#whos the biggest of em all

[polysyndetonaddictsupportgroup]

did every hero really follow endeavor's plan during the jail break? I've never watched bnha, but I always figured there were more heros then Japan knew what do with. Was endeavor really just that worried about how the fight again AFO would go? and did AFO have the league with him? or other prison escapees? Given eraserhead was so entrenched?

As a preliminary matter--yes, it was way more than AfO. The League basically did what they did during the USJ arc and subcontracted their violent attacks. They needed a big force to first get AfO and everyone else out of Tartarus, and then they made it very clear (via loudspeaker and also fucking tweet) that they would all be very peacefully retreating while all those criminally insane and violent motherfuckers went that other direction. Ball's in your court as to how you want to tackle it.

AfO was the biggest threat, by fucking far, but it was far from isolated to him. It was the entire League of Villains + Their Very Special Friends. It was the kind of force that would be required to make the entirety of Tartarus fall for the first time in history. So the heroes had plenty to keep them busy.

And as to whether Endeavor was that scared about the next fight with AfO... Yeah.

I think bnha does a good job at establishing that All Might and AfO just exist at entirely different levels than every other person alive. Their fight leveled a decent chunk of Kamino. And I think that's kind of power and devastation is hard to conceptualize as like, people in a world where we don't have to worry about superhero fights. (as a side note--Sukuna's Big Fight in the Shibuya arc from JJK did better than any other fight in media to really capture the sheer cosmic horror of being caught as a bystander in one of those fights).

But endeavor saw it. He was there for AfO’s and All Might’s last fight. The gods were fighting. Everyone else was just an ant.

He is facing the villain that ultimately took down All Might. All Might won Kamino, sure. But he didn't get up again after. He was permanently and irreversibly taken out of play. And Endeavor has spent the last year feeling like he was struggling to be even half of what All Might was with two hours of productivity a day. He was so consistently voted to not be able to compare to All Might that he bought a wife and had four kids about it, all of whom hate him actively.

He does not think he is winning this fight. He is Japan's number one hero. The responsibility is going to fall to Midoriya Izuku to him. He is the best they have left, and the fight that would be coming was one that already nearly killed All Might, the one guy he has never ever been able to compare to. And when he really looked himself in the mirror and asked if he could stop AfO, the answer was no.

And it wouldn't just be AfO if he came back to power. It would be his followers--and he was liable to get more than just the current League of Villains roster. It would mean more Nomus. They could barely handle one Nomu--how could they possibly handle the Nomus, and the LoV, and AfO?

And the answer that he came to was that they couldn't. Not without All Might.

He thought he was sacrificing Yokohama for every single other city AfO was going to level if he had time to grow in strength again. He thought that if they threw absolutely everything they had at him while he was weak, then maybe they could contain him and the League before entire cities fell.

So. That's why he came to that decision. Why did every hero fall into line?

So what’s key to what happened here was it was this complete structural breakdown at exactly the wrong time.

Structural Flaw #1: Transportation

Was it every hero in Japan that responded to Endeavor’s order? No. But not every hero in Japan was available. Any heroes out of the immediate area were too far away to do shit.

But it's a massive crisis. Heroes would commute from all over if they could--but it's not about desire, it's about time and resources. With how imminently emergent the threat was, a lot of far-away heroes would need something like a jet to even conceivably get there in time.

Who is sending the jet?

Let's pin down what heroes could, conceivably, get there in time. Very few heroes are in walking distance. How do heroes typically get from Point A to Point B?

Hero society in bnha is an agency model. There is no communal pool of resources--you have what your agency has. You have a jet to transport you if your agency has the money for one, and I’m pretty sure only all might had that (he has since had it dismantled and the parts repurposed for the sake of the environment. He only had it to begin with so he could quickly respond to imminent threats. All Might thinks there's more than one way to save the world and saving the environment is part of it). Like. We even saw Endeavor flying fucking commercial.

But let's just assume, arguendo, that some agencies have jets. It would have to be the very top agencies to possibly afford it.

All of whom are shown in canon to mostly operate out of the same area. So they're going to have to send the jet somewhere else to get more heroes. Now any travel time is doubled. If they do send it out, how many people are they realistically getting? Are these heroes in multiple different cities? That's more travel time then. Maybe we just land the plane in Kyoto and whoever gets on in the twenty minute period while they're refueling is who is coming back. We'll hand them parachutes and kick them out the plane door over Yokohama. Okay. Good plan. Go team.

Who is sending the jet?

Like, who is physically making the call to send the jet? Who do they call? Do they just start ringing around their buddies and seeing if they have other plans? The city is on fucking fire and we need people fighting now, so the big name heroes don't have time to organize transport with other agencies. They’re not even thinking of that right now. Make it a sidekick's job.

They are all on fucking strike.

Fuck it. Fine. Make it an admin's job. There has to be some kind of office staff who can work a telephone who's available.

Who is thinking to send the jet?

Admins are not making strategic calls about where the company jets go. There would have to be some kind of protocol in place or someone with the authority to send the jet would have to think of it in the moment. And I guarantee you this would not be the case.

Because this is a society where they have canonically semi-privatized public safety and put people in direct competition with each other over it.

ASIDE: The Economic Structure of Heroics and Why It Sucks

I have an economic structure. You must listen to it. I promise it is relevant. This is why it takes me forever to do things it's because i get too deep into the weeds and have to explain the fucking economic structures underpinning the analysis for my nonsense to make sense.

How the fuck do heroes get paid?

I have no idea if canon ever tells us because to be so for real with you guys I have not watched this show in years. I haven’t cared about canon since the Shie Hassaikai arc. The fucking YouTuber arc broke me. I literally never watched it again. If they ever explain to us how heroes get paid I do not know and I do not care. I refuse to go back to canon. Everything I found out about canon after the Shie Hassaikai arc, I learned against my will. The ending to this story was so fucking stupid and I only have a scattered knowledge of the details but I’m still right. If canon ever tries to explain it then please do not tell me, I refuse to learn more things about this show.

But I still like poking around the potential economic structures based on the part of canon that doesn’t cause me psychic damage. So here’s the thought process for the economic underpinnings of hero society in the pez universe.

From canon, we know it can be an enormously lucrative profession, we know that it involves some degree of private interests (re: merch lines), and we know that there are some people who cannot have merch lines (Underground Heroes, e.g. Eraserhead), so there also must be some kind of public funding aspect to it as well. So. Who the fuck signs your paycheck?

Sources of Funding

a. Public Funding

There must be some kind of official governmental budget for heroics. Like. They are very much a public service. There would be no way to have a fully private heroics force without government funding. What else are you supposed to do, fucking Venmo heroes after they save you? Do they put your kitten back in the tree if you don’t have enough.

In my mind, there's public funds allocated to heroes as part of a city's budget. That funding is allotted based on the number of employees in a given entity balanced against the confirmed acts of heroics of that same given entity. There’s a base salary level and that can be increased based on how successful you are, but salary isn’t exclusively what this fund is for. The heroic entity (an individual hero or an Agency) is effectively receiving grant money from the government to run their agency. You put it into salaries, gear, office space, everything. The government is basically investing in heroes, and it’s investing more in heroes who are shown to have a greater positive impact on society.

It involves overly complex calculations regarding the scaled difficulty of a given bust/rescue/act and ranking of the villain (if there is one) and the overall public benefit for the service rendered. You get bonuses for having a lower average property damage, for contributing to community building projects, that kind of thing. It is Complex. There is a lot of paperwork that has to be submitted to strange and vaguely threatening government accountants. When Mirio and Izuku start their agency, they will burst into tears multiple times trying to figure it out once filing season rolls around, bundle all the paperwork in a Massive Tears And Shame Package, mail it off to the shadowy powers at be, and then get a perfunctory notice that they are getting a ludicrous amount of the city budget allotted to their dinky little agency for the upcoming fiscal year because they are Big Fucking Heroes and enormously good at what they do and it reflects in their stats. They will then lay on the ground of their haunted fucking office and stare at the ceiling for a very long period of time.

But this puts the heroes in competition with each other. Your public funding is chained to your stats under this model. There's only so many criminals out there--you've got to get the right numbers or it cuts into how much of a slush fund the agency is working with.

It's sort of an insane model for a public servant position, but I think it matches with what canon shows us. Imagine having firefighters pitted against each other. like, having a competitive model for public safety raises extreme concerns about how it incentivizes public servants to act.

But this isn't canon's model. It's my guess as to how canon works based on the hints i can remember and my own mental illness. So why do I think canon suggests a model like this?

It's because 1) canon does establish that heroes are in competition with one another and 2) this kind of model would likely be necessary due to the level of autonomy that heroes have.

The literal first fight we see involves heroes in competition with each other. Kamui Woods is doing a big Ultimate Move, and Mount Lady rushes in and steals the show. Like. that is crazy behavior if we are looking at this through the lens of a typical public servant. Imagine you're trying to get directions from a park ranger and a different park ranger kick flips in with a map and a desperate need for you to get your directions from them instead. You call poison control and they’re beating each other in the head over who gets to tell you you’re dying.

Still, on its own, the competition isn’t dispositive, because the private income streams (we'll get there) would incentivize competition even if public funding wasn't based on it. But the level of autonomy that hero offices exhibit also suggest some kind of competition model.

Heroics agencies are not run like a typical police force or fire station. With most entities that function as first responders, they respond to some kind of centralized force (like 911 call centers) and they have highly regulated resource distribution. Like, police forces are restricted to a specific jurisdiction. Within that jurisdiction they have multiple districts and officers typically stay in their district. They're not going to a different fucking city because they think the crime is cooler there.

But Endeavor does exactly that. He's like "hello, son who hates me. Let's go to Hosu because I want to fuck with the hero killer for street cred. won't you come along. It is non-optional" and todoroki says "i hate you father and will abandon you on our father son trip to set a serial killer on fire with my mind. it will be for mildly gay reasons."

These agencies aren't a centralized public service. They are all just off doing their own thing. They're not responding to specific areas as allotted to them by the city--they just fuck off and do whatever. Like, there's probably some coordination between agencies as to who is covering what patrol, but it likely would be more out of courtesy than formal requirement. People wouldn't step on each other's toes nearly as much if there was more of a structure to this.

Typical public agencies who receive funding in accordance with staffing and budgetary needs have more structure and formality than is exhibited in canon. Heroics Agencies act like they're all independent contractors. They probably function like grant money recipients, where they're all fighting for the same pool of funds. You have to write in and show why you deserve that money when that's the case. They're in competition with each other.

Like, is this definitively the structure in canon? No, of course not. I have no fucking idea what, if anything, canon has going on. But it definitely fits with canon.

b. Private Income Streams

We know from canon that it can't just be public funding. Izuku alone probably paid for the Mighty Agency private jet with how much fucking all might merch he bought. Canonically, heroes have merchandise lines, branding deals, commercials, everything. All Might had fucking movies made about him. Those are all extremely lucrative income streams--and likely where the richest heroes get the biggest brunt of their income.

In order to get this kind of income, you are necessarily in competition with your fellow hero.

Public attention, spending money, screen time, all of it--it's a limited resource. You have to be the person who gets to the fight first, who does the big move, who saves the day. If it's someone else? Then that's another kid buying their action figure instead of yours. Heroics is heavily commoditized in canon, and that inherently invites competition.

2. Distribution of Funds

So now that we have a theory as to where the money comes from, how does it get paid out? Based on canon, it comes down to a structure of (a) Independent/Underground Heroes and (b) Agencies.

a. Independent/Underground Heroes

I can't actually remember if the word "independent" is said in canon or if I came up with it, but I think canon implies its existence. It's basically the same thing as being an underground hero, but you're still a Spotlight hero. I also cannot remember if the underground/spotlight thing is canon or fanon or what I’m sorry I haven’t watched this show in years.

Independents are spotlight heroes without the backing of an agency. They just go out every day with the clothes on their back and a dream. They have no support staff, no back up, and no one to help them if things go sideways.

It is not a popular employment option.

Part of it is because it's that much harder to fund being an independent. Like. Say you're just out of high school and you decide to strike out on your own as independent. You're still spotlight, so you can have a merchandise line, and that'd be a nice income stream while you're just starting out.

How the fuck do you start your own t-shirt line?

How do you make contracts with the manufacturers? How do you make and copyright the design? how do you sell the stupid things? Do you try and get them in Walmart? Do you start an Etsy? Your own website? do you call your mom and cry when you have 500 ugly t-shirts with your face on them that no one wants to buy and they're taking up all the space in your studio apartment.

Agencies have preexisting structures in place to help launch these kinds of options, which is one of the reasons why they're so attractive for baby heroes just starting out. The only reason why Mirio has merchandise is because he decided that he didn't care and didn't need to make merch and Izuku came after him with feverish crack addict energy because he cared and he needed Lemillion merch like. yesterday. All Might ended up getting his agency to start a lemillion line. Mirio gets the profits with a reasonable fee to the Mighty Agency. To this day he suspects that Izuku is 70% of his sales but Izuku denies this fervently, like a liar (he actually has a small but very devoted fanbase who rabidly support him and buy all of his merch. he would cry if he knew this. Still. Izuku is his biggest fan and buys literally every single piece of new merch in triplicate.).

Underground heroes are in the same boat as independents but they don't even have the option of a merch line. They exclusively get public funding unless they're backed by an agency, which none of them are because agencies have a tendency to fuck them and their busts for the sake of the spotlight. All underground heroes are bitter and culturally opposed to agencies.

On that note:

b. Agencies.

This is where by far the most heroes would end up. But an agency is like thirty dudes with the same joint bank account. How does the money get there and get distributed out?

i. Public Funding in an Agency Context

Take the above model. How do you attribute public funds based on personal statistics if there's no single person? Does everyone get their own check? But that wouldn't make sense--this isn't just for salaries, it's for funding the actual heroics itself.

Everyone under the same agency would be counted together for the purposes of funding allotment. If Sidekick A managed 300 busts last year and Sidekick B man managed 350 busts, then congratulations, The Big Hero Hero Agency made 650 busts last year, here's a check made out to the agency, figure out what you want to do with it.

But what about incidents that involve multiple heroes from the same agency? Let's say that The Big Hero Hero Agency is involved in a big bust. It is Sidekick A's baby. They have spent months doing this. This has been blood, sweat, and tears. When the day comes, they are joined by Sidekick B, Sidekick C, and Big Hero himself. Sidekick B has been helping Sidekick A for the past three weeks on this case. Sidekick C got called in the day-of to help.

Big Hero showed up for the last twenty minutes of the fight when they were mostly done with everything.

So. You're filling out the post-arrest paperwork. For funding and for public statistics, you need to make sure to properly account for who gets credit for the bust. It has to be one person--if you had everyone individually credit themselves for the bust, then it looks like you've resolved four incidents instead of one under this financial model. it's artificially inflating your numbers for public funding. that's fraud. Who should get the credit: Sidekick A, Sidekick B, Sidekick C, or Big Hero?

Well, there's nothing stopping Big Hero from writing their own name. So let's go with Big Hero. He helped.

This was one of the big sources of the sidekick strikes: a lot of agencies had an absolute policy of attributing successes to the name hero if they touched the case at all, because there was no rule against it. It was better for the agency, after all--unrealistically high numbers on the biggest name meant the agency as a whole appeared more successful.

So there were a lot of heroes artificially inflating their stats with things that were more properly credited to their sidekicks. Which made it all the harder for sidekicks to leave because their stats were shit because their boss was taking credit for their work.

ii. Private Funding in an Agency Context

But that’s just public funding. How would agencies distribute private income streams?

Big Hero Agency is proud to announce its newest line of Big Hero Action Figures, featuring the Entire Big Hero Team, now retailing for $39.99. Get it now from a store near you.

So. An agency is selling an action figure line featuring Sidekicks A, B, and C, as well as Big Hero himself. We’ll round up to an even $40. How do we split up the cash?

You can’t give everyone each $10. You have to first pay the suppliers, the advertisers, the trucks that shipped the toys to the store, etc. Then you have to pay back into the agency to fund miscellaneous expenses—the stationary, the insurance, the coffee in the fucking break room. Everything. By the end, there’s only $4 of profit left over. Not great, but hey—they’re selling a lot of toys. So if they each get a $1, then it should add up quick.

Right. But. If you think about it, people are only really buying it for Big Hero. He’s the best hero of all of them—his name is on the agency, and just look at how much higher his stats are. So it’s only fair that he gets $3.70 a toy and the rest of them can get $.10 apiece. Don’t worry, it’ll add up quick.

Not all agencies would have been like this. But a lot of them would be. Money is a hell if an incentive to screw people.

END OF ASIDE.

With all that in mind—why would they feasibly have a structure to fly in help from other heroes far away? That’s their fucking competition. Sure, we have team ups, but they’re all either well in advance or in the heat of a moment. If they are in the heat of a moment, half the time the heroes resent it because they just stole their fight. They’re gonna what—pay the exorbitant jet fees to fly in someone who’s just going to steal their hard work in the eyes of the public?

Okay, but what about situations like this? Massive emergencies where you need more people?

Those haven’t ever happened before. They had All Might.

So. The heroes on the ground calling in help are out. What about the heroes who are close enough to make it there by ground transport? No one calls them, they just show up out of public need. How are they getting there?

Trains are out. All the trains into the area are shut the fuck down. We are not giving the freshly escaped villains a bullet train to the rest of the country. Same thing for buses. No fucking bus driver is making their regular route into a fucking battleground.

Private transportation it is. Anything more than a few hours out of the area is completely out of the question. Like, good ol’ Manuel from Hosu City and all his buddies? Not making it. The wild wild pussycats? Watched this on TV from their mountain home. Gran Torino? On FaceTime with All Might, who is watching the fight with Midoriya Inko’s hand gripped in his left and Bakugou Mitsuki’s hand gripped in his right. Gang Orca? Twelve hours away and on a fucking island so he needs a boat AND a car to get there. Or he just fucking swims.

But there has to be at least some hero that saw this happening and heroically climbed in their Mazda sedan to make the three hour car trip. Why didn’t they go to the fight in Yokohama instead of the one against AfO?

Frankly at that point those literal children were visibly doing way better than the actual heroes were faring and any heroes showing up went where they were most needed and uh. It wasn’t by the kids.

If we have the agency model as given to us by canon, then that means there is a decentralization of resources. If you want to utilize your public defense force in the case of emergencies, then you need a way to fucking get them to the emergency. Canon does not have that. This is a huge structural failing that only wasn’t a disaster sooner because most emergencies required one guy and he had his own private jet. So most heroes in the country never had to even consider if they would listen to Endeavor’s order because they were completely cut off and useless at the time.

So. Now the analysis has been narrowed from all of Japan’s heroes to just the ones in the immediate vicinity of the fight. That’s still a fuck ton of heroes. This is a heavily populated area with a bunch of heroes around. You can’t go outside without tripping over a hero.

Most of those guys were on fucking strike.

Structural Flaw #2: Over-Reliance on and Abuse of Sidekicks.

The vast majority of the workforce had to be sidekicks. Like, just from a business model perspective. Even the smallest agencies we saw had 2-3 sidekicks. Endeavor’s agency had at least double digits, and I think Idaten was at over a hundred or something. We were probably looking at, conservatively, a 1:10 ratio of heroes to sidekicks.

All those guys are on strike.

Okay. But not all of them, right? Idaten already settled and got their sidekicks back. That’s like a hundred guys.

Except the Strike was not isolated to the Tokyo/Mustufasa/Yokohama area. Idaten sent out a lot of their sidekicks to other regions to help alleviate some of the strains of the strike. (As a note, this was not the Idaten sidekicks crossing the picket line. Them picking up the slack for other sidekicks still striking would have helped minimize effects on the public. However, the agencies of the striking sidekicks would have reaped no benefit from this under the compensation structure outlined above. Idaten would have gotten the credit for everything their sidekicks did, so the other agencies would still be bleeding from this while risk to the public was slightly alleviated. Idaten’s entire function in this strike was to set an example for quick settlement and minimize public harm. There’s this entire sub-analysis on Idaten’s internal culture and how it intersects with broader heroics standards that I won’t get into now this is already way too long.)

Idaten is at 1/10 capacity. It has like, ten guys, all of whom have been working say, thirteen hour shifts (voluntarily—again, it was a decision made to try and minimize the public safety risks of the strike while still allowing their colleagues their best chance at improved conditions) daily for the past month.

All of those ten guys responded to Tartarus before Endeavor made the call.

To understand the exact nature of the breakdown, you really have to see the chaos of how exactly this unfolded.

The LoV and their merry band of criminals hit Tartarus. The heroes do not realize at this time that they intend to let everyone out, give them transportation, and point them straight towards the mainland. They think that they’re just there for AfO. That’s still a huge crisis that needs to be shut down immediately, so they call out all of their best. Endeavor responds. Hawks responds. Eraserhead responds. Mt. Lady, Kamui Woods, Miruko—everyone in the vicinity who could conceivably respond show up. For a second, it looks like it’s going to end here.

Once the LoV get AfO out of his cell, the entire tide of the battle turns against the heroes. Now everyone’s out. All of those horrible, terrible villains. Tartarus has fallen. They have to make hard decisions. The high ranking, very powerful heroes who are most likely to break the line on Endeavor’s decision? They’re already at the fight by the time he has to make it. It is chaos and something they cannot easily leave.

The LoV’s picked right now because they knew that the heroes were operating at less than a tenth of their regular capacity. They picked right now because they knew the system had structural faults, and if they hit them just right, it would all come down on the heroes’ heads.

But the sidekicks broke strike lines to respond, right? Why do they all go to endeavor’s side?

For one thing, it wasn’t all of them who showed up—maybe a third of them were not even in the area any more. It wasn’t malicious, or intentional, or anything like that—they were off visiting their families for the first time in a long time or taking vacation. All of them had spent the past few years being completely overworked and abused by their jobs. They just weren’t there.

So now we’re down to 2/3rds of them who can even try to show up.

A lot of it wasn’t actually made as a reasoned choice. For many of them, they ended up where they did because of all the chaos.

So you’re a sidekick. You’re on strike. The entire world has gone to shit. How do you normally find out about the world going to shit?

This is a competition model streamed through individual entities. There’s no central command structure. Your agency calls you.

Well, your agency either fucking fired you or they cut you off completely during strike negotiations. This time, you find out through the news when the story breaks. Now what?

You frantically try to get in touch with your (ex) agency. Who is picking up the phones?

No one. That was your fucking job before you went on strike.

I used to work at a government public-service type deal, and let me tell you, they abuse the fuck out of non-unionized workers. You are doing everyone’s job. No one ask why we don’t get more support staff because they have unions. Like. I had a law degree. I was hired to be a lawyer in that office. They had us all doing the jobs of four people, and by that I mean it would be the literal entire job description of another fucking position in that office and we were all expected to just do it too.

Unions incentivize treating workers right. The absence of them opens the door to the opposite.

Why the fuck would agencies hire more people to lighten the load on the sidekicks and let them focus on actual heroics? Just make the sidekicks do everything. What are they going do, complain? They’re a dime a dozen. Hire more of those fresh faced kids with no standards just out of school.

You know when you had a job where you’re like. This fucking place is going to fall apart without me. But they treat you as disposable and easily replaceable and you’re like “okay bet” and so you leave and you find out from the people left behind that it actually fucking fell apart without you and you’re just like :o

Yeah. So that happened.

There has been a massive break down in the function of heroics offices for the past month and change because the sidekicks were not there. They were the ones who actually did most of the day to day handling of the office. They were the ones coordinating transport and figuring out the actual mechanics of who would be deployed where in a crisis. All those things that would be super helpful now? Yeah, those guys aren’t there, and they’re locked out of the fucking offices and can’t get in to un-strike for the sake of societal crisis.

But they know where the fight is. It’s on the news. Why don’t they just show up?

Where’s their gear?

Who owns it?

Heroics support gear must be an enormously expensive thing. It would have to be provided by the agency itself. Literally the only reason why Mirio has gear is because 1) all might would NEVER let his pseudo step son run around without proper support so the man would have bankrolled it himself if needs must and 2) the UA support class has a stipend each year where they can make support gear for active heroes and those heroes get it for free in exchange for free advertising for the students trying to kick start their careers, so he is decked out in THE most experimental bullshit from Hatsume Mei Industries (I have this entire side plot where the support class this class year low key became a sort of religious cult haha not really it’s just a joke it’s not really a joke and power loader is afraid every single day when he comes to work he is afraid under the iron clad rule of Hatsume Mei’s weird girl energy and they all decided Mirio was the Tabula Rasa, a figure of prophecy, and I just cannot get into that right now it’s too long it’s too long already. But it’s so fun).

All those sidekicks on strike lost valuable time trying to get back into their agencies so they weren’t showing up to an S-class villain fight in their fucking jammies. Then, when some poor admins figured out what was going on and let some of them in, everyone was frantically gearing up and getting in whatever transport van they were pointed at. Some of them didn’t know they werent reporting to Yokohama until they were already at the other fight. There’s was so much chaos and confusion that very few people had a clear idea of what was happening.

With the sidekicks, some of them never made it, some of them just got in a van and went wherever it took them, and some of them chose to obey Endeavor’s orders. Some agreed with the decision. Some disagreed but deferred to his experience. With how the Sidekick Strike had left their infrastructure, very few sidekicks were able to respond fast enough to make any real difference.

Now for the last possible demographic: the heroes that weren’t on strike and weren’t initially deployed to the Tartarus Prison Break. Why didn’t any of them go to Yokohama?

Structural Flaw #3: All Might was that one kid doing the entire group project for like forty years and some of these people are having to be heroes for the very first time and realizing that they don’t actually want to risk their lives to save people they just sort of liked the idea of this job.

It may be a bit too specific to be a structural flaw but I’m counting it anyway.

So, just to give a bit of a recap: We consider every hero alive in Japan as a candidate for Endeavor’s order. The vast majority of them are too far away to do shit, and there’s no centralized transport network to get them there faster. Toss in those who are dealing with personal medical issues or are away on vacation or just can’t come for some reason or another, and you’ve lost most of the heroes in Japan as respondents. Probably ~80% of potential heroes are culled from this alone.

So we have, generously, 20% of Japan’s heroes left as potential people to respond. ~90% of those are sidekicks on strike. They’ve got hours before they make it to any fight, because of the aforementioned structural breakdowns.

Now we’re down to 2% of Japan’s total heroes.

Some of that 2% were first responders to the initial Tartarus prison break. All the big name heroes in the area. But there can’t be that many top heroes—so let’s say 0.2% of them were at the initial fight.

Now we only have the remaining 1.8% of heroes to analyze.

There have to be a percentage of those who agreed with Endeavor’s call as a tactical decision. If they show up to any fight, they’re going to be obeying his order.

So we only have the ones who disagreed with his call left to look at.

These are small-time heroes. All of the big names are already at the fight. So they are less likely to have flashy Quirks, be especially talented, or consider themselves to have an especially large effect in the grand scheme of things. They have likely spent their entire careers living in a world with All Might.

It has never actually been down to them.

Think of Uwabami. Momo did her work study with her.

Her hero outfit is a fucking evening gown. She spent the entire work study doing commercials and meeting with her fans. She explicitly invited the young heroes that she did because she thought they were cute enough to be in commercials with her.

Now, she’s had some good if minor moments helping rescue civilians. It’s not that she’s never saved anyone.

But all of the top heroes are already committed to the fight against AfO. The current Number One Hero just ordered all her colleagues to report there. And Yokohama has a lot of S-Class villains en route.

And what the fuck is she going to do to stop them? It’s just her. Half of those villains took All Might to stop the first time. She is not fucking all might.

Is this a hero likely to go to Yokohama completely on her own to fight *checks notes* literally the entire prison population minus one guy? The worst guy, albeit. But one guy.

These are all heroes who have never had to be the actual thing standing between society and destruction. There has always been someone more powerful or capable or heroic nearby. Until recently, there has always been all might.

This isn’t to malign them. A decent percentage of them are legitimately well meaning about being a hero. They do good. But when it came to the big, blowout fights, they have always, always, always been the heroes evacuating civilians in the background or performing rescue in the aftermath. It has never been them who had to stand up and do the fight itself.

Every single one of those villains represent a big, blowout fight. And this hero trying to decide if he’s going to obey Endeavor’s order? They are one guy. And they’re not sure if they could even beat one of those villains alone, let alone all.

The reason why no one disobeyed Endeavor’s order was because, frankly, at the end of the day, they did not want to die.

Endeavor’s order signaled to everyone that there was no guarantee anyone would show up to Yokohama. It actually put good odds to the opposite. If you decided “fuck that, I’m going to Yokohama��� then you’d likely be doing it alone.

What Class 2-A did was considered a death sentence. People who didn’t know them and their bullshit were shocked that they all made it out alive. These were the worst villains their society had ever faced and it was all of them at once (minus that one guy).

The heroes who were in a position to disobey endeavor didn’t actually think it’d make a difference if they did. They’d just… lose.

Most if not all of these heroes made the decision to become heroes during all mights era of peace. Everything just had lower stakes. Crime was less frequent and less serious. The big fights always had someone there who could handle them, because All Might was there. They’d fight the odd mugger or purse snatcher and help put out fires and go home at the end of the night. They’re heroes. That doesn’t mean they’ve ever truly had to grapple with a life or death fight.

If they went to Yokohoma, they thought they’d die. So they might as well respond to a fight that has a chance. Even if they feel ashamed as they do it. Even if they think Endeavor made the wrong call and wanted to go to Yokohama instead. All Might wasn’t there anymore. And they were afraid.

But there is one thing that Class 2-A had going for them that gave them an advantage over these heroes. And that was the fact that they are all medically insane.

It’s that they were together.

It’s a decentralized heroics structure. If you have a large agency, you are necessarily a top hero because no one else would be able to get that many people to agree to work under them. So you’re already at Tartarus and this isn’t a decision you had to make.

Maybe you’re independent. Maybe you have a small agency with 2-3 people. There is no preexisting centralized line that you can use to try and gather more people to go to Yokohama with you. You’re stuck with your immediate colleagues and maybe a few other heroes you’re close enough with to have their number. You really don’t have time to try and ask around to see if anyone else wants to go to Yokohama instead—you need to pick a battle and get there yesterday.

What good is 2-3 people going to do in Yokohama? You’ll just get massacred and it won’t have made a difference. At least if you go to stop AfO, you’ll have a chance at doing something that mattered.

Maybe you disagree with Endeavor but you defer to his training and experience.

Maybe you don’t go at any fight at all. Maybe you’re afraid. Maybe you became a hero in a time where you had a symbol of peace, and you realize you can’t keep doing it in a time without one.

I think there’s a small subsection of heroes that quit in the aftermath of Yokohama. Because they wanted to disobey endeavor’s order, and they thought they’d just die and it wouldn’t matter, and then dawn came and a bunch of school kids had managed what they were too big of a coward to do. I think the fact that they fell into line when their hearts told them they shouldn’t made them seriously doubt whether they were good enough to be a hero.

But they were alone when Endeavor made the call. And it felt like certain death. And—yeah, it sort of felt that way to Class 2-A when they made the decision to respond. But they weren’t alone when they did it.

They were together. And they always felt braver when they were together. Together, they could make miracles happen.

[moeblob]

Day 4: Dirt (and Imitation)

I realized while coloring the Muspell sisters that Hrid canonically has a grimy phase in book 2 so. Here we are. Two ways to handle a sibling covered in dirt. (care for them or insult them)

[no1maddoxfan]

Ok bb, super big fucking spoilers, but first:

Unironic love for him! Hes so cute!!! My turn around on Galaxy-types has been so serious it's unreal. Look at him he's doing his best!!

YUHI IS FUCKING OTES YES YES YES!!

I FUCKING CALLED IT I FUCKING CALLED IT!!! BE SO FUCKING FR ITS THIS BITCH YAY!!! Of course it wasn't gonna be my baby boi he's incapable of villainy. Also, love him! Otes, love him. Already did, still do. Don't know why they're gonna steal his melanin, but this is the best result. Now for ig ygo link joker?? Or the arc after link joker?? It's been years since I've watched Vanguard.

Also, this episode was kinda funny, like I know they were tryna break tension but doing the memory thing (love how Yudias' stayed in color while Yuhi's turned b&w) and with the symbols and yudias talking all that mess but I still loved it. He just can't, for like a second, and I love him for it.

I really thought I'd feel sadder, and I feel bad that I don't. Like yuamu lost a brother. We lost a protag. Yudias lost a friend. I think I was so focused on the fact that I fucking called it (because I did. I have NEVER gotten a theory right which is why I was so scared to say it before) that I couldnt focus on what was happening. I don't feel bad for yuamu, I'm so happy yuhi is Otes, Kwaidul and Yudias being the drama queens that they are, it just was a bad combo. This is supposed to be Yuamu's season!! I just don't know what to say.

Except that them playing the op so early took me OUT!! Ain't no way!!! Also, after credits scene??! I was looking at the time so confused like?? But I love this. Otes is ironically one of my favorites in Sevens. I know they might play him hard but I just want yuhi Otes to fuck around for the next 2 arc ngl. And I will no longer dead name Otes either. How incredibly rude.

Either way, I loved this episode, idk if that's a popular opinion (haven't looked at the general consensus yet), not that that matters, I'm really just happy my boi is safe and that Otes has FINALLY been revealed. Let's hope this Otes stuff doesn't breach containment, but I really hope they use this character to it's fullest!! I mean cartoon level antics.

Congrats Go Rush!! You did it!

[little-shadow-club]

By SL's logic the strongest hunter out there that isnt a ruler's vessel is... a healer.

(Nameless 5th national hunker i keep thinking about you every day—)

[dawnleaf37]

in honor of the tpot short with the failed debuters (assumedly) being announced soon heres my tierlist of all the tpot debuters most favorite to least

tags for longer opinions :3

[emahriel]

i just found my first digital artwork and had to share the progress... been drawing since I was a kid (like early 2000s), but I think most of my progress was done within the past 5 years.

— 2014 vs 2023!

[headless-horsepossum]

one time in third year when i was 14 and living in scotland a popular girl asked if she could copy my homework and i looked at her with 100% sincere surprise and disapproval and said "but then how will you learn the material?" and they still didnt screen me for autism until i was twenty four years old 😑

[transgaysex]

i have some weed gummies ive had for years that ive never even had one of and i dont know if the weed in them still works or not. should i have one and see

[grinalbi]

Created my Neocities acc/site yesterday... been working on the code since then.

I am currently living in Spain but without the S.

[justaboutsnapped]

Since that sports rpf breaking the containment post is making the rounds… does a fencing fandom exist on tumblr I REALLY need to know because every time I search it up here it’s either picturesque houses with wooden fencing or fanart of fence the comic…

I fenced recreationally for about 5 years, and because that was done rather unwillingly, I never actually got into the sport (as in I didn’t watch it whatsoever which is bad I know). However now that I’ll never be the one on the piste again it’s becoming increasingly compelling to me…

[abyssalpriest]

It is funny AF seeing people talk about the Trinity Kings as brothers but in a specific order of age like. ignoring what I know about them if we see them as brothers we all know Poseidon acts like the oldest and Zeus and Hades are tied for baby baby baby baby youngest brothers. I'd say Zeus is middle and Hades is youngest but tbh no publicly Hades could pass for middle, hate to say it

(this post is friendly Zeus and Hades slander)

[seventh-district]

it’s a shame that i think Spotify’s already stopped collecting this year’s data bc if i’d found this song earlier i just know it would’ve easily made my top 100

[szasfuckingwife]

basketballer!Gojo who knew you from college. You often showed up to his games with your friend (who liked Suguru) and just, in the most uncreepy way possible , stare at him.

basketballer!Gojo who stayed in contact with you even when he went pro. The blinding lights of fame didn’t blur his deep attraction and fondness of you. Even on his least busiest day, which was still pretty busy, he made time for you.

‘Morning, my love…your smile lightens the world and my heart, love G.S’

You smile at the note that was amongst the several bouquets of red roses, your fave.

basketballer!Gojo who made sure he returned to you every night. Unlike his teammates, he wasn’t the type to go clubbing or anything similar. He was just a guy, obsessed with playing basketball and his girlfriend.

“Fuckin’ love you, Y/N…” He breathes into your ear. After a very deserved win, he made sure to let you know how much he appreciated your support. A string of whimpers left your mouth as his dick slid in and out of you. “Always so good for me, baby..”

basketballer!Gojo who, for some reason, gets a little jealous when you steal some of his spotlight. Maybe it was just an ego thing. He was fine at first when it came to you being called ‘WAG of the season’ after sporting some cute outfits. But then when magazines and publishers hit you up, something shifted.

It was no longer Satoru Gojo and his girlfriend. But now Y/N L/N and…what’s-his-face..?

basketballer!Gojo who you no longer recognised after a heated argument.

“You know, this is so predictable. I supported you since we were in college and the one time something good goes for me, you bitch and complain!”, you yell him, your index finger was firm against his chest. “It pisses me off, Gojo. I’m done.”

He scoffs, “I just think it’s too much. The red carpets and shit, I don’t get it.”

“You don’t get it because you’re used to me being just your stay at home girlfriend. Things change!” You release your own scoff to his response.

“Maybe I liked it that way because you had time for me-”

“But you never had time for me!”

basketballer!Gojo who has no comment to reporters when asked about the ‘break up rumours ‘with long term girlfriend, Y/N. But behind the scenes, he’s yearning for your forgiveness. He’s constantly at Suguru and your best friend’s house, hoping he’ll bump into you but you were never there.

it wasn’t until the season’s final where Satoru’s team were up against the undefeated (3 years in a row) champions. He was definitely shitting himself. As team captain, he was physically present, but not mentally.

But when he walked out and saw you in the crowd wearing his jersey, he suddenly felt calm. Were you attracting all the cameras? Yes. Were you dragging attention away from the game? At times, yes. But did he mind? No. For you were there for him. Even when you hated his guts.

basketballer!Gojo who fucks you like it’s his last night with you after his team won the finals. You can’t even remember how many times you’ve came but Satoru wasn’t gonna let you go.

“Toru-hnnnggghhh..! It’s too much!” You cry out real tears as he fucks up into you. He bites your shoulder, he wanted to be so close to you after so many separated nights.

“I’ve missed this body, I’ve missed you so much, baby. You have no clue…” He growls.

basketballer!Gojo who has the biggest grin on his face when paparazzi swarm him, asking about his engagement with Y/N. Truth be told, he hasn’t stopped smiling since he popped the question.

“Satoru, what’s next for you and Y/N?” A reporter asked.

“Babies. Lot’s of ‘em.” He smugly replies.

You’ll defo punish him for that comment.

[ashlynlovestlou]

winner winner (ellabs x reader)

꩜ synopsis: abby and ellie challenge each other to see who can make you squirt first.

꩜ cw: SQUIRTING!!!! , overstim , threesome , smut with absolutely no plot , dirty talk , pet names , spanking , poosay slapping , dom! abby , dom! ellie , sub! reader , tummy buldge , mention of masturbation , this is kinda short i'm sorry

masterlist

.・。.・゜✭・.・✫・゜・。..・。.・゜✭・.・✫・゜

the three of you had been at this for fifteen minutes already. it happened when you mentioned to them that you'd never squirted before. of course, being the two numbskulls that they are, they took that as a challenge.

so now you were laying on your back in bed, abby between your legs and ellie at your side.

ellie was holding your hand, rubbing your knuckles with one hand and rubbing your clit with her other. abby, of course, was wearing her biggest, longest strap she has, and she's pounding into you while she cradled your head.

pathetic little whimpers we're escaping your lips with each thrust, but all you could do was take it.

"shhh... sh sh sh." ellie coos, "come on baby, you can take more."

abby is too focused to speak, hitting that spot inside of you repeatedly. your insides were probably bruised now, and she could feel you clenching around her.

"she's gettin' tight, ellie." abby says. ellie snickers, pressing down and pinching your clit. you moan and your back arches off the bed.

you flail your legs, trying to close them in retaliation, but abby keeps them open. "uh-uh. keep 'em wide and spread for me, sweet girl. you close, huh? yeah, i can feel ya." her words send you over the edge and you're coming for the third time tonight. your entire body convulses with pleasure, and both girls marvel at the way your face contorts.

"no way in hell i'm letting you win." ellie mutters to abby under her breath, shooing her away from you once your high is over.

she gives your cunt a few firm slaps before impaling you with her silicon dick. she bottoms out in one go, the tip of her dick kissing your cervix sloppily. hers is much longer than abby's, making a little bump in your lower tummy.

"s' too big." you whine when ellie's hand meets your stomach, pressing down on the little bump she made.

"you've got it, sweet girl. come on, baby, come on." she whispers in your ear.

abby chuckles as she watches this all unfold. she let ellie go first to get you nice and stimulated, in hopes that she could be the one to make you squirt. but the way that ellie was slamming roughly into you made her believe that that wasn't going to happen.

"hurts." you groan, eyes closing.

"keep your eyes open. watch ellie fuck you." abby commands, so naturally you listen. you open your eyes to watch her slip in and out of you. your thighs were covered in slick, and your next orgasm was coming.

ellie's pants and heavy breaths only turned you on more, and it was getting harder to sit still. ellie had a shit-eating grin on her face, knowing what was about to happen.

"scream my name, honey. come on, let me hear you." she coaxes, and you gush at her words, doing exactly that. you yelled her name, in contrast to the little whimpers and quiet whines you were eliciting earlier. you'd never felt more euphoric in your entire life. sure, you'd come on your own hands, their hands, their straps, and even their mouths several times. but nothing compared to the tingles you felt on every inch of your body.

the sheets were wet.

ellie entire lower half was wet.

you were wet, laying in a puddle of your own substances.

ellie laughs and cheers, "you fucking squirted!"

abby groans in defeat after seeing the utter mess you made. her eyebrows were squeezed together, her bulky hand in a tense fist. she shook her head silently, as if contemplating punching ellie in the jaw.

but ellie was too busy celebrating to notice, "fuck yeah! i did it!" she says, pecking you in every little crease and corner her lips can reach.

you were too fucked-out to comment on her celebrating, or abby's defeat, for that matter.

"how d'you feel, sweet pea?" abby is first to check on you after ellie disappears to go fetch some towels.

"fucking amazing." you mumble, nestling comfortably into the crease between her shoulder and neck, "never knew it could feel like that."

she chuckles, kissing your hairline, "there's plenty more where that came from. next time, i'll be the one to make you squeal like that, hm?"

you laugh quietly at her words, nodding.

[kianamaiart]

tattoo tour!

got some asks about my own tattoos! i've talked about em on my other blog but not here i think

opihi shell

this was my first tattoo! when i was little, my grandma would call me her "little opihi" because i'd stick by her side all the time and i thought it'd be an appropriate and meaningful tattoo to get.

________________________

team rocket rose

another tattoo i designed along with @/loinktattoos on insta. dedicated to my love for jessie, james and meowth. it's a rose with a blast off star and a "TR" in the leaf~

________________________

tsuta mon

my japanese side of the family's crest! my brother, mom and i all have it~

________________________

lignum vitae flower

a tattoo of jamaica's national flower to celebrate my jamaican heritage. tattooed by @/loinktattoos and designed by @/sablingart on twitter

________________________

doughnut

it's the doughnut from the kpop girl group twice's song "doughnut" LOL. it's maybe my favorite song ever (?). they also raaarely play their japanese songs outside of japan but i got to hear it live and it solidified my love for the song

________________________

arbok tattoo

much like how i love team rocket, i love arbok. i sometimes draw jessie with an arbok marking tattoo on her chest and i considered doing that too but doing it on my wrist seemed like a nice placement. plus i can make my hand look like a snake and i think that's fun

________________________

brushstroke tattoo

my first purely aesthetic tattoo and also my biggest piece! i found @/reina.asami's work on instagram and instantly fell in love with their style. a lot of their work centers around japanese culture and specifically japanese american culture. i had such a lovely conversation with them about being mixed and my experiences. we also talked about the irony of honoring our japanese heritage with tattoos haha

________________________

botan hanafuda card

one of my favorite games to play with my grandparents on my japanese side is hanafuda! i've always loved how pretty the cards looks and all the different flowers. each suit corresponds to a month and the botan is for june (my birth month)

________________________

bat

i like bats hehe. i had a tattoo themed birthday party last year where my friends made "kiana themed" tattoos and we put them on temporary tattoo sheets. but also @/loinktattoos was there to give anyone who wanted a real tattoo a real tattoo. and i got a bat designed by one of my best friends @/ghostbri, who shares my love of bats~

________________________

botan

i came across @/miyookstatto's instagram a while back and reaaaally wanted a tattoo from her at some point. problem was she was based in seattle. however! i had a wedding in seattle coming up and tried to see if i could book an appointment the day i landed and she happened to have a spot open!

________________________

wobbuffet

my most recent tattoo and maybe one of the most special. my brother and i have been wanting matching tattoos for yeaaaars but couldn't really think of anything to get. our love for pokemon was always something we had in common but he models and can't have anything copyrighted on his body. however, one of his favorite pokemon is ditto and i got the idea to just do its face because you could argue that it's just a smiley haha. so i decided to get just a wobbuffet face to match! what made it special is that we were able to tattoo each other! he did stick and poke for mine and i got to use a machine which was rad.

that's all for now!! i want more so badddd. definitely want a back piece at some point and would also love to get a little shooting star to commemorate making "i don't want to be a magical girl"

[enzstr]

a morning behind the explosions

pairing: timeskip bakugo x reader (married with kids au)

notes: this was waaayy back in my old drafts so enjoy reading :P

The early morning sunlight peeked through the curtains, casting a warm glow across the room. The soft murmur of your children’s voices could be heard from the kitchen, punctuated by the occasional burst of laughter. You smiled, knowing that the morning chaos had already begun—your two kids were always up bright and early, full of energy, ready to face the day.

You rolled over in bed, only to find that Bakugo’s side of the bed was already empty. You sighed with a smile, knowing exactly where he was.

As you stepped into the living room, you were greeted by the sight of Bakugo, his red eyes narrowed in concentration, wearing a faded “Kiss the Cook” apron over his usual black compression shirt. He was standing at the stove, one hand gripping a spatula while the other tried to balance a skillet full of eggs.

"Good morning," you said, leaning against the doorway with a teasing smile. "How’s the kitchen going today?"

Bakugo grunted, not turning to face you. “Don’t laugh. I’m making breakfast, alright? The kids wanted pancakes.”

You watched him flip an egg with surprising precision for someone who usually preferred to blow things up rather than cook. Despite his fiery personality, Bakugo had become a surprisingly competent cook over the years—especially after the birth of your first child. He didn’t want to admit it, but you knew he loved taking care of his family, even in the little things.

“Do they always expect you to cook?” you asked, stepping into the kitchen and moving to the counter to grab a cup of coffee.

“Yeah, well, they love my pancakes,” Bakugo said with a huff, his back still to you. “And if I let you cook, they’ll be crying ‘cause you’re too slow.”

You chuckled, watching as your youngest, a rambunctious four-year-old boy, scampered over to the kitchen table. His bright blond hair—so similar to his father's—was a mess, sticking up in all directions.

"Daddy! Can I have the biggest pancake?" he asked, his wide, eager eyes shining up at Bakugo.

"Quit being so damn greedy," Bakugo grumbled, but his voice had softened. He slid a plate of pancakes onto the table for your son. "Eat this first, then we’ll talk about the ‘biggest’ pancake."

Your heart swelled as you watched Bakugo gently serve his son, his gruff demeanor melting just a little when it came to his kids. It was a side of him that you had fallen in love with—the fierce hero, the protective husband, the devoted father.

As your son dug into his food, your daughter, who was just a year older, strolled into the room with her hair tied up in a messy bun. She rubbed her eyes and yawned, still half-asleep, but already demanding attention.

“Mom, can you make my pancakes in the shape of a heart today?” she asked, her voice still sleep-ridden but sweet as can be.

You smiled at her, walking over to give her a quick hug before turning to your husband. “I think she’s requesting a little extra love this morning,” you teased.

Bakugo rolled his eyes but was already pulling out a second skillet to make heart-shaped pancakes. He didn’t say anything, but his subtle smirk told you that he didn’t mind.

“Are you still planning to take them to the park later?” you asked, stirring your coffee.

“Yeah,” Bakugo replied as he flipped another pancake. “I said I’d take ‘em, so I will.” He turned to look at you, his fiery red eyes softening. “You can stay here and rest. You’ve been working all week. I got this.”

You raised an eyebrow. “I’m not going to sit on the couch while you do all the work.”

“Tch, I don’t need you hovering over me,” he muttered, but his voice was softer than usual. “It’s not a big deal.”

You gave him a knowing smile, watching as he poured batter into the pan, a small frown on his face as he tried to make sure the pancakes were perfectly shaped. “You’re getting good at this.”

Bakugo shot you a glare, but there was no heat in it. “You don’t need to act so surprised. I’m not some idiot who can’t learn stuff.”

You stepped forward, wrapping your arms around him from behind, resting your chin on his shoulder. “I’m not surprised. I love seeing this side of you, you know?”

He tensed for a moment, but then relaxed into your embrace. “Shut up,” he muttered, though the faintest blush crept across his cheeks.

Your son, now finished with his pancakes, climbed into Bakugo’s lap. "Daddy, can you play with me later?"

Bakugo gave a small sigh, but the smile that tugged at his lips was soft. “Yeah, I’ll play with you after I finish here.”

You watched them, your heart full as you saw the fatherly bond between them. Despite the explosive nature of his quirks and his harsh exterior, Bakugo was, without a doubt, the most dedicated father. And it was in these small, quiet moments that you saw just how much he cherished being a family man.

You grabbed the plates and began setting the table, glancing over at him. "You know, Katsuki, I’m really proud of you."

He scoffed, but there was no hiding the genuine warmth in his eyes. “Tch, don’t get all sappy. I’m just doing what needs to be done.”

You smiled, kissing his cheek quickly before returning to your task. “Yeah, I know. But that doesn’t mean I’m not proud of you.”

As the morning unfolded, you all sat down together at the table, sharing breakfast and laughs. The chaos of family life, while loud and often overwhelming, was something you had come to cherish. You didn’t need grand gestures from Bakugo—his love for you and the kids was shown in the small moments, in his quiet care and dedication to making sure everything was right.

And in that moment, surrounded by the noise and joy of your family, you knew that no matter how intense the world got, you had your own little piece of peace right here.

enzstr © 2024. please don't steal, modify or copy my writing on any other platforms!