#who wrote this???? not me

[pretentiouswreckingball]

I want James to fucking buckle at the mere idea of Regulus riding him. I want James squirming under Regulus and Regulus soothing him, peppering gentle kisses all over his face, telling him he's being such a good boy to him, that he's doing so good, that he's fucking him so well while James cries and moans at the sight of this man on top of him, taking whatever he wants

[noelledeltarune]

EVERY SINGLE DAY there are MILLIONS of characters in their late 20s who get falsely accused of being father figures to teenagers when in reality the description of "weird older cousin" or "step-sibling that moved out before you were born" is 1000000x more apt

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[gentil-minou]

Everytime I see posts like this I get filled with such profound sadness

Cause you know who has the same brainrot as you? The same unhinged feelings as you after you've read the fic? The person who always wants to scream about the fic with you?

THE PERSON WHO WROTE IT

I never used to leave comments but since I got into the habit of commenting on everything i enjoy it's been incredible. Especially when the author gets back to me about it and we get to have a discussion of what other ideas they had. One writer replied to my comment with a 5 paragraph essay detailing the Floorplan of the building the characters lived in and it was incredible

Anyways this is all to say that if you find a fic that just makes you want to scream from the rooftops, leave a comment saying that to the author and maybe they will join you and you can scream incoherently together

[shamebats]

Deleted bc I don't want anyone to think it's ok to lie about being intersex when you are not, it's insensitive wrong & contributes towards intersex erasure. Intersex liberation now

[adam-scott]

SEVERANCE #02.01: ‘Hello, Ms. Cobel’ + REDDIT TEXT POSTS [Episode 2]

[aerequets]

(part 1)

(short comic) (you can otherwise search 'spy x pta' on my profile)

MY GOODNESS. it's been a hot minute since i posted the first part and i guess i just couldn't SHUT UP because this is FOURTEEN PAGES LONG. FOURTEEN. you can even see some pages where the linework is slightly different because i drew it like 6-ish weeks ago, that's how long this has been cooking. drawing in general has been hard lately because of time constraints, BUT i am so happy i finished this. this is like my fav project even tho it isnt as popular, but who cares!!!!! POPULAR IN MY HEART

[infraredss]

never gonna argue with an butch lesbian. whatever u say handsome. wanna make out

[agabus]

i love how halsin is all like "well i don't really have many friends. i am kind of a loner you see. i mean there's thaniel and oliver. and you (?) but other than that" bc there is something extremely comedic about a man who for a while you only knew by reputation, a reputation which was "incredibly kind man, talented, will definitely help you," very earnestly be like "yeah people don't really like me :/ i don't really fit in anywhere" like OHHHH i finally get what your deal is. you are insecure

[itsclydebitches]

Love it when the kinda half-formed observations you make about an episode finally come to the forefront.

Watching the start of "Dot and Bubble": Hmm, everyone in this episode is very... white.

Halfway through: The Doctor certainly continues to stand out, especially in that bright red sweater amongst all the pastels

Lindy freaking out about the Doctor and Ruby being in the same room together: I suppose that could be due to some cultural taboo about interacting in-person when everyone is supposed to communicate via bubble, but that doesn't track with what we've seen of her work day...

The "twist" that the chronically online, all white, super rich, entitled to the point of satire, willing to sacrifice others without hesitation, oh so eager to colonize people living in a literal bubble (TWO bubbles) are *gasp!* actually, devastatingly racist...

Yeah, that's not a twist. That's all deliberately interconnected. The episode didn't suddenly move from an argument about social media use to an argument about racism; the two historically go hand-in-hand.

[notrobinsomethingworse]

Dick: Happy Birthday Tim.

Tim: Yeah. Thanks.

Dick: How’s finally getting out of those teen years?

Damian: Don’t be absurd Grayson. Timothy is turning 17.

Dick: What? No he’s 20.

Tim: Aw first name?

Damian: It is my only gift to you.

Tim: Thanks Dames.

Dick: We are not changing the subject.

Jason: I dunno what to tell you dickbird. Baby birds turning the big one seven.

Dick: Jason you tired to kill him three years ago…

Jason, shrugs.

Steph: I mean he’s always been the little one. Even for me.

Dick: Steph he was the same age as you when you were dating…

Steph, shrugs: Can we have cake?

Tim: Hey! I haven’t blown the candles yet!

Dick, struggling: Cass… please.

Cass, ruffling Tim’s hair: little brother.

Tim: Aww thanks Cass.

Dick: Bruce come on. You gotta believe me.

Bruce: Hm

Tim: You did gaslight me for my 16th birthday. That was before Jason came.

Bruce, thoughtfully: Hm.

Dick: WHAT- No. I’m talking to both of you about that later. Tim is 20. It’s physically impossible for him to have been 17 FOR THREE YEARS.

[Varying degrees of staring]

Tim, whispering: Dick? Yeah kinda pointless doing this. I’ve tried before, they all just shrug it off.

Dick: What? So how old are you?

Tim: Probably 17? I’m starting to think I’m cursed or something honestly. I’m not too worried about it unless Damian starts becoming my older brother or something strange.

Dick: What.

Tim, nodding: Pretty sure I accidentally made a deal with the devil or something. Not quite sure. My memories a bit fuzzy on that year.

Dick: WHAT.

[dreamsteddie]

Steve and Eddie who kind of flop in life and end up poor, living in a trailer in a different small town living quiet lives of no import.

The kids, Robin, Nancy, and Johnathan all seem to take the small handful of opportunities offered to them by the government in the aftermath of the Upsidedown to take off and make something of their lives. They're off writing headlines, making news, and living their lives to the best of their abilities, but Steve and Eddie find themselves stuck.

Steve stayed in Hawkins until the kids graduated and left for college. By then Nancy, Johnathan, and Robin are all in their second or third years of college. John and Nancy have their own apartment in New York together and don't reach out all that often, only seeing the rest of the Hawkins crew on Holidays and some vacations. Robin is flourishing at an all-women's college in Maine and has a partner and a cat and plans for graduate school brewing. She's always saying Steve can come out and join her whenever he's ready, but when the time comes it feels like he would just be trying to insert himself in the middle of a life he doesn't know how to fit into, so he turns to Eddie instead.

Eddie is permanently disabled in a number of ways following the events of season four. He struggles with chronic pain, has breathing issues due to the loss of part of his right lung, and lost enough muscle mass in his left leg that walking will never be easy or done without the use of a walker or arm bar crutches. The doctors said he recovered as well as he could have. The kids said he would get better with time. Wayne said it didn't matter if he never got better, he could do anything he set his mind to.

Steve is the only person who tells him the truth.

Steve tells him that it sucks. Tells him that it will probably always hurt. Doesn't give him false hope when he's trying to grieve the loss of the life he wanted to live. The goals he wanted to reach. When he falls deeper and deeper into himself, stuck in the muck of depression, Steve is the only person he lets in. The kids try their best but their lives are moving fast, and taking care of someone like Eddie is exhausting, no matter what they try to say. Eventually, everyone but Dustin gives up on reaching out, the younger boy showing up every Sunday to try and get Eddie out of the house. He always leaves disappointed.

When Steve asks him if he wants to use what's left of their partly government payouts and Steve's equally meager Family Video savings to buy a truly shitty trailer in a town an hour and a half south of Hawkins in the fall of 1990, it feels like the first boon he's been given in almost five years. He'll never be who he could have been if he had ignored Chrissy that day in 86', but he's always thought maybe he could be more than a ghost between Wayne's walls if he could just get out of this god-forsaken town full of people who know too much and too little of what's happened to him.

They get the trailer, pack what little they have, let Wayne hug them close, and leave.

Steve has already transferred to their new town's Family Video, moving up to claim the dubious honor of being the opening manager. Mostly he just unlocks the door, signs into the computer, and makes sure nothing catches fire. Eddie hoped that moving would miraculously make him fit to enter back into the world, but he spends most of his days with a blanket on the front porch, watching people pass by. He does, though, finally accept that he needs to apply for disability to help Steve keep the lights on and the water hot. That last little bit of hope that he could be what he used to be dies, but he's learning to be content with what he does have. He starts taking a walk, just ten minutes around the loop of the trailer park saying hi and trading polite nods with his fellow residents. He's not ok, but he's starting to build a new community of people not too different from himself.

The new trailer only has one bedroom. Eddie sleeps on a fold-out mattress in the living room. It had been a major argument when they first moved in with Steve insisting that Eddie needed the bed. Eddie argued that it wasn't fair for him to take the room when Steve was the one working 40 hours a week to keep them afloat. In the end, Eddie was the more stubborn of the two. It helps that Eddie has absolutely no qualms about crawling into bed with Steve on the nights when the couch bed really won't cut it for his aching body. Steve never questions it, just shuffles over a little and lets the other man in.

Steve doesn't question a lot of stuff.

He doesn't question when all their effects are shared between them with no effort to distinguish between yours and mine, Eddie's and Steve's. He doesn't question it four months in when Eddie starts to get his feet under him and decides to take up cooking, always trying his best to have everything done just as Steve walks through the door. He doesn't question when a good chunk of Eddie's first disability check goes to buying Steve a sturdy, if not very fashionable, new watch for his birthday since his old one went bust almost a year ago.

He doesn't question it when Eddie holds his hand for the first time under the stars hanging above their front porch.

He doesn't question it when Eddie introduces him to one of his new neighbor friends with a hand resting comfortably on his lower back

He doesn't question it when Eddie starts sleeping in the bedroom every night.

Or makes him box mix cupcakes for Valentine's Day.

Or kisses him for the first time on the couch that's never a bed unless they want to spend the day binge-watching bargain bin films.

Because really, isn't this how it was always going to go? Wasn't this exactly what Steve was asking for when he asked Eddie to skip town with him?

Isn't this what Eddie was hoping for when he said yes?

[spoopdeedoop]

very very late to the party on the lost in the woods somewhere beeduo fae au by @hellenite but i am here now and it is taking over my brain like a very fast growing moss of some sort

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[biggest-gaudiest-patronuses]

going through my old journals as part of therapy homework and i'm reading a section written in the emotional wreckage of a full-on breakdown when i get hit with this line:

There is never a satisfying answer to ‘Why didn’t they love me?’

like wow babe. good fucking point

[housederiva]

Another win for Dragon Age for not making me go through a quick time water level