#whose whole on screen story

[hellobitchlet]

Ah yes, the yaocule, "is she supposed to remind me of Kiana?", "disclaimer: not a Sakura", and "more like Raven than her actual expy"

[yo9urt]

finished umbrella academy ... !

[solxamber]

Trash Novel Chronicles: Accidentally Falling For a Fae Prince - Malleus Draconia x reader

When you get dragged into a novel which ends with the heroine in a polycule with the most annoying men in literature, you decide that you're gonna skip town. ...Only to trip over the fae prince, Malleus Draconia.

Series Masterlist

Work’s been a disaster from the moment you stepped in. Your boss, who makes dollar bills while you’re lucky to scrape together a few dimes, is in one of those moods. So, instead of pretending to be productive, you do what any rational person would do: you pull up a random webnovel website and let the ridiculousness wash over you.

And oh boy, is it ridiculous.

You start reading "The Villainess's Revenge: My Heart is Colder Than Lukewarm Tea!" and, within the first chapter, you realize it’s like watching cement dry—but with less plot development. The villainess is cartoonishly evil, stomping around in ballgowns with a sneer so exaggerated it’s a wonder her face hasn’t permanently locked in place. Her tragic backstory? She once got served lukewarm tea. And, oh no, she stepped in mud at a ball. The horror. Riveting stuff, truly.

Meanwhile, the heroine? She’s clearly phoning it in. Every scene she’s in, her eyes are dead inside like she’s as exhausted as you are by the sheer nonsense of the plot. If this girl could quit her own story, she would’ve done it yesterday. You can't help but mentally send her your condolences.

Then, there’s the male leads. If you can even call them that.

First, the Crown Prince, whose idea of a crisis is a fashion faux pas. This guy once canceled a whole wedding because his socks didn’t match. His spirals into existential crises every time a thread is out of place would be entertaining if it weren’t so tragic. The way he’s written, you swear he could kill a man with a critical stare over improper cufflinks.

Next up, the Duke. Brooding, romantic, and absolutely incapable of writing good poetry. Every time he spots the heroine, he launches into the worst rhymes you’ve ever heard. It’s so bad that you’re embarrassed for both of them. He follows her everywhere, reading his masterpieces at the most inappropriate times—like during a funeral. Who does that?

And finally, the Hero Knight. Ah, the knight. The epitome of overzealous stupidity. He turned grocery shopping into a three-day quest for the “Golden Lettuce of Destiny,” and vowed to defend the heroine’s honor from…nobody. You’d swear he’s larping 24/7. It’s exhausting just reading about him.

As if that weren’t bad enough, the heroine ends up in a polycule with all of them because the author was so sick of comments asking, “Who will she date?” that they just threw their hands up and went, “Fine, she dates everyone!” The heroine looks exhausted, and you feel for her. You feel for yourself, too, because reading this is actively lowering your IQ.

You sit there, flabbergasted, staring at the screen. This is what you’ve chosen to waste your time on? What’s worse, your boss will probably come around the corner any minute to scold you—oh wait, nope, the corner of the ceiling just gave out and bonk—there goes a chunk of plaster, right on your head.

You cannot believe this is how you get taken out.

You wake up and, somehow, it’s worse. You’re in a four-poster bed, covered in satin sheets, and your first thought is goddammit—you’ve been isekai’d. And not just into any world. That world. The webnovel.

You drag yourself out of bed, feeling a sudden wave of dread. You were the heroine in this mess. The heroine. Goddammit, why does everything bad only happen to you? For a moment, you're relieved you’re not the villainess. But then you remember: you’re stuck in a polycule with three absolute clowns.

Nope. Not happening. You will not end up with any of these pushy idiots. Goal one? Avoid the polycule at all costs.

Suddenly, the door flies open with a bang, and in burst all three male leads, dramatically weeping and crying out how you’ve been in a coma for so long. Their over-the-top emotions would be heartwarming if they weren’t so ridiculous.

“You’ve returned to us, my dearest flower of the kingdom!” the Crown Prince sobs, still perfectly dressed despite the tears streaming down his face. He sniffs and dabs his eyes with a handkerchief embroidered with his own face. Of course.

The Duke starts reciting the worst love poem you've ever heard, right there, in the middle of your room, as if you didn’t just wake up from a coma.

“I wandered, lost, like a daisy in a field of… uh… misery, because you, my sun, were hidden in the sky of my heart…” The rest is a blur because your brain has officially short-circuited.

And the Hero Knight? He’s already on his knees, swearing to protect you from whatever invisible threat he’s made up this time. “Fear not, fair lady! I shall defend thee against all who oppose your grace!”

You manage to kick all of them out of your room with a lot of effort and a lot of heavy glares. The moment you’re alone, you find a suicide note on the dresser, written by the actual heroine. Apparently, she drank poison just to get away from these weirdos.

What an icon.

But not you. You’re not dying again for these guys. No way.

You’re moving through the bustling market in full disguise, keeping an eye out for any knights or familiar faces. Your plan is simple: escape the polycule before any of those nutjobs track you down. With every step, you remind yourself that freedom is just one boat ride away—preferably to a distant land that has no idea who the Hero Knight, the Duke, or the crown prince are.

But as you round a corner, your thoughts scatter when you bump—quite literally—into something solid. You stagger back, blinking up at a tall figure dressed in all black. At first, panic flashes through you—please don’t be one of them—but when your eyes meet his, it’s not the Crown Prince, the Duke, or the Hero Knight.

It’s someone new. And he seems… perfectly pleasant. His strikingly elegant features, crowned by horns, should make him imposing, but his eyes soften as he looks at you. There’s an almost serene curiosity in them.

"Ah, forgive me," he says smoothly, his deep voice lilting with a formality that surprises you. "I didn’t see you there."

"No, no, it’s my fault," you reply, awkwardly waving your hands, trying to figure out why he’s so different from everyone else in this place. He’s polite. Polite. Already, you feel better about this encounter than you have about every conversation with the three other disasters that have been stalking you.

He steps aside, but instead of walking away, he looks around the marketplace with a faint, thoughtful frown. “I seem to have… lost my way,” he admits, glancing back at you. “This place is unfamiliar to me.”

Something in his tone, in the way his eyes briefly widen as he takes in the simplest market stalls—like he’s genuinely fascinated—makes you soften toward him. Ugh, bleeding heart strikes again. Before you know it, you find yourself asking, “Do you need help? I can… show you around.”

He turns his gaze back to you, and his lips quirk into the smallest, softest smile. “That would be most appreciated.”

As you walk together, he marvels at the simplest things—the fresh bread from a stall, the colorful fabrics, the scent of flowers sold at a cart. He’s curious about everything, eyes lingering on each sight like it’s the first time he’s ever seen such mundane wonders. His fascination is oddly endearing. It’s clear he’s not used to mingling in places like this, and his awe at the most normal things is… well, cute.

"Have you ever seen so many people in one place?" you ask, trying to fill the silence, though you’re surprised to find that you’re not uncomfortable around him.

He chuckles lightly. “Not in such a casual setting, no. It’s quite… charming. Everything feels so alive.”

You almost snort at the idea that this guy finds a basic market so thrilling, but you keep it in check. At least he’s not another drama king like the Crown Prince or a bad poet like the Duke.

It’s been a surprisingly pleasant afternoon until your luck inevitably runs out. You spot the familiar, impeccably dressed figure of the Crown Prince moving through the crowd with his knights. He’s scanning the area, and panic rises in your throat.

“Crap,” you mutter under your breath. Instinctively, you grab the man’s sleeve, tugging him down the nearest alley. “We need to go. Now.”

He blinks, looking puzzled but not resisting. “Is something wrong?”

Yes! you think, your mind flashing to the emotional wreck that is the prince. "No time to explain. Just trust me."

But you’re too late. The Crown Prince, in all his resplendent, overly perfect glory, catches sight of you just as you’re about to disappear into the shadows.

“Well, well,” the prince calls out with an overly bright smile. “If it isn’t my darling—oh!” His eyes widen as he finally notices the tall figure standing next to you. “Prince Malleus Draconia of Briar Valley!”

You blue screen.

Your grip loosens on Malleus’s sleeve as your brain sputters. Prince. Fae Prince. You’d just been casually chatting with the Prince of Briar Valley like he was some random lost guy? Did you seriously just… You internally spiral as the realization sinks in. Of course, he's a prince! The horns! The aura!

Malleus, for his part, remains calm and collected, inclining his head toward the Crown Prince. “Ah, it seems I’ve been found,” he says smoothly, completely unaware of the crisis currently happening inside your head.

The Crown Prince gives Malleus a florid bow, then immediately turns his attention back to you. “My dear, you shouldn’t be wandering the streets alone. Allow me to escort you to the palace.” His hand reaches out toward you, his smile practiced and princely, but your gut clenches with discomfort. No, nope, no thanks.

You step back instinctively, your unease written all over your face. Before you can even figure out how to politely decline without causing a scene, Malleus moves.

Malleus, who up until now was watching the exchange with mild curiosity, steps forward. His eyes narrow slightly as he looks the Crown Prince up and down. The prince stumbles over his words and backs away under the weight of Malleus’ stare.

The Crown Prince’s smile falters. He hesitates, glancing between you and Malleus, clearly unsure how to proceed. “I—um—of course, Prince Malleus, I didn’t mean to overstep,” he stammers, eyes darting nervously between the two of you.

You stand there, stunned, watching as Malleus’ mere presence makes the most annoyingly confident man in the kingdom back off. Is this real life?

The prince clears his throat awkwardly, then shoots you one last uneasy smile before making a swift retreat with his knights, leaving you standing there with Malleus.

You let out a long, relieved breath and glance up at him, feeling a little less like you’re about to lose your mind. “Thanks… for that.”

Malleus’ lips quirk into a tiny, knowing smile. “It was my pleasure.” He tilts his head, eyes still twinkling with that same curiosity from earlier. “Although, I must admit, I’m rather curious why you were so eager to avoid him.”

You laugh nervously, running a hand through your hair. “Let’s just say… he’s more trouble than he’s worth.”

You don't know how you’ve ended up in this mess. One minute, you’re lost in the market, trying to figure out how to escape this ridiculous polycule situation, and the next, you’ve been dragged into a carriage on your way to the palace—with the Crown Prince, your overly dramatic Knight, and the Fae Prince himself.

Malleus, the Fae Prince, had politely asked if you would accompany him to the palace, and in a panic, you said yes. Because, really, how could you admit to both him and the Crown Prince that you’d actually been planning to skip town? So now, here you are, sitting through the most awkward carriage ride of your life.

Your knight, perched beside you, clears his throat dramatically. “Fear not, my lady,” he says in a voice filled with too much gravitas for the situation. “I shall protect you from all perils! Should the wind itself dare to brush against your delicate frame, I shall strike it down with my blade! No harm shall come to you so long as I draw breath!”

You facepalm internally. Please. Stop talking.

The Crown Prince, sitting across from you, adjusts his cufflinks for the tenth time. “I must say,” he purrs, fishing for compliments, “this outfit is particularly resplendent today, don’t you think? The shade of royal blue brings out the depth in my eyes. It was hand-tailored, of course. What do you think, my dear?”

You blink at him, trying to process whether he’s serious. He is. He’s absolutely serious.

Malleus watches the exchange in silent confusion, his eyes flicking between the three of you as if trying to figure out if this is normal human behavior. After all, you’ve got one guy swearing to kill the breeze, another obsessed with his reflection, and you, trying to melt into the upholstery.

“Is this… how humans typically behave?” Malleus asks, his voice soft and genuinely curious.

You shake your head vigorously. “No. This is how clowns behave.” Malleus raises an eyebrow but seems satisfied with your answer, settling back into his seat.

When the carriage finally—finally—arrives at the palace, you’re barely holding onto your sanity. But things are about to get worse.

As you’re ushered into the meeting hall, a trio approaches you. It’s Lilia, Silver, and… Sebek.

Sebek, who looks one step away from a full-blown aneurysm.

"Lord Malleus!" Sebek practically screeches, running toward Malleus like the world was ending. “How could you wander off on your own?! Do you know how much chaos you caused?! I almost fainted from sheer terror!”

Malleus doesn’t even flinch. “I had a guide.” He gestures toward you.

Sebek’s eyes land on you, and you quickly glance around for an escape route. “YOU?! YOU DARED TOUCH—”

Before Sebek can finish, you spot the Duke—one of your many suitors and part of the delegation—striding toward you with his usual brooding expression. You instinctively grab onto Malleus’ sleeve for some comfort (or maybe protection from what’s about to come next).

The Duke’s eyes light up as he sees you, and then… he begins to recite. “Oh, my dearest, like the moon that doth gleam upon a cheese plate—no, wait—upon a field of… toes? Your hair, like the petals of wilted roses in the rain... um… and your eyes… they are like two potatoes, cooked to perfection…”

Even Sebek is speechless. You think you see a vein pop on his forehead, but for once, he’s too stunned to yell.

Lilia, standing beside Sebek, chuckles, amused. “Well, I have to say, that’s… quite something.”

Malleus tilts his head, blinking at the Duke’s strange poetry. “Are potatoes considered a form of flattery in human culture?”

“No,” you mutter. “No, they’re not.”

Just when you think things can’t possibly get more absurd, the meeting begins. Because you’re technically the daughter of a Duke, you’re forced to sit through the whole ordeal. They start discussing the logistics of showing the fae delegation around the city.

“We need someone trustworthy to act as a guide,” one of the officials says, glancing toward the Crown Prince.

Malleus, who had been quietly observing the room, suddenly speaks up. “I believe I’ve already found the perfect guide.”

You freeze. No. No, no, no.

“The young lady who helped me in the market,” Malleus continues, looking directly at you.

The room falls silent. You, of all people, are the last person who wants to be anywhere near the fae delegation or, worse, your insane suitors. But before you can even open your mouth to refuse, the Crown Prince starts.

“My dear,” he says, leaning forward with a princely grin, “while I understand you’ve already formed an acquaintance with Prince Malleus, perhaps it would be better for someone more… experienced to take on this role.” He flashes his most charming smile, which, after everything today, only makes you cringe.

But Malleus just stares at him, completely unbothered. “No. I want her as my guide.”

Silver shifts slightly, glancing at you with an expression you can’t quite place, while Lilia’s eyes twinkle with amusement. “How interesting,” Lilia murmurs, clearly entertained by the situation.

Sebek, however, explodes. “IF LORD MALLEUS WANTS HER AS HIS GUIDE, THEN SO BE IT!” He turns toward the Crown Prince, practically vibrating with anger. “YOU WILL NOT QUESTION HIS DECISION!”

The Crown Prince, for once, looks genuinely taken aback. “I—I meant no offense! Of course, whatever Lord Malleus desires…”

You sink into your chair, feeling like your last chance at a peaceful life just flew out the window. Malleus turns to you with an expectant, polite smile. “I look forward to our time together.”

You groan inwardly. How is this my life?

You had to admit, Malleus was really nice. When you compared him to the absolute circus of clowns you had to deal with, he was practically a gift sent from above. So, you made a decision—if you were going to be his guide, you were going to be the best guide ever. And once they wrapped up this whole diplomatic visit, you'd beg him to take you with him to Briar Valley, where hopefully, your ridiculous suitors would be very far away.

Apparently, being a guide also meant dragging him along to everything you did, including navigating high society. This was where things got tricky. The original heroine had endured these events like a pro, but you? You were just a lowly office worker who'd read bad webnovels to avoid work. Now you were living in one.

First stop: a tea party.

As you sit down with Malleus beside you—who’s awkwardly perched in a chair much too small for him—you scan the room. Of course, all three of your ridiculous suitors are here. The Crown Prince, obsessing over the intricate lace of his cravat. The Hero Knight, sharpening his sword for no reason in the middle of a garden party. And the Duke, scribbling poetry on a napkin with all the grace of a sleep-deprived teenager finishing their homework five minutes before class.

But this wasn’t just about them. This was also your first time meeting the so-called villainess.

The villainess arrived like a whirlwind of petticoats and extravagant headpieces, smiling in that "I'm about to ruin your whole existence" kind of way. You smiled back, trying not to look dead inside when she launched into a diatribe about ruffles.

"And you see," she said, flickering her wrist with an air of superiority, "it was positively scandalous! The seamstress gave me a gown with only forty ruffles. Can you imagine? What am I, a commoner?"

You tried to smile politely. Truly. But Malleus, seated beside you, was staring at her with this fascinated look, as if watching a rare bird display its feathers. You could tell he was having a hard time grasping what the point of her story was. So were you.

But then, of course, the conversation turned personal.

“And the Duke,” the villainess said with a sly smirk, “such a poetic soul. He deserves better than to pine over someone who clearly has no appreciation for his art. Don’t you think?”

You blinked. Was this woman for real? You glanced at the Duke, who had suddenly gone from scribbling to gazing at you with that awful puppy-dog look. The one that meant another horrible poem was probably brewing.

You couldn’t help it. The words came out of your mouth before you could stop yourself. “Please take him.”

The villainess's eyes widened. “What?”

Malleus looked at you in amusement, while the Duke gasped dramatically, as if you’d just run him through with a sword.

You clasped your hands together and leaned forward earnestly. “Please, please take him. I don’t want him. At all. He’s all yours. You can have him—along with his potato-themed poems.”

The Duke visibly wilted. “But—! My lady! You—you wound me!”

“No, Duke, you wound me—with your terrible metaphors,” you deadpan. “And I’m begging you. Take him. Please. For the love of everything holy, I’m begging you.”

The villainess, probably for the first time in her life, looked completely flustered. “Are you… serious?”

“Absolutely,” you said, nodding. “I will sign papers. I’ll throw a party. I’ll—whatever it takes. Just… he’s yours.”

Malleus and Lilia were practically shaking with barely-contained laughter at this point, while the Duke had dropped to one knee, a napkin-clutched in his hand like some sad bouquet. “My poems… they were written with you in mind. Each line! Each stanza! Crafted from the depths of my heart!”

“Exactly,” you said, unblinking. “That’s why I need you to take him. Before he writes more.”

The villainess stared at you, completely dumbfounded. Then, after a pause, she broke into a smile. “Well, I’ve never had a man gifted to me before. I suppose I can make an exception.”

You felt like you could cry with relief. “Thank you.”

And just like that, your beef with the villainess was squashed. You traded your tragic suitor for peace of mind, and the villainess, now on the receiving end of the Duke’s “affections,” seemed pleased with her new prize.

Malleus leaned in, his voice low but filled with amusement. “I must say, you handled that quite well.”

You sighed, finally able to relax. “I handled that with desperation.”

And just like that, you’d rid yourself of two your problems. Now… to figure out how to survive the other two without losing your sanity.

You barely had time to process your victory over one villainess before a second one spawned out of nowhere like this was some kind of twisted video game. The Isekai Overlords clearly weren’t done with you yet. And this one? Oh, she was worse. The Crown Prince’s younger sister—spoiled princess extraordinaire—who genuinely believed her father was the reason the sun rose in the morning.

But, to your surprise, she didn’t even care about you. Like, at all. She acted like you didn’t even exist. Honestly? You were grateful. At least you could blend into the background this time and—oh no. Oh no.

She was making a beeline straight for Malleus.

You watched, horrified, as the princess latched onto him, throwing herself at him like he was a rare limited-edition collectible and not, you know, the Prince of Briar Valley and one of the most powerful beings in the world. Malleus shifted uncomfortably, clearly unsure how to handle the situation, while Sebek was being barely restrained by Lilia and Silver. Lilia, of course, had that mischievous glint in his eye, like he was enjoying the whole ordeal.

You, on the other hand, were not enjoying it. You could practically see your retirement plans shriveling up in front of you—this had diplomatic nightmare written all over it. If Malleus so much as sneezed, you were pretty sure this princess would declare war on Briar Valley.

So, you did the only thing you could think of: you stepped in.

“Um, excuse me, Your Highness,” you said, stepping between the princess and Malleus. “Could you maybe… not cling to him like he’s a handbag?”

She turned to you with a look of utter disdain, like you were a fly she was too annoyed to swat away. “And who are you, exactly?”

Before you could answer, she pointed an accusatory finger at you. “I challenge you to a duel! For his hand!”

You blinked. “Bro, what?”

The princess huffed. “For the hand of Prince Malleus, of course! You think I didn’t see you fawning over him?”

“Fawning? I’m literally just his guide!” You gestured to Malleus, who, for some reason, looked almost giddy. “I’m not dating him, we’re not engaged, and if you push it, we’re maybe friends.”

Malleus practically beamed at the word “friends.” Was he… happy about this? About being defended like some damsel in distress? You were defending the most powerful fae in existence, and here he was, looking like you just made his entire year.

Sebek and Silver immediately stepped forward, but before they could say anything, Malleus raised a hand. “No. I would like to see how my guide—and friend���defends my honor.”

Your brain short-circuited. What?!

The princess smirked, clearly thinking she had you cornered. “Prepare yourself for the duel then! My personal knight will face you.”

You glanced at the knight, a towering figure who looked like he’d been training for war since birth, and then back at the sword that had been thrust into your hands. This was not how you imagined your day going. You hadn’t even touched a sword before. Meanwhile, your opponent was stretching like this was a warm-up exercise.

Still, you had no choice. With a deep breath and the knowledge that you were about to make a complete fool of yourself, you stepped forward, sword held awkwardly in front of you.

The duel began.

The knight lunged at you with a practiced, fluid motion. You, on the other hand, tripped over a rock, accidentally ducking his strike, and in your flailing attempt to stay upright, the hilt of your sword smacked him right in the face.

There was a collective gasp from the audience.

“Oh no,” you muttered under your breath.

The knight staggered, his face scrunched in confusion. He tried again, this time swinging from the side. You managed to parry—purely out of luck—and in the process, tripped forward, sending your sword clattering out of your hands and somehow knocking the knight’s legs out from under him. He fell to the ground with a thud.

Dead silence followed.

You stood there, frozen, your sword lying a few feet away. The knight was on his back, staring up at the sky, clearly bewildered by what had just happened. You hadn't even swung properly!

Lilia burst out laughing. “My, my! That was quite the duel! You’ll have to take responsibility now.”

“Responsibility?” you echoed, flustered beyond belief. “For what? I just—he tripped! I tripped! That wasn’t even—”

“Exactly,” Lilia teased. “You won the duel. Now you must take responsibility for defending Prince Malleus’ honor so valiantly.”

Malleus, looking thoroughly impressed, gave you a small, pleased smile. “Indeed. You have my gratitude.”

The princess, meanwhile, was gaping at you like she couldn’t believe what just happened. “This… this is an outrage!”

You sighed, feeling utterly exhausted. “Look, I didn’t even want to duel in the first place. Can’t we just—call it a day? I’ve had enough of knights and duels and—” You gestured vaguely to Malleus. “I’m not even dating him.”

Malleus’ smile widened. “But we are friends.”

Lilia chuckled. “Ah, young love is so complicated.”

You shot him a glare. This was not what you signed up for. But hey, at least you won the duel—somehow.

You were lounging in your mansion’s parlor, the day blissfully uneventful for once. The warm sunlight filtered through the windows, casting a cozy glow over the room. Malleus was mid-conversation—no, scratch that—mid-rant about gargoyles. To your surprise, you were actually kind of into it.

“And that’s the primary difference between gargoyles and grotesques,” Malleus continued passionately. “You see, gargoyles are not merely decorative but also functional, designed to channel water away from the structure, whereas grotesques, while similar in appearance, serve no such purpose. Fascinating, isn’t it?”

You nodded, intrigued, and cut in with a genuine question. “Wait, so is the functionality the only difference? Like, are they made from the same material?”

Malleus blinked, slightly taken aback that you were not only listening but actively participating. “Yes, precisely. They are often carved from the same stone, but it’s their purpose that sets them apart. For example, in the southern—” He paused, seeming to catch himself, suddenly looking sheepish. “Ah, forgive me. I fear I’ve been talking too much.”

Sebek nearly jumped out of his seat, eyes wide with horror. “Lord Malleus! Everything you say is perfect! Don’t apologize for sharing your magnificent knowledge!”

You couldn’t help but laugh a little. “No, really, I enjoy it,” you said, waving off Malleus’ concerns. “I mean, how often do you get to talk about something so niche with someone who knows this much about it? I actually have a question—do any of the gargoyles in the Briar Valley have, like, historical significance? Like ones that are still functioning after all this time?”

Malleus lit up, and he launched right back into it, going on about ancient gargoyles in the Briar Valley that had withstood the test of time. He even started comparing the craftsmanship of various eras, and to your own surprise, you threw in a few comments about architecture and water systems, things you barely remembered from some random articles you’d read ages ago.

Halfway through a comparison of Gothic versus Renaissance gargoyle styles, a soft knock interrupted. Your maid entered, bowing slightly. “My lady, pardon the interruption, but we need your guidance with something in the kitchens.”

You sighed but smiled, pushing yourself off the couch. “I’ll be right back. Don’t let them bully you into leaving the gargoyle talk,” you teased as you walked out, completely unaware of the effect your comment had left behind.

As soon as the door closed, Malleus stood there, momentarily speechless. His pale cheeks took on the faintest hint of color, and his eyes were wide, as if someone had just smacked him with a metaphorical brick of emotions. The prince of Briar Valley, the most powerful creature in existence, was blushing like a schoolgirl with her first crush.

Lilia, ever the mischievous one, was already grinning from ear to ear, eyes twinkling with mischief. “Well, well, well… isn’t this interesting?” he purred, barely suppressing a chuckle.

Silver raised an amused brow, casting a side glance at Malleus. “It’s not every day we see him blush.”

Sebek, on the other hand, was utterly baffled but still overjoyed at seeing his lord smiling so widely. “Of course Lord Malleus is happy!” Sebek exclaimed proudly, though there was a trace of confusion in his voice. “He’s been honored with your presence and your rapt attention, as is only right! I just—” Sebek glanced around, as if trying to understand the subtle undercurrent in the room, “—I don’t understand why he’s so… red?”

Lilia patted Sebek on the back, barely holding in his laughter. “Oh, Sebek, my boy. This is what happens when someone gets the attention they’ve long desired.”

Malleus cleared his throat, trying—and failing—to compose himself. “I’m merely… pleased,” he said, though his blush betrayed him. “It’s rare to find someone who listens so attentively.”

Lilia chuckled softly. “Yes, and who knows the difference between gargoyles and grotesques, I imagine. Quite the match for you, wouldn’t you say?”

Malleus, flustered beyond belief, gave Lilia a sidelong look but said nothing, clearly more preoccupied with the strange warmth blooming in his chest.

By the time you returned, unaware of the scene you’d left behind, Malleus was still trying to gather himself. Lilia shot you a knowing smile, and Silver just gave you a look like you have no idea what’s happening, do you? Sebek, as always, continued to beam with unshakable loyalty to his blushing lord.

But hey, at least Malleus was happy—really happy.

It all started innocently enough—you were having dinner with Malleus, Sebek, Lilia, and Silver. Sebek was, as usual, going on one of his rants about how absolutely divine Malleus was, Lilia was being cryptic and vaguely mischievous, and Silver was dozing off between courses.

You, being the delightful disaster that you were, cracked a joke between bites. “Honestly, if Sebek praises Malleus any more, we might as well commission a statue of him—complete with an audio loop of Sebek’s praises.”

Malleus laughed. Actually laughed. It was such a rare sound, deep and rich, and when you heard it, your heart stuttered in your chest like someone had just jabbed you with a lightning bolt.

Oh no.

You knew, from that very moment, you were in deep, deep shit.

From that point on, everything Malleus did made it impossible for you to act normal around him. His laugh, the way his eyes crinkled when he found something amusing, the warmth in his voice when he spoke to you—how had you not noticed before? And now, every time Lilia even looked at you, it was with this knowing, mischievous grin, like the universe had finally granted him the entertainment he’d been waiting for all these centuries.

“This,” Lilia said one day, leaning in conspiratorially with a grin that could light up a room, “this is what I’ve lived so long for.”

And to make matters worse, it wasn’t just your mind tormenting you. Oh no. It was like the entire world was in on the joke. You could practically see sparkles in the air every time Malleus so much as glanced your way. Sparkles, for crying out loud. Your heart was in critical danger.

Your solution? Avoid him.

But it wasn’t that simple. You tried hiding behind furniture, ducking into bushes, and even feigning an incredibly inconvenient bout of food poisoning just to avoid being near him. One time, you spotted Malleus coming down the hall and, in a blind panic, dove behind a potted plant. The plant was tiny. You were not. Somehow, you thought it would work.

It didn’t. Malleus casually walked over, spotted you crouching awkwardly behind the plant, and said, “Is there something wrong with that shrubbery? Should I summon someone to tend to it?”

Another time, you attempted to “sneak” out of the palace by pretending you were a passing merchant. You wore a very large hat and wrapped yourself in an oversized cloak. Malleus found you immediately.

“Aren’t you feeling a bit warm in that?” he asked, blinking at your ridiculous ensemble.

He had fae hearing. He could always find you.

Even guiding him around town became a disaster. How were you supposed to be a competent host when all you could think about was how unfairly hot he was? Every word he said carried this charming, ancient elegance, and here you were, a flustered mess with zero composure.

Lilia? Still having the time of his life. He was practically choking on his laughter at this point. Silver, somehow, slept through most of your crises, and Sebek was just thrilled Malleus was spending so much time with him (though he was clearly confused about why you were acting so weird).

Finally, you had enough. One night, under the cover of the moon, you snuck into the garden with the determination of someone completely done with their own suffering. You found a flower—granted, you didn’t know what it was, but it looked nice—and you marched up to Malleus, who was out enjoying the evening air, blissfully unaware of the emotional train wreck headed his way.

“I need to say something!” you blurted, shoving the flower toward him.

Malleus took the flower carefully, glancing down at it. His expression shifted from curious to… mildly concerned? “This flower,” he said slowly, “is traditionally used in Briar Valley to signify deep betrayal…”

You blinked. Oh god.

“No, wait! I didn’t mean—!” you stammered, but before you could backtrack, your brain decided it had had enough. You blurted out the truth, no holds barred: “I like you, okay?! I’ve been a mess for weeks because of how ridiculously perfect you are, and I’m tired of avoiding you and hiding behind plants! So there!”

There was a moment of stunned silence. Malleus stared at you, his eyes wide with shock, and then, much to your surprise (and relief), he broke into the widest smile you’d ever seen on him. It was like the moon had just gotten brighter.

“You’re confessing… to me?” he asked softly, his voice filled with genuine joy.

“Yes,” you groaned, face burning with embarrassment. “Now please reject me so I can go lie in a ditch somewhere.”

But instead of rejection, you got happy dragon noises. Malleus gently pulled you into his arms and, with a voice full of affection, declared, “You are mine, then. From this day forward, you are my beloved.”

Cue your soul leaving your body.

When you broke the news to your father the next day, the poor Duke nearly fainted at the sight of the Prince of Briar Valley standing there, flanked by Silver, Sebek, and Lilia, the former general grinning like the Cheshire cat.

The Duke was intimidated—terrified, really—and quickly agreed to let the courtship proceed. But there was a catch.

“You’ll have to tell the Crown Prince and the Hero Knight yourself,” your father said, his face pale. “I’m not getting involved in that.”

Your retirement plans had officially died.

Despite all the chaos that had entered your life since becoming Malleus's beloved, you had to admit—there were perks. One of those was what you’d come to call "fae luck." It became especially apparent during a particularly tense diplomatic meeting involving the fae, the beastmen, and your kingdom.

The room was filled with strained conversations, the kind of diplomacy that could either result in peace or war, depending on how fragile the egos in the room were. You were sitting between Malleus and the second prince, doing your best to avoid looking at the first prince, who had already been giving you way too much attention for comfort.

Then it happened.

The first prince, ever the picture of grace, rose to speak. As he took his first step forward… THUD. He tripped spectacularly, arms flailing, and landed directly in the lap of the Beastmen Queen. There was a collective gasp, and for a heartbeat, you thought maybe this could be saved—until he opened his mouth.

“Well, I guess I’ve… fallen for you!”

Silence.

The Beastmen Queen's expression froze. The fae delegation collectively facepalmed, and you could practically feel the tension suffocating the room.

And then the Beastmen were on their feet, growling and demanding the immediate removal of the first prince from the line of succession. One of their diplomats, fur bristling with indignation, roared, “This is an insult to our Queen! Remove this fool from the throne!”

Instead of apologizing, as a normal, sane person might have, the first prince, face red with embarrassment, dug himself even deeper. “It was a joke! Can’t you beastmen take a joke? Honestly, I don’t see why everyone’s so sensitive.”

The Beastmen's amger intensified, and you saw the Emperor and Empress—who had been trying desperately to maintain order—sink deeper into their seats, their expressions a mix of horror and resignation. The entire room was teetering on the brink of an international incident.

And then… you spotted it.

A little green wisp, barely visible, flitting through the air right around where the prince had been standing before his magnificent face-plant.

You glanced toward Malleus, who was sitting beside you, looking perfectly composed, save for the faintest glimmer of amusement in his eyes. Beside him, Lilia gave you a knowing wink, his mischievous grin unmistakable.

They caused this.

Within moments, the decision was made: the first prince was officially removed as heir to the throne. His younger brother, the second prince—who had always been calm, composed, and infinitely more capable—was declared the new Crown Prince.

It was glorious.

But before you could celebrate, the first prince turned toward you, his expression sour and filled with desperation. "You—" he began, as if about to drag you into his misery.

Not today, prince.

Finally given the chance to reject him properly, you rose from your seat, letting out a long, exaggerated sigh as you faced him.

“I’ve been waiting so long to say this,” you began, crossing your arms and locking eyes with him. “I reject you. Completely. Wholly. Utterly. There is not a single fiber in my being that has ever been remotely interested in you. In fact, the only thing that’s ever kept me in proximity to you was the sheer necessity of survival.”

The first prince’s mouth opened, but you weren’t done.

“Remember all those times you made those comments about my ‘station’ and how ‘lucky’ I was to be considered by you?” you said, raising an eyebrow. “I didn’t say anything back then because I was too polite, but now? No thanks. Absolutely not. I would rather spend a century in the swamps than a minute more listening to you.”

Sebek, of all people, burst into laughter. “She’s got a point!” he managed between snickers. Lilia was grinning from ear to ear, his eyes twinkling in amusement, and Silver, barely awake, gave a lazy thumbs-up in support.

Malleus, meanwhile, looked positively enchanted. His eyes sparkled as he watched you lay into the former prince, pride and affection written all over his face. When you were done, he leaned toward you, murmuring with a soft smile, “I do love seeing you stand up for yourself.”

The first prince, his face red with humiliation, stammered, “You can’t speak to me like that!”

“Oh, but I just did,” you replied with a sweet smile. “And you know what? It felt amazing.”

With that, the first prince slunk away, his tail metaphorically between his legs, while the room buzzed with whispered laughter. Even the Beastmen, who had been ready to rip the prince to shreds, seemed satisfied.

You had never felt more victorious. Malleus looked at you with such adoration, and Lilia… well, Lilia looked like he was already planning his next round of mischief.

It was a good day.

The festival was going about as smoothly as a cat in a bathtub. You were trying to act like you weren’t hopelessly entangled with the most dangerously attractive fae prince in existence, while also managing to survive the company of your absurd entourage.

Sebek was marching around, loudly reminding anyone within earshot of his unwavering devotion to Lord Malleus. His eyes would dart to you occasionally, like he was calculating whether you were worthy of being in the same airspace as his revered master. Silver, half-asleep, was keeping one lazy yet disturbingly sharp eye on you, while Lilia was in his element—practically vibrating with amusement, like he was waiting for you to trip and fall into a cauldron of chaos.

And then there was the Hero Knight. This guy had shown up uninvited, all shiny armor and noble delusions, insisting he protect you from… something? Yourself? Malleus? Winning too many festival games?

“Are you sure you’re safe?” the Hero Knight asked, sidling up far too close, his voice a conspiratorial whisper. “I’ve heard stories about these fae festivals. One wrong step, and you’ll be cursed to dance for a hundred years, or worse—turned into a tree.”

You squinted at him. “Right. I’ll make sure to avoid the face-painting booth. Wouldn’t want to end up as a shrub for eternity.”

Malleus, ever patient, simply raised an eyebrow, as if contemplating whether this so-called Hero Knight was worth the oxygen he was breathing. Lilia, meanwhile, was biting his lip to stop from laughing.

But then, amid your rising frustration, you spotted it: the holy grail of festival prizes. The gargoyle plushie.

It wasn’t just any gargoyle plushie. It was perfect. Chunky, with tiny wings and a slightly disgruntled expression, it radiated the exact energy you associated with Malleus—regal, intimidating, yet somehow huggable.

You pointed at it like you’d just discovered a hidden treasure. “I need that.”

Malleus, ever-attentive, followed your gaze and smiled softly. “Do you desire the gargoyle?”

“Obviously! It’s basically you in plushie form,” you said, already walking toward the game stall. “But, you know, it’s rigged. All festival games are.”

Malleus watched you with his trademark elegant amusement. “Perhaps I can—”

“No, no,” you interrupted, raising a hand. “I’m winning this fair and square. No fae magic, no dragon lord intervention. Just pure skill.”

You grabbed the darts, took a deep breath, and began your assault on the rigged game. It wasn’t easy. The darts bounced, the targets mocked you, and you could feel the Hero Knight hovering over your shoulder like a bad itch.

“Are you sure this is wise?” the Hero Knight asked again, his voice dripping with concern. “This feels like a trap. What if they’ve enchanted the darts? What if—”

You whirled on him, fed up. “Listen, Sir Gallant-with-too-much-hair-gel, it’s a dart game. Not an assassination plot. If I can survive dealing with you, I think I can handle a few rigged targets.”

Lilia absolutely lost it. He doubled over, wheezing in laughter, while Silver let out an amused snort. Even Sebek looked like he was struggling not to smirk, though he quickly composed himself.

Malleus, ever regal, simply smiled, his eyes sparkling with amusement. “I have faith in your abilities, my dear.”

Fueled by that comment—and the knowledge that the Hero Knight was slowly losing what remained of his dignity—you managed to hit the final target. The plushie was yours.

Triumphantly, you grabbed the gargoyle and turned to Malleus. “For you.”

Malleus, to your utter delight, looked genuinely touched. His eyes softened, and that rare, warm smile appeared. “You won this for me?”

“Obviously,” you said, trying not to melt under his gaze. “A prince should have his own gargoyle.”

Silver, who had been observing the entire scene with increasing clarity despite his usual drowsiness, raised an eyebrow. “Interesting.”

Sebek, who was still processing the fact that you’d just casually given his lord a gargoyle plushie, grunted. “You… you truly care for Lord Malleus.”

Before you could say anything, the Hero Knight, still floundering, piped up. “Well, I could’ve won that gargoyle too, you know. If you wanted to—”

“Oh, please,” you cut him off, turning to the Knight. “You probably would’ve asked the stall vendor to throw in a manual on ‘How to Not Be a Total Wet Blanket at Festivals.’”

Lilia nearly collapsed. “Oh, please stop—I can’t—” he gasped, clearly having the time of his life.

You waved him off and turned back to Malleus, who was still holding the plushie with the same reverence one might reserve for an ancient relic. “Shall we continue?”

Next up was a couple’s game. You had no intention of participating—until you noticed the Hero Knight gearing up to suggest that he join in to protect you. Oh no. Not today. You grabbed Malleus’ arm and dragged him into the game, completely ignoring the Knight’s sputtering objections.

“It’s… it’s traditionally for couples…” Silver noted, giving you a look that clearly said, I see what’s happening here.

You ignored him too.

The game was simple enough: throw rings onto bottles, but for some reason, the tension was palpable. Probably because you were standing next to one of the most powerful beings in existence, and you’d dragged him into a ridiculous couples’ game in front of his overly protective retinue.

But you won. And to rub salt in the Hero Knight’s ego, you fed Malleus one of the sweets you’d won.

“Y-You!” Sebek spluttered, looking as though you’d just committed the highest treason against decorum. “Feeding Lord Malleus… this… this is too much!”

The Hero Knight, on the other hand, looked utterly baffled. “Are you… are you sure that’s safe? What if the sweets are—”

“I swear, if you don’t stop, I’m going to feed you to the fairies,” you hissed, snapping the sweet in half and popping it into Malleus’ mouth. He smiled as he ate it, clearly enjoying himself.

By the time the fireworks started, you had somehow survived the night without murdering the Hero Knight. The sky exploded in a kaleidoscope of colors, and for a brief moment, it was peaceful.

And then, without thinking, you kissed Malleus.

There was a split second of stunned silence. And then all hell broke loose.

Sebek let out a screech that could rival a banshee. “My Lord! My Lord!” His voice cracked in disbelief, but then—surprisingly—he softened. “If… If Lord Malleus must fall for a human, I am glad it is someone… as devoted as you. My lady.”

You looked at him, touched. “Thank you, Sebek.”

Silver gave a rare smile, looking both amused and resigned. “Congratulations. You’ve managed to pull this off somehow.”

Lilia, predictably, was still dying of laughter, barely able to breathe between fits of wheezing.

And the Hero Knight? He looked like someone had just told him vampires were real and lived next door. “This… I… What…?”

You turned to him with a smile that could cut steel. “Oh, don’t look so surprised. I’ve been trying to tell you for months that I wasn’t interested. I’d rather kiss a gargoyle than you—actually, no. The gargoyle’s got more charm. Better conversation skills too.”

Lilia was full-on cackling now, leaning against a festival stall for support as the Hero Knight’s dignity shriveled up into nothingness.

Malleus, looking absolutely radiant, wrapped an arm around your waist. “Shall we depart? I believe we have a kingdom to return to.”

The next day, you stood with Malleus and his merry band of chaos, bidding farewell to your parents and butler. The Duke was still recovering from the heart attack Malleus had given him when he asked for your hand in courtship.

As you waved to your family, Malleus gently took your hand, leading you toward the carriage that would take you to Briar Valley.

“Well,” you muttered as you glanced back one last time, “this story of mine took a weird turn.”

Lilia, still grinning like a fiend, chimed in. “Oh, just wait until the sequel.”

The last thing you heard as the carriage rolled away was the Hero Knight muttering in the distance, “I could’ve won that gargoyle…”

You smiled. Maybe the webnovel wasn’t such a disaster after all.

Ahh I hope y'all like this one, malleus is one of my favs and I had so much fun writing him.

The Kalim one is being edited because it's a little too somber for me and I wanna make it a little more fun and Azul one is almost fully edited too!

So, here's a poll for the one after these. (They'll all get a turn)

Series Masterlist ; Masterlist

[5sospenguinqueen]

Bedtime Stories Pt 2 | Daniel Ricciardo x Author! Reader

Summary: Daniel made a silly little comment that lost him everything. Over a year later, he tries his hardest to fix his mistakes.

Warnings: Swearing. A tiny smidge of angst but mainly fluff. Redemption for Daniel.

Female reader with various faceclaims (pics found on pinterest). Takes place in 2023. For the purpose of this, Daniel has been with AlphaTauri the whole time.

Main Masterlist

prev.

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28•05•2023

danielricciardo just posted

liked by redbullracing, YourUserName and others

danielricciardo monaco, always a delight. P11. so close to the points but racing through your streets feels like being on a podium

4,337 comments

landonorris and whose attention are we trying to grab with that sexy last pic 👀

→ danielricciardo only yours, mate 

→ User1 don’t act like you’re not dying inside because y/n liked this 

→ User2 relax, they never unfollowed each other 🙄

maxverstappen1 you’ll get them next time, mate

→ danielricciardo fancy giving me a tow?

→ maxverstappen1 never

→ User3 i love their friendship so much

User4 um, did anyone see that y/n liked and then unliked this post 

→ User5 omg yes! sis was caught stalking and we love her for it 

→ User6 i too would thirst over my ex if he looked like that 

kellypiquet we were watching the whole time

liked by danielricciardo

→ User7 what a weird comment to make?

→ User8 who’s we, kelly? 

→ User9 what does this mean? 

 

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04•06•2023

Tweet 1

User10 @ kikiki babe did you hit your head? is that why you were in the ER? they broke up

User11 @ kikiki maybe ask them to do a head scan whilst you're there 'cause ain't no way you saw here there

→ User12 literally. like why would she even be in spain right now?

Tweet 2

User11 i think we might have to apologise to @ kikiki

→ User10 can we really trust the wag page though? They did report that Lando was having a secret love child the other week..?

Tweet 3

User13 asking the real questions because she's not even hinted that she’s been writing so it’s not like she’s on a book tour or anything?

→ User14 some people are saying she could be on vacation but please, why would mother choose a holiday destination during a time that she knows is a GP?

User15 guys, guys, I think our sacrifice circle worked 

→ User16 please, please, 🕯️🕯️

User 17 how poetic would it be though if they got back together  during the spanish GP when they broke up at the spanish GP a year ago 

User18 shouldn’t you know these answers, and that she was in spain, if you're her so-called updates page

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22•08•2023

YourUserName just posted

liked by maxverstappen1, charles_leclerc and others

YourUserName some big news approaching 

6,349 comments

kellypiquet i can’t wait, my beautiful girl 

→ YourUserName thank you for being my #1 support

→ kellypiquet thank you for letting me help plan

→ User1 what does this mean? 

→ User2 miss piquet stop being so cryptic on socials 

maxverstappen1 i’m very excited 

→ YourUserName did kelly force you to write that because i could feel the excitement oozing through the screen

→ maxverstappen1 i wanted to say something worse 

→ YourUserName i hope she leaves you

→ kellypiquet behave, you two! 

→ User3 i live for max and y/n terrorising each other, even without danny ric being around to encourage it

bloomsburypublishing we look forward to the end result

User4 i’m sorry but is this a soft launch?

User5 who is that in the last slide, miss y/n?

→ User6 the inspiration behind a new romance we hope

User7 don’t be shy. tag him 

User8 soft launches have recently become my least favourite thing

charles_leclerc are you perhaps writing my next plane read

→ YourUserName depends how long the flight is 

→ User9 confirmation of a new book ya’ll!! everyone say thank you charles

User10 i like to be edged by her books, not by her hiding her man

User11 don't try and distract us with news of a new book, we wanna know who the feet belong to!

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01•09•2023

danielricciardo just posted

liked by maxverstapen1, yukitsunoda0511 and others

danielricciardo ciao a tutti. lovely sightseeing in beautiful Italy

6,445 comments

User12 you’re telling me that i’m currently in the same country as THE daniel ricciardo?

kellypiquet i’m still trying to recover from that hike

→ User13 kelly and max went on a double date with daniel and the new girl?!

→ User14 omg please be y/n. i can’t imagine kelly agreeing to it otherwise

User15 i know he's trying to distract us with his beauty but we see the last slide, daniel. we see it

pierregasly so you’re telling me that you were in milan and didn’t bother to come and see me? that’s it. i'm ending our friendship

→ danielricciardo i’m sorry, mate. i was doing more important things

→ pierregasly clearly ;)

User16 someone check on y/n, please

→ User17 babe is clearly having the time of her life in italy (yes, i'm delusional)

User18 does nobody find it odd that he’s posting a soft launch not long after y/n posted a soft launch

→ User19 i know! it’s only been three weeks since hers and he’s posting one

→ User20 i can’t decide whether they’re soft launching each other or he’s trying to make her jealous by flaunting a new relationship as well

→ User21 it HAS to be each other or i will die

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15•10•2023

lando.jpg just posted

liked by YourUserName, danielricciardo and others

lando.jpg so i attended this event… and no, it’s not mine before you all freak out

8,223 comments

charles_leclerc it was a beautiful day ❤️

alexandrasaintmleux i’m so thankful to have been a part of such wonderful memories

kellypiquet the most beautiful bride i have ever seen

maxverstappen1 this was a nicer caption than i expected from you

→ danielricciardo agreed

→ landonorris i take offence to that

User1 guys do we think kelly and max got married? they’ve both comments on this?

→ User2 yes but so did charles and alex so…

→ User3 plus, i know kelly is stunning but do we really think she would call herself the most beautiful bride in 3rd person?

georgerussell63 i’m surprised you remember much after the state you were in

→ landonorris excuse you but most of that was just pure happiness

hulkhulkenberg an amazing day

estebanocon so happy to have been a part of this

alex_albon how’s the hangover, mate

→ landonorris i didn’t drink that much!

→ georgerussell63 tell that to the bouquet that you puked on

→ landonorris i caught it so it was mine anyway

carlossainz55 beautiful photos. she’ll love those

→ User4 who’s she?!

lewishamilton🤍🩵

fernandoalo_official congratulations to the happy couple

User5 the entire grid are commenting on this post, clearly having been in attendance. who IS IT?

pierregasly c’était une belle mariée

liked by YourUserName

User6 guys, y/n’s name on socials just changed from y/l/n to ricciardo

liked by danielricciardo

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03•04•2024

YourUserName just posted with danielricciardo

liked by kellypiquet, maxverstappen1 and others

YourUserName my husband helped with this project. baby ric coming aug 2024

9,550 comments

kellypiquet you will be the most beautiful mother. i’m so honoured to be part of this with you 💕

→ YourUserName stop you’re going to make me cry. you’ll be the most perfect godmother

→ kellypiquet i still think you should've married me instead

maxverstappen1 i call godfather

→ landonorris no you don’t get to call godfather! you already got to be a groomsman

→ maxverstappen1 yeah because who helped get them back together

→ YourUserName kelly

→ danielricciardo me

→ YourUserName no, babe

danielricciardo and before you all ask, no I haven’t stopped crying since she told me

→ kellypiquet me too, dan, me too

maxverstappen1 on a serious note, i am very happy for the two of you. y/n will be a wonderful mother, and daniel, he’ll be there also

charles_leclerc i am so excited. alex keeps telling me to stop buying baby things for you guys but i just don’t listen

→ YourUserName well at least you can safely say that uncle charl bought little mcqueen’s love

→ User7 uncle charl!!!!

lewishamilton congratulations, you two. y/n looks amazing

fernandoalo_official how lovely 💚

User8 omg it WAS their wedding lando attended!!!!!

hulkhulkenberg baby ricciardo!!

pierregasly congratulations. i can’t wait to be uncle GASSLYYYYYY

alex_albon welcome baby ricciardo

→ lilymhe it’s not an alien, alex. you don’t have to greet it so formally

redbullracing we’re all so excited for the upcoming grid baby. working on a racer stroller right this minute

→ mclaren you stole our gift idea!

→ redbullracing you stole our driver!

carlossainz55 congratulations y/n and daniel 😄

mercedesamgf1 what wonderful news 🍼

landonorris i’m just so glad i can go back to calling you mum and dad without daniel wanting to drive his car into the barrier

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Please don’t hate me for this! I did say from the beginning that Part 2s would be redemption.

I’ve had this planned and written since before Part 1 was published so when half of you then asked for her to get with another driver/move on, I was like noooooo I’ve already planned their baby 😂

As always. Requests welcome. If you have requested, I promise I’m not ignoring it, it’s been added to my queue

Baby Fever Angst Series

Tag list

@bibissparkles @barcelonaloverf1life @rlalliehayes @dullypully @softtina @callsignwidow @lav3nder-haze @minkyungseokie @luvrrish @fall-bambi @evans-dejong @sadsierra2 @justdreamersdream @spookystitchery @dark-night-sky-99 @majusialikesfastcars @luckyladycreator2 @bborra @mrosales16 @reguluscrystals @tvdtw4ever @alwaysclassyeagle @gigicisneros @spanishcorndogs @thecubanator2 @goldenharrysworld @awritingtree @jxnellat @sbrn0905 @hc-dutch @buckybarnessweetheart @ironmaiden1313 @dreamercrowd @yourbane @reguluscrystals @peachiicherries @g-l-o-b-e-w-h-o-r-e @weekendlusting @leclercsluvs @hannannannannannah @lifeless-firefly @sinofwriting @exotic-iris13 @imperfect-paragon @dan3avocado @barcelonaloverf1life @avillagesperson @hard4ndsoft @justzluv @laneyspaulding19 @danielshoe @chocolatefanunknown @redcrescentmoons

Sorry if I missed anyone!

[vexwerewolf]

Should I read homestuck

tl;dr: no

actual answer: yes, but with some extremely important caveats.

Firstly, because Adobe shitcanned Flash, you can now no longer experience Homestuck in the form it was intended upon release... unless you download the Unofficial Homestuck Collection. This act of unbelievable, nay, saintly generosity by Homestuck's most dedicated fans allows you to experience Homestuck as it was intended - as close as is humanly possible.

"As close as is humanly possible" is the key phrase here. One indelible part of the original Homestuck experience was UPDATE! Homestuck would sometimes go weeks or even months (and later, years) between updates. I wasn't on Tumblr back in the day, but at the peak of Homestuck, even if you knew nothing else about it, you'd know when an update dropped because Tumblr's net traffic would increase something like three to fourfold. People would go apeshit bananas about whatever new revelations the Huss would drop on us.

You also need to realise that Homestuck is a product of its time and while its takes on sexuality and gender identity was pretty progressive (for its time), Huss did use the r-slur a bunch.

While we're on the subject of the author, Andrew Hussie (of whom my current understanding is that they have not changed name but go by they/them nowadays) is, in the most diplomatic possible terms, a very unique person. They are, at times, a visionary storyteller with genuinely fascinating ideas. At other times, they come off as kinda spiteful towards their readers.

Without meaning to dip into spoilers, some story beats seem (in my opinion) almost intentionally calculated to upset, irritate or mock certain fans. It never rises to the sheer vicious contempt that Steven Moffat had towards Sherlock's fanbase, but it does leave a bad taste in my mouth whenever I go back.

Additionally, and this is where a sort of birds-eye-view spoiler is unavoidable, the story suffers from the Game of Thrones pitfall of repeatedly increasing its own complexity by adding new plot threads without resolving existing ones, eventually leading to fatigue on the part of both the reader and the author. The arcs of a lot of characters just straight up get abandoned, while a couple of characters take an unnecessarily large amount of screen time.

There's one character in particular that the author openly states within the narrative (the author exists within the world of the story. It's... a whole thing) that they favour, and whose behaviour the story is warped to accommodate. You'll know exactly who I'm talking about almost the moment they show up.

Another reason I say that it's not really possible to read Homestuck as it was originally intended is because a lot of the shit that happens in it fits into the zeitgeist of the internet at the time any individual update was written. There's a whole section in the late middle third that is inextricably and very specifically tied to how it was like to use Tumblr in 2012.

Additionally, a lot of things have soured with time. There was the whole Hiveswap debacle (it was first announced in 2012. We got the first act in 2017. We got the second act in 2020. We do not even know if the third act will ever come out.). There were the legal threats. There were the Epilogues and Homestuck 2, which were... how do I put this? Not universally liked. There's been nearly a decade of discourse since Homestuck ended, and a lot of things haven't grown better with age.

All of that being said.

You should read it.

I cannot express to you just how big an impact Homestuck has had on internet culture. Even people who claim to hate Homestuck unconsciously use slang that it invented. Its unique ideas on storytelling, character design and narrative chronology have, in both subtle and unsubtle ways, changed the way millennials and Gen Z tell stories.

A lot of people were inspired to tell stories because of Homestuck - one example I always give to Lancer players is that Kill Six Billion Demons started as a comic on the MSPA forums (before it was homestuck.com, it was MS Paint Adventures), so Homestuck is in an indirect but demonstrable way responsible for the existence of Lancer. The sunglasses that Gideon Nav from the Locked Tomb wears have been explicitly stated by Tamsyn Muir to be Dave Strider's. Toby Fox made music for Homestuck, and worked on large parts of Undertale while living in Andrew Hussie's basement.

We also know someone in the Bluey creative team is a Homestuck, because...

There are subtle but direct references in Bojack Horseman, Hazbin Hotel, Steven Universe, Adventure Time - and those are just the ones that it's easy to prove! In a more general sense, I think there's a lot of cartoon series, movies, games, etc. that would either be very different or wouldn't exist if Homestuck hadn't happened.

It's certainly influenced my work.

I think, being very cautious to manage your expectations, that you should read Homestuck. At the very least, a lot of things people say on Tumblr will start to make, if not sense, a different kind of nonsense.

[therealcocoshady]

Hi coco!

Can you do a one shot about a younger actress reader?

There is a tiktok going viral about her saying that she likes older men and another where she is looking at marshall at an event with "fuck me eyes"?

Reader freaks out when marshall just slides into her dms but later they are spotted together at the paparazzi?

I just find it cute and awkward 💀

DADDY’S SPAGHETTI 🍝

Eminem x Young Actress Reader

Synopsis : You are a young actress whose crush on Eminem becomes public. You are mortified about it… until he slides in your DMs.

Author’s Note : I absolutely LOVED this request, I had to give it a go ❤️. I was inspired and I swear I never wrote anything that quickly. It is short and sweet and I hope you enjoy it. ☺️

You thought you were done being publicly embarrassed. Yet, life was proving you wrong. As an actress who had her start in her teenage years, you weren’t a stranger to embarrassment. From awkward casting calls to stupid deaths on TV, it was practically part of the job. However, as your career evolved, you thought it would go away. After all, you were now in a better position, able to choose the projects you were involved in and you had garnered the respect from your peers and the industry. Even the media had become more kind towards you. In a matter of years, you had gone from the awkward teen movie star to well-respected actress, and you were able to look back fondly to your early years. You even joked about how awkward you were, back then. The last thing you expected was for it to start all over again. 

You were walking the red carpet for the premiere of your latest movie, your biggest project to date. It was truly the highlight of your career : a role created specifically for you, a movie directed by someone you admired, a beautiful story told on the big screen… You had gotten your fair share of praise in the past, but you knew this was going to be your « big break ». Behind the scenes, everyone had praised your performance and told you it was « Oscars material ». You didn’t know if that was true or not, but you were on cloud nine nonetheless. When you walked the red carpet at the premiere, in a custom Elie Saab gown, everything felt right and you weren’t even stressed out when you answered the questions of a few journalists present. 

You look truly amazing, tonight, one commented. Who are you wearing ? 

Thank you ! This is a custom Elie Saab, I feel like a princess. I sort of had to dress up for this beautiful event, you replied as you tried to shift the focus on the movie. 

This is your biggest role to date, another said. How do you feel about the movie ? Have you seen it ? 

I’ve seen bits and pieces. But I’m going to discover the whole thing tonight, you said with excitement. I’m very confident. Filming with such a director was an honor and I know that the result will be great. I can’t wait for everyone to see it ! 

One thing that everybody is really excited about is the soundtrack, too, a third journalist chimed in. Eminem was involved. Have you heard the theme song yet ? 

I haven’t, you said. But it’s Eminem so I know it’s going to be absolutely fantastic ! I can’t wait to hear it ! 

You sound like you like his work. Have the two of you met ? They asked. 

Oh, I’m his biggest fan, you said with a huge smile. His music’s the soundtrack to my life ! But no, I haven’t met him… 

Tonight’s your chance, they joked. He is over there. 

They pointed to him and Eminem was, indeed, a few feet away from you. He had been a celebrity crush of yours for years and you were absolutely starstruck. He was even more attractive than in pictures ! You couldn’t help but stare. This man was oozing charisma and commanding attention. You didn’t even notice that you were looking at him with « fuck me » eyes and licking your lips. For a brief instant, you completely forgot where you were, until you heard your name being called, signaling that you had to keep walking and enter the screening room. That night, you didn’t get a chance to meet your idol, though. As the lead of the movie, people kept on coming over to you and talking to you. It was probably for the best, too. You had been starstruck enough on the red carpet ad you did not trust yourself to have a pleasant exchange with him. 

Of course, the video of you thirsting over Eminem went viral. It would have been kind of cute if other clips hadn’t surfaced. There were videos from years ago, of you talking about having a crush on him - God, you really didn’t have a filter, back then - and especially one interview where you were candid about being attracted by older men. 

What’s your type when it comes to men and dating ? The journalist asked. 

I like mature, older men, you said candidly. I’m not really attracted to people my age. 

Any physical features you’re attracted to ? 

Oh, it’s typical, you know, you giggled. Dark hair, blue eyes… I like a nice beard, too. 

So basically… Eminem ? The interviewer playfully asked. 

Oooof… You have no idea, you replied with a grin. 

Isn’t he… Old enough to be your Dad, though ? 

Let’s just say I wouldn’t mind calling Marshall Mathers Daddy, you giggled. 

At the time, this interview didn’t make much noise. It was for an indie podcast and, seeing as you weren’t too famous at the time, it sort of flew under the radar. It was kind of a harmless joke and a nod to your thirst for him, which all your friends were very much aware of. However, the video resurfaced after the viral red carpet clip, and people were quick to make edits, soberly titled « Y/N thirsting over Eminem over the years ». Your friends jokingly forwarded them to you and you know they were being playful, but to you, it was everything but fun. You were absolutely mortified. Having a crush on him was one thing, but there was a literal video of you staring at him like you were in heat. So much for being a classy movie star… 

The nail in the coffin came when Marshall was interviewed and asked to react to the video of you thirsting over him. He seemed genuinely surprised, leading to think that he wasn’t aware of the clip before the interview. All in all, he didn’t say much, he just described the whole thing as « flattering » and quickly went on to praise your performance in the movie : « We didn’t actually meet, but I saw the movie, which I worked on the soundtrack for, and she is really amazing in it. Really talented. ». Thank God, he didn’t add to your embarrassment. Your friends were going crazy over this « Come on, Y/N, he said he was flattered and that you’re talented ! That’s cute ! You should DM him or something », they encouraged you. However, you didn’t. He was clearly just being classy and not publicly embarrassing you - you did that on your own anyway. 

A few days later, however, you had the biggest surprise of your life : a DM from him on Instagram. At first, you thought it was a fake account and didn’t pay it much attention but it was clearly him, verified account, blue tick and everything. You were nervous to open it and you almost didn’t want to. What would he say to you ? Most likely something along the lines of « Please don’t mention me ever again, that’s awkward, you’re awkward and your filmography is trash anyway». It actually took you a couple of days to muster the courage of opening it. Thankfully, it wasn’t anything horrible. Quite the contrary, actually. He was in LA for the week and wanted to know if you’d have dinner with him. You were terrified and freaking out, but also excited. At first, you were reluctant - what if you embarrassed yourself ? But ultimately, curiosity got the best of you and you accepted. Surely, if he asked you to have dinner with him, it couldn’t be that bad, right ? 

A couple of days later, the two of you went for dinner and joined at SoHo House in West Hollywood. Due to both of your fame, a members-only social club was a safe pace that allowed for privacy. You were nervous, at first, and some paranoid part of your brain was scared that it would be a complete disaster, but it was the contrary. He introduced himself as Marshall and was an absolute gentleman and a sweetheart. He mentioned he had seen a lot of your movies and described himself as an admirer of your work. The whole evening, conversation flowed easily between the two of you. He put you at ease and was one of the most interesting persons you had ever met, knowledgeable on a lot of subjects and funny as hell, too. You weren’t too sure, but it also seemed like he was subtly flirting with you, though you didn’t want to get in your own head and make assumptions. He was so chill that you weren’t star struck anymore, but you were still reasonably impressed and too scared to flirt, so you simply enjoyed conversation with him. You were usually scared to meet people you admired, afraid that you’d have a terrible interaction with them that would taint your perception of their work, but the whole dinner was heavenly and you were so glad he DMed you. In his company, time seemed like a foreign concept, so much so that you had to be kicked out of the club’s restaurant, since you were the only customers left and it was 2 in the morning. 

I can’t believe we’ve been here for six hours already, you giggled. Time really flew by. 

It did, he said with a smile. I’m really glad we did this, Y/N. 

Me too, you said shyly. 

You were in the lobby, about to part ways, and your heart was beating fast. The way he spoke your name had you feeling all the feels and you didn’t really want the moment to end. He was staring at you intently while you were nervously biting your lip, trying not to say something awkward that could ruin the night. « Don’t be that person, Y/N », you thought to yourself. 

Thank you for coming, he said. When you didn’t reply to my DM, I thought you didn’t really want to meet. But I had a really great time tonight. 

Yeah, sorry I… I actually took a few days to open your message because I was scared, you confessed. I mean, we haven’t addressed the elephant in the room tonight, but I did kind of make a fool of myself on the red carpet. And when you wrote, I was kind of nervous. 

You didn’t make a fool of yourself, he said reassuringly. Nothing to be embarrassed about. It was kind of adorable. 

No need to sugarcoat it, you said nervously. You’ve seen that video of me thirsting over you… 

I have, he said as he got closer to you. I’m pretty lucky… 

A-Are you ? You asked nervously. 

Yeah… Thank God they didn’t catch me staring at you the whole night of the premiere, he continued. Because I literally couldn’t take my eyes off you. You’re gorgeous. 

Oh ? Uhm… I mean… The glam team really did a good job, you babbled. And the stylists, too. 

They really did, he said with a smile as he got even closer. You were stunning. 

I mean, it was a lot of work for me to look good, you know ? I mean I normally look like tra-… I mean, not trash but you know it’s… 

There you were. Embarrassing yourself. There was only so much time you could spend in his intoxicating presence without making a fool of yourself and, apparently, it was six hours. He was smiling and you nerves were getting the best of you. You didn’t drink too much at dinner and you couldn’t even blame it on the cocktails. Just your dumb brain making interactions awkward. Thank God the lobby was dimly lit, otherwise, he would have seen your face turn bright red. You cheeks were burning from embarrassment. 

I-I’m sorry, you said. I’m not good at talking to hot people. I mean you’re… Oh my God, why can’t I shut up ? I’m sorry, it’s late and -

I’ll help you, he chuckled as he cupped your face and kissed you. 

The kiss was soft and romantic and you could feel him smile into it. He had one hand stroking your cheek while the other one was on your waist, pulling you close to him. You wrapped your arms around his neck and fully leaned into the kiss as your lips parted ways, allowing his tongue to caress yours. Thank God it was late and you were the only people there, having some sense of privacy while the kiss got more and more passionate. When he broke the embrace, Marshall grabbed your hand and pressed his forehead to yours. 

Would you like to come to my room ? He asked with a smile. 

Ok, you nodded - still a bit dizzy from the kiss. 

In the elevator, you kissed hungrily and there was absolutely no doubt as to where this was headed. You usually weren’t the kind of girl to sleep on the first date, but your five-date policy was thrown to the fire. Marshall was way too hot, way too charismatic. Also, you’d fantasized about him long enough to make an exception. If every wet dream of yours he had inhabited over the years counted as a date, this was actually overdue. You made it to the room and quickly ended up on the bed with him on top of you, nipping at the sweet spot in your neck. 

Marshall, you moaned. 

You meant « Daddy », right ? He asked with a smirk. 

You stared at him with your mouth open, almost embarrassed as you remembered your comment about how you wouldn’t mind calling him Daddy. Your shocked expression made him laugh and he didn’t give you time to reply. Instead, he captured your lips and ran his hands under your blouse. That night, you did end up calling him « Daddy », as well as screaming his name while he ravished you in every way possible until the both of you passed out from exhaustion. 

The next morning, as you woke up in his arms, you weren’t too sure what to do or say, wondering if that was a one time thing or not. However, you weren’t confused for too long as Marshall asked you on another dinner date. You saw each other as much as possible for the remainder of his stay in California. It was meant to be casual, at first, but it quickly became more and, even though the two of you were busy, you tried to make it work. Whenever he came to LA to work with Dre, he would stay at your place and, as soon as you had free time, you flew to Michigan to spend time with him. It was only a matter of time until rumors started to emerge about the two of you, though you were careful not to be spotted together. 

DADDY’S SPAGHETTI : Y/N SPOTTED IN DETROIT. 

Oscar-nominated actress Y/N was spotted in Detroit last week. She was seen grabbing a takeout order from Mom’s Spaghetti on Woodward Avenue. Through the years, Y/N has been quite vocal about her love of Eminem, but it seems like she’s doing more than supporting the Rap God’s business venture. The hoodie she was wearing does look a lot like the one Eminem was wearing a few days earlier when he was spotted attending the Lions game. Last time she walked the red carpet, Y/N was seen thirsting over the Detroit rapper. Is there a chance they could appear at the Oscars together ?

[dolche-tejada]

You know, I think this ending would have been slightly less of a fucking disappointment if the heroes hadn't been so unfairly favored by Horikoshi compared to the villains. I mean, seriously

Deku destroys every bone in his body multiple times throughout the story and is warned that if he continues, he'll permanently lose the use of his limbs ? Everything's fine, his body's just got used to being reduced to a bloody pulp somehow so there's no consequences for him. In fact even when he literally loses his arms to Shigaraki, he gets them back two minutes later thanks to Eri because guess what ? Her horn still works even when cut off from her body. How convenient.

Gran Torino gets his ribcage obliterated by Shigaraki ? Don't worry guys, he'll survive that despite his old age and injuries, and this to have no particular role in the plot afterwards.

Bakugo dies heroically trying to buy time before Deku arrives ? Lmao, did you really believe it ?? No of course not, Edgeshot just uses his last-minute Deus Ex Machina to save his life at the cost of his own and- Oops nope he's fine too, my bad !

Hawks murders a criminal fleeing for his life in cold-blood ? The best Hori has to offer is him completely free and in charge of the HSPC.

And no, losing his quirk isn't a real consequence for him because not only it literally played a major part in saving the world with Vestige!Hawks raising an insurrection among AFO's quirks, but also because his quirk has always been the element through which people exploited him.

Endeavor abused his family for years and completely destroyed his eldest son ? No jail time and no media backlash for that, the only blame he received was due to the heroes' failure to stop the League during the Raid Arc.

And don't even get me started on this bs about facing hell or whatever for what he's done : He's literally free and wealthy ; he have Rei, Fuyumi, Shoto, his sidekicks and Hawks on his side ; and all the difficulties he's apparently going to suffer are off-screened.

Deku had to sacrifice OFA and his future hero career to save the world ? Guess what, Bakugo invested all his time and money to make him an Iron-Man suit and now he can still be a hero with everyone else.

There are plenty more examples of this but I think you get the idea. Now let's take a look at the villains' ending :

Toya is now a piece of charcoal kept artificially alive for the few years he has left, unable to move a finger, and whose few minutes a day during which he can stay awake will be spent talking to his father who abused him as a child.

Toga, a literal teenager, killed herself to save Ochako and because she knew it's still better than rotting at Tartarus her whole life.

And not only did she die but she did by bleding to death. Let me repeat for those who have trouble grasping what I've just said : In a manga where the heroes can survive having their heart blown to bits, being impaled Kakyoin-style or smashed against buildings like a fly on a windshield, one of the main antagonists died of a fucking hemorrhage…

As for Shigaraki, after learning that his very birth and all the tragedies of his life have been orchestrated by AFO, after all this development and narrative promises about him being saved in the end... Deku just kills him.

Because despite all his speeches about saving him, it seems like the best he could do was beating him both physically and mentally until he crumbles to dust…

Compress on his side is apparently locked up for life and kept alive by machines too.

A begging Kurogiri tried in a desperate attempt to save Shigaraki, only to be unceremoniously blown up by Bakugo and dying off-screen without anyone giving a shit, including Aizawa and Mic.

And Spinner will now spend the rest of his life struggling with the extra quirks inside him that affect his body and mind, while having to cope with the thought that his boyfriend best friend and companions have either died alone or are locked away for life in horrifying circumstances.

Clearly not the same as with the heroes...

Now don't get me wrong, even if they suffered just as much from the consequences of their actions or the plot as the League, this ending would still be a disaster in terms of writing but AT LEAST it wouldn't reek that much of hypocrisy.

[brionysea]

when it comes to the umbrella academy, a lot of people seem to think that the first half is great and the second half is terrible. personally, I think only the first *season* is great, or even good. here's why:

the mission statement at the end of season 1 is fixing viktor, but viktor isn't the only broken one, so you can infer that they're all going to have to fix *each other* - as a family, the one thing their abuser never let them be. and the world's burning down around them because of the most dramatic sibling confrontation to ever grace the earth, but they're holding hands and escaping together and surviving the impossible with the intent to move forward, even if that means momentarily moving backwards. it's a masterful allegory for finally growing up, accepting responsibility for your personal trauma and tragedy and how they shaped you, and the moment you take that power back by choosing to heal your inner child, only after being slapped in the face with the fact that if you don't, it *will* destroy everything you've ever built, ever cared about, and ever could.

and then the rest of the show forgets all of it. as it were, it goes in the *exact opposite direction.*

on the surface, the second season isn't *as* bad as the subsequent ones are. but season 3 and 4's faults can be traced back to season 2 by how it pivoted away from the serious subject matter that the story (not the plot - the *story*) was heavily baked in, leaning hard into the goofier elements instead, without ever understanding the contrast that those conflicting elements served to highlight. it made them both more powerful; the jokes were funnier because you were just devastated, and the trauma was more devastating because you were just in tears laughing. the emotional roller coaster is key to understanding these people, and you *have* to take the serious stuff seriously for it to work. at least half of the show doesn't, and as a result, the emotional moments feel hollow.

controversial opinion: as a character, luther is better in season 1 than he is anywhere else. he's more unlikable, but that's because he's implicitly there to show what *not* to do - even if he'd succeeded narratively by locking viktor up and saving the world, he still failed thematically by emulating their father and continuing the cycle of abuse - so luther's a character that's being very effectively used to add to the core theme of the story. he feels like a real, frustrating person, whose brain chemistry got messed up by years of abuse and isolation, all for the crime of thinking his father loved him and wanted the best for him. not like a made up guy on your screen doing silly stuff solely for your entertainment.

season 2 was also the start of the characters getting love interests instead of storylines, which season 1 never would have *dreamed* of; klaus and dave's tragic romance only served to further klaus's character arc, viktor's creepy boyfriend was actually manipulating him the whole time, five's fractured-psyche-mannequin was a narrative tool to let us see into the head of such an emotionally reticent character, and so on. the romance served the character, but fairly quickly into the show's progression, it felt like the character started serving the romance. five was immune to this curse for a long time due to aidan gallagher's age, which is why he's (for the most part) the best, most consistent character across the show, because they had to use their *imagination* for him and actually *write an arc* instead of falling back on tired romance tropes that any selection of characters could slot into to fill the dead space.

after season 1, the umbrella academy is entertaining, but it doesn't have anything to *say.* which is extremely disappointing when the show initially made such a strong case for what it wanted to be.

[the-french-belphegor]

Some time ago I stumbled on @zealousvalkyrie's post:

I'd also add green (Nott, and Loquatius' vest) and brown (Scanlan's hair and Veth's hair and skin), but on the whole yes, that's it! The palette for a Sam Riegel PC :D 🟡🔵🟢🟣🟤

I totally blame him for the huge soft spot I have for all these characters. Even the ones whose story I barely started watching (and the ones whose stories actually have endings and broke my heart). And I can't wait to meet the next one :o)

Bonus cliquable close-ups for computer screens:

Sacrée brochette de personnages ^^

(you know Tary's only looking that ripped because of his large sleeves, breastplate, and a lot of padding :P)

[mistymysticalmoon]

Soft kisses, Safe arms

･ jude bellingham x reader ･

prompt: (fluff/a bit suggestive) after a fun night out with friends, you head home to your boyfriend Jude, whose caring, gentle presence is the perfect contrast to the lively nightclub.

warnings: drinking

wc: 1.5k

a/n: leave me requests!

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

The sounds of the nightclub were all-consuming.

Music, laughter, and singing overwhelmed your senses, and the alcohol coursing through your body was no help. You’d gone out for a night of fun with your girls and it was now almost 2 in the morning. 

A familiar pounding surfaced as you started to feel a headache coming on, but as you glanced over to the dance floor, you saw your friends awake as ever dancing with each other and random men they must have picked up at the bar. 

You giggle, shaking your head at their antics.

As you take another sip of your drink you feel a buzz in your purse. You pull it out and open your messages to see your favorite contact flash on your screen, as he had been periodically checking up on you throughout the night. 

Jude🤍: Hey baby, having fun?

You twirl a strand of your hair giggling like a schoolgirl at such a basic question, the alcohol making you giddier than usual. 

You: Hiiiiii babyy!!!

I misss yoiuuuu

Jude🤍: Missing you too love ❤️

You: I’m comimg hime soon I camt  wait to kiss yiu xx

Jude🤍: I can’t wait either baby, be safe. 

You smile excitedly, hearting the message, and place your phone back in your purse. Jude was never bothersome or controlling when it came to you hanging out with your girls, something you weren’t used to due to some unhealthy relationships of the past. 

He was very secure in himself and your relationship seeing as neither of you had given each other any reason not to trust one another. 

That and the fact that you were both embarrassingly head over heels in love. 

“Oh my goddd he totally wanted to hook up with you” you hear behind you whipping your head to see your girlfriends laughing and stumbling back to the table you had been standing by. 

“Well I hate to burst his bubble but there’s no way in hell” You giggle along not even fully understanding the story but enjoying the moment nonetheless. 

 “I love you guysss” one of your friends exclaims lovingly causing all of you to burst out into laughter but still returning the sentiment. 

“Okay, I’m already feeling the beginning of my hangover. I think I'm calling it a night guys” you express getting a groan from your friends.

“What you reallyy mean is you’re starting to miss your boyfriend and want to fu-” “Oh my god shut up” you cut off laughing awkwardly causing everyone else to join in on the teasing and banter. 

“We're just teasing babes I think we all need to call it a night.” one of your friends assures checking the time to see that it is well past safe hours for a group of girls at night. 

You all decide to get two taxis, splitting up based on where you live, saying your goodbyes, and heading home. The whole ride back to Jude’s apartment your thoughts are consumed by his everything. You imagine his hands on your body, his lips leaving marks on your skin. You feel slightly embarrassed that he can have such an effect on you while not being anywhere in your vicinity. 

You: Hii Judeee Im comibg home niww

You bite your lip thinking about all you want to do to him once you get inside his apartment, clenching your thighs at the mere thought.

A couple of minutes later you feel a buzz in your lap

Jude🤍: Okay baby, I’ll be waiting. xo

You:❤️❤️

As you sent your last message you feel the taxi coming to a stop. You thank the driver and bid your friends goodbye stumbling out of the car and towards the lobby of the apartment. As you push through the revolving doors you look up to see the very face you were just fantasizing about. 

“Judee” you exclaim rushing up and embracing him. “Hii baby” he chuckles pulling you into a tighter embrace. You look up at him lovingly and pull him in for a quick kiss. 

“Come on, let's get you upstairs,” he gently suggests. You quietly nod allowing him to lead you over to the elevator and up to his floor.

The whole way there your hand stays in his , holding your body as close to his as you possible . He hadn't yet caught on to your intentions, attributing your cuddliness to the multiple drinks flowing through your system. 

As you made it through the door he closed it shut behind him letting go of your hand to ensure it was locked properly. As he did, you slipped off your coat tossing it on a chair across the room. 

Once he turned around you stalked up to him, softly pressing your lips against his in a seemingly innocent kiss.

 “Mmm,” he moaned into your mouth, “Missed you baby” His hands found their place on your waist softly caressing your body. 

You kissed him deeper, hoping he would get what you wanted without you having to explicitly ask for it. “Baby” he groaned, slowly pulling away from you.

“Judee” you whined, desperation and need overwhelming you. 

“Baby.. we can’t,” he says resting his forehead against yours. 

“Why not” you pout, looking up at him with a look you know he can't resist. “Fuck, baby you're killing me” he murmurs shaking his head.

“Please, Jude, please I want you,” you whined running your hands along his chest. You reach up and kiss his neck, one of his weaknesses. He groaned at this but restrained himself from giving in. 

“I’m sorry baby, but tomorrow we can do it all. You’re drunk and you need to rest, okay?” he reasons holding your face softly in his calussed palms. You let out a soft groan hanging your head low accepting that your boyfriend was just too caring and loving to take advantage of your drunken state. 

“Okay..” you surrender, feeling a bit embarrassed of how needy you were being. 

Jude lifts your face to look you in the eyes, smiling lovingly at you and leaving a soft kiss on your forehead. “Come on, let's get ready for bed and you can tell me all about tonight.” You nod in acceptance letting him lead you to the bedroom, your hand in his. 

He sits you down at the edge of the bed as he helps you get changed. He starts with your shoes and then moves on to your clothes removing your skirt and softly pulling your shirt over your head leaving you in just your undergarments. 

You felt a shy heat rush to your cheeks, feeling his eyes on your half-naked form, blushing even though he’s seen you in much less. 

He sends you a cheeky grin before walking over to the dresser, pulling out one of his old jerseys that you loved to sleep in whenever you were over his apartment. He carefully pulls it over your head successfully getting you changed. He then leads you to the bathroom to help you brush your teeth and remove your makeup. 

As he props you up on the counter you watch his careful and attentive movements. So sure in himself as he had seen you do this routine hundreds of times. 

“Okay baby, stay still for me” he instructs, wetting a cloth with warm water and makeup remover. 

“Mmm,” you hum in response. 

You close your eyes and he begins to softly drag the warm cloth along your face removing the makeup as best he can, knowing you're too tired to properly wash your face. You open your eyes to see his brows furrowed in concentration, smiling at how attentive and cute he’s being. 

“You're so pretty” you blurt out. He looks at you with a bit of surprise but laughs nonetheless. 

“You’re so pretty, baby” he retorts. “You're prettier” you argue teasingly. 

“You're prettiest” he finishes off with a chaste kiss. You scrunch your nose at his playfulness as you watch him put the cloth in the wash bin and pull your moisturizer from the cabinet. He gently applies it to your face finishing up your skincare. 

Once finished, Jude took you down from the counter and led you back to the bedroom. You get comfortable under the comforter as he turns the lights out joining you once he's finished. 

“C’mere baby” he whispers. You snuggle up closer to him, his natural musk and aftershave invading your senses. You nuzzle your head impossibly close to his chest just wanting to feel his body close.

“Jude..” you whisper gazing up at him “Yes, baby” he replies. “I love you, so much. Thank you for taking care of me” you murmur, feeling a wave of emotions and gratitude for your boyfriend. 

“Aww baby, I love you.” he coos, leaving a lingering kiss you on the forehead. “I'll always take care of my baby, you never have to thank me,” he assures, gently stroking your head.

 You smile up at him seeing the pure love and adoration in his eyes, feeling so grateful that you have such a loving, beautiful, doting boyfriend.

You reach up to leave a kiss goodnight against his soft lips smiling into it. “Goodnight, my love.” he breathes against your lips. “Night, baby” you reply resting your head against his chest, letting your body relax under his caring and protective presence. 

[merumis]

kuroo loves thunderstorms.

the first time he tells you this, he's standing just before the threshold of your balcony—the door cracked open but the screen still closed, feeling the wind curl its way around your building.

it's early november and he's wearing a sweater you gifted him last christmas. you bought it two sizes too big and he insisted on wearing it again the moment the weather started to get colder anyway. it's a rich blue and warm and soft enough that you constantly find yourself leaning into him—on the couch, in public, even before your balcony's screen door—sometimes you wonder if he wears it just for that.

between that and the way your cat swirls around his feet, his tail dragging along kuroo's calf, he seems to almost melt into your apartment. your first place post-grad, that weird mix of childhood, college, and new-adult decor muddling the whole of it: a couch that you got at a discount furniture store but fell in love with anyway; stuffed animals your friends send you every birthday; a childhood favorite of a book sitting on an old thrifted coffee table, a dark oak that you wouldn't be able to afford otherwise.

and kuroo. warm, thunderstorm-watching kuroo, whose mug of herbal tea has been long forgotten on one of your homemade coasters.

you're never quite sure what to call him. the man you sleep with some nights; the guy who will always match your halloween costume if you ask; your cat's favorite of your friends; the name your grandmother keeps asking you about every time you call. you know you told you him you loved him once—really loved him—in some drunken college stupor that feels more like watching a movie from across an open-concept's kitchen island than a memory now.

(that's a lie. you know every detail. the rum warm in your throat, being fresh off the high of his birthday. it was the first snow of the season but the rain the next day mingled with it and turned it to muck that ruined your favorite pair of boots. his breath was hot against your cheeks, the stoop of his apartment building a hollowly adored wind tunnel that decorated your instagram—stone chipped away at the corners, moss growing up the sides, a buzzer that only worked if you pressed the button three times. you kissed him like you always have and his nose was cold as it pressed into your cheek. you whispered it to him and he laughed. you didn't text him for three days.)

there's a familiar pull at your tongue now. a burst of lightning briefly illuminates your apartment and is then followed by the crack of thunder.

"you should probably close the door," you say—instead of i love you.

kuroo shrugs, turns back with a lazy smile on his face. "if you say so," he replies, like every word is a game that the two of you play. he swings the door closed and twists the lock shut. he moves in a way you want to describe as "moseying" tonight, like all of his limbs are relaxed four times more than they should be.

"you should stay here tonight," you tell him as he moves to your couch. your cat follows after him, pawing up his leg as he sits down. he jumps up and settles deep into his lap—there's a brief moment where you envy him. "rain and all."

"so you're telling me i brought my umbrella for nothing?" he teases.

you laugh. "you can use it on the balcony."

he has a pair of sweatpants in your top right drawer of your dresser. you reluctantly washed them last week after spilling apricot jam on the third wear. you never choose to dwell on how a pair of sweatpants gets left at your apartment—you can imagine what his answer would be.

kuroo hums, "it's almost like you want me here."

"i don't," you lie, "just figured my apartment had a better storm view with how much you've been lingering." his apartment is about four stories higher, a few blocks down—closer to his work. it has more windows, a larger living room, a leather couch that you can feel sticking to your bare back if you close your eyes.

it's the better view. it gets fog in the early mornings so you can only see the bounce of headlights from the street below. his bedsheets like to twist between your legs at night in a way that pulls them from the mattress, though—so you suppose you always win there.

"it's homey here," he replies, and you feel the smile tugging up at your lips, "smells like spruce." he eyes the candle he bought you on your kitchen counter, lit and melted to the edges. three wicks, because he knows it's your favorite.

the candle, your favorite expensive lamp your professor gifted you last summer, and the range hood are the only lights in your apartment at the moment. kuroo calls them homey, you call them headache-reducing.

he pulls a hand away from your cat to gesture towards you over the back of the couch now. a palm upwards towards the ceiling, fingers outstretched in a subtle beckoning of your own. your tongue curls with that sickly desire as you step towards him, slip your fingers into his as you round the couch, settling into the cushions as his arm slides across your shoulders.

you reach up to play with his fingers—absent-mindedly. you swore you would do better when you graduated, that maybe things would start to fall into place and, for once, you wouldn't find yourself chasing after a man you could have if you would just allow it to happen.

but you don't know how to say i love you on a thursday—because you swear friday will feel right. you don't say it friday because it's too young, a whole weekend ahead of you that you can't mess up. a movie on saturday, brunch on sunday. you don't say it sunday night because you won't see him until wednesday, but then you catch him for happy hour on tuesday. and you don't know how to to say it.

"you know my grandfather loved spruce," kuroo says, and you look over to catch his eye. he's staring out at your coffee table, looking at nothing in particular as he speaks. "he used to whittle—before arthritis and tremors and whatever—but his dad told him that spruce was the hardest to work with. something about how soft it is or the grain or whatever." he shifts with your cat, letting him crawl up his arm onto the back of the couch. his tail falls over kuroo's shoulder, and now you get the curl into him a little more.

he pulls you closer before you really get the chance to move.

"but he always loved spruce. the smell, the needles, the look, all of it, you know? it was just one of those things, so he learned to whittle with it.

"and when he met my grandmother, he started whittling her all these little things. a duck for their first date, a wooden box for her jewelry, eventually toy blocks, when she was pregnant with my dad." kuroo pauses, and for a while, you think you have something stuck in your chest. you thumb traces up his forefinger and he catches your hand, finally moving to look you in the eyes.

"it's nice to come here and remember him sometimes."

there's another burst of lightning and it crackles across the whole sky behind him, dodging in and out of buildings and making the texture of the clouds pop out against the whole open expanse of it all.

his breath is hot against your skin, his ears are tinged with a bit of red and for a moment you consider running to your thermostat to turn it down a few degrees, but then his lips find yours like they always do.

and in the muddle of lips, you don't even think before you whisper an i love you, murmured into his mouth as his nose traces frigid shapes against your own.

you don't have to listen to know he says it back—though you do, listening for the timbre of his voice and feeling the vibrato of it against your throat—but you can smell it, you can hear it, some days, you can taste it.

spruce-scented candles, thunderstorms that make the whole city colder, the burning of rum against the back of your throat.

you think you can feel it: leather that sticks to your skin, hands that only whittled while his grandfather was alive, but are calloused anyway, a sweater that you'd buy him in the right size if he asked.

you tell someone you love them without ever saying the words. you know he drinks three drinks at happy hour and you only have one—he insists on walking you home anyway and he always stays the night.

and you know he never brought an umbrella, that he works from home tomorrow and his laptop is sitting in his backpack next to your door.

you know that he's warm, that he's kissing you, and that he told you he loves you on the thursday evening as a thunderstorm turned into rain and fog.

[twilightkitkat]

Can we talk about the choice to have the movie's title be "Deadpool And Wolverine"?

Here is a list of all of the movies in the MCU.

Notice anything?

None of the other movies are titled in this manner. All of the movies either have one central character or are team-centered around a popular franchise. You have the Iron Man films, the Captain America films, and the Avengers films. But you don't have Iron Man And Captain America, you have Avengers: Civil War.

Movies that feature more than one prominent character are either sorted into Team Movies (such as The Avengers and X-men), or one person is just a prominent plot point in another character's movie.

One example of this is Captain America: The Winter Soldier. While Bucky Barnes is an incredibly prominent character, he's depicted as a primary character or an "arc" in Captain America's story.

He isn't the protagonist. It's clear whose story the movie is meant to tell, just from the title. The same occurs in the other films: while there are central characters in each movie (love interests, friends, characters who the heroes help and grow close to), they are never portrayed on an equal level with the Central Character.

However, the title of "Deadpool And Wolverine" breaks this mold. The movie's title isn't "Deadpool 3: ft. Wolverine." It isn't "Deadpool 3: The Wolverine." It's Deadpool AND Wolverine. They are both alongside each other in the title. There is no colon separating them.

While Deadpool's name is first, as the story is continuing from his previous iterations while Wolverine's is not, they are portrayed as equally important characters in the movie. They are both given screen time. Both of their backstories are delved into.

Typically, in these types of movies, the "love interest" or "old friend" of the hero serves a purpose to help the hero come to an emotional realization. They may reveal small parts of their backstories that are plot-relevant or pertain to the main character, but the focus is on their ability to portray the main character's growth.

However, in Deadpool And Wolverine, both perspectives are shown. We aren't just given enough of Logan's traumatic backstory to make Wade feel bad for him. We see genuine flashes into his mind. A major part of the story is him learning to want to live again and realizing he can be a hero, which was inspired by Wade but still serves as development independent of him.

Both of them are treated as primary characters. They both have equal-level fight scenes, spotlight, and character development.

This isn't another Deadpool movie. It's The Deadpool And Wolverine Movie.

The writers know how to make a movie (and a popular one, at that) where there is a clear main character despite another character being central to the plot and the main character's journey in the movie. But they chose not to do that. They chose to make the two of them, and only the two of them, central characters.

This is even more jarring when you look at previous Deadpool movies. A central part of Deadpool 2, for example, is the formation of the X-force. It includes his "family," the central point of the plot, and Russel. They are major characters in his story arc and drive the plot along. Yet it was titled "Deadpool 2," not "X-force" or "Deadpool And X-force."

(Or even Deadpool and Cable, considering there was a whole comic series on the two.)

The first time Marvel gives equal spotlight to two and only two characters in a film's title is Deadpool And Wolverine. It shows in their screen time, how they interact, and how they are treated narratively.

Love interests are typically secondary characters. Guide characters are typically secondary characters. Old friends and teammates are typically secondary characters.

Deadpool and Wolverine are more than that. It's their appeal, versus all of the other side characters and love interests they've had in both of their films. They break the mold. They subvert expectations. They have a deeper connection than Marvel had been willing to portray in a movie before.

They are the first MCU movie to have two characters match each other. To fight alongside each other in equal capacity while both get attention to their trauma and perspective. To let two characters be individuals first—to have their own motivations and backstories and not just be a plot device to further the development of one over the other—but still come together to form something greater than themselves.

They are equals.

(They match each other's crazy.)

[reidmarieprentiss]

I Love You, I'm Sorry

Summary: Based on this request! You write and perform a new song, Spencer hears it.

Pairing: Spencer Reid x singer!fem!reader

Category: hurt/comfort

Warnings/Includes: post break up blues, reminiscing past relationship

Word count: 2k

a/n: i hope this is what you wanted <3333

main masterlist

Backstage, your heart raced. The thump of the music and the roar of the crowd seemed to pulse through your entire body as if the whole of Madison Square Garden was vibrating with your nerves. You took a steadying breath, trying to collect yourself, but it was hard to ignore the flood of emotions clawing up from deep within. The thin straps of your dress sat delicately on your shoulders, and you smoothed your hands down the ruffled fabric, hoping that the trembling would stop.

This wasn't just any performance—it was the performance. A surprise song, one no one was expecting. One that held the raw, unfiltered truth of your heartbreak. "I Love You, I'm Sorry." You had written it when everything was still fresh, when the pain of your breakup was like a shadow that followed you everywhere. At the time, it had been too hard to even think about sharing with the world. But tonight, you were ready. 

The understage elevator began to rise, and you closed your eyes, willing the nerves to stay down, to let your voice and the song take over. The cheering above grew louder and louder, shaking the very ground beneath you. The audience didn't know what was coming, and part of you reveled in that—the sweet anticipation, the feeling of holding something so dear to yourself just a moment longer. 

When the platform locked into place, the stage lights were blinding, but they were familiar, almost comforting in their brightness. You took another breath, one more attempt to steady yourself, and pasted on a smile as you faced the crowd. The warm air filled with thousands of screams and cheers wrapped around you, the collective energy swallowing you whole.

Then, the first soft notes of "I Love You, I'm Sorry" filled the arena, a gentle melody drifting across the vast sea of faces. It was only seconds, but you could feel the change in the crowd, the gasp of realization—their screaming rising to a fever pitch, louder than anything you'd heard all night. This was something new. Unheard. Unseen. Yours.

You gripped the mic stand tighter as the lyrics began to spill from your lips, each word carrying the weight of the heartbreak and healing you'd experienced. For the first time, you weren’t just singing to them—you were sharing a piece of your soul, one you’d kept hidden until tonight. And in this moment, standing on stage with the sound of your voice echoing off the walls, you felt like you could finally let it all go, each note a step towards something new, something freeing.

This was your moment. Your truth. And as the crowd listened, every word hung in the air like a shared confession—a story that was yours but felt like it belonged to everyone who ever loved, lost, and tried to find their way back.

Two Augusts ago

I told the truth, oh, but you didn't like it, you went home

You're in your Benz, I'm by the gate

Now you go alone

Charm all the people you train for, you mean well but aim low

And I'll make it known like I'm getting paid

—

Penelope’s phone buzzed on the desk, lighting up with a notification that had her immediately squealing with excitement. Her eyes darted to the screen, and she gasped, hand flying to her mouth as she read the alert. It was from a fan account—one dedicated to her absolute favorite artist. The one she had posters of plastered all over her home office and whose songs made up nearly every one of her playlists. And they had huge news: a surprise song, performed live tonight, and someone was streaming it illegally. 

Normally, Penelope would never (lol) endorse anything illegal, but this was different. This was a once-in-a-lifetime moment she couldn’t miss. With barely a thought, she tapped on the link, the stream immediately popping up on her screen. The image quality wasn’t the best—dark and shaky as someone tried their best to hold their phone steady over a sea of swaying arms—but the audio was good enough. And Penelope’s heart pounded in her chest as she realized she didn’t know the song.

She pressed the phone closer to her ear, listening as the artist’s voice rose above the noise of the crowd. It cut through the chatter like a blade, the lyrics flowing effortlessly. 

That's just the way life goes  

I like to slam doors closed  

Trust me, I know it's always about me  

I love you, I'm sorry

“Reid!” she shrieked, almost dropping her phone in her haste as she rushed to her feet. She moved faster than she had in ages, practically leaping down the rows of desks to where Spencer was hunched over, diligently working on his reports. The bullpen was nearly empty at this late hour, with only a few agents scattered here and there, too tired to react to Penelope's sudden outburst. 

Spencer’s head jerked up at the sound of her voice, his face a mixture of surprise and confusion as she dashed toward him. “Reid!” she repeated, more insistently this time. “You have to see this!”

He blinked, looking between her and the glowing screen of her phone, a bemused expression spreading across his features. “What’s going on?” he asked, leaning back in his chair as she thrust the phone right in front of his face.

The phone's speakers crackled slightly as Penelope thrust it closer to Spencer's face, the low-quality audio doing nothing to dull the sharpness of the voice that poured from it—soft, melodic, achingly familiar. Spencer's pulse quickened as soon as he heard the voice, and his breath caught in his throat. That voice... It was you. It was your voice. And every word that spilled from your lips seemed to slice through the silence, embedding themselves into the space between his ribs like a blade.

Two summers from now  

We'll have been talking, but not all that often, we're cool now  

I'll be on a boat, you're on a plane  

Going somewhere sane  

And I'll have a drink  

Wistfully lean out my window and watch the sun set on the lake  

It might not feel real, but it's okay

'Cause that's just the way life goes  

I push my luck, it shows  

Thankful you don't send someone to kill me  

I love you, I'm sorry

Spencer's mouth went dry as the lyrics tumbled out in your voice—so familiar, like a touch he'd longed for but hadn't felt in ages. The melancholy melody hung in the air, weaving a story so heartbreakingly intimate that it felt as though you were standing right there, whispering the words directly to him. He couldn't move; his eyes were glued to the shaky video on Penelope’s phone, but his mind was far away, drowning in memories he’d tried so hard to keep at bay. 

Every note, every breath in your voice struck a chord within him. And the lyrics—the lyrics stung. Spencer could feel the thin layer of calm he'd built around himself start to crack, the words hitting too close to home, exposing emotions he'd tried so desperately to hide away. 

His fingers clenched the edge of the desk, knuckles turning white as he fought to steady himself. Did you still... love him? Despite everything? Despite the separation, the silence that had stretched between them like an unbridgeable chasm? 

I love you, I'm sorry.

"Reid?" Penelope’s voice sounded distant, her usually bubbly tone filled with concern as she took in Spencer’s reaction. "Are you okay? You look like you've seen a ghost."

You were the best but you were the worst  

As sick as it sounds, I loved you first  

I was a dick, it is what it is  

A habit to kick, the age-old curse  

I tend to laugh whenever I'm sad  

Stare at the crash, it actually works  

Making amends, this shit never ends  

I'm wrong again, wrong again

The words cut him deep. Each line seemed to hold up a mirror to your past—a past he’d tried so hard to bury, but one that never really stayed buried. Spencer could hear the regret in your voice, and it only made his own regrets bubble to the surface. His eyes stayed fixed on the screen, and he could almost see the intensity in your eyes, the way you closed them as you sang, finally letting the truth out.

He couldn't breathe. It was too much. He could feel the familiar tightening in his chest, the way his heart ached like it was being squeezed by a vice. You had always known how to say exactly what you felt, even if you didn't always share those thoughts with him when you were together. But this... this was different. Every note felt like a confession. A confession of the mistakes you made, the mistakes he made.

God, you were beautiful. You looked so beautiful that it hurt to look. It hurt to remember how it felt to hold you, how you fit perfectly in his arms, how your laugh had always been contagious, how your voice could calm every storm in his mind. He could feel a tear prickling at the corner of his eye, but he blinked it back, forcing it away. He couldn’t lose himself like this, not here, not in front of Penelope.

But he knew why she was showing him this—of course, he did. He knew Penelope adored you, both as a fan and as a friend. But more than that, he knew Penelope loved him, and seeing him carry the weight of the breakup had broken her heart just as much as it broke his. She probably thought showing him this would help, somehow. Maybe hearing your voice again would bring some sort of closure. Or maybe, Penelope just wanted him to know that you hadn’t forgotten about him either. That you still felt something.

The way life goes

Joyriding down our road

Lay on the horn to prove that it haunts me

I love you, I'm sorry

“Penelope,” Spencer's voice cracked as he tried to speak, his gaze never leaving the screen. He wanted to tell her to turn it off, to shut it down before he completely unraveled right there in the office. But he couldn’t. The sound of your voice had him rooted to the spot, and every breath felt like a struggle.

Penelope bit her lip, hesitating for a moment before she spoke. “I... I just thought you should see this, Spencer. I know you’re not, like... together anymore. And I know you never talk about it. But... this song... it’s about you. I just know it is.”

Spencer let out a shaky sigh, gripping the phone tighter as your voice filled the air around them. He couldn’t stop the memories from flooding in—the way her your smelled when you rested your head on his shoulder, the way you’d laugh at the smallest, silliest things just to make him smile, the fights, the apologies, the “I love you’s” whispered in the middle of the night.

And now, all those memories seemed to wrap themselves around the lyrics you sang—lyrics that felt like a secret letter meant just for him. He didn’t know if he was strong enough to listen to the rest of the song, but he couldn’t bring himself to look away, either.

The way life goes (you were the best but you were the worst)

(As sick as it sounds, I loved you first)

I wanna speak in code (I was a dick, it is what it is)

(A habit to kick, the age-old curse)

Hope that I don't, won't make it about me (I tend to laugh whenever I'm sad)

(Stare at the crash, it actually works)

I love you, I'm sorry

---------------------------------------------------------------------------

tag list <333 @yokaimoon @khxna @noelliece @dreamsarebig @sleepey-looney @cocobean16 @placidus @criminalmindssworld @lilu842 @greatoperawombategg @charismatic-writer @fxoxo @hearts4spensco @furrybouquettrash @kathrynlakestone @chaneladdicted @time-himself @mentallyunwellsposts @sapph1re @idefktbh17 @gilwm @reggieswriter @loumouse @spencerreidsreads @i-live-in-spite @fanfic-viewer @bootylovers44 @atheniandrinkscoffee @niktwazny303 @dead-universe @hbwrelic @kniselle @cynbx @danielle143 @katemusic @xx-spooky-little-vampire-xx @laurakirsten0502 @geepinky @mxlviaa @libraprincessfairy @fortheloveofgubler @super-nerd22 @k-illdarlings @softestqueeen @eliscannotdance @pleasantwitchgarden @alexxavicry

[rotisserory]

Reo Mikage is Actually Great BPD Representation- Some Thoughts

So I had the extremely unfortunate experience of being exposed to Blue Lock (unfortunate because it's all my tiny pea brain can think about now), and while it is absolutely full of silly guys whose brains I want to pick, this little bugger really stood out to me. The second he came onto the screen, I KNEW I smelled the borderline on him. As I watched the series and read the manga, I noticed he is actually an incredibly well-written depiction of someone struggling with BPD. Reo is a super layered character and my favorite hobby is picking apart those layers and yapping incessantly about them, so here we are. I want to write this analysis for a few reasons:

1.) Too many people misunderstand Reo and categorize him as dramatic or childish without any elaboration and he deserves a proper character deep-dive. I think him being borderline explains a LOT of his reactions/choices throughout the story.

2.) Borderline representation is extremely important to me. I'm diagnosed borderline and have struggled with this disorder for around ten years now, so I get really excited when I spy BPD-coded characters (especially if they're likable people and not just ghoulish irredeemable villains or manic pixie dream girl characters). This disorder can be so isolating, especially when the majority of people will never even bother to research or understand it. I know that some people like to chalk Reo's emotional reactions up to him being a moody 17-year-old, but I think I have enough evidence to prove that this is undiagnosed BPD that's festering in his noggin. Not to mention, literally nobody else acts like this in the series. Reo is incredibly unique and distinct in the way he behaves through this narrative and I think it's way past the point of normal teenage angst. Regardless, believe what you want. He'll always be my borderline princess tho <3

3.) I have a master's degree in English and what good is that if I don't write long, painful, pointless essays on anime guys? Not that this is exceptionally well written, I just like to laugh at myself for getting a whole M.A and then this is the shit I publish online lmao

By the end of this, I hope I can shed some light on wtf is going on inside of Reo's silly little head. (I'm also obviously not a psychologist, don't use any of this to diagnose yourself pls I don't need the scandal)

If you want to read, buckle up, because this is gonna be a long one!

First, let me define BPD- It's a personality disorder characterized by a long-standing pattern of instability in mood, interpersonal relationships, and self-image. At its core, it is a disorder categorized by emotional dysregulation (the inability to regulate one's emotional responses) People with BPD feel everything EXTREMELY hard. That's important to keep in mind IMO, because while their reactions may seem dramatic or extreme, what they're feeling IS dramatic and extreme. Everything they're feeling is amplified, so their reactions are amplified. Obviously from the outside, people assume it's an overreaction since they can't see what's going on inside the borderline's head. When you sit down and dissect the thought process of someone like Reo, it becomes a lot easier to understand why they react the way that they do to certain situations.

(Also, I'm not going to reiterate more than once that an explanation is not an excuse to treat people poorly. I cannot read ANYTHING on BPD without hearing every 2 minutes how the disorder isn't an excuse to hurt other people. We get it!! I'm explaining it, not excusing it. This enter essay is an analysis of why someone acts the way they do, not whether or not it's excusable)

So then, what behaviors/signs does somebody need to exhibit to receive a borderline diagnosis? The 9 diagnostic criteria for BPD are as follows:

1. Fear of abandonment

2. Unstable or changing relationships

3. Unstable self-image; struggles with identity or sense of self

4. Impulsive or self-damaging behaviors

5. Suicidal behavior or self-injury

6. Varied or random mood swings

7. Constant feelings of worthlessness or sadness

8. Problems with anger, including frequent loss of temper or physical fights

9. Stress-related paranoia or loss of contact with reality

Someone would only need 5 of these to receive a proper diagnosis. Just with the main story and the spin-off manga that is currently released, I think I have enough evidence to argue that Reo has 8 out of 9 criteria for a BPD diagnosis. For the sake of organization, I’m gonna group some of those together though, indicated by a + symbol. I also want to define a few important terms before I start yapping, so that y'all without BPD can understand wtf I'm even talking about.

Favorite Person (fp) - This is someone who holds massive significance in a borderline's life. They emotionally depend on this person a lot and to a certain extent, their worldview almost revolves around them.

Splitting- the change in perception of someone or something caused by black-or-white thinking or dichotomous thinking. It is the devaluation of someone who was once idealized and vice versa.

Mirroring (aka: the chameleon effect)- the constant, unconscious change in one's identity or sense of self by imitating another person’s behaviors, characteristics, or traits. It is common in people who have a vacant or distorted self-image which is a general symptom of BPD.

Now, time for me to break down the most prominent moments where Reo showcases borderline behavior. As I mentioned, I'm going to try and organize this under each criteria point (with some being grouped together)

Unstable self-image; struggles with identity or sense of self:

Before I delve into Reo's relationships, I want to start with his baseline sense of identity. It’s established early on that Reo is a very bored, empty, unsatisfied person. Nothing excites him, nothing motivates him, and everything is handed to him. He’s frustrated because his parents notoriously try and buy his affection even though he doesn't want anything. For most of his life up until the narrative starts, he's wandering through life empty and frustrated. That is, until he finally sets his sights on soccer and decides to dedicate his life to winning the World Cup:

The wording, 'proves my existence' is interesting here. I think this is the first instance Reo has felt alive. So far, the only notable thing about him has been his family and his money. He hasn't achieved anything exceptional for himself, but now he has that opportunity. With this goal, he can really build something up from nothing and make it his own. It's almost like he's clinging to this dream to prove that he has some purpose in his life other than being the family heir.

Now, this dream changes when he meets Nagi, of course. I'm not gonna focus too much on their relationship in this section, but I will mention that meeting Nagi shifted Reo's entire dream, and not for the better. Through the narrative, his dream went from:

Winning the World Cup

Winning the World Cup with Nagi

Proving to Nagi that leaving him behind was a mistake

Improving himself and becoming a good striker on his own

Being a tool for Nagi to become the best striker

Had Nagi not come in and ask for Reo to come back to him, I think Reo could have done a great job at establishing his own sense of identity without Nagi. But no matter how much he works on himself, with Nagi in the picture, he's never going to value himself more than Nagi. Reo lets Nagi cloud his identity to the point where Isagi calls him out and asks what he's even doing at Blue Lock in the first place, since he clearly can't survive on his own, he needs Nagi with him.

After dealing with the turmoil of being abandoned by Nagi, Reo goes through a few stages. He starts with wanting to become somebody worthy of being beside Nagi, somebody that Nagi would want to choose. Devoting himself to becoming stronger and more versatile, his end goal is to have Nagi realize he made a mistake by leaving him behind. After a few more matches, Reo starts to realize that he needs to grow and change and become a stronger, better version of himself for himself and not for other people.

He decides that the fight was all his fault to begin with, that he should have never forced Nagi to play soccer and now he is going to get back to what his dream was originally, combined with his new desire to be a stand-alone player (and person, for that matter). Reo accepts the mistakes that he made, admits that he shouldn't have forced his ideals onto Nagi, and resolves to become a better person for HIMSELF. That's excellent!

Of course, Reo can't be happy for TOO long. Nagi comes out of the woodwork saying that he can't beat Isagi on his own and asks for Reo's help. Reo does stand up for himself a bit, saying that Nagi is being inconsiderate of his feelings and mentioning how long it took for him to recover from Nagi leaving. Now, the BPD trait here is how Reo not only forgives Nagi and is jumping on him and hugging him THE NEXT PAGE, but he also just disregards everything he said in this sequence. In a matter of two minutes, he no longer wants to be a player that can fight on his own or improve for himself, he wants to improve for Nagi. He starts ruminating again about how hurt he was when Nagi left, but now he's saying all of it wasn't so that he could get stronger individually, it was so that he could be reunited with Nagi again. Nagi asking for his help and saying that now they can play together again motivate Reo more than anything we've seen so far. (Nagi notoriously throws Reo little affection crumbs like this that Reo eats up, but I'm not trying focus on that) Now, Reo's alright with being a tool for Nagi's success again. Everything that happened was supposed to make him stronger so he could be a better partner to Nagi, right? Reo also says as the chapter ends, to please let him be a part of Nagi's dream until Nagi becomes the world's best striker. That's literally so sad!

He's also immediately back to the 'our' 'we' 'us' talk as well. If he can master his chameleon style in order to keep Nagi above the rest of the players, he wont get left behind again. If he devotes his time and energy into being a solo striker like the rest of these guys, Reo knows that he wont be able to keep up. This was always supposed to be his role, right? Building Nagi up to his full potential! :*)

I also like the detail that Reo is back to hugging Nagi and holding him, but Nagi never really touches him back. I think Reo's love language is touch for sure, not that it's incredibly relevant, but I do think it shows that Reo is back to being 100% comfortable around Nagi as if their fight never happened. I hear a lot of fans asking how Reo could have forgiven Nagi so easily, and I say this with my entire chest, it's the BPD. The black-and-white thinking combined with Nagi being Reo's fp and the excruciating pain of being abandoned by him in the first place ?? Of course he's going to take him back. Also, I've seen people blame Reo for not saying no to Nagi when he asks for help and I have to say that is an absolutely insane take. How are we gonna look at a panel where Nagi asks for help and then blame Reo for helping him?? I'm not going to focus on it too much in this post but in my opinion, it is crazy how little accountability both the narrative + fans give Nagi. Reo is pegged as responsible for both of their downfalls and it's nuts tbh.

Currently in the story, I think Reo's identity is still centered around Nagi. It's really easy for borderlines to structure their entire lives and personalities around their favorite person, but I can only hope that these two keep having open and honest discussions with one another. Hopefully, Reo will eventually learn that he can exist without Nagi and that he's more than just 'his arms and legs'.

Unstable or Changing Relationships:

The most notable relationship in Reo's life is Nagi. They're both each other's first real friends, which already sets up a less-than-ideal dynamic. Nagi has no idea how to communicate and he has pretty weak emotional intelligence. On the other hand, Reo is great at communicating, but he isn't used to regulating his emotions. For a lot of borderlines, they can go a very long time without experiencing any symptoms when they don't have a favorite person. When you think about it, the bulk of the disorder is shown through those interactions with other people. If Reo has never had a real friend in his life, I don't think he'd be used to the emotional turmoil that comes with having a fp.

The minute Reo meets Nagi, he's attached. All his classmates notice it, too. They question why Reo is suddenly so obsessed with this random kid who has no interest in him. Reo is ignoring everybody that isnt Nagi.

Very quickly, Reo boils down his view of the world to being him and Nagi versus everybody else, and he makes that very clear. It also depicts something that I think is incredibly crucial to Reo’s character that a lot of people overlook; as Nagi develops to be Reo’s favorite person, Reo’s dream isnt ‘playing soccer’ anymore. It’s Nagi. It’s being with Nagi, playing soccer with Nagi, being useful to Nagi, taking care of Nagi, and being somebody important to Nagi. He doesnt teach Nagi the rules or how to actually play, he teaches Nagi how to play with him. He literally re-writes and re-structures the game so that it can center around him and Nagi. Nagi calls him out on this in the spin-off manga:

Reo doesnt care about the structure of the game, he cares about Nagi. The other people on the field don't matter. The other team doesn't matter. He also starts to unknowingly put Nagi up on a pedestal, which is another borderline trait. He starts reiterating that Nagi is special, he's different from everybody else, he's destined to achieve great things. The more he raises Nagi up, the more he isolates the two of them in his mind, reiterating the idea that it's them against everybody else. His language reflects this too: Reo exclusively talks with 'us' 'we' 'our', insinuating that they're going to do everything together.

When Ego says that there can't be two winners, Reo says that he'll make Nagi the best striker. His 'ego' will be making Nagi successful. Along with putting Nagi on this pedestal, Reo also very early on establishes the fact that he'd pick Nagi over himself any day of the week. He's the only person in Blue Lock who really couldn't care less about becoming a striker himself: his dream is to be a tool in Nagi's success. Or, in simpler terms, he wants to be useful and make Nagi happy.

These two were in trouble from the very beginning. Nagi is lazy as all hell, has 0 motivation to do anything, and his dream is to live a life of luxury and never have to work. Reo, being the borderline baddie that he is, is more than happy to do EVERYTHING for Nagi. Borderlines love extremely hard! It's one of our best traits and I think it's important to showcase that Reo is a massive sweetheart at his core. He clearly loves Nagi a lot and goes to extreme lengths to make sure he feels taken care of. To someone with BPD, NOTHING is too big of an ask for a person they love, especially if that person is their fp. I also disagree with the argument that Reo 'made' Nagi codependent. Nagi likes being taken care of, he says it all the time. If you ask me, I would actually argue that Nagi takes advantage of Reo a little bit because he knows that Reo will do anything for him. But regardless, I think that Reo starts to develop an unspoken expectation with Nagi that he'll provide him with everything he needs, and in turn, Nagi will stick around. I don't think he's doing this intentionally, nor do I think it's being done in a manipulative way. I just think that Reo has a dormant fear of being abandoned that he doesn't totally know he has yet.

It isn't just Nagi that Reo showcases having unstable relationships with, though. Zantetsu is another good example. Reo starts out disliking Zantetsu, he snaps at him a couple times, and calls him a moron more than once. He starts to warm up to him because Nagi tells him to. The favorite person has MASSIVE sway in the borderline's life. If Nagi likes someone, Reo likes them too. (This is, of course, on the condition that they aren't a threat, looking at you Isagi).

In the immediate next chapter, Reo is acting like they're all best friends. He's climbing on top of them in their big bed, saying that the three of them are gonna win their matches, being a little pookie. He goes from not liking this guy at all to considering him one of his close friends super fast. Also on the topic of Isagi, when they're making up the teams for the second selection, Nagi doesn't initially want to tell Reo that he wants Isagi on their team bc he's worried Reo will be upset. But, when he does finally say it, Reo is literally fine with it because like I said, who Nagi likes, Reo likes! On the condition that they don't replace Reo, which clearly happened soon after.

On the opposite side of the spectrum, Reo also shows how he can go from loving someone to despising him very quickly. After Chigiri and Kunigami tell him to get back up in the game post-Nagi's abandonment, we can literally see the switch flip in Reo's head:

Suddenly, he hates Nagi. Nagi's a jerk who abandoned him; he never cared about him, and he threw him away. Dude literally says "Let's kill the bastards that betrayed us". This act of unintentional devaluing is called splitting. What Reo's essentially doing is going from one extreme to the other: if Nagi isn't his perfect treasure, he's the devil that broke his heart. There's no room for a grey area. The reasoning behind borderline's developing this black-and-white mindset is rooted in self-defense. If Reo devalues Nagi into being nothing more than a traitor, then he's stripping away the power that Nagi has to hurt him. If he looks at him like a rival or a villain, it's protecting him from being hurt by Nagi again.

That doesn't mean that he genuinely believes any of this, more so, he's trying to convince himself that it's true. We see that at his core, the reason he's acting like this is because he's hurt. I'll go more into it later on, but he's constantly thinking, what does Isagi have that I don't? What do I have to do in order to win Nagi back? This black-and-white thinking is an automatic self-defense mechanism that I think he's doing subconsciously. Regardless, the shifting he's doing here can cause a little whiplash, which brings me to:

Varied or random mood swings + Problems with anger, including frequent loss of temper or physical fights:

I can’t think of a better way to describe Reo's temperament than the wiki, so let me quote it: "Generally, he seems to feel every emotion with full force and is extremely aware of his own faults and shortcomings, which is evident in several instances of painful breakdowns shown in the spin-off manga. Due to his high emotionality, he can even get violent when he loses his temper."

Reo is characterized as being emotionally unstable. When he's happy, he's elated! When he's sad, he's miserable. There are a ton of scenes between the manga and spin-off manga that show how fast his emotions can flip, but this one was one of my personal favorites:

In this scene, Reo has developed a little scheme in the dining hall where the guys are trading their side dishes. At face value, a throwaway moment. But, I think it's worth looking at because not only does this show Reo's emotional response being triggered in an opposite, semi-extreme direction, but the root cause for the reaction was that he felt rejected by Zantetsu. In his own weird way, he's asking Zantetsu to come over and hang out with him. He's not being exceptionally clear with that message, but I can still pick up on it. "You wanna join in, don't you?" He's extending the invite, making himself vulnerable, and Zantetsu shoots him down by saying nah, I'm fine with my noodles. Reo JUMPS on him like YOU KNOW WHAT? I TOOK THAT PERSONALLY! lol. Jokes aside, I think this moment is a great one to argue Reo's BPD tendencies because it's such a seemingly mundane interaction. Even Zantetsu is surprised by Reo's random outburst. This also sets up the fact that one of Reo's most obvious triggers is being rejected/abandoned/betrayed, an extremely common one between those of us with BPD.

Other instances of Reo having a bad temper are a lot more obvious. In the match against teams V and Z, Reo straight up elbows Raichi in the throat, and then tries to go throw hands with Kuon for hurting Nagi. He only stops because if he gets into any more fights, he’ll get thrown out of the game and won't be able to play with Nagi anymore. He’s visibly pissed though and calls Team Z a joke. Hell, even Reo himself can recognize on a certain level that he can't control his emotions: they control him. They cloud his judgment and make him react in ways that he wish he didn't.

He is constantly plagued by these extreme emotional reactions that are out of his control. Not to say that people with BPD are unable to ever control their emotions, because we can! It takes time and therapy and practice though, which Reo hasn't had. His lack of regulation is also why he has such a dramatic and extreme meltdown when Nagi abandons him.

Fear of Abandonment:

Reo's biggest trigger and the cause of his inner turmoil throughout Blue Lock is his fear of abandonment. I mentioned before that I think he's had this fear dormant inside of him for a while as so many borderlines do, since he hasn't had the chance to experience it before. He alludes to it early on when they first arrive at Blue Lock:

The thought of leaving Nagi for somebody else? Reo considers that heartless. They came together, after all. They're going to win the world cup together. Nagi could break both of his legs and Reo wouldn't leave him, because again, Reo isn't there to team up with the best player and become the best striker in the world: he's there to play with Nagi!! And, like I said, in Reo's mind it's him and Nagi vs everyone else-

Reo exhibits a lot of signs early on of being jealous while they're playing in Blue Lock. I mean, as we discussed, everything should be focused around him and Nagi. When Nagi passes to Zantetsu in the team V and Y match, Reo pulls up like 'hey, why didn't you pass it to me?? ):' There are a lot of little moments like that, but Reo's jealousy is a lot more relevant to my argument after he gets abandoned by Nagi.

Let's talk about that word: abandoned. It seems dramatic, right? Reo uses that term constantly and exclusively. Every time he brings that moment up, he uses the word 'abandoned', or he'll say 'betrayed' or 'chose'. These are very definitive words. He’s not saying Nagi ditched him or flaked on him or blew him off, no; he has abandoned him. That word choice may seem disproportionate to the situation, but that's Reo's reality. This was the ultimate betrayal to him. The constant use of that vocabulary reiterates that in Reo's mind, there is no grey area. Either Nagi chooses him, or he chooses someone else. In choosing someone else, he abandons Reo. Reo is paranoid that Nagi isn't ever going to come back to him and it's because of something that Reo is lacking. How can Nagi like Isagi more than him, anyway?

Now, I do fault Nagi a bit for not communicating better at that moment. I understand that he's bad at communication, but I don't think Reo could have been more obviously upset if he tried. The dude was in TEARS. Nagi saw him devastated and then expected everything to be fine when he met him in the bathhouse? Idk. I'm going to give him the benefit of the doubt and say that he didn't realize it would upset Reo to such an extreme: maybe he thought that they would miss each other, but Reo wouldn't take it personally. I'm doing my best not to harp on Nagi since this is about Reo.

Abandonment is detrimental to people with BPD. It causes extreme inner turmoil that we see with Reo as the story progresses because it is the only thing he can think about. If he isn't trying to cover up his hurt feelings with this idea of revenge, he's self-destructing over being abandoned. He becomes obsessed with wondering why Nagi chose Isagi over him. Was there something wrong with him? Isagi isn't that impressive, why would Nagi rather be with him? These thoughts torture him endlessly and fuel his desire to 'steal' Nagi back. He literally says to Isagi, that he's going to steal Nagi back. Much to his dismay though, Reo starts to notice that Isagi is bringing out some positive traits in Nagi. Nagi's entire vibe is different with Isagi. Nagi is having fun playing soccer without Reo. In fact, he's having more fun. He's making plays he's never made before. His face is visibly different; he's more excited than before.

This is heartbreaking for Reo. Not only was he right that Isagi did have something to offer Nagi that he couldn't, but Reo is having a massive self-hate spiral during this point as well, so he's internalizing all of his flaws and mistakes while the thought is sitting in the back of his head: did Nagi actually have a good reason for abandoning me? Was I not enough to satisfy him? Did I only drag him down? This gets significantly worse the longer he watches Nagi and Isagi play:

Everything is falling apart. Nagi is doing completely fine without Reo, and Reo is an absolute mess. We're circling back to Reo's lack of identity here as well. He's watching firsthand that he's losing Nagi to Isagi: what does he do? What happens to him if he loses Nagi, who is he without Nagi? He's overwhelmed during this match and at one point Reo literally screams that he's going to tear apart their connection. Jealousy is consuming him, but it's also those feelings of inferiority and wondering if he really did deserve to be abandoned. If Nagi is so happy without him, maybe he really did have a reason. These are the thoughts that are circling around in Reo's head. Not to mention, he is constantly tortured by the flashbacks of Nagi leaving him, which I think is a great detail. Some readers might say it's just pointless recapping but I disagree, I think it's depicting how traumatic that was for Reo. As a borderline, being abandoned by your fp IS traumatic. Reo relives that moment so many times because so many things trigger it for him throughout Blue Lock. He can't even look at Chigiri and Kunigami without thinking about him and Nagi. It's a really devastating experience that quickly deteriorates him emotionally.

Constant feelings of worthlessness or sadness + Suicidal behavior or self-injury:

One of my favorite things about Reo is the fact that he is self-aware that he's behaving somewhat irrationally, but he doesn't know how to stop. When we look at one of the several times that Reo is curled up crying over Nagi, he mentions how he really did want to tell Nagi to go and have fun, but he didn't. He couldn't. The visuals shift for this too:

Reo doesnt want to be acting this way, but he can't help it, and that's frustrating to him. It makes him start feeling ashamed of himself. His inner thoughts start to spiral and he feels weak and alone. He's reflecting here on what his true feelings really were at that moment, and how scared and lonely and weak he felt as a result of Nagi leaving him behind.

These feelings quickly evolve into Reo feeling worthless and falling into bouts of self-hatred. He's so ashamed of the way he's feeling and behaving but it feels so out of his control. He says, "maybe if I hadn't gone to Blue Lock in the first place, I wouldn't have to experience this feeling." As I said before, borderline's feel things EXTREMELY intensely; the disorder is described as living with third-degree burns all over your body. Everything hurts. His feelings are so intense and all-consuming right now, it's all he can think about:

I saw some posts in the fandom reddit asking why Reo is acting like this. One in particular reads: "I get that he is betrayed and stuff but he is acting like it’s the end of the world, is it explained later why he acts like this? Is it because he doesn’t think he can win without Nagi?" Not to call this person out, I just want to answer the question in this post-

It has nothing to do with winning; it was never about winning. It was always about Nagi.

If we're looking at Reo through the borderline lens, it IS the end of the world for him. Nagi was his world. What's worse, he's fully aware that he's not acting rationally and he doesn't know why, which is making him feel ashamed and weak and embarrassed. Now I know why he's acting like this, but there are no Blue Lock psychiatrists sitting around to wack him with the mood stabilizers or the DBT handbook, so he's gonna stay feeling like a monster.

He lets these thoughts, along with the resentment and anger from being abandoned in the first place, fuel him for the second selection match. As he's watching the game play out, as Nagi is about to score the winning goal, Reo's mind starts racing with intrusive, negative thoughts.

He's praying that Nagi fails, that he gives up, that he stops trying, anything to stop that solidifying moment where he scores the winning goal and proves once and for all that not only was Reo not strong enough to stop him, but Nagi doesn't need him anymore. He catches himself really quickly, because he realizes he's sounding just like his parents. Everything is spinning out of control so bad, Reo wants Nagi to end up in a vulnerable position so that he isn't the only one falling apart. As he catches himself thinking this, he's disgusted with himself. He calls himself 'utter trash', and as he watches Nagi score the winning goal, he falls to his knees, wishing he was dead.

As he sits there decomposing in emotional turmoil and suicidal ideation, Nagi's team chooses Chigiri to join them, and it's the nail in the coffin. This is probably Reo's lowest point in the entire story IMO. Nagi comes up to compliment him on his plays and Reo shows us another classic borderline move: he's anticipating how bad it's going to hurt to be abandoned by Nagi again, so he's trying to push him away before it can happen. We see the dichotomy of his spoken words and inner thoughts here, where he's talking big game to Nagi, saying things like 'you clearly don't care about me anymore, you're throwing me away, if you're going to abandon me just do it properly', while internally he's thinking 'I'm the worst, I wish I was dead, please take this bait and break my heart so that I can self destruct in peace'.

i LOVE the visuals during this moment. This is what Reo thinks is his last line of defense, the last thing he can do to preserve any part of his dignity is to make Nagi hate him so that he'll stop throwing these crumbs of affection at him. It's also really telling that despite his switch in behavior and the devaluing of Nagi, the root of all of that is STILL that he was so hurt by the abandonment.

I don't think I need to analyze the suicidal ideation because he just straight up says he wants to die like three times in this scene but, aside from that, the visual of his inner thoughts vs what he's actually saying is so powerful. Not to mention the chameleon imagery which i'll geek out about in a second, this is another example of his black and white thinking along with the reiteration that being abandoned was literally traumatic for Reo: he says they can never go back to what they were before. Speaking as a borderline, this is painfully true. When people break my trust even in a small way, I can never view them the same as I used to. I can forgive them and let it go, but I'll never be as open with them as I once was. In Reo's shoes, he had Nagi up on this pedestal that he was perfect and would never do anything to hurt him, but he did hurt him (in the worst way possible).

After Nagi tells him he's a pain in the ass and that he doesn't care anymore, Reo thanks him for 'finishing him off'. In his mind, they're done now and he can suffer in peace and quiet without dragging Nagi down anymore.

Bonus Point: The Chameleon Effect

I LOVE THE FACT THAT HIS THING IS CHAMELEONS AHHHH

The chameleon imagery with Reo makes me INSANE dude. As I mentioned towards the beginning of this post, a part of borderline that is seldom talked about is the tendency to take on 'the chameleon effect', or mirror the people around them. REO'S ENTIRE THING IS CHAMELEONS LIKE BFFR ?? That image where he was trying to get Nagi to hate him, was before he even started using his chameleon style, it was just something the authors thought was necessary to include during Reo's mental breakdown. Aside from the cool imagery, his chameleon style is a reflection of his relationship with Nagi. He gets called a jack of all trades and a master of none early on in reference to how when he’s without Nagi, hes not really exceptional at anything. He never really took the time to master one specific thing because he was always so concerned with helping Nagi. This rings my BPD bell for a couple reasons: first of all, when you have no sense of identity and you’re worried it means you have no real personality ?? Steal one!! Take the closest person to you and copy that one. That’s something us baddies know VERY well. Also, think there’s something about you that your fp doesn’t like? Change it! You can morph into anything they want as long as it means they won’t leave you !! :*) Before he makes up with Nagi, he copies moves in hopes that it'll make him stronger and appear more desirable to Nagi. After they make up, he copies whoever he has to so that he can get Nagi to that goal and make himself useful, make himself somebody that Nagi wants to have around. It is a literal direct metaphor for him changing anything and everything about himself for Nagi and graaaahhhh it’s so cool

Reonagi ?? Some thoughts-

I want to close this yap session with my thoughts on Reonagi as a ship. I do think that they can work and I want to make that clear. I'm not on board with the 'borderlines arent capable of having loving and fulfilling relationships' crap. That being said, they both have to put in a bit of effort. Reo has already recognized a lot of his own issues. He admits that he was wrong for pushing his ideals onto Nagi, that he needs to let Nagi grow and be his own person, etc. Nagi really hasn't accepted any fault. I stand by the fact that Nagi needs to be more sensitive with Reo. Way too often when a relationship like this fails, all the blame is put on the one with borderline. I'm gonna be the outlier here and say that if Nagi cares about Reo, he needs to learn about Reo's triggers and be mindful of them. I'm not saying that since Reo is sensitive to abandonment that Nagi should just isolate himself from everybody else, but what I am saying is that when he's going to do something that doesn't involve Reo, he needs to learn how to communicate that he still loves and values Reo. "I'm gonna go play soccer with this person right now, but I haven't forgotten about our promise. When I come back, we can play together. I still love you and I'm not going to leave you for whoever tf I'm playing with rn." (sneaking that 'i love you' in bc like..they're literally canon at this point asdfghjkll) But, I do think that Nagi loves Reo and cares about him in his own way. The two of them just have to keep working on their communication skills. Nagi has the potential to have a hot rich husband who will literally bend over backward for him and buy him all the robux he could ever want, he's gotta put in a shred of effort!

I also like to think that Nagi didn’t totally get the fact that Reo doesn’t gaf about just playing soccer. Nagi thinks soccer is what they do together, it’s what makes reo happy, right? He’s always pushing him to train harder and take the game more seriously because he likes the sport, RIGHT? It would make perfect sense to go play with isagi so that he can get better at soccer and come back to reo a more improved player. Maybe that’s why he was surprised when Reo was so mad in the bathhouse, bc he wasn’t making the connection that Reo cares more about him than soccer. That Reo puts all that energy into him playing soccer because he thinks it’s something that they can have as their own, and once Nagi notices how good he is, he’ll start enjoying it and the two of them can hold hands and run around the soccer pitch!! I think Nagi missed that part tbh, and I don’t think he know that even now in the story. Maybe Reo doesn’t even notice it.

Anyway, a shameless plug to my reonagi playlist if that's your thing (i cooked with this one, i fear) https://open.spotify.com/playlist/5CsvSqmuI4cxOl1nTaV4GJ?si=737a0f21e0bd482a

Closing Thoughts:

Reo is a bpd baddie and I love him very much. I think he's a sensitive guy with a lot of feelings who would benefit from taking time to work through his trauma and his emotions. I hope that he eventually is able to build an identity for himself that doesn't involve Nagi, but baby steps, I suppose. I think Reo is a great balance of positive and negative borderline traits and he reads as a really believable and sympathetic character. He is, however, definitely that friend that you have to slap to stop them from running back to their ex.

Jokes aside though, BPD can be extremely hard to live with, even more so when it's undiagnosed and untreated. If someone you love has BPD, take the time to read up on it and do your best to understand them. I promise you, it will mean the world to them.

If you managed to get this far, thank you for reading! This was a messy stream of consciousness and I appreciate your support by listening.

[lornaka]

My five cents on Tech’s fate in TBB

It’s been over three weeks since the show ended and I’ve been writing this in my head ever since, mostly to have it summed up in one post for posterity lol. I considered letting it go at this point but I know it’ll drive me crazy if I don’t get it out of my system so might as well.

So here we go, some of my rambly post-finale thoughts on Tech’s death (and a few other issues) under the cut!

Disclaimer: while this post is in critical spirit (because that’s how my brain works), I want to make clear that I have nothing but respect and gratitude towards everyone who’s worked on the show. My criticisms are of the final story as a whole as I interpret it (art is art, everything is subjective, you know the drill), but one never knows what goes into the process of making it behind the scenes, so I’m not holding anything against the creative team. I love this show dearly and am in awe of how good it is at its best, despite certain things I wish they did differently.

To begin, if I had to sum up the biggest problem that TBB writing suffers from, it would be lack of closure, and too many red herrings. Not just for Tech, but many things. Major plot threads as well as little character moments are cultivated or thrown in just to never culminate in anything or to be immediately discarded after serving the plot, some of them incredibly misleading. Some of the top examples:

- Crosshair’s chip. We never get an exploration of how the trauma of his chip activating and being left behind not only affected his motivation and choice to stay with the Empire, but his relationship with his brothers. While it was made fairly obvious, if subtly, that Crosshair became free of the chip’s influence after getting hit by the ion engine on Bracca, the narrative treated this change as if it didn’t matter at that point, while it obviously mattered a lot within the context of Crosshair’s character. Add to that all these little details with him clutching his head in s1 finale, Omega expressing her disappointment in him, and Tech’s comment on how “it is just his nature” (as if it matters!!! See what I mean about the narrative treating Cross’s chip as if it didn’t play the key part in his trajectory? They throw in this line, like we are supposed to take away that it’s simply Crosshair being Crosshair and not like, the results of brainwashing and abandonment), Wrecker blaming Crosshair for not going back to them, all while we as the audience have been shown and told repeatedly how these chips work (and so were the Batch), we ended up with an incredibly confusing situation with lots of mixed signals from the writers. And once Crosshair makes his choice to stay with the Empire in s1 finale, his chip and the confusion it brought to his relationship with his brothers is never brought up again, because the plot simply moves on.

- Cid’s betrayal. After her being a major character for two seasons with a continuous relationship build-up with Omega in particular, she is discarded as soon as her betrayal serves the plot, with all that character development getting thrown out of the window. You can be mad at Cid all you want, but to me it’s incredibly weird and wasteful to end two seasons worth of build up on that note without it having any closure for the characters, especially Omega whose whole theme is trusting people and bringing out the best in them. It’s fine if they decided to make Cid exactly what she appeared on the surface (untrustworthy and self-serving) after playing around with her potentially growing through her fondness of Omega, but then at the very least the betrayal should’ve had an impact on the characters, Omega most of all. Even just one casual line from Omega in s3 about how Cid’s betrayal impacted her emotionally, however minimally, would have solved that problem. And no, CX-2 mentioning how he extracted info on Phee from her off screen absolutely doesn’t count as closure, because I’m talking about emotional closure for the main pov characters as well as the audience. Cid had a presence for two seasons, then as soon as she executed her role as a traitor to further the plot, she was discarded like she was a random extra.

- Emerie’s relationship with Hemlock. We are led to believe that he basically raised her, instilling in her the idea that she had no chance without him and owed her purpose and “safety” to him. You can’t tell me that this didn’t deeply affect her struggle and eventual decision to break away from all that and choose to help the kids, basically betraying Hemlock. I get that the show only had so much screen time and Emerie is a supporting character in season 3 at best, but common, she has more tension with Dr. Scalder than Hemlock while the potential for this rich deep conflict between them is right there.

I can probably list more smaller examples but this is getting long and I don’t want to go on any more tangents, so, finally, the biggest example of lack of closure and tendency of TBB writing to display foreshadowing that leads nowhere:

Tech’s death.

First of all, I’ll die on the hill that it wasn’t denial or delusion that led to such a big portion of the audience to believe that Tech didn’t really die in s2. If we look at the facts:

- there was no body

- it’s the finale of season 2 out of 3, pretty early for one of the main titular characters to get killed off

- the only/last character to allegedly see Tech after his fall is a villainous scientist who is known to experiment on clones specifically

- not a fact but: the whole scene with Hemlock presenting Tech’s goggles to Hunter was incredibly suspicious. In hindsight, I think the whole purpose of it was so that the Batch got Tech’s goggles back in their possession as a memento (and to show how evil Hemlock is to rub it into Hunter’s face like that) but it was executed in a way that read as something much more. It read as if Hemlock was going out of his way to convince us/Hunter of Tech’s death, but with us knowing who Hemlock is, his background in experimenting on clones, everything screams at us to not trust a word he says. Is it really so surprising that so many of the viewers immediately jumped at the conclusion that something more was going on there?

- Hunter’s (lack of) reaction/immediate narrative fall-out. More on that later as I address lack of emotional impact of Tech’s death in s3.

- it’s Star Wars. And there was no body.

So yeah, to me, it is completely justified that so many people read that whole thing as open to speculation at the very least, foreshadowing Tech’s survival at most.

Personally, I was 70% sure Tech was truly dead prior to s3, but not because the text told me so, but because at that point I was used to the show’s writing regularly sending out mixed signals, and a part of me was resigned to Tech’s death becoming another example of the writer’s intent clashing with their accidental empty foreshadowing.

As season 3 aired and the whole CX-2 plot was unfolding alongside continued lack of closure for Tech’s fate, my hope for Tech Lives reveal grew and grew, but in the end my initial doubt was proven right, unfortunately.

Oh, CX-2.. what a mess. You can’t tell me the creators went over all of these scenes, all of these lines, looked at the whole picture and *didn’t* see how it was incredibly easy to interpret CX-2 as potentially being Tech with all these little potential parallels. “Domicile” alone.

If they didn’t want us to entertain the idea that it could be Tech, they could’ve done it differently, but for some reason, they chose to leave that space for speculation. My question is, why?

If they truly wanted us to believe Plan 99 was it, Tech’s Noble End that we were supposed to take as this dramatic super emotional ultimate sacrifice and all that, then why would they not make it clear that CX-2 couldn’t be Tech? Why breed confusion? And breed confusion they did. It’s hard for me to believe they didn’t foresee the “ohh is it Tech?” speculation.

When so many members of the audience immediately and individually jump at a theory or have the same take away from the story they are being told, yet the authors say it wasn’t meant to be taken that way, something went seriously wrong with the writing.

I don’t like to speculate on such things because we will probably never know for certain, but I wouldn’t be surprised if they had at some point considered CX-2 being Tech or at least something more for the whole CX plot thread, but changed and reshuffled things at the last minute for whatever reasons.

Which is fine and understandable. But it brings me to the heart of my biggest issue with how Tech’s fate was handled:

lack of impact and closure.

Let’s disregard all the Tech Lives theories for a moment and focus on what we did get: Tech, one of the main characters, getting killed off at the end of s2 out of 3, for stakes and consequences and NOTHING else. When I say nothing, I mean nothing.

Imagine, for a moment, he survived and stayed with the Batch. Nothing would have changed, in the grand scheme of things. Nothing. We wouldn’t have had a few obligatory “Tech mention, everyone feel sad now” throwaway lines/goggle shots and whatnot, sure, but that’s it.

Tech dying didn’t change the trajectory of the plot in any way, nor did it affect any of the other characters in a way that changed their trajectory. And anything less is simply not enough to justify killing one of your main characters. Stakes and consequences ain’t it.

Consider Mayday, for example: a supporting character, but his death in s2 affected Crosshair in such a way it completely redirected his journey, AND in s3 we got an episode that cemented the impact Mayday had on Crosshair and provided emotional closure for them. That’s a narratively meaningful death.

Tech’s death was not meaningful to the narrative beyond removing him from it. That’s why so many Tech fans insist he deserved better treatment: not only was he not present in one third of the show physically, but he lacked any sort of presence even in death. His absence was never processed or grieved by any of the main characters and so by extension by the audience.

And before anyone starts with the whole ‘they are soldiers/they had no time to grieve/etc’ arguments, it is the responsibility of the writers to provide the space for all of that emotional impact. It they don’t, there is no impact.

A few reactions here and there, moments of missing Tech as a person and a brother, not an asset, anything would have made this whole thing easier to accept.

The lines that we did get, from Omega mentioning the stuff Tech taught her to Echo commenting on how decryption would be easier if Tech was with them to “Clone Force 99 died with Tech” from Crosshair - each and every single one of those lines linked to Tech’s functions as part of the squad, his usefulness, but we didn’t get a single line in remembrance of him as a person of his own, no one missed or remembered him for himself or his personal impact on them.

Just one line from Omega about how he taught her about change being a constant part of life or whatever, or Wrecker making a comment on how Tech used to info dump about stuff, anything would have instantly provided that much needed sense of “he was here, he was a person and is still a part of us”. Instead, Tech was killed off to show that messing with the Empire is dangerous and risks are real, I guess, and immediately lost any and all presence within the story.

We never even got to see Crosshair’s or Phee’s reactions to losing him.

Speaking of Crosshair, that’s a whole other example of complete lack of closure: they never closed the loop on the family being reunited again after initially leaving Crosshair behind, and with Tech dead, it’ll forever stay broken.

They could’ve given this a bittersweet yet meaningful spin if they developed the angle of Tech dying on a mission to bring Crosshair home, making a sacrifice so Crosshair had a chance.

Instead, the moment Tech dies, we get Hunter (and through him, the narrative) immediately abandon the idea/plot thread of going to rescue Cross all while saying “let’s not waste Tech’s sacrifice”. Sacrifice for what? Clearly Hunter doesn’t see it as a sacrifice for Crosshair’s sake, so, what, to make sure the rest of them makes it from the mission? The mission to save Crosshair. That mission. Right.

I see people talking about Tech’s noble sacrifice that ensured his family got to live and eventually have their happy ending, but all I can think about is how the creators chose to have him die on a mission that was immediately abandoned and the only take away from that whole sub plot was Tech’s own demise.

And after Crosshair is back with the Batch, his reaction to Tech’s death is never explored at all.

So yes, to me Tech deserved so much better. If you are going to kill off a major character, it must be necessary to be compelling. The way I see it, Tech’s death was not necessary at all because it didn’t change anything. And if it was meant to, the creators failed to communicate that by choosing not to explore the emotional impact of it and not structuring certain story beats in a more precise manner.

To wrap this up, if the way Tech’s death was handled was satisfying for you, that’s valid and I’m glad for you. For me, unfortunately, it’s completely the opposite and will forever remain the biggest and most unfortunate low point in the story.

And while I welcome anyone to share their own perspective if they wish, please don’t take this post as an invitation for debate, since there is no one right or wrong way to interpret or be affected by art.

[m1ssunderstanding]

Let it Be Close-watch

Paul, sweety, it's beautiful, but it's killing the vibe.

Ringo looks like a very old, very tired lab rat whose been put through the maze a few too many times

Somehow the air-brown mostly eaten apple is very appropriate.

She looks far too sweet here to ever let John down. Yoko has very kind eyes.

I love how it makes it seem like Paul and John are calling Maxwell “the corny one” but really we know from Get Back that they're talking about a particular arrangement they were trying out for Don't Let me Down.

I swear he's saying “John” there, not “Joan” and also he said “came down upon His head” so… Oh! And Max died in the end in this version? “Sure that Max was dead” Okay. So Paul kills John and then himself. Murder suicide story. Yeah, Paul, you're doing great mentally, we can all tell.

I love how George getting electrocuted was important enough to make the cut for both films. Poor baby. “If this boy dies you're gonna cop it” from the guy who was just singing about a serial killer.

They're so silly

Yoko does not agree with me

Paul: stealing your man, sweetheart. John: oh no I'm being stolen teehee!

They're so silly

Oh wait, were those bitchy looks at George??? Because there he is. Idk could easily be him or Yoko.

this poor autistic baby trying to use words (not his language) to explain music (his language)

“Good MoOornin! Wooah!” I think I just … You know how Mike said people were booing Paul in the theater watching this? Yeah it's because they were pissed he didn't step out of the screen and onto their necks.

Oh Michael put himself in his own movie too? Huh, cool.

They are always in my heart

The way Paul says “get on the mic” to John??? I would've thrown something, that was so fucking bossy! Just his tone and his face and his angry pointing fingers. So mean. And John just goes “okaaay”. Oof.

Ringo covering his eyes like a little kid watching a scary movie during the orange sweater fight. Same, babe.

Sounds like the original lyric John's going for is something long “All I want is you. Nothing else is gonna do.” But that obviously didn't fit with the tune. I wonder if there was a particular conversation with Paul being controlling that made the “everything has got to be the way you want it to” line click in.

Oh my gosh! So George is showing I Me Mine to Ringo and Paul and he says the “I don't give a fuck it can go in musical” line before he even plays it. Not after John's making fun of him like he does in Get Back. Nagra reels experts: which one is correct??

George: it's a heavy waltz. Ringo:*claps hands angrily and punches the air to a ¾ beat. I love him, he's like the core of “Beatle humor” to me.

Woah there! Okay this is the John/Yoko pda Peter Jackson cut, I see. I wonder if there's a lot more footage of them swapping spit that might make the “oh John was just so in love” theory more reasonable.

It's extremely impressive that George just wrote this whole thing last night. You know? John and Paul have brought in all fragments from what I can tell. He's the only one to come in with a basically finished product.

LMAO and we're just going to Apple now. No reason. Nothing happened. Nothing to see. Moving on.

Ringo is so so cute pretending to hide from the cameras. Really he should've been the cute one.

Is it just me or does Paul drop the sillies and get sad when he sings “always be mine” at John? It's his regular voice, too, for a minute, if I'm not mistaken.

Silly cuties. But John's grin and little sexy tongue action happens the second time Paul sings always be mine, so…

What friendly artistic collaboration looks like when it's not psychosexual

Paul: have you played the dubs? George: yeah. Terrible. Paul: Great! Ringo: terrible. John: laughs Paul: (sarcastic) oh, so dreadful. …. John: where's my guitar? Paul: (still sarcastic) well we're just the greatest band ever. Idk I just like this dialogue. It's very them, you know?

This is adorable.

But I also love how they're already communicating with eyebrows, you know? They just bonded so fast and I find that beautiful.

And then Heather ups their game from taking turns going “chchchchch” into the mic to meowing into the mic. She looks at Paul like “okay your turn” and he sets her down lol he's thinking ‘if I meow into the mic right now after John already had a sex dream last night about me, he might actually cream his pants and we can't have that on camera’

Lol Billy just magically appeared!

Paul you're literally so annoying. You started the goofing off and now you're like “alright lads, that's enough.” Mkay.

He is unbelievably sexy and talented though so you know he does have those little things going for him. Someone write me a Paul/Billy fic please!!

Kinda crazy how they all four just slide straight from “Kansas City” to “Miss Ann” to “Lawdy Miss Claudy”. Makes me think of something they might've done in Hamburg.

I'm sorry but Paul finishes “please don't excite me baby. I'm down in misery.” And John's immediate answer is, “well you can get it if you want it, and if you want it you can get it!” And Paul ends up singing “I want it I want it I want it I want it”. Nice. Very subtle, boys. And that's before John gets kinky.

I love how Heather just forces a hug from George and then immediately runs away. What a cutie.

But really. How did anyone watching this get the idea that John hated Paul? Just confirmation bias I guess?

All the cut off conversations kill me but especially the one where John's working though Paul's anxieties. They're just in the middle of it and then cut. “two of us Sunday driving…”

Someone should do a study of whistling in their songs. I feel like it's another one of their tip offs that “hey this one is about us” Anyway I love John's whistling here. He's so good at it. I can just imagine him as some farm boy picking apples, you know?

Imagine booing this poor stay puppy though, like. What? I mean, what if Johann Weiner was wrong and John wasn't crying at the sight of him and Paul playing triumphant together on the rooftop, but at Paul playing his little heart out about their doomed love. Idk it's probably both. Let's be real, John was bawling through the whole thing.

What is George laughing at? Picture quality is garbage because evil corporations don't let you take screenshots of their content, but he looks like that one kid in your elementary school class that just dumped Cheetos all over his crushes desk and thinks he's a criminal mastermind.

Also I do appreciate all the attention given in the chosen shots to the musicianship. I bet they liked that at least if they had the heart to like anything about the movie at the time.

I'm sorry but I love how in sync Mo and Paul are. With this ducking and later the shimmying. I know it's wrong to ship Ringo’s wife with one of the Beatles she didn't sleep with, but… idk I really want her to have bedded all four at one point, you know? She deserves it, being an og.

Okay but yeah I'd be having a public meltdown if I fumbled that too holy fucking shit

Ringo feeling himself as he should

George just looks like he smells nice. Unlike the others. You know?

John has such a beautiful smile. If somebody looked at me like that I'd put him up on a giant screen behind me on my world tour after he'd been dead for forty years too.

That pleeeaaaheeeaaase though. Looking at Paul. How did he survive I'll never know.

The cut from screaming Paul to grouchy nap lady is extremely painful.

John was so cool in this concert. Like the epitome of cool.

Kevin, my love, thank you for your service

I love Yoko leaning so far and craning her neck. She's like a mom at a school talent show. Like “I only came to see my baby.” Type vibe. Which is exactly what she's doing, unlike Mo, and honestly I find both of them extremely valid

You know in movies where the romantic leads are never looking at each other at the same time?

I think I watched George and John switching back on their amps like fifty times because I just love it so much. And from this angle, you can see John's saying something to Paul about it. He looks serious and he's shaking his head. I wonder what he's saying.

Mal Evans I love you forever for this. Look at his hand on the rail, just blocking them off completely, so protective.

Them turning to each other at the end always gets me. It's automatic, like second nature, and it's the last time ever. They deserved better.

Oh Darling duet in the credits are you fucking kidding me??? Was that in the original? “Believe me, when I tell you.” “Oh I do.” That's the second time that they gave away in this footage that they know they're talking to each other in their music.

Alright, that's it, I guess. And then MLH is haunted by this experience for forty years until he makes Two of Us to purge the demons.