#whole life right now

[cetoddle]

i love my new therapist so much cause she’s the first person i’ve ever met who takes me seriously when i talk about suicide even though i don’t have a concrete plan and haven’t actually made any attempts yet

[jkvjimin]

PARK JIMIN + dominating the stage with his aura (cr. namuspromised, jung-koook) | [template]

happy birthday, annie! @kimtaegis 💜

[raticalshoez]

"Back when you cared about me."

"I still care, Etho."

//

DISKAKWKDNWKW SECRET LIFE HAS BEEN FULL OF BOAT BOYS WHAT THE HELL WHAT THE HELLLLLL /pos

[chirpsythismorning]

Say it’s likely there will be a Brokeback Mountain reference in s5 and nobody bats an eye.

Say it’s likely that the final byler fight will be inspired by this scene and society goes wild.

[silusvesuius]

nnnnnnnnnnnnno maa'am

[deoidesign]

My comic is so pretty...

The hiatus is letting me take a little extra time on these episodes, and I'm definitely putting it to good use!!!

[lunarharp]

if i just told you i love you would this world change

[lunelicmoone]

everybody say happy birthday to him right fucking now

[batsplat]

random throwback to fabio's response to casey saying he should've been black flagged for the whole open leathers situation

[introspectivememories]

god i know i said i was tired of making eveerything sad but just imagine timber those first few months of reconnecting and they're both drunk on tim's boat, laying on the deck staring up at the stars and bear turns over to look at tim, his eyes are sad and wet, and he reaches out to touch tim's face as if to make sure tim is really there and not an illusion and tim whispers, "bear?" and bernard smiles a little brokenly and goes, "so how long do i have you for this time?"

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[ink-splotch]

hey friends I’m looking for some reading recommendations!

I’ve just been rereading old favorites, which is a joy, but I’m hankering for something new to surprise me and capture me. I’m open to anything but have particular soft spots for:

- narrators or POV characters with distinctive, atypical voices, perspectives, or assumptions who make an ordinary or extraordinary world more interesting by being seen through their lens (ex. Martha Wells’ Murderbot, owlet’s This, You Protect)

- clever, precise plotting and storytelling such that final conclusions or reveals click together like delightful, unexpected but perfectly predictable clockwork— the sort that you can see obviously in the first chapter but only after you’ve read the last page; stories where the authors trust the reader to pay attention and figure stuff out (ex. Megan Whalen Turner’s The Queen’s Thief series, The Westing Game, Pamela Dean’s The Secret Country)

- worldbuilding with depth and texture — it feels explorable, immersive, like you could study it, like you could get lost, like other stories are going on just off the page (The Secret Countey gets a second honorary mention here, great book, I highly recommend)

- characters you can root for, especially ones that are slowly, quietly, unregretfully tearing themselves apart for something they care about (Kip Mdang from Hands of the Emperor, Newt from Designations Congruent with Things, Nico D’Angelo from the Percy Jackson books, Arthur in rageprufrock’s Presque Vu)

I like stories with momentum, stories that swallow you. I like beautiful things. I like stories that surprise me and make me think. Help a gal out? What stories have captured you?

[aquickstart]

ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.

another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!

farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.

but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.

but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.

but the important thing is this.

farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.

farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.

the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.

as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.

but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.

and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.

to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).

to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.

and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?

but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.

the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.

so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.

[silverwhittlingknife]

good coping mechanisms [not pictured]

nightwing 116 & red robin 12

[lgbtlunaverse]

While rereading mdzs I am once again shocked by how talked about the "you were the only mistake he ever made" line from Lan Xichen to Wei Wuxian is and how heated it gets some people because honestly... I don't think he actually even believes that.

Stay with me. Look at the actual line. (I Included 2 translations for comparison's sake)

Firstly, yes he is mad at Wei Wuxian in this scene. But his biggest moment of anger was actually before this. By this point he's realized that Wei Wuxian forgot what happened after nightless city (and therefore ISN'T stringing along his baby brother on purpose) so he has in fact calmed down a bit.

Secondly, notice that he starts by talking about how his uncle felt. This is not Lan Xichen making a value statement about what he thinks. When he says Lan Wangji was proper and righteous he is talking about him being a model lan, he's talking about their family and clan's perspective of Wangji. Indeed, in their eyes, Wei Wuxian is the only time Lan Wangji was ever not the textbook perfect Lan.

Thirdly, what is Lan Xichen trying to say here? What is he mad at Wei Wuxian for? It's that he doesn't know Lan Wangji is in love with him. His anger is eased by realizing Wei Wuxian doesn't remember the very blatant confessions lwj made in the cave after nightless city, or Lan Wangji fighting his own clan elders for Wei Wuxian, and so had no way of knowing the whipmarks on Lan Wangji's back were related to him. But he is still mad, he still thinks Wei Wuxian should have been able to figure it out. So what does he highlight?

The fact that the only thing Lan Wangji, perfect model-Lan righteous Lan Wangji, ever defies his clan for is Wei Wuxian.

And Wei Wuxian has seen him do this! Even if he doesn't remember this one instance. Because Lan Wangji has been doing that the whole story through. Wei Wuxian has watched Lan Wangji blatantly stand against the entire cultivation world for him, and here Lan Xichen is highlighting just how unusual that is, how much Wei Wuxian must mean to Lan Wangji that he's willing to do that. The important part of the sentence here is not "mistake" it's "only."

Lan Xichen here isn't trying to say that he disapproves of Wei Wuxian, or telling him to stay away from his brother. Remember, the thing that made him mad in the first place was Wei Wuxian saying that he and Lan Wangji slept in seperate rooms. He thought they were together! He's mad because they're not!

At no point does Lan Xichen say he individually considers Lan Wangji's feelings for Wei Wuxian a mistake. If he ever did, it's clear he accepted them regardless long ago. Mistake or not, what he wants is for his little brother to be happy.

[ancientbygone]

i didn’t do it, i didn’t do it for love; what did i do it for?

[sequel piece to kill the sparrow]