isayama created them. That's why, when it came out that Eren was able to see the past, present, and future, I thought he probably saw a way to stop all of this and protect his friends. Isayama played us good, when Eren was rude towards Mikasa and Armin and then the rumbling came, but I constantly thought 'No, there must be more to it'. And yeah, Eren saw a possible future because everything was unclear to him and he grabbed that chance and took it.

Remember in the first season, when Eren, Levi, and Levi's squad were fighting against the female titan and that Eren has to decide what he should do and what not? That he has to accept the consequences? Yeah, Eren did that and he knew it was bad but it was the way he believed in and saw, even if it meant to kill 80% of humanity (what the...) and sacrifice his own life. I don't see Eren as a hero nor as a villain. But he definitely acted on his own free will and accepted the consequences.

Now about Mikasa.

Well, I'll be honest, I was never a fan of Mikasa. I didn't like how she was solely focused on Eren and didn't seem to have her own goals that were not connected to Eren. I simply didn't like that and Eren wasn't my favourite either, but I love their development. The moment I started to feel sorry for her was when Eren said he hated her. You see, I get it, I understand why Mikasa is the way she is and I'm simply no fan of this 'I do everything for you, fuck everyone else' especially not in a world like AOT, I also understand the Ackermann Bond (I ship Eruri after all). So I was really pissed at Eren to stomp on her feelings like that because, no matter how much I like or dislike a person, you don't treat them the way Eren did (also toward Armin). From that moment on, I enjoyed her development and when she cut off Eren's head I was sad and happy for her.

So, in many ways, Mikasa is like Ymir, or rather, Ymir is like Mikasa, but on a whole different level. Mikasa, who devoted herself to Eren, just like Ymir did to King Fritz, saw that what he was doing was wrong and she decided to stop him. She loves him still, of course, but she was able to do what Ymir couldn't and she did it for the greater good. Because there is more than Eren, there are more people who deserve to live. I did like that and also that her action was the eye-opener for Ymir. It doesn't change the way Mikasa feels about Eren, and that's okay, but she was willing to kill the person she loves more than anything because it was the right thing to do. Ymir simply couldn't do what Mikasa did because she didn't know better.

About Levi, Erwin's death, Armin saving humanity, Berthold wasn't supposed to die, and just some thoughts about AOT in general.

Now, I do ship Levi and Erwin together and I was sure Levi would die and meet Erwin in the afterlife and then Isayama would out them (haha). But I'm just happy that Levi survived and is now the adopted uncle of Gabi and Falco. He's my favorite character and a lot of things would have ended badly without him. For me, he and Erwin and their squad represented not only a strong force and saviours but also how you probably have to be in order to survive/handle a world like AOT.

So I was shocked, at first, when Levi saw Erwin and the others because I thought he would die, but when the tear ran down his cheek, I could feel how everything fell of his shoulders. Levi never cried, never had time to mourn his comrades because he understood the world they were living in and that he needed to keep on moving. I never considered him as someone cold because he clearly wasn't. But he also never cried and seeing that... finally. And I'm sure he cried some more after everything. I thought he would cry (he was close to though and perhaps did when he was alone) when Erwin died because that fucking broke him.

Their relationship fascinated me even before I started to ship them but it broke my fucking heart when Erwin died too.

And here we come to the part about Armin and Bertholg.

I was so pissed that Armin survived and even more when things just became worse. I thought, in AOT, you can't solve everything through talking. It worked during certain critical moments, yes, but it simply isn't the main key for everything when it comes to the world of AOT.

So, I never understood why Armin had to survive and not Erwin and it became more and more confusing for me as the story continued because Armin, clearly, is not Erwin and he doesn't have what Erwin has. I don't know if things would have been better with Erwin being in charge, but he would have definitely done something while Armin didn't know what to do. Sure, he is younger than Erwin, doesn't have the experience as Erwin does and in his core he is very different, and that's totally fine. Armin is fine the way he is, but during the story. I constantly found myself thinking: 'With Erwin and his mind, we wouldn't be in such a situation'. I once read somewhere that Levi and Erwin are too smart to be fooled by, for example, Yelena. I can't help but agree.

And today, when I read the final chapter and Eren said 'Berthold wasn't supposed to die on that day' and also, that he couldn't see the past and future as separated paths but everything at once I thought, that this is Isayama giving us his version but there are also many many other ways this story could go. Which is, for me, such a sweet and grateful message. We are free to choose our path (fanfiction/fanart etc) and to create a different story, but this AOT version is his version and how he imagined it, or rather, how Eren saw one possible happy end.

I'm still certain with Erwin around things would have been different, better even, but I understand Eren too. I guess, he didn't only choose Armin because he knew things would have a happy ending for his friends. He also choose Armin because of personal feelings. I wonder what would have happened if Berthold survived, was there also a happy end but without Armin? And perhaps without the rumbling? I think it's nice that Isayama did this and that he, basically, points at a different way but it's up to us.

Now, the rumbling is over and so is the power of the titans and in such a world, someone like Armin is the right person to be in. Now it's all about talking, having a proper conversation, creating relationships through words. Don't get me wrong, I'm sure Erwin would have been able to do that as well, but Armin is much more diplomatic than Erwin because he doesn't want to fight or kill, it's really the last option for him. Erwin on the other hand wouldn't hesitate, and someone like him was important for the world before the rumbling was over.

Now some general thoughts about AOT now that it's over.

Okay, so, I watched tons of Anime when I was a teenager and the best thing for me was Death Note. But after Death Note I found nothing that really interested me and a lot of weird stuff. I don't know, it simply wasn't for me. However, I continued reading my yaoi Mangas and even studied Japanese for a year. Then, I did hear about Attack on Titan but I was so used to shitty Anime that I thought it would be shitty too (the next best thing I found was Yuri on Ice). However, a friend of mine gave me the first season and I thought, well, why not. I was so wrong and through AOT I found my way back to Anime.

It's not just the story, not just the art-style I like, it's Isayama and his brain I enjoy so much. I'm a very logical person and I like it when stories and things make sense and are connected from the beginning till the end and when it never feels forced but natural, true, loyal to the characters and the world they created. I don't know how he does it but I'm so grateful for AOT and that he decided to share this amazing story with us (even though it was fucking painful and my poor Levi). It's really been a while for me to find a story that caught me like Death Note did many years ago.

So, ありがとう、Isayama-San!

But I'd love to know more about the Ackermans and Levi and perhaps we'll get a book like Answers etc later. That would be great.