#why am I so bad?

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[mythicalcoolkid]

You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[tarvalian]

XII - The Hanged Man, Upright: surrender, sacrifice, faith, perspective

[acid-ixx]

a loving family, an unpalatable desire

reblogs and interactions are encouraged and appreciated.

a/n: would anyone hear me out if i ever wrote romantic yan! bruce (ft. platonic yan! batfam AND romantic yan clark kent alongside the superfam ofc) with a neglected spouse reader... because uhm, i've been thinking about it lately just yk... so anyways PLSPLSPLS send in asks about this, ive been thinking about it so much lately.

imagine wanting to raise a family so badly with a man who adopts problem children as a side hustle. you're not some invasive spouse, you've always been good, always been loving, so... so accepting, never questioned where or how he picked them up from the side of the streets, never once complaining about the hickeys on his neck or the once neat tussles of his hair now tangled accompanying lipstick stains on his white suit.

you love your children, you tell yourself all the time. you love them, you love bruce— even if he doesn't love you. you said it in your vows, despite it being scripted, despite your family finally sighing in relief in the sidelines at finally being able to sell you off to one of the wealthiest man in the world, rather than being wasting off under their care— your vows are real.

you wanted someone to love you, unconditionally, so viscerally eternal that it eats you up.

really, all you wanted was to play that fantasy life of trophy house spouses. all you wished for was a loving, healthy relationship. the american dream: the picture perfect family frames, your husband kissing you on the cheek as he leaves for work, your children bickering at the dining room, with the scent of homemade meals wafting about the vicinity. all you wanted was the warmth in your chest to flicker like candlelights. all you dreamed about was that domestic life, an escape from the abusive household you were raised in.

yet the manor is too cold, too unforgiving for a soul such as yours.

the longer you stay inside claustrophobic, yet oh-so large hallways, the quicker you drown in a neverending pool of self-hatred.

but you're not allowed to show them your sufferings. they've been through much worse, you tell yourself. they've suffered more, and as what good spouses do, as what you're taught, you stay silent, enabling them to turn you into their own emotional punching bag.

you only allow yourself to cry at the dead of the night, under the sheets of your too-cold blanket and your too-hot pillows. when the manor is filled with deathly silence and a looming sense of dread and ill fitting thoughts of ifs and when they'll come back in one piece, will you grant yourself temporary respite; worry for a family who never even called you their parent.

yet you've always been so considerate. despite the pang in your chest every time bruce flirts with anymore potential love interest at a gala, you chose to instead monitor your chaotic children, who have always never bat an eye on you despite you always gazing lovingly at them.

you know of their interests, they don't know yours, yet you still give them extravagant gifts on their birthdays, with tired, yet glinting eyes, and a silent excuse to return to your room; one separate from bruce.

you know of bruce's hardships, but you don't push too hard, don't force him to talk, only provide him your silence and an offer to serve him dinner; all the time he refuses without looking at you. you give him comfort only if he ever allows you, only if he allows his walls to crumble— but not even his spouse can amount to a warm, crackling fireplace. to him, you're probably only a matchstick under the deadbeat glaze of the snow in a winter night.

maybe that's why you're such a ghost in the manor, stalking through the hallways, looking out for any of your children in case they come across you with any injuries. maybe that's why eventually your resolve weakened.

and maybe the absence of familial love led you to find comfort in another man's arm.

''til death do us part,' is such a tragic saying in your case, because you know it in your fragile heart that bruce's love for you was never alive in the first place. and yet you allow him to play you like a fiddle, allow him to slowly allow you to slip away from his nonexistent grasp.

and now, you're a stand-in parent for clark's son, jon, after the tragic loss of his wife. now, your world seems a lot less bleaker, as you play the fantasy of a loving house spouse, fully abandoning the life you left behind, a life you've never been gifted with until now. you want to feel guilty, you want to feel absolutely terrible but the heartache of neglect has become too much and all you do was allow clark to warm you up each night, kissing away your tears and spooning your deep-seated anxieties away.

you don't let the past eat you up, not when the present is too perfect, too freeing, too delusionally beautiful.

your son, jon provides you every joy a parent could have. parent's day gifts, heartfelt letters at every nook and cranny of your shared bedroom with clark— even reading him bedtime stories, allowing him to sleep in your lap after he slowly nods off, with clark knocking softly on polished wooden doors, greeting you with a loving kiss on the lips and a bouquet of your favorite flowers in hand—

it's everything a parent wants, needs even.

and you're everything clark, and especially jon wants, needs in their life.

so it's such a stupid mistake, really. a slip of the tongue, a too-enthusiastic smile, incredibly bright, shining eyes. it's not jon's fault, you still love him either way. but it's an error still— one a complicated matter at hand, so dreadful for you, that jon accidentally, all-too-suddenly, mentions you as his parent to damian.

a loving, wonderful parent, he says, with a picture of you in his wallet shoved right in front of his friend's face.

[giantkillerjack]

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

[plain-text version of this post can be found under the cut]

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

Plain-text version:

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

P.S. Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

[BEGINNING] [PREVIOUS] [CONTINUE]

[kelin-is-writing]

This man is ART.

[heartorbit]

figure skating set right now please. thanks

[kimmkitsuragi]

oh my fucking god i don't have any clothesssss

[originalartblog]

Apparently much-needed reminder that reposting artists' art (by saving the images or screenshotting them and reuploading them yourself) on other platforms without the artists' expressed permission and without credit is theft and an insult to their passion and craft. You are profiting (in views, in attention, in feedback) from someone else's work and ideas, who do not get that feedback for sharing their creation.

If you are an art reposter, you are a thief and I have no respect for you.

[corpsentry]

pick your battles

[illusioncanthurtme--art]

BABY FACE BABY FACE!!!!!!!! KSDJDHG LFFKL WHY IS HE SUCH A CUTIE PATOOTIE

embarrassingly long ramble and wintersberg drawing below the cut:

lmao, I finished the GG playthrough of re8 the other day and uhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

anyway yeah. Don't even know what to write about it cuz it sorta overtook me with no warning, and idk shit about resident evil but here we are.

I read mushrooms and magnets on ao3, i did the frowned upon thing and went straight to most kodo-ed (i KNOW it's wrong but i didn't feel like searching!! I just wanted to Read. If I stick around any longer I WILL read other things too), and I feel like that's probably a rite of passage in the ethan/heisenberg wing of this fandom. Blasted through it in like 3 days. Anyway, like, 3 quarters through it I realized I never took it upon myself to see what ethan looks like? I just assumed he had Typical White Guy Face, which yeah, he does, but after an image search.... I never realized he had such a baby face skjdgf sksjfh PRETTY BOY PRETTY BOY

So then I drew him. And I drew heisenberg too, although I need more practice with him. Plus I think I got gassed out for the night, after drawing ethan. it's really hot and it can be hard to remember how to draw for fun after doing so many commissions.

One of my go to drawing visions is one character in profile, and the other character all up in their face in a pseudo profile, 3/4, tilted angle. And idk why I keep doing that, because I fuck it up at least half the time. Ethan looks good here, heisenberg does Not. I need better references of him. Seriously, if someone has a karl heisenberg folder on their phone with a crap ton of pictures of his face from different angles, PLEASE send me some. I need a clear one of him in profile. All the ones on google have his face obscured by his hat, glasses, both, and he's always in dark lighting. Ironic that the one who's face you never see has better reference pictures.

Kinda considering doing a GG animated for the moment where ethan's like "I just want to fix my daughter!" and arin (as heisenberg) says "uh, she's in four pieces," because it cracked me up so damn hard. His voice is so dumb. I love him.

This came outta nowhere but hahaha oh well, my interests change on the wings of the wind (wings of the wind = what the grumps are uploading)

[egophiliac]

just thinking about hair and faces

[thatneoncrisis]

i wrote a big long essay talking about tlt and how it engages with describing the skintones of brown characters its under a read more bc it is so long.

I already left a long comment about this on someone else post but I wish I could study tazmuirs odd little habit of dancing around the fact that Gideon and Harrow are women of color when she describes them, and how this kind of extends to other brown characters

We get a million descriptions for how sickly pale ianthe Silas and cytherea are, what a lovely golden tan corona has, the odd tannish yellow hue of colum, all imagined by her, in her own words, to be white. Then when it comes to Marta and Judith they're called dark like Once in the text. I don't think it's even mentioned for Jeannemary and magnus in the entirety of gtn though I will gladly stand corrected if I missed something. It's such a non factor for them, which normally I would overlook if it wasn't for the aforementioned specificity of how white characters are described on Top of one of the major themes of the book being how John, a Maori man, resurrected a largely Polynesian population and then proceed to rule them using the exact same methods that actively colonized new zealand. Like I just think it's really interesting that in many ways, the story is about two young Maori women completely stripped of cultural heritage, they can't even speak te reo maori they cannot even conceptualize the scale of that kind of loss. Theyve been to earth once and during her brief time there Gideon literally died on it's soil it feels so poignant

Back to them specifically being Not Pale, this is not me saying they would be "less" maori if they were light-skinned that's total bullshit and the entire paradigm exists as a product of European bullshit. My fascination is more with the fact that tamsyn has clearly thought of them as midtoned to dark skinned. I'm going to be really generous and disregard the Tommy Arnold covers- he is a talented artist but he's not the author and Taz stated in an interview that she didn't envision Gideon with an undercut either so he clearly has little liberties he can take and I'm fine with that get your coin dude. For these two I'm going to have to focus on Nona the Ninth, bc for the entirety of gtn, harrow is described as grey, and while I understand that's bc she's constantly under a mountain of white and black facepaint, we basically never get an objective description for either of them. Gideon stand out features are her build, hair and eyes, like a lot of characters, but it could have been pretty easy to throw in a line about how she seems less desaturated than what one might expect from a ninth cavalier, like a rich warm brown, possibly hinting to other characters that she isn't a ninth native

Htn also gives very little to work with, again harrows primary colors are the blacks whites and greys of facepaint and her hair and the reds of constantly sweating blood. The character who's darker skintone is Most remarked upon (also one of the few ever constantly headcanoned) as black, is g1deon. I've actually spoken to a few people about this and there seems to be some actual Mandela effect shit going on where people remember Taz saying he's black despite me never once finding evidence for this. However, this is not a case where I'd be overjoyed to be proven wrong, because g1deon being the one black guy in this entire cast, the one who's dark skintone is commented on the most, being the guy who barely speaks, tries killing harrow with a spear 14 times and then dies offscreen. Not good. Bad, actually

Finally onto ntn, in the beginning chapters Nona remarks her (harrows) skintone is the color of an egg carton. I assume she means the light tan, desaturated brown of the cardboard used in certain cartons, which is fitting for harrow, girls lived in an ice cave for 17 years. This is basically the only word we get on it. I believe a few times the text will say something about pyrrha's (g1deon's) brown Everything; brown skin, russet brown hair, rich brown eyes. that character gets to be viewed and constantly affirmed as a brown character in teh way gideon and harrow arent, it kind of others pyrrha. to contrast camillas hands are called tanned way at the beginning while recording nona's dream, then at the way end it says, "Her face still looked grey beneath its nice normal olive," olive being used to describe her once before in gtn as far as i can see. pyrrha's (g1deon's) skintone is one of her most notable features, its brought up to a noticeable agree the text wants you to keep it in your mind when you think of the saint of duty; "Most of Pyrrha was the colours of the building site: deep dried-out browns, dusty hunks of clay, rusted metal." "Pyrrha wouldn’t burn any colour other than her deep cool brown." "Nona took the water from Pyrrha’s brown, work-chapped hand and even sipped it" "Pyrrha had carried Camilla to bed in her big brown arms like Cam weighed nothing" "Pyrrha said, “Thanks, Nums,” and drained the whole thing. Nona,fascinated, watched the brown column of her throat move as she swallowed." its just notable to me when alternatively with nona you'll get a line like "Camilla didn’t say anything to that either, only rubbed her wrists where the tape had been. Nona’s skin was already back to its nice normal colour." like just the vagueness in nice normal color, we get one line about what shes supposed to look like in the beginning and thats it

towards the end during the broadcast, nona gets her first clear look at kiriona, described as: "warm-coloured skin that should have been a similar brown hue to Nona’s, except that there was something wrong with it." break out the champagne its official

Obviously, dying takes some color from you. If anything, gideons desaturation should make them More comparable given the egg carton comment and harrows general state of constant anemia. Has Nona gotten darker during her time on new rho? Was Gideon lighter than the cover led us to believe? We don't know. We well never know, which is odd, bc these books fucking love purple prose about people's appearances. We have like seven different synonyms for the shade of ianthes hair. New words for black have to be invented in order to convey harrows eyes which are Black, not the dark muddy brown of someone like ortus. It's less that I'm bothered by the text not hyperfocusing on their skin and more it picking and choosing when it will laser focus on a detail like that, and how often it's skipped over to the point that I like, constantly see people draw harrow as incredibly pale, which is very different from being light-skinned

Finally, I know people can dismiss this as like an audience interpretation thing. I know I actively draw harrow darker than Gideon which I know isn't canon. But this is less about Fandom response to the text and more the text itself and how it's like. Afraid to say brown. near the end of ntn i found One instance of it referring to gideons "slim brown hand" on nonas cheek and that is direct as it gets. even her other like, strongly non european traits are sort of danced around. her nose is "a nose that was the complete opposite of Nona’s nose, one that put her in mind of those big poison desert cats Born in the Morning was crazy about." a very fanciful description, you have to infer that nona means that its probably flat and wide, also giving us the information that harrows is most likely narrow and straight, possibly downturned. im not opposed to this, especially given the character talking about her is nona, but then you get the following paragraph:

"Her skin was very much dead-person skin, ashen and tinted the wrong colour around the nostrils and the mouth. But even if she hadn’t been dead, Nona was critical. Her eyelashes were very dark, but short and curly, whereas Nona thought all eyelashes should be long and straight (her own eyelashes were long and straight). The corpse had too much mouth and a dimple (nobody in her home had a dimple). You could not, at least, see the veins in her eyelids, which were heavy and cold and deep-set. But Nona thought it was going to be a shame to go from being so lovely as she was to being so—redheaded."

its a very frank description. dimple, curly lashes, red head, dead skin, probably a wide mouth. her nose is contrasted against nonas nose, which is also never directly described, and then compared to a fantasy animal we have never heard of until right now

kicks rocks. there isnt a point to this. the series is almost over, there is zero reason to like, knock on taz's door and ask why she did this or that. it doesnt stop me from loving the series, and the insinuation that noticing this means i must dislike the series is frankly insane (real thing that happened). if someone got the impression that harrow was white given how shes described i wouldnt blame them honestly, its most apparent she isnt in the third book (with the cover art being incredibly ambiguous) and a single blog post from taz mentioning shes maori, immediately followed by an "oh i dont care how you see the characters" addendum, which i think is like. an odd thing to tack on bc them descended from kiwis is like, very integral to the story, and gideon being the daughter of the maori man who took everything from her she didnt even know she could have and the (presumably, given her name and a very brief description) maori woman fighting to get that world back its like. damn. it feels a little important. that the audience knows theyre maori. like a little. it feels intertwined with the whole thing about john using european standards of imperialism and general aesthetics to hurt his own kid. actually.